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"fleshy" poems
During youth I was quite the collector of ocean cretin's annealed sandcastles Though the hosts inside could not be cheaper, their fleshy coats were worth all the hassles Content I was amassing worn seashells; monthly did this fine collection accrue Though furnished, barren felt those wooden shelves, as even pearls are lesser than a jewel Still, the sand was warm; the waves were soothful and regardless of what hollowness struck, the beach granted a chance to feel fruitful so long as one had either skill or luck Alone was I, but daresay not lonely, but I was not merry until married.
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Aug 11, 2018
Aug 11, 2018 at 6:55 PM UTC
Sonnet to Collecting Seashells
The white man, can't say the word ***** They say because its offensive, it's rude, but I know the real reason why. I know, because that's what I am; a ****** Born as a ****** lived as ****** I know why the white man can't say the word ****** They say that it makes no sense for the blacks to use this insulting, disgusting term for themselves, but only because they don't know the true meaning. We bear the name as a scar, as a reminder of what we fought, of what we were. We bear the name as a reminder of our ancestors, and their long hot days in the cotton fields, picking until their finger tips were raw with blood, whipped until their skin was indistinguishable from the raw fleshy pulp that was their aggravated flesh laced with the crimson nectar of their veins. We bear the name, to remind ourselves, that even amidst all this we lived. We fought our way through the darkness of the tunnel. We bear our scar, to remind us, to remind you, that we survived, that we are survivors. I bear the name, I bear the scar of a ****** That is why we call ourselves the name ****** It is our word of honor, our mark of surviving. The white man is not worthy enough to call me a ******
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Jul 14, 2014
Jul 14, 2014 at 9:46 AM UTC
*****
In a playful vision sent Your ****** homologue Of amber shins and pale phalanges Weaves four-leaved clovers. In response, ***** spurs And protean winged descent To float into your kaleidoscopic star: Gliding, Freely falling, To rest in lace extremities. There in our bed of sensual feet, Sunflowers breath, Whose burnished rotating petals Gather me in wisps, Each spiral frond, Gyring Before death's voids Is drawn in purls. And in pleasures held, Cossetted in latticed limbs, A ***** lustrous rich embrace; Denuded and alive! And with abandon kissed:     Bony toes     Tendons     Deep arches     Shins     Ankles,     Sweetmeats,     Light and delicate. As here between pretty shins And fleshy silken feet Our ascent begins Rising, From low regions, To scale new night, And crown our heights. This lovers' leap into prismatic reproduction In the empty Cosmic wastes      In a web is caught! Where feet and toes inspire Continuity for pointed stars. As material possibilities collide The lust for life Is born in non-existence: So in our nest of feet, Mating in the game With heads thrown back, Of lust drink deeply we.
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Nov 3, 2018
Nov 3, 2018 at 5:11 PM UTC
Kaleidoscopic Feet
black as night chiseled stone spirits ramble orphans roam lover's eyes masquerade 9 to 5 come out and play drop of blood alabaster frozen heart encased in plaster open mouth parted lips shared breaths sway and dip swish and flick atmosphere moody blips no need to fear stormy skies vivaciousness gentle touch tenacious kiss cotton candy flushed and wild sapphire eyes mother's child wide grin break apart fleshy dawn beating heart
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Oct 17, 2014
Oct 17, 2014 at 10:26 AM UTC
crush
A warm wind touched my face. I walked out into the open space, I saw a blurry, fading horizon. Somewhere, you are, I am here, after a sleepless night, Writing another reflection, Tired like an empty battery. I do not like the masks that shout. The fight over who is right. I do not want an analysis. I touch the bark of the tree, I hug the birch with my arms. I see its white pages, Written with irregular lines, Torn, fluttering in the wind, Which I cannot read. Her eyes look straight into me, They understand – How well they understand me. The rustle of leaves lessens the tension. Autumn will come soon, The summer wind whispers to me: This country, this language, These people, these doubts. This is not blind luck, This is your blessing, Purple, rainy months, a fleshy heart, Falling hair, joy when relief comes, Crying into a pillow – So as not to disturb another’s dreaming About the so-called reality. Bare feet touch the ground. I tread carefully on the edge of worlds, To be both here and there With my integrity. I am everything and nothing. I am gestures, epilepsy, The belief that I see human thoughts, Inconsistent with what they say. Blue, sun, and somewhere you. How good that you stayed. When everyone was saying: She is different, She talks to ghosts. You stayed, showing me Your true face.
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Aug 11, 2025
Aug 11, 2025 at 12:27 PM UTC
White Birch
Some women marry houses. It's another kind of skin; it has a heart, a mouth, a liver and bowel movements. The walls are permanent and pink. See how she sits on her knees all day, faithfully washing herself down. Men enter by force, drawn back like Jonah into their fleshy mothers. A woman is her mother. That's the main thing.
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14.7k
Housewife
As Autumn approaches, my mind drifts to the decaying leaves, Halloween, the cool, crisp breeze... The communal understanding that eternal heaven comes only with death— that Summer must always go. And that beloved Autumn must always usher in bitter Winter who lays the foundations for an exalted Spring. Oh hell...I hope for a long Autumn, I want to make it stay— like a host who lectures his party guest for too long so he won't look at his watch. Oh how I need the frumpy sweaters and pumpkin heads on window sills! Oh how I need the billowing steam from milky beige cocoa, the misty light rain in the gray of the morning, the high canopy of fleshy red flakes! And echoes of children laughing as they eat candy on their way home from trick-or-treating—reminding me that life can be enjoyed with sacred rituals and good company. I need Autumn personified— a cool-headed, crackling-fireplace-girl. A quilt-maker, cloud-gazer, two-dogs-and-a-cat bookworm. Someone comforting like oatmeal. Someone surprising like the first day of school. I need Autumn. I need Autumn but it never seems to need me too.
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Sep 6, 2018
Sep 6, 2018 at 9:23 PM UTC
Ah, Autumn...
i asked her, does it look the same? she gave me that funny look she gets whenever i say or do something a little dim it's a mirror image for a reason she said in the mirror i see muscles, and strength hips a little too wide and fleshy but still muscular, strength all the way down but when i reflect on myself, no mirror necessary it is never the same i don't feel as strong as i could don't look as sharp and sturdy as i could those fleshy sides, too soft for a battle-hardened brain and turbulent thoughts i need angles, i need straight lines but there's nothing straight about me and that's half the problem and the other half is that i hate the softness that lingers but everybody else loves it and i don't want to be warm and able to be cuddled i want hard edges and nimble, spindly fingers; when i play my chords i want my bones to tap the strings and when sadness sheathes itself within me i want eyes as dry as my eczema-bitten hands
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Jan 4, 2018
Jan 4, 2018 at 8:46 PM UTC
reflection
there is nothing between my *******               only skin that's the way it will stay until the day when i become attached                  then, I will keep my problems there. I will keep hatred and the harsh words between my plump fleshy hills I will keep them there until you strip me down and wipe them away with your rough fingertips and lift my body and soul up to a better place, more accessible to you.                 the bra is burned                 my body is alive                 my body is ash                 now. so wipe them away               wipe away my burdens and connect us now          crawl inside my cocoon        and turn me into a butterfly
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Aug 16, 2011
Aug 16, 2011 at 5:56 PM UTC
*******
In a sermon, the preacher says: *"The Lord created us in his image, all who desecrate themselves too destroy a part of God."* I've murdered pets and alphabetised people by sense and style and laughs like a rack of dresses. I've kissed girls just because they said they could never like me like that as if their lips were some sacred maiden's blush and not a pair of fleshy rims. As if I couldn't read their ***** little lesbian fantasies underneath those angel faces. Susan from accounting thinks I need to see a therapist. I think she needs to see a mirror. We don't really get along, but **** maybe if drink enough these clocks these blue collars these billboards with the pearly white teeth won't look like straightjackets anymore. I have this thing where sometimes I'm just so tired of being a body. The world's a ******* advertisement, Everyone with their scripted good mornings and chemical feelings down to the last **** t. My skin is a cage and I'll strip it off like a ***** Why be happy when you could be interesting? Love like a bluejay, Fists in our stomachs- The headlights of a car coming at 80 miles an hour straight at you, pummeling in a stream of light. The taste of a cigarette after it's been on someone else's lips. Don't you dare tell me you understand. When I tell her this my therapist only smiles, Darling it's only purgatory. Allen knew. Nietzsche knew. Woolf knew. In all our hearts- We've already killed God.
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Dec 14, 2018
Dec 14, 2018 at 2:49 PM UTC
Like Real People Do
Last night I Buried my dreams underground. Fleshy as a corpse Edgy like the corners of a time capsule. Once my cup was sloshing round, Now it's barely half full. This morning I had almost forgotten what had happened But I heard muffled sounds. They were still alive. It made me wonder about What it takes to suffocate A dream.
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Sep 29, 2011
Sep 29, 2011 at 12:48 PM UTC
Fleshy, Edgy
i come to you half mad with desire like slithers tongue i wish to have painfully stitched to your silky **** an act of desires supplication my *** turned to poison deprivations effulgent obsidian flower salivating your every smile fleshy bells ringing warping tintinnabulations i am a starved incubus drooling at your knees behind me a frothy junket of misdeeds for loves sake your feet the scent of lavender and salt their shape evoking numberless poems and begging adorations your belly a tender cauldron undulating tummy ***** dancer sacred ********** temple of worship the site of your rounded bottom naked red mouth calling my sacred liturgy your ***** velvet tulips for a tremulous kiss I seed you a thousand times a raging bludgeon storming wounded gates Palisades drenched and florid fruit and milk **** until jaws lock and spire drops turning me to midnight cadaver ***** black hollows a dark eyelid, blink-less dead **** face down a slumped snake then soft dew and cool ales clear thickened muds saturation lighten heat and peel the warm palate with agile caress tender haunches wide and spiced milk and butter thighs her hair in mine rushing river life again i animate an embryo id dressed in fire all vices and virtues blood and sky
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Jul 12, 2017
Jul 12, 2017 at 1:23 PM UTC
*** DEATH AND RESURRECTION
Between food and *** it's difficult to decide which of these pleasures we enjoy most. Washed my hands, I'm a good host. Besides, eating with my hands is the part i enjoy most. The flavors spilling over, dripping, running down my wrist. The potency and aroma, only one thing smells, and taste, like this. Your lips; soft, fleshy, texture, the juices running down my lip - Drip, drip. The taste, I'll **** lick, bite or sip;the clear liquid so thick, your mainstream, runs quick. Concave crevasses, my fingers still fit. The colors of the flesh, delight, changing shapes, move and shift. Fuzzy little peaches, mangos wild, for fruits like this. Taste of heaven, leaves a stain that sticks. Without the tender fruits of your ***** none of this would exist.
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May 3, 2014
May 3, 2014 at 2:46 AM UTC
Passion Fruit
Id love a big fat **** Or a wrinkled up old bag An ugly looking hag Who wants a ******* **** If I had a big fat ***** with a big fat bucket I'd lay between her fleshy thighs, and definitely **** it My thrusting **** inside her **** is where I'd like to tuck it Spunking up would be sublime, when I lick and **** it When your about to **** the fat, it takes a certain knack Stuffed up fishy **** ***** or **** ******* round the back A nice piece of chunky **** with a big long sweaty crack Fatty *** holes make you hard ,my **** would not be slack I would ride a big large Gal, just like a waterbed Bathroom ******* would be fun, as well as in the shed Spunking up between her legs, cream cheese would then be spread When both holes are full of *** she can **** my **** instead And after I have finished, with all of those fat ******* Something different I would want, maybe some old wrinkled witches All wearing apple gatherers, and big large ******* britches Older ***** long overdue, scratching long lost itches A lot of fun I could have, in an old folks place Disrobed willing grannies ***** stuffed right in my face At least eight bits of gristle ****** a display of my disgrace With each granny ****** in turn, if they can stand the pace As I lift their skirts up their knickers I would sniff I'm hoping that old fannies good, and they don't smell or whiff The smell of old used granny **** is probably just a myth But I won't let it bother me, as long as I get stiff I wouldn't even care, if they wore crap NHS glasses As long as I could **** and *** inside there wrinkled arses I would **** them old ****** , all from different classes Some of them in wheelchairs and some with heart bypasses. It's irrelevant how fat you are, I really do not mind As long as you are willing, and your pussy's wet and kind And if you like it up the **** then I'm that way inclined ******* ***** is quite fine, so is ******** from behind So come on girls fat or old, all slags are a possibility Your sexuality can flood out, there's no need for negativity I'm willing to **** who comes along, to the best of my ability Just make sure that I stay stiff, and maintain my agility
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Feb 18, 2016
Feb 18, 2016 at 5:44 AM UTC
Fat Slags And Old Bags *** Again - 2018
Id love a big fat **** Or a wrinkled up old bag An ugly looking hag Who wants a ******* **** If I had a big fat ***** with a big fat bucket I'd lay between her fleshy thighs, and definitely **** it My thrusting **** inside her **** is where I'd like to tuck it Spunking up would be sublime, when I lick and **** it When your about to **** the fat, it takes a certain knack Stuffed up fishy **** ***** or **** ******* round the back A nice piece of chunky **** with a big long sweaty crack Fatty *** holes make you hard ,my **** would not be slack I would ride a big large Gal, just like a waterbed Bathroom ******* would be fun, as well as in the shed Spunking up between her legs, cream cheese would then be spread When both holes are full of *** she can **** my **** instead And after I have finished, with all of those fat ******* Something different I would want, maybe some old wrinkled witches All wearing apple gatherers, and big large ******* britches Older ***** long overdue, scratching long lost itches A lot of fun I could have, in an old folks place Disrobed willing grannies ***** stuffed right in my face At least eight bits of gristle ****** a display of my disgrace With each granny ****** in turn, if they can stand the pace As I lift their skirts up their knickers I would sniff I'm hoping that old fannies good, and they don't smell or whiff The smell of old used granny **** is probably just a myth But I won't let it bother me, as long as I get stiff I wouldn't even care, if they wore crap NHS glasses As long as I could **** and *** inside there wrinkled arses I would **** them old ****** , all from different classes Some of them in wheelchairs and some with heart bypasses. It's irrelevant how fat you are, I really do not mind As long as you are willing, and your pussy's wet and kind And if you like it up the **** then I'm that way inclined ******* ***** is quite fine, so is ******** from behind So come on girls fat or old, all slags are a possibility Your sexuality can flood out, there's no need for negativity I'm willing to **** who comes along, to the best of my ability Just make sure that I stay stiff, and maintain my agility
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40
"And in a funny way, the shaving of my, uh, head has been a liberation from, uh, a lot of, uh, stupid vanities really. Uh, it has simplified everything for me, it has opened a lot of doors maybe." - Stephen Malkmus, Jo Jo's Jacket the first layer of skin i shed was the bra rid of the foreign metal sculptor producing a deep rift between skin my third eye, swallowing gazes rid of my **** , my ***** , my rack replaced with sacks of fat and nerve and milk ducts hanging, existing, for no one else not even myself the second layer of skin was the painting of the face the concealing and erasing of imperfections, the lines of laughter of sorrow of life redirecting attention and importance to the bow and symmetry of the lip no longer did i have to put myself on in the morning i woke up as i was, as i needed to be, bare and uninhibited my skin now breathed, and for no one else not even myself and then i grew another layer of skin, made of dank tangles to protect my age, i stopped shaving the years i'd walked this earth, shedding my womanhood the skin grew to my armpits, little tufts of sweaty, odorous mother nature dozing in a fleshy convex nest and to my legs, were the tangles wrapped around my ankles preventing the spreading of the legs for every life for not every life wanted what was not tame and what was not tame no longer wanted to be. my body did not conform, for it was not brought into this world to be consumed for the pleasure of others it exists for no one else, not even myself and as i was engulfed in this hairy wonder of my own body i shed the last layer, the shaving of the head my brain, my being breathed porous and exposed vulnerable to weather and whispers but i was all at once naked and calm, having finally peeled away the layers of ***** over-sexualization and constrained femininity that had molded this meat sack that serves me, a bundle of circuitry and solution balancing and bobbing on the neck for i exist for no one else, only myself
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Aug 17, 2018
Aug 17, 2018 at 10:48 AM UTC
Mae Mae's Jacket
"And in a funny way, the shaving of my, uh, head has been a liberation from, uh, a lot of, uh, stupid vanities really. Uh, it has simplified everything for me, it has opened a lot of doors maybe." - Stephen Malkmus, Jo Jo's Jacket the first layer of skin i shed was the bra rid of the foreign metal sculptor producing a deep rift between skin my third eye, swallowing gazes rid of my **** , my ***** , my rack replaced with sacks of fat and nerve and milk ducts hanging, existing, for no one else not even myself the second layer of skin was the painting of the face the concealing and erasing of imperfections, the lines of laughter of sorrow of life redirecting attention and importance to the bow and symmetry of the lip no longer did i have to put myself on in the morning i woke up as i was, as i needed to be, bare and uninhibited my skin now breathed, and for no one else not even myself and then i grew another layer of skin, made of dank tangles to protect my age, i stopped shaving the years i'd walked this earth, shedding my womanhood the skin grew to my armpits, little tufts of sweaty, odorous mother nature dozing in a fleshy convex nest and to my legs, were the tangles wrapped around my ankles preventing the spreading of the legs for every life for not every life wanted what was not tame and what was not tame no longer wanted to be. my body did not conform, for it was not brought into this world to be consumed for the pleasure of others it exists for no one else, not even myself and as i was engulfed in this hairy wonder of my own body i shed the last layer, the shaving of the head my brain, my being breathed porous and exposed vulnerable to weather and whispers but i was all at once naked and calm, having finally peeled away the layers of ***** over-sexualization and constrained femininity that had molded this meat sack that serves me, a bundle of circuitry and solution balancing and bobbing on the neck for i exist for no one else, only myself
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40
I Through vines indeterminate Red cherry eyes peeped, And spied two forms, Fleshy pink and brown Trees, tangled at the roots, kissing in the canopy. II The garden was our Discotheque, the sullen Moonlight reflected On the Black Beauties, Twisted black mirrors, in the garden of joy. III O, to again be mov'd By your heirloom lips, I'd give it all, the earth, the sun, and the water. A sacrifice: my Homesteads, for a home. IV Soil runs dry. The sun scorches. Plagues run rampant. We burn, we are sacked and pillaged, and destroyed. Roma, Roma, Roma. V. Maybe the rain, Or sweet shade, Or gentle sun, Or simply the need To be so defiantly alive, will bring us again, And I will drink you up again,   Brandywine.
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May 12, 2016
May 12, 2016 at 11:18 AM UTC
A Tragedy in Five Tomatoes
two women a single Gemini of desire the yin the yang betwixt the known and unreachable swinging on wide arcs of extremis inhabiting opposite polar worlds and all the spaces in between intrepid sailors dare hope to explore T the outer R the inner T’s tiny name betrays a big robusto femininity bombastically womanly big ***** jazz ***** perfumed musky hips and **** that rock and those lips oh, those ruby red Norma Jean lips I’m puckered up begging her to paste a big rouge smooch on my eager lips press those bustling bosoms onto my face wrap those arms round me with a rasperous hug shake me with gyrations of your gracious shimmy thang you wow the bow out of this dog taking lovers prisoner with the coy blink of wide eyes flashing lashes batting brow boldly being a force of a mothers nature bearing and belting Bessie’s ***** blues to a howling crowd wanting more fully enthralled bedazzled enraptured with quixotic hypnotics I'm frozen solid hoping to melt into the heat of your inviting fire R bespeaks whispers from an inner place she lines the lost desires of a yearning heart she offers the softest curves the delicious touch the wet presence of a delicate tongue limpid fingers hide shy sly ******* offering invitations to hidden nests humming the incarnate dark forest secrets of bloomed lilacs and sweet carnations the voice of poems dance and flutter from her mouth as the lightest butterfly wings wayward onto soft hearts yearning seducement her kimono gently parts at the slightest suggestion of a rising breeze her songs invite lovers to pillowed chambers daring intrepid men to risk the death of desirous tempests I melt into the delicate complexity of your fleshy heat my dear celestial twins the lovely Gemini each different reduce me in differing ways to a puddle of rippling water reflecting the glorious elegance of wondrous ambrosial femininity Dedicated to T& R Music Selection: Barbra Streisand Pretty Women Oakland 4/26/12 jbm
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Apr 29, 2012
Apr 29, 2012 at 10:56 PM UTC
Gemini
two women a single Gemini of desire the yin the yang betwixt the known and unreachable swinging on wide arcs of extremis inhabiting opposite polar worlds and all the spaces in between intrepid sailors dare hope to explore T the outer R the inner T’s tiny name betrays a big robusto femininity bombastically womanly big ***** jazz ***** perfumed musky hips and **** that rock and those lips oh, those ruby red Norma Jean lips I’m puckered up begging her to paste a big rouge smooch on my eager lips press those bustling bosoms onto my face wrap those arms round me with a rasperous hug shake me with gyrations of your gracious shimmy thang you wow the bow out of this dog taking lovers prisoner with the coy blink of wide eyes flashing lashes batting brow boldly being a force of a mothers nature bearing and belting Bessie’s ***** blues to a howling crowd wanting more fully enthralled bedazzled enraptured with quixotic hypnotics I'm frozen solid hoping to melt into the heat of your inviting fire R bespeaks whispers from an inner place she lines the lost desires of a yearning heart she offers the softest curves the delicious touch the wet presence of a delicate tongue limpid fingers hide shy sly ******* offering invitations to hidden nests humming the incarnate dark forest secrets of bloomed lilacs and sweet carnations the voice of poems dance and flutter from her mouth as the lightest butterfly wings wayward onto soft hearts yearning seducement her kimono gently parts at the slightest suggestion of a rising breeze her songs invite lovers to pillowed chambers daring intrepid men to risk the death of desirous tempests I melt into the delicate complexity of your fleshy heat my dear celestial twins the lovely Gemini each different reduce me in differing ways to a puddle of rippling water reflecting the glorious elegance of wondrous ambrosial femininity Dedicated to T& R Music Selection: Barbra Streisand Pretty Women Oakland 4/26/12 jbm
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189
The big angry things sling vocal feces Fleshy phallus-pumps close at hand, cooing Guzzle guzzle ethanol Inebriated petrol-baby "Smash the atom!" "We're too late, we're too late!" Tar (quick) sand ***** Big angry things drown "We gotta gotta drill!" Penetrate the Mother with a steel **** Oedipus laughs As the boulder, finally Crushes Sisyphus.
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Mar 3, 2013
Mar 3, 2013 at 2:54 PM UTC
Oedipus laughs
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
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Jun 18, 2012
Jun 18, 2012 at 9:12 AM UTC
Fatima Latima
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
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80
Indelicate is he who loathes The aspect of his fleshy clothes, -- The flying fabric stitched on bone, The vesture of the skeleton, The garment neither fur nor hair, The cloak of evil and despair, The veil long violated by Caresses of the hand and eye. Yet such is my unseemliness: I hate my epidermal dress, The savage blood's obscenity, The rags of my anatomy, And willingly would I dispense With false accouterments of sense, To sleep immodestly, a most Incarnadine and carnal ghost.
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6.1k
Epidermal Macabre
We swallowed our tongues, fleshy caskets for our feelings buried in the cemetery of our guts Do you feel that turning in your stomach? What we left unspoken buried is rolling in its grave. My love, when it comes back to life as vengeful rotting corpses without spirit it will eat us alive from the inside out.
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Sep 29, 2018
Sep 29, 2018 at 1:37 AM UTC
Until it eats us alive [what we buried will most certainly come back to haunt us]
sometimes i feel like i’m two creatures caught b e n e a t h skin sharing one body. my tongue rough- sandpaper, broken glass, too many curses while the lips around it burn with apologies fleshy brooms sweeping up the messes of another woman. i feel like there are two animals each fighting for their right to shine through they’re voracious in this battle— it surprises me that their clawstalonssteeth don’t break through the thin expanse of flesh to the outside. i have two women living within my skull one wildroughfighting— slinging glasses and insults. face paint, bones and bottle trees, fire and ash wet pine needles under bleeding feet. the biting creature who leaves bruises on the lips of men. the warrior, Artemis. laughdancing through flames. a bear, a wolf, a cat, a bird. animal in nature. the other fights with words. elegant, gentle, soft, break able-- everything the other cannot afford to be. goddess of the hearth, she feeds her comrades like children keeps fires stocked with woods and binds bleeding arms. this woman carries pitchers of water writes sweet letters to missing friends and opens her soul to many lovers. am I some crude splice of these creatures? am I a ******* of these mothers— each passionate one biting, brackish tides, slow moving rivers, still ponds the other a warm, clean bath? am I both simultaneously, or am I wearing one face while the other watches behind mine eyes? I am the moon— full and loving, dark and hiding and something in between. yeah, that sounds about right. something in between.
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Nov 12, 2012
Nov 12, 2012 at 5:07 PM UTC
am i the moon?
sometimes i feel like i’m two creatures caught b e n e a t h skin sharing one body. my tongue rough- sandpaper, broken glass, too many curses while the lips around it burn with apologies fleshy brooms sweeping up the messes of another woman. i feel like there are two animals each fighting for their right to shine through they’re voracious in this battle— it surprises me that their clawstalonssteeth don’t break through the thin expanse of flesh to the outside. i have two women living within my skull one wildroughfighting— slinging glasses and insults. face paint, bones and bottle trees, fire and ash wet pine needles under bleeding feet. the biting creature who leaves bruises on the lips of men. the warrior, Artemis. laughdancing through flames. a bear, a wolf, a cat, a bird. animal in nature. the other fights with words. elegant, gentle, soft, break able-- everything the other cannot afford to be. goddess of the hearth, she feeds her comrades like children keeps fires stocked with woods and binds bleeding arms. this woman carries pitchers of water writes sweet letters to missing friends and opens her soul to many lovers. am I some crude splice of these creatures? am I a ******* of these mothers— each passionate one biting, brackish tides, slow moving rivers, still ponds the other a warm, clean bath? am I both simultaneously, or am I wearing one face while the other watches behind mine eyes? I am the moon— full and loving, dark and hiding and something in between. yeah, that sounds about right. something in between.
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A fleshy thing— warm blood and organs and cells and appendages and mitochondria with cells who have cells who have cells. The introduction of a touch— a soft, palpable meeting— moved me and made me. A union of dissimilar atoms is moved as the object nears the skin. And when the two meet, to tell what happens next is to tell of the long history between one thing and another. A fleshy thing— warm blood and organs and something else too: many dissimilar atoms that could laugh and play with you.
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Apr 19, 2013
Apr 19, 2013 at 9:58 AM UTC
Dissimilar Atoms
Tender fruit, grapevine, fleshy pulp waiting inside, marry me, be my bride.
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Aug 9, 2014
Aug 9, 2014 at 7:41 PM UTC
****** Poem
Must I admit: that being with you was like pulling out a single strand of hair, daily. Look—- this fleshy white button ferally crowning To begin: with the scraping of my own scalp off lining brainwashed finger nails as a reminder to my heart still beating upon this earth so that you may take the bottom piece to split my split ends in half leaving broken off eyelashes underneath the talons. Were they your keepsake to search a shine when combing foreign locks? Your reminder in the strangeness of other bloodstained women?
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Dec 1, 2012
Dec 1, 2012 at 5:56 PM UTC
Trichotillomania