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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
wearegerms Jan 2013
In the place where the moon meets broken shadows, it begins with the swelling of my eyes  

Tears roll across the scars, that no one else can see

A phantom’s curse

Only this place can release my from this dystopian enchantment

The sweet smell alone entangles me with feelings of safety and wonder

For a reality flooded with forest flowers and a throbbing wind

It teases my subconsciousness, it trickles down to my soul

Like a an agonizing murmur

The hypnotic web forms

In this quiet place clouds hurry across confusing shadows

Shivering in the delicious sunlight

My immaculate hour of rediscovery begins…
zebra Jun 2018
while deep deep asleep
a beautiful woman appeared
with silky black hair
shinning like licorice lacquer,
crystal blue eyes,
cherry plush lips
silver iced razor blade earing's
knuckled skull ring through her nose
and an undulating golden snake spiral wrapped around her throat
slinky like a spry kitten, and demure in form
with curving hips
in a slow-motion sway

falling up
i'm light like a puff cloud
in skin that fires the night
as walls faded and  symmetries cascaded into spiraled eddies

she whispered
high handsome hows it hangin
in a voice like cool jazz
come to momma
she called in a jealous growl

yes, mama, i said
trembling with love
as jungle vines
wrap like a circulating boa
inhabiting me

oooooowww
mama what a thrill
i wept
i breathe her in like dusty *******
garden roses and fertile earth

i've come for you my darling she said
you want me, don't you?
biting her lips
with big hopeful eyes

oh yeah i do
i'm in love with you
i've always loved that dark thing that limps within me
i whispered

she smiled rubbing my oiled ****
with long-fingered strokes glaring

well i love you too sweet boy

we kissed so softly, so warm, so slow, and fragrant
deliriously voluptuous
her tongue
like a fluttering wing in flames
her kisses
gleaming razor bites that excite with pain

she looked at me quizzically
muttering
there's something funny about you
crazy boy

what, i said
funny to  
Satan in a Red Crimson Dress?

you're not right, i cant find your soul
she exclaimed, panicked
oh that, i said
look closer my love  
i held her hard into me
like solder fuses metal
look  deep between my eyes

**
**
**
hole
holy
holeeee
****
she said
her eyes shapeshifted into black electrical tape
as her head exploded into flames

what do you see, i asked?
she studied the inside of my skull
like a Williamsberg
Jewish diamond dealer

thine eye is single
the self-effulgent light
irreducible and perfect
shining greater than a million suns
you're a ****** cyclops
with divine sight

**** me, she squealed
i've always wanted to **** God
i'm your
S&M
baby
queen snake belly dancer from hell
and there's nothing you can't do

so
we ****** like colliding  suns
brooding bleeding dying being born
born-less
tears fell like sheets of glass
constellations  gave birth to constellations
and
reanimated endlessness

we  missed each other
my sweet darkling Nuit
i groaned

oh yes
my beautiful lord
she sobbed

and we drowned in each other's embrace
in  tears that reunite
tears of enormous pain
tears of unfathomable love

i held her, our lips lept wild tongues
our genitals consuming each other like fire melts stone

cratered moons shook the worlds of men to pieces
and all creatures melded
all nouns became verbs
high and low fell vanquished
heads and tails faced each other
darkness and light clutched in copulation
good and evil merged
all spines of fire
and up through the skull
beyond the vails of paradise
convulsing in endless incalculable raging *******
quickening eternal multiplying force
giving birth to endless chromatophore's  of incandescent sky
that expanded both in volume and rectitude

dis-juncture became infinite smoothness
history stopped repeating itself
consciousness and subconsciousness became indistinguishable
three dimensions  became innumerable
cats  ****** dogs
planets ceased crossing each other
escalation heaped on  escalation
physics gave birth to trans physics
and everybody understood everything
without a single thought

we cuddled up sweet as candy
kisses never ceasing
and all of time disappeared
this poem is a metaphor for the ascent of the serpent power
Kundalini
Stephen Purcell Jan 2018
Have you ever fallen into the world behind your eyes?
Tis a world beyond description, of concept and timeless colour, pure sensation.
Have you ever loved the world behind the sky?
Loved the ideas, not the people, not the grass, but the sound of green on green.
Have you ever dined in a maze of countless lies?
Seen the beauty in the words, danced in meadows made of her...
Have you ever sat and watched the darkness; the twilight, mirrored starlight?
I have and it burned quietly; quietly and softly.
Brycical Nov 2011
sacred drum thumping
ancient rhythms
living eternally
throughout earth
the sound births
a percussion
of subconsciousness.
Nabs Dec 2015
By Nabs

    When I was little, I dreamed of being a princess.
Just like so many others do.

Imagining all the fun we will have.
Of Tea times and dressing in the finest dresses, wearing tiaras, and jewels,
      all day of the week.
              Princesses only seems to dress prettily in the stories.
                
We all dreamt of the same thing,
        Happy endings that always come at the end, cherished and pampered.

        Most of all loved by everyone.

  Princesses were always loved because she was inherently kind. Inherently docile.
Inherently pure and innocent.
              Inherently beautiful.

( Remember, Your purity is your worth)
                  
                            None of them was because
                                  people respected them.

All of them was because
Of their beauty.

      ( A princess have to pamper their self to utmost perfection, your beauty define your worth)

Princess is a symbol of perfection.
                                      Symbol of Divinity.

A guideline for Goodness and womanhood.
                Standards that shaped and pushed them self to little girls to be molded into a perfect piece of art that they them self would rarely get to enjoy.

( Art pieces, after all cannot admire them self)
    
                We have to strive for divinity and no less, because less means
        we will be condemned to be the wicked ones.

( No one bother to tell us that it is unreachable.)

        No one wanted to be the wicked ones because history burned who ever were branded as wicked.

      ( we stood on a world
piled with their ashes
          and everyone will claim it as a victory)

        One of the lesson, that these tale seems to croons that there is no in between for us.
        That there is only two archetypes for girls to grow up to.
The Princess or the Evil Witch.

Choose, the tale seems to shout.
            ( be obedient, be submissive).
                    (Good girls)
                ( Princess lives happily ever after).

(Fight, rebel, speak)
        (Bad girls)
  ( Evil witch will always be burned)
      
  ( This are the endings we have set for you, girls)

          Back then, after going home from school, I would read tales about princesses from all over the world.  
From Africa
                to Europe
                              to Asia.
      I devoured them like they were gospels, Laughing delightedly when the princes save the day then marries the princess, and frowning when the villain managed to defeat the heroes.
Happy endings,
      Happy endings.
( Death, is the only happy ending we will really get)

    I learned that to have a happy ending, a prince need to save me,
                from my self.

( Every princesses need a prince,
for a proper princess cannot save herself.
                
            You need to be saved to be complete)

      My parents called me their little darling princess, Their crown jewel,
              Their most cherished treasure.
They would hug me, clothed me, spun me into a figurine that they like.
Telling me that I am theirs.
Flesh and blood,
              Glittering orbs of red.
                                          Ownership.
Another princess tales, which plot echoes through out time. Beggars can't be choosers.
                              The same way a princess can't  choose anything for them self.

The tale said,
    A good daughter is an obedient daughter.

Shouting and screaming is prohibited.

( Lower your voice,
        princesses don't raise their voice.

They speak softly as soft as the flutter of butterfly wings

            or preferably they don't speak at all.)

      To be a princess, foremost is to sacrifice your whole being,
      To subdued your self
          To stop being human,
                and start being a treasure, a jewel.
Being fought over for the rights of possession.

( Isn't that the most highest pedestal you can put someone to?)

        As I grew up, these tales keep following me.

( Dont run, princesses never run.
                                    They submit.)
Of Snow white,
      Who was treated as if she was only an object of desire after the prince saw her dead in the glass coffins.
( You're mine, you got that?)

Of the sleeping beauty silence,
            that was taken as a consent to ravished her until she woke up because she gave birth to twins.
( Babe, you like this don't you? You have to, you're made for this)

Of the little mermaid plight,
      Discarding herself completely to be accepted on the lands, trading her voice and being in excruciating pain for her prince.
                        The one who will not love her.
( You look horrible in that, change into something prettier and for god sake, put some make up on)

Of Atalanta, who could not escape marriage
              and forced to marry a man she lost a race  unfairly to, because her father decrees so in the first place.
( My princess, you can't be with that person.  
                    They're not suited for you,
                              We want the best for you.
You don't know what's best for you. )
              
Of Bawang Putih and Bawang Merah,
                Echoing the morals, how your beauty define you, how you will be evil if you are less than beautiful.
( She's ugly, that's why she's jealous of her)

Of Putri Hijau ending,
            That to be free from being under the power of men, you have to jump into the ocean.
(You are mine, forever)

Of the archetypes for Good and Evil,
            ****, *****,
                      *****, Saint,
                              Witch, Princess.
( A good girl says yes, A bad girl say no)

How The Tales, often than not,
                          parallel each others, as if trying to drill them self into our subconsciousness with these toxic message.

( Princesses belongs to the people.
                      She never belongs to herself. )

These unspoken rules followed me into adulthood.

            Subconscious message of how to be  loved you need to be less.
You need to submit,
to be obedient,
docile,
pure,
innocent,
        most of all, you need to be beautiful.

      That beauty is how you're going to get your prince. Never it is because your wit, your courage, your wisdom,
what use do you have for them if you don't have a pretty face.

                No husband will find ever find you.

( Remember, wicked ones doesn't have a prince to set them straight.

                You don't want to be a wicked one,
                                                  Now do you?

So spread your legs, and lay down.
Take it. Atta girl!  )

These unreachable standards, bound us the same way they bound people feet to be dainty.
                They are rules for us to be less human, to be a thing.
      A princess, in this world is another term for a possession.

            (There is no such things as an independent princess, object need owners)

The stories always put them in gilded cages.

Once I asked why?
          Why do they need to be caged?
Why can't they be free?
        
The tales said that beautiful things needed somewhere to be kept.

The tales said many thing,
        seemingly innocent but  screaming about our worth, girls worth in the society.

(You need to be pretty for anyone to love you.)

(You're good if you are obedient.)

(You have no need for your voice,
                Silence is the only voice you need.)

(You're made to just lay down and take it.)

(You need a man to complete you
                                      and set you straight.)

(Never be yourself.)

I grew up wanting to be a princess,
Just like many others do.
        What we realized, to be a princess
                                  We have to be a slave.
                                      We have to be dead.
This was inspired by lots of books and articles I read.
Sorry for the cliche title, and thank you for reading the long poem.
Aaron McDaniel Nov 2012
My skin has been itching for three months
I’m not sure why this is addicting

I’ve crashed a car in my head 3 times today
My mental awareness consistently letting go of the wheel
The Anterior teeth of my mouth have started to yellow in disapproval
I’m not sure why this is satisfying

I’ve been taking toxic psychotropics in light doses more than twice a day
It’s warmth is comforting as the jittering and hyperactivity become null
Bags have formed under my eyes
If you were to open them, their roasted smell would overpower you with stimulation
Constantly on my toes for risk of Insomnia and Narcolepsy
I’m not sure why this is outstanding

Adrenaline is being forcefully factored into my body
If this is the bullet, I’m biting it after an appliance pulls the trigger
As the high passes, it ripples through my mind
An otherwise calm sea, tidal waves pound the shores of my subconsciousness
Vacuum sealed can are filled with awareness
Sleep has become a rare odyssey
Warm comforters are replaced with long trachea trips of boiling beans
I’m not sure why this is alarming

Double trips become tripled and troubling to my mother
Arguments over the hours I shall harvest from the night are increasingly frequent
Slow to roll out of bed in the morning
I don’t hit my carpet, I splash into sugared preparedness
In my backpack hides a cup full of GI Joes
I’m not sure why this is troubling

If anything, I’m drinking a medicine that prevents death by 10-15% for 13 years
The New England Journal of Medicine was happy to acknowledge my existence
Till they announce anything different, you’ll find me taking a mud bath
I’m not sure why this is disgusting

Tell me everything that’s wrong with it
Because from where I’m standing
There is nothing wrong with
Coffee
zhouli Aug 2013
Tucked away in our subconsciousness is an idyllic vision. We see ourselves on a long trip that spans the continent. We are travelling by train. Out the windows, we drink in the passing scene of cars on nearby highways, of children waving on a crossing, of cattle grazing on a distant hillside, of smoke pouring from a power plant, of row upon row of corn and wheat, of flatlands and valleys, of mountains and rolling hillsides, of city skylines and village halls.
But the uppermost in our minds is the final destination. On a certain day at a certain hour, we will pull into the station. Bands will be playing and flags waving. Once we reach there, so many wonderful dreams will come true and the pieces of our lives will be fit together like a completed jigsaw puzzle. How restlessly we pace the aisles, damning the minutes loitering, waiting, waiting, waiting for the station.
"When we reach the station, that will be it", we cry. "When I'm 18", "When I buy a new 450SL Mercedes Benz", "When I put my last kid through collage", "When I have paid off the mortgage", "When I get a promotion", "When I reach the age of the retirement, I shall live happily ever after."
Sooner or later, we must realize that there is no station, no one place to arrive at once and for all. The true joy of life is the trip. The station is only a dream. It constantly outdistances us.
"Relish the moment" is a good motto, especially when coupled withe the Psalm 118:24:"This is the day which the Lord hath made, we will rejoice and be glad in it." It isn't the burdens of today that drive men mad. It is the regrets over yesterday and the fear of tommorrow. Reget and fear are twin thieves who rob us of today.
So stop pacing the aisles and counting the miles. Instead, climb more mountains, eat more icecreams, go barefoot more often, swim more rivers, watch more sunsets, laugh more and cry less. Life must be lived as we go along. Then the station will come soon enough.
Mateuš Conrad Mar 2016
i used to be, what you might call husband material, and i stress that i used to be; i can count the number of girlfriends i had with one hand, no relationship lasting long enough to celebrate anniversaries.

i moved up in life, i'm still drinking
a £10.80 bottle of scot club whiskey,
but the mixer has been upgraded from
a £0.17 bottle of coca cola to a £0.55
bottle... and noticeable differences,
waking up with a hangover i used to
drink up the leftover mixer in the afternoon
(obviously the mix to get rid of insomnia
is really effective - naproxen is a more
effective version of paracetamol;
and in relation to the poem
*rock bottom england
, everyone's
abusing antibiotics these days,
people are making viruses cleverer,
all this darwinism against theology
has made us teach darwinism to viruses,
one cough, one sneeze and you're dead),
so yeah, conjunction usage like a comedian
on a stage, you never know what you're
going to say next, a bit like an r.e.m.
gimmick salute to nirvana, about
how many times you can say yeah in a song
(man on the moon, smells like teen spirit,
indeed i'm in that age bracket if you're asking,
i know more about steve tyler than swift tailor),
anyway... what was i saying?
oh yeah, the £0.17 bottle of coca cola is
over-fizzy, they jazzed things up with excess gas,
too much carbon dioxide,
it's too acidic,
i know because yesterday i bought
a bottle of pepsi, drank it today
and i didn't get heartburn... well, serves you
right for buying the cheap **** i thought,
so i upgraded to the £0.55 bottle
and guess what... no excess fizz!
but that's how it goes, the best albums
to listen to when walking in english suburbia
are burial's untrue album,
very experimental dub-step that's not really
about dabbling in a pigeon or chicken strut,
i.e. no "drop" that's a signature of drum & bass...
and susumu yokota's grinning cat,
both albums work perfectly with the illumination
on suburban streets of essex
(oh look, urbanity - consciousness -
suburbia - subconsciousness -
the countryside - the unconscious);
so the talk in the supermarket was
a guy stacking freezer products damning it
all with, quote: 'money is the vilest of evils
of this world',
true that i said out-loud walking back to
the automated cashiers with another £1.50
bottle of amstel beer...
england was playing the Netherlands
and was winning one nil,
a bad joke about the flatlands
and how the dutch were good when
johan cruyff played, getting to the final
in 1974 losing to west germany,
and how the germans cheated playing
in unplayable circumstances with poland
in a bog rather than a pitch, the rain man,
the swift polish players were no match
on a dry pitch, with the german heavy cavalry;
so then on the walk i peer into this one house,
a massive blue aquarium in it,
Poseidon's wallet... and i thought...
was i rich enough to own a house,
or if i were to be like a moralising Confucius,
teacher of humanity, i'd replace all
modern fireplaces that televisions are,
and install aquariums in every household.
yas Jan 2016
Please help me.
I am trapped in my mind, my pain and my morals.

To Go:
The suffering would end.
A cold needle would not be needed five times a day to relieve the throbbing pain in my arms,
my legs,
my chest,
my fingers,
my heart.
I could rest and sleep and allow my mind to float in the sweet, soft abyss of subconsciousness.
My god, to just sleep peacefully.
I’ve never been an earth woman, but somewhere along the line the smell of freshly cut grass and dirt deep beneath the ground became more alluring than the sterile, overwhelming scent that fills every hallway of this ******* hospital.
The thought of being subject to more years of this endless pain shatters the strings of my heart and makes me want to rip these tubes out of my arms and throw them so deep into the ocean that they float amidst the Titanic’s remains.
Sometimes, in my brief hours of tender rest, I feel myself drifting away, and truth be told I crave those moments.
To feel light, carefree; not dragged down by the weight of carrying death everywhere I go. Everywhere that I can go, that is.
Sickness grips me, snakes around my neck; constricts. Swirls through my ears down to my toes, engulfs me into the shadows. But the darkness is inviting, naughty eyes and tempting smiles.
“You know you want to,” the voices whisper.
“Come with us, be free”
Free.
Floating around the clouds, oh the fresh air that does not reach my lungs anymore. Instead; sterile, clean, hygienic, air, burning my mouth and nose with each breath.
I never thought I would crave the feeling of being *****.
But now, ***** water in the sink after dinner, sneezing children, grimy public park benches; it all just sound so real and full of life.

I was dead a long time ago, so why should my lungs keep breathing?



To Stay:
The angel perched on my left shoulder screams at me. How dare you be so selfish to think of yourself! Think of the family and the kids and work.
To stay means to see sweet, young Joanna graduate, have boyfriends, get married! How could I leave her?
And Peter. Oh Peter, to leave him would be a sin not even the Lord himself has discovered. Maybe I sometimes cannot feel when he kisses my forehead, and maybe I lash out when the pain becomes unbearable, but oh god I love him.
23 years of marriage; 8 of those spent confided to a wheelchair or, better yet, hospital bed.
Little Joanna struggles enough for her innocent mind to fathom that her mother is sick. I doubt that even three oceans of alcohol could bring me to release the words that would break her pure heart, should I choose to end my life.
The devastation of being unable to bring more beautiful lives into this world has been hard enough, and so I cannot imagine leaving my only child on this earth alone.
Morning cuddles with Peter, and Joanna squished in between us would no longer be. This is the only warmth I feel these days. And maybe those small moments of warmth are enough to fight away endless cold.
Oh so patient is Peter. Holds me when I cry, kisses me when I scream at him. To lose him, to give up when we’ve come so far, would be detestable of me.
Joanna is so young.
Wide-eyed and oblivious, she is alive.
She jumps and climbs and cries when she falls but does it all again the next day. I am envious of that. Oh to be young and clueless.
Warmth.
As hard as it gets, the feeling of a heartbeat next to mine and the soft brushing of skin next to one another is enough to keep my faith in life.
Human connection is precious.
Life is precious and I see that in Joanna’s eyes and Peter’s smile and the nurse’s kind hands and my mother’s sad smile and the way the husband of the old woman next door brings her flowers every Tuesday and my gosh, aside from my suffering, the world is beautiful, and perhaps I just forget that when I am blinded by the constant pain.
Maybe, just maybe there is hope for me.

Please help me.
I am trapped in my mind.
Max Jan 2019
In my dreams
Everything is vague
The clearity will be there
When I open my eyes
And embrace this sleep-induced plague.
I have a lot of dreams lately..
Patrick McCombs Jan 2012
You are my type
The time is ripe
The time for the harvest
No time to rest
The fruit is glistening in the trees
Sweet summer breeze
Sunlight streaming
Smiles gleaming
Minds dreaming
Subconsciousness screaming
Feet in the softgreenmoist grass
Time no longer seems to pass
I'm reaching critical mass
Your soft sweet smile
Your charm and guile
You've got style
Your eyes burn with such intensity
Such perfect density
JR Rhine Jan 2017
i dream of you i dream with you,
following the musings of the aching poet
blathering hyperbolic verbiage
into subconsciousness
where we leave entwined mortal bodies
for the impalpable enclave
we have created.

i dream of you i dream with you,
in sleep our minds meld
over aching bodies
and lift our spirits
to the ethereal nether-realm,
where we roam
for eons
sauntering through the fields
of ecstasy.  

i dream of you i dream with you,
where the groans of the spirit
and its insatiable yearnings
find solace in the vastness
of the tangent universe,
existing outside our mortal guise,
alluded in our mind’s eye—
it’s heaven
built by you and i.

i dream of you i dream with you,*
in lucid dreams
where we know we are asleep,
but we just laugh whilst
walking through the gates of eternity
flourishing in the eternal splendor
we have created.
Would the World hold on

when in subconsciousness

of every homini haunts

the unforgiven horrors:

the mass destruction,

abolition, slaughter,

genocide, slavery

wages, sweat, and treason.




Please, unnamed power,
send me on another planet.
I want to resign. I want to resign.
Derek Yohn Dec 2013
After the first sleep comes the second morning,
the realm of meditative calm,
gifts we forgot we left ourselves,
in the time that time forgot,
in the lands we left behind.

In Tibet, the most skilled monks cover
great distances using the mantra
of the Lung Gom, a rhythmic matrix
leap.  i use a car or my
memory to achieve the same.

As a child i captured fireflies from
my grandmother's back yard,
holding them captive in a jar
until they proved themselves,
making me their Gom Jabbar.

Now later along i feel the vibration
of life in my car as i drive.
i have no wish to synchronize
with it.  My rebellious days
are mostly over, or few in number.

My subconsciousness has accepted
my inevitable death.  That is
alignment enough, nature's Gom
Jabbar to my neck, regardless
of what i prove before:

like the fireflies in the jar...
like the death rattle of my car...
like the memories i sought,
struggling against union,
fearing the Gom Jabbar,
mouthing the Lung Gom.
Lung Gom => the mantra used by Tibetan Buddhist monks that supposedly enables them to leap across open plains (Matrix style).  It is said that if someone interrupts them, they are shaken to pieces by the break in their rhythm, and that if they use the mantra too often, they lose the ability to remain on the ground and have to weigh themselves down.

Gom Jabbar  =>  in the Dune series by Frank Herbert:  the deadliest poison in the universe, administered by means of a needle ***** mounted on a thimble.  It is used as a punishment for failing the test of humanity (meaning that the loser is not human, but animal).
Olga Valerevna Jan 2016
I will not write again of you the way I used to do
you've swallowed up enough of me to last you many moons
and if you try to find me in the places you will go
you'll only test your memory against a single soul

it used to be so easy to get lost inside your head
I found so little meaning in the words you never said
it must've been subconsciousness that let me see it all
unraveled my surroundings so there wouldn't be a wall

I think it was a fever that caused both of us to burn
ignited by a dreamer and a sleepy little girl
I've wanted you forever said the maker of the dream
until you have returned to me I cannot fall asleep

I shake as all my weakness leads my body to your door
but I can't lose a battle I'm not fighting anymore
so back to the recoil, hesitation has an end
I'll always be as close to you as I have ever been
title and inspiration taken from MONO's, "Recoil, ignite"
Subdue
Imerge
Intantations
.
.
No, it is not so complicated!
.
.
An honest
Re-connection
You - a man
Me - a woman
.
.
Living, loving
.
.
Best years!
And
The tallest Thuja Tree
Winks at us there
.
.
So we stop. . .
We breath and look up
In the night sky
.
For
A while
.
.
The World seems Endless
.
.
Three Beats
Veins rhythm
Kiss on a bark


Now, dear reader! - Try to -
Correlate this dreamers shrine
.
With a dark deep ocean
Of your elusive and
Dangerously devouring
Subconsciousness
.
.
Then you might call
Me on a
Phone
.
Perhaps
I won't pick it up!
.
Occupied . . .
Enchanted
By stars up  -  Above!
.
.
We can share hot chocolate
at Old chic Cacao Caffe
.
.
The Orange anime
Angel was served
Water in a paper cup
Made for ice cream rounds
.
A silken coat carresed by strangers
Melting their gazes
Pouring only
Goodness
.
.
And affection
Without a leash
.
.
On a leash by my side
At my knee
Between us
Ears along
The neck
.
White paws of my
Dearest friend . . .
.
.
Running as a speed of light!!
.
.
The Train is Tchwooot
Tchwooooot-ing
.
I have a ruby ring
And white black gloves
With Stripes and
Charming finger
Holes
.
.
Oh, Holmes!
The moon is rising again -
Like inspiration
For your new novel
For another Conundrum
.
.
To solve
.
.
It is quiet in the park
Dark and quiet in the park
~
Charming old Street lamps, Trees and Intimacy of a Night walk
~
kat lykke May 2014
for as long as i can remember, i have always told curious souls that i am afraid of the dark. it has always been my favourite excuse for keeping the yellow light on at night. but telling people that i was afraid of the dark was also a favourite lie of mine. i am not afraid of the dark, you see. actually, i am more likely to bath in moonlight than sunshine; i enjoy the silence of the night and i find comfort in the thought of having the night all by myself. the darkness that surrounds me has never made an attempt to rip off my pale skin

the truth is that i am afraid of unspoken words; i am afraid of the thoughts that enter my mind from the darkest corner of my subconsciousness when i am all swallowed by darkness. i am afraid of facing the fears of mine; afraid of accepting the heart-bursting pain that visits me on lonely nights. conclusively, i am just simply afraid of not being able to find beauty in onyx shattered worlds and my own imagination

it was never the dark

*(k.w)
dravenstorm Jun 2015
Please Set Her Free, From My Thoughts.
The Walls To My Deepest Fears
Are Closing Up On Her.
She Screams Out So Silently.
But Her Voice Echo's To My
Projected Subconsciousness.

They Feel Her ****** Tears
Curl To Their Souls.
But Spare No Sympathy
For The Little Girl.

They Let Her Drown,
And Watch Her Resurrect
Into A Consciousness
That Will Torture Me

For Eternity.
Aaron Mullin May 2023
Writing a poem is about locating self.
Every facet within what you’re about to create
blooms from your consciousness, your subconsciousness
your ego, your mind, your heart

But where are those elements planted?
Where are they rooted?

They are rooted within:

your ethnocentric illusions
your lived reality
your privilege, your pleasure, your pain
your abilities, your disabilities
your socioeconomic status: have and/or havenot
your fluency, your empathy, your sense of humour
your vices and your storytelling devices

Now we've got some roots, what are we going to grow?
Let’s begin by observing, using our senses
Maybe, let’s use our eyes
Consider, the reality of how we see and sense the world
Is different for each and every one of us

Everything is tempered by the lens we use
Which is informed through the roots of our synapses
Which empirically flow from the subjective ground
On which we stand

And what does this have to do with poetry?
What you describe in your poem,
Is an interpretation of what you see (and feel)

Interesting poetry comes when
there is exploring to do
It is a poet’s imperative to
Explore the edges
Out past the boundaries of the visual and audible spectrum

If we were fish poet’s
Would we write poetry about water?

I like to toy with my teenagers on occasion
So I asked my son the other day, what his worldview was?
And I have been enjoying the vacuous silence ever since
To be fair, I have been asking myself the same question for many years
And this might have been the inciting incident leading me to storytelling

As we began this journey together, it was stated that
Writing a poem is about locating self.
Can you describe your context?

Let me attempt to describe mine:

Here I am on the stage in this ocean of air
At the Owl Acoustic Lounge
On a Wednesday night in May
Popping air with rhythm, nuance, and a certain je ne ce quoi

Although this poem is not objectively true
Let me attempt to share that
this poem blooms from my developing cosmology
From the overtures of my Overself;
from the undercurrents of the Monomyth,
From my ***** and through my groans of intercession
This poem blooms from oblivion
Threading through philosophy, to worldview, and into a budding cosmology

For myself:
Worldview fell away when I found cosmology while reconnecting with the night sky
That night sky took me places while grounding me concurrently in inner spaces
Where locating self flows into meta-cognitive health,
Well ... that is something to write about
Preparing for Shakaat Artist-in-Residency. Performed at the Owl Acoustic Lounge on May 24, 2023.
Sha Aug 2015
I beg you to stop sleepwalking in my dreams!
Your once unfamiliar face keeps on popping up like a surprise.
I tried to shove your ghost into the darkness,
into the abyss of my subconsciousness
but you keep on escaping with the ladder my heart made.
I vowed not to ever think of you again -
to make you a stranger once more.
But the heart is cruel,
It plays and gambles
until I lose to it.
This heart is very cruel indeed.
Kay P Sep 2014
I was bullied from kindergarten to freshman year.

I loved to imagine a tall boy
three inches taller exactly,
just tall enough that
each kiss would have to happen
on my tip toes
and riding on his back
would feel just like
flying.

His hair would be dark brown
and his eyes would be
unremarkable
a brown so dark that others
would think it black
no one else would get close enough
to tell the difference
and no one else would love them
as I did
just as I hoped my eyes would look
to someone else
some day.

He wouldn’t speak much
to other people
his words would mean much
but only to those
who could understand what he meant
and I would be the first
to major in his language
but I would never teach it
to any but our children.

He would look at me
like I personally rose the sun
and hung the stars at night
I would be so high in his regard
that my word would be law
and he would never doubt
anything I said
and even when I lied
obvious and wide eyed
sarcasm dripping from my lips
he would believe me

He would visit me in school
to sit with me at lunch
walking slowly
past the girls who told me
‘no one will ever love you’
and ‘who would ever want to kiss
a face like yours?’
He would prove them wrong right there
at the table they shunned me to
kissing me in full view of everyone.

He would dress in leather
and his hair would be greased
combed back just like a bad boy
he would have a motorcycle
and a car he never drove
and his jeans would be
perfectly between baggy and skinny

He would call me
His Girl
and if anyone messed with me
he would narrow his eyes in such a way
that made them fear for their lives
My bullies would never bother me again.

He would describe my skin
with words like silky, soft and succulent
ebony, stately, and irresistible
but never would he compare its color
to any sort of food
except perhaps sugar
when speaking of the taste.

I built him in the lonely hours
when eyes followed me
and whispers rose behind my back
I made sure that for every insult
tossed my way like live grenades
he threw back with easy confidence
as though my life were a game of COD.

My hair was never too wild
too big or too ‘ethnic’
My lips were just the right size
to **** the breath straight from my lungs
He didn’t care if I shaved my legs
and he liked my sense of style.
He didn’t mind if I was wearing
basketball shorts and too big tshirts,
and he told me that tight clothing
left nothing to the imagination anyway
and besides he didn’t want the other boys
to see what they’d missed.
He didn’t care that I was as boyish
as I was shy
and he knew that the wall I built around myself
wasn’t all there was to me
and he always knew just what I needed,
and sometimes when I was lonely
he showed up just to give me a hug.

And when I got to high school
He shaped how I saw things
He always told me I was beautiful
and if no one else could see that, it was their loss.
He told me that there was never anything wrong with me
and if no one else could see that
then **** Them and All They Stand For.

He faded back into my subconsciousness,
speaking to me though I never truly
thought of him the way he’d been
He stopped bursting into classrooms
to show others what they were missing
and he started whispering an idea
that I didn’t need him anymore.

I would pass a reflection of myself
and He would lift my chin
‘Look how beautiful you are.’
He knew when I was sad,
and promised it was only temporary.
He smiled and gave me thumbs up
when I doubted and shook with nerves.
And with him I could cope.
And soon without him I could too.

Now when I passed mirrors
I lifted my chin myself.
‘Look how beautiful I am’.
and when I was sad
I told myself it was only temporary.
I gave myself smiles,
and I laughed at myself,
and I learned to love me as I’d always imagined
he did.
Unconditionally.
September 5th, 2014
Amitav Radiance Apr 2015
Sleep casts a spell over my eyes
Heavy eyelids caress my dreams
So many thoughts nurtured today
Sleep shall take over the stage
Laying supine, soul is in a realm
Of the subconsciousness realization
Paradise of life blooms with colors
Colors of life and beyond
Gives dreams a makeover
astronaut Apr 2015
It’s 3:30 Am and it’s rush hour in my head.

1- I’m constantly being swallowed into my own existence like an ever-looping wormhole.

2- I am trying to expand, to encounter all energy and matter with space, grace, and sincerity.. And so I am constantly bursting, going through massive explosions and extreme intensity

.3- I am trying to radiate warmth, peace, beauty, light, and love.

4- I am trying to become one with myself, and with the Uni-verse.

5- The last four sentences started with the word “I”.. HOW SELF CENTERED CAN A PERSON BE!

6- The last three “I"s were followed by "am trying”.. cut yourself some slack, Nesma.

7- Nesma means breeze in Arabic, and someone once said “surround yourself with breezy souls in hot summers”.

8- Nesma starts with Noon, and Noon stands for infinity in my subconsciousness.

9- The uni-verse is infinite. It’s vast and supreme. It must be blue, blue is the warmest color.

10- My favorite Harry Potter character is Luna Lovegood. I have deeply fallen in love with Luna Lovegood… luna love good..

11- Luna is the same Latin root for the two words “the moon”, and “craziness”. The moon has always been associated with insanity, and for that, perhaps, it’s also associated with love.

12- God I LOVE the uni-verse.

13- “I did not fall in love with you, I fell in you with love”
What am I even doing
Tyler S Anderson Mar 2015
No, what is life without fear?

Yes, what is growth without seed?

You have been an impostor to yourself,

and the mirror is opaque.

Tremors loom faceless choirs,

bellowing runes of disjoint.

Subconsciousness cradles reality,

and awakens the false soul.
B S Jan 2012
In my past I would gaze
with eyes so vacant
as the stillness encapsulates,
the wonderment of
what once was
a breath. Free from entrapment,
but we, still stand,
so stagnant,
in the palm of a mediocre living.
In my past I would loll
amid the sounds
of my own self induced sorrows,
while Mother Nature
tried
to
awaken me.
"Celebrate! my imaginary friends."
But alas there was no melody.

Today I awoke in an indigo hue,
a long but forgotten friend.
Converse we did through
the silence
of
my
subconsciousness -
and birth she gave
to a sight I never had.
Mother Nature greeted me
with a silky sea of sun
upon my skin.
Mother Nature blessed me
with the illuminating innocence
of a babies laugh.
My soul rid my spirit
of the ghost in the machine,
and my sorrows became -
nevermore.
Allyssa Sep 2017
Ode to my depression.
Applause to you, my friend.
Lightning strike,
Grey plaid,
Everything oh so bad,
To you,
Depression.
Sharp knife,
Locked door,
No, mom,
I'm not taking nudes.
There was a time when I was 15 and my younger sister joked I was going to become an addict of some sorts,
And I joked back with,
"As an alcoholic."
The look of appeasement trying to joke with me wiped off her face,
Whether I could tell I was joking or not made me question my entire existence.
An avid life of a drinker was not full of red solo cups and parties,
It was full of lonely nights clutching a bottle closely to my chest,
Afraid that it will grow legs and leave me,
Tired of the way my lips caressed the opening to drink the poison that I hoped would succumb me into nothingness.
Much like you,
My darling,
Growing tired and ever weary of the way my grey plaid shirt resembled so much like your heart,
The way lightning struck the ground like your eyes struck me in awe.
I spend my days binge watching shows with endings I have already seen a thousand times,
But what do I do when checking my phone every two minutes becomes routine,
When refreshing my messages becomes apart of my subconsciousness,
When I've drank black coffee so strong that I no longer feel the rush of alertness.
Subway trains echo with the tired grumbles of those stuck in one-frame lives,
Too tired to move forward,
Too stuck to look away from the past.
I know I mean nothing to you just like the dirt beneath the shoes I bought you,
The phone I changed my wallpaper on because it never felt right,
The google browsers cluttered with things like,
"******* yourself without actually dying."
I've become so easily submerged in mundane society,
Routine,
Routine,
Routine.
Wake up,
Drink coffee,
Forget to shower,
Walk out the door,
Hoping my world ends.
Taking that locked door to my bathroom at two in the morning,
Holding a knife with a not-so-ever gentle hand,
My mother knocking on the door I have collapsed upon.
Mother,
I am tired,
But you do not get when I say I am tired.
You do not notice my window covered,
My lights turned off,
My settings on the lowest possible in hopes that heartbreak will never find me,
But the bright light from my phone screen is still too bright and the picture of you while I'm scrolling though my feed on Instagram stops my heart.
My lungs no longer work,
My body goes numb,
Tears that I thought I had run out of the night before have returned.
All I feel is the chest splitting pain that seems to resonate through my body,
Trailing down into my fingertips,
Hands tingling from the absence of your hand in mine.
So I roll over,
Turn off my phone,
I whisper a goodnight.
To the nonexistent lover I never managed to keep.
Helen Oct 2015
I sneak inside your mind
and tiptoe amongst
the broken glass
skirting around
disassociated thoughts
watching arguments
you thought you lost
sitting in the bleachers
of the upper reaches
of your subconsciousness

I find
I'm not the only spectator
that dwells within
your mind

you sit next to me
****** bare feet
you whisper softly
you're in for a treat

See that white knight
upon that fiery steed
that's you
waiting, for me

Waiting for the battle
sitting so calm
here I come
upon the darkest horse
ready to do you harm


I sat quietly in the stands
of your twisted tournament
holding onto your hand
waiting for spears to rend
skin from flesh
tear flesh from bone
waiting for blood to pour
from an empty wound

but the white knight
did not advance
just sat quietly
in saddle
waiting for a chance
for the black knight
to fall, stricken by
a ghostly lance
It was the white knights
chance, to catch him
as he tumbled
and fell

and there I dwell
inside your mind
you tumbled and fell
*I caught you in time
It's been a bad day...
She begs him to stop
Her throat raw and aching
She scratches at his face
Her strength rapidly fading

The realisation is sudden
It hits her painfully enhanced
All control is lost
He's the one in command

She automatically retreats
Into the back recesses of her subconsciousness
Her body is no longer hers
She trusted the wrong man and this is the consequence
the consequence of trusting the wrong man
Anna Patricia Aug 2014
The difference between my consciousness and subconsciousness is so severe,
So severe I fear I must sever the tie between the two.
Two halves of a whole that is me.

One says, "Be happy! Why not?"
And the other says, "Be happy why? Not!"
I feel the weight of the disagreement and I can't wait for it to stop.

My left hand holds the cake,
As the blade in the right "accidentally" slices my left wrist instead.

This fight within myself has left me battle scarred,
But the battle scars on my wrists and thighs
Are no match for the scars on my heart.
Vernarth passed his house, opening his skylight, he soon felt that his parents were fighting, being able to realize that those aggressive words came from generational hindrances that anticipated the luminous tubular Omega, in the global level split from its lower part, (ω) above and it happens at the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate from the metric unit of the numeral Myriaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand less than the horsemen, total thirty-seven thousand less than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriad Myriaz of Falangists undermined by their Xifos in the area of the right instep of each man faithful under his command, before facing the Achaemenides. Being Omega and Micrón in the warlike primer of their cause, within the prophetic in all necropolis of tiny omega (ω), towards an Omega that reaffirmed the upright hand in Saint John the Apostle to rewrite the Apocalypse twice, being the same one but with the voice of Vernarth commanding the ten thousand Falangists, who made up the inter-generational gaps, but of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride chloride, at solid angles of Ω, in what was Virgo institutionum / Oarion-entity that was intruded by the projections and leaks that converged on the strut of the omphalos of his celestial father dealing in frequency and bleeding of immortality, becoming from a helper to the planes of subconscious reprogramming and perspective. With his arms raised, and in each hand a sword raised to pierce the vanishing point, between the spaces that were assigned, under the solid projection, from an observer that inhibits ad limit the biomass in all the masses of aqueous filter and lumens, towards the throne of the angelic guardian of avant-guard by the stereotype and the sclerosis of Zeus in dissociated physicality, even though it is an amorphous entity and with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in his humanoid apocalypse transfigured from a solid point in Hyperdisis as a direct escape settlement to Oarion, towards a conical vestige surface in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse.

Vernarth distracted the emeritus stars in the corner of his room and in the convexality of the points of his celestial parents in conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from his common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions as a culmination of imagination and apparent angles, viewed from any point the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth sang with Sophocles in choruses after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing the hemo-verses with his own blood, which traveled meters and that shrunk from the anti-verses, scarring their declaimed intra-breath, in choruses that only the wind clarifies of what precedes and happens towards suffering, in the metrics of the Areimos chorus that lectured anti-verses, which they tried to ****** from his hands to Sophocles, in the immortality that refined him by abandoning him in sub-units. With masks and mythical cycles he mixed the metaphorical facsimile of the momentum of separation of friendship with him, seeing it in an episode of his works, and instead of Vernarth's transcript, sheltering origins of volatilization in his choirs, converted into physical waves of a dramatic order -oracular. Gods re-transformed into divination and futuristic germination, who hid asleep and forgotten in a time of subconsciousness of the Selenite heritage, felt in Colossi of signs of parliamentary, where the oracle leans on the lines of the vibrational words and how they cough their " páthis ”in the place that speaks the language dissociated from the heart nucleus. In misguided divination, the oracular mantic brought the cold of solitude and the heat of fire that divines the forests on laurels of oracular daphnomancy, towards the ironies that banish the degrading systematized of frantic nervous suffering, burning in defaults of neurasthenia, before an omega elixir and neuro-analysis, given the ontogenetic passions, before cutting the nasal protrusion that crosses the fallopian tube, for the healing by fragmenting with the smell the existence of other genetic amphibologies of myth-genia, and that bifurcate the challenge of anger and disappointment of taking him with him in this suffering, taken from smell to disenchantment after thousands of unfortunate lunations against the tósigo that fills with appetite and perfidious reptile, on who walks on our destiny without knowing who it is that creeps.
Vernarth omega sets himself up as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein on the alert of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography of ancients traveling in disintegrated emotionality and ****** Hellenic neurotransmission, “Two men omega in omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure for tripartite meso-form and roughing of routine Alzheimer's losses, lost in routines of the sympathetic and para-sympathetic, with the probability of loss of Hellenic gray matter; that is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours and hours of vehemence, with brightened dangers of reliving umpteenth times in the twilight of omega, transcript and biological bend towards the man heavy with anguish, and more distant in all the lacerated ones that have mutilated or almost mutilated the conversion of the sternocleidomastoid, crushing the shoulders and the magical healing on the nasal sinuses, which strangle the pains in the face of selective suffering, indicative of rational martyrdom and temporary unhappiness in " extreme combat of dissatisfaction ”, allowing to channel resilient neurons that transit towards the neck for reasons that not even the neck understands, lobbing as it is not foreshadowed, neither in oracle, nor in its frustrating focal matter.
Vernarth, was already narrowing on the tracóntero Eurídice, to save his pains, deposed in terms that would renew anti economies of supplying unsustainable liquefactions and synaptic melts, extra energized of molds of purely natural law of the eyebrows and lunation that rests in the inter millennium, beating with ecstasy in the Buddhist Suttas, and in the adaptation of the flesh in the hypersonic fissures of the Metelmi and in the attachments that still beat on the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and cuts it over the Sutta or sermon that imitated the lunation to the compass, making this a sabotage of redemption and anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overestimating the tricks of the same utilitarian tragedy, defeating itself in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of joy.
From here Vernarth opens the gates of hell, eight hundred times going mad with omega value, which by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and in a body-only Asleep of omega concavity, superimposed on golden transfinite chests, which rearrange the natural numerals with those of transfinite ordinal omega, but on frictionless wheels of other omegas that break the recirculation rules on Alpha, on supra Omega levels like Parados -Estásimos- Episode and paradigmatic Exodus Vernarth-Omega.

Prologue Omega I:

Once upon a time, amidst the rain of clouds full of drama, in a time that was of the oriented regime of the Subacal of Betelgeuse and Aorion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternating event of imprisoning past and future in an episode of the present act. The expectant was curious about the retouched makeup and superlative consonant of the drama, in a disembodied place, but with a good narrative source to bring it to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Isimous.

Párodo I: "For the submissive words in the proscenium of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames by unequal numbers, peoned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers
and Dionysian dances holding on to the Pufios; in Baquiana and ceremonial liturgy near Vernarth, taking every seven minutes a glass of animadversion, in the tasting of his little finger, which screamed of organic pimping, together with the dancers raising one arm and directing the palm towards the sky, while the other remained down with the palm facing the ground; in this position that was already like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter and from autumn to winter in fifteen times agreed with Sophocles, hanging from the third to last towards the entrance with his trembling voice desalted..., swallowing in his own tragedy)

Esthasimo II: "Through the right half body, Vernarth intoned what his laterality exposed him in harsh gloom, as Hera brandished oats and sweets clouds over his existentialism, which in the homily liturgy personified the stasis, in between coral bearing his hands enraged with tragic passion in his frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes of stirring up "

(Vernarth says: “submitted to parts that are not its parts because my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as an applauded public are invested, who sentence the opposition of other lesser stars than They cheer what does not shine. The principle of the voice violates the normal parenthesis, which is governed by the omega voice, mocked in a modal by four magistrates, in the martyrdom of an idea of the procession, each one wearing his toga of super deprivation, before me that I will not be the one who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of the judgment, of him that they annul the first, the coryphaeus directs his promenade from the countryside on his Alikanto Horse"

(Vernarth says: “I have instantiated the steps that in the future my chestnut crossed with you if I am to sing with a sorrowful voice, no choir will be able to follow me when you are no longer there. However, I have to guide what personifies who more than a thousand miles carries with him the chandelier that opens the light of your gazapa gaze... "

Alikanto wailing says: "From the luster of your heartbeats, I dazzled the jailer from your ribs, for the preference of those who take you even further in stormy prose pro-agonist"

Exodus I: “Sometimes the endings smell like lavender fields, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the afternoon dialogues with their twilight, as well as stanzas that smell of anointing of lavenders, separated into syllables and tonic that arch my charm, not to say that I was anointed with Lavender as a child "
(In fifteen times, and syllables and rakes, they are sterilized in the sentences of their paragraphs, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the stasis that never purged the omission of the syllable that is not proscenium or trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)
Vernarth Omega (Ω) - Preface / Part 19
Melanie Kate Sep 2012
/
                         I

I woke up this morning: pale, blue dawn - winter comes.
The sound of your breath all around me, lingering.
Your warmth, tucked beside me.
My eyes fluttering while rolling over -
                                                               You are not there, of course.

Slowly the blinking - the glare of daylight;
Slowly the silence - warning: it's too early.
Quickly the snuggle against a pillow barricade:
Like a jolting disturbance - dreaming resumes.
                                                               Faint shivers, warm touches fading.


Sleep numbs the world into safety once more.


                                   II

A gloomy afternoon, pouring rain,
the smell of wet streets, coolly pressing my skin.
I tug the fleece over nodding muscles: gone.
Then -
                                                                ­an echoing ripping me into the falling rain.

A voice that is yours in subconsciousness-
I hear you within these walls: my heart pounds.
Sleep ruptured and dreams dissolve;
You are not here amongst the rain:
                                                           ­     And, I am not soaked because of the downpour outside.


                                   III

There's no one here.
Just a bird beyond the window.

Where are you, then?
You used to be here, I recall.
Or were you...
                                                          ­      were you ever really here at all?


                                   IV
Some days are like this:
awakening, reaching for your hand;
slumbering wears off with each blinking second:
And I forget you inside fading dreams.
I get up to face my days,
                                                           ­     feeling like there is no one I miss.                                                     \
(c) Mkd 2012
Brycical Apr 2012
I don't know you that well.

Aside from small brushes of conversation
and the neo-classical poetry you gracefully
whisper through whatever cloud your laptop lays upon.

I only mention this as you probably
know about 2% less about my life
than my best friend, Joshua Wade.

You have also inspired
one of the greatest Lapis Lazuli truths
from within my being to burst through
the world twirling in subconsciousness
until speaking to you Rose Quartz crystalized it...
Your creative confidant,
~The Bryce Post
Shall I die victim to the terrors I have anticipated

Those that creep by a scarlet moon at midnight

The terrors that return me

To the deep waters of my subconsciousness

Terrors that trickle and trail and impart no sound

Yet emphasize their dark, violent and repressive potential

Oh those terrors that stalk, that follow

Whose shadow can be diserned behind every door and on every stair

That lay me impoverished of courage and ridiculed of depiction

I shall die by these terrors who with want of word

Spread upon me such vicious energies that enact

An intence and exhausting experience

Terrors that empahasie a mind spiraling

Vertiginously toward an unknown chaos

Shall I die, victim to the terrors I have anticipated

I shall, shall I not, I know I shall
I've been told about your scars.
That have never been spoken of, like problems in the vatican.
Like problems we have all, scars we all have.
You are killing me.

I've been told you have some pains.
In your muscles and bones that subconsciously stretch.
Like subconsciousness that stretches.
You are making my pains stretch.

I've been told you have now prints.
In your thumbs like passports for journeys.
So close I want you, all alone you travel.
You are killing me with your prints.

I've been told about you bursting.
And the rage that goes along, like some stars do at night.
Like stars that burst just like you do.
Your bursts that **** me, they literally **** me.
Micheal Bevan Jul 2010
Upon the edge of hidden worlds,
I am temptress to my own,
Endless abandon in abundance,
In this loss I call home.

It's called subconsciousness,
Subject only to abstract,
I am witness and betrayer,
It recoils, reacts,
In a way of profound precision,
Butterfly incision.

Winged whim,
I got lost,
But was found again,
Within.

Shadow like blood,
Dripped from my finger tips,
Down the length of my hand,
From where the metal slips,
And digs,
Finding oil,
I react,
Recoil.

I'm bleeding,
I was meant to,
I didn't mean it,
That wasn't true.

Butterfly incision,
Madness precision,
I unravel,
Recoil,
Rebound,
And boil.

I am the blood of a shadow,
Whose door I dare knock,
Who has granted me its time,
But it ticks,
And it tocks.

It's fate,
Were fate death
So kindly seen,
And I,
Puppet to the piece,
***** and unclean,
Dance a pirouette,
Every step,
I forget,
The value of self,
The face or the hand,
Second sided shelf,
Where we understand,
No one knocks,
While time ticks,
While time tocks.

I drift and slip,
With every drop from my finger tips,
And stare at death while it smiles,
Bleeding teeth and ****** lips,
Winged whim
And a moments while.

A twist and turn,
Contortion spin and contended twirl,
Falling silent and forever,
Upon the edge of hidden worlds.

— The End —