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Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Terry O'Leary Nov 2013
Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.
Wordsinalign Apr 2017
Translucent stars get cloaked by the glittering elevation,
They douse the yellow burning on boulders that lack sensation.
A tin-plated bowl plays pretend as porcelain cup,
pressured by the maintainance of going up, up and up.

His loneliness came in waves,
every time he visited his brother’s grave.
This is biggest of reason why he took off,
to live across the desert far from the trough.
He pressed down every emotion and kept it pressed against the last, new ones began to take form with secrets of his past.
He had earned a dance with the devil, cursed by his days of revel.
He uncovered a million reasons why he shouldn’t stay,
For reasons he never figured, what was he supposed to do to not run away.

And so he left where silence felt like a familiar existence,
his doorway locked out from world’s insistence.
He lived far away in resistance from the city of daze,
a place where the yellow sunlight gleams, created a haze.
Surrounded by rows of empty parking lots lit by floodlights of reason, through his window he witnessed the metamorphosis of season;
In gardens of sober logic, he lived exotic.

His heavy casing of heart began to soften,
with every passing day he saw often.
He admired her from afar her glow was irresistible,
he drew close to her love like it was inescapable.
All this while he carried his burden with thorns of grief,
his heart had healed when he sighed a relief.
After days months and years, he lifted his hands to the heavens,
and prayed for all his sins that were left unforgiven.
The world spin around again and was not flat,
Look what happens with love like that?
Samuel Jul 2011
Bathe us in glowing webs
Strung from the moon
Their floodlights blind those who stare
Straight into them

So we look just slightly left.
III Jan 2015
Maybe,
It’s not about finding
The light at the end of the tunnel,
Maybe,
The tunnel doesn’t even
End, and the light isn’t
The warm glow of a
Sun so high above,
But the dim illumination
From a floodlight, dusty,
And draped with cobwebs,
And maybe,
The floodlight isn’t there,
It’s shattered and its pieces
Bury into the skin of your
Bare feet as you step on them,
And continue to trek forward in
Darkness, towards the next light.
Maybe,
That’s a good thing.
You’re in a tunnel after all,
You can’t drown in blackness as
Easily as you can the sea.
Maybe,
The extra darkness
Makes the next floodlight
Brighter, and you’ll
Stop, and bathe in it a
While as your aching lings
Finally rest.
Maybe,
If you’re brave,
You’ll think you can
Live under the light,
Unaware that you’ll
Lose your knowledge
Of the darkness,
And when your light
Finally coughs,
And shudders
And dies,
You’ll get lost in the dark again,
Turned around,
Heading away from the new lights ahead.
Or maybe,
You prefer the shadows,
Carry a bat,
Or a golf club,
Or whatever blunt weapon
Catches your fancy,
And you smash each light
You pass,
Cutting the feet of all those
Behind.

Maybe,
There isn't a light at the end of the tunnel,
Just an endless string of floodlights,
Bright,
Shattered,
And lost.
Edward Coles Oct 2015
Rugby, Warwickshire
16/10/2015

Unholy streets of G-d, liquid tobacco,
gentle froth and steam
from the coffee estuary, split beneath the clock tower
on the idle hour; more pigeons than people,
more buildigs than choices
on this small-town, charity shop parade.

The women are still beautiful, still unattainable,
still on the brink of a breakdown
in the most confident dress.
Street-pastors carry the drunks home,
the street-cleaners appear by the afterparty,
clear out the old bottles
before the commuter picks up cigarettes
from the newsagents that never rests.

Tattoo parlours, barber shops,
Christmas on the radio come Hallowe'en-
this is the town that crazy built:
war-time poetry, jet propulsion,
chief inventor of sport,
of mild alcohol addiciton.

There's hundreds of places to get drunk in this town,
hundreds of places to hide away;
a foreign face in a sea of family and friends.
Landlocked, gridlocked,
centrally located but left out on a limb;
this town clings to the tracks,
it's avenues of escape
the only margin to keep the residents
out of mind and in their place.

But this is where I grew up,
always more car-park than parkland,
my first steps on Campbell Street,
on Armstrong Close,
first time I broke the law on Bridget Street,
on Selborne Road.
I'd push my bike all around this town,
no stopping off for a smoke,
for to get my fix-
I'd push on and on past graveyards and open bars
without a second gance.

Now, it's all shooters and soul-singers
and happenstance;
chicken wings on a late-night binge,
a box of wine, a night of sin,
wake up in shame,
life's a guessing game
and guess what, you'll never win.

Chewing gum, patches,
vapour that scratches the back of my throat,
nicotine in my blood,
you know, I'm trying my best to get clean.
Blister packs of vitamins, bowls of fruit,
buying coconut water over the counter-
green tea by the rising moon,
incense sticks and vegetables in the garden,
yet by the time night rolls on by
the locus of my eyes, they darken;
I'll be back on the beer,
I'll be smoking a carton.

This is the town that crazy built,
even the flowers by the roadside wilt,
cement factory, hum-drum poverty,
post-code belonging to Coventry,
kept out of the war
by a matter of minutes,
kept from the future
by corporate interest.

Hospital lights, supermarket glow,
I can't remember the last time
I wasn't loaded with chemicals
every time I get home,
every time I sign out
and put my head on the pillow,
I see familiar streets, familiar signs,
the job centre, the floodlights,
the 12% lager, the twist of lime.
I struggle with rhyme,
I struggle most days to get out of the house,
but at night, I know, that sea of doubt
is a river of light, to ruin my liver,
to spike my fever, to calm me down.

There's hundreds of places to get drunk in this town,
and this world it don't spin,
it just throws me around.
A beat poem (adapted slightly for reading purposes) about being young in my home-town. You can hear a spoken word version here: https://soundcloud.com/edwardcoles/poetry-and-music
Lora Lee Jan 2017
and today
on this day of
your birth
I am ******
down into
the rhythms
of all that
we have been
until this moment
the biting rawness
             of new ebbs
the saddened veins
that vibrate
like used, worn
           guitar strings
the curve of
your fingers
that once played
            upon my skin
your weighted down aura
that I can no longer penetrate
and buoy up
and here I stand
all glowing light spirals
my head whirring
in mystic opulence
my gaze pulled to
the reverence of stars
my purity of river
in a swoosh
around my waist
that gurgling clarity
of liquid
pooling me in sacred
                            cleansing
that I must now take into
another rush
of estuary
and as I raise my arms
to the heavens
I almost fade
into the floodlights
                            of time
and my tears
push through
my skin
like the clear
jewels
of
salvation
Time to howl
https://www.youtube.com/watch?v=UQjMmfS0p_k
Andrew Rueter Jan 2018
For forty days and forty nights
We had no reasons to fight
So the planet was flooded
By the warm blooded

******* soaked
Visible ******
No more cloaks
No more loners
For everyone there was a match
But here's the insidious catch
It didn't take long for people to get bored
And start cutting and crossing cords
Until we resembled a chaotic horde

For forty days and forty nights
The Earth was flooding
Until things got muddy
And clouded transcendence
In the form of independence

Our lives keep knotting together
Our lives are rotting endeavors
We were completely happy
But felt that was too sappy
We sought edgy darkness
In a world that was shark-less
We made the world we live in
By putting on shark fins
And eating those that fall overboard
Out of their relationship
We try to be their overlord
Or add them to our list
Love grants a clenched fist
When there is value to a kiss

For forty days and forty nights
We turned on Earth's floodlights
And the world was flooded by love
Until we decided to try to look above
To see nothing there
Just the empty air

There was a time when there was love
Now there is none
Only a gun
And the number one
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
Orion Schwalm Jan 2012
Floodlights.
They’re ghosts right?
From our memories,
Have been seized, we
From the perfect dream?
Drip drop drip drop
Turning tricks, dropped the jack
*****, when you coming back?
It’s off it’s off
Seldom silence serves as sight’s severance.
**** chop **** chop    OW!
******* pistol clock
Whip glock whipping ****
How many names can you think of for a knockoff
Of soda pop?
I’m sorry sir you’ve got the wrong Ryan,
I haven’t starred in any movies that cryin’
Old seniles, and sensitive females, so honestly claim
Was the way life should have been for them.

Oh in that case I’ll show you the brain,
Then kick you in the *** for being so gay.
Hold on there, wrong Ryan.
I ain’t waiting tables, or banefully fryin’
Up **** that I spit in for women with tips worth less
Than my two cents.

Oh I apologize, celebrity lookalike.
Must be the weather or the windshield is cracked
Or the antennae are bent or the cables are jacked
But I can’t seem to figure out just who you are
When I’m watching the TV pimped into my car,
Let’s try a few shall we
Not a cook…Not a lover boi…Silence of the…Birds, if you’re a bird I’m a…Bat…Batman! Batman and Robin! Red Robin! No not a waiter…
Red hearse, Fred Durst, Paris Hilton, Ryan Milton
Wrong Ryan, Wrong Ryan!

Oh my god, silly me
I seem to have gone on a tangent you see.
Tandem bicycles, all of them for free.
If you would only come visit. Agreed?
Of course I know that you’re THE Ryan B.
Dedicated to Ryan Bowdish.
neth jones Dec 2023
blood                                                  
blood patter and splash                            
leads us         concrete toward
tracing back        til the scene        
i’ve flashing thoughts of the brutality
   the violence     that must of cussed  
  between persons            
         in fear    fray    and inebriation

down the steps                                     
            my four year old child and I go          
the greasing bleed     in bronze putters  
growing and leadening
on stone labours

glowing citrus    the refrigeration
                          of the underpass
          ‘flips the bird'   at the summer blaze
grey dead coral bricks of urination  
seasoned in deep   beading now cold
the broke up weapon                        
                   candy slates of brittle teeth
glass / bottle / beer /brown
    the neck its' hilt              
     and the main mud of the bleeding

the flies are the thing                                
                         th­at bothers my ‘little nipper’
usually a flapper of queries on repetition
no other queries are raised
     just eager for the vibration
      of train carriages gatling over our heads

i stopper any words i may have on the matter
  he holds my hand with his hot hand
we progress under a port arms                                   
                            procession of caged floodlights
      and walled in by fresh graffiti
fingers dripping   retching for the guttering
Observed 23/06/23

unused -

on thickened walls      painted on over and over
by the neighbourhood watch
a  narrowed burrow
Denel Kessler Nov 2016
midnight, floodlights
purse seiners packed in tight
anchored on the fragile shoal
shadows play on the white wall
dune grass, needle, leaf of tree
gallows rising from the sea
back and forth the tenders run
salmon gathered one by one
                                      
                                 the struggle and the toil
                                                                      
                                                         the silver flashing fins
                                                                                          
                                                                            leaping from the net

                                                                                            slipping back within
Jim Kleinhenz Aug 2010
Walter, I just want to sit on my *** and **** and think about Dante.*
—Samuel Beckett

All this fractures the Wolf. The ancient leaves
amid the ancient woods, wind riffling wind
in eddies she can see but she can’t hear,
the braying of a fatted calf which she
could eat, if she could hear thy call, O Wolf.

The tympani pretend to be a thunder roll,
the crashing cymbals mean to simulate
the distant lightning, all the strings—cello,
base, violin and viola—play the
pizzicato of rain commencing…

The Wolf sits to watch—what?—the floodlights fill
the stadium? the baton poised? the crowd
about to have their daily dose of not
quite silence served up yet again? She hates
that they have come to watch a prophecy.

It’s raining full blast now, the Wolf’s exchange
for music, how things balance out, how rain
fornicates in the forest, with its pools
and puddles, how it tenders lakes and rivers
and shadows… It can’t be! Ahead she sees him.

She sees Dante, the poet of the prophecy,
the one she has to drown.  It’s why she’s deaf.
She will not hear him wail. **** him so he will rot
in hell before the other poet comes. **** him
and spare the world another poem about

another world. The rain and music grow
so dense around her soul. She is so quick,
too quick for him to flee. She drags him still
alive, drags him to the lake of his heart.
Sink and die. In Paradise only bubbles rise.

The tympani pretend to be a thunder roll,
the crashing cymbals mean to simulate
the distant lightning, all the strings—cello,
base, violin, viola—play it soft,
so soft, as if the rain is about to start…

The Wolf and I walk the slopes of hell.
When Farinata and Cavalcante
rise up to ask her, ‘Who were thy ancestors?’
and ‘Where Is *****?’ she howls. O Wolf.
O Tuscan. She howls.
© Jim Kleinhenz
almat011 Aug 2019
A *** girl is completely beautiful, she is endowed with the full-fledged beauty of mind and body, her forms are full of beauty and a tidbit, in my eyes you will always be perfect. So hot and sweet, well, just tin, I have a severe burn from excitement of ***** and love. You are attractive from any side in any form. Your body seems to order me to love you again and again. Your yummy appearance to enter deep *** hypnosis of love is so beautiful well just to the loss of pulse, delicate as pink rose skin, pink tint on your skin like delicate pink opal, you are the personification of the true form of femininity, in my mind I see only you since I'm in love with your soul and body, my soul, heart and mind are saturated with the powerful force of love for you, true love for you and excitement boils in me and boils, you stand out with its outstanding beauty from the crowd of girls and women, as if several thousand illuminate you ajor floodlights accompanied with your favorite music. I gently kiss your skin and it’s just the divine taste of love and passion, I look at you and don’t notice how long I look at you, your great beauty is always fashionable in my heart, for me you are the highest top model of true beauty, I comprehend your bowels of amazing beauty, you expose your soul during unforgettable ***, so it is your image is like unforgettable ***, you expose your sensual tender soul filled with burning passion like a fashionable jacket, you ****** me with its beauty with style and special chic. My whole mind is filled with you, every neuron is filled with you, now my brain is so arranged, when you undress with deep delight it becomes difficult to breathe right up to the shock of admiration, to what extent it is a wonderful sight that I just sweat and stutter with excitement. Than more often I see you, the happier I become like a child, as if every time I fall in love, looking at you for the first time every day, I see that you are the highest happiness and love in the universe. I am in love with your ideal divine forms of the body, they are just perfect and perfect. I feel you and love and excitement by the whole nervous system I feel only you alone and it goes into the soul into the subconscious, into dreams, and the whole nervous system receives a powerful ****** of romance from love for you, like a great volcano or a great tsunami, it carries me into the world dreams where everywhere you are just like a storm and swirling like a huge tornado, the element of my love is able to crush this world. You are my most cherished desire that I made every day. When you look at me, the violin symphony gently sounds, when you peer at me the piano keys, from deep sensual eye contact, in your eyes I see infinite beauty.
Author: Musin Almat Zhumabekovich
Inside out Apr 2014
I don't want to sound pretentious,
I don't want to be a bore.
But my car is a Lamborghini
And yours is just a Ford

My home is my castle,
Seven bedrooms to explore.
I have a maid in the scullery,
And marble on the floor.

I dress in top designer chic,
My jewellery's in the vault,
I have a gun beneath my pillow,
It's really not my fault.

There's floodlights in the garden
And security alarm fired up,
I see a psychologist weekly
To ensure my brains not stuck

I want to build a pyramid,
So when my time has come,
I can take the whole lot with me
So I won't  be worrisome!
Andrew T Aug 2016
You painted your eyelids with green velvet and ruby red. The fractured mirror kept your insecurity at bay, as sparkle blue glitter poured all over your head from a little tin can.

We drove across the bridge, and through Shocko bottom, stopping at a nearly deserted parking lot sanctioned by an honor code. We double parked behind an Acura sedan, and waited as you snorted half a gram of Molly off your manicured fingernail into each
nostril.

You took in a deep breath, smoked a Parliament, and blew smoke out the
window. After ten minutes we shambled out of the car with our purses tucked under our armpits, and red fire dying in our eyes. When we reached the Hat Factory venue, the line disappeared from our view and we walked to the entrance where two bouncers were posted up. The tall giants marked our hands with black sharpie ink, drawing a large, bold “X” on each one.

Once inside the spacious warehouse, we ascended a white marble staircase and paid a ten dollar entry fee. Another doorman took out his marker and drew a red line, crossing through the dark black “X” that was drying on our hands. You broke off and away, going
straight to the bar. The bartender asked what you wanted to drink, and you requested water. She smiled and gave you a red solo cup filed with tap water and ice-cubes. After you thanked her, she handed you a bright pink glow stick that you wrapped around your forearm, fitting a figure 8 around your skin like a cloth sleeve.

On the stage was a young man dressed in neon colored plaid and skinny jeans. He climbed up a tall stepladder and jumped from the top, belly flopping on a beautiful African Queen bodacious gluteus Maximus, daggering deep into her soaking black spandex, the decadent bodies swimming on top of each other, stroking and staining the pink gymnastic mat with hot sweat and salt. A huge beach ball colored with red, white,
yellow, and blue pinwheel stripes sailed through the air over the balcony, smacking into a deathly thin model who was smoldering her Parliament cigarette into a clear glass
ashtray.

Mollywopped undergraduates gathered around circles where reggae artists harpooned inflatable black and white killer whales with thrift store bought switchblades.

Laying flat on his stomach was an Asian photographer snapping away with his Nikon digital SLR camera, pale hipsters in ***** black blazers and black fedoras hurling red and purple plastic assault rifles into the intense mass of worry-stricken college students carefree for the moment, gyrating and grinding to the womp-womp bass booming from rectangular speakers that squished in a disc jockey and his hardwood stand with his mixer and two turn tables. He scratched the needle along the worn edge of a battle-scarred vinyl record. His fingers zigzagged the sliders, pressed down on buttons, turned up the volume knobs.

Some hyper-maniac golden child bounced around the dance floor, sneaking up behind university sophomores mesmerized by the makeshift floodlights in the rafters blinking on and off. Conversations were made in the head, but never opened up when the girl approached. Stuck up super senior girls with heavy black mascara and matted eyelashes raised their eyebrows and swatted away ***** flies with a wave of their lotioned hand.

***** girls dress in high heels and septum piercing, their ear cartilage stabbed through by unclean metal. A rude person bumps into the Hyper-maniac golden child, causing the golden child to shove squarely into the rude person’s back. Name-calling ensues, threats fired and received, looks exchanged and bitterness rose over any other tension in the fuming room.

In the far right corner were a couple of kids making out; they’d just met.

Walking away from the fight, sidling between sweaty ugly people, the golden child swayed upstairs to the second floor, passed another bar and balcony tables, chairs, and dance platforms.
He went through a swinging door and joined a conversation between
a bunch of strangers. Wary around the golden boy, he starts practicing his standup Comedy routine, almost bombing on the first joke. Cheap jacks burned bright orange after a blue flame ignited the tapered paper end. Arms snared around the golden child’s body. Oh how nice! It was his friend from Modern Grammar class, he used to sit next to
her in the second row and copied homework answers from the blackboard with her.
She was happy.
And he was happy.
Kenna Apr 2015
I was born in terrorism.
I grew up in earthquakes, tsunamis and rebels:
in shouting blond girls with red eyes and pixel
smiles.

I was born in blurred faces and mute
voices pulling at my
eyes until I dripped the clotted
tears of a thousand soldiers, or refugees,
or children.

I was atomized, crunched
into small seeds and scattered
across a desert field.
Someday a flower would grow there,
budded from the bones
of my being and  
flowered into a fiery,
empty marigold-- dripping
gold and embers across a thirsty desert,
where the shout
of the civilians was distant
enough to ignore.

I was sodomized,
conceived in the roar--
of the rumbling wave- crashing over-
pulsing through her thrashing cave.

I watched my flower whither
and blister with the deliberate count
down and the glare of the
floodlights-- dowsed in water and soil--
or some semblance of the two.  

I was born in the blood
of my mother and died in the
womb of the world.
Inspired by the destruction of the Nepal Earthquake and the general desensitization of the human race.
Edward Coles May 2017
Flies swarm when the floodlights come on.
They **** and they fight, live and die.
In the space of an hour
turf becomes a bed of glass wings-
none are left
straining for the light.
It looks like a mass suicide.
Eggs hatch in the sweat of night.
Tachycardic at birth,
one brief exultation
enough to still the lung,
nullify the heart.
Yawn out of existence,
bullfrogs croak miserably
as bodies fall from the sky.
You ask me why I cannot sleep-
I saw a thousand deaths tonight.
C
Idonotexist Jan 2014
Undisguised not camouflaged
Standing out, A bright sun
in the blue sky stars hidden
within go unnoticed by the
Indifferent world Trapped
in their own cocoon of delusions

Unable Unwilling to metamorphose
to the beauty of kindred nature
into a free fall spiraling down
into the mundane

Illusion of Solid crust
beneath which the turbulent
molten lava flows
sometimes bursting out
yet another times causing
Tsunami and tremor

And yet the indifferent world
lays blinded by floodlights of duty
warming blanket of empathy
shredded by scissors of hate
buried within the grave yard
under the tombstone of misery

The different who rise up
from time to time are consumed
by the indifferent
like  a flash of lighting absorbed
by the indifferent earth as storms
of war thunder around in dusky
skies and innocent plants take refuge
in purging rains only to be flooded
out into the indifferent sea of documentaries
only to make  a trickle of frozen blood flow through
the chambers of tranquil heart
and indifferent yet try to contribute
subduing the thorny vines of growing guilt
by a click of like or share or Tweet

Sometimes the silent song
is heard  through the sonorous
souls within mind and winds
of change blow nucleating through
an idea propagating through words
symbols of art hitting the conscience
and arise the single conscious crowd
not the raging temporary mob
new sprouts of  generation rise up
through the barren land
and art forms inherently provide
what people need dragging from
the oblivion of what people want?
as bright illusion of illumination
is smoldered through enlightening
darkness as indifference transforms
into glowing luminous flowers of empathy
Edward Coles May 2014
The three of us sat on the disused, plastic patio chairs. Their white facade had faded into a malformed sort of grey, with grazes of mud and collected rainwater erosion further condemning them. We were blind drunk after three-and-a-half beers that were tempered with lemonade. The dreary five a.m. dawn threatens daylight, bringing an end to the party. In a few years’ time we’d be here again; coming down off drugs and talking about missed chances.

Tom and Amy are in my parent’s room, as we whisper conspiracy theories about his impotence, in the light of our lonely morning vigil. I barely remember what else was said, after we spoke of *** and love, and of our life beyond home. “There has to be something more, somewhere…” we would all insist. Yet, one by one, we have turned to shrugs, and those left to insist, do not.

What I do recall is the coffee (I never drank the stuff then) and dry crackers. As the sun came to rise and patterned the skies, we had seen one day slide into the next; we aged brilliantly in a moment. I stared out at the Rugby field just beyond the overgrown allotments; you could only make it out by the floodlights that towered over the trees. I knew then, of where I had always been, yet knew not where I needed to go.

I still don’t.
c
Joseph Martinez Apr 2016
Don’t you want to
Achieve the vision
He said with eyes
So crystal blue
We can see it
Written on your
Face I sense
No connection
To these people
We can all be
Top performers
If we elevate
One another
Hey your onions
Cut too small
This is me
Elevating you
I smell onions
And tortillas
And vegetables
Oil dishwater
Carbon on the
Grill top scrapings
She has got some
Vague expectation
Written on her smear
Life is like a
Postage stamp
Her makeup is
Too thick crossing
Over leopard print
Tattoo underneath
Her left arm
Message managers
Are wondering what’s
Wrong with you
My gentle restaurateur
You and your wife
Are wondering why
A child this June
Another restaurateur
A new store opens
Every two days
Like a virus spreading
Smiles of cold blue skin
I dreamt last night
My breathless image
Of being caught
Inside an elevator
Of an old casino
I was parked on the
28th floor security
Was out to get me
I want to be
The tired reason
Your brand new magic
Realization
The dream you
Don’t wake up from
I want to fall into
Flesh disappearing
From the white spots
Of your eyes
No sounds heard
Settling in your head
Spread out among
The cold far reaches
Of your yesses
Coagulate like
Hot black venom
In your fingers
Be drawn into
The cracked corners
Of your lips like
Raised beds of
Cacti in the sun
Holy stolen
In your boots
I am no sinner
Cast me thru the
Farmlands of the
Black seed
I am going
Home to where
Your eagle’s waiting
Eyes of plenty
Vines that
Creep among
The tangled people
In their fever dream
Announcing lampshade
Shadows holding
Form from in the
Broken molding
Here I watch my
Not-self wonder
At the wretched
Timeline of reactionary
Heroes
Tired old mothers
Wandering up the stairs
To their misfortunes
Glasses brought back
Full of orange juice and water
I am drawn upon
A silver second
Lost into a fog
She is obvious in
The way that she is leaving
I am almost out of
Oatmeal and songs
Silver for my floors
Time evaporates
This instant
Like a clean and subtle
Memory of everything
You say or do or wake to
All your riches and your fables
Are a lamb sworn
Into custody
Of the same slate asylum
Battered boats near docks
Knocking water
Into snake holes
Wandered under
Painted bridges
Holding no collapse
Spending hours and days
Washed up on drowsy
Shoreline nettles
Chipping flint stone fire
Extinguished under floodlights
Madison Brooke Jan 2014
in the fifth grade
we whispered oaths with wide-open eyes
the decaying gums of a chronic smoker
and the **** addict's exposed ribs and bleeding scabs
burned into our retinas
but they never thought to warn us
of the dangers of warm brown eyes
and a smile like floodlights
of ragged breaths in a window seat
and the drug that his hands can be
The aerodynamic
spiraling of
cappuccino colors
and butterfly words,
churches divide
and coffee-shops
offer something
that equally
scolds impatient tongues.  
Floodlights
liquidize in
the charcoal fog
and the girl in
the leather jacket
comes to life
beside the freeway.
Her shoes
are the ships
and her eyes
are the telescope,
but the streets become
the cement river
where the gasoline
creatures never stop.
This is where
they left her
to die,
this is where
they took
everything away.
She is nothing,
a mistake along
this highway,
but she was lucky
to be given
a name
that sounds good
on a tombstone.
Knowing this,
her pepper eyes
water and her body
collapses upon
brittle grass,
the Earth welcomes
her return.
Mateuš Conrad Mar 2016
and today i invented the sport of dribbling,
got tired of walking and philosophical thought,
an abandoned football on the street,
took it,
starting dribbling the **** out of it (approx. 2 miles),
drinking beer and smoking -
i was waiting for the heart-attack,
although teaching people to walk down
a high street and cross a country road
without bumping into bad manners and death:
walk... look at the ball... look... dribble the ball...
****, traffic... pause from dribbling...
then dribble on... i swear i sweated out half a can of beer
with that idea... oh wait, i did, here's the ball,
and i have a number of eye-witnesses...
dribbling is like jogging for those who can't give up
drinking and smoking - i know i'm not a ronaldo,
but this is a tight pavement, and not a green pitch
illuminated by floodlights and t.v. cameras,
i'm simply exercising... n'ah, this will never catch on,
it's too english, not enough american spandex in it
or kite surfing or VEGANS FOR
SAVING THE POTATO PLANET -
ah, oh well: at least i have my dog my leash on it and chores;
well no, i don't, i have two lazy pets and my lazy me.
Kim Oct 2022
I’m the space between light and shadow
The dimness just beyond the headlights
I’m the silver lining of a storm cloud
The pause after crescendo
The top of the rollercoaster, just before the drop

I’m the hum between beat and rhythm
The echo in the valley
And the wake of the ship
The air that moves between hummingbirds’ wings
The scent of gardenias on the night air
The wet sand that makes castles but clings to your feet and never leaves the lining of your swimsuit so you never forget that day at the beach.

Someday you may spot me in the background
Shield your eyes against the floodlights and peer into the urgent quiet at stage left
You’ll hear the scribbling of last minute changes;
And know that:
I’m that improvised line
on everyone’s mind
at the end of the night.

The essence of a memory
You can’t quite place
Christmas mornings
Summer jobs
The undertones of a complex wine
The elusive je ne sais quoi
That sends you back to the food stall
With no name
On the corner of that park
We used to love
to cut through
On the way back from grandma’s.

You’ll recognize me
In the dying applause
Bonfire smoke on the morning air
The late afternoon breeze that reminds you to pick your kid up from school
The coolness of a glass of water after the first rain of the season
The third chew of an intensely flavourful bite of food
Music at a wake
Bourbon at a graduation
Coffee in a hospital waiting room

I am the crease of your forehead between tears and laughter
The glowing ember of a discarded matchstick
I am the space
Between footsteps
And words
And silent chants
Between your hands
When you fold them
And hold them
And raise them up
To touch the sky
And lower them down
To return to earth

I am the space between Light and Shadow
Between earth and sky
When you need me, I’ll be there.
Even if you don’t know it.
I am love.
James Wisp Sep 2011
The box of fire-starters I had found in the back closet
seemed very simple in their use.
Simply turn the curved side down
and apply a flame.

We really wanted a fire.
Not only were we in need of that comforting presence,
but the spectacular show of  trees and mountains
had disappeared with the sun
and the images of windy lake ripples, although profound,
seemed already years in the past.
We had the night to look forward to,
and our enthusiasm for the stars
would be exercised by our frequent excursions
to **** down some cigarettes out in the parking lot.
So it was decided,
this fire would be our inside entertainment for the evening.

The little black bic seemed a bit inadequate,
but the situation was soon remedied
by the discovery of a larger and quite adequate butane torch.
Now we are in business.
Despite the new firepower
only a small flame caught.

After spending a winter without heat,
in a home that hemorrhaged warmth,
I had become proficient in starting fires
with wet logs and numb fingers,
leaving me with a tendency to add too much fuel.

The little flame was adorable.
it wobbled back and forth on the flat side of the fire starter,
reaching up towards yesterday’s paper
and the cardboard case of Coors from last night.
I felt like a proud parent when it’s wispy tendrils
finally got a hold of the remnants of the pasts dubious reminders.

I’d spent my youth in that one room cabin.
Weekends I would roam the mountains
and dig deep holes in the snow to hide in.
Unfortunately, due to a small oversight,
I had never properly learned quite the trick
for opening up the flue.
I assumed, quite wrongly, that the wee bit of airflow from the fireplace
insinuated proper ventilation for the impending combustion.

A fire alarm
is one of the most panic inducing sounds.
We tried desperately to knock the flue open
praying that the growing fire would have room to escape
and save us from the dismal fate
of burning down my families favorite weekend getaway.

Mere moments after admiring the fragile
and fleeting existence of my little flame that could,
I drenched a towel in the sink
and smothered it out
before any more damage could be done
(which really only consisted of wet ash).

We spent the rest of the night smoking cigarettes,
getting high in the floodlights
and twitching with the panic induced paranoia
the aborted fire left in our chests.

And later, once I had gone back to the real world,
I learned that the flue lever had to move,
not left and right,
but up and down to open and close.
Mike Bergeron Aug 2013
There's an atm in my neighborhood
That gives out singles,
Or three of them,
Or seven,
And so on.
It sits next to the drywall box
Filled with EBT dinners,
Next to the numbered gas pumps.
It glows in the predawn air,
While I sit on a cement wall
Across the street.
That hunk of junk charged me $3.75 to take out $7.
Next to me a man tells his inquisitive boy
Why the police act as they do.

"They the cops, man.
Not you."

I'm watching with rapt fascination
The ten inch screen
Of some wheelchair-bound woman's
Educational tablet,
While her hand, twisted by palsy,
Taps at a magnified qwerty pad.
She's playing hangman,
And I silently,
Secretly,
Guess along with her for almost fifteen minutes.
The bus arrives, and I'm grateful
It's the doubled kind with the hinge in the middle,
Cuz maybe I won't have to stand.
I take the empty seat next to
A Salvadoreña co-worker
I sometimes ride in to work with.
Our conversations are limited,
As are her English and my Español.
We laugh at the Georgetown gringitas
lining up with their morning runners' clubs,
And lament over the cabrones pobres
Peddling to strangers for jobs
Outside the big box hardware store
That won't hire them.
The sun rises as we cross the Key bridge,
And the wounded Washington Monument,
With its scaffolding and the floodlights leaking through,
Is a diamond-studded phallace
Shining over a town draped in a shroud of humidity.
I close my eyes and try to rest
For the eleven minutes between
Me and my desk.
allen currant Nov 2014
labyrinth lit by
floodlights straining
the vibrations
emanating from the
ground crusted with
glue pine sap and
citric acid a
flashlight in hand
to shine shadows
on awareness to
cast the eyes shut
and unflinching
not a twitch of
sight feeling the
coarse pig hair of
the walls shutting
out the light with
clenched lids open
palms with fiberglass
gashes staining a
path not to follow
but to inhale the
pathogenic patterns
ghosts showing us
the way towards
translucent permanence
Gayatri Oct 2013
Old emotions in new words ran down the depth of the 12 foot end…
Swimming in the rain filled me with a strange nostalgia a happy knowing of happier truth,
I begin to swim faster and faster still till I reach the other end and when I surface I can smell the fresh earth in the first rain.....
It feels like swimming in the boundless ocean of the world through currents warm and cold as the rain falls in neat sheets tempering the warmth of the water……
Standing in the pool I get the feeling of being at two places at once , my legs at the cold surface and my arms scaling the warm bottom of the shallow end....
When the torrential dance of the clouds slows down to a gentle shimmy
I looked up from the blue tiled depth and there are stars on the surface of the water where rain meets the pool, where movement meets stagnation, where the rapid meets the still and it is a calm with a strange eerieness ..
This is what happiness means to me, the gurgle of excitement that leaves my lips bursts as a bubble of laughter at the surface of the pool……..
My tears inconspicuous in the chlorine drift into the murky reflection of the floodlights,
The rain falls soundlessly loud and old emotions in new words run down the depth of the 12 foot end…….
Zach Gomes Feb 2010
Press it to your lips, breathe in deep,
let the smoke fill the car with guitar riffs
while you tear down the street.

‘This stuff will give you a lift,’
says John from the driver’s seat.
I pass him the joint and turn the volume up.

Good hard rock pumps our blood with a wild beat
and the heat of summer night keeps us on top
of the world, the six of us, crowded

in a rusted, five-seat pickup,
pushing eighty, with the music loud, and
the backseat flirting getting rough.

We’ll pinch and tease the girls ‘til they
sink, slyly, into our arms
and enrage us with eyes begging for mischief.

So we give them mischief, and pull the car
up to a gas station.  John turns to me to ask if
I’m up to try this place.

‘It’s just right.’
We step to the asphalt in pace
with the radio’s thump, the white

glare of the floodlights hard
against the damp black night
and the shadows of trees.  I start

to review the plan, but I know it alright;
the door jingles lightly as we step inside
to rows of multicolored bags of chips.

Inside it’s cold and quiet.  John coolly strides
to the back for the drinks, and I pick
out a pack of cigs from in front of the counter.

The man is reaching, John is ready, then lightning quick,
we bolt from the store; round the
corner, find the truck; ‘Hey you *******!’

But he’s too late, we’re racing away
and flipping him off.  Our laughter
is loud, the girls are blinking in the spray

of beer popped open.  That’s just after
coming back all smiles, the victors;
flying into the truck, I sat

a girl, Joanne, next to me.  We soaked her,
freed her, ourselves, with foamy suds,
the alcohol, and young nights on the road.

There, signs and shadows rushing past,
we sing to the radio: “I hope I die before I get old!”
and drum on the dash.

Throw the bottles out the window,
who cares what happens!
Spread the glass shards, let the whole world know!

Press it to your lips, drink to the intoxicating purr of the engine.
You laugh, listening to the tinkling
as bottles shatter, one by one, on the pavement.
Prabhu Iyer Jan 2013
Midnight thrall:
middle of the road, fingers
tucked in long full-sleeves
but for floodlights
emerging off mists:

An event. A memory. A bell.
No end in sight.

Silent night. Mad owls prowl.
Confused crows some still awake.

Milk clogs the kitchen drain.
Hour of the shadows.
Nothing ever lasts,
nothing ever lasts.

Distant clock. Pitter-patter tap.

Stupid evolution.

The gene pool flows on
to utter unknown ends.

Meanwhile we dream up
heaven-like unions and revolutions
and coronations.

Stupid night. Confused crickets.

Spider and insects. Enter
the lizard. Half a telephone ringing.
Man at the summit.

See-saw, swing. Dying distance.
A thought-stream.  I'll let you explore the layers, textual connections and meanings - essentially a quibble on our struggles vs. our genetic code - however the lines lend themselves to more!
baby Oct 2014
I am just
Massive corroded batteries
Inside an electric fence
Turned on
Overused fluids and
Exposed wires

Rolling blackouts
Security breach
Franklin and Tesla and Edison
A backbreaking craft
Destroyed without protection or
High voltage

Floodlights on, flickering
Always blinding, green.
Plugged into
An oil slick
Atomic energy
To power the borders

But throw one switch
A primitive word
The prison is powerless
The wires short circuit

The guards
are all
Electrocuted.
Donall Dempsey May 2015
My Prospero, I admit
is, yea, badly drawn

& keeps falling off
his lollipop stick.

My Caliban, on the other hand
well drawn and forsooth...sticks to...his stick.

I wiggle each
character’s characteristic

and they come alive
speak the lines, I pray you,

trippingly upon my tongue
“Come to me with a thought!”

I command my paper people.

“Your thoughts I cleave to!”
they flash into my consciousness.

“Ariel, my Ariel...”
fine-tooled from foil

that comes from fabled Consulate
& Woodbine packets.

“Ah, my trusty sprite...”
dangles from a purple thread that

is borrowed from
me Mam’s sewing basket.

All is well
in this my make-shift

Shakespeare theatre
made from Kellogg’s

Cornflakes packets.

See the great **** crow
under the proscenium!

Weetabix boxexs
construct the wings.

Rows of Nite lights
serve as footlights.

And, so...let the Masque begin!

I hum bits of Adeste
Fideles....then sing

as Prospero & Ariel
do their thing.

“Solua domus dagus!”
my voice rings out

but see how
dangerous a nine year old knee

can be
to paper theatre.

The floodlights being knocked over
the stage flames in amazement.

My patchwork Globe
of Cornflake and Weetabix boxes

burns to the ground

only Ariel survives
in an all too blackened shrunken

crumpled piece of foil.

I exit
( pursued by a clip on the ear )

the profession of producer of
the plays thereof the only begetter of

this ensuing story
lost, alas my lack, to me!

But wait, is this a football I see
before me?

Then play on Dinger Dwyer!
And ****** be him who first cries hold!

We cry "*******!" and let slip
the dogs we are!

**

I was afraid that people might be offended by the word "*******!" so I pushed Prospero out onto the stage to apologise for such language but as usual he was completely off his stick. "Oh Puck..." I cried but Puck said: "No way am I going out there and apologising for your ***** work....no way" but anyway and anyhow push came to shove and he ended up on his rear on the boards and had to come up with something!

"If we shadows have offended...." he blurted out and me and all the other characters cheered him on. I gave him a big hug when he came off stage! Caliban just jeered and said: "What's wrong with rowlocks?" "*******!" we said and Caliban just scratched his head and went away singing "Ban Ban Caliban...got a new master...got a new man!"

Sometimes it's hard to keep the characters in check...don't know how old Shakey did it! "Where there's a Will...there's a way!" as he always said to me over a pint of Guinness.
Lyzi Diamond Oct 2013
The most sinister sounds exist in your head
or they are in the walls too, scratching and
clawing and gnashing gnarled teeth to
intimidate, initiate conversation. I, like the
elephant man, can't get people to look at me.

Crawling in the walls, crawling in the walls.

Body noises, bodies making noise all on their
own, no contact necessary, no touches, none
small swift sweet brush of fingertips on freshly
shaved legs, these noises follow marbles down
tubes of recent cell growth and death and the
burnt cilia from one or two nights up too late.

Who wouldn't want the danger? Who wouldn't
be seduced by the threat of extinction, the on
and on challenges of basic survival? I don't know
that I want to know the people who would lie
down during the apocalypse to be taken up to
heaven or who hang on to thoughts of angels
in clouds out of fear. Stop apologizing. Just stop.

Move slow through tall grass on hands and knees.

With one light slow breath I can pass pathogens
to unsuspecting commuters on the 7:05 train
who will pass by hundreds of people in their day,
breathing heavy from flights of stairs and some
pollution in the air and some emotional turmoil
that will likely resolve itself right before collapse.

Understanding imminent destruction has a
strange power reminiscent of floodlights
coating a thousand heavy construction sites
covered in some damp **** ***** snow.
Patrick Kennon Oct 2010
Sun rays roll down the green grass & ochre weeds
Yellow, bitter, flowers, litter the hillside
Long red rays turning pink as split figs
Orange as hot coals, blue as the ocean
Then the bustle of twilight, such noise
Streaking headlights fade into receding redness
Carrying their sound with them, down the road
Figures, sillouhetes, wander by me, quiet conversations
Wind stirs their outlines, rustles their clothing, their hair
Bringing me the scent of dust, of split juniper
Darkness descends, but it cannot ***** out street lights
Or the flourescent floodlights, glaring artifical brightness
Or the blinking red eyes of radio masts
I'll peddle back now, chased by headlights
Down black asphalt roads, black as the night
Radiated heat, gathered from this boiling day
Sweat pouring down my face, into my eyes
Breath tearing at my chest, blood racing through veins
I have to outrun the night, to make it on time
To that quiet destination, a little room on the second story
With a chair, a desk, a shelf full of unread books
A yellow notepad, a pen that doesn't work so well
Arrowheads and unshaped stones, a bullet on the dresser
My grandpas old knife, a symbol of the ****** Mary
Your charms that you carelessly left behind
A small tiled room with a shower to stand under
Watch it drain away, dirt & soap, all of it
A face stares back at me, changed, distorted
A reflection in the mirror, a reflection that was me
Bhakti Lata Oct 2016
I want to dance until
my feet go sore
my anklets break free
and I faint on the floor.

I want to sing until
I lose all my senses
my lungs tear apart
and my larynx comes to
a screeching halt.

I want to laugh until
tears pour out my eyes
the darkness around me
gets dissolved in my
laughter's floodlights
and all the existing walls
shatter and break
by the sound of my guffaw.

I want to be like that
singing dancing laughing, mad woman
whom we like to stop and watch,
shake our heads in disapproval
and then secretly think –

'I wish I could be crazy like her!'
TMReed Nov 2019
Fancies calcify in waiting,
under floodlights, Seconds crawl,
while the ancient belfry crumbles,
crack a cold one, watch the fall.

A Jiffy and a Nothing-flat
argue ‘round their fell remains.
Jiffy visions stories flying, high-
rises surging from the flames.

A motley crew of Moments,
fitted blind to rhapsodize,
scaffold fickle aspirations.
“Venture higher!” Jiffy cries.

Cresting ‘bove the clouds
ol’ Jiffy pipes a story more
‘til that whisk of wiser wheezing,
downs the tower, floor-by-floor

Collapsing ‘to a shower,
Moments dance in reckless spiral,
share the balmy hands of vision,
kiss the lips of sweet denial.

Delusions topple in a breath
under floodlights, Seconds crawl,
while the idle spire shatters.
Crack a cold one. Watch the fall.
Edward Coles Dec 2015
The televisions are humming on Suicide Avenue.
Scarecrows hang in the allotments
And the residents scream white-noise lullabies
Into their pillow.
All is quiet.
All is still as the street-lights turn off.
George leaves for his night shift at quarter to one,
Careful not to wake a soul.
Floodlights on; signal to the curtain-twitchers
That he will make it there on time.

The house-cats have broken out on Suicide Avenue.
Flat tyres fill the driveways
To remind us of the cost of leaving.
The residents quicken heartbeats
To the breaking news.
The teenagers send laser pens to the stars
In the hope of bringing something down.
A scar still feels like a mark
You have left upon the world.

The residents do not give a **** on Suicide Avenue.
Nets surround the disused trampoline,
Cameras fitted over plasma screens,
But there is no one to catch the fallen.
When solace is required,
All is quiet.
When peace is required,
All is noise.
The youth are lost on Suicide Avenue.
There is only one route to take.
C
Olivia Kent Sep 2015
Sleepless in the city.
The storming night cabs flying by.
The youth are making a racket.
Not a tennis match in sight.
Floodlights pollute the night sky.
Even the stars hide.
Can't abide the sleepless night.
Drunken teenaged revellers.
Revolting noisily outside my house.
Our tomorrow's,
Insomniac sorrows.
Start of academia.
The freshers are here.
(c)Livvi
Kenna Apr 2019
Gentle muzzle
velvet soft
lipping at my palm
searching for the treats,
sugar and molasses
a rich combination
only a good horse
earns.


Supple leather
worn smooth
over years of dedication
and application
that comes from
this sport.
Nights
already promised ahead of time,
three months earlier,
hauling to deserted fairgrounds
a dusky sky setting the tone
for lead ropes
threaded
through stock trailer slats
cow dogs
running
up down sideways
trailing owners between horses legs and rusty pickups.

Tacking up
underneath floodlights
set to the soundtrack
of jangling spurs
and soft nickers.
Younger kids
hanging on the arena rails
drinking syrupy sweet
soda
a tradition
root beers before your run
good luck
in our community.

Foot in the stirrup
old braided reins in hand
leather,
broken into submission,
pliable
under years
of use.

Slapping hands
with other riders
who already went
horses,
slick with sweat
foaming at the mouth
ready to go again
with rippling muscles
still taunt in the sticky summer night,
aching for one last run.
three turns
and a gallop home,
don't care about the money
unless you beat your last time-
your only competitor
is
yourself
and
the
clock.

Hard packed dirt
pounded down by hooves,
tails swishing at flies
as you wait
for your turn.
Adrenaline and happiness,
an addictive cocktail,
these are the nights
I
love.
Sarah Nov 2014
Floodlights on the blacktop
Illuminate the emptiness
upon which I cannot rest
for fear of mechanical monsters
much stronger than I

— The End —