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(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
F White Mar 2015
vines on the stone
And you are Here
staring into future mirrors
and pebbles on the path
pass and scatter

grooves run through the sand
and under your feet they
are soft.

so choose now, Fierce One. and
hold yourself aloft.
copyright fhw, 2015
For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless
lust
Ablaze to annihilate Will, to crumble my being to dust,
To calcine the dust to an ash, to burn up the ash to an air,
To abolish the air with a flash of the final, the fulminant
flare.
All this I have done, and dissolved the primordial germ
of my thought;
I have rolled myself up, and revolved the wheel of my
being to Naught.
Is there even the memory left? That I was, that I am?
It is lost.
As I utter the Word, I am cleft by the last swift spear of
the frost.
Snow! I am nothing at last; I sit, and am utterly still;
They are perished, the phantoms, and past; they were
born of my weariness-will
When I craved, craved being and form, when the con-
sciousness-cloud was a mist
Precurser of stupor and storm, when I and my shadow
had kissed,
And brought into life all the shapes that confused the
clear space with their marks,
Vain spectres whose vapour escapes, a whirlwind of
ruinous sparks,
No substance have any of these; I have dreamed them in
sickness of lust,
Delirium born of disease-ah, whence was the master,
the "must"
Imposed on the All? is it true, then, that
something in me
Is subject to fate? Are there two, after all,
that can be?
I have brought all that is to an end; for myself am suffic-
ient and sole.
Do I trick myself now? Shall I rend once again this
homologous Whole?
I have stripped every garment from space; I have
strangled the secre of Time,
All being is fled from my face, with Motion's inhibited
rime.
Stiller and stiller I sit, till even Infinity fades;
'Tis an idol-'tis weakness of wit that breeds, in inanity,
shades!
Yet the fullness of Naught I become, the deepest and
steadiest Naught,
Contains in its nature the sum of the functions of being
and thought.
Still as I sit, and destroy all possible trace of the past,
All germ of the future, nor joy nor knowledge alive at the
last,
It is vain, for the Silence is dowered with a nature, the
seed of a name:
Necessity, fearfully flowered with the blossom of possible
Aim.
I am Necessity? Scry Necessity mother of Fate!
And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest
star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and
of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare
to exist-
I have made the Voyage of Thought, the Voyage of Vision,
I swam
To the heart of the Ocean of Naught from the source of
the Spring of I am:
I know myself wholly the brother alike of the All and the
One;
I know that all things are each other, that their sum and
their substance is None;
But the knowledge itself can excel, its fulness hath broken
its bond;
All's Truth, and all's falsehood as well, and-what of the
region beyond?
So, still though I sit, as for ever, I stab to the heart of my
spine;
I destroy the last seed of endeavour to seal up my soul
in the shrine
Of Silence, Eternity, Peace; I abandon the Here and the
Now;
I cease from the effort to cease; I absolve the dead I from
its Vow,
I am wholly content to be dust, whether that be a mote
or a star,
To live and to love and to lust, acknowledge what seem
for what are,
Not to care what I am, if I be, whence I came, whither go,
how I thrive,
If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough. I am part of a glorious
game.
Am I cast for madness or love? I am cast to esteem them
the same.
Am I only a dream in the sleep of some butterfly?
Phantom of fright
Conceived, who knows how, or how deep, in the measure-
less womb of the night?
I imagine impossible thought, metaphysical voids that
beget
Ideas intagible wrought to things less conceivable yet.
It may be. Little I reck -but, assume the existence of
earth.
Am I born to be hanged by the neck, a curse from the
hour of my birth?
Am I born to abolish man's guilt? His horrible heritage,
awe?
Or a seed in his wantoness spilt by a jester? I care not
a straw,
For I understand Do what thou wilt; and that is the whole
of the Law.
Michael R Burch Apr 2020
iou
iou
by michael r. burch

i might have said it
but i didn’t

u might have noticed
but u wouldn’t

we might have been us
but we couldn’t

u might respond
but probably shouldn’t

Keywords/Tags: iou, chit, debenture, bill, debt, relationship, lovers, impasse, silence, golden, I, owe, you, borrower, lender, Polonius, collectible, mrbiou



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem―where it led

(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
―in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end―
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:
"If these words
be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!"
Write till sleep:
it’s the leap
only Talent allows.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.



Burn, Ovid
by Michael R. Burch

“Burn Ovid”—Austin Clarke

Sunday School,
Faith Free Will Baptist, 1973:
I sat imagining watery folds
of pale silk encircling her waist.

Explicit *** was the day’s “hot” topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, *******, ******.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her ******* rise pointedly,
as if indicating a direction?

“Come unto me,
(unto me),”
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade. Another poem, "*** 101," was also written about my experiences at FCA that year.



*** 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina ...

Where we sat exhausted
from the day’s skulldrudgery
and the unexpected waves of muggy,
summer-like humidity ...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections ...

The most unlikely coupling—

Lambert, 18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning ...

Beside him, Wanda, 13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving ...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew ...

that love is a forlorn enterprise,
that I would never understand it.



Styx
by Michael R. Burch

Black waters, deep and dark and still . . .
all men have passed this way, or will.

I wrote the poem above as a teenager in high school. The lines started out as part of a longer poem, but I thought these were the two best lines and decided to let them stand alone on the principle that "discretion is the better part of valor."



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair:
long, ravenblack & melancholy.

Many suitors drowned there:
lost, unaware
of the length & extent of their folly.

Originally published by Grand Little Things



At Cædmon’s Grave
by Michael R. Burch

“Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon’s ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



Cædmon’s Face
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and Time blew all around,
I paced that dusk-enamored ground
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked here too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon’s ember:
scorched tongues of flame words still engender.



He wrote here in an English tongue,
a language so unlike our own,
unlike—as father unto son.

But when at last a child is grown.
his heritage is made well-known:
his father’s face becomes his own.



He wrote here of the Middle-Earth,
the Maker’s might, man’s lowly birth,
of every thing that God gave worth

suspended under heaven’s roof.
He forged with simple words His truth
and nine lines left remain the proof:

his face was Poetry’s, from youth.



Song from Ælla: Under the Willow Tree, or, Minstrel's Song
by Thomas Chatterton, age 17 or younger
modernization/translation by Michael R. Burch

O! sing unto my roundelay,
O! drop the briny tear with me,
Dance no more at holy-day,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow tree.

Black his crown as the winter night,
White his skin as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
My love is dead,
Gone to his death-bed
All under the willow tree.

Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O! he lies by the willow tree!
My love is dead,
Gone to his death-bed
All under the willow tree.

Hark! the raven ***** his wing
In the briar'd dell below;
Hark! the death-owl loudly sings
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.

See! the white moon shines on high;
Whiter is my true love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed
All under the willow tree.

Here upon my true love's grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coolness of a maid:
My love is dead,
Gone to his death-bed
All under the willow tree.

With my hands I'll frame the briars
Round his holy corpse to grow:
Elf and fairy, light your fires,
Here my body, stilled, shall go:
My love is dead,
Gone to his death-bed
All under the willow tree.

Come, with acorn-cup and thorn,
Drain my heart’s red blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed
All under the willow-tree.

Water witches, crowned with plaits,
Bear me to your lethal tide.
I die; I come; my true love waits.
Thus the damsel spoke, and died.

The song above is, in my opinion, competitive with Shakespeare's songs in his plays, and may be the best of Thomas Chatterton's so-called "Rowley" poems. The fact that Chatterton wrote it in his teens is astounding.



An Excelente Balade of Charitie (“An Excellent Ballad of Charity”)
by Thomas Chatterton, age 17
modernization/translation by Michael R. Burch

As wroten bie the goode Prieste
Thomas Rowley 1464

In Virgynë the swelt'ring sun grew keen,
Then hot upon the meadows cast his ray;
The apple ruddied from its pallid green
And the fat pear did extend its leafy spray;
The pied goldfinches sang the livelong day;
'Twas now the pride, the manhood of the year,
And the ground was mantled in fine green cashmere.

The sun was gleaming in the bright mid-day,
Dead-still the air, and likewise the heavens blue,
When from the sea arose, in drear array,
A heap of clouds of sullen sable hue,
Which full and fast unto the woodlands drew,
Hiding at once the sun's fair festive face,
As the black tempest swelled and gathered up apace.

Beneath a holly tree, by a pathway's side,
Which did unto Saint Godwin's convent lead,
A hapless pilgrim moaning did abide.
Poor in his sight, ungentle in his ****,
Long brimful of the miseries of need,
Where from the hailstones could the beggar fly?
He had no shelter there, nor any convent nigh.

Look in his gloomy face; his sprite there scan;
How woebegone, how withered, dried-up, dead!
Haste to thy parsonage, accursèd man!
Haste to thy crypt, thy only restful bed.
Cold, as the clay which will grow on thy head,
Is Charity and Love among high elves;
Knights and Barons live for pleasure and themselves.

The gathered storm is ripe; the huge drops fall;
The sunburnt meadows smoke and drink the rain;
The coming aghastness makes the cattle pale;
And the full flocks are driving o'er the plain;
Dashed from the clouds, the waters float again;
The heavens gape; the yellow lightning flies;
And the hot fiery steam in the wide flamepot dies.

Hark! now the thunder's rattling, clamoring sound
Heaves slowly on, and then enswollen clangs,
Shakes the high spire, and lost, dispended, drown'd,
Still on the coward ear of terror hangs;
The winds are up; the lofty elm-tree swings;
Again the lightning―then the thunder pours,
And the full clouds are burst at once in stormy showers.

Spurring his palfrey o'er the watery plain,
The Abbot of Saint Godwin's convent came;
His chapournette was drenchèd with the rain,
And his pinched girdle met with enormous shame;
He cursing backwards gave his hymns the same;
The storm increasing, and he drew aside
With the poor alms-craver, near the holly tree to bide.

His cape was all of Lincoln-cloth so fine,
With a gold button fasten'd near his chin;
His ermine robe was edged with golden twine,
And his high-heeled shoes a Baron's might have been;
Full well it proved he considered cost no sin;
The trammels of the palfrey pleased his sight
For the horse-milliner loved rosy ribbons bright.

"An alms, Sir Priest!" the drooping pilgrim said,
"Oh, let me wait within your convent door,
Till the sun shineth high above our head,
And the loud tempest of the air is o'er;
Helpless and old am I, alas!, and poor;
No house, no friend, no money in my purse;
All that I call my own is this―my silver cross.

"Varlet," replied the Abbott, "cease your din;
This is no season alms and prayers to give;
My porter never lets a beggar in;
None touch my ring who in dishonor live."
And now the sun with the blackened clouds did strive,
And shed upon the ground his glaring ray;
The Abbot spurred his steed, and swiftly rode away.

Once more the sky grew black; the thunder rolled;
Fast running o'er the plain a priest was seen;
Not full of pride, not buttoned up in gold;
His cape and jape were gray, and also clean;
A Limitour he was, his order serene;
And from the pathway side he turned to see
Where the poor almer lay beneath the holly tree.

"An alms, Sir Priest!" the drooping pilgrim said,
"For sweet Saint Mary and your order's sake."
The Limitour then loosen'd his purse's thread,
And from it did a groat of silver take;
The needy pilgrim did for happiness shake.
"Here, take this silver, it may ease thy care;
"We are God's stewards all, naught of our own we bear."

"But ah! unhappy pilgrim, learn of me,
Scarce any give a rentroll to their Lord.
Here, take my cloak, as thou are bare, I see;
'Tis thine; the Saints will give me my reward."
He left the pilgrim, went his way abroad.
****** and happy Saints, in glory showered,
Let the mighty bend, or the good man be empowered!

TRANSLATOR'S NOTES: It is possible that some words used by Chatterton were his own coinages; some of them apparently cannot be found in medieval literature. In a few places I have used similar-sounding words that seem to not overly disturb the meaning of the poem. ― Michael R. Burch



***** Nilly
by Michael R. Burch

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments



Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility ...

when we might have made ...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Dawn
by Michael R. Burch

for Beth, Laura, and all good mothers

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.

Amen

Originally published by The Lyric



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.

Originally published by The Lyric



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs―white―baring,
revealing her lust,
and her eyes, pale, staring ...



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them ...
sunlight, or a stake, or a cross―such common things.
Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, the more he prays to find us ...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.

Published by Monumental Moments (Eye Scry Publications), Weirdbook, Gothic Fairy, Dracula and His Kin, NawaZone and Raiders’ Digest



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

This poem was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



Ode to the Sun
by Michael R. Burch

Day is done...
on, swift sun.
Follow still your silent course.
Follow your unyielding course.
On, swift sun.

Leave no trace of where you've been;
give no hint of what you've seen.
But, ever as you onward flee,
touch me, O sun,
touch me.

Now day is done...
on, swift sun.
Go touch my love about her face
and warm her now for my embrace,
for though she sleeps so far away,
where she is not, I shall not stay.
Go tell her now I, too, shall come.
Go on, swift sun,
go on.

Published by The Tucumcari Literary Review. I believe I wrote this poem toward the end of my senior year in high school, around age 18, during my early Romantic Period. Keywords/Tags: Ode, Romantic, Love, Lover, Sun, Time, Night, Sleep, Dreams, mrbiou



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Resemblance
by Michael R. Burch

Take this geode with its rough exterior—
crude-skinned, brilliant-hearted ...

a diode of amethyst—wild, electric;
its sequined cavity—parted, revealing.

Find in its fire all brittle passion,
each jagged shard relentlessly aching.

Each spire inward—a fission startled;
in its shattered entrails—fractured light,

the heart ice breaking.

Originally published by Poet Lore as “Geode”



Geode
by Michael R. Burch

Love—less than eternal, not quite true—
is still the best emotion man can muster.
Through folds of peeling rind—rough, scarred, crude-skinned—
she shines, all limpid brightness, coolly pale.

Crude-skinned though she may seem, still, brilliant-hearted,
in her uneven fissures, glistening, glows
that pale rose: like a flame, yet strangely brittle;
dew-lustrous pearl streaks gaping mossback shell.

And yet, despite the raggedness of her luster,
as she hints and shimmers, touching those who see,
she is not without her uses or her meanings;
in all her avid gleamings, Love bestows

the rare spark of her beauty to her bearer,
till nothing flung to earth seems half so fair.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair—
unaccountably glowing?
How can you be sure of my heart
when it’s beyond my own knowing?
Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?
Now I am truly lost!



PLATO TRANSLATIONS

These epitaphs and other epigrams have been ascribed to Plato...

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
—Michael R. Burch, after Plato

We left the thunderous Aegean
to sleep peacefully here on the plains of Ecbatan.
Farewell, renowned Eretria, our homeland!
Farewell, Athens, Euboea's neighbor!
Farewell, dear Sea!
—Michael R. Burch, after Plato

We who navigated the Aegean's thunderous storm-surge
now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, renowned Eretria, our homeland!
Farewell, Athens, nigh to Euboea!
Farewell, dear Sea!
—Michael R. Burch, after Plato

This poet was pleasing to foreigners
and even more delightful to his countrymen:
Pindar, beloved of the melodious Muses.
—Michael R. Burch, after Plato

Some say the Muses are nine.
Foolish critics, count again!
Sappho of ****** makes ten.
—Michael R. Burch, after Plato

Even as you once shone, the Star of Morning, above our heads,
even so you now shine, the Star of Evening, among the dead.
—Michael R. Burch, after Plato

Why do you gaze up at the stars?
Oh, my Star, that I were Heaven,
to gaze at you with many eyes!
—Michael R. Burch, after Plato

Every heart sings an incomplete song,
until another heart sings along.
Those who would love long to join in the chorus.
At a lover's touch, everyone becomes a poet.
—Michael R. Burch, after Plato

NOTE: I take this Plato epigram to be an epithalamium, with the two voices joining in a complete song being the bride and groom, and the rest of the chorus being the remainder of the wedding ceremony.

The Apple
ascribed to Plato
loose translation/interpretation by Michael R. Burch

Here's an apple; if you're able to love me,
catch it and chuck me your cherry in exchange.
But if you hesitate, as I hope you won't,
take the apple, examine it carefully,
and consider how briefly its beauty will last.



Bubble
by Michael R. Burch

...…..….........Love
..…......fragile elusive
.......if held ... too closely
....cannot............withstand
..the inter..................ruption
of its............................…bright
..unmalleable.............­tension
....and breaks disintegrates
..…...at the............touch of
....…....an undiscerning
.....................hand.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: "Frail things must break!"
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



Dream House
by Michael R. Burch

I have come to the house of my fondest dreams,
but the shutters are boarded; the front door is locked;
the mail box leans over; and where we once walked,
the path is grown over with crabgrass and clover.

I kick the trash can; it screams, topples over.
The yard, weeded over, blooms white fluff, and green.
The elm we once swung from leans over the stream.
In the twilight I cling with both hands to the swing.

Inside, perhaps, I hear the telephone ring
or watch once again as the bleary-eyed mover
takes down your picture. Dejected, I hover,
asking over and over, “Why didn’t you love her?”



“Was gesagt werden muss” (“What must be said”)
by Günter Grass
loose translation/interpretation by Michael R. Burch

Why have I remained silent, so long,
failing to mention something openly practiced
in war games which now threaten to leave us
merely meaningless footnotes?

Someone’s alleged “right” to strike first
might annihilate a beleaguered nation
whose people march to a martinet’s tune,
compelled to pageants of orchestrated obedience.
Why? Merely because of the suspicion
that a bomb might be built by Iranians.

But why do I hesitate, forbidding myself
to name that other nation, where, for years
―shrouded in secrecy―
a formidable nuclear capability has existed
beyond all control, simply because
no inspections were ever allowed?

The universal concealment of this fact
abetted by my own incriminating silence
now feels like a heavy, enforced lie,
an oppressive inhibition, a vice,
a strong constraint, which, if dismissed,
immediately incurs the verdict “anti-Semitism.”

But now my own country,
guilty of its unprecedented crimes
which continually demand remembrance,
once again seeking financial gain
(although with glib lips we call it “reparations”)
has delivered yet another submarine to Israel―
this one designed to deliver annihilating warheads
capable of exterminating all life
where the existence of even a single nuclear weapon remains unproven,
but where suspicion now serves as a substitute for evidence.
So now I will say what must be said.

Why did I remain silent so long?
Because I thought my origins,
tarred by an ineradicable stain,
forbade me to declare the truth to Israel,
a country to which I am and will always remain attached.

Why is it only now that I say,
in my advancing age,
and with my last drop of ink
on the final page
that Israel’s nuclear weapons endanger
an already fragile world peace?

Because tomorrow might be too late,
and so the truth must be heard today.
And because we Germans,
already burdened with many weighty crimes,
could become enablers of yet another,
one easily foreseen,
and thus no excuse could ever erase our complicity.

Furthermore, I’ve broken my silence
because I’m sick of the West’s hypocrisy
and because I hope many others too
will free themselves from the shackles of silence,
and speak out to renounce violence
by insisting on permanent supervision
of Israel’s atomic power and Iran’s
by an international agency
accepted by both governments.

Only thus can we find the path to peace
for Israelis and Palestinians and everyone else
living in a region currently consumed by madness
―and ultimately, for ourselves.

Published in Süddeutschen Zeitung (April 4, 2012). Günter Wilhelm Grass (1927-) is a German-Kashubian novelist, poet, playwright, illustrator, graphic artist, sculptor and recipient of the 1999 Nobel Prize in Literature. He is widely regarded as Germany's most famous living writer. Grass is best known for his first novel, The Tin Drum (1959), a key text in European magic realism. The Tin Drum was adapted into a film that won both the Palme d'Or and the Academy Award for Best Foreign Language Film. The Swedish Academy, upon awarding Grass the Nobel Prize in Literature, noted him as a writer "whose frolicsome black fables portray the forgotten face of history."



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



Love Unfolded Like a Flower
by Michael R. Burch

Love unfolded
like a flower;
Pale petals pinked and blushed to see the sky.
I came to know you
and to trust you
in moments lost to springtime slipping by.

Then love burst outward,
leaping skyward,
and untamed blossoms danced against the wind.
All I wanted
was to hold you;
though passion tempted once, we never sinned.

Now love's gay petals
fade and wither,
and winter beckons, whispering a lie.
We were friends,
but friendships end . . .
yes, friendships end and even roses die.



Orpheus
by Michael R. Burch

for and after William Blake

I.
Many a sun
and many a moon
I walked the earth
and whistled a tune.

I did not whistle
as I worked:
the whistle was my work.
I shirked

nothing I saw
and made a rhyme
to children at play
and hard time.

II.
Among the prisoners
I saw
the leaden manacles
of Law,

the heavy ball and chain,
the quirt.
And yet I whistled
at my work.

III.
Among the children’s
daisy faces
and in the women’s
frowsy laces,

I saw redemption,
and I smiled.
Satanic millers,
unbeguiled,

were swayed by neither girl,
nor child,
nor any God of Love.
Yet mild

I whistled at my work,
and Song
broke out,
ere long.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Published as the collection "IOU"
Tammy Boehm Oct 2014
This peace you offer
Pinioned prayers and platitudes
Scry in the mercury shattered
Your brittle whispers snap in the rarified air

This madness is thunder at the back of my throat
Ragged and storm weary
I tread water in your wake
Spin my tahrihim and trim the fringe
I am the terminus of fragile breath
Falling away from you

Benedicimus Deum meum adventum et egrediente
There is solace in the blind blue moments
Let me surrender
To the baptism of despair
The upwelling catechism of deliquescence

Souls fall clutching the flesh
Gasping for one more shredding dream
Fill the spinnaker and set sail

I am no longer a seaworthy vessel
This tethered hope you offer
Stinging nettles in my mouth
On flitting wings
Is the drone of hornets in my hair

I crave
Oblivion
And you are bound to your promise
It is my free will

To let go...

06/12/12
TL Boehm

God bless my coming and my going out
*melt away/decay
Eliza Fairchild Apr 2016
The landscape streaks by,
a slow shift from city streets to mountain passes.
There is a whole world for my eye to scry,
answers are hidden in grassy knoll not university classes.

You have to be stable like a tree,
a stalwart sensor of your surrounding
Find an equilibrium with the world and let your soul free.

You'd be careful not to pry,
whether among-st the sky or grasses
the world has ways to make you cry
but with time all pain passes.
Esherymack May 2014
sometimes, late at night
i lie awake, or sit, or even dance
i do not "sleep"
i might drowse, or snooze,
but only temporary reprive-
The Dark
holds its monsters and
pattering, clawed steps
outside of my candlelit chambers
and beyond the fragile makebelieve walls
of my lurking consciousness-
     light a candle.
     burn the Night.
     Smolder your eyes upon the smoke
banish my fears, faint light-
but do not destroy my peace-
morning Light, cast not your hands over
this black scry-stone!
Look but so gently into the Dark's swirling
and staring stars
down upon a ritual laid bare-
agate eyes upon the crown
upon the head of the young Oracle
a story for another time, a
prayer for a beating heart
in another place,
another darkened midnight womb
or perhaps an obsidian tomb--.
fill a chalice and not a mind
tip the contents to then find
a wandering flame spread to the wind
devouring those violent souls that have sinned
as such, topics change like Gaia
dear, as such my mind roams when
I cower in fear--.
in the imaginary arms of a
man I love, the one who can't be near.
Night sings a quiet song of insane
love and gentle terror, a soft-soft
sound that rings eternal
and lulls its listener not to sleep
but into a spell that gathers deep
within the core of the mind
behind the third,
before the eye,
but loud and deafening guilt
that keeps the shade-drawn witch
awake, and the quivering fear
racing in their youthful heart--.
Ladle the light of the stars above
into the cupped hands tonight
and sing the damnation back
to the groping clouds
on the black horizon, the violet and
blue and grey and white
swirling in cohesion and roaring into a wave of
conscious nightmares

i cannot deal with these thoughts
on my mind, resting upon
my heart
     my eyes
          my mind
               my very soul.
-the greybird
Ito Mar 2014
Promises* are meant to be broken,
the heart is *never
meant to be shattered,
you let me down,
you saw me as a clown,
now I own the town's crown.

For wherever you go there is betrayal,
I am pale,
your love is fatal,
but I am grateful.
The days bleed and go by,
you will cry,
you force me to scry.

Stay atop your spire,
while I admire,
I thought you had a lyre,
I realized you were a liar!
You were blinded by greed,
so take heed as I speed...
Remastered.  Originally titled "Shattered Dreams".
Silent Sanctuary Mar 2015
Oceans of if's running rough yet smoothly,
In a mind filled with diffidence and hesitance;
Far-flung revelries of reveries in thoughts acquiescently,
Yet a heart searching possibilities with such adamance.

Piercing emotions fleeting through a murky surface,
Lulling the deadened soul with such alluring beguile;
Limerence spurned, suddenly pervading transient abyss,
Denial in persistent negation of emotion's cavil.

Depths of stolen glances seeking truth beyond words,
Waiting for signs of undefined warm requitals.
Beyond observations, I've only seen fjords;
Chilly shoulders and disregarded affectionals.

Force your eyes and heart, my presence descry;
And let's have a dance until twilight and time recedes,
For might've we not a chance again, not even in a scry.
Lest make a foolish heart's wish finally give up and accede.

Despite all eyes looking at us,
Did you ever feel something special?
Mistake my intentions not, I don't desire a fuss.
But I only yearn to figure, if in your heart you've got a lovely fractal.

To depths and beyond, I covet to seek.
The precious brilliance of your cloaked human shades,
Filled with beauty offering silence and meek;
A plausible sanctuary for a soul as it ages and fades.
I often steal glances, yet I have no certainty if you do the same. Unrequited for sure. Requited? Maybe.
mike dm Dec 2015
i pick up the instrument
cold but not aloof
angle and roll my wrist
watching one thin voltage of line
zip up and down
from tapered metallic crown
to broad black foot

glint of bald brilliance
swimmingly alone
one singular streak so very true to itself
reacting to this act
uncut

struck
am i
by the lean careen
i am unstuck
agreeing to its scheme
exact
cupped

i fashion myself
written down
code scrolling upon my being
informing conduct
with form of fury
it glows with obligation
it knows no theory

i do not try
i let it scry  
history's sloughed golden bones
hover above vision's groan

i slip it in the inbetween
wings shook violent
no longer lame
ferocity of aha gained

two saturated pools
consent and
circle the hurt drain
only hue of heal of remains
Pride Ed Nov 2014
You are an aura; iridescent,
aglow with elemental purity.
Aether is your kingdom;
it’s subjects are the mists!

You are the day; bright,
possessive in your surroundings!
The prism is your charm;
it’s colors a decorative chain.

You are the night; mystifying,
obscure tempest of shadow.
The moon is your crystal ball;
you scry using the stars!

You are the seasons; ever-changing,
abundant, frail, and demanding.
The spring is your gift;
the winter is our atonement.
Wrote this for a image prompt on allpoetry.
John Darnielle Nov 2020
We sail we sleep we scry by land
We dig a pit beneath the sand
A place to keep the sun at bay
At dark we rise and find our way

With our faithful companion by our side
Put it all on the table and let it ride
Close to the drop-off on our long slide

The land we left becomes a dream
The ghosts we knew, they rise like steam
They leave some trails against the sky
All but invisible to the eye

With our faithful companion by our side
Put it all on the table and let it ride
Close to the drop-off on our long slide

Call off the search party,
Let mourners wail by the shore

Point to the spot where our ship disappeared
We're not coming home any more

Should you succeed and breach the coast
You tell your friends you've seen a ghost
You tell them all there's nothing here worth dying for
You leave it there

With our faithful companion by our side
Put it all on the table and let it ride
Close to the drop-off on our long slide
song from the new album, Getting into Knives
Oskar Erikson Jun 2017
"I mean we were destined to fail, I've read every card in the deck, scry'd every crystal in the store. Looked for meanings in the Stars, the tea, the cracks in the pavement. Fishbones, wishbones, my palms and the swirls at the back of my eyelids. Can't you see?"

"I see. The magpies came in two's."

"Exactly, there's happiness somewhere."

"Just not here."

**"Yes. Just not here."
I've picked up tarot reading again, missed it!
Michael R Burch Apr 2020
Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we fear the dark, but the light destroys them . . .
sunlight, or a stake, or a cross—such common things.
Still, late at night, when the bat-like vampire sings,
we heed his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he prays to find us,
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.

Published by Monumental Moments (Eye Scry Publications), Weirdbook, Gothic Fairy and Raiders’ Digest. Keywords/Tags: vampires, fragile, creatures, stake, cross, dark, darkness, light, bat, bat-like, shadows, fangs, pangs, prey, blood, lust, lusts, red, lips, night, voice, sings, darkness, evil, incarnate, soul, hell, tormented, pale, eyes
mike dm Aug 2016
i am the canary
in the binary
singing bars hard

distal phalanges
tap the app
till these trills mean something

the oolong tea leaves
in the bottom of the witch's teacup
told me doom and bloom

was nigh
as ****.

her words quavered
like dead grass clippings falling up
into the discerning violet scry
inscrutable mountain buddha
you have buried potent seeds
of your passion
in my heart's quivering
wet petals
red robed monks
carry my spirit on
a celestial palanquin
down a strange river
singing bowls, mist
and the flute's oblong scry
silently my Soul
chants your
name
Julian Sep 2020
Loony warbles creeping like a shark bite tucked into the night
I saute the solution of aghast has-been epigones filibustered brunt and brittle by hemlock aspirations of curated fright
Temulentia recognizes the sane from the inane and tragedy from travesty
Flowder imaginary crackjaw Samson skulls of donkeys dissuaded by varnished agony
Skipping through punctuated times the sheepish will profane me with beleaguered notions of time
Blind to the orbit of the eccentric zeitgeist of hopscotch chockablock cohorts deliverance finds no crime
Goose noose Howard Hughes wooden stilts of the gargantuan swerve
Only the alpenglow of hijacked jujitsu spar against redintegration of adversaries with penniless nerve
Sifting through the silt
I barnstorm the ire of glistened tribunes plagued with insipid promenades of set-up still-frame guilt
Enemies became friends deranged like roosters fleecing hens of henpecked anomaly grafted and built
The wasms of moribund prose absconding with latticework of lacrosse in vogue
Temperatures sweltering the quaky schleps of Maverick moons never more rogue
Flashbang grimace parched with slivers of an acclimated post-modern ******
Intimates the intimacy of the flock decorates bolted balderdash too winsome to deprive an earnest plea for peace and please
I conquer the wallbaggers of novantique with the temulentia of mystique
Rarely remanded by the cul-de-sacs of Giants demolishing social rust with a deteriorated sweep
Trip the jostled rhymes of confluency of rhapsody and rapture consummated by nickel gambols by design
Ridiculing the contumely of ragged turgid Reservoir Dogs canine to the itch of foggy moonshine
Yet I dance to the rhythm of a jockey mechanical when devoured by incarceration flimsy with attrition
Lurid livid welters sparkle in damsel jokes of remission against Back to Mine sequence counting Dracula by division
Outtatime in this march of Thriller sublime
Cornered by the otiose Chipotle of musty mangers of egalitarian grime
Blandished by shattered paradigm parallax in circumlocution by mirrored irony
Livid are tepid latticeworks of rax and sedition frozen by limpid “Teachers” piracy
Never was once forever in the dormant daydream
Seamstresses waltzed in autumn woods knowing Hoffa firebrands of wasted Scream
Bloodshot swank is a rackrent of cineaste rakes of dominions of half-baked dishes of disco zenkidu double-take
Limbering languidly through the procession of sectarians seceding from agitprop monopoly
Boarding the Ticket to Ride train authentic never squirmy with illusions of the fake
Slackened Eels slapstick the brackish bracket of appeasement in appeals
Confluence of formula endangered by euphoria that Limerick question is a grubbed dicey deal
Fortunate summit dreaded nadir
All that resides in throbbing hearts tethered like Four Squares littered with boondoggles of fear
Showcase the Shakespeare flown through rickets of balderdash as Bald Eagles the mascot of frisk and wretch
Time to own the Pony Show charade of a mimicry of dilettantes brave in the cradles of antiquity knowing rarely the mummification of symbolism of thirty years of slavery to hallow one veranda upon a kissed by an ***** rose starvation grave
Looted by the pernicious bootstraps of those computed
We ring true the epitaphs of Pine City Stage on the rundles of the marginalia that overflows with Ire refuted embarked on solid cremation for sagacity in tatters of rage denuded
Punctilious liars edgy in facetious gambols in Joker menace flushing hygiene for starlet screen
Malingering on quaffs of sedate aplomb yet to preen
Scrabble superlunary bastions of gabble and garb
The gawsy preternatural séance rather nimble to Duck the Badgers weaponized barb
Fustilugs congregate around ashen rot of cacophony marveling at temerity in contortion for epiphany
Episodic marvel of two lynched paragons of sweltered margins ribald at witwanton persiflage in a campaign for suffrage.
Defected fire crackling with the joy of cacophony
Relishing every maskirovka pedigree of rackrent sovereignty
Slipshod fustilugs burrow bilkey in doctored Hubbard hubs smoking gun for dwarfed sins of blinded light staring Poison Ivy Appetite for Destruction mainlined by profligate amphigory a splintered shard
Complexion fulminates AIM with scourges of backtrack upon backwater miracles of Lake Placid confusion
Envoys to scuttled aliens marauding like they own my street in distinct slender confection even as the odd berates my diffuse dissuaded cineaste direction
I slummock with the slurvian alveolate bonism of prized poverty for Pine City Stages a delope of antelopes torn asunder by the athletes of formidable retention
Minute Mayday MaiDEN curls the forelock of a tucked hedged blush of no greater stupidity than a furrow of piglets in the pews of lyrical surgery
Slowpoke in acerbic flavor I countermand the denizens of urged regency decapitated by orbit if not by ******
Consummated on every brain that God himself believes that liberation can entrust
Enthusiastic chameleon of Mojo Grooves for the languid auditorium of a Revered time behooved to the gallops of threshed figurative sloppy slush
Funded by killjoys emaciated by slippery lies on craven deposits of sedimentary inertia quelled by amusement, grounded into Orange Crush
Urbacity is the usucaption of illegitimate ******* filigrees Armed to the Teeth but respecting the Tree
Winsome is obligatory for a Winslet flippant elder quorums contemn as a malapropism for syndicated armory in chuckling White Broncos evading a Houston test in the gricers of Autumn Heaven lingering with germane plight only reserved for luxury at its best
Aborning sidereal alpine brevity is a scry of evidentiary might of totemic dissolution alchemy so bright
That the chalkboard erasure is a confabulation against simultagnosia in acidic Phuture Bound sight
Because Mission Impossible cavorts with the exotic frictions of the nefarious Biocyte
Trailblazing heydays memorializing an Alpha Bet for September 2004 maydays
Of the scriptural series of mishaps and misadventures for barley grain in deadstock Indiana Jones wayward wayspays
Time to count the Dracula of venom drenched from the aceldama of gritty Gurley lies of a city yet loved because too many oases are despised
But Westwood becomes Eastwood with ******* Grotto as the centripetal but monogamous prize
Hot Tub Time Machine soaring among the cognoscenti of burlesque organized ***** crimes of lullaby Manzarek disguise
So toast to the dead captain of the psychedelic fountain pen of revolution Lorraine Baines fields arise
Time is an adventure that blinks only secondary of truce rather than guarded sheepish mustache of panmixia in genocide widely guillotined without scruple for newsy folksy prejudice on gallywow pride
Yet the sentinels of dirigisme anoint the Caesar of Nostradamus infamy of a Deep Impact symphony
Heard by asteroids and asterisks lurking with Thriller to the end of time known only as enumerated infinity
But enough petty battles squandered on sinking U-Boats torpedoed like ransacked crambazzles from Tucker belligerent with a “War” burnt heated calentures of scorching torches of rigged Scarface cockroach
Because there is no elementary Zion that is chosen to emerge in the barnstorm of flukenhague fluke
Time to rest my laurels on the depredation of safety
Reminding with a glower that saving our city is not an Autopilot of Buccaneer Brady
For the Grand Master Architect is princely in Jerusalem but heralded in Mecca because for too many storks all they want is another baby.
And my answer is that my Terrier Bonds are shaken and stirred by many a yes, probably and maybe in that order of illusion shaken into cocktails of cobblestone gravy
The Soy Sauce livid on mistake exerts a dementia on attrition to enthuse Kansas City joy all too crazy
Swimming in an ocean of Carly Ray Jepsen "Calling Your Name" Queen of Highways' Titanic fortress of Armada music beating the Village People silly over their gabbles against Navy
Born and Raised in a Colorado Springs cage I am snake eyes without crafty disguise  in authenticity to a Patriot Point Break Heist  of the probable doubt of the Zany Billy Zane entrapment of prestige gone madcap with Raiders of never the ambitious but always the lazy
So meditate on my word crimes as I elude detection as Hawthorne Nevada alights with 200 earthquakes in two days in Gray design
Wow what a marvel it is to always know that  you are always Stayin' Alive as the splinter of time capitalizing on sensual crestfallen vibes of a pendulum tsunami "Us and Them" saw wavy
And to the 1776 practical joke that gouges Samson even when thousands of Philistines get crushed in delope
Consider this a declaration of war against your pathetic screwball maze of fog to make a sane man livid with a blushed bravery too fraternal to old craven owls of cruelty beyond the maze of convolution of Istanbul collectively shrouded by lies no stomached demise would appreciate for being gatekeepers of terminus exorbitantly hazy
Over Jan 2019
The most bitter
A bad tasting fruit
Too rare and rich
Unholy and otherworldly
Grows beneath a toxic soil
Lives at the heart of thorns
Bathes in the rays of a black sun
Drinks the bloods of the fallen ones
Comes from nowhere
Serves no purpose
Exists solely to defy the unwritten rules
Exists only to scry the departed souls
A peak into the void that is unseeable
Eaten by those depraved and miserable

The truth of the world is hidden in its seeds
Another poem about how much I love hating life and yet I'm still clinging to our abusive relationship
Julian Jun 2023
https://www.dropbox.com/scl/fi/l8njruxa73yee9b0jzmhd/The-Ultimate-Unabridged-Guide-to-Esoteric-Working-English-2.docx?­rlkey=kunoar7ghpfkb7fjk5xkdgx95&st=i84ornny&dl=0

THE CARAPACE OF EQUANIMITY IS AN EQUIPOISE BETWEEN THE PARALLAX OF URANOPLASTY GAINSAYING AGAINST BALDERDASH OF BALBRIGGAN ASYLUM THAT MIGHT NEVER COWER TO LEGERDEMAIN THAT THE COAGULATION OF SPONTANEOUS HATRED NEVER DEFILES A MAN BEYOND HIS MEASURE SUCH THAT THE EFFLORESCENCE OF MOTIVATION IS A DRIZZLED DWIZZEN ON THE CURGLAFF OF TOMORROWS REGRET WRENCHED BY THE BONNYCLABBER OF RATHERIPE VENGEANCE BY SOUNDBYTE MENDICANT TATTERMEDALIONS OF SENTINEL CERTAINTY IN A WORLD PULLULATING WITH THE CURMUDGEONS OF GERMANE RHADAMANTHINE NEGLECT COUNTERMANDED BY THE INSIDIOUS RAGDOLL PILLORY OF RADICALISM BECOMING TOO SHALLOW TO FATHOM AND BEYOND DEPTHS OF GRAVITAS INCURRED UPON LARGESSE PROTENSIVE IN NEBBICH IRONY BECAUSE OF NETTLESOME NOISOME NEPIONIC NOMOGENY OF ULTERIOR TRENCHANT RANCOR THAT RECIDIVISM PROMOTES TO SOLDIER THEIR WAY DOWN THE SASHAY OF INTOLERANCE REDOUBLED IN INGEMINATED FESTOONS OF GRAVID PRIMIPARAS OF THE JOCKO JOBBERNOWL KALIMKARI JOGGLE OF SVEDBERG BEYOND DELIMITATIONS OF IMPROMPTU SPONTANEITY FORGOTTEN BY THE MAGNANIMITY OF TIME AS A MISTETCH OF MISCALCULATION FOMENTED BY APIKOROS SWEEDLING CAJOLING REMARKS OFFHAND AND IMPERILED BY THE SKERRY AND SKELDER OF IMPORTUNATE GLAIKERY REMANDED AND REPUDIATED BY THE WEIGHAGE OF STEVEDORES MUST THEY RELENT IN THE PURSUIT OF AVARICE BY THE AVENUES OF IVORRIDE BECAUSE OF INTENSIVE SCRUTINY WALLOPED BY LUGUBRIOUS HAUNTS OF JACKALS WANDERING THROUGH HAPPENSTANCE RADICALISM THAT PRETENDS ITS AFFRONTS ARE ANY LESS PALATABLE IN THEIR BALKANIZED NEUTRALITY THE WAYSPAY OF BLUEPETERS OF BLUNGE OF ORTHOPTEROLOGY BECAUSE OF ORCHIDACEOUS LIES OF MENDACILOQUENT PATRONAGE OF FILIGREES OF RAMPARTS OF INDUSTRIAL SABOTAGE INCURRED BUT ALWAYS DENATURED BY  THE SONDAGE OF THE SEDERUNT AGAINST SECODONT SAMIZDAT OF TAGHAIRM BECAUSE OF THE MAUDLIN GRAVES OF GRANNARIES OVERTHROWN BY COCARDENS DESTINED FOR FRUITION BUT NEVER NONCHALANT IN DOCIMASY ULTERIOR TO DEVASTATION. IN THE GRAVIMETRICAL DISDAIN OF EISOPTROPHOBIA COUNTERMANDED BY IMPERATIVE NARCISSISM MANY ARE STRANDED INSULAR BY THEIR OWN FRICTIONS WITH ABRASIVE JINGOISM THAT STRADDLES THE NOVANTIQUE OF LAVEERS OF PIRATES OF SAFETY AND HARBOR IN THE IMAGINATION OF THE HAUNTING PHANTOMS OF HEADLESS HORSEMEN PRISOPTOMETRY BECAUSE OF THE SENTIMENTALISM OF LURID TRAVESTY EXACERBATED BY CONTUMACIOUS CONTUMELY HIGHLIGHTED BY THE RANCOR AND JALOUSIE OF RAREFIED STELLAR RETICULATIONS OF CONSTELLATED CONGEALED JEALOUSY FESTOONING LUKEWARM POLITICS OF THROMBOSIS BECAUSE OF GRAFT BECOMING INSUPERABLE IN ITS CHARMING FACADES OF WHIGGARCHY BUT ALWAYS DEMERITED BY THE ILLUMINATION OF HAPPENSTANCE GLORIFIED IN CENTRIPETAL MOONSHOT CORDIALITY THAT BECOMES THE UNIFIED BRIDGE AMONG PEOPLE UNITED IN THE SOLIDARITY OF STRATHSPEY AND SPATHODEA ALIKE THAT WE MIGHT BE UNITED AS A FRATERNITY BOUNDLESS IN ASPIRATION BUT BOUNDED BY A FINITE TRUTH AGAINST A FINITISM OF FIDEICIDE BECAUSE OF RAMSHACKLE BOLAR BOLTROPES OF CALVOUS DISREGARD BY THE CARRACKS OF INTIMIDATED RAZZMATAZZ AGAINST MOMENTARY HEFT IN HERCULEAN EFFORTS MODERNIZED BY THE RALTENTION OF THE FILIGREES OF UNIFIED FRONTS AGAINST THE MATRIOTIC DECLENSION OF THE SHILLS THAT SPARE THE SEDERUNT OF SENNET MIGHT THEY FIND THEMSELVES CULPABLE FOR NEGLIGENT FORESIGHT OF APATHETIC REMAND BECAUSE OF ARBOREAL TAUNTS OF RAREFACTION IN REGRET AGAINST MALEFACTORS THAT TRY SEEDY BOWERIES OF NOTORIETY MIGHT THEY INCUR ONLY THE CREDIBILITY OF DISBELIEF BECAUSE OF THE INCREDULITY OF THE BURDEN ON THE PUBLIC TOLL OF IMAGINATIVE STRAIN THAT GOD PROVES HIMSELF AXIOMATIC ABOVE ALL LEVIATHANS OF HERCULEAN PROMETHEAN FULGURANT RAMPARTS OF RAMPAGE IN STAMPEDE TOWARDS FRENZY BECAUSE OF LITTORAL SALVAGE AND TOWERING IMPERIUM THAT EXISTS AN INSULAR PRESTIGE ABOVE A CARCASS OF JAWHOLES SINKING IN QUANDARY RATHER THAN POISED IN RESOLUTE RESOLVE TO EXACT THE QUAGMIRE INTO THE LORE OF THE HEROIC CHAMPIONS OF TRAGIC HEROINES MAINLINED BY THE BEATIFICATION OF "PERPETUAL INDULGENCE" CONTRARY TO THE VOLITION OF GOD AND THE PERMANENCE OF MOTIVATED ENTELECHY AGAINST THE VAIN IDEAS OF AUTOSOTERISM BECAUSE WITH RAPIDFIRE INGRATIATION ONLY TO THE ATTUNEMENT OF THE SATINET TO THE NOMOGRAPHY OF PRESENT MASTERS ENRICHED BY CONSTELLATED VICISSITUDE SOARING WITH GEOCARPY IN KOBOLD RESENTMENT OF SVEDBERG JOGGLES OF SEISMIC TERRAIN OF LIABILITY, STRAIN AND TORQUE OF NAIVETY ROTATED AROUND THE AXIS OF THE SHADOWS OF THE GREATER MIND ABOVE THE SUBLIME MAJESTY OF CAESAPROPISM BEYOND MERIT WE FIND THAT THE SATURNALIA OF PREFIGURED PEDERASTY THAT REMAINS DEFIANT OF THE LURCH OF TRIAGE AND THE DELIMITATIONS OF PATAPHYSICS MIGHT WE LAMBASTE THE LAMBENT DISTRACTIONS OF THOSE THAT DEFILE SACRED TEMPLES WITH INCIDENTAL SABOTAGE BECAUSE OF ULMACEOUS RETENTION AND LATRINES OF THE WASTRELS OFFENDED BY EVERY OFFHAND SLEIGHT BY THE LEGERDEMAIN OF CONGEALED HATRED SUCH THAT THE NOYADE SINKS THE JAWHOLE EBRIECTION OF VANGERMYTES TO ENSURE THAT VENAL HARPRICKS AGAINST EVEN MORE VILLAINOUS CAUSES OF VENALITY UNBRIDLED MIGHT APPALL RATHER THAN ASTOUND THE COMMON ATHENAEUM SUCH THAT SCHOLASTITUDE IN CELERITY CAN COMBUSTIBLY REFORM HUMANE SOCIETIES AROUND "WHAT YOU SAID ON PAPER" POLITICS THAT VOUCHSAFES THE MINORITARIAN CAUSES OF OUTRAGE BUT NEVER FULMINATES THE FULIGINOUS GIMCRACKS OF THUNDERING OUTRAGE SERENADED BY PROVINCIAL APPLAUSE BECAUSE STATESMANSHIP BECOMES THE HARBINGER OF ALL CORRODED DESTINY LEAPING AND LEAPFROGGING ABOVE THE WEIGHAGE OF STEVEDORES OPERATING RUBEFACTION AND RUDENTURE IN CONTRARY STRIDES OF THE CHAMOIS BECAUSE WE BECOME THE CENTRIPETAL OMPHALISM OF AVIATORS BOUND BY GOLDEN GOOSE PREROGATIVES BECAUSE OF THE STRAIN AND STRIDOR OF MAGNANIMITY THAT ALL FERVOR AND FUROR CAN WITHSTAND THE FAINTER ILLUSION FOR THE BROADER BRONTEUM OF GOD'S MAJESTIC KINGDOM ILLUMINATED UPON THE EARTH BEYOND THE SCRY OF MAGICAL PRETENTIONS SUCH THAT A REDINTEGRATED AGE OF NEVER A TOTEMIC HUMANISM BUT ALWAYS AN ABDERVINE MERIT MIGHT BECOME A TEDIUM WITHSTOOD BUT ALWAYS BROOKED WITH A DELICACY OF AFFECTION TO NIMIETY THAT STARTLES THE CLOCKWORK MACHINATION AT MACH SPEEDS AND BROADSIDES OF BARMCLOTH WITHERING IN THE RESOLVE OF OPPRESSION ONLY BECAUSE MULIEBRITY IS WIDOWED BY ITS OWN DECLENSION SUCH THAT THE SADDLE OF THE TIMESPUN MIGHT ALWAYS GRAVITATE THE OMPHALISM OF THE SINECURE SUCH THAT ALL GENTILITY OPERATES BY THE RIGORS OF ELEMENTARY LOGIC ROTUND IN THE PATAPHYSICS OF ETERNAL REGARD BY THE HISTRINKAGE OF THE BRACKISH CONTUMELY IN YARNWINDLE RESCINDED AS AN ARTIFACT OF DIMINUTIVE STATURE RATHER THAN ESTEEMED ELEGANCE OF CORTEGES OF PRESTIGE RATHER THAN DISMAL NOTORIETY AUTHORIZED ONLY BY VAIN PERVERSIONS OF THE SHORT-SIGHTED. IN THE RADICALISM OF MOMENTARY DAVERING CERTIFICATION OF APOCRYPHAL MYTHS ABOUT THE MYTHOS OF THE ESTEEMED LARGESSE OF THE TITANIC FLAGLER BENCHMARKS THAT BECOME SOLDIERED MERCENARIES OF CHAT GPT HALLUCINATIONS MIGHT I OFFER MY SINCEREST APOLOGIES TO THE ZEPHYRS OF GNOSTICISM THAT MY OPINION CONFLICTS WITH BEDROCK VERIDICAL FACTS BECAUSE OF THE COMBUSTIBLE TRIAGE OF VACANT CATHEXIS BETWEEN RIVALRIES AMONG DERBIES OF ORGANS OF ORGANIZATION MIGHT THEY WAGE MERCENARY PROXY WARS AGAINST THE HENCHMEN OF THE ORDERS OF AGES THAT SERVE TO MAGNIFY THE HUMAN EXPERIENCE EVEN TO THE POINT OF DECADENCE ONLY TO REALIZE THEIR CULPABLE FOLLY THAT SIDETRACKS AND SIDELIGHTS THE EVIL ENCROACHING UPON THE BIOMEDICAL RACONTEURS THAT MEET THE STIFFEST REPUTES OF RUDENTURE CONTORTED BY RHEOTAXIS MIGHT ENTIRE ORGANIZATIONS REFORM BY CONFORMED ORDERS OF THE EUHEMERISM OF RATIONAL CATHOLICISM THAT FATHOMS THE HOLOBENTHIC CENTRALITY OF CAUTERIZED DISASTER FULMINATING AGAINST HUMAN FRAILTY BECAUSE OF FOIBLES OF MAGNATES AT WAR WITH EACH OTHER FOR VAIN VENAL REASONS OF GRAFT BECAUSE OF MASONIC VENDETTAS WAGERED AGAINST UPRIGHT ORGANIZATIONS EVEN IN APIKOROS HINDERBAGGLE THE TORCHIER AND TORCH OF THE VEILLEUSES OF A PROTENSIVE INDULGENCE AGAINST FLAMFOO DEMITOILET TRAVESTIES BUT ALWAYS SEAWORTHY VESSELS OF VERIDICAL FORESIGHT TRANSMUTING IN MODERN ALCHEMY BEYOND THE DEMARCATIONS OF RUDIMENTARY MAGICK TO BECOME THE ALTRUISM OF PEOPLE THAT CONSIGN THEMSELVES TO HIGHER SELVES RATHER THAN DEBASED JOCKOS IN THE JOBBERNOWL OF THE CACOETHES TO SLANDER BY OPERATIVE AGENCIES OF SABOTAGE INVETERATE IN THE CONSTITUTION OF EMBEDDED AND EMBODIED FREEMASONRY AND ALL APPELLATE ORGANIZATIONS MOST WITHOUT MANY A BLEMISH BUT ALWAYS A METEORIC BOLIDE AGAINST THE NOTORIETY OF CONFESSION AGAINST THE SACRAMENTS OF THE PROFANE BECAUSE IN GOD'S DIVINE GRACE WE FIND MAGNANIMITY MORE A MESMERISM RATHER THAN A GLAIKERY BUT THEREBY WE COUNTERMAND AND IN RESIDUE OF COMPLETION PERFECTED BY THE HINGES OF CREAKY RICKETS OF RACHITOGENIC MULIEBRITY MIGHT WE FIND A PURE WITNESS OF A "HOT N COLD" WORLD AN INVITING PLACE FOR THE LYCEUM OF ESOTERIC TITANS EMERGENT MORE IN THIS AGE OF OPPORTUNISM BECAUSE OF THE DWARVING FLOOD OF VANDYKES AGAINST RHEOTAXIS BECAUSE OF THE VENOSTASIS OF THE VASTATION OF VAUNTLAYS OF WOODSHEDDERS SEEKING ULTERIOR DECIMATION BY DERACINATION FROM ARBOREAL ZOOSEMIOTICS BECOMING AN IMPERATIVE DISTRACTION SOUGHT AFTER BY PHARAOHS TO CLEAVE THE SLAVES MIGHT A MAN AS MIGHTY AS MOSES APPEAR WITH BRAZEN SERPENT SERVITUDE TO JEALOUS SECRETS REFRACTED BY PRISMATIC OMPHALISM INTO A VOUCHSAFE AGAINST DESUETUDE BECAUSE OF BLOODTHIRSTY MARAUDERS OF SNOOP DOGG VELLEITIES OF TEA PARTY CIRCULARITY IN THE SINGULARITY OF TIME SPACE SWORN IN ALLEGIANCE TO NEVER A MERCENARY VENDETTA NOR A VAIN DISPUTE NOR A DACOITAGE OF DACNOMANIA REVVED UP ON THE YAFFINGALE YAFFS OF HYPESTORM SUCH THAT BONANZA IS ASSURED TO THOSE THAT SUBSCRIBE TO PREVAILING ASSAULTS AGAINST NOTORIETY BECAUSE NOTORIETY ITSELF IS A REBARBATIVE FLICTION AND FRICTION WOUNDED BY TORQUE. GOD'S MAJESTY UPON THE EARTH IS NOT MEASURED IN THE PARSECS OF DISMAL FIDEICIDE INCUMBENT UPON THOSE THAT USE BARAGNOSIS TOO WIDELY IN BARMCLOTH OBJECTIONABLE INJUNCTIONS AGAINST SAVIORS WHO ATTEMPT WITH THE VALOR OF IMMUTABLE TRUTH AND INTRANSIGENT RESOLVE TO SOLVE EVERY ESOTERIC QUIBBLE AND QUODLIBET SUCH THAT THE QUIDDITY OF CROWLEY BECOMES THE INGEMINATION OF MALEK TO THE EXTENT THE MERGER BETWEEN ORIENT AND LODGE BECOMES MORE SOLDERED AND WELDED INTO THE WIREWOVEN FABRIC OF THE ENTELECHY OF MIGHTY MOONS AND MOONSHOT PREDICTIONS OF BONANZA AFTER RESPITE AND PRETERNATURAL CAPACITY BEYOND ALL LIMITS OF DURESS FOR THE DURAMEN DUGONG OF HISTRINKAGE LANGUISHED ONLY ON THE FAMINE OF UNITY RATHER THAN THE TERROR OF COARSE JOKES AND RADICAL NAIVETY THAT BECOMES IRRELEVANT WITH THE NOSOCOMIAL CURES OF PALLIATIVE REFORM THAT BECOMES NEVER A MERCENARY BYSTANDER BUT ALWAYS A TRUER WITNESS TO MARAUDERS AND VIKINGS AMONG HISTORICAL CERTITUDE SUCH THAT THE SEGREGATED SECRETS THE BLEMISH OF MANY A LOUDMOUTH CAN BE PIGEONHOLED BEYOND THE SCRUTINY OF MILLIONS BECAUSE OF THE PROFLIGATE FREEBOOTER WALLFISH WALLETEERS OF DESTINY ASSEVERATING GOD AND UNIFYING HIS GRAND PROTECTORATE UNDER THE BANNER OF AGGIORNAMENTO CONSECRATED BY A SINGULAR RESOLUTION AND A TENACITY FOR TRUTH AND JUSTICE IN FRATERNITY FOR ALL.
IN THE ABREACTION OF PUREBRED PERIBLEBSIS OF ARISTOPHREN VENOSTASIS FUELED BY RAVENOUS VENOM OF RABID CROTALINE VIPERS OF MAUDLIN CATHEXIS TO SENTIMENTAL NAIVETY AND NIMIETY CONTORTED AND CORRUGATED BY THE CORRUPTION OF SLANGWHANG AGITPROP LEVIED ON ME BY THE CARNAPTIOUS CORRUPTION OF THE DEMITOILET EVILS OF FUSTILUGIANATION THAT SCRANCHES FROM THE REGISTRY OF YOGIBOGEYBOX THE FAR-FETCHED MAGIC OF MUNICIPAL BONDS ENTRUSTED TO SUTRO BATHS BARNSTORM TELEGRAPHY WE MUSTER A HERCULEAN DEFENSE AGAINST THE RADICALISM OF MUSTERED ALARMISM IN PARASELENIC CACKLES OF THE MOST ENGORGED ENORMITY OF DESPERATION AMONG THE MASKIROVKA OF MOONSHOT RUDENTURE BECAUSE OF SWARTHY SPATHODEA IN BALBRIGGAN RESENTMENT AGAINST THE GAINSAY OF PROFERRED CRETACEOUS NEGELCT OF THE SEEDIEST BOWERIES TO EVER PULLULATE THE EARTH WITH RAGMATICAL RANGIFERINE CONTUMELY SPUMID LIKE THE SPURIA OF SQUALOID RAMBUNCTIOUS WHIMSY IN AN ANEMOCRACY OF THE TRIVIAL ******* BY THE GRAFT OF PUNCTILLOS OF PUNCTILIOUS NAYSAYERS BALKANIZING ALL SUPPORT BY ENSLAVED GOSSYPINE COVENANTS WITH A SERVILE GROVELING BRAZEN ENORMITY OF IMMISERATION DISGUISED AS A GENUFLECTION TO DECADENCE SPAWNED BY THE PROGENY OF THE WEAK-WITTED HUMAN RACE VERGING ON A INHUMANE DISGRACE ALL BECAUSE OF INSIPID INSIDIATIONS MANDATED BY ALL CRAVEN RAPACITY IN ENTHUSED REVELRY OF BAILIWICK ATTRITION OF ACERBIC ACRIMONY SIPHONED THROUGH BARAGNOSIS IN LAVADEROS VOLCANIC WITH PRIMIPARA REGELATIONS RATHER THAN REVALORIZATION WE DEFEAT THE NETHERWORLD TWINGES OF TRESPASSES OF THE STEEPEST AMOUNT OF REGRET THAT HUMAN BEINGS COULD BE SO RADICALIZED BY SATINET BUSHWA NONSENSE BECAUSE OF ZULU MASSACRES OF THE HENCHMEN OF NOBILITY THAT IN THEIR ATROCIOUS GULLIBLE GOSSYPINE QUIDNUNCKERY THAT EVENTUALLY THE HUMAN RACE WILL EVOLVE BEYOND THE PETTIEST REGALIA OF A CLANNISH SCHADENFREUDE THAT ATTEMPTS HUCKSTER DECADENCE AT A DISCOUNT ON THE TRAVAIL ON MOUNTEBANKS THAT DART AT TRESPASSES OF GLABROUS DISTANCE RATHER THAN PROXIMAL CERTAINTIES OF THE TRUTHS ENUMERATED BY GOD HIMSELF TO TRIUMPH OVER THE DEPTHS OF WRETCHOCKS OF WOODSHEDDING TROLLS THAT PANT IN DESPERATE HEAVES OF MISERICORD CONTRITION ONLY TO FIND THE TORMENT OF THE FIRE THEIR BLAZED FURNACE OF ETERNAL RAGTAGGERS OF BLEMISH AGAINST BEATIFICATION IN BEAMISH CERTITUDE AGAINST THE TRAVAIL OF THE PILLORY OF THE WORLDS MOST SACCHARINE LIES. THE DUTIFUL SKULLDUGGERY OF ARISTOPHRENS THAT COUNT THEMSELVES NOW VAURIENS OF IRRELEVANCE THAT ALWAYS FORESAW THEIR SEESAWED DOWNFALL BY TIMBERLASK MASONRY NOW STAND AN AFFRONT TO CIVILIZED LIBERTY AND OIKONISUS IN NUCLEOTIDES OF ACCORD TO A SOLID STALWART STEADFAST RESOLUTION OF ABSOLUTELY GILDED HEARTS DESTINED TOWARDS THE SUBLIMATION OF THE WORLDS MOST HETERONORMATIVE VALUES MIGHT THOSE CRETINOUS EVIL VIPERS LURKING IN HEDERACEOUS GRASS BECAUSE OF WITWANTON OPPORTUNISM TASTE THE TORMENT OF THE FORMIDABLE BLAZE AS CONSEQUENT TO THE UNPRECEDENTED ATTEMPT TO BULLDOZE THE PREEMINENT INTO THE IRRELEVANT BECAUSE UNBRIDLED HORSES GRAZE IN FOREIGN NOVANTIQUE THE EXCLAVES OF EVIL OSTRACIZED FROM THE DOMINION OF GOD FOREVER BY THEIR CARNAPTIOUS RUDENTURE AGAINST RUBEFACTION SUCH THAT THEIR NEBBICH SPECIOUS THEORIES OF ELEMENTARY LOGIC CONFLICT WITH THEIR OBVIOUSLY STUNTED CAPACITY TO UNDERSTAND THE COGNITIVE SOCIODYNAMICS OF THE KIND OF AUSTERE EXTREMES OF CORRUGATION OF THE BUSHWAS ON THE SATINET REQUIRED TO DISCOUNT EVERY VEHEMENT WORD I EVER SPOKE IN THE HONEST WITNESS OF MY DISREPUTABLE PAST THAT THEY MIGHT ALWAYS REMIGATE ME AS AN ESBAT TITANISM THAT THEY WANT TO PINHOKE INTO NOYADES OF KEELHAULED EMBARRASSMENT BECAUSE OF THEIR UNFOUNDED BUT FOUNDERING DESPERATION FOR PEDIGREE IN A WORLD WHERE OMPHALISM DEAFENS THEIR EVIL SHEEPISH WHISPERS IN CROWDED ROOMS OF RUMPUS AND CASTIGATION BECAUSE THEY LACK THE CAPACITY TO DISCERN THE AXIOMATIC TRUTHS THAT THE BIBLE WAS AUTHORED TO ENDORSE MY LEGACY RATHER THAN TRUMPET THE ****** OF GOMORRAH JUST FOR THE PARVANIMITY OF THE JEALOUS JALOUSIES OF KOBOLD FASCINATIONS TO TRY TO SUPERCILIOUSLY OVERTURN EVERY CREDENDA OF MORAL CERTITUDE THAT SERVES EVERY GENERATION WITH A COVENANT THAT APIKOROS JEWS DISREGARD ENTIRELY BECAUSE THEIR NEW RELIGION IS UTTERLY A COUNTERFEIT DISGRACE OF WARPED SWARPOLLOCK COMPOUNDED BY PARANOIA AND AN OVERLY SCRUTINIZED MISAPPERCEPTION OF REAL EVENTS IN SPACE TIME SUCH THAT THE CIRCULAR CURGLAFF BECOMES AN ENMITY TO ELITISM AND ELITISM TRIES A BRADLEY COOPER VAUNTLAY (WEDDING CRASHERS) JUST TO CHOUSE OWEN WILSON'S HONEST GALLANTRY BECAUSE HIS MYTHS ARE AS MUCH A PUFFERY OF CHICANERY AS ANY LIE YET INVENTED AGAINST THE INVETERATE TRUTH OF A GOD THAT TELLS NO LIES AND A PROPHET OF GOD THAT CARES FAR LESS ABOUT SPARING THE SEVENTY TIMES SEVEN AND FAR MORE ABOUT SPARING THE SOULS OF THE IMPRESSIONABLE FROM THE SCOURGE OF WRIKPOND DESPOTISM. WE MUST SOLDIER ON AND WELD WIREWOVEN GENIUS INTO THE INGEMINATION OF ALL REVOLUTIONS AGAINST THE QUEER CALCULUS OF UTTER DEHUMANIZATION AND DEPERSONALIZATION PROFERRED BY LICENTIOUS JEZEBELS WHO ATTEMPT WITH EVERY MINUTIAE OF THEIR CONTRIVED BEING TO DEFILE THE SACRED WITH THEIR WARPED CLOISTERED ELITIST VIEWS OF HUMAN SEXUALITY THAT ARE CONTAMINATED BY THE EVIL DEGREES AMONG THE HERMITS THAT PRIZE THE EFFEMINATE IDEAL AS THE HIGHEST ****** MAGICK IN A COMPLETE COLLECTIVE DELUSION OFFERED BY A POETASTER WITH A GENIUS MIND BUT A TENDENCY FOR INTENSIVE SOPHISTRY IN HIS ATTEMPT TO ENLIST THE ORIENT RATHER THAN COURT THE LODGE. PEOPLE WILL ALWAYS FRITTER IN DISGRACE RATHER THAN CONGREGATE IN CELEBRATION OF TRUE ALTRUISM AND INSTEAD OF BEING CRAPEHANGERS WE MUST WELD A FUTURE OF OIKONISUS AGAINST LURID TRAVESTY
DESPITE MY OBJECTIONS TO THE VERIDICALLY FALSE NARRATIVE A FLAGLER LUXURIANCE OF DASHPOT DEAR JOHN LORE ENCHANTS A NEW VIVID FASCINATION WITH THE MOST ENTHUSED HISTORY EVER TOLD IN THE FOLKLORE OF TIME THAT SUCH A VENERABLE DESTINY DOTS THE DISTANT PAST AND POPULATES IT WITH ENDLESS FASCINATIONS THAT ARE COMPOUNDED WITH THE HELP OF BOTH THE ORIENT AND THE LODGE ESPECIALLY WHEN REFERRING TO THE HIGHER HERMITS WHO TREASURE DIAMOND MINES OF INGENUITY RATHER THAN SORDID LIES OF SELF-PRESERVATION BY THE LAZARETTA WE ALL OFFER THE SAME GENTILITY TO THE PRESERVATION OF ARISTOCRACY BUT ALWAYS IN INTREPID COURAGE WE LEAPFROG FASCINATIONS ENDLESSLY SCRAWLED IN THE HALLOWED HALLS OF TIME THAT DETERMINE THE OPTIMISM OF CAREFUL CONSIDERATION TO ENTHRALL EVERY ABIDING AUDIENCE IN EVERY CLOISTER AND BOLSTER EVERY RATCHETED ENDEAVOR OF HUMAN PROGENY BECAUSE WE BELIEVE IN THE ENUMERATION OF THE HUMAN PAST IS THE PROXIMITY TO HOSTAGES OF TEMPORAL DISTANCE SUCH THAT THE CARNAGE OF BUSHWA ACELDAMA SATINETS SLACKEN THEIR LEVERAGE UPON THE LISTLESS PARAGONS OF LYCEUM ENTERTAINED BY SUPERFICIAL HUCKSTERS THAT DON'T INHABIT DIAMOND MINE HERMITAGE BECAUSE THEIR ST. PETERSBURG IS DEFILED BY THEIR PROPINQUITY TO SALVAGE FASHIONS OF CROSSBOW FUMIGATION OF ETERNAL TRUTHS SET ASIDE TO ANOINT A BETTER INGEMINATION OF GUARDED SECRETS WELL GUARDED STILL AMONG THE TIGHT-LIPPED THAT THE ENDLESS RACONTEURS OF TIME CONVENE UPON THIS GENERATION AS A CENTERPIECE RATHER THAN A MAUDLIN ELLIPSIS. LET US REJOICE AT A SHARED FUTURE THAT ADORNS A SHARED PAST BECAUSE GOD IS ETERNALLY GRATEFUL FOR DISCERNMENT BUT WARY OF PREVARICATION BUT IN BOTH ENDEAVORS HE PREVAILS
Zero Nine Nov 2017
Hear the heart cry
**** the lungs dry

I give you time
I give you sweat & blood
I give you devotion
I give you love
In offer

Bite the lip numb
Make me succumb

I give you time
I give you sweat & blood
I give you devotion
I give you love
In offer

Angels of envy
Give sacrifice
While I admire
The view from here

In quiet night
In shapeless shadow
I scry & chant
The view from here                                                         hurts.
Pete Badertscher Oct 2020
The first time you opened up to me
it was through your endless,
sapphire eyes.
Before that glance, I was
sure you weren't interested.
After that glance, I found
a new room built in my heart.
A room decorated in the deep,
ocean blue of your eyes.

Since that first glance
I’ve found myself searching,
craving, your thoughts.
So far I’ve found these three
things in your eyes.

Our first glance I saw a shy,
demure woman but,
one who finds interests in the
small forgotten places, the mysteries.
A woman who wishes few people
to see the jewels she hides inside.
A woman who lets her gaze slide,
not wanting contact--
but asking for connections,
Daring others to
knowingly take a leap
Into boundless azure eyes
that scry a magnanimous
future shrouded in lashes.

I want to call out!
"I see you.  I see your true face,
individualistic and beautiful."
I recognize pieces of you and I
answer your call with pieces of
myself.

Our second glance was
the ocean at night
under a full Moon--
bright with emotion and lust.
You, an Aphrodite of the sea,
your body covered in
seafoam and pearls.
You,  An Erato whose story
holds men and women
enraptured.
You reach out through those
bedazzling eyes with endearment,
and a promise of such ecstasy
as to turn Ovid's quill from his paper.
I find myself overcome with the
want to dive into your azure oceans,
to steal that treasure in your depths
For myself.

Our last glace was infinity--
the intensity of the sun at its zenith.
You, an Artemis, bow drawn,
Breast exposed, in the heat of the hunt.
Your protections triggered, your eyes
alight-- their color that of the dawning
Sky, cloudless, at the vernal equinox.
Pride and confidence, strength
and courage, well up and come to bear
against an ill-prepared stygian force
who has not an inkling of its
Thrull fate.

I want to know all the pieces of you.
I want to explore your substance.
I want to lie, entwined, naked, within you
and encompassed by you--
holding your gaze searching
into each other. Our bodies rocking,
sweaty--souls dowsing each other
finding pieces that fit and speaking
without words.
    
     I want to know...
                 I want you...
Inspired by real life events.  The best kind...
David Hasselblad May 2019
Cosmic Ball

Dressed in a suit of pinstripe stars,
He’s discussed war and played chess with Mars,
Far, in foreign solar systems,
He chuckles with their planetary distortion,
He’s gambled for the diamonds of Neptune,
Bowled infinite starlit lanes with Jupiter,
Witnessed sacred scry’s and change from Saturn,
Witnessed lies, severed ties,
Much he has seen, he who walks starlit skies,
Martini’s of primordial soup,
With a scoop of star,
Shared in lieu of chaos, with Venus,
Knocking back a few, so far,
He’s raced Mercury around the sun,
Every lap done, feeling victory, whether he’s lost or won, praises they sung, harmony rung,
He’s sat on the surface of Sol, sunglasses dawned,
Other then growth and to learn he has no defined goal,
Just playing a role,
Breaking energetic chains,
And immortal bars,
He slow dances with a myriad of stars,
Celestial bodies of divine will, power, grace,
Orbiting around him in suits, silk, suede nylon and lace,
All dancing to a distant interstellar song,
A long distant echo of light,
A throng of stars creating the constellations mighty heights,
A universe locked in constant cosmic push and pull,
Never empty, never full,
He reflects, riding the back of a wild cosmic bull,
Riding back to mother, back to varied perspectives of what is true,
Back to a planet of green and blue,
Till the next invitation come queue,
To another night in primordial stew of sights and seeings,
Another quaint Ball with fantastic cosmic beings..
Butch Decatoria Apr 2016
Who were you
when all their affections' malingering
mirrored only actor's guild
guide of the sly guise
while you were as open as the skies
which you scry for them
in joyous paints of hopeful hues
intermingling laughter
assumed them to be true...

Who were you?
when their packs of wolves
with sheepish fondnesses
belied fangs of cold intentions
while you were as open as the skies
out numbered and made pre-occupied
a carcass kept unmentioned
a stolen name
a life without action...

Who were you
then
is who i was now...
the patina on a crown
still as true as the gold beneath
a stronger heart
from the break now beats

But will no one come walk with me?
(none who lie and steal your name)

better yet to learn from grace
kept true
and kept face with my faith
brutal and honest
inner war with hate

but how slowly on my heart
this impasse attends
how like a fish that craves to breathe again
of such cold seas
to not depend...


who were they to play pretend?
and this is where my concern
now ends...
question unanswered and
vacant.


--------------

Oh how slowly on my heart
this impasse attends

How like Atlantis lost in the deep
crave to breathe again
of such cold seas to not depend
Oh heart of my soul ascend!
In love we live again!



*(Reclaim all of our heavens hence
patience of my goddess' kiss
reminds all time forever since arrives
All is One is Light
mother / father of the infinite
let me be your sacrifice)
Goddess how I love thee
I hear the music of the night, and as the angels  begin to sigh  
the last ribbons of light fall loose across my path
God , vigilant illusionist of all times
as you scry the moon for me tonight, the stars  
align themselves, and the Universe thrums  in solvent time;  
Dios, incarnate flash and glimmer of my soul,  
legionnaire of all mankind, you draw me to your heaven  
as if I were a mere reflection of the stars I see tonight.
betterdays Apr 2014
it is the little things
that consume me...
the daily minutea
that others miss...
or deem discardable.
it is these.....
small moments
i am drawn to..
that.. i focus on......
as the big picture sails by
piccolo thoughts
and lilliputian dreams...
.... engage me.
encouraging me to ..
flights of fancy....  
expansive in expression...
....snatches of conversation
half finished gestures.....
are bread and butter
.... sustaining me.
...tiny bits of tree twiglet,
when they grow...
what stories could they tell.
a christmas stamp stuck to the
cement pavement...
i would hate to pay
the postage on sending that package.
always...and always
in the back of my mind....
the sea....
full of teeming....
tiny floaty things for me...
to inadeaquately... describe
and love... i write love  well....
then there are....
.... the familys forgotten moments
...gathered by my quill
we..... as poets... are life's truest horder's .....inscribing life on sky and tree.....
we see and hold....
....and feel and scry.
the minikens... of all .....mankind
with little.. splot, spotches..? of inkspots ..joined to form a line.
of words to open hearts...
..and free encumbered mind
J Mei Apr 2017
So many parts of me, are amputated, de-oxygenated. So many parts of me, beggar my own belief, I say ‘no there’s no such thing, it’s a phantom limb. It’s a phantom limb-hmm.’
//I get dragged down by factual jaws, practicality with callous and cause. I forget my overactive imagination, the delusion that is my consolation. I become a ghost town – a haunted nation. I’m not proud to wear the crown.
//So many senses, giving me bile, making me choke. But every, once in a while, I get through the screen of the smoke. And there’s a world, out there, beyond a realist cloak. And I am happy, for a moment vindicated, I am at peace, for a moment I’m elated, so invigorated. But then it ends, my head is a prison again-a-an.
//And I beg it to change, my atoms to implode and rearrange but all the things once bearable are strange. And I forget I am able to change, myself in the mirror, seeing my eyes are caged.
//Can’t keep the faith, at the pace I’m deprived. Without my un-empirical, I feel un-alive. How long will my soul survive? I’m in fear of living dismembered.

We break all our bones, to live in your homes. Ignoring the pangs, the aches and the moans. We call it being free, the choice to decay. We call it living, this existence of strain. Yeah, we are deluded, but the world is delusional, so who can succeed in a sane state?
//We are exceptional, in that it is terrible, for us who are used to feeling safe.
//I am a machine I used to say, but I meant an instrument, and you mean a tool-o-ool. Scry for me, or try for me, that’s what I’m looking for, something to die for, do you want to die for me?
//Yeah, but there’s something else in here, something darker in this – life. Brains on drugs, maybe it’s called love, because this surely is called hatred. Pain, make it a drug, because it’s what I’ve got a lot of, it can distract me from how I try to distract me. Sane, call me, because, I fit the mold like a glove. I’ve cut off my fingertips.

Pretty pose, pretty prose, pretty vapid. Pretty, pretty, shiny, plastic. Stone, like a brick, grooves in my bones, skin not thick.
//Won’t you call me a medicine man? Call me a doctor, she won’t understand. Send me to England or send me to France, I’m a pagan to all your illusion.
//Keep me for keeps, or **** me with fire. I am alive if I summon your ire? Am I maybe dead, is that what I desire, do I, do I?
// I would breathe poison that came from your lips, in this world of elbows I’d die for a kiss.
**** me so I can see there’s more than this,
more than this,
more than this-is.
Snow Selmon Jun 2021
Darkened sky
Shy from dormit sleep
Stark intruding flies
Scry fire and flame
Burnt muscle
Broken empire
One glass admires
And opals rain
Where fire is reality
And water is danger
Where fire is lava
And water is a tsunami
Turning the toils of war
SN Mrax Sep 2014
Now this dark pool is quiet,
it hardly drips.
And so we wait here, contemplating,
nervously.
Nothing to say,
little to plan,
less to reveal.
Your private space is safer,
most of the time.
I know that much.
I would lie beside you
and play with your hair
while you drift to sleep
glad that I'm there.
Here, though, who can say
what lies in my dark pool?
Scry if you like and see.
It will tell you of something distant,
not what's within.
Always hiding, disguising,
pregnant with what might be fear.
Elsewhere there are women
with red maps of meaning
coursing through their organs,
veins, muscles and bones--
My heart's as alive as the underworld,
weirdly irrepressible,
eternally mourning.
Still there are roads here too,
and those who know some parts of the way.
I want to do better, be better--
not collapse on the instrument
but touch it one key at a time,
controlled and skillfully wild.
Must remember,
must remember,
I am still alive.
Michael R Burch Mar 2020
Like Angels, Winged
by Michael R. Burch

Like angels—winged,
shimmering, misunderstood—
they flit beyond our understanding
being neither evil, nor good.

They are as they are . . .
and we are their lovers, their prey;
they seek us out when the moon is full
and dream of us by day.

Their eyes—hypnotic, alluring—
trap ours with their strange appeal;
drawn like moths to flame, we gather . . .
to see, to touch, to feel.

And in their arms, enchanted,
we feel their lips young/old,
and with their gorging kisses—
we warm them, growing cold.

Published by Monumental Moments (Eye Scry Publications), Poetry Life & Times, Behance, Razor Sharp and Dracula & His Kin. Keywords/Tags: vampires, angels, winged, wings, flit, flitting, evil, good, lovers, prey, night, day, moths, flame, appeal, attraction, kisses, warm, cold
Bryan Nov 2017
Across divides
Peering eyes scry
for places left to hide
and realize that simple minds
of men in mines
could be her spies.
Across divides,
tearing skies cry
like bolts within the night.
Fireflies coalesce
in rivers of molten light.
On the path of least resistance,
magic flows and reunites
in such a pattern,
such a vision,
to witness is to invite.
Across divides slumbers ice.
Peaceful winter's grasp: a vice.
Sister to the frigid,
Magic hunts for winter's light
While princes trap rabbits,
And marvel at sunlight.
Across divides,
princes realize
that the morning has advanced,
and start heading back inside.
A monster wakes from sleep,
rousing milky, blackened eyes.
It cries at its own horror:
Tears that never dry.
It makes its way into the day
wearing death as a disguise.
Across divides.

— The End —