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Sorry Jul 2013
You may say you don't
but you know me; of me
and my swelling quiet

and they may say
over and over
in a low rumble
not to write of love
I know, I know

I close my eyes
the sanguine lids
like a heart
throbbing  

In ink it spills
brims over like tears withheld
and stains the stark white page

your whiskers at dusk
the fine lines in your lips
Your eyes drip like jewels
heavy and sparkling  

This smudge of words
I would die in
if I could not write  
what I cannot speak
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
Kaitlyn Marie Jun 2014
in the uttermost respect
you're alive
and breathing
so congratulations
but that does no justice
for your ignorance
you completely obliterate my existence
in your  head
acting like I deserve no space
for my legs
you are not the captain
of this god awful titanic
if we had to choose
you'd be voted last
on all ballads
oh
how rude of me being mean and such
but it does no harm
for all of the hearts **you've crushed
@Copyright Kaitlyn Marie
Hal Loyd Denton Jan 2014
What I seek here is as a writer astutely commented “it was the pure breath of God playing on
Human heart strings” where better to start than an instrument that is played in such fashion
Solely by the wind its name is from ****** the Greek god of the wind my changeup calls for the
Wind of the one true God my line in lost friend not a person but a great black oak that grew on
A California ranch for over a hundred years in a storm it was destroyed the lines read this way
Two divergent seeds the ground did divide one of wooden grain the other flesh and blood
Their branches throughout the community do abide as charming as church bells ringing touching all the
Flesh and blood pertains to the ranch family that was so honored by this majestic guest all those years
That’s what I am speaking of bells are associated with the Aeolian harp because their sound is carried on
The wind crisp and clean without contamination this is written that we might prepare ourselves and
Have the pure spirit blow across our souls and from it have a better year ultimately a better life first in
These examples we will move closer to the Aeolian harp you will see this isn’t just living but its
Excelling in the richest spheres our lives can and must strive for this magnificence we are not
Just here just to expend time and enjoy ourselves we are to be in pursuit of a great and eternal
Reward there are many stratus of life others are in earthy terms more advanced that is only on
Social levels in the spirit we truly are equal each according to their gifts will answer on a same
Plane fair and honest judgment so that alone should birth passion in each one I want to be the
Best I can be not to out show another but to present our selves honorably and show we put in
The same effort as others first know all are not chosen to have such dramatic tunes of the harp
To drift across life’s varied landscape ours still will be unique and the highest tunes possible and
Will resound with glory we ourselves to a degree will be pleasantly surprised truly so it will be
Determined on the closeness we have with His Holy spirit when I first heard the harp was in
Hannibal Missouri I was in this rich place of American story telling the boy hood home of
Samuel Clemens better known as Mark Twain I was on the river frontage road the great
Mississippi was to my right but I wasn’t thinking of Tom Sawyer my thoughts weighed heavy on
My mind I was far away up by Chicago at a church where brother and Sister Willis was pastor
Then back in the present here in Hannibal this was their home town a beautiful blonde eight
Year old was their pride and joy life was full she had a older brother who was ten it was a
Musical joyous life and then dark ominous clouds rolled in one so filled with life small and
Gentle it was one of the cruelest and terrifying cancers sorry even her death was terrifying in
The midst of tears and anguish they prompted the Aeolian harp to play they brought her home
To this historical place that became so much more rich and sacred when they lay her in the
Cemetery it came as a rush it over powered my emotions in my mind I saw her waiting for that
Great call the dead in Christ will rise first and meet him in the clouds of glory then those still are
Living will be caught away with him this young heartbroken father and mother with
Out hesitation or actuation by faith and trust they continued and shortly thereafter they started
And completed a larger church the richness of the harp reached across the lost community
Families in peril confused and lost had their ears and hearts opened by the lives of these
Faithful Parents it’s not just about making heaven but look around you at the great and terrible
Day of Judgment the great white throne and He who sets there once the savoir now the judge
Of the world you have others standing there with you as you look at them you can’t help to
Look Beyond His great light and see out in the darkness the deadly silent crying trembling lost
That no one reached or worse they wouldn’t listen the next story of the harp is about Frank
Bartleman the great man God used to bring modern Pentecost to America through the gate of
Azusa St Los Angels he arrived in Los Angeles with his wife and two young daughters December
22 January his oldest daughter three year old Easter was seized with convulsions and passed
Away he echoed the word from Ester little Queen Ester seemed to have been born for a time such
As this Esther 4:14 “Beside that little coffin with heart bleeding I pledged my life anew for God’s
Work In the presence of death how real eternal issues become of all the music LA has produced
None comes close to the sounds made by the Aeolian harp that day all the days since and all
The Souls whose shouts resounded then and now what joy bells are ringing throughout the
Years you read this the harp cuts thorough every excuse every denial we make when His love is
Calling over pastoral fields over head white clouds azure blue sky a single white dove the son of
Man personally calls to you I love you you’re missing so much following the false and deadly
Trends of this world come let me pull you close your land a waste land of just material things in
My presence unquestioned exception hurts carried for years will be healed only as a father can
Do your guilt will be forever cast away moral purity that your soul cries for will be heaped in
Your life no longer dark shadows that haunt but real true life that satisfies to the uttermost it
Will heal bring new understanding addictions are flimsy bindings that hold only because you
Seek all things that are rooted in disfavor my favor knows no bounds and you will be free I will
Breathe my spirit and you will know the Aeolian harp tunes and breathtaking wonder will swirl
Through your mind heart and spirit Heaven will displace the black strangle hold of this world
Centered anew the rays of the cross and my love breaks every yoke true freedom is yours for
time and eternity
While we slumber and sleep,
The sun leaps up from the deep,--
Daylight born at the leap,--
Rapid, dominant, free,
Athirst to bathe in the uttermost sea.

While we linger at play--
If the year would stand at May!--
Winds are up and away,
Over land, over sea,
To their goal, wherever their goal may be.

It is time to arise,
To race for the promised prize;
The sun flies, the wind flies,
We are strong, we are free,
And home lies beyond the stars and the sea.
1 Kings 6 King James Version (KJV)

6 And it came to pass in the four hundred and eightieth year after the children of Israel were come out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month Zif, which is the second month, that he began to build the house of the Lord.

2 And the house which king Solomon built for the Lord, the length thereof was threescore cubits, and the breadth thereof twenty cubits, and the height thereof thirty cubits.

3 And the porch before the temple of the house, twenty cubits was the length thereof, according to the breadth of the house; and ten cubits was the breadth thereof before the house.

4 And for the house he made windows of narrow lights.

5 And against the wall of the house he built chambers round about, against the walls of the house round about, both of the temple and of the oracle: and he made chambers round about:

6 The nethermost chamber was five cubits broad, and the middle was six cubits broad, and the third was seven cubits broad: for without in the wall of the house he made narrowed rests round about, that the beams should not be fastened in the walls of the house.

7 And the house, when it was in building, was built of stone made ready before it was brought thither: so that there was neither hammer nor axe nor any tool of iron heard in the house, while it was in building.

8 The door for the middle chamber was in the right side of the house: and they went up with winding stairs into the middle chamber, and out of the middle into the third.

9 So he built the house, and finished it; and covered the house with beams and boards of cedar.

10 And then he built chambers against all the house, five cubits high: and they rested on the house with timber of cedar.

11 And the word of the Lord came to Solomon, saying,

12 Concerning this house which thou art in building, if thou wilt walk in my statutes, and execute my judgments, and keep all my commandments to walk in them; then will I perform my word with thee, which I spake unto David thy father:

13 And I will dwell among the children of Israel, and will not forsake my people Israel.

14 So Solomon built the house, and finished it.

15 And he built the walls of the house within with boards of cedar, both the floor of the house, and the walls of the ceiling: and he covered them on the inside with wood, and covered the floor of the house with planks of fir.

16 And he built twenty cubits on the sides of the house, both the floor and the walls with boards of cedar: he even built them for it within, even for the oracle, even for the most holy place.

17 And the house, that is, the temple before it, was forty cubits long.

18 And the cedar of the house within was carved with knops and open flowers: all was cedar; there was no stone seen.

19 And the oracle he prepared in the house within, to set there the ark of the covenant of the Lord.

20 And the oracle in the forepart was twenty cubits in length, and twenty cubits in breadth, and twenty cubits in the height thereof: and he overlaid it with pure gold; and so covered the altar which was of cedar.

21 So Solomon overlaid the house within with pure gold: and he made a partition by the chains of gold before the oracle; and he overlaid it with gold.

22 And the whole house he overlaid with gold, until he had finished all the house: also the whole altar that was by the oracle he overlaid with gold.

23 And within the oracle he made two cherubims of olive tree, each ten cubits high.

24 And five cubits was the one wing of the cherub, and five cubits the other wing of the cherub: from the uttermost part of the one wing unto the uttermost part of the other were ten cubits.

25 And the other cherub was ten cubits: both the cherubims were of one measure and one size.

26 The height of the one cherub was ten cubits, and so was it of the other cherub.

27 And he set the cherubims within the inner house: and they stretched forth the wings of the cherubims, so that the wing of the one touched the one wall, and the wing of the other cherub touched the other wall; and their wings touched one another in the midst of the house.

28 And he overlaid the cherubims with gold.

29 And he carved all the walls of the house round about with carved figures of cherubims and palm trees and open flowers, within and without.

30 And the floors of the house he overlaid with gold, within and without.

31 And for the entering of the oracle he made doors of olive tree: the lintel and side posts were a fifth part of the wall.

32 The two doors also were of olive tree; and he carved upon them carvings of cherubims and palm trees and open flowers, and overlaid them with gold, and spread gold upon the cherubims, and upon the palm trees.

33 So also made he for the door of the temple posts of olive tree, a fourth part of the wall.

34 And the two doors were of fir tree: the two leaves of the one door were folding, and the two leaves of the other door were folding.

35 And he carved thereon cherubims and palm trees and open flowers: and covered them with gold fitted upon the carved work.

36 And he built the inner court with three rows of hewed stone, and a row of cedar beams.

37 In the fourth year was the foundation of the house of the Lord laid, in the month Zif:

38 And in the eleventh year, in the month Bul, which is the eighth month, was the house finished throughout all the parts thereof, and according to all the fashion of it. So was he seven years in building it.
OUR GOD IS ALIVE.!!
I. Herself

To be a sweetness more desired than Spring;
A ****** beauty more acceptable
Than the wild rose-tree’s arch that crowns the fell;
To be an essence more environing
Than wine’s drained juice; a music ravishing
More than the passionate pulse of Philomel; -
To be all this ’neath one soft *****’s swell
That is the flower of life:—how strange a thing!

How strange a thing to be what Man can know
But as a sacred secret! Heaven’s own screen
Hides her soul’s purest depth and loveliest glow;
Closely withheld, as all things most unseen,—
The wave-bowered pearl, the heart-shaped seal of green
That flecks the snowdrop underneath the snow.


II. Her Love

She loves him; for her infinite soul is Love,
And he her lodestar. Passion in her is
A glass facing his fire, where the bright bliss
Is mirrored, and the heat returned. Yet move
That glass, a stranger’s amorous flame to prove,
And it shall turn, by instant contraries,
Ice to the moon; while her pure fire to his
For whom it burns, clings close i’ the heart’s alcove.

Lo! they are one. With wifely breast to breast
And circling arms, she welcomes all command
Of love,—her soul to answering ardours fann’d:
Yet as morn springs or twilight sinks to rest,
Ah! who shall say she deems not loveliest
The hour of sisterly sweet hand-in-hand?


III. Her Heaven

If to grow old in Heaven is to grow young,
(As the Seer saw and said,) then blest were he
With youth forevermore, whose heaven should be
True Woman, she whom these weak notes have sung.
Here and hereafter,—choir-strains of her tongue,—
Sky-spaces of her eyes,—sweet signs that flee
About her soul’s immediate sanctuary,—
Were Paradise all uttermost worlds among.

The sunrise blooms and withers on the hill
Like any hillflower; and the noblest troth
Dies here to dust. Yet shall Heaven’s promise clothe
Even yet those lovers who have cherished still
This test for love:—in every kiss sealed fast
To feel the first kiss and forebode the last.
Descend from Heaven, Urania, by that name
If rightly thou art called, whose voice divine
Following, above the Olympian hill I soar,
Above the flight of Pegasean wing!
The meaning, not the name, I call: for thou
Nor of the Muses nine, nor on the top
Of old Olympus dwellest; but, heavenly-born,
Before the hills appeared, or fountain flowed,
Thou with eternal Wisdom didst converse,
Wisdom thy sister, and with her didst play
In presence of the Almighty Father, pleased
With thy celestial song.  Up led by thee
Into the Heaven of Heavens I have presumed,
An earthly guest, and drawn empyreal air,
Thy tempering: with like safety guided down
Return me to my native element:
Lest from this flying steed unreined, (as once
Bellerophon, though from a lower clime,)
Dismounted, on the Aleian field I fall,
Erroneous there to wander, and forlorn.
Half yet remains unsung, but narrower bound
Within the visible diurnal sphere;
Standing on earth, not rapt above the pole,
More safe I sing with mortal voice, unchanged
To hoarse or mute, though fallen on evil days,
On evil days though fallen, and evil tongues;
In darkness, and with dangers compassed round,
And solitude; yet not alone, while thou
Visitest my slumbers nightly, or when morn
Purples the east: still govern thou my song,
Urania, and fit audience find, though few.
But drive far off the barbarous dissonance
Of Bacchus and his revellers, the race
Of that wild rout that tore the Thracian bard
In Rhodope, where woods and rocks had ears
To rapture, till the savage clamour drowned
Both harp and voice; nor could the Muse defend
Her son.  So fail not thou, who thee implores:
For thou art heavenly, she an empty dream.
Say, Goddess, what ensued when Raphael,
The affable Arch-Angel, had forewarned
Adam, by dire example, to beware
Apostasy, by what befel in Heaven
To those apostates; lest the like befall
In Paradise to Adam or his race,
Charged not to touch the interdicted tree,
If they transgress, and slight that sole command,
So easily obeyed amid the choice
Of all tastes else to please their appetite,
Though wandering.  He, with his consorted Eve,
The story heard attentive, and was filled
With admiration and deep muse, to hear
Of things so high and strange; things, to their thought
So unimaginable, as hate in Heaven,
And war so near the peace of God in bliss,
With such confusion: but the evil, soon
Driven back, redounded as a flood on those
From whom it sprung; impossible to mix
With blessedness.  Whence Adam soon repealed
The doubts that in his heart arose: and now
Led on, yet sinless, with desire to know
What nearer might concern him, how this world
Of Heaven and Earth conspicuous first began;
When, and whereof created; for what cause;
What within Eden, or without, was done
Before his memory; as one whose drouth
Yet scarce allayed still eyes the current stream,
Whose liquid murmur heard new thirst excites,
Proceeded thus to ask his heavenly guest.
Great things, and full of wonder in our ears,
Far differing from this world, thou hast revealed,
Divine interpreter! by favour sent
Down from the empyrean, to forewarn
Us timely of what might else have been our loss,
Unknown, which human knowledge could not reach;
For which to the infinitely Good we owe
Immortal thanks, and his admonishment
Receive, with solemn purpose to observe
Immutably his sovran will, the end
Of what we are.  But since thou hast vouchsafed
Gently, for our instruction, to impart
Things above earthly thought, which yet concerned
Our knowing, as to highest wisdom seemed,
Deign to descend now lower, and relate
What may no less perhaps avail us known,
How first began this Heaven which we behold
Distant so high, with moving fires adorned
Innumerable; and this which yields or fills
All space, the ambient air wide interfused
Embracing round this floried Earth; what cause
Moved the Creator, in his holy rest
Through all eternity, so late to build
In Chaos; and the work begun, how soon
Absolved; if unforbid thou mayest unfold
What we, not to explore the secrets ask
Of his eternal empire, but the more
To magnify his works, the more we know.
And the great light of day yet wants to run
Much of his race though steep; suspense in Heaven,
Held by thy voice, thy potent voice, he hears,
And longer will delay to hear thee tell
His generation, and the rising birth
Of Nature from the unapparent Deep:
Or if the star of evening and the moon
Haste to thy audience, Night with her will bring,
Silence; and Sleep, listening to thee, will watch;
Or we can bid his absence, till thy song
End, and dismiss thee ere the morning shine.
Thus Adam his illustrious guest besought:
And thus the Godlike Angel answered mild.
This also thy request, with caution asked,
Obtain; though to recount almighty works
What words or tongue of Seraph can suffice,
Or heart of man suffice to comprehend?
Yet what thou canst attain, which best may serve
To glorify the Maker, and infer
Thee also happier, shall not be withheld
Thy hearing; such commission from above
I have received, to answer thy desire
Of knowledge within bounds; beyond, abstain
To ask; nor let thine own inventions hope
Things not revealed, which the invisible King,
Only Omniscient, hath suppressed in night;
To none communicable in Earth or Heaven:
Enough is left besides to search and know.
But knowledge is as food, and needs no less
Her temperance over appetite, to know
In measure what the mind may well contain;
Oppresses else with surfeit, and soon turns
Wisdom to folly, as nourishment to wind.
Know then, that, after Lucifer from Heaven
(So call him, brighter once amidst the host
Of Angels, than that star the stars among,)
Fell with his flaming legions through the deep
Into his place, and the great Son returned
Victorious with his Saints, the Omnipotent
Eternal Father from his throne beheld
Their multitude, and to his Son thus spake.
At least our envious Foe hath failed, who thought
All like himself rebellious, by whose aid
This inaccessible high strength, the seat
Of Deity supreme, us dispossessed,
He trusted to have seised, and into fraud
Drew many, whom their place knows here no more:
Yet far the greater part have kept, I see,
Their station; Heaven, yet populous, retains
Number sufficient to possess her realms
Though wide, and this high temple to frequent
With ministeries due, and solemn rites:
But, lest his heart exalt him in the harm
Already done, to have dispeopled Heaven,
My damage fondly deemed, I can repair
That detriment, if such it be to lose
Self-lost; and in a moment will create
Another world, out of one man a race
Of men innumerable, there to dwell,
Not here; till, by degrees of merit raised,
They open to themselves at length the way
Up hither, under long obedience tried;
And Earth be changed to Heaven, and Heaven to Earth,
One kingdom, joy and union without end.
Mean while inhabit lax, ye Powers of Heaven;
And thou my Word, begotten Son, by thee
This I perform; speak thou, and be it done!
My overshadowing Spirit and Might with thee
I send along; ride forth, and bid the Deep
Within appointed bounds be Heaven and Earth;
Boundless the Deep, because I Am who fill
Infinitude, nor vacuous the space.
Though I, uncircumscribed myself, retire,
And put not forth my goodness, which is free
To act or not, Necessity and Chance
Approach not me, and what I will is Fate.
So spake the Almighty, and to what he spake
His Word, the Filial Godhead, gave effect.
Immediate are the acts of God, more swift
Than time or motion, but to human ears
Cannot without process of speech be told,
So told as earthly notion can receive.
Great triumph and rejoicing was in Heaven,
When such was heard declared the Almighty’s will;
Glory they sung to the Most High, good will
To future men, and in their dwellings peace;
Glory to Him, whose just avenging ire
Had driven out the ungodly from his sight
And the habitations of the just; to Him
Glory and praise, whose wisdom had ordained
Good out of evil to create; instead
Of Spirits malign, a better race to bring
Into their vacant room, and thence diffuse
His good to worlds and ages infinite.
So sang the Hierarchies:  Mean while the Son
On his great expedition now appeared,
Girt with Omnipotence, with radiance crowned
Of Majesty Divine; sapience and love
Immense, and all his Father in him shone.
About his chariot numberless were poured
Cherub, and Seraph, Potentates, and Thrones,
And Virtues, winged Spirits, and chariots winged
From the armoury of God; where stand of old
Myriads, between two brazen mountains lodged
Against a solemn day, harnessed at hand,
Celestial equipage; and now came forth
Spontaneous, for within them Spirit lived,
Attendant on their Lord:  Heaven opened wide
Her ever-during gates, harmonious sound
On golden hinges moving, to let forth
The King of Glory, in his powerful Word
And Spirit, coming to create new worlds.
On heavenly ground they stood; and from the shore
They viewed the vast immeasurable abyss
Outrageous as a sea, dark, wasteful, wild,
Up from the bottom turned by furious winds
And surging waves, as mountains, to assault
Heaven’s highth, and with the center mix the pole.
Silence, ye troubled Waves, and thou Deep, peace,
Said then the Omnifick Word; your discord end!
Nor staid; but, on the wings of Cherubim
Uplifted, in paternal glory rode
Far into Chaos, and the world unborn;
For Chaos heard his voice:  Him all his train
Followed in bright procession, to behold
Creation, and the wonders of his might.
Then staid the fervid wheels, and in his hand
He took the golden compasses, prepared
In God’s eternal store, to circumscribe
This universe, and all created things:
One foot he centered, and the other turned
Round through the vast profundity obscure;
And said, Thus far extend, thus far thy bounds,
This be thy just circumference, O World!
Thus God the Heaven created, thus the Earth,
Matter unformed and void:  Darkness profound
Covered the abyss: but on the watery calm
His brooding wings the Spirit of God outspread,
And vital virtue infused, and vital warmth
Throughout the fluid mass; but downward purged
The black tartareous cold infernal dregs,
Adverse to life: then founded, then conglobed
Like things to like; the rest to several place
Disparted, and between spun out the air;
And Earth self-balanced on her center hung.
Let there be light, said God; and forthwith Light
Ethereal, first of things, quintessence pure,
Sprung from the deep; and from her native east
To journey through the aery gloom began,
Sphered in a radiant cloud, for yet the sun
Was not; she in a cloudy tabernacle
Sojourned the while.  God saw the light was good;
And light from darkness by the hemisphere
Divided: light the Day, and darkness Night,
He named.  Thus was the first day even and morn:
Nor past uncelebrated, nor unsung
By the celestial quires, when orient light
Exhaling first from darkness they beheld;
Birth-day of Heaven and Earth; with joy and shout
The hollow universal orb they filled,
And touched their golden harps, and hymning praised
God and his works; Creator him they sung,
Both when first evening was, and when first morn.
Again, God said,  Let there be firmament
Amid the waters, and let it divide
The waters from the waters; and God made
The firmament, expanse of liquid, pure,
Transparent, elemental air, diffused
In circuit to the uttermost convex
Of this great round; partition firm and sure,
The waters underneath from those above
Dividing: for as earth, so he the world
Built on circumfluous waters calm, in wide
Crystalline ocean, and the loud misrule
Of Chaos far removed; lest fierce extremes
Contiguous might distemper the whole frame:
And Heaven he named the Firmament:  So even
And morning chorus sung the second day.
The Earth was formed, but in the womb as yet
Of waters, embryon immature involved,
Appeared not: over all the face of Earth
Main ocean flowed, not idle; but, with warm
Prolifick humour softening all her globe,
Fermented the great mother to conceive,
Satiate with genial moisture; when God said,
Be gathered now ye waters under Heaven
Into one place, and let dry land appear.
Immediately the mountains huge appear
Emergent, and their broad bare backs upheave
Into the clouds; their tops ascend the sky:
So high as heaved the tumid hills, so low
Down sunk a hollow bottom broad and deep,
Capacious bed of waters:  Thither they
Hasted with glad precipitance, uprolled,
As drops on dust conglobing from the dry:
Part rise in crystal wall, or ridge direct,
For haste; such flight the great command impressed
On the swift floods:  As armies at the call
Of trumpet (for of armies thou hast heard)
Troop to their standard; so the watery throng,
Wave rolling after wave, where way they found,
If steep, with torrent rapture, if through plain,
Soft-ebbing; nor withstood them rock or hill;
But they, or under ground, or circuit wide
With serpent errour wandering, found their way,
And on the washy oose deep channels wore;
Easy, ere God had bid the ground be dry,
All but within those banks, where rivers now
Stream, and perpetual draw their humid train.
The dry land, Earth; and the great receptacle
Of congregated waters, he called Seas:
And saw that it was good; and said, Let the Earth
Put forth the verdant grass, herb yielding seed,
And fruit-tree yielding fruit after her kind,
Whose seed is in herself upon the Earth.
He scarce had said, when the bare Earth, till then
Desart and bare, unsightly, unadorned,
Brought forth the tender grass, whose verdure clad
Her universal face with pleasant green;
Then herbs of every leaf, that sudden flowered
Opening their various colours, and made gay
Her *****, smelling sweet: and, these scarce blown,
Forth flourished thick the clustering vine, forth crept
The swelling gourd, up stood the corny reed
Embattled in her field, and the humble shrub,
And bush with frizzled hair implicit:  Last
Rose, as in dance, the stately trees, and spread
Their branches hung with copious fruit, or gemmed
Their blossoms:  With high woods the hills were crowned;
With tufts the valleys, and each fountain side;
With borders long the rivers: that Earth now
Seemed like to Heaven, a seat where Gods might dwell,
Or wander with delight, and love to haunt
Her sacred shades: though God had yet not rained
Upon the Earth, and man to till the ground
None was; but from the Earth a dewy mist
Went up, and watered all the ground, and each
Plant of the field; which, ere it was in the Earth,
God made, and every herb, before it grew
On the green stem:  God saw that it was good:
So even and morn recorded the third day.
Again the Almighty spake, Let there be lights
High in the expanse of Heaven, to divide
The day from night; and let them be for signs,
For seasons, and for days, and circling years;
And let them be for lights, as I ordain
Their office in the firmament of Heaven,
To give light on the Earth; and it was so.
And God made two great lights, great for their use
To Man, the greater to have rule by day,
The less by night, altern; and made the stars,
And set them in the firmament of Heaven
To illuminate the Earth, and rule the day
In their vicissitude, and rule the night,
And light from darkness to divide.  God saw,
Surveying his great work, that it was good:
For of celestial bodies first the sun
A mighty sphere he framed, unlightsome first,
Though of ethereal mould: then formed the moon
Globose, and every magnitude of stars,
And sowed with stars the Heaven, thick as a field:
Of light by far the greater part he took,
Transplanted from her cloudy shrine, and placed
In the sun’s orb, made porous to receive
And drink the liquid light; firm to retain
Her gathered beams, great palace now of light.
Hither, as to their fountain, other stars
Repairing, in their golden urns draw light,
And hence the morning-planet gilds her horns;
By tincture or reflection they augment
Their small peculiar, though from human sight
So far rem
Mateuš Conrad Aug 2016
i.

my writing is truly one thing, my life another - not
that's a statement clouded in excuses and guilt:
just the claustrophobic macabre -
and so it happens, that every few days i reach
the limit with wrestling the Minotaur -
the time comes when the liver k.o.s the brain
and the brain then starts punching the liver -
it usually stars in the afternoon, e.g. yesterday,
at 3 in the afternoon, a burrowed sense of guilt
comes over, cigarettes are rolled and chain-smoked...
a promise of not painting the front of
the house is the overpowering weight on the heart -
as is an ably bodied father: who, i might
as the source of my writing capacity: the silence -
but the day flows through... the excess nicotine
adds to the shakes, the detox period begins
with a big meal: chinese pork belly in five spice
and other additives, peppers, spring onions
until a thick goo sauce is cooked slowly to thicken...
served with 'it's called egg fly lice, you plick!'
(Uncle Benny, lethal weapon 4) -
the meal is ate as if a ****** ****** - this is
really the point of critically approaching the
concentrated detox - binge of television,
drinking orange squash and smoking -
playing some stupid video game between watching
an even worse movie - before the saga of
x files begins... at 5 a.m. with the most annoying
feline opera by the most annoying ginger cat
begins... the shades are drawn and the hours between
5 a.m. are spent in a quasi somatic state -
the pain in the brain is too strong to allow you
a kipper without the sedative being dragged from
the body: taking sleeping is avoided -
the blinds in the room don't have blackout plastic,
by 6 a.m. a t-shirt is rolled up and put against
the eyes, the eyes adjust to the light until 7 a.m.,
the body gets up and goes downstairs for more
orange squash, but this time breakfast is stomached,
yesterday's leftover rice, fresh eggs scrambled
and mixed with spring onion -
                                                     cigarette, and a daytime
news channel - Victoria Derbyshire -
the main topic of concerns? only 12% of Paraolympic
Rio tickets have been sold, a charity having raised
about £25,000 wants to sponsor Rio's children
to join in the fun... housing shortages in England,
Redbridge council buying social housing in
Canterbury (once a military base) - 7 people living
in one room (the Romanian standard is
14... you have to remember night shifts) -
oh i seen houses like that, i remember one Jew renting
out his house to 20 / 30 Poles before the Union
expanded... paid of his mortgage... no new reality
here for me... the major misdiagnosis of heart attacks
in women on the N.H.S.: a woman ate a curry,
thought it was only a heartburn... boom, two days
later drops in agony... in between the real
results of the detox... sitting...
not ******* out whiskey yellow ***** when there
are barely any toxins in the body... diarrhoea...
up to about 8 times on the toilet - more orange squash,
more cigarettes... then onto the piece the resistance...
the x files... which last up to about the twilight zone
hour of having reached the 24 hour mark of being
awake... one last **** and then shower, and
then doing the laundry (on a sunny day like this,
it would be a shame not to)...
                                                   at noon
tinned mackerel in sunflower oil... brown bread,
all the oil drank... but by the twilight zone hour
a realisation: ****! my headphones are broken!
i've been walking around these streets with those
very depressing sounds of vrroom vrroom...
i know how the old complain about the youth
and their headphones... yes, but you probably
grew with about 10 cars per hour passing your
house back in the day... and too the birds could
be beautiful, and the sound of children's games
and golden laughter... but all the other sounds...
so off to the shop for a very respectable £1.50 pair...
and then the moment when all the sights
on the streets are no longer synchronised with
what i'm hearing, my eyes sharpen and i dance
past the cars and people never bothering to press
the crossing lights on streets: ease the traffic,
ease the traffic... then into the supermarket and
the detox ends... i can go back to sleeping a decent
night... a bottle of Stella... the only thing sexier
on a hot summer's day on the street... good old,
good cold Stella Artois...
then up to another shop for two more beers and
tobacco...
                        after that? magic...
as the title suggests: on a park bench with Ernie -
something more grand than Beckett's waiting
for Godot
... i.e. something resembling a scene from
Patriarch's Ponds, an encounter with
Mikhail Alexandrovich Berlioz (editor of a highbrow
literary magazine, abbreviated MASSOLIT)
and a young poet Ivan Nikolayich Poniryov -
a few clues to the less knowledgeable parties:
Behemoth ***** and chess, a book that makes
sense of the world interrupted by Herr Woland's
wonderful delights (among many), such
as the notable pandemonium at Ivan Savelyevich
Varenukha's Variety Theatre -
yes very much akin to Hector B.'s:
symphonie fantastique: dream of a witches' sabbath.

ii.

sincerest apologies... the sedative hasn't been bought
yet, and a patient father's invoice for work
done on the construction must be written in tangible
English - in ref. to the uttermost sincerity -
Polski nadal w mej duszy dudni,
                            taki ogrom organów i
                                         bębnów twki -
           że strach pomyślec - czy to wir zamkniętej
historii ludu: czy poczatek gorszych prwad o świecie?
   bo co o zamkniętej historii (skrawku) ludu?
      to przeciez moj dziad'ek w Partii uslugi dawal!
      a kraj podziekowal - i co Prawda to Walesa
   na Florydzie z lwa w zlota rybke sie zamienil.
   (comp. diacritic
                                                       ­                                 pending)

iii.

as i knew, i should have finished this poem on
the principle of ensō - all in one piece -
thus i would have staged what happened on the bench
with Ernest -
                        but after walking to the supermarket
minding my own business and the jokes ensued
about how no one notices, how they know my name
as it's their mascot -
                                   after walking into a world
i found chaos; indeed if i wrote the poem on principle
of ensō, i would have included the phantasmagorical
details of something so simple you could almost cry at it...
the simplicity of it, the fluidity of almost 2 hours
spent in conversation... about what? i'm not telling,
and how was it spoken? i'm not telling either -
let's just they laughed at Ernest's bike, because
it was proper oldie...
                                     i mean, i won't mention the odd
details, but the essence? forget it man!
after writing my father's invoice, and how cut money
on the construction site, blame it Romanians but only
have themselves to blame with their model
of profiteering and that ****** fetish they have
Che's socialism of guerrilla warfare...
                            and the comments in the supermarket,
it just stuck with me about Ernie's bike,
nothing in comparison to the Tour de France's racers
doing up to 50kmh...
                                      it just made me happy to make
a clean bed... and prevent 36 hours awake threshold
glitches of abstraction: black strings and random
square objects popping out of nothing with me in a
variation of nervous startles... Ernest's bike?
an antique, a 1950s Raleigh...
- hard leather seat beneath that modern overcoat?
- yes; no one would even take it if i left it
  outside a shop, they'd probably sell it for parts.
- well, unless someone is smart enough to notice
  a vintage, and tries to restore it,
  buy the vintage green paint and cover the rusty bits.
oh **** it, i can't keep my own company to suit
being happy by saying: ooh, doesn't know a joke,
the happiest he felt after walking out with a stone heart
was making a bed... but to be honest?
psst... i haven't made it in over a month... last night i
was getting cold-heat shivers in the idea of it being *****
enough though i shower everyday... ok, every other day
sometimes, my socks have holes in them, and my
shoes are ripped.
but there's more to this... the bicycle is a pun
of a Heidegger maxim: man is born as many men...
but dies as a single man... imagine how many
influences are entombed in us, the education reformers
to begin with, motherhood tips, cot deaths...
but we die as individual men... so when Ernest said
about the bicycle being only worth spare parts,
i said what Heidegger meant: but i'd take the whole thing
as one.
- how many gears?
- three at the back, one at the front; you see this thing?
- the long tube beneath the seat?
- yeah, when charged it would power up the front
   and back lights.
- oh, i'm used to seeing that thingy-madgit that you'd
   press against the front tire and the principle would be
   the same.
- a dynamo.
- yeah, a dynamo, forgot the name of it.
it started so innocently, i just sat on the bench with my
earphones and two beers and started rolling a cigarette.
- may i invade the bench?
                                               (earphones out of the ears)
- sure.
                and we just sat there, i asking if he minded me
smoking.
- i used to, loved it, esp. after dinner, gave it up 15 years ago.
  then conversations about dogs, family,
                                         and children's games,
          i said
- i'm finding it hard to find people of my generation with
even friendly dynamic of the body: eye contact is gone!
- it's all the fidgeting on those ****** tablets and phones,
when we were kids we used to play marbles,
conkers, hopscotch, so many...
- and we used to draw a racing maze, fill bottle caps
with plasticine and flick them through the maze
(i can't remember if we threw dice to see how many
moves we could make).
  by the time we started talking about the dogs we liked,
and compared them to the dog walkers passing us
   we already forgot who died today: it was Gene Wilder...
the world is mourning him, and we sat there
and the best i could come up with was Richard Pryor.
- dumb animal luck...
- you know how i managed to train my dog to run
  around the park, but come back to me? i used a whistle
  to get the dog to come back and i'd give it a treat.
  until it got the hang of it, i sometimes wouldn't give it
  a treat... other times i would, the point being was
  to teach it both obedience when nothing was given
  and double obedience when something was.
- ever heard of Pavlov? he basically did the same thing,
  but your experiment had coordinates, it was three-dimensional,
  Pavlov's was just two-dimensional, instead of a whistle
  he used a bell... just to stimulate two senses
  as coordinated, the sound of a bell created saliva
  in the dog's mouth, poor dog received treats
  but in the end Pavlov put him in a car with closed
  windows in the middle of summer outside
  of Parliament square; obviously the dog died.
- German shepherd though... i had a friend, naturally
  obedient.
- could walk a German shepherd through Manhattan
  without a leash.
- exactly, not even half a metre away, and when the
  master stops, the dog stops.
(i started thinking, what a great way to invert theology,
in this way from dogs to gods.)
well... i guess there was more, but if i write more
about it, when i'll reflect upon this chance meeting of
complete strangers as more insightful than it
already was...
                         he managed to climb back on his bike
with a slight problem after his hip-replacement
operation... at 74 such things break... and he rode off
and i sat there trying to think about what the hell
i was thinking after watching the x files to find
something insightful...
                                        well, i got one thing,
i mentioned it before... i could never have believed
that adults created the most nightmarish version
of hide (negate) & seek (doubt) -
                   i thought it was just as bad as
  truth & dare with religion - with that motto:
          the Koran: this is the truth, and the only truth...
so truth or dare? i dare you to deny it!
                    can i just doubt it? you know, not be
a definite unbeliever, but an indefinite quasi-believer?
well doubt in the stated quasi-believer is wavering,
isn't it? the two of the most beautiful games of
innocence, morphed into these gargantuan abominations.
Fragments 91, 92, 99, 106, 104, 103, 100, 105, 101, 102, 96, 109, 93, 94, 97, 95, and 133 combined.

Raise high the beams of the raftered hall,
(Sing the *****-refrain!)
Ye builders, of the bridal-dwelling!
(Sing the *****-refrain!)
Lo, the bridegroom comes, as the War-god tall —
(Sing the *****-refrain!)
Now nay — yet our tallest in stature excelling;
(Sing the *****-refrain!)
For stately he towers above all the throng
As the Lesbian singer towers among
All alien poets, a prince of song.

O happy bridegroom! it cometh to-day,
The bridal thine heart hith longed for aye!
At last shall she be thine own, the maid
For whom thou hast sighed, for whom thou hast prayed.
For none other maiden beneath the skies,
O bridegroom, was like unto her in thine eyes.
Whereunto may I liken thee, bridegroom dear?
To a green vine-shoot in the spring of the year.
Now, now let the bridegroom rejoice, for the bride
Into the hall cometh joyful-eyed.
Ethereal-pale is her lovely face.
Hail, bridegroom! Hail, bride, queenly in grace!
How goodly to see thy lord stands there!
And his goodness will keep him for thee ever fair.
Ah, doth she, ah doth she regretfully brood? —
Does her heart still yearn after maidenhood?
Nay, not in this hour she cries:
'Maidenhood, maidenhood, whither away
Forsaking me?'
While maidenhood replies:
'Not again unto thee shall I come for aye,
Not again unto thee!'
No more, no more doth she chant
Proud young virginity's vaunt:
'As the sweet-apple flames on the tip of a spray against the sky,
At its uttermost point, which the gleaners forgat, and passed it by —
O nay, they forgat it not, but they could not attain so high.'
But she thinks of the fate, an evil thing,
That the years fast-fleeting to fair maids bring.
When the roses are faded, the gold turns grey.
And the smoothness is furrowed, as singeth the lay —
'As the hyacinth-flower on the mountain-side that the shepherds tread
Underfoot, and low on the earth its bloom dark-splendid is shed.'
Lo, her hand into thine hath her father given.
And thou leadest her home 'neath the Star of Even;
To thy portal the bridal-train draws near.
And the Chant Processional rings out clear:
'Hail, Hesper, who bringest home all
That radiant Dawn scattered wide,
Bringest back unto fold and stall
The sheep and the goat, and thy call
Brings the child to the mother's side.
Let the rose-ringed Star of the Evenfall
Usher thee on, love's willing thrall,
Bride, garden of loves like roses blowing.
Bride, loveliest image of Paphos' Queen!
So pass to the bride-bower, pass within
To the nuptial couch, for the sweet bestowing
On the bridegroom, whose measure is overflowing.
Of the bliss, wherein honoured is Hera: 'tis owned
Of the Marriage-goddess, the silver-throned.'
Ashleigh Black Nov 2014
You came into my life
at an unexpected time
in the most unusual way
yet everything about you
seemed to fit with ease
like the way you smiled
with your teeth or
how you place your hand
against my cheek
or how with the uttermost perfection
you fit into the crease of my neck
with such grace and such love
and all I can ask if you'd like to
stay.
(For Harry Clifton)

I HAVE heard that hysterical women say
They are sick of the palette and fiddle-bow.
Of poets that are always gay,
For everybody knows or else should know
That if nothing drastic is done
Aeroplane and Zeppelin will come out.
Pitch like King Billy bomb-***** in
Until the town lie bearen flat.

All perform their tragic play,
There struts Hamlet, there is Lear,
That's Ophelia, that Cordelia;
Yet they, should the last scene be there,
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay;
Gaiety transfiguring all that dread.
All men have aimed at, found and lost;
Black out; Heaven blazing into the head:
Tragedy wrought to its uttermost.
Though Hamlet rambles and Lear rages,
And all the drop-scenes drop at once
Upon a hundred thousand stages,
It cannot grow by an inch or an ounce.

On their own feet they came, or On shipboard,'
Camel-back; horse-back, ***-back, mule-back,
Old civilisations put to the sword.
Then they and their wisdom went to rack:
No handiwork of Callimachus,
Who handled marble as if it were bronze,
Made draperies that seemed to rise
When sea-wind swept the corner, stands;
His long lamp-chimney shaped like the stem
Of a slender palm, stood but a day;
All things fall and are built again,
And those that build them again are gay.

Two Chinamen, behind them a third,
Are carved in lapis lazuli,
Over them flies a long-legged bird,
A symbol of longevity;
The third, doubtless a serving-man,
Carries a musical instmment.

Every discoloration of the stone,
Every accidental crack or dent,
Seems a water-course or an avalanche,
Or lofty ***** where it still snows
Though doubtless plum or cherry-branch
Sweetens the little half-way house
Those Chinamen climb towards, and I
Delight to imagine them seated there;
There, on the mountain and the sky,
On all the tragic scene they stare.
One asks for mournful melodies;
Accomplished fingers begin to play.
Their eyes mid many wrinkles, their eyes,
Their ancient, glittering eyes, are gay.
Even the bravest that are slain
  Shall not dissemble their surprise
On waking to find valor reign,
  Even as on earth, in paradise;
And where they sought without the sword
  Wide fields of asphodel fore’er,
To find that the utmost reward
  Of daring should be still to dare.

The light of heaven falls whole and white
  And is not shattered into dyes,
The light forever is morning light;
  The hills are verdured pasture-wise;
The angle hosts with freshness go,
  And seek with laughter what to brave;—
And binding all is the hushed snow
  Of the far-distant breaking wave.

And from a cliff-top is proclaimed
  The gathering of the souls for birth,
The trial by existence named,
  The obscuration upon earth.
And the slant spirits trooping by
  In streams and cross- and counter-streams
Can but give ear to that sweet cry
  For its suggestion of what dreams!

And the more loitering are turned
  To view once more the sacrifice
Of those who for some good discerned
  Will gladly give up paradise.
And a white shimmering concourse rolls
  Toward the throne to witness there
The speeding of devoted souls
  Which God makes his especial care.

And none are taken but who will,
  Having first heard the life read out
That opens earthward, good and ill,
  Beyond the shadow of a doubt;
And very beautifully God limns,
  And tenderly, life’s little dream,
But naught extenuates or dims,
  Setting the thing that is supreme.

Nor is there wanting in the press
  Some spirit to stand simply forth,
Heroic in it nakedness,
  Against the uttermost of earth.
The tale of earth’s unhonored things
  Sounds nobler there than ’neath the sun;
And the mind whirls and the heart sings,
  And a shout greets the daring one.

But always God speaks at the end:
  ‘One thought in agony of strife
The bravest would have by for friend,
  The memory that he chose the life;
But the pure fate to which you go
  Admits no memory of choice,
Or the woe were not earthly woe
  To which you give the assenting voice.’

And so the choice must be again,
  But the last choice is still the same;
And the awe passes wonder then,
  And a hush falls for all acclaim.
And God has taken a flower of gold
  And broken it, and used therefrom
The mystic link to bind and hold
  Spirit to matter till death come.

’Tis of the essence of life here,
  Though we choose greatly, still to lack
The lasting memory at all clear,
  That life has for us on the wrack
Nothing but what we somehow chose;
  Thus are we wholly stipped of pride
In the pain that has but one close,
  Bearing it crushed and mystified.
Mateuš Conrad Oct 2018
.i might have been an *******, on many occasions and with many instances of it being true... but attempting to take someone's life? even i couldn't be such a ******* in the worst of probable instances; no, i'm pretty sure we were doing the "sleeper game", and like i once asked myself cognitively, 'what will be the last song i'll ever hear?' well... it wasn't good morning, or godless, or muhammad... it was... sleep... from the 13 tales of urban bohemia album; befitting, don't you think?

there's no point investing in
the current narrative,
given, that, the moderns
do not entertain the notion
of a dialectics...
    personally i don't see
the point...
or a, point...
          how can there be
debate "concerning",
a, "freedom" of speech,
when one side speaks,
the other side listens,
and then exercises authority
over the former side,
that abolishes their,
"freedom" to continue discourse?
that's not a, "freedom"...
that's... taunting
for the sake of taunting
and subsequent obliteration...
this?
  this particular piece?
i'm not talking...
    i have a cat sleeping
in my bed, in a fetal
position like an alien embryo,
and i'm taking?
who's talking?!
hearing voices in your head?
oh don't worry...
whoever is in charge
will gravitate to moving on
the one politicized medical
condition, schizophrenia,
as an excuse to cage you...
i know... i was also uneasy
when it came to making
a protest...
and guess what...
i made the right accusations...
but i hear of no law suit...
kinda figures, if i'm not being
sued, "merely" labelled
mentally ill...
  hence the... perpetual silence
surrounding my claim...
i can eve give you the details...
he said it was Salvia...
  a south american hallucinogenic...
and he said he hallucinated
riding an elephant,
in India...
         and he also encouraged
the driver of the car to smoke
**** which included almost
veering of the road...
and prior to that fateful day,
we went to a party,
and he made marijuana brownies...
and i donned a cowboy hat
and posed for a picture
like some Buddha with slit
eyes...
         and his friend encouraged
me to do a, "sleeper" while listening
to some Dandy Warhols',
song?
coin toss:
either Muhammad,
  Good Morning...
                    or Godless...
  "sleeper"?
when you get high,
lie down...
  and have two speakers on each side
of your head
blasting music...
a gimmick, a revision of
the concept of headphones...
where?
Canterbury... with a good view
of the cathedral...
the next day...
   spring frost... lovely tinge on
the cathedral from the sunrise...
also went to a bookshop
in Canterbury...
lovely atypical market / cathedral
town narrow streets...
what book did i buy?
inevitable revolutions:
the united states in central america,
by walter lafeber...
so i guess i must be mad...
given that i remember so many details...
regarding the day
i experienced a psychotropic
poisoning,
experienced a brain hemorrhage...
with my face...
melting on the...
here's a problem...
was it the left hemisphere or the right?
i'm not sure...
left?
or right?
   but the sensation of being ingested
by the sofa, and having
difficulty breathing...
with his friend...
as i drowned...
    imitating riding a
Lego-land choo-choo train...
and the fear in his eyes,
the eyes of: someone who failed
to ****** someone
but at the same time fearful
of the intended act?
      i should be dead for...
oh... 21... i'm 32 now...
11 years...
         i might be an alcoholic,
but i have a memory like an elephant...
and i'd believe all the crap
i've heard over the past years...
but if they only drove me to
the hospital...
   out of a simple human empathy...
instead, i was driven home...
i'm surprised they didn't smother me
after witnessing me get up,
and get 4 shots to the head
of my consciousness retracting
from the hemorrhage...
as they recalled back to me,
i said: i'm looking for the 4 other Matthews.
but i'm not a rat...
i am waiting for karma...
i played happy birthday on
the guitar on one of his birthdays...
and i'm guessing...
my sweet sweet love...
Ilona, that russian *****...
hey... she proposed,
she chose the engagement ring,
and then she broke it off!
is behind all of this,
i'm guessing, thanks to social media,
they ****** and she complained
how she was planning to enslave
me by becoming pregnant...
baby... i was so going to propose
you donning a latex **** suit
to extend on the ******...
and he being a Muslim...
and all things quasi-Irish
with regards to my advice to her,
poor thing, only 19...
hey... get an abortion...
   was the Mullah in a bright
white turban, ready to save a damsel...
but i thought that abortion
was legal in England?
oh hell.. pro life and ****...
but a 19 year old?
so why didn't she move to London
with me?
  i had a job here... there was no
prospect for me back in Edinburgh!
   ah... two flats in St. Petersburg...
but i guess that's how law & justice works
in England...
i'm a ruined drunk,
he's a son of a radiologist
             and a mother working
in the perfume avenues of a John Lewis...
my father is a respect industrial
roofer,
   my mother is a housewife...
i guess... i guess me being a boorish
drunk and he becoming an esteemed
corporate lawyer is karma...
   i wish him all the best...
but his children?
   what my parents experienced when
the circus came to town...
all the possible misery,
in the whole, entire, world.

but coming back to current affairs...
there's no point,
absolutely none,
in expressing a, "freedom" of speech,
since expressing such
a "freedom",
is not met with an engagement
in dialectics...
none!
   so why bother...
let's join the four horsemen,
with ***** on either side of our
eye-sockets...
and just charge forward
like a hurricane might,
mindless and in perpetuation
of complete, and utter,
destruction...

i'm up for that explanation
with regards to an exit
policy,

mind you,
happiness could savor
a peace of mind...
but sarcastic humor,
once upon a time...
also could;
as it does...
dutiful to expecting
the final closure
of relying
on the uttermost,
relief.
Hunters, where does Hope nest?
Not in the half-oped breast,
Nor the young rose,
Nor April sunrise—those
With a quick wing she brushes,
The wide world through,
Greets with the throat of thrushes,
Fades from as fast as dew.

But, would you spy her sleeping,
Cradled warm,
Look in the breast of weeping,
The tree stript by storm;
But, would you bind her fast,
Yours at last,
Bed-mate and lover,
Gain the last headland bare
That the cold tides cover,
There may you capture her, there,
Where the sea gives to the ground
Only the drift of the drowned.
Yet, if she slips you, once found,
Push to her uttermost lair
In the low house of despair.
There will she watch by your head,
Sing to you till you be dead,
Then, with your child in her breast,
In another heart build a new nest.
One Pusumane Sep 2014
Echoes from within-
The constant ripples of these calming echoes have become my own kind of serenity.
I feel as if I am walking under water, the angel of death has struck me with his intoxicating arrow.
When these unknown echoes bounce off the invisible walls that surround me I am able to stop time.
I move to the rhythm of this darkness, sway to the tempo of the echoes that have invaded me for so long. Hell this isn’t a cold war no more. .  I reminisce over the day I made my choice. The day I was saved by these unknown echoes, the day I received this freedom that has me enslaved.

As I walked down the aisle, my shadow comforts me. I look back and smile. At least someone stayed behind.
I stood at the altar, my bare feet adorning the cold floor. Taking in all of what I deserved, nothing.
I stood at the cold altar, looking death in the face as I said my vows; I pledged my life, confessed my eternal love.  As I engraved death’s name across my chest, my empty hallow chest.

My long walk to freedom is an infinite road, a deadly labyrinth that has me going in circles.
These cold metals hold me in my right place, like gravity they hold me down, down where I belong.
As these chains cut deep into my skin, I feel a bit of relief. I still appreciate the pain that never left me.
I am filled with gratitude as this sharp razor blade embraces my flawless skin, as I receive the only love I’ve ever known.
This is the kind of love that fills me with uttermost joy, love that life could not give me.
As this sharp blade carves into my pale skin I drift into my happy place, my safe place.
The clinking sound of the cold metals sinking into my skin sends me on a rampage inside this comforting cage. If I don’t have these echoes I have nothing!

As the spotlight focuses on me, I can’t help but disappear into the background.
I am dead beat from chasing these shadows that deprecate me into nothing.
I see my pain bouncing off these walls like relentless echoes that end up in this empty space.
As this red liquid drips and dances to the rhythm of my empty beating chest I curse the darkness that gave birth to me.
This deep dark dripping liquid, matches the pulse of these echoes that surround me, these unknown echoes.
As I stand on top of this mountain that amounts to the sins against me: cases against my innocent tainted blood I can’t help but scream. I question the shadows that surround me I summon the death that gave birth to me, but what I hear are echoes of my own voice.

As this deep dark red liquid drips from my wrist I feel at ease. I feel as though I have paid the universe. I hope to lose myself in time, in space like the resonance that suffocates me.
I hope that this deep dark red pool that I lay in will help me float into the sunset. Award me the freedom I long begged for. I am tired of chipping bits of my dark soul in order to fit the picture, tired of the weight of the world on my shoulders, tired of chasing the fast spotlight. What I have, what I own, what I know are these echoes from within me, echoes unknown.
XII

Indeed this very love which is my boast,
And which, when rising up from breast to brow,
Doth crown me with a ruby large enow
To draw men’s eyes and prove the inner cost,—
This love even, all my worth, to the uttermost,
I should not love withal, unless that thou
Hadst set me an example, shown me how,
When first thine earnest eyes with mine were crossed,
And love called love. And thus, I cannot speak
Of love even, as a good thing of my own:
Thy soul hath snatched up mine all faint and weak,
And placed it by thee on a golden throne,—
And that I love (O soul, we must be meek!)
Is by thee only, whom I love alone.
Reece Dec 2013
Bluebell Lucy danced in fantastic flames, taught by shamanic figures
  when the winter nights grew tiresome
  and lonely boys ran passionately in village streets
She stood on ancient structures and sang her song with uttermost vigor
  even after mild paranoia sets in, she stands statuesque
  breathing harmonic, listening intently to the cloud's chatter
Her cobalt lashes flickered adroitly when she scanned the sky atop her locks
  and let the coming rains wash through that azure mane
  until the kiss of eternal gratitude arrived from a stray bird
On cobble stone paving, her heels were worn and dampened, she nimbly strides
  how beautiful it is to see a spirit so free
  and the obstinate world yields to her alone
Loosely, Lucy with a cerulean aura, gathers the injured and feral in alabaster arms
  she is yagé and the world hallucinates because of her
  a subtle enlightenment she gives to onlookers and thieves
Camu Camu sprouting from the wells she digs with bare hands in midnight moonlight
  her compatriots, the beasts of lost tribes, look onwards
  and she wails a verse on hemerocallis singular sensation
The flower that she is, a wild one that grows sporadically to enhance the beauty of existence
  and everybody incomprehensible in thoughts when she speaks
  because she is love when love had died so many suns ago
Shirley Mar 2015
Sky
It is a vastness of cerulean,
A pool of blue which surrounds clouds that are strewn together.  
Tumbling, accumulating, towering formations of remarkable depth and awesome beauty.
Billows which blanket and envelop a sphere of life, turning the almost infinite and indefinite blue to grey,
Massed with the heaviness of forthcoming precipitation.
As time turns, and the big blue planet rotates, sunlight is reflected and refracted by particles unseen—painting swelling clouds with pale yellows that bleed into succulent pinks, deep reds, royal indigo, and then
The flowering violet of conceived night.
The sky portrays a huge entity, a formation of solidity and stability.
It does not contain, nor withhold from the terraces and crevices of the Earth’s surface.  
It is as close to infinity as the basic human mind can grasp,
The uttermost extension of one’s realm of existence.

To look up at the stars is an annihilation of Ego,
A humbling reminder of one’s relevance,
Of one’s fragmentation of being,
Of one’s essential insignificance in the immortal turning of the deep and everlasting vibration of the Cosmos.

Stars, barely conceivable at times,
Act as portals to the past spilled carelessly across an inky nighttime sky.
These subtle flecks, minute glimmers of incredible explosions, are billions of light-years away
Across the fabric of space and time.
The sky is an incredible portal to those things outside of mortal grasp,
A manifestation of all that is unknown, yet shared by every state of consciousness.  
A familiarity and a comforting reminder of eternity that will exist far beyond the human experience.  With its undulating formations, precipitation, protection, and sheer exposure,
It is a paradoxical beauty.
Great Michelangelo, with age grown bleak
And uttermost labours, having once o’ersaid
All grievous memories on his long life shed,
This worst regret to one true heart could speak:—
That when, with sorrowing love and reverence meek,
He stooped o’er sweet Colonna’s dying bed,
His Muse and dominant Lady, spirit-wed,
Her hand he kissed, but not her brow or cheek.

O Buonarruoti,—good at Art’s fire-wheels
To urge her chariot!—even thus the Soul,
Touching at length some sorely-chastened goal,
Earns oftenest but a little: her appeals
Were deep and mute,—lowly her claim. Let be:
What holds for her Death’s garner? And for thee?
gabrielle Jan 2019
everything's pretty -
from how bright you are,
even for million light years apart,
from how exquisite you are,
I'm seeing it from afar.

same goes with his smile,
so bright even if I'm far for miles,
same goes for my love to you,
exquisite it is,
but unacceptable for you.
it's by the moon
You remind me of the earth,
   like deep burnt umber woodlands
mid downpours' fresh aroma
       & spring's foliage lushly reborn,
twinkling explosive pinpoints
       grazing beyond dark ether,
  sparkles dappling 'pon depths
        of eternal seascapes's nature,
amidst breath of relentless airy winds
    gusting above her majesty's hazes
       beyond purple mountain's apex
and streams of meadows' wildflowers in
  deftly painted horizons after moonbows,
vivid consciousness' uttermost reminisce
   of all things recollected in the long ago
        essence of your memories' presence
Before this ardent Prank you consider
Concern your Senses on how they'll react
If, with Plomb expressed, breach this Barker
To demote his Heresy into Fact
Of course, seldom would we fancy such scene
And kiss Companion we will christen Hope
Which, by your Rights thereof, absorb such Mean
Then ferry those Weights as a New Year's Dope
It is a Being. Sentient as he
Whose Cuteness reimbursed his Nature make
Which, invest his uttermost Respect be
Will his Innocence and Comfort bespake.
Humour cures. In this Shaky World indeed
To sew its Scars; Promote Contempt at speed.
#tomdaleytv #tomdaley1994
B.C. 570.


Here, where I dwell, I waste to skin and bone;
  The curse is come upon me, and I waste
  In penal torment powerless to atone.
The curse is come on me, which makes no haste
  And doth not tarry, crushing both the proud
  Hard man and him the sinner double-faced.
Look not upon me, for my soul is bowed
  Within me, as my body in this mire;
  My soul crawls dumb-struck, sore bestead and cowed
As ***** and Gomorrah scourged by fire,
  As Jericho before God's trumpet-peal,
  So we the elect ones perish in His ire.
Vainly we gird on sackcloth, vainly kneel
  With famished faces toward Jerusalem:
  His heart is shut against us not to feel,
His ears against our cry He shutteth them,
  His hand He shorteneth that He will not save,
  His law is loud against us to condemn:
And we, as unclean bodies in the grave
  Inheriting corruption and the dark,
  Are outcast from His presence which we crave.
Our Mercy hath departed from His Ark,
  Our Glory hath departed from His rest,
  Our Shield hath left us naked as a mark
Unto all pitiless eyes made manifest.
  Our very Father hath forsaken us,
  Our God hath cast us from Him: we oppress'd
Unto our foes are even marvellous,
  A hissing and a **** for pointing hands,
  Whilst God Almighty hunts and grinds us thus;
For He hath scattered us in alien lands,
  Our priests, our princes, our anointed king,
  And bound us hand and foot with brazen bands.
Here while I sit, my painful heart takes wing
  Home to the home-land I may see no more,
  Where milk and honey flow, where waters spring
And fail not, where I dwelt in days of yore
  Under my fig-tree and my fruitful vine,
  There where my parents dwelt at ease before:
Now strangers press the olives that are mine,
  Reap all the corners of my harvest-field,
  And make their fat hearts wanton with my wine;
To them my trees, to them my gardens yield
  Their sweets and spices and their tender green,
  O'er them in noontide heat outspread their shield.
Yet these are they whose fathers had not been
  Housed with my dogs; whom hip and thigh we smote
  And with their blood washed their pollutions clean,
Purging the land which spewed them from its throat;
  Their daughters took we for a pleasant prey,
  Choice tender ones on whom the fathers dote:
Now they in turn have led our own away;
  Our daughters and our sisters and our wives
  Sore weeping as they weep who curse the day,
To live, remote from help, dishonoured lives,
  Soothing their drunken masters with a song,
  Or dancing in their golden tinkling gyves--
Accurst if they remember through the long
  Estrangement of their exile, twice accursed
  If they forget and join the accursed throng.
How doth my heart that is so wrung not burst
  When I remember that my way was plain,
  And that God's candle lit me at the first,
Whilst now I ***** in darkness, ***** in vain,
  Desiring but to find Him Who is lost,
  To find him once again, but once again!
His wrath came on us to the uttermost,
  His covenanted and most righteous wrath.
  Yet this is He of Whom we made our boast,
Who lit the Fiery Pillar in our path,
  Who swept the Red Sea dry before our feet,
  Who in His jealousy smote kings, and hath
Sworn once to David: One shall fill thy seat
  Born of thy body, as the sun and moon
  'Stablished for aye in sovereignty complete.
O Lord, remember David, and that soon.
  The Glory hath departed, Ichabod!
  Yet now, before our sun grow dark at noon,
Before we come to nought beneath Thy rod,
  Before we go down quick into the pit,
  Remember us for good, O God, our God:--
Thy Name will I remember, praising it,
  Though Thou forget me, though Thou hide Thy face,
  And blot me from the Book which Thou hast writ;
Thy Name will I remember in my praise
  And call to mind Thy faithfulness of old,
Though as a weaver Thou cut off my days
  And end me as a tale ends that is told.
Mateuš Conrad Oct 2016
it has been exactly since ~3p.m.
                                                            yesterday...
                                       through to
3p.m. today: that's 24 hours +
                                      4 o'clock, 5 o'clock rock,
          6 o'clock,
                                          7, 8, 9
                     10, 11 and the upcoming twelve
         24 + 9 + excess passing the 36th hour...
oh this is just target practice -
                  what used to be
   serotonin has become adrenaline:
   spawning cobweb shadows with
   a mere arm-hair aligned with an itch:
i say to my cohabitants -
        i'm too poor to rent an apartment
with my contemporaries,
         and i can't be bothered to look cool
for 10 years... before the money starts
coming in... a day before a tongue spoke:
and see you in 20 years...
         and see you in 30 years...
the people born prior to 1975
       and after 1969 came out to earn
£57,000 a year... while those born
after 1979 and before 1985 had a wealth
*** of £27,000...
                            who are the landlords?
quick digression, i love how the idea
of exiting the bloc (it used to be designated
to the eastern bloc, now anything east of Calais
if a bloc... the European bloc -
        my my... ain't it love-ly?
   they wanted an Australian points system,
so first came the Australian plastic currency,
boy, i was happy, cashing in my first Churchill
miniature that i could dip in baked beans
and use as a spoon) spread beyond the old
stereotype... and the points system?
you know who's smoking the hookah of
panic here?            
                            the freelancers of nationality...
   they haven't fitted in...
don't worry... they'll keep you,
but after seeing you they just thought:
once the cheeky chappy, now a chavvy chappy...
  we love the E2 dialect, it's hardly Coccers
or bonkers... but after my day
(i'll relate to it in a moment)
       i heard to prop'ah Cockneys giving it
all the guv' and n'ah and
        what's Kilimanjaro in Cockney slang?
all the Cockneys are living in Essex,
   Romford, Chelms and the Essex lads
from Ireland are a bit shy, never talk to
the old people who used to live on
the Isle of Dogs or the Wharf -
              East London moved, and i'm in
the thick o' it... you ***...
                       i'm here,
open ******* spaces and hedgehog counts
to mind... never the next Susie from
Whitechapel doing the runner from Jackie,
             and funny that,
the day began during the night,
sober, i tested the idea: if you gonna go
nocturnal, stay sober...
                  fast... drink coffee in the morning,
and what some proper bollocking
        on the box...
                               i say: revivals never
sounded more like bells, the 1970s
had Patois... the old parle with dread-lock Sam...
             i squeeze in a bit of Norse
and hey presto... Ahmed's your uncle...
                     'cos we all like a bit of
way-hey banter, the: back in the day
   when the 1966 squad was best known
for West 'am...
                               am i sensing the idea that
i'm licking off the prop'ah beef burger 'ere?
                    what the **** rhymes
with Kilimanjaro?
                                wait! got this one:
apples & pears - stairs...
                          you gyro?
                        no! wait... the two Cockneys
weren't from south London,
this ain't Peck'am talk... this is proper grub...
         jar squared: verb, meaning?
     i know my neighbour, heard him
lecturing his wife over the wall about
the diminishing concept of family in the "west",
           to me that's
the Cockneys meant by guv'nah:
                           aw right der geezer,
   stop that fidgety: don't be late tomorrow,
let a man eat his plums and wear his trousers...
       i swear: the only good cinema these days
is English cinema...
                                 i said! the only good cinema
these days is English cinema...
               if i didn't watch
       we **** the old way during the night,
after spending my day as i did (i'll get onto it,
hold your submarines)
                               i would have pricked my ears
on the two Cockneys next door
   at 4p.m.                  finishing some job...
but given the "guv'nah's" attitude: 'aving
a laugh at coming early tomorrow, if at all.
     my day?
                 i wished i could say i woke up
early...
                            the entire spectrum
of sunrise...
                            epileptic shock from the sun
after smoking a cigarette at 5a.m. when
all the constellations where out...
                          not enough sleep,
as the Russians say: no good to live but to
not have seen snow.
                               it shivers with enough
hours under your belt...
                                      i'd love those
Soviet torture chambers of sleep malnutrition...
gents? when the ***** and the cards and cigarettes?
    i'm currently the most loathed
  person in America... which technically makes me
more than simply unemployed...
        anyway...
cut my hair... two millimetres off the helmet...
off the cranium... not crew cut, not skin on side
and some ***-fluff on top...
in the night, when the moon is bright,
   my two millimetres of hair look like skin...
oi! Skinners! the shame would have really been
to have protruding ears...
                                    come to think of it,
i love the contorts of my shadow more than
the body my shadow disdains...
                  i decided to visit my old school
after that...
                     ...............................
do you know the feeling of getting onto a bus
when you having been on any other form
of transportation (other than your legs)
for a few months?             surreal...
                   and even that's a bad way to describe it...
this is where words simply fizzle out...
                            they just did the white rabbit
trick and you're felt with nothing else to
do but squeeze into the top-hat and hope
that some other magician will pull you out
rather than another: white rabbit.
                          so the 499 from my house
up to Romford (sunny! glorious day!
   shirt, sleeves rolled up,
           denim trousers, navy suede shoes,
azure shirt, headphones, bus ticket,
wallet, packet of smokes, and the ride -
smile all you want - when you smash a sports
car you don't have the view of a dozen
horrified passengers there with you
to practice your ultimate Buddha gimmick -
Ching-Chong Eyed and smiling)
                oh yeah, the insurance... huh?
   off at Romford central, and onto the 86
courier from Bangladesh to Ilford...
                    what did i miss in the list above?
ah... three copies of poetic optometry...
written by? moi, n'est pas? oh come on,
let's not get the ruler out: mangetout and manage trois...
                           (only fuel is horses)
           the 86 is a double decker, the 499 isn't...
sun in my eyes behind the glass the enhanced star
gleamed: what privilege -
               by day the star
                                           by night the star in
   a mirror that's the moon -
                                         selfish helium
giggling into a hydrogen Hindenburg fury!
                 or that's what the scientists say...
how they worked it out, i'll never know...
                            but apparently the sun
is a H-He           something or other...
            H because of atom bombs,
   and He because we giggle like idiots when we see
it: never the thirsty horse in cowboy movies.
   got off at Seven Kings...
in between school girls eyeing everyone and everything...
just my luck... schoolchildren...
                               everywhere on the bus...
just there...
                                    and also just nowhere...
         so i got off at Seven Kings and went into my
old catholic school...
                                  waited at the reception for a good
5 minutes (good to know they're still teaching
people manners with regards to the uttermost
productive necessity of bureaucrats)
               -              i asked about my old English
teacher: does Dr... er... does Mr. Thomas,
        er, does Mr. Bunce (Thomas) still work here?
   yes, he does.
             you see, i'm a former pupil of this school
and i wondered if i could have a meeting with him.
oh, that's impossible, he's currently teaching.
                     Kafka... note this in your afterlife...
         well... in that case, could i leave him a message?
oh sure, just write your name and your contact details
and he'll get in touch with you.
   well... i need a bit more than a scrap of paper,
can i have a notepad?
                 sure.
                                    so i took  the pen
and the notepad and sat in this grand refurbished hall
of the school that used to remind me
of chemistry labs stinking of old wood and sulphur,
of the old ways... of being beaten and Pink Floyd
escapism and all the hippy crap...
                               what a grand place this has become...
it's no longer known as C. P. Catholic School...
but the plus version: C. P. Academy...
  but you still walk into the plus surroundings and there
are still pamphlets written by Father Ted
about *our Lord and Saviour christ Jesus...
          or Hey! Zeus! in Spanish... same ****...
different cover...
                               but i was well dressed in my
Indian summer wear that's Indian summer:
English September and October...
              i'd move the calendar up a bit...
get the kids off anti-depressants...
                           anyway, i had my three copies
of the "first edition", try tell that with the internet
breathing down your neck... it doesn't, matter...
             but i did write him a lovely note:
unchaining me from the straitjacket of grammar!
                  i wrote from what year i graduated
2002 (g.c.s.e.) or 2004 (a-level),
                        and blah blah and one more blah
later                    walked back to the reception
  and asked for a rubber-band...
                   then i bundled the whole thing together
and asked if she could give it to him...
                    of course, she replied.
                            p.s. if you don't mind,
Mr. Thomas, you can always shove one of those
copies into the school library...
                         p.p.s., someone stashed
the book about the Gnostics by some German in
there once... maybe i'm thinking along the same lines.
      the journey back?
i walked.
                                 i walked from Seven Kings
to Romford...
                               taking a stroll
with one hand in my pocket (left)
because holding a cigarette in the other is never
exactly great when it's not doing something...
that's what the pockets are for...
not exactly suited for your wallet... but your hand...
when you're strolling in the green-belt fields
segregating the outer-most London (wannabe
Londoners / Eastenders) and the Essex inheritors
of Cockney... Kilimanjaro?
                                  Kilimanjaro?
                 ­                          me, i don't Essex
either...           most of the bankers chose this
district for the scenery, i.e. standing in a field
that isn't a hill or any sort of elevation
and beyond, yonder, the glass shards of their
former institutions...
                                        4.7 miles... not bad...
  a stroll... and that's without any food and solely
on coffee and a sleepless night...
           a butterfly fluttering along the way (only one)
and a fresh ripe auburn conker lying beneath
an oak tree (also, only one)...
            but what hit me was walking back...
it was truly like reading the book of revelation...
13:7... all the way from Seven Kings through to
the Romford: the street vendors, the bookies,
the Muhammedian car dealers...
                  the bewildered ones walking into
mosques, Sikh temples...
                                       one man cleaning the patio
entrance to a church from weeds...
                           cheap Kentucky chicken from America
         (if you think, that they don't synthesise
the meat in cat food and call it tuna or beef
but rather use actual meat... you're grossly mistaken,
    it was on the news...
                                         they are already
capable to synthesise meat...
                                     they do it in the perfume industry,
they're doing it in the food industry -
    a childhood memory of asking why they were
smearing lipstick on the frogs they caught...
they replied: they burn easier...
                  and they did... paint a frog lipstick
pink and boy... that's a French marshmallow, right there)...
           but if you ever walk that stretch of road...
               revelation 13:7...
          i'd like to see the Evangelists wriggle out
of that one...                       oh sure...
i treat religious television like some meathead
might watch football... it's game on after 5 minutes...
but anyway... that was my day...
           all 36 or so hours of it... how was yours?
                                                          ­                        g'day!
Juliet Escobar Sep 2014
"I've been told that to fix the problem, you must first find its root... But you can't fix something that's not broken. I am not broken, just slightly damaged. My mind is like a thousand year old oak tree, and my facade as fragile as porcelain. My emotions act as a wrecking ball and when the night hits I'm nothing but a decaying mask. I fear pain, so I don't welcome love. I turn it away; a ruthless rejection, and send it back to where it came from. It haunts me, and in the night my own demons become insomnia. To fix the problem, I must first find its root." 
Or perhaps I mustn't focus on finding the root, I think the real issue might be that I am conscious that there are monsters in my head and my insomnia is result to the ongoing battle I have with myself and those monsters. Weather to love them or hate them, I do not know.  They save me and protect me, yet they seclude me from the rush of risk and beauty of bewilderment. When I lay in my bed my body feels great fatigue but my mind and my eyes are wide awake; ready to run circles around the world if they could. I no longer think that the solution would be to find a root or a specific turning point, but to end the battle of contradiction with the monsters that have taken over my thoughts and stolen my sleep. So do I love them because they protect me and have made me a smarter person? Or Do I hate them because they are the bricks that make up the walls I have built and they are the guards holding the riffles at the top of the walls shooting every single beautiful daring soul in their attempt to reach the real me? I will hate them. Yes the souls that have hurt me right after gaining my trust are the reason to my hurt and the nutrition to the growth of my monsters, but the very own monsters themselves are the ones responsible for my inability to recover from the inevitable hurt. They have Inprisoned me in this constant dark and uttermost thick desolation. It is because of how overpowered I am by them that I fail every single time in my attempt to breath. They are suffocating me and burying me in a state so dark I fear the incapacity to  get myself out. It is a journey of endless work, the wounds i have will eventually heal, but there will always be scars. It's like an addiction, even after being clean and sober the want of the drug will always be as great as it was the first time. So the fragility of my scars is so great it is completely capable to revert me back into the dark whole if i get hurt or scared again. i need to realize and accept that these things are inevitable and not close myself but open myself even more for the next person. The final solution will be to accept that the mosters?they are their, acknowledge them, deal with them, and never let them take over and do what they want with me. Then and only then will I be able to sleep.
Mateuš Conrad Oct 2018
.you do know that the light emanating from the moon, at night, absorbs the clarity of relevance when you're squinting your eye... of a camel absorbing the light of the sun, in a desert storm of gushing winds... the moonlight become shrapnel... but a distinct ray of light, passes the eye, and penetrates your forehead... as if... the travel of light... bends much more than time... squint your eye when looking at the moon, the uttermost tier of moonlight shrapnel... it misses the eyes... and heads straight to the forehead; funny, eh?

dude... i heard that before, white dude?
that's new...
only Lebowski is a, "dude" aged
over 40...
         me? readied for the wrinkly old
man...
        and it's not Lay-bouw-skee...
               *******...
                               Le-bov-skí -
tightening longbow men's tugs of war,
strings, ****...
  a job for a semi-glad tailor...
playing the violin or shooting
a bow?
                     ah... ah! that's what was
the problem!
          the modern man is just as afraid
as the ancient Greek with
regards to expressing a dialectics...
mind you...
um...
            modern technology?
****... sorry... but this is actually
accurate...
       a "public" debate...
no bench, no park, what the ****
is public about it?
             i couldn't give a **** about
free speech,
i'm a tier above the argument for
free speech,
  me? i care much more for dialectics...
which counter rhetoric...
which counters speaking freely,
or as freely as freedom "demands"...
see...what i find...
free speech that exists in an
echo chamber,
a free speech without
a dialectical engagement...
no... the comment sections
do not count:
i never left any, or if i left any
they're complimentary...
because?
   now... why would i find it necessary
to troll someone,
when i have no reason to do so?
just for the per se?!
just for the per se reasons?!
**** that...
                 it has become a ****-show
of pseudo-solipsistic "dialectics"...
oh... look    a hyphenated word
and "air" quotes...
                        -    "      "
kinda looks like Braille...

                   free speech is one thing,
but engaging in dialectics, another...
right now i'm spewing opinions
that are not defended by dialectics:
i.e. counters...
     but rather...  solipsism...

              there is no modern "dialectics"...
there is simply a pulverizing overt-presence
of sophistry,
again the rhetoric,
  again the rhetoric,
again the rhetoric...

       me? i don't require myself to
the avowal of speaking in public...
         i'm not the one for constitution market
of ideas to become dogma...
but let's face it...
freedom of speech is one thing,
but what counter a freedom
of speech is...
isn't freedom of speech simply
a monologue?
    can't that be wholly internalized?

the critique comes with the concerns
for dialogue...
a dialectic...
           hell, speak whatever the hell
you want...
            but that isn't the point,
the point is, the ability to entertain
a dialogue, a dialectic,
an intellectual boxing match...
it's no good exploring being offensive
by being offensive
in the ideological ring with
a lax on using boxing gloves...

        did sports take over our
perceptions?
   and kissing our middle-man
point of exit for talking out
our differences?
   what the **** happened?

dialectics has died, a boring death
worthy of: in his sleep, aged 84...
if we can rekindle the basis of
dialectics, replace the, "moderator"
with a simple park bench...
     you'll be me...
talking about bicycles,
grand-children, and drinking
alcohol in public with some
retired cockerel...

                 who's old age...
bred an insomnia he's trying to wake
from, by dying.

no... this is not a war against
free speech...
this is a war for free speech,
within the confines of dialectics,
an exercise of...
    why?
      free speech presumes
the posit of undefended opinions...
unchallenged opinions...
oh i'm pretty sure...
      with however many comment
section narratives...
everyone's sheepishly nodding
along...
              
i abhor the case for a "freedom of speech"...
here's my posit:
i am complying with a defense
for dialectics...
which implies a freedom to speak,
but also a freedom to counter,
subsequently begging for a debate /
a resolve / a momentum of what
will forever be known as: forward /
the cyclic ontology of time.

we're all bound to solipsistic / cyclops
echo-chambers of opinions,
whether challenged, or unchallenged,
rarely discussed within the confines
of the canvas of civility...
when the civilians become more
militant than the actual soldiers...
    that's the problem of the citizen stature...
not all civilians are citizens...
some civilians are counter-productive
to the status of citizen...
British Muslims are civilians...
but with their views?
              they're not citizens...
given they're also militarily subversive
of the status: civilian...
hence... hence?! home-grown terrorists!
what?! the status quo asked
me to refine nouns...
     and pronouns...
                  my hands are tied...
              something hits me,
i react by hitting it back...
i.e. this language... in the wrong heads,
mouths, tongues, hands.

p.s.
   oi! white western girl!
"dude" my *** the next time you see me;
savvy?
don't worry... hand does the same
as ****; i don't know,
but i'm sure of the same firm cavity.
Jai Karkhanis Jun 2015
Here, at the end of all things,
beyond, the grasp of hope
we have reached, and here it shall end
though all now is lost, I'm glad
that you lie with me, and lend
courage, at the fall of evil, but of us also
A fool's hope was what brought us here
over desolation and the edge of fear
where the realms are of the dead
the stars are strange and the clouds black
yet a new sun rises in times ahead
as we lie here, at the end of all things
A fallen friend, a broken dream
a mighty wood, a gurgling stream
sunder us from that far off home
a memory of another life, that was lost somewhere,
on the road that led ever onwards, but did not fail
as it passed through war and mighty horde
a promise grew, but no oath was laid
many mighty deeds, were trivial made
for what was to be won, was beyond all
fear, concealed in some remote corner
of a soul festering with gloom
in the search for the steps of doom
finding which,we now broken lie
at the end of all things
Over the sea the gulls cry
making the heart restless, for it cannot hope
to find healing,in the land of its torment and
over the sea the gulls fly, ever westward
therein alone lies deliverance, the grey shores are calling
where the dawn is silver, they are ever singing
of the end of evil, and in welcome
to those of us, staring at the door
the Undying Lands lie before, unseen by the mortal eye
revered in all the Elder lore
There the eagles bid us to go, into the uttermost west
Where though we may be whole again, we cannot forget,
we who were there, but were not slain
at the end of all things
Inspired by Tolkien's universe
life and its glitters, the boredoms that seek to write
the inspirations of death with its healing joys
and life with its uttermost sorrows

i, a fractured sky, disinclined to move,
divorced from shadow and voice
unwoken by the mild pull of the earth

an old romance of ears and eyes, yellow and round,
heavens-hopes the goals of a lifetime
waiting innocently for the rain.

i waited and the shadows of the earth
grew long until they were armies
sleeping near the bleached rocks

believing they were the blanketing dark,
breathing beside autumn’s haikus of
slumber the sharp fall of love, the

intense tide of low grass and high wall.

dreams rushing like princely streams
a beginning of clouds, clouds of black air
sweeping clear, like valleys of the wild

a wilderness so tender it could speak,
where the mighty waves froze the shore-line
with the hints of winter's first kiss

and the magics of the stars cried into fire,
not knowing the flower-beds or the laughter
or the crazy tears of a humble man.

love poured sapphires from its streams
glass-houses of light, where the oceany
air believed in vertical caves, monstrous

caverns of hopes and dreams, marble
statues with broken jaws, unearthly
branches that rose like strange trees

combing the wind into tangles of tide,
hollow night, with its breathing and
mights, its desires, its poetry of mind.
Mahima Gupta Feb 2014
She stood
In the middle of a storm
The ocean floor slipped from
Beneath her feet
The waves let out a howl of anguish
She stood there
Imperatively  
Helplessly begging for clemency  
The water touched the rocks
And moved away
Tides were high
Moon was involved in a surreptitious affair
The passerby ignored her
With uttermost ingenuity
He knew
she was the bone of contention
Of the evil
She was an illusion
She spun the web and caught her prey
He knew the tales of the people
Who had
developed an infatuation with her
Together she commemorated the
Death of all those imbecile beings
Every minute
Gravity pulled towards her
A different kind of person
A different soul
Every minute destructed itself
Whatever was left  
was summoned to her with a grin.
Alyanne Cooper Jun 2014
A body lies broken
On the freeway ramp curb.
A man once stood there
Asking for help
With his cardboard cutout
Plea for societal mercy.
Then a car sped too fast,  
Swerving to make the green light
It was never going to catch
In this dimension or any other.

Just a moment was all it took.

Did you know he was a soldier
Who was haunted at night
By the enclosed confines of his house
Because it too closely resembled
The urban landscape he fought in,
Faced death in, lost friends in,
Got caught in until the web of his mind
Couldn't ever forget it
Especially when he tried to sleep at night?

Did you know he came back
And tried to fit in to the community
He had been born and raised in
But found that the stares and glances
Of wonder and horror laced
With misunderstanding and pity
He didn't need but couldn't escape
Were too much for him to bear
Because though he could
Look the enemy in the eye
It hurt too much to see
His own father couldn't meet his,
And a community takes its cues
On how to treat its people
From those closest to them,
So, soon no one would look him in the eye?

Did you know all that when you passed
Where he stood every day on the curb
Asking for your pity and spare change,
Having become the uttermost disgrace
In his own eyes,
Because don't you know
He used to be somebody?

Did you know that today,
When you made a split second
Choice to speed up the turn,
He'll be buried in the National Cemetery
With an honor guard
And a three rifle volley salute,
But the chairs will be empty
And no one will speak kind words for him,
Because he's already been forgotten?

How else could you run over him,
And drive off with not a glance back??

My conclusion: you're a ******!
A product of an given environment.
A democracy being ran by tyrants
A offer of change..
Jesus Christ is hiring
Spiritually jobless cause the worlds firing..
Only thing worst is death and that fire pit..
But my Lord is a fireman..
With living water..
For you that fire could be a mist..
But know that hell is not a myth..
Know that heaven is at hand come on take sip..
Matter of fact take a gulp.
My Christ the sacrifice his blood
Overflows like a flood...
Talking oceans beyond a gulf..
Move mountains he can swift a coast..
Strength of the uttermost..
My stewardable host..
Came down to earth yes he left his post..
Just to have his flesh left on a post..
A passion that no other being could
fathom ..
the True definition of compassion..
He took  on all our sin Nothing was rationed  ...
His beard striped off..
His bones exposed..
His feet n hands left with holes..
Extreme bleeding..
Yes beaten to his skeletal system no x-ray was needed..
Not one fracture..
He took it all for us our true Master.
Damaged beyond human appearance..
How can u not be down in allegiance
With the Christ of this World
The only being to embody all that is right in this World..
Yet we hold on to  darkness like he not the light to this World..
He died for us Yes he fought the good fight for this World..
We are to be his bride
Yes the church but Look at us yet he still won't pick another girl..
We cheat on him..
Our selfish desires
We beat on him..
Oh how we conspire..
To destroy the truth..
Yet we need to cling to it like Ruth..
Did to Naomi..
And react better when rebuke by a pony..
Stop dancing around the truth like its going to result in a Tony ..
Award..
Too many people are phoney
Randomly comprised like what resides in bologna
I am down with Christ .. Geronimo
See the signs of his coming its almost time to go...













..
Kyla Sep 2014
Everyday i walk down these halls Theres laughing
Theres talking
And everyone's rushing.
But today was different.
The halls were bleak
And it seemed as though nobody was beside me or in front of me
No laughing
No talking
Just whispers
And even with my head bowed
I can feel their stares
Not normal stares either
They’re stares of uttermost disgust and disgrace
As i walked forward the whispers get louder
My stomach drops
My eyes burn
And everything become blurry
The first tear rolls down my face and
I taste the salt as it hits the top of my lip
My nose fills with snot
I sniff it in
Trying to hide and evidence of my weakness
But they know
And to them
Its satisfaction.
Scarlet Niamh Feb 2015
This burning nightmare never fades,
But with each step I take
A little part is pulled away,
Like a paper sheet being torn into pieces,
And a small part of an image that resides behind that paper is revealed.

Behind the burning paper world,
There is another
Made of beauty and light.
I stop so I can take in this new place
and I look around in wonder,
Oblivious to the remaining pieces of paper
Still burning behind me.

As I close my eyes and breathe in the soft,
Smoke-free air,
The heat grows again and to my uttermost dismay,
I open my eyes to the light filled world being set on fire
By those burning shreds that lay behind me.

The screaming earth shakes my bones
And deafens me with the vibrations of its pitiful death.
Heat courses through my body as the fire reaches me
And pain flourishes over my skin,
The fire that is causing it dancing with deadly beauty beneath me.

As I fall to my knees in agony,
I see the residents of this once beautiful world
Screaming in pain as they burn.
My vision blurs,
I don't know whether from tears or smoke,
And everything goes black.

Shooting up in bed,
I touch my hand to my cheek,
Which is soaked with tears.
With the echoes of their screams still ringing in my ears,
I lay my head back onto my tear stained pillow
And shut my eyes in another futile attempt
To enter a better world.
This is written from a dream I had, this poem is basically the entire thing put into words. As horrible as it was at the time, I decided to write about it because that always seems to help.
071116 #8:28PM

No matter how fine my aggregates are,
I still feel incomplete.
I'm not that strong,
And alone, I'm easy to break.

You could feel my cracks and leave me to banishment,
But You showed me the other face of strength.
Never did I know that there were three hollows within me,
Until I experienced those cracks
that made me lose my own strength.

The hard rock was shuttered,
And many times, I felt so useless.
But there You are and picked me up,
You carried me and reshaped me into a new me.
With tools, I had never known,
You accompanied me to reach my uttermost  potential
And yes, I have known my purpose.

You filled my holes with who You are
As a three-in-one God
And now, I have acknowledged how vital it is
To allow your reinforcement
In order that I could stand still.

You're not just testing my resistance and foundation
But stretching me to the fullness of Your expertise.
You can unused me and break me if You wanted to
But You had Your goodness and grace extended
In order that I may live.

I know, I would be hurt
But I know I was found by You,
And I was made by You --
I was made for You
Seeing those hollow blocks in construction, they remind me of who I am and whose I am now, reinforced for the glory of God! I feel blessed.
Mateuš Conrad Aug 2016
no! seriously! how many ******* times will we have to go over this format of reciting biblical compliments to each other, chapter 1 verse 1 through to 3 like it's worth 30,000 word essays on hermeneutics... if any rational man could see that somehow 3 words = 30 thousand words... he'd have written a dictionary in 10 languages, and thesauruses combining 3 of them for aesthetic purposes of non-tutored rhetoric: the talk that made drinking a pint less about st. st. st. stuttering, and more about: rub-dub-rub-dub... why in seashell the sea and in cave the echo? psst... don't wake them... the English rationalists will have a monkey scout on the trails of such loose language insensibility... they'll keep the power of the un-tripped domino with Shakespeare... the only country in the world where a dictator exists... and no one wants to own up to the identity of who he is.*

for all its worth, history is like science, quiet frankly history is
a science of humanism, so many facts in science, as there
are dates in history -
we educate people for the hamster catch -
drill them Pythagoras to reach a blind spot,
likewise quantum twins:
here too, there too,
Xerxes mad lashing at the sea for disobeying,
some Emperor of Japan not lashing at the sea
and allowing a samurai smooth tsunami stroke
against the neck wipe a million shaven heads
and a beard from the cares of
the few entombed in modern pyramids: harems.
if only Xerxes were transported to Japan
and began lashing against the sea for disobeying,
sent a few army bombers to disperse the wave,
maybe then we'd know why he failed
in his conquest of Greece...
apathy is the worst kind of madness,
it breeds no King Lear... it breeds no fear,
no theatrical splendour...
it just showcases the homeless man
at Covent Garden with the sign: please help...
walking past in fake diamond but nonetheless
esteemed ownership for status...
i'd run naked past... but to prove what?
that brother C.C. owns a t.v.?
prove what, and to whom? the grey mass
that entombs a life we once had
but are left to this perpetual-awe riddle
of up-kept science and ridicule of awe from
the beginning? up-keeping awe in science goes so
far, as Cancer Man said: the minute
they reject my book, i turn into the subverting
agent of their success... they don't
publish my book i un-publish their so called-truth
books, which become nothing more than
cookery books... the people of Siberia
are stern enough to survive without some
mush from upper-east side, some
London elitist with a flavour for Dubai...
to attain the uttermost objectivity of man's concern
is to devolve his highly evolved protection
of the subjectivity of the state, or patriotism,
of the Hegelian protective ownership of goods,
of the Marxian communal dis-ownership of such escapades:
to give birth to a God of jealous inquisitions,
one must give birth to a God of jealous intentions,
as of any time as the one time in mythology,
no greater time would be assured in being equal,
to his being... oh i favour the Cancer Man...
the object remains intact, censored subjectivity has already
been in place with the enforcement of
keeping Shakespeare saintly, erasing all existing memory
of, i admit, unnecessary bureaucracy to merely
draw a halo over a frying-pan of scrambled eggs...
it doesn't matter how right or wrong i am...
people have been given an almost eternal history,
so that they don't believe in an eternity...
but whereas a wolf once attacked a flock of sheep
and could be easily distinguished by adaptability,
the wolf within the sheep, as with the sheep within
a metaphysical suggestion (abstract) is no longer
distinguishable... we evolved to cannibalise each other...
whether intentionally in isolated cases, or poetically
with unintended cases of isolation...
we gave birth to a greater death than that of god...
we gave birth to the death of poetry, by precursor
to a death i mean the birth of the mediocre.
all the avenues are exhausted... all that fanciful
cocktail of clown and mime and acrobat are done...
we turned to comparative existentialism, as we always
did, we always wanted to protect the lamb from the wolf,
the fly from the spider... but when we were given the
bigger picture, the pyramid, the schematic, we became
so scared of our natural power that we created an overwhelming
seemingly over-worldly power of the atom...
we pitied the lamb lost among a pack of hungry wolves...
but then we gave sway to the industrial slaughter of cows
for mere food fights in schooling institutes that cared
more for imagining ourselves without body rather than
without god... god is dead... enter the dietitian.
as one swine plucked the heat from another swine's comfort,
another anorexic prickled her skin against another's
for the other's to only feel nerve and bone than anything
mammalian... we, the lizard people of the severed cranium,
who, through our concreteness to fact:
as in science as one fact changed, so history without mythology
no fact remains with the mythology of hindsight, the what if...
who cares if it happened, why are you trapped in the mythology
of what if? we are truly lizards... to the core that we imagine
the canvas of our fancies (muscles, fat, fibres) so gluttonous
with ****, while leaving cold skeletal phonetics dyslexic,
broken... why then so many people dare to read?
want to? want to escape the horrid comforts of the papier mâché?
fibula... but is that φι- or θι-? you don't know,
before you could teach the coherence of the movement of such
bones, you enveloped them in moulds of images,
which you later called sacred, and knelt before them,
in the worship of former stone engravings, which you engraved
on canvas depicting learned folk who were bitterly ignorant...
then you desecrated graves... giving fake skeletons
property over pointless words, words that could never stretch
to the sentence of: i love you... you left them,
in slogan canned, until started asking: where are the dentists!
where are the dentists! we need dentists!
you we simply slurring a stupid karaoke into a microphone
while your grandmothers ****** your very lives day by day;
but hey! ooh those steroid biceps that would
end up giving you a heart-attack when running
against true athletes of 200 metres at 20 metres dead;
oh believe me... those tourist trips to Auschwitz?
they're fakes... you don't have to go on a tourist trip to
Auschwitz to start realising you're living in hell...
those trips are only real for people who've been there
for real... even those Israeli schoolchildren have no place
there... it's a place designated for Nazis and Poles
who identified themselves as Jews first...
mind if we import the Sphinx to Trafalgar Sq. for
kicks the tourists might admire in between breaks of
watching Netflix?
Alin Jun 2016
I said goodbye

she helplessly cried
full of me
for the first time

Teardrops of
the other
by the other
Not to impress
or annoy

the canvas
of the truth of I
remained untouched

but
this uttermost cry was
maybe a cheek warming
Silent expression just

in the conscious presence
of both

embraced by both

Goodbye to this roof that welcomed
our dreams…
Goodbye to this roof that
accommodated our flows
cries
highs
ties
pies
spies
allies skies
I s
Eyes
Aiaiai s ….

All of her dramatized stories
that agonize
are
to be capsized
to emphasize -
harmonize -
energize
so that
I s
are re centralized
re authorized
along the curly hum
For the game!
like the newborn tree
growing inside of me now
of
Me ?

me again?!?

but

I need not much of these anymore

and such are all things
that gave breath to us :
the in/sentient
courageously left behind
for a cry that bore generations
and such is her’s now

A means
that helped me grow
towards this no thing thing

and You

You ?

But you…
…?

An immortalized posture of a shoulder shrug!

Nothing more
and nothing less

You - as love apart
but still with me

by each one of my shoulder shrugs
like the nameless sage of shoulder shrugs

In the western ‘who cares’ style….
We are so good at that!
So …

so ?

Be proud just!
to be commemorated as such

I will Never
pick a wildflower again
to place in my beloved vase
I did it only twice
Shamefully
Watching the truth die
Instantaneously
and no we do not like duality
But there will NOT be a third time
for such sad action
You have my word on that

I walk now alone
content with a song
of a bird welcoming
my accord

Carrying your light
in my heart
Plainness is my courage
I know you now

Your love rains
beads of truth
shaping words
of peace
that I read
incessantly
as us

knowing my duty
I go
go now

Taking nothing
Needing nothing
Leaving all
Things and
Insightful of
no things

I am you
With you
Listening
Just
to these
final
immaculate
droplets
of hers
before she willingly dies
experimental, theatrical ... needs to be performed - :)
Lauren Bloss Sep 2018
The sound of the blistering gunshots pound in my ringing ears,
Bringing on a headache of a thousand wounds,
Impenetrable by the outside force,

The sight of the innocent fallen colors from the opinions of others brought to a vicious reality and physicality that would slaughter the purest of souls,
Bringing fear that is everlasting and never forgotten in my mind that shall remain forever damaged,

The feeling and sense of the souls that hammer my barely beating heart,
My breath burning slower like a fire dying out,
I try and scream but all that would come was a faint and distant shout,

The uttermost terrifying taste of the foul air,
So bad that the puke climbing up to my throat shall retreat before execution,
I mutter to myself This is not fair"

The most agony and torment any individual may be so unfortunate as to experience,
The smell of the rage and the misery filling my nostrils as I try to keep striving for what I have arrived here for,

Before I stand once again I notice the blood on my dirtied and culpable hands,

I fall to the ground so lost that I have forgotten to feel the unforgiving wound in my chest,
The guilt stabbed harder than any bullet ever could and ever would,
And as I took my final breath I vowed to myself,
To never fight over opinion and shame ever again,
Or I shall die once and for all.
This is a metaphor, however, I wrote this to allow you to decide how you interpret it.
TSK Nov 2014
shall i make you immortal
turn you into a poem
a mournful sonnet
a worshiping ode
should i press your figure
between the pages
or to form you as a masterpiece
this beautiful creek of thought
to make you a poem
is to remember you
and to remember you
is the uttermost fear.
Mateuš Conrad Sep 2020
concrete flinging monkey that i am:
albeit albino -
tinged with himalayan salt hues...
   well this little detail of my working
limbs: concrete -
3 parts of sand 1 part  magic dust:
some water -
here's a dead-earth dough -
it's not a pizza it's not a pizza dipped
in caramel to be subsequently
deep-fried: it's not a scottish ingenuity
project for a heart-attack:
after all... a mars bar battered is missing...
oh my little edinburgh...
one of those nights and mornings:
having finished watching the matrix
trilogy and expanding on:
joys of 5am: being awake prior to
the cockerels shooting out their salutes
to the ***** of white noise and fat
on leaves glistening in: an abyss of a yawn -
the crags and st. arthur's seat:
big ******* volcano sleeping
in the middle of the town...
          such crispness of urban life...
the streets so devoid of noons and...
  buying that carton of cornflakes
      and some milk and enjoying a double
variation of crispness...
well concrete flinging monkey as i
were today: doodling my slow
in the garden... digging a trench for g.i. joe
soldiers in my take on world war I...
so the weeds (morning glory esp.) would
take to teasing its presence from my
neighbour's backyard...
  obviously there was a spider: a glutton
of a eye-fest... whether it was just finishing
its delight or...
           the moth: i guess it was a moth
had a missing head...
  so grand slurp champion was *******
all the details...
   i nudged it once, i nudged it twice...
that bulb of: bottomless pit torso that
probably arrives at secreting a web...
i nudged it once more...
nothing...
no nervous scuttling or having to parachute
onto a sponge of its exoskeleton...
i arrived at the posit: my little world
and my inquisitive lense of the microscope...
apparently a spider will not mind
being nudged by "the hand of god"
should it be eating a moth...
    hardly a lazy sod:
                  what's there to admire the a priori
argument:
   it's not like a spider learns
to become the architect of a web -
it's not like dogs learn to swim...
                     throw a dog in the deep end
and watch the gruff ruffian tread!
duck beast...
                    no... apparently you can try
and try to agitate a spider in the middle
of his meal... even after...
after the meal? the spider had to eat
up some cotton...
    like a bear might prior to undertaking
hibernation... to clog up the ****...
the spider started nibbling on some
of the web...
    and i guess they do that...
go hunting with a web:
                  at the opportune moment...
a day's worth at best to pass the time...
once the meal is over
they figured out to clog up the nutrients
with some of the web...
   can spiders take a ****...
but unlike agitating a hungry spider...
which will scuttle the moment it
is brushed with a tip of any sort...
this well fed specimen took things... lightly...
i could have... done...
the extension of "scrutiny":
buried the ubiquitous bulldozer of fangs
that concentrated on the guillotined
head of a moth in a dollop
of my concrete...
                       i just find it impossible
to **** moths... hell... some night
i'd a proud caricature of man in what
become a nursery -
            come sunrise i don't know whether
i am the graveyard
my mouth the last "search" for these...
        "refugees" from the torment of the night...
conversational overtones in this:
"poetry": it's not something to
make memory architecture of rhyme...
rhyme alone is not enough...
lyricism - i am not gorging on wishing
for a Keats replica...
that it might rhyme and be better
ingrained: a burning coal of fluid ink...
or that horrible alternative of: the haiku...
mash up: i write for the sake of not being
able to afford the paint the canvas
the brushes or the superstitious agony
of what's already preemptive in such
an undertaking...
                     but it's better tested:
      from this day's depth and its
eyes made most pertinent -
      (this shouldn't be hard...
all i have to look for is a -ent suffix
to match)
           toward some forever incessant...
my own limbo toying with body:
to later succumb to an anybody...
                lazily rhymed -
    lazily staged: for all the gold
of the leprechauns... k k k k koch:
                                  chasm and a miasma...
by god's sexless and the devil's
**** and furry *****...
   i want to rhymes...
i wants to rhymez...
               rhymez likes ping-pongs...
in another tongue:
the plural of echo: is not ecce for a cappuccino:
etch 'ere...
         crescendo bother: blues...
i forget there's painting involved...
no crisp solidified sounds:
   a tongue lapsing up a lisp and a labrador
cow-traffic of moo: st'...
                        from colour to a sound...
an alphabet ring-a-ding-ding...
in another tongue the plural of echo:
              ech...
                     not... m'eh... or eh... for an E...
which is first sung and later cited: eeee (longating)
e-ha!-o...
              not e.e.k.o.
                             prune juice fermenting
from drinking: god this brain this sponge...
spiders and spiders...
        spiders and spiders...
first inconvenience is also a staggering
remedy: failure on my part...
hangover from a love that lasted...
well... from april through to september...
           obviously impossible as i couldn't
just see the need to "pet" tarantulas...
           me and my fickle arachnophobia...
it's sometimes there: it's sometimes not there...
and "there"...
hell... if a louis zukofsky can play
the tender part of aristocratic verbiage:
here i come towing a guilty expansion
project: under the proposed guidelines
of: democracy... had i a tongue with
a sidewinding penny to boot...
that i might lisp or spit point blank
an empty fill: and... there would be an
academic career waiting for someone
as i might: provide... postmortem...
                 it's not an agony of
the overlooked...
it's just an agony of agony...
   for some per se pressure to peruse one's
own lack of detail...
to have to complicate the demands
of an audience as a...
  "back-up plan": B-project...
                         in seeking redemption:
or gravity -
   all i know is that i'm not a narrative
architect - i'm too poor to paint...
or rather: i have a photographic memory
and i'd rather make food that cezanne
wouldn't want to paint:
or debase by eating...
          could you paint still life
these days: no... not very: not really...
but i am not a journalist... either...
primarily so...
             i am a democrat on the level that
i would be happy to live
outside of plato's republic:
it's not like plato ever convinced that
figurehead of Syracuse...
                  so... spoilt eggs...
chicken strutting flamingos...
     red's an oopsie come blue and purple
is born...
that's not true...
green and yellow will yield blue...
fair enough...
               but as sure as death: i am...
big credit to punctuation as a revision
of: not anti-rhyme: but certainly not pro- it...
    because i'm constipated on this
type of exertion...
i want as much of the holy fire of lyricism
to burn a mark on the cinema of
memory...
   but... alas: here's my 2nd best take
on this not being tabloid journalism...
               - so how come everyone started
to write: cute?
i mean: if not a cute rhyme then...
some variation of the exasperated haiku?
  - sputnik...
           in sight a digression rubric...
it's the same idea:
   - sputnik
   - moon shards
    - elevations of comparisons
   to match up to a meteor crater with
a slice of apple crumble...
    - sound is most certainly not colour...
- could i call nouns primes:
  or numbers? odd... even...
             red elepahant 1 G
              blue sky 0 K
              horrible hat 9 pro
circus envy... esp. clown envy...
                        this couldn't possibly be...
tabloid journalism...
or "poetry"... it's how far democracy
allows itself the pursuit of: ideals
with a hint of veto... for the pardon
of the status quo hierarchy...
                 concrete flinging monkey...
- robert duncan: nee san francisco -
i write by eyes alone -
i neuter the sounds employed
to challenge like neither *** -
best unscripted and that...
       metaphor of metaphysics
                collage of misnomers -
at best...
                     having to sit with
a slab of lard on your head at noon -
       this least grammar this last exasperation...
a furniture of a "poem"...
an earthworm's guide / guise of the tongue...
wriggling away at the benign...
        postcards and a slick licking of
postage stamps...
                 i forget to pause: i pause...
i paint with this bothersome blood of ink...
the crisis at the revisited crux...
stale europe dying h'america...
                i have yet to read anything
i have written aloud...
   i have yet to read anything i have written
aloud...
i have yet to read anything
i have written aloud:
resonance...
                    revelation 13:5...
          the beast was given a mouth to utter
proud words and blasphemies and
               to exercise its authority
  (for forty-two months)...
time a forgotten space...
or at best: a concentrated suffice of it...
a most bearable 10am in september...
i'd like to think i can't be
exasperated... or i might just:
jest at overt-punctuation...
          - written as pure eyes and
a beethoven towing deaf-        -ness...
    too much of: jack of all trades...
- we once had a "pardon" of handwriting,
in that we once employed a quill
and a detail of ink -
but not now but not now
of this clicking machinery like
chickens' pecking grains or letters...
         spiders and spiders and all those
freelance romantics...
a democracy of language that can
escape a caging formality to the endearing
dear sir, kind regards essay / letter...
language in a tuxedo...
language of escapism...
that one might treat a watermelon
as driftwood... or the crucifix as such...
  - that this can be a language that cannot
be a mechanised slaughter -
  for a throw-away: a 20th century admiration
for some variation of the "up-to-date"...
i am having to diminish
the base of an argued for: carpenter...
by bone... by bone... by each...
carrying of the vowels without:
the pentagram soliloquy -
           that could only be a variation
of rhetoric without an eagering of an audience...
this ingrained son of sam
this glittering blood feud of nights...
a line of an exasperation...
and each and every akin to this "maxim"...
because this is not tabloid journalism...
and it's not because it's
a democratic avenue of would-be squalor...
my niche partitioning
between those literate and those:
hardening a candyfloss of tortures:
       born air: settled in a tomb of fire...
born water: settled in the double sediment
that's once a breathing air comb
into frets of grain...
and earthworm wriggling...
now cement... malicious albino ape jester:
my little evil at the passable concern for
salt and the himalayas...
in that i work on the worth of:
teasing clone i - not in english not in english:
but in english...
  in this... tongue that's a best
butchered body of... a scrutiny that's
almost a... verifying anatomy... best:
   brick by ******* stacked...
a harbour of anathema and dangling
posits of: walking-9-to-5 abortions...
            high cue: but otherwise there's always
a managing of a queue...
that's bottom brass and godhad grey...
with a tease of a concept of hair...
balding snow on tomorrow's mountain...
- that i never hear what i write...
that i see it...
            i see "it" borrowed from somewhere
that has to be revised and revisited and
so-forth backed up renewed into
a ******* Guggenheim... renewing:
          new yorker slang and formalities of
rent... and... shackled up with...
dirtying the shells of oysters with...
prior the lemon and the glug of
the slugging: a word for lessening tourism of
Penzance... or anywhere in south wales:
cornwall...
         i tried loving the russians...
i tried loving the russians...
but then i had a mirage of a girlfriend
that had to tame tarantulas and i was
an arachnophobic tease -
                 - that in poetry the narrator is "somehow"
not the protagonist...
disembodiment via a section by
section - this limit of a candle...
this the kidney... this the heart...
but a "polyphony" of chicken hearts
towed into a broth...
          that poetry doesn't allow
a narrator... that i want to pick out a mask...
and i want tabloid journalism to spew
out of me...
this little detail this grammatical
arithmetic - sound of A...
and the syllable tease of a consonant -
impromptu question:
              asked in between: "in between":
what is a consonant K...
then again: in borrowed rome:
KAY is not the greek kappa...
what is the nurture of over-naming
and what are synonyms?
                      layers upon layers and
this is not a purity of jargon-jesting...
spiders and spiders...
                    - such that i believe in the anonymity
of readers and how i don't expect
a comment section:
   that bukowski made poetry pop
for: a gary snyder admirer...
  
  or - how one hundred arrows were sharpened
on flesh: and were dimmed...
because to crown this crude
metal creed against a stone....
and had to make coagulation of
frothing bloom -
extracting pauses to make a living
with taking wheel:
              burning rubber and burning
kites...
             burning threads and shoelaces...
dissolving sugar into
caramel...             an oyster that became
a tongue.... and a tongue...
its uttermost silence that could be
wrapped up back into a clean
residue of: biting / nibbling
for a piano... because never at a...

           such is the concept of rhyme...
that one can beg for guillotines
to... supposedly... "end".

from latin: a letter i can see...
a word i can: lip-read!
               not this... vanguard
of sanskrit and the glagolitic.

translate the letter to a status of a number...
whole: holes...
from nothing the sieving project.

— The End —