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Mark Nov 2019
I’ve been busking about since young and fair
The atmosphere from onlookers, like skating on thin air
So unconventional, prior to the old smacking ways
That’s how I’d spend my entire waking days
Melodic riffs, dancing over bass lines
Harmonising daily, to some lonesome feeling ballads
Playing finger-style guitar, without any speeding **** hazards
            
Along the boardwalks of Venice Beach
In unlikely places, that you’d ever encounter or reach
A folksy blues musician, you can’t wait to hear
Independent, from a money-making machine, that’s so clear
A young black musician, singing ‘bout life’s rights and wrongs
With an aching intimacy, strings are strummed, to original songs
            
The overall effect is something like a blend
Of other musicians, with a depth and subtlety
More suited to the stage, than a street with a dead end
While the busking experience is fundamentally a freedom, luckily
Still taking a fading, battery-powered amp, with heaps of torque
Along with a flattop, down to the busy LA boardwalk
            
I think the best thing you learn from being downtown
Is how to be really optimistic, while still being on your own
Busking was like practicing with a metronome
It started pulling on a few chords, like not ever knowing a safe home    
Then, thoughts of ones life coming to an end, my tick-tock time
Then, I go back to playing a song, people tossing me, a silver dime
I imagine, how it would sound, playing along with four in a band
I’ve never really been dealt, a very good poker hand
Trying to re-create myself, like an over paid, auto tuned, music star
Well, as much as I could, with just a worn out, acoustic guitar
            
They say, I picked up the guitar at seven
At first trying to play lap style, just keepin’ it even
Because, I couldn’t reach across my scar torn body
Early childhood lessons, gave me a foundation in blues
After that, I wasn’t taught nothin’ by nobody
I just kept playing like that, what did I have to lose
I could learn by ear, until I heard the rings at the checkout
It would take a while, but I’d figure it out, what they were all talking
about.
© Fetchitnow
21 December 2019.
(From my ‘About’ Period Collection)
Kagey Sage Aug 2014
I don’t want to perpetuate the produce – consume loop
but when I don’t, I feel like such a lazy moocher
Could I play guitar near after dark bars for $23 an hour?
Victor and I did that once, for $11.50 each
Untaxed, that’s better than my dour real job
So, if I really made my place at a street corner, I’d be a smart earner

But then I’d be a fixture, like the accordion man and the bums with PVC buckets
The bar goers would soon hate me for chumping them out of their cash
with three gritty “Heart of Gold” covers
Then soon the mediocre bums would jump me and Riot, my guitar
She’ll smash into the walk under a Irish flag in front of Murphy’s Law,
while drinkers whoop and punch the air
The bucket goes over my head
and the accordion bellows squeeze round my neck
Bryan Dahl May 2018
Street performers.

Busking. Panhandling. Begging.

An artist’s most submissive position.

Music’s all-powerful mystery beholden to pocket change.

Until a blind man, guitar in hand,

On the Blue Line platform,

Plucks from an unsuspecting heart

An unmistakable theme-

“What can you say about a 25-year-old girl who died?”

An unmistakable love story...

One bill and some coins in his collection basket,

A mysterious, gentle reminder-

Dynamics come wholly undone.

I drop in my all-powerful dollar,

All aboard the train.

Down here and now will I

Write for the first time in nearly three years.
Nigel Morgan Nov 2012
We’d been to concert at the Town Hall. It was a Saturday night and still early for a Saturday Night Out. So many people on the streets. The girls barely dressed, the boys bouncing around in t-shirts. Older people threaded along the pavements walking purposefully, but ‘properly’ dressed, and now making their way, as we were, for the station.

I know He noticed her because He stopped, momentarily. We were holding hands. He loves to hold my hand. That evening I remember squeezing his hand firmly as if to say how pleased I was He was here and I was not walking to the station alone. I have done this, walking to the station alone, so often. It is good to have someone close at such times, someone to talk to about the performance, the music, what is going on around us. We walked right past them.

I noticed the man first and then the child. He was very tall, very dark, wearing a black leather jacket I think. He was not scruffy so much as untidy, dark and untidy, with curly hair that did not know a comb. He was busking. He sang an incomprehensible song in a language I didn’t recognize, playing an electric guitar plugged into a small amplifier by his feat. He turned from side to side as he sang as though looking for an audience. I remember his trainers and the soft guitar case open on the pavement with a smattering of coins. Then, this child.

Over the last two days I’ve examined the scene in my memory. I’ve sought to recall as much as I can about this little girl. She was not that little I think for her age, perhaps seven or eight. Stocky. Thick golden brown hair. A sensible skirt covering her knees, a fawn jumper with some sparkly decoration. Tights or long socks perhaps. Proper shoes. I keep examining my mind’s photo. What I recall most vividly was her large smiling eyes and her expression. This is my daddy, it said. He’s singing and I’m here looking after him. I’m his smiley girl here on the city street. It’s late. Other children back home would be in bed, but I’m here smiling at the people passing.

Yesterday we talked about this couple, the little girl mostly. He brought the subject up. He’d been thinking about her too. He’d been puzzling over the two of them. As a pair they seemed so physically different, hardly father and daughter. It was the (possible) daughter’s gaze, her twinkling eyes that had spoken to him - as they had spoken to me. This is my daddy, those eyes and that smiley face had said. And she was holding a bear.

Why did I not mention the bear until now? Of course, she was holding her bear. She had both arms around her bear. She was hugging her bear to herself. It was a mild evening for March – she wore no coat. He looked a good bear, not too old or small, not the kind of bear she’d been given in infancy, perhaps recently acquired but well-loved, well-hugged. A bear that seemed entirely right for her age, for her slightly old fashioned clothes. The sort of clothes I might have worn as a child. I think of a photo of me at that age dressed in a Cloth-Kits dress, with an Alice band, with glasses and lots of curly hair.  

He said ‘I’ve been wondering about the two of them. Did they have a home? Where would they go to when it became late?’ Was there a mother? Was she working somewhere on that Saturday night and the father had to take the girl. Was she wearing her best clothes? She looked OK. A glowing, healthy face, a face that reflected the bright, coloured lights of the city street.’

Suddenly, I realised there were tears in his eyes. I thought, He is imagining a story. He is imagining a story of this seven year old who should have been tucked up in bed with her bear, like my little boy with his blue blanket. He was imagining her life., her past in some Eastern European town, where she went to school, where she had friends and relatives, where she had been born and brought up, and been loved. And now the girl was here in this not so distant city. Perhaps illegally, without the papers, smuggled in as so many are. Her father, swarthy, even a tinge of the Roma perhaps, but she so different. It was the golden brown hair. Thick hair, a ribbon tied in it. A pink ribbon.

He had thought of his little girl, now fifteen, only when she was that age, seven. Oddly similar in some ways, the thick hair, the smiley face, a different but ever present bear, an infant’s bear, not a bear she’d take with her except in a bag. A bear not to be seen with at seven, but loved.

‘I’ll call her Katya,’ He said. The girl, not the bear.

And later He did. Every few days He would mention her – just in passing. ‘Do you think Katya’s  at school today?’ ‘I was in the city this afternoon, but I didn’t see Katya.’

He wrote about her and her father. A little story. I haven’t read it. He just told me He’d written it; He’d thought of following them in his imagination. He was a little embarrassed telling me this, and He didn’t offer to show me the story, which is unusual because when He mentions He’s written something He usually does. And so I wonder. I wonder how long this memory will stay with him and whether He will follow this couple (and her bear) into the future, create a story for them to live in.

Perhaps it will bring him the peace He does not have. The peace I try to give him when He is with me at home and we sit in my little house, at my table eating toast with Marmite after I’ve been out late whilst He’s sat on my settee and read – in peace at being in my home. I know He feels cast adrift from his family and He can’t be part of mine, yet a while. Perhaps it’s like being in another country. Perhaps He thinks, at least that busker had his child with him, his shining star, his ever-smiley girl.

Yet He is thinking of his smiley girl, smiley still at fifteen, still loving her dad despite what He’s done, despite the fact that she sees him so seldom. Despite the fact that He is only occasionally with her, and she knowing I, his lover, his young woman, his companion and friend, has captured his heart and thoughts.

I think of Katya too. I think of my older girl, so loved and circled about with love and admiration by her respective families and our friends. She is so special and so beautiful, as I was special at eleven, as I think I was beautiful at eleven, just on the brink of that transformation that will take her towards becoming a teenager – and the rest.  

We were lying in bed the Saturday morning before seeing Katya and I was telling him about my childhood. He’d asked me about zebra finches. Walking in his nearby park He had admired their bright red beaks in the park’s newly-restored aviary. I told him about a parrot in a park close to my childhood home, a parrot I passed as I went to school. I described for him my walk to school, meeting up with my friends, passing the parrot. I know how happy it made him to hear me talk about such things. He said so later, embracing me in the kitchen. ’I so love to hear you talk about your childhood.’ I could feel he was moved to say this. It was important. I realised then just how deeply he loved me. That it was important. That he imagined me as a child. That He wanted to know that part of me. He’s rarely asked about the stuff in between. Of my former lovers I’ve said a little. He has said a little about his past liaisons and affaires, but knows I am uncomfortable when he does. So we leave this. But childhood, That’s so different, because it is that precious, precious time of shelter and care: when we begin to discover who we are and who and what we love.

Where is Katya now? In a messy room she shares with her parents in a house shared with economic migrants, where she has a few belongings in three plastic bags. In one, her best clothes she wears to stand on the city street on a Saturday night with her daddy. In another a jumble of not so clean clothes she rotates each day. She has her sleeping bag, her bear, her warm coat and gloves. There’s a few magazines she’s found about the house. English is puzzling. She learnt a little at school back home, and from the TV of course, those American soaps. If she was here in my house I would stand her in the shower, wash her thick hair, put her clothes in the machine, sit her on my bed in my daughter’s clothes with some picture books, introduce her to my cats, we would bake some buns. I would give her a small gift of my love to take away with her and she would look on me with her smiley face, her sparkling eyes and let me hold her bear.

And later when I saw him I would tell him that Katya had been with me for a little, and tears would fall, mine and his, knowing that only in our dreams could we make this so.
Olivia Kent Aug 2015
The land it's name was faraway.
A land so pretty,
The land where fairies play.
The grass verdant and succulent.
Glows in the midday sun.
The trees bow inadvertently to the fairies passing by.
Fairies bearing various gender.
Girl folk with flowing straw like hair, bound with strands of strawberry flair.
Menfolk wearing doublet and hoes.
Black and green.
Obvious features, all fairy men folk sport a pointed nose.
Elder folk, they have aching knees.
Hair tinged with tiger stripes of grey and black.
Could have been zebra stripes,but the elderly fairies, can be just a little spritely, temperamental at times.
They sit under willow trees.
Writing, busking rhymes.
Listen without witness, you'll swear you'll hear them sing.
Leave a pretty penny in the spot where you have been.
Walk silently away.
Peer over your left shoulder and you may just glimpse the fairy queen.
If you should be so lucky.
(c)Livvi
Mateuš Conrad May 2016
once you've read enough, or what's
called a respectable "bank account"
in literary terms, you fall back
on poetry, journalism and book reviews...
which springs to mind
a comparison between being a violinist
in an opera, playing a concerto or
being a street vendor, busking out
alternatives to the satanic cartwheels
of rubber tires slicing up a defiant cement road
in a busy hub on the Embankment -
i still want to cry every time i
hear bob marley's redemption song
or the other bob's north country blues,
i don't know, it just happens like period
pains, it's a grudge brimming near
the boiling point of water or the melting point
of iron that's lucky for chefs and for blacksmiths...
i am picking up the pieces of an empire,
the british rubble and a world in chaotic chuckles...
as they said of the roman degeneracy...
that ****** fascination with cuisine...
too any fast-food outlets...
no, but indeed, when you've become satiated with
a personal taste for reading, you
end up reading book reviews...
but i don't understand why a dominic would
read a book by a luke concerning drugs and warfare,
as picked up: 'odin's men rushed forward without
armour, were as mad as dogs or wolves,
bit their shields, and were as strong as bears or
wild oxen...' citing Snorri Sturluson...
the missing clue? magic mushrooms.
also worth mentioning: the 1814 Swedish-Norwegian
war... magic mushrooms aplenty...
in 1945 Soviets in Hungary dubbed the 'rabid dogs'
(indeed no " " enclosure, i trust the man's
descriptive certainty, indeed they were rabid
and dogs and there's no ambiguity to be invoked)
swallowing fly agaric...
american pilots in Afghanistan caffeine+
i.e. amphetamines...
Homer's heroes drunk (why is it that when a poet
is company during a war it becomes iconic
and almost glorious to keep the blood-thirst up?
like that idiocy of warring in the Napoleonic times,
a line of men, walk among canon fire and
stand 20 metres apart and just shoot...
like the post-Napoleonic war strategy of killing
civilians, huh?)... as too the heavy drinking
with king Harold prior to 1066 Hastings...
through to Vietnam, 1971 -
51% of GIs smoked marijuana, 28% took hard
drugs (******) and 31% used psychedelics...
****** was high as ****... a Michael Jackson of his day...
the ****** Eudodal... the luftwaffe on Pervitin
(earliest patent for crystal ****) and too
the Panzer men, e.g. a Gerd Schmücle.
sober citation at the end of the review
quoting a soviet surgeon:
                        'women and wine
                         are all very fine,
                         but a real man needs more:
                         the sweet taste of war.'
sometimes i'm in that aspect of things, almost gladly
i'd take up a trunk of wood and bash about
the field - but i realised poetry is a great war
you fight solo, and there's no brotherhood idealism,
solo, solo, all the way through...
but this still doesn't explain why a boy would
read blue material, as above mentioned,
and a girl would read pink material...
a jessica reading sounds and sweet airs:
                                        the forgotten women of
              classical music
...
gentrification in the making... why wouldn't a boy
read pink material? too much of a crane driver or
a lorry nomad in him, to simply sit down
and hear a diva with 'oh, what ****!'
citing the Duke of Mantua's envoy that was Barbara
Strozzi play the clarinet?
you know why i'm cynical about feminism?
it's too distracted, it wants to spread its influence into
every human endeavour, positively speaking
it's what woman always boast about:
feminism is multitasking... it has to be relevant in
every realm of thinking... first of all it should focus
on one, and stop this quasi-plagiarism it's doing
at the moment in every aspect of cognition -
i say, the founding mother, the matriarch of
******* is feminism - honey... can't **** all the time,
gotta forage and hunt and build houses too!
Eryri Sep 2018
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor.
I try to ignore you as the jaunty sound clashes with my melancholy mood,
Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe,
Hanging on for it's own amusement,
Ignorant of my desire not to be teased nor humoured at this anxious time.

I feel I shouldn't like your racket,
My naïve ears and young years sense, not only an inappropriate comedy in your sound,
But also a daunting undertone,
Adding to my sense of having been plunged into deep icy waters.

Perhaps your music soothes those who are leaving,
Your high happy notes providing optimism and assurance of recovery,
Or of a restful sleep enveloping dear ones.
For me, however, at the point of no-return in my pilgrimage,
I hear only the low notes,
Out of time with my quickened pulse,
And lending a foreboding soundtrack to my slow deliberate steps.

But you play for no pay,
Busking in this hospital,
Doing good both night and day.
Yes, you are well known in this place,
Admired for the hours you commit to this space where lives can hang in the balance,
And where your instrument by day is a sharp sleek scalpel,
Invasive in its desire to alleviate suffering,
Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto.

But out of hours your instrument of choice lends you a voice,
Allowing flourishes and improvisations.
But were you aware that for visitors like me who visited repeatedly,
The clarinet would take on a significance beyond other instruments,
Taking me instantly back to bittersweet memories of visiting my family,
As, in turn, they aged and became unwell and recovered and became unwell again.

Now I am older and a little wiser,
I reflect and ruminate on this period;
My memories of family are more than just hospital visits,
And I wonder if I could ask one thing of you?
Why no Rhapsody in Blue?!
Tuesday Pixie Nov 2014
A missed alarm
- A hurried departure
From home to bus to bus
- To craft fair!
All handmade, all ingenious.
And reused items appeal to this sustainability-freak.
"There's not much for your kind here"
But just as I say it we spy a stall
And the goth finds Cthulu,
A skull,
An eye,
A snake with which to adorn himself
Amidst the usual background of 'Oh, he looks like Russell brand'

His cousin was riding.
Riding the plastic spastic twirl-around bull.
"Another turn? Go on, your dad didn't see you!"
She shakes her head, almost shy
But is lifted and hoisted on once more,
Smiling and giggling and kicking away.
The operator has success,
Short-lived;
She jumps right off and back to her father,
Uncles and cousins all grin.

- To cafe!
Entrance a ramp,
The outside already proclaims the spaces brilliance
Narrow hall with piano stating 'closed'
Walls adorned with old newspapers
Light fixtures are bottles
Door handle a coffee grinder
Tables old school desks,
Mismatched chairs and couches and plates;
This sustainability freak is in heaven.
The Goth smiles
"I knew you'd like it"
And even the menu provides
My dietary restrictions no obstacle.
I have a smoothie.
It's amazing.

"Judging from your case I would say you play heavy metal"
I giggle; Incorrect.
"Are you going to play for us?"
The waitress asks
We look at each other; are we?
And after our meal we do;
The radio is turned off in response.
Young children play on my violin
Their parents more concerned than I
"Be careful! It's delicate!"
We serenade the coffee and the tables and the birdie on the wall
We serenade customers and workers and the owner as well
We serenade to perfect
We serenade to give back to this space so beautiful
We serenade half in hope of being asked to perform
Of being paid to perform.
The owner enjoys; the possibility is open.
The workers enjoy; "you made today worth it"
The customers enjoy,
One chucks coins to our guitar case
A suggestion of busking
We drain our complimentary drinks and tip the coins
Wander onwards, sated, and glowing.

- To old acquaintances
Who tell scandalous tales
Of the Goth's little brother
"Tell your folks I look after him...
He's hilarious when he's wasted"
The goth queries
"And when I'm wasted?"
"Oh it makes no difference; you're hilarious sober too!"
It's truth.
No one could argue except the Goth himself;
"I'm glad you have a terrible sense of humour"

- To Opshop, closed.
And then the car,
Family bubbling around us
Excited voices clamour with stories
With news
We arrive in a field of green,
Children swinging on a tyre
An old meeting house is dwarfed
Beside the new, uncompleted
A chair in the sky
Seats white fingers
Coated from work;
Yet his is the best view.
"Uncle... Aunty... Cousin.."
Names drift into the air
I won't catch them.
"This is only a small portion of my family;
You should see the group photo!"

An older man teases
"Get your hair cut!
Oi, why haven't you told your son to cut his hair?!"
And his father expertly replies
"He can do what he likes with his hair"
His mother
"Why haven't you died yours then? It's all grey!"
Smiles spread wide at their cheek.

A bell tolls
Signals the slow meandering;
No urgency
We sit, grass beneath us
Sky above
Trees and field all around.
These three buildings so connected.
The prayer starts,
In foreign tongue
Yet not foreign
- It is the language this land first heard
Aside from sea and bird and sun
An occasional group "ah" in response
Teenagers mock; "aye"
Babies fuss,
Children wriggle
Even adults chatter to one another
Come and go as they please
Informal.
I am wrapped in his love.
And all of their love.
Lying in his arms
With sun warming me,
Love warming me,
I send it back.

And then chairs are moved
The tables to be laid
Inside this time
"Come here, you don't want to do the chores, do you?"
A crafty cousin teaches evasion maneuvers
We kick a ball,
The goth looks almost joyful
The usual "Me, sports? Eww"
Forgotten, or put aside.
Shoes back on now
"Your feet could do with some sunlight"
The cousin protests.

We eat with our hands;
For me there are oranges
And chicken salad
I put ethics aside
To sate hunger.

We swing.
The children are playing elsewhere
We claim the rope as ours.
An upside down ladder?
A missing rung?
There's more air than step.
Together we swing.

"Who do you belong to then?"
Caught off guard
"I belong to myself"
The goth smiles at my assertion
"How'd you get here, who brought you?"
I gesture with my foot
"You're so rude! You didn't even introduce me to your girlfriend! I'm his Aunty, that makes me his, and your Aunty too now."
He clasps my hand
"That's how easy it is in my family"

We serenade once more.
Nervousness closes throat
How to express oneself?
I feel small and shrunken
Push myself to claim space
- I do belong here
The love swells around me
Tall poppy syndrome must be beaten into me;
I'm trying to convince myself
I'm not being overbearing
- They want to hear us.
And they're impressed
"Oh what a beautiful voice"
"They do sound wonderful together"
All laugh as Grandma joins in
"That's Nan trying to out do them"

With Promises to jam next time,
We take the scenic exit,
Past those who have past
Past the past itself
Graves decorated with All Blacks flags,
With decks of cards,
With guitars.
Love. Even here,
Love and celebration.

- To friends
Reiki, a goodbye card, packing and kittens, markets and dinner
- The candles glow was soft,
Too soft for menus.
"I wonder why those baskets are all locked up...
Ha! Basket cases!"
We draw a piece to make Dali proud
And jest of eating candle wax
Bellies hunger.
But foods arrival prevents such oddity.
Eating pizza with knives and forks?
I decline, fingers once more.
Restaurant etiquette is not my style
Mine is puffy to their flat
- The perks of being gluten free?
And we leave them to their dessert.
With much sorrow.
"Thank you for enriching my experience here"
No, thank you. Thank you thank you thank you thank you.

"Goodbye!"
I greet
"Have a wonderful life!"
A different good bye.
And we cry as we hug,
No tears, just noise.
To cheer ourselves.
"Waahhhhh"
We giggle and depart.

Surrounded by darkness
Traffic roars overhead
Rocking support beams
They creak
Pigeons shuffle now and then
A dim light is irresistible death
Beyond the trees ripples fold and swell
And I am here with him.
Our own little patch of night time
Folding and swelling around us.
"Now you're the one keeping us awake"
I cannot argue.
This moments magic is worth tomorrow's tiredness.

One more friend to visit.
She saved us a piece!
Oh dietary constraints!
Cheesecake, for me?
And delish!
Hazelnutty and chocolate!
Nutella like.
We ***** about sudden illness
About food restrictions
About fad diets
Apparently the 20's is when the **** goes down.
Our bodies are complaining now.
Maybe we'll figure out what they're trying to say,
- Eventually.
Speak English, **** you!

- To the tent!
And blessed sleep.
It's technically tomorrow now.
Well, it's today.
"Thank you for touching my feet that time"
I curl up in his arms,
And all the world is golden
This illness raises its angry lil head
And his caring melts me
Thank you thank you thank you thank you.

Thank you for this beautiful most perfect day.
Thank you.
It was a perfect day. Even through illness and sorrow.
http://www.youtube.com/watch?v=QYEC4TZsy-Y
Gaby Lemin Aug 2014
There's  a world outside my little square window
that overlooks fields and woodlands and sunsets
and that world overlooks a bustling avenue with
shutters on windows and constant, humming traffic.
There's a world outside my little square window
that keeps wakes me with the same sun every morning
and the same old singing birds,
and that world rouses me with a different kind of music;
of people and chatter and busking and life.
There's a world outside my little square window,
a world I would never have been tired of exploring,
and that world is named Paris.
Another one I wrote in Paris. It really is a beautiful city, mesmerising in fact, it was difficult not to write millions of poems so there may be quite a few Paris themed poems in the future but let's say this is the last one for today.
I’m literally sitting here. Literally. I’m figuratively doing nothing. This time allows me to think. Contemplate; the future of this mess we call adolescence. You look at the clock. Tick tock…kids stepping over my feet, as I literally sit here. Figuratively doing nothing. I’m breathing. Writing. Forming a collection of words in this memo. They don’t fit together, realistically. I would go for a smoke, but I have no cigarettes. I am a sixteen year old, who is too awkward too phone her boyfriend’s home phone, and too awkward just to pop round. I have to see miss in an hour, there’s a kid who’s sad and I have to talk to him.
   Apparently I am confident. I’m not. I just listen to powerful music which makes me feel like I can be a queen. That’s the idea. To feel comfortable you need to not care, and look after yourself. You are queen, you care for your subjects. You rule with fair point. You go out and buy yourself a crown, or shoplift one. I don’t know, just whatever makes you feel like the main *****. Find what you like about yourself and spark it. Make what you like stand out. Find the things you dislike about yourself and show it off. I don’t like my **** but hey, just shake it a bit and it’s like simple twerking. I have thunder thighs which consist of a fair amount of muscle; I have perfected the **** drop. I have become stronger because of what I put myself through. I am the only one who can hear my thoughts. So if at first you’re thinking ‘******* I’m terrified, what if I look like a ****’ fake it.

After acting like this powerful alter ego you can become her. She takes over at times. I can switch between quiet, shy Sophia; into the proud, queen ***** Patricia. Patricia the stripper. I admit this is my alter ego. She wears red lipstick, a leopard coat and thigh highs. She owns a tiara and blows bubbles in her gum. She struts to punk music and breaths arctic monkeys. She dances to jack white, ***** wiggles and all. She sings Kate Nash and the kooks, because she needs to keep her showgirl ship with class and talent as well as outright hot radiation. She has no idea what she is doing, as long as everyone is happy and entertained; she is satisfied with her life. She loves everyone because they all contain a characteristic she adores.

I also have another alter ego who has no name. This is the first time I’m referring to her as her own alter ego. She’s like a ****** of crows. An unkind of ravens. She wears dangerously applied dark makeup. She always wears full black. She’s pretty much a Goth who thrives on shock, horror and Edgar Allen Poe. Her favorite author is Stephan king and she has murderous thoughts. She pouts. She is, oh so pouty; with darkened lips of a cherry flavor. She makes sassy comments which sometimes come out as unintended bitchiness. She scares people, but they call her cool. She’s a bass player, with a strong stance and a black bra and thong set. She smokes like a chimney. She has ash-ened dark lungs like her mind. She’s my biting ***** ego. She hates anything that’s negative in the human spectrum of life. Ironic. She can’t stand hate but embodies it. She smiles at kids playing or people busking. Under the black shell intended to scared, she has the interior of a marshmallow. Fluffy hair, pastel teddy choker, and a love for giggling. She smells or strawberries, cherries and bubble-gum. She is actually really happy; this drives people mad as they can’t label her…neither can I, unless this pinkie paradise is one of her own. Like all my egos…she is happy.
I started writing out of boredom. Then it became advise for this kid I had to talk to about confidence *the kid who's sad* . Then it became a summary of my alter egos. We share here...this is all just rambling bull...but hey who doesn't like dumb ****, am i right?
Life’s all getting and giving,
I’ve only myself to give.
What shall I do for a living?
I’ve only one life to live.
End it?  I’ll not find another.
Spend it? But how shall I best?
Sure the wise plan is to live like a man
And Luck may look after the rest!
Largesse! Largesse, Fortune!
Give or hold at your will.
If I’ve no care for Fortune,
Fortune must follow me still.

Bad Luck, she is never a lady
But the commonest ***** on the street,
Shuffling, shabby and shady,
Shameless to pass or meet.
Walk with her once—it’s a weakness!
Talk to her twice. It’s a crime!
****** her away when she gives you “good day”
And the besom won’t board you next time.
Largesse! Largesse, Fortune!
What is Your Ladyship’s mood?
If I have no care for Fortune,
My Fortune is bound to be good!

Good Luck she is never a lady
But the cursedest quean alive!
Tricksy,  wincing  and  jady,
Kittle to lead or drive.
Greet her—she’s hailing a stranger!
Meet her—she’s busking to leave.
Let her alone for a shrew  to the bone,
And the ***** comes plucking your sleeve!
Largesse!  Largesse, Fortune!
I’ll neither follow nor flee.
If I don’t run after Fortune,
Fortune must run after me!
Spenser Bennett Sep 2016
Ain't no justice in money,
ain't no freedom in running,
painted streets with blood; stunning,
distracted populace with scumming,
hands up,
don't matter,
lead humming,
ain't no home left to be coming,
ain't no justice in money,
ain't no lives matter,
not to the people in charge of the chatter,
the talking head,
walking dead,
brain splattered,
All I hear is stifled laughter,

Oddities and odysseys,
life in the hottest seas,
that's what we gonna see,
not just you and me but our families, sisters, mothers, fathers,  sons, daughters,
cannot live if the sun blisters tomorrow and it runneth over.

I feel drunk but I know I'm sober,
no drinks for the son of man,
not til he older,
wiser,
speak a bit bolder,
kinder,
kind words,
to be issued to say that we miss you,
and I should kissed you; goodbye,
but now I got no time.

Always in new ties but old suits,
like trees barking for new roots,
and leaves darkened for Fall blues,
like hard news,
like black versus black versus white versus blues versus us versus you toos, ain't no mistaking the voiceless,
choiceless.

Most broke destroyed **** for misclaiming no justice,
we shouldn't hush this,
we need this to bust it,
or we end up busking,
do you understand what I'm busting?

Ain't no difference between us and kings,
so why we let them speak to us like just things,
a means to their ends but that means an end to us.

freedom don't ring,
ain't no freedom in running,
ain't no justice in money,
only justice in one thing,
and that's the spirit,
all consuming,
and trusting.

so let that spirit sing,
let it take you over,

Let the voice of the Lord and the father fill you until love runneth over.

Our mothers will be raised up,
praised up,
and through them we can face em,
find strength to save em,
and save us.
Yenson Mar 2022
They do
have a lot to be sorrowful about
their dark mindset understandable
those that grow and wrinkle
in the blink of an eye
hirsute till even the females spot moustaches and beards
and most males are gifted with little sausages
and no great stamina in use
education is optional and ignorance rules ok
the painted hues are catching up
while hometown losers are busking begging money
its all going south for them
so its blame game all the way
so they make it up as they crawl along
hiding their shame in foreign tags
and their cowardice in numbers
too dumb and weak to excel they seek refuge in bullying
as if we haven't got their measures
and know they bathe only once a week at most
my, my! they do have a shedload to lament
their miseries plain to see
so please excuse their puerile defensive scrabbling's  
they are poor in heads in pockets and in their minds
Helen Aug 2012
busking to the outer hands
grasping for a taste of life
reaching for a soft thigh
breathing in the scent
upon a sigh

I sing the song of the outcast
the borderlands stand foreign
against all thought
and the ruling emotion
is
pure
emotion
a guttural cry is last
next to our swaying motion

darker than the twilight
throatier than a growl
to come apart in the moonlight
without running a foul
of crossing from the sunlight
to the darker plains of pain
the borderlands are not for the weak
or those starved of the rain

the dryness is oppressive
the darkness is aggressive
dusking in the borderland
leaves one crooning
to the old world muse
with a fragility
that is impressive

so they sit upon the crossroads
listening to the songs of desire
and watch the sun set
but left an empty shell
because they refused
to be consumed
by the fire
for those of us that have crossed the borderlands and survived to arise from the fire and became.... more ;-)
Kagey Sage Nov 2015
What do all these unread books mean,
a life that must move, but intends to someday have
more time to sit and ponder?
Or am I slothful from the smudged screen gleam?
Endless tool possibilities, you've become my lvl. 70 distraction
No capture, no defeating
just the monster in the cave
without an escape rope, or even matches
Go so crazy
I wanna light my shirt on fire in protest
and forget to take it off first
I wish for old days of street loitering gossip, and busking
How'd we lose it so fast?
You can't even find the picnic spot without a digital pamphlet
so excuse me as I lament
the dying days
I hardly lived
it was the
summer
of 13

when a city
consumed in a
Cronut crazed
heat wave

amped
the tenderloin

slicing the underbelly
of Hell's Kitchen

packing meat for
Russian oligarchs
pouring fistfuls
of petrol rubles
down the
thirsty gullets
of glutinous
developers

their distended
bellies welling
with aching
avarice
from an
extended
stay at an
All You Can Eat
zero interest
smorgasbord
courtesy of
Uncle Sam’s Diner
somewhere off the
West End

getting fat
on the land
reclaimed
and rebuilt
on the dust
and detritus
of an expired
Great Society

Bloomie's metropolis
rising on the rubble
of razed neighborhoods....

the vertical leaps
shooting ever upward
the heady windows
framing portraits
of endless replication
offering the amenities
of the vain comfort
found in ghettos of
soulless high rises
and the billowing
gray perspective
of blanched out
street cafes
brewing $9 lattes
and big box
boutiques busy
busking the
latest rage
of sweat repelling
yoga mats and
wearable apps

America’s Mayor
Giuliani paved the way
he arrested all
the squeegee men
confiscated their Windex
dumped it down
the sewers and filled all
vacancies at Rikers

a year after Sandy
rolled up the Hudson
breaching the banks
of West Street
licking the streets
clean of urban
flotsam the
surging boom
bloomed

Bloomie bankrolled
a red carpet
for his global
fraternity of
plutocrats
unleashing a
tsunami of
shekels

washing away
the fading
memories of
Captain Sully’s
cool headed
lunch pail
heroism proving
that 727’s can
walk on water
was now passe

Lou Reed
left town
the wild side
monetized by
the belching
banality of
Urban Hipsters

millennial
babes in toy land
embarked on an endless
shopping spree
where credit limits
never expire and
giddy narcissism
greased with entitlement
orders up room service
as the next course
in this endless
movable feast

Music Selection
Philip Glass
The Hours



9/8/13
NYC
jbm
walking the High Line in NYC.....
fragment of extended poem
posted today in response to NY Times article
on the anonymous purchase of NYC high rises
by global oligarchs
http://www.thetakeaway.org/story/new-investigation-reveals-corrupt-foreign-money-flowing-us-real-estate/
Ottar Feb 2013
Where my heart should be, there is an ache or a pain,
Yes that physical geography, I shrug with vague disdain,
I thought that had turned to stone oh so long ago.

My eyes well with tears, I feel emotions and I am glad,
But it is my fears, that want to stop the drumbeat so bad,
I had hoped for longer to get it right, or left, of centre.

Years became months and they turned to weeks, then days,
For excitement a walk amongst the freaks but the mundane won't go away,
Finally realizing I was the main attraction, the reason they showed up.

Busking my talent, to take risks, to make it rich, to feel alive,
What they threw was pennies, and insults, I barely survived,
But no one threw the one thing I needed most, something real.

An honest healthy heart, that beats a steady sound,
That is strong and fair and built to sincerely care, pound-pound,
Wires are getting crossed, on emotional waves I am tossed.

A short circuit in a bilge pump, thump sputter thump,
Water instead of blood finds a way through my rooted stump,
of a body full of remorse for the course my life has run.

There is no race for which I am fit, I plead no contest,
I would not pass any test, if I was allowed to write my best,
Down so low, found in the bottom of a heel print in the snow.

Yet, I have hope, I have a yearning to throw words down, and
with my voice lift their sounds to echo 'round, breathing air,
forcing sound to get my blood to break past clogs.

Yet, I will write, and live to write another day,
Whether it is by resuscitation, or heart-healthy habits stay
the course, spew the filth, to find a measure of peaceful treasure.

Writing in the moment.


©DWE022013
Olivia Kent Dec 2013
Beggar It!

Hair drenched hung at her neck.
Cold, bedraggled.
Left on the stone cold stairs.
Beside the house of the holy.

Fingers purple.
Blue, pink.
Fingertips smarting.
Fiery red inside.
Holly was her name.
Her visage as red as cherry ripe.
Tears her only friend.
Old enamel mug in turquoise.
Waiting to catch stray nickel coins.
Holds only pennies of memory.
Locked in her cold brain.

She cannot sing.
Nor play a note.
Busking is no option.
She wrote a poem of her own,
A kind of begging note.
She wrote it in bright colours.
In letters truly bold
Cry is all that she will do.
In hope's desperation.
That all is not lost.
She hopes someone will read her poem.
And,
****** her from the winter cold!


By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Bogle Nov 2013
Ooah, get your finger out, get your *** in gear, split skin, stinging flesh, unhealed for all to see, my

Grandad died of ******* cancer partly, tell me, what does she know, that do they know, grey world,

some more soon, no don't, I'm going, why didn't you say, will I be worth, am I needed anymore,

who are they, don't say there names Tigz what ever I ask, blood, fire, hold me, hair, warm, don't go,

shiver, visions, sequences, pantheism, hippie, music, teaching, busking, concerts, grade eight,

sociology, not in control, keep clean, happily ever after, I love you, lonely, scared, scarred,

traumatised, ill, why couldn't I help, holiday, gone, guilty, old, compasion fatigue, failing, tired,

delusional, Josh I won't see someone do it again, you're saying words I've heard before, neither's

good Callum, no I can't step back, what did I do, sin, past, present, future, what did you say, I don't

understand, is that all it took, setting sun, please please help me!!!!!
You want to know what goes through the head, of someone who has been through 'hate your self?' ?Here it is!
Shelby Hemstock Jul 2013
New York City,
Said the same by masses
Yet reflected upon
Uniquely by individuals
To some it's just a place to visit
And they would never live there
To others,
New York is a haven
A shoppers delight
An amusement park
The city so nice they named it twice
Those who are lucky enough
To have been to New York
You always have at least
One crazy story
The definition of crazy being,
"Possessed by enthusiasm of excitement"
Meaning,
"This one time I was in Bushwick
And I gave a guy directions,
Then he invited me to a cannabis cup.
It was crazy."
Or there's this other definition
Of crazy meaning,
"Fooling or impractical. Senseless"
Crazy New York stories often
Associated with the second definition
Usually involve a homeless person
And urination
Whose ***** it is,
Well that's another story
I can sum up my New York
Story in a minute
If you live here
That's all strangers ask you anyways,
"Where you from friend?"
So I've rehearsed my story a bit
I've gotten pretty good
At expeditiously answering
The questions that follow,
"So what made you
Move to New York?"
"So do you go
To school for it?"
"Where do you work?"
And,
"Do you have
A cigarette?"
My answers,
"I followed a group of friends
To document their experience
As rising musicians
Eventually “Train Robbers”
Was formed and I
Shot an abundance of videos of those
Said musicians busking.
They would preform inside of
60 miles per hour subway cars,
Finish a song or two
Collect the loot
Then bail
Hence, “Train Robbers”.”
I’m mostly self-taught
In the fields of film making
Writing,
Photography,
As well as guitar,
The guitar you can tell
After months of watching
Then later re-watching
In the editing room
These musicians,
Counting up all that easy money
Stacking all the ones
Then forcefully folding
The *** of bills
Into their pockets,
I too then started to play guitar
On the subway.
And no, I don’t have
A cigarette.”
Steve Raishbrook Oct 2015
As time passes on, I hear many songs
Songs of old, songs of new
Mornings haze, dusks stillness
Lonely nights, city living
County air, summers medows
Winters lonely streets
Death of the old, birth of the young

A guitar, a band, a note, a strum
Busking, travelling, clocks a tickin
Waters flowin, trains a rollin, end of the line
Dreaming, fighting, crying, dying

Oh father of night
Oh father of day
Oh father to you I pray
You require no faith
You are past, present, future
Forever with us

In our cars
In our rooms
In the darkness
Share the joy
Your words
Your chords
Your voice  
Guding unyielding to the truth

What's right
What's wrong
What are minds are thinking
What our hearts are feeling

I drift, I flow
Years go bye
You remain
A ship that can't be sunk
A dream that can't be thwarted
Wherever my restless heart wonders
You will be found
Robert Zimmerman we are forever yours

The  disillusioned
The faithless
The loveless
The lost
The wiry
Now and forever
Till the day we pass
You're the father
You're the light in the dark
You will never die
Your star burns brightest
In this life or the next
God willing
We'll meet again
RILEY Apr 2014
Dry tears accumulate
On the corners of my sleepless eyes
As my thoughts circulate
In my brains
Like old sweaters in washing machines.
My spirit is knocking on the doors of my mind,
Peeking through windows
Trying to get a signal,
Trying to do something
Screaming
“What the hell are you doing!?You’re going to **** us!”

It’s raining,
Inside me it’s raining;
Droplets of infuriated thoughts
And angry manifestos
Declaring that I’m unpleased with this world,
Unpleased of how it’s too small for my dreams,
Too tight for my overflowing self
And too narrow for my vision.

I’m a social claustrophobic,
Desperately attempting to get out of my social class
That is made out of four walls
Hate, prejudice, fear, and socio-economic dictionaries
That are set to define human beings.
I’m a lost pilgrim;
My compass is lying somewhere
In between the sand castles
Our father’s built for us
In this country on the shore;
In this country that drowns
Every time the moon decides to push away the water to its surface,
That clenches,
To the air that’s given to it
Split seconds after the moon changes its mind.

I can see the sunset;
But when the mind is not clear
One can never find clarity in a cloudless sky,
I can smell all kinds of spring,
But the scent reminds me of what I’m missing
Rather than what I am to find;
I’m busking in a starless sky,
I’m rotating around my words
Trying to avoid the meanings
Jumping over my reflections
Only thinking of one thing
“How the hell do we get out of this labyrinth?”
Jade May 2014
A lone flower stays
Where the broken vase lays
Busking in the sun's dying rays.
Will it thrive or will it die?
The leaves look to the light
Petals gently curling in sight

As the sun sets
There is no room left for regret
As with all that's said and done
It is not uncertain
It cannot be undone
Don't look back and carry on.

As the flower dies,  
The stars watch the moon rise.
Ben Brinkburn Jul 2013
Making love languid on a sunny afternoon
if you are holiday spend your money release yourself
The Big Hush
Astronology and people
advice on self-decapitation
walking through a graveyard
fantasising about having your head chopped off
when when when
crazy as the new normal
normal as the new whip
existentialist crap in my head
the analyst must save some money for the state
he sits there digitally ticking a spread sheet
looks at me and says
'these mental problems
are they all in your head?'
I say no they are in my feet
you have a sense of humour he says
you cannot be depressed
so
time to start busking in the streets
Elizabeth Hynes Apr 2015
Crouching beggar upturned cup
Singing children hunger sup
Mongrel bounds on a short chain
We are all caught in the rain

Policeman standing proud
Busking waifs are singing loud
******* lies where it was lain
We are all caught in the rain

Pigeons bobbing strut right by
Seagulls scream with glinting eye
Old man mutters 'not insane'
We are all caught in the rain

Babies hold up their palms
Mothers push them in their prams
Babies google their necks crane
We are all caught in the rain.
Olivia Kent May 2015
Too cold and wet for busking, said she with perfect voice.
Survival, song dependent, she really has no choice.
Vocals loaded, always heard.
Appreciated by the listener, the perfect singing bird.
The song thrush and the warbler, performed together beautifully to treat the watching crowd.
(c)Livvi
mourning in our mornings of the sickness of lack of love which has dawned upon us
So dark a world, the angels would frown busking at the thorns of dusk to awaken us
How women loved when they vowed to die for love
how much more when they lived to love and lived by way of loving


oh but material, this fake monster that dares go to war with the ethereal
succumbing norms embrace the watmth of the hug of the surreal
and it keeps on knocking and knocking but the ears of the people were shut and soon they would forget what it felt like to love
and man or wounders of earth would rip the purity once more overwhelmed by the magnitude and magnificence of woman
helpless and bewildered, man he turns to violence to fight for his own right

but in these bouts all these fights; they leave scars so deep that they become  orifices
and the essence of woman is darkened to sin and repels all things good
becoming a vacuum that ***** out the purity and well intentions of kind men
birthing underdeveloped zygotes that populate the thinking in society
these halflings tattooed with stereotypes and false beliefs impinging a doctrine that overthrows the goodness of the male gender


so all she will know women are the evil deeds of men and the good becomes illusive
somebody rigged this program , new versions and updates are slow to process
so the image woman has of herself is low
an image of weakness, inferiority and inadequacy
the few men who do come to love, barely make it beyond the firewall of servitude of self-righteous gods and and immortal godesses but what does this have to do with love?


How is it building up the image of the possibility of good men and the freeing of violent and dysfunctional men?
How do these systems and rituals build and culminate once more the image of divine woman?
where man was and is and shall be maleandfemale integrated


There are many religions and sacred beliefs but if God or Divine Source does indeed exist then we as descendants of It/He/She/Them; should have their encoding in our DNA and that is the scribe within our conscience
our hearts
our sincere feelings
our authentic being
our celestial roots

when women loved; men went to space during *******
men built houses as fit as temples
love and marriage were separate entities
children never left home
self was fulfilled because of the freed feminine energy of creativity and spirituality within each of us
before patriarchal systems and woman-oppressing religions
when women loved men forgot about war because to their women they were equal and complete


so now relationships fake and dysfunctional
angry men and vindictive women
children at the helm of injustice
some spend time in the garden to restore
some are in the park not to look for a parking for they have found their place on the bench
they warm the bench not to get fired up before getting onto the field but to keep warm from the coldness all around:
the lack of love and sincerity or refining tranquility

Many have forgotten how to feel for many things are manufactured like products
and people engineered like parts sold off into the market
each business protecting its culture and creed no matter who bleeds
what would Mother nature say if woman still loved?

probably cry that love is being aborted and darkness recycled so material continues to industrialize.

When women loved
love was the only deal and righteous will
Ignatius Hosiana Jan 2017
One day-the talk of the Sailors, the next a wreck
a beauty of the universe and the next a Shrek
The king of the jungle today, a carcass tomorrow
from pinnacle of joy to an iceberg of sorrow

One moment you're a trodden road, the next forgotten
fresh and busking marine and then a fossil, you're rotten
this minute, a blossom of the garden and then a wilt
a rock of now that will be glaciated to mere silt


Even an Eagle soaring high in the sky gets to the ground
at some point, the found get lost and the lost get found
drums that rumble will someday go the limpid in a ***
you lack today but someday will find all you sought
Michael Apr 2017
When I left you
There was nothing left
For me to give

A slap on the ***
Feet firm on the ground
And that's all I had

No moon over Manhattan
No Bambi eyes on the prize
Just two hands, two feet

Ten fingers, ten toes

You'd think I'd at least
Have wrapped you
Bandana blue

Tied you to a post
And slung you over shoulder
See saw of gravitas

Instead I had empty pockets
Hole sewn into the hem
So that when money went in

It just fell out again

I think you're better off
Busking on the street
Earning pennies for thoughts

People will take pity
A gift that's more than
What I was given

But then again
What do I really know
I left my dignity behind

So long ago
Ignatius Hosiana Feb 2016
I'd learnt not to trust the light at the end of the tunnel
  emotions were a bark of a dog in a kernel
which when detected I found another channel
my way of living, life has got no manual
I'd learnt to treat with suspicion the cloudy sky
from there sprouted lightning and thunder in the rain
and passion was but within freedom a camouflaged chain
I'd learnt to be my own man,to pave my way
without expecting to see another day
I'd learnt that much as she ached, patience paid
the chicken hatches twenty one if a day after her egg's laid
I'd learnt to hear what in silence they spoke
cause it was useless listening to them talk
I'd learnt to take on fate, to take charge
to pay attention,the bird's melody could be a dirge
I'd learnt to love them without blindly trusting
to see the inside beauty rather than momentary busking
I'd learnt to tell none about my hopes for my future
few thought such would be reality, not even my tutor
to just listen to my quiet and believe in God's powers
to till my garden and seed my favourite April showers
I'd learnt to smile with my teeth, as long as they're white
rather than in vain keep trying to explain my plight
to a kind who will do whatever it takes not to fathom
In a volatile electron packed world I'd always be an atom
I'd learnt , better trust instincts instead of opinions
to evade minefields and blaring missiles and canyons
I'd learnt to find pleasure in the burden of my cross
to find adventures in the risky seas of my prowess
I'd learnt to be my own man,to laugh after I've grieved
when I realised I would have lost less had I believed
By the end of the first chapter, the cruelty in the pages
I'd learnt to be brave, I'd learnt after what seemed like ages

— The End —