He sat all alone, drinking jim beam and coke

Looking out as the waves crashed ashore

He kept to himself, drinking jim beam and coke

As the storm winds would batter the door

He'd only come in when the weather was rough

Sitting alone, drinking Jim Beam and coke

Looking out at the waves never saying a word

Just this man and his Jim Beam and coke

He'd lived all his life in this sea faring town

Working ships from the time he was ten

He grew up real fast on the high roiling seas

Doing work that was best left for men

His father had run a small fleet of five

Chasing cod up the Grand Banks each year

But as cod stocks declined and the fishing died out

His old man sold off his old gear

One boat was left, a shrimper, it was

It was christened the "Bain of my Life"

It was a jab at his job, but as his dad liked to say

"I named the **** boat for me wife!"

They ran this old boat till the paint was worn off

Fixing nets, running traps and old lines

Catching shrimp, heading home....and time after time

Getting soaked in the stormy old brine

He sat in the bar looking out as the waves

Grew and intensified more

With his Jim Beam and Coke, looking out to the sea

And dried peanut shells crushed on the floor

When the fair weather came, he was never about

He was down by the ships holding court

For as sea farers go and tellers of tale

He was the best one they had in this port

He told of the time that their boat had been hit

By a wave twice as tall as the ship

But his dad kept her up, and they only lost pots

And the "Bain" proved she couldn't be flipped

On fair weather days he would  start out his day

At the Church of the Maritime Witch

It was a small little bar, serving breakfast till ten

And the bartender there was a *****

At least that's his word to describe Betty Jean

He would call her this name and then grin

For he'd known  Betty Jean for his whole ****** life

She was this old seafarers sister, his twin

She'd run the old bar for about 40 years

Took it on when she lost on a bet

She 's been there ever since and she won't tell a soul

How she lost and why she's never left yet

But, on days like today, she'd shut down the bar

Batten windows and hope for the best

For with 90 knot winds and just plywood and nails

Her bar would be put through a test

So he'd come up here drinking Jim Beam and coke

Watching out to the sea past the break

He watch for the ships coming in from the storm

Seeing just how much sea  they could take

He'd name 40 men who he knew lost their lives

Facing death on the water to fish

But there only was one for  who he'd give up his place

and that was his eternal wish

His son was lost out on the bubbling sea, chasing cod

When they knew there were few

He was out on a ship that was captained by him

and a small, inexperienced crew

His son was swept off by a swell straight from hell

It was two miles long if an inch

He was working the nets when the rogue wave did hi

ttaking his son, two pots and a winch

He'd spent fifteen years searching daily for him

His body had never been found

Davy Jones held it fast in the depths of the sea

To which his sons soul forever was bound

He gave up his search and he never went back

Never fished for a shrimp or a cod

He'd just sit on the dock watching out at the waves

Praying silently this prayer to God

"Please give me my son, so I can bury him whole"

"Let him surface so he can find peace"

"I only ask this, for my sister and me"

"And for his daughter, my dear little niece"

"We've waited for years for a sign...even small"

"Just to show us that your job is done"

"I'll never go out on the water again"

"Regardless of how strong they run"

"I ask you dear Lord, for his body to see"

"So we can consecrate him back to the earth"

"This is all I ask, and I will ask no more"

"Just how much is my dear son's life worth"

With an amen and a smoke to finish it off

He'd head back to his sisters to sit

He'd drink Jim Beam and coke till "the *****" sent him home

With a hug and a kis and a "***"!

But on days like today he'd watch waves crash ashore

Hoping no more were lost to the sea

Drinking Jim Beam and coke, sittling all on his own

Wishing God would set his son free

If you're down by the docks when the weather is fine

Look for him and he'll tell you a tale

But don't ask about that terrible night

When he lost his young son to a swale

Kick me while I'm down.
Beat me til I'm spitting blood.
Let me beg for mercy
Tell me I'm too ****** up to love.
Watch me fall apart.
Hand me the blade to cut myself.
Pour the ***** in my soul.
Tell me I'm too gone to help.
Tie my hair back,
As you push my fingers down my throat.
Watch me cry and hate myself.
Tell me I'm stupid to emote.
Batter me With misery
I'm just a *******.
I'm nothing more than a waste of space,
So treat me like it.

Throw a tomato! They're squishy...
Snails are too though, but you can't
Toss them too well.
You could use them like a baseball?
"Hey, batter batter. Swing!"
Touchdown!
But...
T
H
I
S
Isn't high school.
And we aren't jocks.
We just throw cabbages and rotten potatoes
Po-tah-toes.
Tomatoes.
To-mah-toes.
Lets call the whole thing off...

My soul will sail away
And let the winds
From my troubling yesterdays
Fill its tattered sails
And carry it wayward
Bound for a better future

Although the waves will batter
And the thunder will crash
I know my vessel will reach harbor
Surviving to set sail yet again
When I find my soul restless
Longing for the next journey

and not in that pathetic delusional fat girl kind of way, and not in the fact that he is corny. No, my boyfriend is like a corn-dog because there is a big layer of nutritionless fried spongey batter that covers his insides. That batter is made up of three level cups of nice. Which is not to be substituted with "honest" or "real". No, nice is the only ingredient that can produce such a meaningless spongey layer to cover up the "love" "sincerity" and "caring" that makes up the center. That golden brown skin enticed me. But, it is what is inside that gives me substance.

It’s the top of the sixth, and
I don’t know the score;
If I am losing the game
I will have to score more.  If
I am winning that’s good,
But the game might be tied, and
If it ended right now,
Would you know that I tried?

How many innings
Do we get to play?
That’s a question that no one
Can answer today.
The game might go nine, or
It might end after seven. Do
I have enough runs to get me
Into Heaven?

How did I play?
Good field – no hit?
Playing hard till the last out was made -
Never quit?
Did I hit some home runs?
Was I good in the clutch?
Help my teammates score runs
With sacrifice bunts.

It’s the bottom of nine
Doctor said, “Game’s almost done.
You have just enough time
To score one more run.
Get your teammates together
You gave it your best,
You played as well as you could
Now it’s time for a rest.”

Abandoned baseball fields
and feedlots in my mind'
span the distance between
pastures and filling stations.
Games from childhood,
those small-town diamond-gatherings with pizza-
joint sponsored jerseys
and open outfields where
the ball could roll
                                forever
if you really got a hold of it.

Here, in this other steer-city', once more I play
Though my back is sore, my mind
remembers pushing through an inside-the park
run home.
It rolled and rolled while I tripped on each corner
of those three plastic safe squares.
I saw the tom-boy with short hair behind the dugout
and asked her if she saw--
that night I thought she came to see me--
perhaps she might have known.
I have, not since then.

Shoeless, I meander on this base-path
holding my hands on my sides
to feel the parts my neighbor girl had
told me made the other boys
men; this distinction
what is good and what is not
was presented to me by foolish children, still
trying to become women-- AM I NOT A MAN!

I scream.

Somehow, these parts hang from my body,
supported by my well-toned calves--
My ankles, *****! My ankles are fine with
and without shoes.
Are the friendship bracelets from boys
that you got at camp in Colorado
not tattered by time now?
I have that trim abdomen you asked for
that triangle where my thighs converge with
torso, like you imagined theirs did
in the dark
while they were tasting all the
nothingness
inside you.

I can be like them, in my fantasy
of hitting the ball that rolls out toward yellow, singeing tallgrass
relieved by Summer evening thunderstorms which let me
ride quietly with my parents
in the backseat of our mom's pewter suburban,
with a box of kleenex always part-empty
crumpled beneath the passenger seat I sat behind.
My younger sister looked at the floor
while I saw
through our countryside with clear-gray
thoughtfulness and ease.

Instead of leaving from home, today,
I started on first base, in the park,
where I walked through
the right-field boundary without
consternation.
Look at strangers on the sidewalk,
and call my shot were they to take my things.
I feel my toes dig into dirt where no holes or even
placeholders were left to chance
vandalism or theft, I suppose.
I'm a thief, stealing seconds with my
piroueting-silence--
punctuated by mindless cylinders, pulsating.
Motorcycles are what they have; men.
Now, what she’s looking for, that girl which is
every woman.

(My bike is still there, I notice, taking an imaginary lead.)

A man with work and maybe a sense
of humor
that makes me roll my eyes.
But she thinks he's funny,
because she's simple, and-- after all-- she knows
those knees won't bend that way
                                       forever.
My adult work is walking, haggard, toward third
watching the adolescent couple running scared
from one another, when
minutes before they kissed; I laughed more loudly at them
than the garbage-fed birds who did roughly the same thing.

I walk toward home, where last Fall’s leaves
still loiter on the ground
that’s dug in
the way a timid batter would scrape earth,
cover his feet and wait to walk.
As a catcher, crouching behind a different kind
that afternoon, those older boys, with triangle-
torso-thighs and muscular limbs
came charging through me
and took my place
beside my girlfriend in the stands.

It was his motorbike that got there faster.

This is how home becomes crusted with dirt,
alternating apprehension and collision
must be wiped from the strike zone
Before I can wag fingers between
the legs to show exactly where to put it
in the top half of the ninth.
Those motorcycle-men don't get a whiff
of any pitch
or breezy desert air from down the chalky bluffs. In my hometown,
they may have felt a part in her that I could never be.
Dark drops beneath her sooty tail pipe
shades and forms are all I see.
But when I go inside, I still hear the echo
of car doors from my sister, mom and dad:

--thwack, Thwack. Thwack!

Each strike reverberating in the glove of our garage.
Every flimsy-ankled batter dispersed,
just like the infrequent pinging of our cooling engine
after the key has been removed. Lowering
a barrier, between the boys and men,
I watch wet cement like a warning track
backed by a white,
metal-reinforced plywood fence.
Through plexi-glass, I see that it came down
from the ceiling
the ordering presence of separation
suspended from my father's ceiling beams.
Solitary base-runner, stranded in this
half of the inning;
                            the home team
doesn't need to bat.
Still, she's rolling past me through thick, tall grass,
well-watered by a wetter climate,
in the empty fields at
Elmwood park this Spring.

People show love in many ways
A note on the bathroom door
An extra brownie in your lunch box
Starting the car on a cold morning
For her it  was in her food
She cooked her emotions the way most chefs add salt
You could taste them clearly in every bite connecting your tastebuds to your heart,
If she was happy the steak melted on your tongue
If she was sad the soup made a tear glisten in your eye
But when she was in love with me
Every Bite sang in my mouth
She made my favorites every night
Life was good
But one day the bread wasn’t so fluffy
It held a melancholy note i’ve never tasted before
I asked what was wrong but she didn’t have the words to explain what she as feeling,
So I let it go
That was my mistake
Day by day, she started to crumble
So did her pies
She went from a wonder dancing in the kitchen and licking the spoon
To a hollow shell serving you lukewarm pasta that left you unsettled
I excused her behavior
I was busy she was stressed
The food was only cold because I was so late to the table
I didn’t realize it wasn’t dinner I was neglecting
It was her
If i could change one moment in my life, i’d be that night
The one where she finally felt up to baking again
We had some time together, she hummed a bit as she stirred the batter
But then she stumbled and dropped a glass measuring cup of milk she was holding
It was bitter irony seeing the woman i loved,
The light of my life,
Crying over spilled milk
That’d be the moment i’d change
I’d catch her wrist and hold her up
Just Like I promised I would
I wouldn’t fail her if I had another chance
Our kitchen is quiet these days
There's a thick layer of dust everywhere except the microwave
And around the edges of the room are tiny bits of glass
Glistening like diamonds
Or unshed tears,
Abandoned like me
But I can’t complain
After all, I abandoned her first
I should have read the recipe
I should have realized she was breaking
I didn’t see it at first
But every bite held a piece of her suicide note
If i’d only tasted it before it was too late
Now she’s gone
My hearts as broken as that measuring cup
And I’m the one crying over spilled milk

By Aknier     ~this is fictional~

I once heard someone say
when discussing life’s troubles

“Don’t worry, God is flipping
the big pancakes”

I thought
“It’s a good thing somebody is”

even the little silver dollar ones
come out burned on one side
gooey on the other
and stuck to the wall
when I try

Throughout our childhood, our grandmother would turn to us,
in her yellow-lit kitchen, brandishing a rubber spatula or meat
tenderizer to warn us against falling to temptation. She’d witnessed
too many good people disappear into what she called
a consumption of the soul,

              and as my cousins licked sugary batter off their spoons,
no one could have known that one day the candy-coating
would melt from their eyes to see their mother
for what she had done the last six years that now showed in her trembling hands, glossed vision, and a temperament that splashed into anger, flowed into melancholy as easily as she had found herself downing bleary bubbles at the brim of a precipiced fountain.
She was promised her very own message in a bottle, and this keep-sake

manifested in cousin Libby’s dreams, floating down a wine river
that gushed from the slashes in her mother’s wrists. Somehow I knew
these nightmares were born from warm and heady “sleep well”s
mumbled from across the darkest of rooms which held so many glass
ghouls with names and strengths so real, they even scared

my grandmother into silence as she stirred the pecan pie for Easter dinner. She offered to let me lick the spoon clean, but I simply
asked for straight sugar instead.

First they came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

"First they came for the Muslims" was published in Amnesty International’s "Words That Burn" anthology and is now being used as training material for budding human rights activists. My poem was inspired by and patterned after Martin Niemoller’s famous Holocaust poem. Niemoller, a German pastor, supported Adolph ****** in the early going, but ended up in a **** concentration camp and nearly lost his life. So his was a true poem based on his actual life experience. Keywords/Tags: Holocaust, genocide, apartheid, racism, intolerance, Jew, Jews, Muslim, Muslims, homosexuals, feminists, apathy, sisters, brothers, Islam, Islamic, God, religion, intolerance, race, racism, racist, discrimination, feminist, feminists, feminism, sexuality, gay, homosexual, homosexuals, LGBT, mrbmuslim, mrbpal, mrbnakba



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



I Pray Tonight
by Michael R. Burch

for the mothers and children of Gaza

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels’ white chorales
sing, and astound you.



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



I, too, have a Dream ...
written by Michael R. Burch for the children of Gaza

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
written by Michael R. Burch for the children of Gaza

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go ...
when lightning rails ...
when thunder howls ...
when hailstones scream ...
when winter scowls ...
when nights compound dark frosts with snow ...
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill,
beyond the capacity of moonlight to fill?
When the only relief’s a banked fire’s glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times and Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...

Published by The Lyric, Promosaik (Germany), Setu (India) and Poetry Life & Times; translated into Arabic by Nizar Sartawi and into Italian by Mario Rigli

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza, who know all too well how fragile life and human happiness can be. What can I say, but that I hope, dream, wish and pray that one day ruthless men will no longer have power over the lives and happiness of innocents? Women, children and babies are not “terrorists” so why are they being punished collectively for the “crime” of having been born “wrong”? How can the government of Israel practice systematic racism and apartheid, and how can the government of the United States fund and support such a barbaric system?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”

(In the poem "US" means both the United States and "us" the people of the world, wherever we live. The name "jesus" is uncapitalized while "Room" is capitalized because it seems evangelical Christians are more concerned about land and not sharing it with the less fortunate, than the teachings of Jesus Christ. Also, Jesus and his parents were refugees for whom there was "no Room" to be found. What would Jesus think of Christian scorn for the less fortunate, one wonders? What would he think of people adopting his name for their religion, then voting for someone like Trump, as four out of five evangelical Christians did, according to exit polls?)



Excerpts from “Travels with Einstein”
by Michael R. Burch

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.  

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



Brother Iran
by Michael R. Burch

for the poets of Iran

Brother Iran, I feel your pain.
I feel it as when the Turk fled Spain.
As the Jew fled, too, that constricting span,
I feel your pain, Brother Iran.

Brother Iran, I know you are noble!
I too fear Hiroshima and Chernobyl.
But though my heart shudders, I have a plan,
and I know you are noble, Brother Iran.

Brother Iran, I salute your Poets!
your Mathematicians!, all your great Wits!
O, come join the earth's great Caravan.
We'll include your Poets, Brother Iran.

Brother Iran, I love your Verse!
Come take my hand now, let's rehearse
the Rubaiyat of Omar Khayyam.
For I love your Verse, Brother Iran.

Brother Iran, civilization's Flower!
How high flew your spires in man's early hours!
Let us build them yet higher, for that's my plan,
civilization's first flower, Brother Iran.



These are my translations of Holocaust poems by Ber Horvitz (also known as Ber Horowitz); his bio follows the poems. Poems about the Holocaust and Nakba often bear striking resemblances, especially when written from the perspective of a child.



Der Himmel
"The Heavens"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

These skies
are leaden, heavy, gray ...
I long for a pair
of deep blue eyes.

The birds have fled
far overseas;
"Tomorrow I’ll migrate too,"
I said ...

These gloomy autumn days
it rains and rains.
Woe to the bird
Who remains ...



Doctorn
"Doctors"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Early this morning I bandaged
the lilac tree outside my house;
I took thin branches that had broken away
and patched their wounds with clay.

My mother stood there watering
her window-level flower bed;
The morning sun, quite motherly,
kissed us both on our heads!

What a joy, my child, to heal!
Finished doctoring, or not?
The eggs are nicely poached
And the milk's a-boil in the ***.



Broit
“Bread”
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Night. Exhaustion. Heavy stillness. Why?
On the hard uncomfortable floor the exhausted people lie.

Flung everywhere, scattered over the broken theater floor,
the exhausted people sleep. Night. Late. Too tired to snore.

At midnight a little boy cries wildly into the gloom:
"Mommy, I’m afraid! Let’s go home!”

His mother, reawakened into this frightful place,
presses her frightened child even closer to her breast …

"If you cry, I’ll leave you here, all alone!
A little boy must sleep ... this, now, is our new home.”

Night. Exhaustion. Heavy stillness all around,
exhausted people sleeping on the hard ground.



"My Lament"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Nothingness enveloped me
as tender green toadstools
lie blanketed by snow
with its thick, heavy prayer shawl …
After that, nothing could hurt me …



Ber Horvitz aka Ber Horowitz (1895-1942): Born to village people in the woods of Maidan in the West Carpathians, Horowitz showed art talent early on. He went to gymnazie in Stanislavov, then served in the Austrian army during WWI, where he was a medic to Italian prisoners of war. He studied medicine in Vienna and was published in many Yiddish newspapers. Fluent in several languages, he translated Polish and Ukrainian to Yiddish. He also wrote poetry in Yiddish. A victim of the Holocaust, he was murdered in 1942 by the Nazis.


Second Sight
by Michael R. Burch

I never touched you—
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then—

eternally present
and Sovereign.



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.

Published by Angle and Poem Today



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust ...

hearing the desiccate whispers of voices’
dry flutters,—
moths’ wings
brittle as cellophane ...

Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing . . .
through thin adhesive gloss
I caress your face.

Published by The HyperTexts



US Verse, after Auden
by Michael R. Burch

“Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.”

Verse has small value in our Unisphere,
nor is it fit for windy revelation.
It cannot legislate less taxing fears;
it cannot make us, several, a nation.
Enumerator of our sins and dreams,
it pens its cryptic numbers, and it sings,
a little quaintly, of the ways of love.
(It seems of little use for lesser things.)

Published by The Raintown Review, The Barefoot Muse and Poetry Life & Times

The Unisphere mentioned is a spherical stainless steel representation of the earth constructed for the 1964 New York World’s Fair. It was commissioned to celebrate the beginning of the space age and dedicated to "Man's Achievements on a Shrinking Globe in an Expanding Universe." The lines quoted in the epigraph are from W. H. Auden’s love poem “Lullaby.”



Sea Dreams
by Michael R. Burch

I.
In timeless days
I've crossed the waves
of seaways seldom seen.
By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.

With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.
Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.

In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.
I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.

I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no man has sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.

And I've grown and grown and grown
till I thought myself the king
of every silver thing . . .

But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray . . .

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs that I used to climb
when the wind was **** with a taste of lime
and every dream was a sailor's dream.

Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright.

Christ, those nights were fine,
like a well-aged wine,
yet more scalding than fire
with the marrow’s desire.

Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam . . .
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!

It's almost nine
and I must be back home by ten,
and then . . . what then?

I have less than an hour to stroll this beach,
less than an hour old dreams to reach . . .
And then, what then?

Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.
When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.

Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.
The distant cooling clouds.

Then the sun shone bright
with a different light
over different lands,
and I was always a pirate in flight.

Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that rush into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams . . .
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” To the best of my recollection, I wrote “Sea Dreams” around age 18, circa 1976-1977. For years I thought I had written “Sea Dreams” around age 19 or 20, circa 1978. But then I remembered a conversation I had with a friend about the poem in my freshman dorm, so the poem must have been started around age 18 or earlier. Dating my early poems has been a bit tricky, because I keep having little flashbacks that help me date them more accurately, but often I can only say, “I know this poem was written by about such-and-such a date, because ...”

The next poem, "Son," is a companion piece to “Sea Dreams” that was written around the same time and discussed in the same freshman dorm conversation. I remember showing this poem to a fellow student and he asked how on earth I came up with a poem about being a father who abandoned his son to live on an island! I think the meter is pretty good for the age at which it was written.

Son
by Michael R. Burch

An island is bathed in blues and greens
as a weary sun settles to rest,
and the memories singing
through the back of my mind
lull me to sleep as the tide flows in.

Here where the hours pass almost unnoticed,
my heart and my home will be till I die,
but where you are is where my thoughts go
when the tide is high.

[etc., see handwritten version, the father laments abandoning his son]

So there where the skylarks sing to the sun
as the rain sprinkles lightly around,
understand if you can
the mind of a man
whose conscience so long ago drowned.



Ode to Postmodernism, or, Bury Me at St. Edmonds!
by Michael R. Burch

"Bury St. Edmonds—Amid the squirrels, pigeons, flowers and manicured lawns of Abbey Gardens, one can plug a modem into a park bench and check e-mail, files or surf the Web, absolutely free."—Tennessean News Service. (The bench was erected free of charge by the British division of MSN, after a local bureaucrat wrote a contest-winning ode of sorts to MSN.)

Our post-modernist-equipped park bench will let
you browse the World Wide Web, the Internet,
commune with nature, interact with hackers,
design a virus, feed brown bitterns crackers.

Discretely-wired phone lines lead to plugs—
four ports we swept last night for nasty bugs,
so your privacy's assured (a *******'s fine)
while invited friends can scan the party line:

for Internet alerts on new positions,
the randier exploits of politicians,
exotic birds on web cams (DO NOT FEED!) .
The cybersex is great, it's guaranteed

to leave you breathless—flushed, free of disease
and malware viruses. Enjoy the trees,
the birds, the bench—this product of Our pen.
We won in with an ode to MSN.



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.


Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child . . .

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites . . .

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends . . .

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in its sway . . .

For, as suns seek horizons—
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!

I believe I wrote the original version of this poem in my early twenties.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



You Never Listened
by Michael R. Burch

You never listened,
though each night the rain
wove its patterns again
and trembled and glistened . . .

You were not watching,
though each night the stars
shone, brightening the tears
in her eyes palely fetching . . .

You paid love no notice,
though she lay in my arms
as the stars rose in swarms
like a legion of poets,

as the lightning recited
its opus before us,
and the hills boomed the chorus,
all strangely delighted . . .



Through the fields of solitude
by Hermann Allmers
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion ...



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky,
and the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some savage ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze,
blown high, upward yearning,
twin spirits returning
to the world of resplendence from which we were seized.

In the whispering night, when the mockingbird calls
while denuded vines barely cling to stone walls,
as the red-rocked rivers rush on to the sea,
like a bright Goddess calling
a meteor falling
may flare like desire through skeletal trees.

If you look to the east, you will see a reminder
of days that broke warmer and nights that fell kinder;
but you and I were not meant for this life,
a life of illusions
and painful delusions:
a life without meaning—unless it is life.

So turn from the east and look to the west,
to the stars—argent fire ablaze at God's breast—
but there you'll find nothing but dreams of lost days:
days lost forever,
departed, and never,
oh never, oh never shall they be regained.

So turn from those heavens—night’s pale host of stars—
to these scarred pitted mountains, these wild grotesque tors
which—looming in darkness—obscure lustrous seas.
We are men, we must sing
till enchanted vales ring;
we are men; though we wither, our spirits soar free.



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Bowery Boys
by Michael R. Burch

Male bowerbirds have learned
that much respect is earned
when optical illusions
inspire wild delusions.

And so they work for hours
to line their manly bowers
with stones arranged by size
to awe and mesmerize.

It’d take a great detective
to grok the false perspective
they use to lure in cuties
to smooch and fill with cooties.

Like human politicians,
they love impressive fictions
as they lie in their randy causes
with props like the Wizard of Oz’s.



THE KNIGHT IN THE PANTHER’S SKIN

***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend.

The Knight in the Panther's Skin
by ***** Rustaveli
loose translation/interpretation by Michael R. Burch

excerpts from the PROLOGUE

I sing of the lion whose image adorns the lances, shields and swords
of our Queen of Queens: Tamar, the ruby-throated and ebon-haired.
How dare I not sing Her Excellency’s manifold praises
when those who attend her must bring her the sweets she craves?

My tears flow profusely like blood as I extol our Queen Tamar,
whose praises I sing in these not ill-chosen words.
For ink I have employed jet-black lakes and for a pen, a flexible reed.
Whoever hears will have his heart pierced by the sharpest spears!

She bade me laud her in stately, sweet-sounding verses,
to praise her eyebrows, her hair, her lips and her teeth:
those rubies and crystals arrayed in bright, even ranks!
A leaden anvil can shatter even the strongest stone.

Kindle my mind and tongue! Fill me with skill and eloquence!
Aid my understanding for this composition!
Thus Tariel will be tenderly remembered,
one of three star-like heroes who always remained faithful.

Come, let us mourn Tariel with undrying tears
because we are men born under similar stars.
I, Rustaveli, whose heart has been pierced through by many sorrows,
have threaded this tale like a necklace of pearls.

Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan



Final Lullaby
by Michael R. Burch

for my mother, Christine Ena Burch

Sleep peacefully—for now your suffering’s over.

Sleep peacefully—immune to all distress,
like pebbles unaware of raging waves.

Sleep peacefully—like fields of fragrant clover
unmoved by any motion of the wind.

Sleep peacefully—like clouds untouched by earthquakes.

Sleep peacefully—like stars that never blink
and have no thoughts at all, nor need to think.

Sleep peacefully—in your eternal vault,
immaculate, past perfect, without fault.



don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

I dedicated this poem to the love of my life, but you are welcome to dedicate it to the love of yours, if you like it. The opening lines were inspired by a famous love poem by e. e. cummings. I went through a "cummings phase" around age 15 and wrote a number of poems "under the influence."



Options Underwater: The Song of the First Amphibian
by Michael R. Burch

“Evolution’s a Fishy Business!”

1.
Breathing underwater through antiquated gills,
I’m running out of options. I need to find fresh Air,
to seek some higher Purpose. No porpoise, I despair
to swim among anemones’ pink frills.

2.
My fins will make fine flippers, if only I can walk,
a little out of kilter, safe to the nearest rock’s
sweet, unmolested shelter. Each eye must grow a stalk,
to take in this green land on which it gawks.

3.
No predators have made it here, so I need not adapt.
Sun-sluggish, full, lethargic―I’ll take such nice long naps!

The highest form of life, that’s me! (Quite apt
to lie here chortling, calling fishes saps.)

4.
I woke to find life teeming all around―
mammals, insects, reptiles, loathsome birds.
And now I cringe at every sight and sound.
The water’s looking good! I look Absurd.

5.
The moral of my story’s this: don’t leap
wherever grass is greener. Backwards creep.
And never burn your bridges, till you’re sure
leapfrogging friends secures your Sinecure.

Originally published by Lighten Up Online

Keywords/Tags: amphibian, amphibians, evolution, gills, water, air, lungs, fins, flippers, fish, fishy business


These are my modern English translations of poems by Dante Alighieri.

Little sparks may ignite great Infernos.
―Dante, loose translation/interpretation by Michael R. Burch

In Beatrice I beheld the outer boundaries of blessedness.
―Dante, loose translation/interpretation by Michael R. Burch

She made my veins and even the pulses within them tremble.
―Dante, loose translation/interpretation by Michael R. Burch

Her sweetness left me intoxicated.
―Dante, loose translation/interpretation by Michael R. Burch

Love commands me by dictating my desires.
―Dante, loose translation/interpretation by Michael R. Burch

Follow your own path and let bystanders gossip.
―Dante, loose translation/interpretation by Michael R. Burch

The devil is not as dark as depicted.
―Dante, loose translation/interpretation by Michael R. Burch

There is no greater sorrow than to recall how we delighted in our own wretchedness.
―Dante, loose translation/interpretation by Michael R. Burch

As he, who with heaving lungs escaped the suffocating sea, turns to regard its perilous waters.
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you nosedive in the mildest breeze?
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you quail at the least breath of wind?
―Dante, loose translation/interpretation by Michael R. Burch

Midway through my life’s journey
I awoke to find myself lost in a trackless wood,
for I had strayed far from the straight path.
―Dante, loose translation/interpretation by Michael R. Burch

INSCRIPTION ON THE GATE OF HELL
Before me nothing created existed, to fear.
Eternal I am, eternal I endure.
Abandon all hope, ye who enter here.
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Ladies of Modest Countenance” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

You, who wear a modest countenance,
With eyelids weighed down by such heaviness,
How is it, that among you every face
Is haunted by the same pale troubled glance?

Have you seen in my lady's face, perchance,
the grief that Love provokes despite her grace?
Confirm this thing is so, then in her place,
Complete your grave and sorrowful advance.

And if, indeed, you match her heartfelt sighs
And mourn, as she does, for the heart's relief,
Then tell Love how it fares with her, to him.

Love knows how you have wept, seeing your eyes,
And is so grieved by gazing on your grief
His courage falters and his sight grows dim.



Paradiso, Canto III:1-33, The Revelation of Love and Truth
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

That sun, which had inflamed my breast with love,
Had now revealed to me―as visions move―
The gentle and confounding face of Truth.

Thus I, by her sweet grace and love reproved,
Corrected, and to true confession moved,
Raised my bowed head and found myself behooved

To speak, as true admonishment required,
And thus to bless the One I so desired,
When I was awed to silence! This transpired:

As the outlines of men’s faces may amass
In mirrors of transparent, polished glass,
Or in shallow waters through which light beams pass

(Even so our eyes may easily be fooled
By pearls, or our own images, thus pooled):
I saw a host of faces, pale and lewd,

All poised to speak; but when I glanced around
There suddenly was no one to be found.
A pool, with no Narcissus to astound?

But then I turned my eyes to my sweet Guide.
With holy eyes aglow and smiling wide,
She said, “They are not here because they lied.”



Sonnet: A Vision of Love from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

To every gentle heart which Love may move,
And unto which my words must now be brought
For true interpretation’s tender thought―
I greet you in our Lord's name, which is Love.

Through night’s last watch, as winking stars, above,
Kept their high vigil over us, distraught,
Love came to me, with such dark terrors fraught
As mortals may not casually absolve.
Love seemed a being of pure joy, and had
My heart held in his hand, while on his arm
My lady, wrapped in her fine mantle, slept.
He, having roused her from her sleep, then made
Her eat my heart; she did, in deep alarm.
He then departed; as he left, he wept.


Excerpts from LA VITA NUOVA
by Dante Alighieri

Ecce deus fortior me, qui veniens dominabitur mihi.
Here is a Deity, stronger than myself, who comes to dominate me.
―Dante, loose translation/interpretation by Michael R. Burch

Apparuit iam beatitudo vestra.
Your blessedness has now been manifested unto you.
―Dante, loose translation/interpretation by Michael R. Burch

Heu miser! quia frequenter impeditus ero deinceps.
Alas, how often I will be restricted now!
―Dante, loose translation/interpretation by Michael R. Burch

Fili mi, tempus est ut prætermittantur simulata nostra.
My son, it is time to cease counterfeiting.
―Dante, loose translation/interpretation by Michael R. Burch

Ego tanquam centrum circuli, cui simili modo se habent circumferentiæ partes: tu autem non sic.
Love said: “I am as the center of a harmonious circle; everything is equally near me. No so with you.”
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Love’s Thoroughfare” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

“O voi che par la via”

All those who travel Love's worn tracks,
Pause here, awhile, and ask
Has there ever been a grief like mine?

Pause here, from that mad race;
Patiently hear my case:
Is it not a piteous marvel and a sign?

Love, not because I played a part,
But only due to his great heart,
Afforded me a provenance so sweet

That often others, as I went,
Asked what such unfair gladness meant:
They whispered things behind me in the street.

But now that easy gait is gone
Along with the wealth Love afforded me;
And so in time I’ve come to be

So poor that I dread to ponder thereon.
And thus I have become as one
Who hides his shame of his poverty

By pretending happiness outwardly,
While within I travail and moan.



Sonnet: “Cry for Pity” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

These thoughts lie shattered in my memory:
When through the past I see your lovely face.
When you are near me, thus, Love fills all Space,
And often whispers, “Is death better? Flee!”

My face reflects my heart's blood-red dammed tide,
Which, fainting, seeks some shallow resting place;
Till, in the blushing shame of such disgrace,
The very earth seems to be shrieking, “Die!”

’Twould be a grievous sin, if one should not
Relay some comfort to my harried mind,
If only with some simple pitying
For this great anguish which fierce scorn has wrought
Through faltering sights of eyes grown nearly blind,
Which search for death now, like a blessed thing.



Excerpt from Paradiso
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

****** Mother, daughter of your Son,
Humble, yet exalted above creation,
And the eternal counsel’s apex shown,

You are the Pinnacle of human nature,
Your nobility instilled by its Creator,
Who did not, having you, disdain his creature.

Love was rekindled in your perfect womb
Where warmth and holy peace were given room
For this, Perfection’s Rose, once sown, to bloom.

Now unto us you are a Torch held high
Our noonday sun―the light of Charity,
Our wellspring of all Hope, a living sea.

Madonna, so pure, high and all-availing,
The man who desires grace of you, though failing,
Despite his grounded state, is given wing!

Your mercy does not fail, but, Ever-Blessed,
The one who asks finds oftentimes his quest
Unneeded: you foresaw his first request!

You are our Mercy; you are our Compassion;
you are Magnificence; in you creation
Unites whatever Goodness deems Salvation.



THE MUSE

by Anna Akhmatova
loose translation/interpretation by Michael R. Burch

My being hangs by a thread tonight
as I await a Muse no human pen can command.
The desires of my heart ― youth, liberty, glory ―
now depend on the Maid with the flute in her hand.

Look! Now she arrives; she flings back her veil;
I meet her grave eyes ― calm, implacable, pitiless.
“Temptress, confess!
Are you the one who gave Dante hell?”

She answers, “Yes.”



I have also translated this poem written by Marina Tsvetaeva for Anna Akhmatova:

Excerpt from “Poems for Akhmatova”
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...
to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...


Dante Criticism by Michael R. Burch

Dante’s was a defensive reflex
against religion’s hex.
―Michael R. Burch


Dante, you Dunce!
by Michael R. Burch

The earth is hell, Dante, you Dunce!
Which you should have perceived―since you lived here once.

God is no Beatrice, gentle and clever.
Judas and Satan were wise to dissever
from false “messiahs” who cannot save.
Why flit like a bat through Plato’s cave
believing such shadowy illusions are real?
There is no "hell" but to live and feel!



How Dante Forgot Christ
by Michael R. Burch

Dante ****** the brightest and the fairest
for having loved―pale Helen, wild Achilles―
agreed with his Accuser in the spell
of hellish visions and eternal torments.
His only savior, Beatrice, was Love.

His only savior, Beatrice, was Love,
the fulcrum of his body’s, heart’s and mind’s
sole triumph, and their altogether conquest.
She led him to those heights where Love, enshrined,
blazed like a star beyond religion’s hells.

Once freed from Yahweh, in the arms of Love,
like Blake and Milton, Dante forgot Christ.

The Christian gospel is strangely lacking in Milton’s and Dante’s epics. Milton gave the “atonement” one embarrassed enjambed line. Dante ****** the Earth’s star-crossed lovers to his grotesque hell, while doing exactly what they did: pursing at all costs his vision of love, Beatrice. Blake made more sense to me, since he called the biblical god Nobodaddy and denied any need to be “saved” by third parties.



Dante’s Antes
by Michael R. Burch

There’s something glorious about man,
who lives because he can,
who dies because he must,
and in between’s a bust.

No god can reign him in:
he’s quite intent on sin
and likes it rather, really.
He likes *** touchy-feely.

He likes to eat too much.
He has the Midas touch
and paves hell’s ways with gold.
The things he’s bought and sold!

He’s sold his soul to Mammon
and also plays backgammon
and poker, with such antes
as still befuddle Dantes.

I wonder―can hell hold him?
His chances seem quite dim
because he’s rather puny
and also loopy-******.

And yet like Evel Knievel
he dances with the Devil
and seems so **** courageous,
good-natured and outrageous

some God might show him mercy
and call religion heresy.



Of Seabound Saints and Promised Lands
by Michael R. Burch

Judas sat on a wretched rock,
his head still sore from Satan’s gnawing.
Saint Brendan’s curragh caught his eye,
wildly geeing and hawing.

I’m on parole from Hell today!
Pale Judas cried from his lonely perch.
You’ve fasted forty days, good Saint!
Let this rock by my church,
my baptismal, these icy waves.
O, plead for me now with the One who saves!

Saint Brendan, full of mercy, stood
at the lurching prow of his flimsy bark,
and mightily prayed for the mangy man
whose flesh flashed pale and stark
in the golden dawn, beneath a sun
that seemed to halo his tonsured dome.
Then Saint Brendan sailed for the Promised Land
and Saint Judas headed Home.

O, behoove yourself, if ever your can,
of the fervent prayer of a righteous man!

In Dante’s Inferno, Satan gnaws on Judas Iscariot’s head. A curragh is a boat fashioned from wood and ox hides. Saint Brendan of Ireland is the patron saint of sailors and whales. According to legend, he sailed in search of the Promised Land and discovered America centuries before Columbus.



RE: Paradiso, Canto III
by Michael R. Burch

for the most “Christian” of poets

What did Dante do,
to earn Beatrice’s grace
(grace cannot be earned!)
but cast disgrace
on the whole human race,
on his peers and his betters,
as a man who wears cheap rayon suits
might disparage men who wear sweaters?

How conventionally “Christian” ― Poet! ― to ****
your fellow man
for being merely human,
then, like a contented clam,
to grandly claim
near-infinite “grace,”
as if your salvation was God’s only aim!
What a scam!

And what of the lovely Piccarda,
whom you placed in the lowest sphere of heaven
for neglecting her vows ―
She was forced!
Were you chaste?



Intimations V
by Michael R. Burch

We had not meditated upon sound
so much as drowned
in the inhuman ocean
when we imagined it broken
open
like a conch shell
whorled like the spiraling hell
of Dante’s Inferno.

Trapped between Nature
and God,
what is man
but an inquisitive,
acquisitive
sod?

And what is Nature
but odd,
or God
but a Clod,
and both of them horribly flawed?



Endgame
by Michael R. Burch

The honey has lost all its sweetness,
the hive―its completeness.

Now ambient dust, the drones lie dead.
The workers weep, their King long fled
(who always had been ****, invisible,
his “kingdom” atomic, divisible,
and pathetically risible).

The queen has flown,
long Dis-enthroned,
who would have given all she owned
for a promised white stone.

O, Love has fled, has fled, has fled ...
Religion is dead, is dead, is dead.



The Final Revelation of a Departed God’s Divine Plan
by Michael R. Burch

Here I am, talking to myself again . . .

******* at God and bored with humanity.
These insectile mortals keep testing my sanity!

Still, I remember when . . .

planting odd notions, dark inklings of vanity,
in their peapod heads might elicit an inanity

worth a chuckle or two.

Philosophers, poets . . . how they all made me laugh!
The things they dreamed up! Sly Odysseus’s raft;

Plato’s Republic; Dante’s strange crew;

Shakespeare’s Othello, mad Hamlet, Macbeth;
Cervantes’ Quixote; fat, funny Falstaff!;

Blake’s shimmering visions. Those days, though, are through . . .

for, puling and tedious, their “poets” now seem
content to write, but not to dream,

and they fill the world with their pale derision

of things they completely fail to understand.
Now, since God has long fled, I am here, in command,

reading this crap. Earth is Hell. We’re all ******.

Keyword/Tags: Muslims, sonnet, Italian sonnet, crown of sonnets, rhyme, love, affinity and love, Rome, Italy, Florence

Published as the collection "First they came for the Muslims"

I want to work at the baseball


Hi everyone, it's me again, and I am telling you this
You see, mate I want to work in the USA at a MLB game
I don't care what match, oh no, whether it's dodgers, or Marlins
Or even the New York Mets or Yankees
I just want to work at the baseball, man
And if I don't, I will get a little cranky
I want to help out at the front gate and check tickets, yeah that's good
And after the game starts, oh yeah, I want to sell ice creams
Yeah that sounds so divine, and everyone will like me
As I sit here waiting to sell them, oh yeah
I will sell to little Timmy, and Fiona, Nicole and little baby Clare
I walk up and down the grandstands saying these simple little words
Ice creams, ice creams, anyone for ice creams, only $2 for 1
Kids were running all over the place, trying to buy one off me
And suddenly this became very busy, I can hardly breathe
After that rush I told someone, that when I die
I will bring baseball to the afterlife, and any nut can play it
Cause up there, we don't need food, water or worry about being fit
Leave that for our earth, bodies to worry about
We can fly around, from planet to planet
Playing 5 hour games, and we can score very high scores
And strike out a lot as well
You see when Ronald Reagan died, he played baseball for Mercury
And he scored 1 home run and then he was struck out ever since
I also saw a baseball star, and he was ****** good
He got three home runs, and then after that he struck out
Their best batter they had, and after he finished doing that
He went into the tent, and he arrived there
When I started working there as a volunteer barman
Where I will sell the beer and spirits
I did that for the rest of the night
Right to the stroke of midnight, and I felt so good about that, oh yeah
And then our very first president, George Washington said, let me batter up, and while George was on Saturn playing baseball against Jupiter and playing well indeed, his earth body was playing at this baseball match I worked at, and Buddha made us meet, you George scored 4 home runs, and this batter scored 4 home runs, and this was the most exciting moment in my entire life
And I will always say to myself
I want to work at the baseball, where I can feel I can really become involved with a sport as good as this, oh yeah


Sent from my iPhone

I am holding a million and one words each tightly packed into my mouth yet
many small words are escaping, pouring from the sides of my lips, drenching the lower half of my face entirely.
I will wipe away the slipping residue and begin with calm,
only opening the entrance of description as to unclench my lips.
Jared, male, twenty-two.

These minimal words of black and white reach the ear plainly,
without impact.
Residue slips further,
more words of lesser color,
lesser impact, yet
the slightly slightly slightly more more more more invigorating colors release themselves in these bright forms of words,
descriptions,
explanations,
emotions.

He has ambition.
Ambition that can only be compared to the greats of history,
the psychotic,
the brave,
the colorful.
A juicy pink now fills my lips.
Jared has a heart that beats with caution, yet
when held close, fits into your hands like a newborn animal,
precious.
I tear up at every encounter with this one
this one psychotic,
brave,
colorful boy.
This one careful,
darling individual who yet could,
without flinching could extract apart every ****** limb of any breathing thing.

He stands,
a military posture, gazing.
He does not look away.
With shuffling your feet and nerves jumping because
you have only experienced this once by your least favored teacher,
the opposing end of a power dynamic too intimating to overcome,
who was evaluating the proper level of punishment.
Punishment?

He already knows who you are yet you batter and batter and batter into your head what this boy is.
Some seconds pass by and yet
the same three words;
Jared, male, twenty-two,
patter like a ****** advertisement through your mind
until he is telling you a story;
his venture on the mountain of Mount Fuji and amid a monsoon in which he would have,
should have,
died.

And you listen,
attentively.
And he does not stop talking
and you do not stop listening
and you have hiked nine miles
and you realize the sun has set
and you are not where you started
and those three words have been forgotten
and you are walking in 11pm darkness.
Attentitive, at his side.

Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could ****** the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow:  we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's *****; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the ****** lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blocd in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of ****** or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened.  When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke:  the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his ***** deep
That once more moved in my ***** the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians.  Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the mth,
And a small and a feeble populace stooping with mattock and *****,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S.  Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S.  Patrick. On the flaming stones, without refuge, the limbs of the Fenians are tost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-**** out on the flood, or a wolf ****** under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.

For a week straight, I avoided going to the supermarket, even when my stomach grumbled and the fridge stayed empty and lonely. And instead, I looked through my binoculars from the tree house my dad had built with a few planks of wood, nails, and a rusty hammer. A place he’d built before I was put into my mother’s arms and put into a bright blue cradle. Blue as the shirt Abigail was wearing, the same day the cops busted her for giving head to my best friend Isaac in my Toyota Camry. Right in the middle of the parking lot of the supermarket, as I bought pancake batter and cage-free eggs for breakfast.

And Abigail never ate that meal after she spent a week wasting away in a cell block, reading JD Salinger stories over and over, as though his words could heal her marks and bruises.

Today, I made pancakes and eggs for breakfast.  I waited for the TV to load a Netflix show, hoping Abigail had learned from her mistakes. She passed me the salt and pepper shakers, as I lit a cigarette, sat in a chair, and smoldered.

Abigail put her face in her hands, cried for a bit, even reached for the ***** bottle.

We went to the supermarket later, walked down one aisle, and picked up meat and potatoes. As we headed for the self-checkout line, I passed the breakfast section and saw the pancake batter and the eggs. Abigail crumbled to the floor, said, “I’m so sorry.”

After that, we never touched breakfast.

Through frost-thick weather
This witch sidles, fingers crooked, as if
Caught in a hazardous medium that might
Merely by its continuing
Attach her to heaven.

At eye's envious corner
Crow's-feet copy veining on a stained leaf;
Cold squint steals sky's color; while bruit
Of bells calls holy ones, her tongue
Backtalks at the raven

Claeving furred air
Over her skull's midden; no knife
Rivals her whetted look, divining what conceit
Waylays simple girls, church-going,
And what heart's oven

Craves most to cook batter
Rich in strayings with every amorous oaf,
Ready, for a trinket,
To squander owl-hours on bracken bedding,
Flesh unshriven.

Against ****** prayer
This sorceress sets mirrors enough
To distract beauty's thought;
Lovesick at first fond song,
Each vain girl's driven

To believe beyond heart's flare
No fire is, nor in any book proof
Sun hoists soul up after lids fall shut;
So she wills all to the black king.
The worst sloven

Vies with best queen over
Right to blaze as satan's wife;
Housed in earth, those million brides shriek out.
Some burn short, some long,
Staked in pride's coven.

Now swarthy Summer, by rude health embrowned,
    Precedence takes of rosy fingered Spring;
And laughing Joy, with wild flowers prank’d, and crown’d,
    A wild and giddy thing,
And Health robust, from every care unbound,
    Come on the zephyr’s wing,
      And cheer the toiling clown.

  Happy as holiday-enjoying face,
    Loud tongued, and “merry as a marriage bell,”
Thy lightsome step sheds joy in every place;
    And where the troubled dwell,
Thy witching charms wean them of half their cares;
    And from thy sunny spell,
      They greet joy unawares.

  Then with thy sultry locks all loose and rude,
    And mantle laced with gems of garish light,
Come as of wont; for I would fain intrude,
    And in the world’s despite,
Share the rude wealth that thy own heart beguiles;
    If haply so I might
      Win pleasure from thy smiles.

  Me not the noise of brawling pleasure cheers,
    In nightly revels or in city streets;
But joys which soothe, and not distract the ears,
    That one at leisure meets
In the green woods, and meadows summer-shorn,
    Or fields, where bee-fly greets
      The ear with mellow horn.

  The green-swathed grasshopper, on treble pipe,
    Sings there, and dances, in mad-hearted pranks;
There bees go courting every flower that’s ripe,
    On baulks and sunny banks;
And droning dragon-fly, on rude bassoon,
    Attempts to give God thanks
      In no discordant tune.

  The speckled thrush, by self-delight embued,
    There sings unto himself for joy’s amends,
And drinks the honey dew of solitude.
    There Happiness attends
With ****** Joy until the heart o’erflow,
    Of which the world’s rude friends,
      Nought heeding, nothing know.

  There the gay river, laughing as it goes,
    Plashes with easy wave its flaggy sides,
And to the calm of heart, in calmness shows
    What pleasure there abides,
To trace its sedgy banks, from trouble free:
    Spots Solitude provides
      To muse, and happy be.

  There ruminating ’neath some pleasant bush,
    On sweet silk grass I stretch me at mine ease,
Where I can pillow on the yielding rush;
    And, acting as I please,
Drop into pleasant dreams; or musing lie,
    Mark the wind-shaken trees,
      And cloud-betravelled sky.

  There think me how some barter joy for care,
    And waste life’s summer-health in riot rude,
Of nature, nor of nature’s sweets aware.
    When passions vain intrude,
These, by calm musings, softened are and still;
    And the heart’s better mood
      Feels sick of doing ill.

  There I can live, and at my leisure seek
    Joys far from cold restraints—not fearing pride—
Free as the winds, that breathe upon my cheek
    Rude health, so long denied.
Here poor Integrity can sit at ease,
    And list self-satisfied
      The song of honey-bees.

  The green lane now I traverse, where it goes
    Nought guessing, till some sudden turn espies
Rude batter’d finger post, that stooping shows
    Where the snug mystery lies;
And then a mossy spire, with ivy crown,
    Cheers up the short surprise,
      And shows a peeping town.

  I see the wild flowers, in their summer morn
    Of beauty, feeding on joy’s luscious hours;
The gay convolvulus, wreathing round the thorn,
    Agape for honey showers;
And slender kingcup, burnished with the dew
    Of morning’s early hours,
      Like gold yminted new.

  And mark by rustic bridge, o’er shallow stream,
    Cow-tending boy, to toil unreconciled,
Absorbed as in some vagrant summer dream;
    Who now, in gestures wild,
Starts dancing to his shadow on the wall,
    Feeling self-gratified,
      Nor fearing human thrall.

  Or thread the sunny valley laced with streams,
    Or forests rude, and the o’ershadow’d brims
Of simple ponds, where idle shepherd dreams,
    Stretching his listless limbs;
Or trace hay-scented meadows, smooth and long,
    Where joy’s wild impulse swims
      In one continued song.

  I love at early morn, from new mown swath,
    To see the startled frog his route pursue;
To mark while, leaping o’er the dripping path,
    His bright sides scatter dew,
The early lark that from its bustle flies,
    To hail his matin new;
      And watch him to the skies.

  To note on hedgerow baulks, in moisture sprent,
    The jetty snail creep from the mossy thorn,
With earnest heed, and tremulous intent,
    Frail brother of the morn,
That from the tiny bent’s dew-misted leaves
    Withdraws his timid horn,
      And fearful vision weaves.

  Or swallow heed on smoke-tanned chimney top,
    Wont to be first unsealing Morning’s eye,
Ere yet the bee hath gleaned one wayward drop
    Of honey on his thigh;
To see him seek morn’s airy couch to sing,
    Until the golden sky
      Bepaint his russet wing.

  Or sauntering boy by tanning corn to spy,
    With clapping noise to startle birds away,
And hear him bawl to every passer by
    To know the hour of day;
While the uncradled breezes, fresh and strong,
    With waking blossoms play,
      And breathe Æolian song.

  I love the south-west wind, or low or loud,
    And not the less when sudden drops of rain
Moisten my glowing cheek from ebon cloud,
    Threatening soft showers again,
That over lands new ploughed and meadow grounds,
    Summer’s sweet breath unchain,
      And wake harmonious sounds.

  Rich music breathes in Summer’s every sound;
    And in her harmony of varied greens,
Woods, meadows, hedge-rows, corn-fields, all around
    Much beauty intervenes,
Filling with harmony the ear and eye;
    While o’er the mingling scenes
      Far spreads the laughing sky.

  See, how the wind-enamoured aspen leaves
    Turn up their silver lining to the sun!
And hark! the rustling noise, that oft deceives,
    And makes the sheep-boy run:
The sound so mimics fast-approaching showers,
    He thinks the rain’s begun,
      And hastes to sheltering bowers.

  But now the evening curdles dank and grey,
    Changing her watchet hue for sombre ****;
And moping owls, to close the lids of day,
    On drowsy wing proceed;
While chickering crickets, tremulous and long,
    Light’s farewell inly heed,
      And give it parting song.

  The pranking bat its flighty circlet makes;
    The glow-worm burnishes its lamp anew;
O’er meadows dew-besprent, the beetle wakes
    Inquiries ever new,
Teazing each passing ear with murmurs vain,
    As wanting to pursue
      His homeward path again.

  Hark! ’tis the melody of distant bells
    That on the wind with pleasing hum rebounds
By fitful starts, then musically swells
    O’er the dim stilly grounds;
While on the meadow-bridge the pausing boy
    Listens the mellow sounds,
      And hums in vacant joy.

  Now homeward-bound, the hedger bundles round
    His evening ******, and with every stride
His leathern doublet leaves a rustling sound,
    Till silly sheep beside
His path start tremulous, and once again
    Look back dissatisfied,
      And scour the dewy plain.

  How sweet the soothing calmness that distills
    O’er the heart’s every sense its ****** dews,
In meek-eyed moods and ever balmy trills!
    That softens and subdues,
With gentle Quiet’s bland and sober train,
    Which dreamy eve renews
      In many a mellow strain!

  I love to walk the fields, they are to me
    A legacy no evil can destroy;
They, like a spell, set every rapture free
    That cheer’d me when a boy.
Play—pastime—all Time’s blotting pen conceal’d,
    Comes like a new-born joy,
      To greet me in the field.

  For Nature’s objects ever harmonize
    With emulous Taste, that ****** deed annoys;
Which loves in pensive moods to sympathize,
    And meet vibrating joys
O’er Nature’s pleasing things; nor slighting, deems
    Pastimes, the Muse employs,
      Vain and obtrusive themes.

Not in the way I
Look through these eyes
which water but instead
Of sadness entranced upset
Near to death love
making where though and
Design laugh at their own
Gluttony and ill usage and
away from me i say no not here and
away from itself i hear nothing for you
are here within me but away
Comet and the see to hear blues with
Everything to give but nothing to lose
And the far off sights are much too bright
And inside you hear yourself crying
Not to mtters or mold your soul
With what your parents said to you
Ordered you to be bold and
The aftermath of your own tightened slack
Makes you wonder if growing up was an actual
Choice in the matter of the batter which is
The family foundation were games are played
For keeps and children weep as they keep
Toiling on as adults just for bigger and better things
Come into the waves of a brain malfunctioning
No face for ye' faith meand nodding to the higher
Ones whose noses are broken and the lips cracked
The spinning brain of hurts doughnuts and Americana
Rip offs selling the flag by the millions to turn a profit
For the moronic billionaires who think no one is watching.
Watching with their hats turned sideways and trying to
Escape old age and grey hair and sagging ball sacks and
Poor english and worser bread, stale with their mother's
Ghost hovering on the shoulder of their pouting diamond
Drenched wife as if madness grew a larger pair **** within the
Hilarity of connection of concoction of happiness and
Satisfaction and a longing to burn the entire ******* down
Just to rebuild it the way you see and you do see it and the way
You feel it used to be and perhaps, maybe, could be and where
Experimentation is now a center fold for the dock workers and the
Laborers of the world to spit and ******* and cry over in their
Twisted and rusty beds for inside their pea brains and melted
Mouths filled with colgate and beer, they slobber over the excess
And humiliation and celluoid dreams of **** and *** and spreads
That would make any grandmother of 37 weep and Mozart meander
On the veranda, contemplating smooth jazz and the way he would like
Not to be buried with the hat trick hockey nick who swore he saw
You fall in love before and that sobriety was the touch of the Christian
Way of life and ye' far out and tormented young ones meant nothing
By what they said at the rally and they do believe in the good of the
White government and we are headed toward a technological maelstrom
Of the golden age of the HUMAN RACE but alas I hope I decipher I pray to
No God but whoever has the ears and eyes and arm fat to listen with their
Splintered consciousness and their painted red toenails and girlfriends who
Whisper they have always loved another and how TRUE UNTRUTH IS and
How vindictive we rant on and read on and hope and believe that the end
Is the end but it is only the end for you and their will be new blood and new eyes
And new minds and we will grow old but the rivers water will be recycled, as we
Will be recycled into the dust and the mud and the rubble to further build the streets
As the street makers and the bread winners will smile as they think they are the
First ones to think up such a crafty, inventive invention but hierarchies are on the horizon
And I remember I was born with a name that I never grew to know or fall in love with
Or defend or keep close to my heart for the heart is weary hunter and it ventures on
With or without the body.
Note to self.
Recall the last rite before you begin on to the next one.
History has spilt its blood and its fair share of orange juice, try not to remember the numbers but remember the amount of burned chairs.
Note to self, returned.
The heaters on and the soul is not dancing but jiving like icing on a three year olds birthday cake.
Submission time to the chief, submission time
To those other guys, whose faces I've never smelt, but who are there waiting and whining that the times are no longer a changing.
Keep up the smiles, keep out the frowns.
Negativity is the attribute of the terrorist. Don't be a terrorist.
All fine men and women have once in their life been truly scared.
One ten till the train leaves.


Good night major split hairs.

On the second of the fort
Nights beckoned a call dim
Lit by ill fated mechanisms that
Were men and women and
Children and the forgotten dream of
What was meant long ago and was is
Meant now but not followed through.

With heaven comes hell and hell fire and
Clouds of white with shelling from
Wars not of this world or the next or
The one's thereafter and lingering history,
With its bells and trinkets and tombstones,
That have been weathered but are still not gone.

Memory not mourning, pictures in a frame lit
From the inside out and drinks were there
When we were not meant to be there like a
Kiss on a flower you picked at an age where
Life was not known and death was even
Farther away for it existed not in the eyes of yours
But in everyone else around you, except for the
Other children of course but oh' of course.

If your trying to get the part of the stuff
That makes you recall the upstairs of the
Idiocies of the room romance that restricts but
Contains life and halters life and stifles life with
That one must recall a past life where tears
Mean nothing when you produce them too often.

Can of the hypocritical malice of mis-informed family
Foundations and we break into the minds of the way
It should be and the way it shouldn't be and yet here
When we gaze out across the wide spread of the world
And its many ways it spells out with a God's own language
The morning of the ear who listens and speaks when not spoken
To breaking every single rule of the word and smiling
Throughout the whole ****** thing.

Canons of repetition where life winces and the wife begins to wheeze
And fall, her dress is now clear and her eyes just don't seem to be
Where we are now I believe that money is the root of this soon to be dead
Tree and streets are now empty as the moon casts its silver glaze and
The breeze is now naked with her bra on the floor cast in straw while
The wizards write their spells and comb their hair and draw out plans
For the next great fall but watch the fireworks and the way they hail and
Crawl throughout the entire bawl and Ol' Ezra P. mass amounts of rage
To bring to the stage but here ye' O great one this place is for us all.

Here in the house of the not that is shared but all is seen here
Where the wind blows to no east and no west and no south and
No other way that you believe to get headed to the world of
The no names and experience makes you wise and yet old
And remembered for the drinks you paid for but especially for
The ones you forgot to pay for but that is what friends are for.

Omnivores in latitudes that matter not to the public eye but
To the ear of the Lord that is not everyone's savior but
Chosen just for the right eye so within that decree of mastery
We entrance the light and shovel up the leaves leaving the last
Way of things to be the first way of things when the lights
Are quickly turned off and on and off and on again and again;
Stars are naked until the sun rises in your hometown and the radio
Turns on.

And the background music chimes with a willingness of a cockroach but
Holds the beauty of a **** statue found in the under toe of a lost
Beach in a lost land forgotten in time but embraced by eternity and
Though does not dwindle its numerous names or its many ways
Of being for the hour does shackle us all but here in high array of
None other then eight times the way through the cobbled up in the
Attic of the fiercest neanderthal dictator with ideas holding truths upon
Truths that in the end mean nothing  for advancement is not determined
But continued upon as long as we forget the past and look to the future hymn
Of the childless winged' beasts that were once forgotten but now embraced
Angels.

Not of this world but of the entirety of the reality of banality
Breathing back and forth inhaling and exhaling releasing the
Mind of the mares of the wandering rewinds of infinite space
And inside the eyes of the highest levee which has broken but
Has not yet spilt holding back its power for the remainder of the
Year and catacombs upon catacombs of forgotten text of never
Forgotten men recalling their former lives and their former passions
And the hastiness of their possession of the word and the avoidance
Of the death touch the death mark the black spot upon us all.

Dog on a hill cloud high in the sky nut on the ground no not a sound
Frost on your fingertips toe of the boot covered a steel dull mud
Suds from a water rushing miles away nodding branches of a dead tree
Wind through the high grass birds in the sky that fly but not chirp
Sun in the sky rice fields burn brown crickets rub their thighs together
Not here but in the corn stocks and pig stocks brown in the reverse order
Platters of pinch salt and pepper underneath the floor boards creek for
Creak and dollar for dollar we make the rounds and we do not frown.

And the meet of the neat make their rapid conversations in dual order
Where they tell themselves this but I hear that and you make what you want
Unless you ain't got the stuff but if your lucky and if your smart you'll
Grab the oven and bake that **** but in case you don't see the sunset and
Your buried without your toes look for your voice because that's the only
Way you'll get to know the stars in the sky or the dirt on the ground for
The fun is growing but the lurkers are smirking for they got the pennies and
They got the nickels and these streets are breaking so you gotta' start thinking
Of a way to get outta' this place and FAST or else you'll be staring down the
Barrel of a 33 to ONE typing and writing and peeping around the corner of
Your dear old ***** that hasn't found in a home in years but don't look too
Down because one day that ONE will come around either by taxi or by train
Or by some kind of war and if you've got the gut and the money and the honey to
Keep her tight and alright and flying that lovers kite then your bound to keep
Yourself from the giggles and nearer to the harmony of the way things ought to
Be but may not really be but perhaps can be if you will it around and swill it with
Your will making sure your lies and that white or ain't that black or ain't that real
Or you ain't lying at all but stay truer to the truth with the water resolution of the
Insipid insecurity of the first love you thought you knew but now see that it was
The one three or four later and how right I am in knowing nothing and knowing
Everything and letting the mind skip and play and register new friends in the new
Cities and the new alleys and the smiles that break across the ice like a crack of of a
Whip and counting the days ones gone blowing through the high valley and the low
Trenches of war I do not wish to go to but may be forced too because this man believes
Just what he says.

"Hit Run Score, We Want More!"
I hit,
I get to second,
Double.
Two outs, one on second.
"Batter up!"
Batter steps up to the plate
First pitch,
She grounds the ball
Out to the first baseman.
They're both rushing to first.
I'm rushing to third,
"BATTER OUT!"
So close.

So the church Christ was hit and buried
Under its ******* and its rubble.
In cellars, packed-up saints long serried,
Well out of hearing of our trouble.

One ****** still immaculate
Smiles on for war to flatter her.
She's halo'd with an old tin hat,
But a piece of hell will batter her.

There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet.

To My Valentine

    by Ogden Nash (1902-1971)

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than gin rummy is a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you as much as a beggar needs a crutch,
And more than a hangnail irks.

I swear to you by the stars above,
And below, if such there be,
As the High Court loathes perjurious oaths,
That's how you're loved by me.

The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music.

HOW MUCH I LOVE YOU

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

As a sailor's sweetheart hates the sea,
Or a juggler hates a shove,
As a wife detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than a hangnail hurts.
I love you more than commercials are a bore,
And more than a grapefruit squirts.

I swear to you by the stars above,
And below, if such there be,
As a bride would resent a blessed event,
That's how you are loved by me.

More than a waitress hates to wait ,
Or a lioness hates the zoo,
Or a batter dislikes those called third strikes,
That's how much I love you.

As much as a lifeguard hates to swim,
Or a writer hates to read,
As Hays office frowns on low cut gowns,
That's how much you I need.


I love you more than a hive can itch,
And more than a chilblain chills.
I yearn for you in an ivy clad igloo,
As a liver yearns for pills.

I swear to you by the stars above,
And below, if such there be,
As a dachshund abhors revolving doors,
That's how you are loved by me.

The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book.

TO MY VALENTINE

More than a catbird hates a cat,
Or a criminal hates a clue,
Or an odalisque hates the Sultan's mates,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than commercials are a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you truer than a toper loves a brewer,
And more than a hangnail irks.

I love you more than a bronco bucks,
Or a Yale man cheers the Blue.
Ask not what is this thing called love;
It's what I'm in with you.

I'll tell thee everything I can;
There's little to relate,
I saw an aged, aged man,
A-sitting on a gate.
"Who are you, aged man?" I said.
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread--
A trifle, if you please."

But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, "Come, tell me how you live!"
And thumped him on the head.

His accents mild took up the tale;
He said, "I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar Oil--
Yet twopence-halfpenny is all
They give me for my toil."

But I was thinking of a way
To feed one's self on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side,
Until his face was blue,
"Come, tell me how you live," I cried,
"And what it is you do!"

He said, "I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat-buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.

"I sometimes dig for buttered rolls,
Or set limed twigs for *****;
I sometimes search the grassy knolls
For wheels of hansom-cabs.
And that's the way" (he gave a wink)
"By which I get my wealth--
And very gladly will I drink
Your honor's noble health."

I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.

And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know--
Whose look was mild, whose speech was slow,
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo--
That summer evening long ago,
A-sitting on a gate.

These are couplets written by Donald Trump and limericks and other Donald Trump poems "care of" Michael R. Burch (please note that these are parodies) ...

Not-So-Heroic Couplets
by Donald Trump
care of Michael R. Burch

To outfox the pox:
off yourself first, with Clorox!

And since death is the goal,
mainline Lysol!

No vaccine?
Just chug Mr. Clean!

Is a cure out of reach?
Fumigate your lungs, with bleach!

To immunize your thorax,
destroy it with Borax!

To immunize your bride,
drown her in Opti-cide!

To end all future gridlocks,
gargle with Vaprox!

Now, quick, down the Drain-o
with old Insane-o NoBrain-o!

Keywords/Tags: Donald Trump, coronavirus, president, poet, poems, poetry, heroic couplets, humor, Clorox, disinfectants, light verse, parody, satire, mrbtrump, mrbcouplets



What REALLY Happened
by Michael R. Burch aka "The Loyal Opposition"

Trump lied and lied and lied.
Americans died and died and died.



Grime Wave
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is ******* crime ...
unless it's his own grime.



Trump Love
by Michael R. Burch aka "The Loyal Opposition"

Trump "love" is truly a curious thing ...
does he care for our kids half as much as his bling?



Tangled Webs
by Michael R. Burch aka "The Loyal Opposition"

Oh, what tangled webs they weave
when Trump and his toupée seek to deceive!



No Star
by Michael R. Burch aka "The Loyal Opposition"

Trump, you're no "star."
Putin made you an American Czar.

Now, if we continue down this dark path you've chosen,
pretty soon we'll all be wearing lederhosen.



Raw Spewage (I)
by Michael R. Burch aka "The Loyal Opposition"

Trump
is a chump
who talks through his ****;
he's a political sump pump!



Green Eggs and Spam
by Michael R. Burch aka "The Loyal Opposition"

I do not like your racist ways!
I do not like your hate for gays!

I do not like your gaseous ****!
I do not like you, Crotch-Grabber Trump!

I do not like you here or there!
I do not like you anywhere!

Your brain's been trapped in a lifelong slump
And I do not like you, Hate-Baiter Trump!



Apologies to España
by Michael R. Burch aka "The Loyal Opposition"

the reign
in Trump’s brain
falls mainly as mansplain



Stumped and Stomped by Trump
by Michael R. Burch

There once was a candidate, Trump,
whose message rang clear at the stump:
"Vote for me, wheeeeeeeeeeeeeee!,
because I am ME,
and everyone else is a chump!"



Humpty Trumpty
by Michael R. Burch

Humpty Trumpty called for a wall.
Trumpty Dumpty had a great fall.
Now all the Grand Wizards
and Faux PR men
Can never put Trumpty together again.



The Hair Flap
by Michael R. Burch aka "The Loyal Opposition"

The hair flap was truly a scare:
Trump’s bald as a billiard back there!
The whole nation laughed
At the state of his graft;
Now the man’s wigging out, so beware!



Roses are red,
Daffodils are yellow,
But not half as daffy
As that taffy-colored fellow!
―Michael R. Burch



Trump’s real goals are obvious
and yet millions of Americans remain oblivious.
—Michael R. Burch



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



The Ex-Prez Sez

The prez should be above the law, he sez,
even though he’s no longer prez.
—Michael R. Burch



Quite Con-trary
by Michael R. Burch aka "The Loyal Opposition"

Trumpy, Trumpy,
fat, balding and lumpy,
how does your Rose Garden grow?
“With venom and spleen
and everything mean,
and my gasket about to blow!”

Trumpy, Trumpy,
obese and dumpy,
why are your polls so low?
“I claimed I was Cyrus
at war with a virus
but lost every time to the minuscule foe!”



Piecemeal, a Coronavirus poem
by Michael R. Burch aka "The Loyal Opposition"

And so it begins—the ending.
The narrowing veins, the soft tissues rending.
Your final solution is pending.
(Soon a portly & pale Piggy-Wiggy
will discount your death as "no biggie.")



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
That pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!



Red State Reject
by Michael R. Burch aka "The Loyal Opposition"

I once was a pessimist
but now I’m more optimistic,
ever since I discovered my fears
were unsupported by any statistic.



The Red State Reaction
by Michael R. Burch aka "The Loyal Opposition"

Where the hell are they hidin’
Sleepy Joe Biden?

And how the hell can the bleep
Do so much, IN HIS SLEEP?



The Final Episode of Celebrity Apprentice President
by Michael R. Burch aka "The Loyal Opposition"

Ronald McDonald
said to The Donald,
"Just between us clowns, your polls are too low!"
So The Donald thought hard
then said to his pard,
"It's because I'm a martyr. The world must know!"
Thus Eric Trump jumped
from his obese Trump ****
to declare the virus a "hoax." (End of show.)



modern Midas
by michael r. burch

they say nothing human's alive
yet the Hermit survived:

the last of His kind,
clean out of His mind.

they say He relentlessly washes His fingers,
as dainty as ever, yet the smell of death lingers.

they say it sets off His corona of hair
when He blanches with fear in his Mansion Faire.

they say He still spritzes each strand into place
though there’s no one to see in that hellish place.

they say there’s a moral in what He’s become
as He fondles gold trinkets and cradles His john.



Mother of Cowards
by Michael R. Burch aka "The Loyal Opposition"

So unlike the brazen giant of Greek fame
With conquering limbs astride from land to land,
Spread-eagled, showering gold, a strumpet stands:
A much-used trollop with a torch, whose flame
Has long since been extinguished. And her name?
"Mother of Cowards!" From her enervate hand
Soft ash descends. Her furtive eyes demand
Allegiance to her ****'s repulsive game.

"Keep, ancient lands, your wretched poor!" cries she
With scarlet lips. "Give me your hale, your whole,
Your huddled tycoons, yearning to be pleased!
The wretched refuse of your toilet hole?
Oh, never send one unwashed child to me!
I await Trump's pleasure by the gilded bowl!"




Toupée or Not Toupée, That is the Question
by Michael R. Burch aka "The Loyal Opposition"

There once was a brash billionaire
who couldn't afford decent hair.
Vexed voters agreed:
"We're a nation in need!"
But toupée the price, do we dare?



Toupée or Not Toupée, This is the Answer
by Michael R. Burch aka "The Loyal Opposition"

Oh crap, we elected Trump prez!
Now he's Simon: we must do what he sez!
For if anyone thinks
And says his "plan" stinks,
He'll wig out 'neath that weird orange fez!



White as a Sheet
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump had a real Twitter Scare
then rushed off to fret, vent and share:
“How dare Bernie quote
what I just said and wrote?
Like Megyn he’s mean, cruel, unfair!”



Raw Spewage (II)
by Michael R. Burch aka "The Loyal Opposition"

Trump
is a chump
who talks through his ****;
he's a garbage dump
in need of a sump pump!



we did not Dye in vain!
by Michael R. Burch

from “songs of the sea snails”

though i’m just a slimy crawler,
my lineage is proud:
my forebears gave their lives
(oh, let the trumps blare loud!)
so purple-mantled Royals
might stand out in a crowd.

i salute you, fellow loyals,
who labor without scruple
as your incomes fall
while deficits quadruple
to swaddle unjust Lords
in bright imperial purple!

Notes: In ancient times the purple dye produced from the secretions of purpura mollusks (sea snails) was known as “Tyrian purple,” “royal purple” and “imperial purple.” It was greatly prized in antiquity, and was very expensive according to the historian Theopompus: “Purple for dyes fetched its weight in silver at Colophon.” Thus, purple-dyed fabrics became status symbols, and laws often prevented commoners from possessing them. The production of Tyrian purple was tightly controlled in Byzantium, where the imperial court restricted its use to the coloring of imperial silks. A child born to the reigning emperor was literally porphyrogenitos ("born to the purple") because the imperial birthing apartment was walled in porphyry, a purple-hued rock, and draped with purple silks. Royal babies were swaddled in purple; we know this because the iconodules, who disagreed with the emperor Constantine about the veneration of images, accused him of defecating on his imperial purple swaddling clothes!



Twinkle Wrinkles
by Michael R. Burch aka "The Loyal Opposition"

Twinkle, twinkle, little "star" ...
Trump, how we wished you blazed                 afar!

Twinkle, twinkle, Groper-Cupid ...
How we've wished you weren't so stupid!

Twinkle, twinkle, Man-Baby "president" ...
In truth you're just the White House resident.



Americans have the opportunity
to greatly improve their community
with votes a-plenty
in 2020.
Dump
Trump!
—Michael R. Burch



Joe Biden, Joe Biden,
our future is ridin’
on you defeatin’
and hidin’
that cancerous lump
called Trump.
—Michael R. Burch



The Perfect Storm
by Michael R. Burch

Stormy Daniels
is Trump's worst nightmare—
a truthteller,
a woman without fear,
full of *****,
unimpressed by his junk,
that he can't debunk.



Aftermath
by Michael R. Burch aka "The Loyal Opposition"

Carmen Yulín Cruz is a hero.
Donald Trump is a zero.



15 Seconds
by Michael R. Burch aka "The Loyal Opposition"

Our president’s *** life—atrocious!
His "briefings"—bizarre hocus-pocus!
Politics—a shell game!
My brief moment of fame
flashed by before Oprah could notice!



March for Our Lives
by Michael R. Burch

It's not a moment,
it's a MOVEMENT
created to save
innocents from the grave.



Tweety and Pootie
sittin' in a tree
K-I-S-S-I-N-G!
First comes love,
second comes marriage,
third barechested weasels in a White House carriage!
—Michael R. Burch



Three Trump Valentine's Day Poems

1.

If you're tall, blonde and pretty,
I'll grab your kitty.
If you're dark-skinned and short,
It's time to deport!

2.

I'll secure your southern border tonight,
as long as you're wearing white!

3.

If you're not
as hot
as my daughter,
beware;
prepare
for the slaughter!



Why did Trump endorse Roy "Score" Moore when Nostradumbass claimed he "knew" the Sludge Judge couldn't win? ...

Predators of a feather
flock together.
—Michael R. Burch



Kneeling Verboten
by Michael R. Burch aka "The Loyal Opposition"

Colin Kaepernick took a stand by kneeling;
now Donald Trump is reeling
as the NFL owners he implored
lock hands with the players he deplored.



How the Fourth ***** Ramped Up
by Michael R. Burch aka "The Loyal Opposition"

Trump prepped his pale Deplorables:
"You're easy marks and scorables!
Now when I bray
click your heels, obey,
and I'll soon promote you to Horribles!"



Trump Trumps "We The People"
by Michael R. Burch aka "The Loyal Opposition"

Trump fired Comey
to appoint a *****:
some pawn in his Kamp
with a big rubber stamp.

Out the window flew freedom!
Rights? You don't need 'em!
Like Attilâ the ***,
Trump answers to no one!

Do you think you have worth?
Trump makes you his serf.
He's your Lord and your Master:
you elected DISASTER.



Pass the Hat for the Fat Cat
by Michael R. Burch aka "The Loyal Opposition"

If you're a Fat Cat,
vote for an Autocrat;
otherwise, stick with a Democrat ...
or get ready to pass the hat
for yourself,
doomed by that strange little pixie-fingered orange elf.



****** Assaulter-in-Chief
by Michael R. Burch aka "The Loyal Opposition"

Ronald McDonald Trump Bozo
bopped Bill Clinton Clown on the nose: “Oh,
I’ll trump your cigar
with my groping, by far,
when I bounce interns on my Big Pogo!”



Trump's Donor Song
by Michael R. Burch aka "The Loyal Opposition"

(lines written after it became apparent that Trump is not
"draining the swamp" but stocking it with his crocodilian
donors and political piranha)

christmas is coming, the Trumpster's purse is flat:
please put a Billion in the Fat Cat's hat!
if you haven't got a Billion, a Hundred Mil will do.
if you haven't got a Hundred Mil, the yoke's on you!



Alt-Right White Christmas
by Michael R. Burch aka "The Loyal Opposition"

Trump's dreaming of a White Christmas,
just like the ones he used to know
when black renters groveled
or lived in hovels
while he laughed and shouted **-**-**!



*******
by Michael R. Burch aka "The Loyal Opposition"

Trump
Is a chump,
He’s an
Orange Heffalump.
His hair?
Made of batter.
His brain?
***** matter.
His “plans”?
A disaster.
His “position”?
Your Master!



Fool's Gold
by Michael R. Burch aka "The Loyal Opposition"

THE DONALD has won (so we're told).
If it's true, worthless swampland's been sold!
But who were the buyers?
Poor folks who trust liars
and pay through the nose for fool's gold.



Bunko
by Michael R. Burch aka "The Loyal Opposition"

Agent Orange is full of bunk:
Tiny-fingered, he claims a big "trunk."
And his "platform"? Oh my,
I think we'd all die!
And he can't even claim he was drunk!

NOTE: Donald Trump claims that he doesn't drink alcohol, except when he partakes of Holy Communion. However, Trump insulted the body and blood of Jesus Christ when he spoke dismissively of his "little *******" and "little wine." He claims to be a Christian, but also said that he never asks God for forgiveness! Is he punch drunk or just pulling our legs about being a Christian?



De-Bunko
by Michael R. Burch aka "The Loyal Opposition"

There's something I'd like to debunk:
the GOP's not in a "funk."
The Donald, by choice,
is its unfiltered voice.
Vote for someone who's sane, or we're sunk!



Fooling Around
by Michael R. Burch aka "The Loyal Opposition"

Ronald McDonald Trump-Bozo
cried, “Clinton Clown cheats with his yo-yo!
He plays fast and loose!
It’s clearly abuse!
Whereas broads love to bounce on my pogo!”

BTW, it's amusing that Rudy Giuliani is now Trump's surrogate, defending him from accusations of ****** assault and other improprieties by scores of women, when in a 2000 "Mayor's Inner Circle" video, Giuliani in drag had his "*******" schmoozed by The Donald, after which Giuliani slapped his face and called him a "***** boy." Obviously, Giuliani was well aware of Trump's reputation for grabbing and groping women without bothering to ask for their permission! Trump's outrageous behavior was a running joke among alpha males in his circle. In 1993, fellow bad boy Howard Stern asked Trump directly: “So you treat women with respect?” Trump answered honestly: “No, I can’t say that either.” And hundreds of chauvinistic public statements and tweets by Trump confirm that he doesn't treat women with respect, or minorities, or anyone that he considers "weak" or "overweight" or "unattractive."



Trumping Tots
by Michael R. Burch aka "The Loyal Opposition"

Things that go bump in the night
fill Herr Trump with irrational fright;
his brain hits the skids;
he shrieks, "Ban dark kids!"
Where's his self-lauded "courage" and "might"?
Is cowardice Trump's kryptonite?



Trump Explains Why His Hair Looks Like ****: It's Been Bleached By Drool
by Michael R. Burch aka "The Loyal Opposition"

"Although my hands are quite tiny,
I have an enormous hiney;
so I stick my head in,
predicting I’ll win,
while everyone kisses it shiny!"



The Name and Blame Game
by Michael R. Burch aka "The Loyal Opposition"

If you have a slightly offbeat name,
you'll be de-planed, detained, restrained, defamed.
Supremacists know pure white names are best,
so be prepared to prove you're among the Blessed.
(Woe unto those who fail Trump's Litmus Test!)



Trump the Game Plan
by Michael R. Burch aka "The Loyal Opposition"

There once was a huckster named Trump
who liked to be kissed on the ****.
He promised awed voters
if they'd be his promoters,
he'd magically fix up their dump.

Now the voters were dreaming of Ronald
and hoping they'd found him in Donald.
And so, lightly "thinking"
after much heavy drinking,
they put out, as if they'd been fondled.

But once he'd secured the election
Trump found his fans cause for dejection.
"I only love tens!"
he complained to his "friends,"
then deported them: black, white and Mexican.

Thus Donald fulfilled his sworn duties
by ridding the land of non-cuties.
Once the plain Janes were gone
he could smile on his throne
surrounded by imported beauties!



Egad,
what a cad;
the Orange Heffalump
scowls when he sees
a baby bump!
Like the Grinch who stole Christmas
(but every day of the year),
The Donald eyes happy
mothers with a leer!
―Michael R. Burch

NOTE: Donald Trump actually body-shamed Kim Kardashian for having a baby bump, saying that she was "large" and ought to watch the kind of clothes she wears in public!



Donald Trump Campaign Songs

Christmas is coming!
Tycoons are getting fat!
TRUMP says, "Take a ****
in some beggar's hat!
Beat him to a pulp
then run him out of town
if he dares object to
the MAN with the GOLDEN CROWN.
And if you're not a Christian,
nothing else will do!
But if you're just like TRUMP,
then may TRUMP bless you!
―Michael R. Burch



SANTA CLAWS is coming to town!
He sees Spics when they're sleeping
and Blacks when they're awake!
He knows that Whites are always good,
but dark skin is God's mistake.
So if you're some poor orphan
with slightly darker skin,
BIG BROTHER will be WATCHING
all blacks and Mexicans!
―Michael R. Burch



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



Dark Shroud, Silver Lining
by Michael R. Burch

Trump cares so little for the silly pests
who rise to swarm his rallies that he jests:
“The silver lining of this dark corona
is that I’m not obliged to touch the fauna!”



Zip It
by Michael R. Burch

Trump pulled a cute stunt,
wore his pants back-to-front,
and now he’s the **** of bald jokes:
“Is he coming, or going?”
“Eeek! His diaper is showing!”
But it’s all much ado, says Snopes.



Mini-Ode to a Quickly Shrinking American Icon
by Michael R. Burch

Rudy, Rudy,
strange and colludy,
how does your pardon grow?
“With demons like hell’s
and progress like snails’
and criminals all in a row!”



Christmas is Coming
alternate lyrics by Michael R. Burch

Christmas is coming; Trump’s goose is getting plucked.
Please put the Ukraine in his pocketbook.
If you haven’t got the Ukraine, some bartered Kurds will do.
But if you’re short on blackmail, well, the yoke’s on you!

Christmas is coming and Rudy can’t make bail.
Please send LARGE donations, or the Cause may fail.
If you haven’t got a billion, five hundred mil will do.
But if you’re short on cash, the LASH will fall on you!

Keywords/Tags: Trump, Donald Trump, poems, epigrams, quotes, quotations, Rudy Giuliani, Ted Cruz, Cancun, Christmas, evil, democracy, coup, treason, treasonous, coronavirus, president, poet, poems, poetry, heroic couplets, couplet, humor, humorous, Clorox, Lysol, disinfectants, light verse, parody, satire, America



In My House
by Michael R. Burch

I was once the only caucasian in the software company I founded and managed. I had two fine young black programmers working for me, and they both had keys to my house. This poem looks back to the dark days of slavery and the Civil War it produced.

When you were in my house
you were not free—
in chains bound.

"Manifest Destiny?"

I was wrong;
my plantation burned to the ground.
I was wrong.

This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.

I feel the song
hurling itself back at me.

We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.

Published by Black Medina

Keywords/Tags: Race, Racism, Black Lives Matter, Equality, Brotherhood, Fraternity, Sisterhood, Tolerance, Acceptance, Civil Rights



Instruction
by Michael R. Burch

Toss this poem aside
to the filigreed and the prettified tide
of sunset.

Strike my name,
and still it is all the same.
The onset

of night is in the despairing skies;
each hut shuts its bright bewildered eyes.
The wind sighs

and my heart sighs with her—
my only companion, O Lovely Drifter!
Still, men are not wise.

The moon appears; the arms of the wind lift her,
pooling the light of her silver portent,
while men, impatient,

are beings of hurried and harried despair.
Now willows entangle their fragrant hair.
Men sleep.

Cornsilk tassels the moonbright air.
Deep is the sea; the stars are fair.
I reap.

Originally published by Romantics Quarterly


Published as the collection "Not-So-Heroic Couplets"

Some days I look like I am crushed, and banged-up.
While other days I look like a victorious Mighty Warrior.
Yet both times I stand firm, a Overcomer through Christ.
For its not me that is the overcomer but my Awesome God.
Whom came down from heaven to share my body with me.
Together we become one spirit,  sharing the same body.
He protects me fro all harm, he is my comforter here.

You're so violent
With your words
And I take the blows
Because at least I'm touched.
You inject your poison
With a kiss
And I love the taste,
Painful as it is.
If loving you is suicide
Oh, how I love to die.  
You say girls are prettiest
When they cry,
How beautiful am I?

If you were to ask me what boredom was, I’d tell you were boring and to stop asking stupid questions, but if you really persisted, I would tell you boredom is the tick tock on the white clock on the white wall of our English classroom.
it’s the thrill of seeing how many dried crackers you can cram into your mouth before your mouth becomes a cracked and dried desert. Boredom is
making up haikus,
Alone but not quite knowing,
How many syllables go on each line
Boredom is haikus.
Boredom is
the decapitation of innocent
grass blades as you listen to an unenthused sports teacher
the blood of your unwitting enemies splattered on your fingers.
Boredom is this boring poem


Now you were never one for boredom;
you enjoyed sitting on the grass, getting a soggy ***,
you enjoyed the crunch of crackers snapping on your tongue,
you really enjoyed
and I still do not know why
making up haikus
you enjoyed the long languorous spaces between lines...





and I guess that really was just you.
But recently the silence has been getting short its rudely interrupted
by forced laughs and nervous glances from eyes that recently went shopping


You jump at every crunch or crack, scared of well…
I don’t know .

And your poetry,
Well, you barely write anymore because you just can’t seem to muster up the energy and you’re just tired and its nothing to worry about and it doesn’t matter anyway because you have an English essay due tomorrow yeah-


And the grass misses your ***


And I miss you


And there’s someone in your place, a lethargic parody, too frightened to pick up the phone, frightened by nothing at all
There’s a black hole in the shape of a friend
hidden behind the comets of comedy and asteroids of avoidance there’s a small hole


I reach in… grasping for a hand,
I catch glimpses. tufts of hair. old coffee smiles
but… nothing
so, I try again

I reach in, grasping for a hand, or even a bone
I catch glimpses of skin, hair, teeth, bone. Nothing
and each time I throw myself into the silent abyss,
batter past the comets and asteroids and reach into that dark expanse I find less and less,
I miss you


I am right outside,
whenever you’re ready to,
we can talk a bit


I’m trying my best ,
and I really care for you ,
but haikus are dumb
accept it, it’s true.


The spot of grass is waiting right where you left off,
the crackers in the tin are there just waiting to be scoffed.
if ever in that silence
you feel yourself alone
just know that in my house,
you’ve found yourself a home.

Ronald McDoland & cousin Kentucky
had Iraq: ji had ji had ji had e ha e ha e ha oh!
i told you about the heresy of war,
the Soviets are back, success rate
up 1000% from Afghanistan to be the next
Uzbekistan - well, less Mongol tsunami down that
alley; it's still heresy to do puppet upon the head
of former state with oligarch tyrants selling
us bone marrow as meat: Iraqis just said:
let's keep it kosher and local and less global
and less treadmill!

the orb's lost & found song from the dream album is
so hard to follow at first; i only came back for the psychopath
avenue theme tune: ah... ******* ready to depose
Saddam Hussein... but now ******* in their pants to send
soldiers into the land of crucifixions and be-headings?!
how strange the correlation between actual warring
fake pacifism, simulated warfare and excess
theories with atoms but incompetence with
the elements.

i watched democracy fail... the foxes stole nothing,
they stole nothing because they were sloppy!
i thought this while hanging the washing on the line today...
*******... puck-puck-yellow-yanks... larynx by larynx on the tiles...
let's paint it red! spare me Slob Bogdan Maso Kiev Itch...
ah, when it was all under wraps... oh but the western
media are so ******* vociferous for those shady
gamblers known as shareholders, no casino,
just a house in suburbia... wankers... football hooligan me
into acting when it comes to practice!

sho you'sh shoor you'sh want'sh to shoo your shon
to shwastika access on return? me tshinks sho...
Bex is a girl's name Rebecca, we hear more of Bex's
past than anyone's.*

Colonel Kentucky can shove that chicken drumstick
up his **** and sing me a lullaby about his
famous discovery of deep baked **** batter!
crumbs ahoy, aye aye captain, my
stratosphere of anally commanding the first-mate
into coherent motivational propaganda of:
women outside of war will treat the dogs of
howling and barking as companions -
the stresses invigorate... no second chances are given
to buy a ******* toaster or a chimpanzee,
both do tricks, it just depends which one does the trick
quicker - it takes more than just a homelessness
from the realm of the cube to see how many
is an insect although not in an atheistic strict sense
of expressing nihilism: man the disharmonious
swarm can hardly keep queen or king:
unless we all were ****** by the king and unless
we all ****** the queen: insects are strict Martians,
they have no time for concubines or horse races
of football matches, or other coliseum distractions:
unique insecticide of insects against individualism
that's thought in being human so fondly kept
with the pyramid as with a book of some obscure
philosopher championing wear & tear & tatters
looking more for a tailor than a god:
appearances must be kept, after all, so few of us are
prisoners in the bedding chamber of perfect
genetics of post-******, and the dumb neo-****
scapegoats along with Israel are kept being fed
cinnamon sticks laced with sailors' *****
that's nutmeg.
**** you not... ere come the clueless klaxon hakuna
matata bob dylan bums... like two police officers
in reverse of the stereotype: one plays the harmonica
(i.e. can read), another strums the guitar (i.e. can write) -
but we're missing the elephant's
molesters:                          we're missing four of the six,
that's enough for the tetragrammaton verb,
we have the trunk and the leg, that'll do us just fine:
we can just say it's a fire hydrant...

with my new regime i understood the blanket
of un-forgiveness of english teachers,
i exported the idea of haiku to the east and
received the notion of esnō - i said double that
up, thrice it, make the thrice square,
add a hundred ballerina twirls and create
a hurricane from the ensō; what did i
get on my return? hardly a butterfly effect,
i got stenotype, the beheading of
Anne Boleyn - quick like a marriage with a black
widow spider or a mantis: an orphanage on my back...
so many more sperms reach the pyramid end
than in mammals, but look at what the Darwinism
rainbow gave us to feel depressed about...
comparative existentialism to insects, arguments
against parasites... might as well argue about
eating and **** evaporating rather than the pleasure
of faeces squeezing through the **** muscles...
(if you had *******, i'd tell you about the pleasure
of *******, and not needing to bother women
to stretch a muscle that's hardly an oyster of skin,
keep the flowers in Eden of comparisons,
mine ain't beauty, yours' ain't either:
it ain't a flower, it's a seashell protein, thing, the end):
oh yeah, the boys and me were watching salmon
in the school, we were using index and middle fingers
to slingshot shoot the salmon buds to dumb down and
forget feminism and remember the village life...
ha ha... worked like steroids to those fake muscle-heads
when looking at gymnasts and scaffolders:
PUMPIN' IRON PIMPIN' MOLLUSCS!
what a hydrochloric-hydraulic combination to non-grammatical
coordination from (0, 0) to (20 kilometres west,
50 kilometres east) in comparison to an epic literature
output of Russian angst origin in epilepsy shadowed
over by the joy of gambling... i have drinking,
now imagine Halloween on Hawaii.

My father was famous for
noticing endings
admitting defeats
accepting declines
moving along
being a good, end-of-game sport.

Sometimes
he’d spark a surprise
come back—
an evening of the score.
“The folks are as good
as the people” he’d declare.

But as life
invariably turns out,
the folks are
   rarely
            as good
                         as the people
     the pitcher as the batter
     the husband as the wife
     the striker as the goalie
     the salesman as the prospect
     the child as the parent
     the ying as the yang.
In competitions someone
always conquers, even if just a bit;
the other
always loses, even if just surface wounds—
death always comes
natural or quick.

Then you
know:
“It’s all over
        but the crying.”

Dad,
I’ve been crying,
but when will I know
“it’s over?”
And, since some “folks” aren’t
so good after all, please tell:
        How victorious is victory?
        Who is defeated in defeat?
        What is the final score?
        Who won again?

The true score for when it’s over is
perhaps how
we make sense of the endings,
                                                    beginnings,
                                                                ­          and
                                 rebeginnings
                of life
shared and                                                              ­                             solitary.

So where is that game clock
that tally board, that ledger to
release my game
announce my endings
settle my scores

so I can do my crying
and
prepare
for next season?

        18.i.11

Once wars were fought with sticks and stones
to flog the flesh and batter bones
and conquer lands, defending thrones -
though gods provoke, not one atones.

The multitude (by hordes beset
with battle-ax or bayonet)
braved blades, dyed red and dripping wet -
the stains were wiped with no regret.

When raining blood, the teardrops spill,
enough to drown the daffodil
that withers in the mourning chill -
who was it said 'thou shalt not ****'?

The mad machine's now mechanized,
torment and torture legalized,
blind barbarism globalized
and wrath of demons sanitized.

Each rival's right (whichever side)
committing holy homicide
in names of gods diversified -
like Cain and Abel fratricide.

Above, a Drone that terrifies -
a button's pushed, a missile flies
to rip apart, to vaporize
(defending life, they fantasize).

Dismembered victims everywhere,
most, non-combatants, unaware -
a lone survivor, solitaire,
unfolding hands, too late for prayer.

Beneath the dust, a baby lies
with mouth agape, with bleeding eyes,
arrayed in death that money buys -
though warriors watch, none empathize.


The media's impervious -
in truth they're ever devious
for fear that reason's dangerous,
find every question treasonous.

Through eyes lit up like rosy sores,
embedded scribes report on wars
with tales to line the cuspidors -
the Fourth Estate? A herd of ******.

To paint the slaughter civilized,
objective news is sodomized -
when foreign streets smoke, pulverized,
the body counts are minimized.


Big Berthas boomed in days of yore
but now the tanks spit spikes of Thor
and mortar shells like raindrops pour
upon the lands of Nevermore.

The grumble of a hand grenade
is drowned in claps of cannonade -
assorted charnel chunks lie flayed
in battlefields where kids once played.

Somewhere a ******'s bullet flies,
somewhere a voiceless victim dies,
somewhere a famished orphan cries
while weapons warble lullabies.

The bunker busters burst the sides
of dwellings where mankind resides
and innocence in darkness hides -
the die is cast, but who decides?

Use cluster bombs and barrels too,
(crude critters in the wartime zoo),
to shred more souls than hitherto -
choose death en masse, avoid the queue!

The leaders lead (twelve steps behind),
enmeshed in intrigues, well enshrined -
yes, powers, business (so entwined)
pull twisted threads, ensnare mankind.


The mercenaries hack and maim
(god's creatures crippled, morally lame),
do beastly things that none will name -
well-paid for such, they feel no shame.

The ****** bombs and phosphorus
and ghastly weapons gaseous
are scattered widely, bounteous -
behold the desert wilderness!

Yes, Agent Orange burns slow and calm,
may leave behind a blazing palm
(or better yet, a molten mom
inside a hut)  in Vietnam.

And phosphorous… its flame so white,
exploding, falling through the night,
commemorates the Sacred Rite -
and babes in arms, thus blessed, ignite.

Cast chlorine, sarin or VX…
a lethal dose (or side effects
like blistered lungs) will serve to vex -
but death in war? No one objects…


Constructing A-bombs's arduous -
uranium, depleted thus,
can trash a tank with little fuss,
cause natal cankers, cancerous.

But doomsday warheads (dropped or thrown),
ignited, leave the sun outshone -
beneath a mass of melted stone
lies powdered ash, once flesh and bone.

When atoms split in bombs debased,
vast cities smolder, laid to waste,
a million sinless souls erased -
perhaps, one day, all life effaced.


You close your eyes but can't ignore
that body parts and bags of gore
are bursting through golgotha's door,
and strewn beyond the ocean's roar
like rotting fish that wash ashore.

Why can't we stop and end all war…


POSTSCRIPT
Regard the dreary death Arcade
of Armaments (a fruitful trade)
and tally up the millions made
by ghouls that raise a colonnade
of miles of missiles, weapons-grade,
in Armageddon's crazed parade,
and hide behind a masquerade
of lollypops and lemonade
while planning new an escapade
for sending armies to invade
and loot far oil lands, unafraid
of misery and grief parlayed
until our final days cascade
into a hell no more delayed
by happenstance or luck outplayed
that leaves society decayed,
bombarded with a fusillade
of lies upheld and truth betrayed
by pundits in the shifting shade,
and crises of the world clichéd
as sung in solemn serenade
by journalistic hacks that preyed
on wide-eyed folk in sham charade
that lulls to sleep with eyelids weighed
by tiny tears that disobeyed
to stay behind the barricade
and bathe the modern-day crusade
of war in cheers and accolade.

The bottom line? Just profits paid
for deadly sins that god forbade…