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Matt Jun 2015
Earth’s sixth mass extinction has begun, new study confirms


How long before the rhino joins the list? Gerry Zambonini, CC BY-SA
We are currently witnessing the start of a mass extinction event the likes of which have not been seen on Earth for at least 65 million years. This is the alarming finding of a new study published in the journal Science Advances.

The research was designed to determine how human actions over the past 500 years have affected the extinction rates of vertebrates: mammals, fish, birds, reptiles and amphibians. It found a clear signal of elevated species loss which has markedly accelerated over the past couple of hundred years, such that life on Earth is embarking on its sixth greatest extinction event in its 3.5 billion year history.

This latest research was conducted by an international team lead by Gerardo Ceballos of the National Autonomous University of Mexico. Measuring extinction rates is notoriously hard. Recently I reported on some of the fiendishly clever ways such rates have been estimated. These studies are producing profoundly worrying results.

However, there is always the risk that such work overestimates modern extinction rates because they need to make a number of assumptions given the very limited data available. Ceballos and his team wanted to put a floor on these numbers, to establish extinction rates for species that were very conservative, with the understanding that whatever the rate of species lost has actually been, it could not be any lower.

This makes their findings even more significant because even with such conservative estimates they find extinction rates are much, much higher than the background rate of extinction – the rate of species loss in the absence of any human impacts.

Here again, they err on the side of caution. A number of studies have attempted to estimate the background rate of extinction. These have produced upper values of about one out of every million species being lost each year. Using recent work by co-author Anthony Barnosky, they effectively double this background rate and so assume that two out of every million species will disappear through natural causes each year. This should mean that differences between the background and human driven extinction rates will be smaller. But they find that the magnitude of more recent extinctions is so great as to effectively swamp any natural processes.


Cumulative vertebrate species recorded as extinct or extinct in the wild by the IUCN (2012). Dashed black line represents background rate. This is the ‘highly conservative estimate’.  Ceballos et al
Click to enlarge
The “very conservative estimate” of species loss uses International Union of Conservation of Nature data. This contains documented examples of species becoming extinct. They use the same data source to produce the “conservative estimate” which includes known extinct species and those species believed to be extinct or extinct in the wild.

The paper has been published in an open access journal and I would recommend reading it and the accompanying Supplementary Materials. This includes the list of vertebrate species known to have disappeared since the year 1500. The Latin names for these species would be familiar only to specialists, but even the common names are exotic and strange: the Cuban coney, red-bellied gracile, broad-faced potoroo and southern gastric brooding frog.


Farewell, broad-faced potoroo, we hardly knew ye.  John Gould
These particular outer branches of the great tree of life now stop. Some of their remains will be preserved, either as fossils in layers of rocks or glass eyed exhibits in museum cabinets. But the Earth will no longer see them scurry or soar, hear them croak or chirp.

You may wonder to what extent does this matter? Why should we worry if the natural process of extinction is amplified by humans and our expanding industrialised civilisation?

One response to this question essentially points out what the natural world does for us. Whether it’s pollinating our crops, purifying our water, providing fish to eat or fibres to weave, we are dependent on biodiveristy. Ecosystems can only continue to provide things for us if they continue to function in approximately the same way.

The relationship between species diversity and ecosystem function is very complex and not well understood. There may be gradual and reversible decreases in function with decreased biodiversity. There may be effectively no change until a tipping point occurs. The analogy here is popping out rivets from a plane’s wing. The aircraft will fly unimpaired if a few rivets are removed here or there, but to continue to remove rivets is to move the system closer to catastrophic failure.

This latest research tells us what we already knew. Humans have in the space of a few centuries swung a wrecking ball through the Earth’s biosphere. Liquidating biodiversity to produce products and services has an end point. Science is starting to sketch out what that end point could look like but it cannot tell us why to stop before we reach it.

If we regard the Earth as nothing more than a source of resources and a sink for our pollution, if we value other species only in terms of what they can provide to us, then we we will continue to unpick the fabric of life. Remove further rivets from spaceship earth. This not only increases the risk that it will cease to function in the ways that we and future generations will depend on, but can only reduce the complexity and beauty of our home in the cosmos.
https://theconversation.com/earths-sixth-mass-extinction-has-begun-new-study-confirms-43432
JadedSoul Aug 2014
valiantly,
the Ship Fought.
many Days,
she took a pounding
her mighty Hull bracing;
against unforgiving Seas
her thick Armour;
withstanding Bombardment.

the first great Wave
knocked a Rivet loose,
a Steel Plate dented
by the first big Bomb

she didn't Shoot back
ever hoping for peaceful resolve
but the Seas and the Bombs
all took their toll!

the first 3 enemy Ships
packed their Punch
but she stood firm
armour deflecting every Bomb

but the Sea grew Dark;
the very Water
that held her aloft
now threatened her very Existence!

the Sea destroyed Rivets
The Bombs dented armour
and slowly but surely
she took on Water

for it is the small Rivets that hold a Ship together;
small rivets that Bind Metal Plates
and when the Rivets fail
the Ship is lost!

Noble Captain stood on deck
the death of His Ship
a mathematical Certainty

again and again the 3 locust ships fired
again and again the Sea pounded

the Evacuation order needs to come soon
only the Captain to remain with a final solemn Duty

for a captain goes down with his ship
when all others are safe.

the Sea will calm down
the 3 will stop firing
once the Bow of the Ship
slips beneath the Waves

the Charges set,
ready to blow,
scuttle the ship -
Down she will go

Captain salutes Her
a fine Ship she's been
as he presses his Pistol
to his temple

right finger on the trigger
the left on the bomb's fuse,
A solitary tear,
3,2,1...
Julian Apr 2020
Floating above the rifts of apperception I glaze over the gaudy faucets of imagined vector thrusts in hibernation by the lucubration of space-time materialized crystal in the somber beats of fetched farrago of choice slices in delicate hums of hemmed balance rantipole only in ethereal importance but otherwise supersolid above the sprauncy vagrancy of dilettantism. We shout a clarion virtuosity so that the conclamation of neovitalism conjures upon a spell of lapse and regress a motive for further crystallization of epidemiology into harmony with syndicated admonition sleek in design and parceled into renown by feats of completion rather than slugabed gregarious fountains of wasted ingenuity bleeding from the vacuum of an empty hearth in a hospitable dwelling otherwise cleared of imperfection. Right now, I levitate with transcendence with an approximated eidetic memory that is the surgical vibrancy of renewal rather than the chameleons of hidden talents buried by the walls of Jericho sounding tocsins of alarm that the anointed favor of choice destruction is only an encircled rapture of rhapsodies of confluence found in axiomatic truths ribbed with the futtocks of seaworthy but cauponate recidivism into the donnybrooks of apocryphal revelation preceding the whimsical fall of cascading permanence just as gravity so ordained it. We breathe the life of the ethereal numinous spirit of isangelous repute because we navigate the exquisite cobweb of reconciliation to surpass all understanding in peace what would be a miscegenated carcass of war otherwise apart from the incidental apartheid of the drones of causality ignoring the antecedent reality too much to register fathomed streaks of preventive endeavor because of the scars of a scrappy schlep of the rampicks of ecbolic servitude to moth-eaten star-crossed lovers of the mean menagerie of gutless succor renowned only in tepid rejections of harbingers bequeathed in succession but ignored because of the procession of “Billie Jean” politics.

   The citadel aflame with controversy buttresses carnality by witless contaminants of hidebound scaldabancos of ineffable destitution so craven in eisoptrophobia for their hypostasized indolent fatuousness of capitulation that they are but a minor punctuation in the largesse of centuries to favor audacity in candor over the prevarications of catastrophe to dented human pride against humane dictates of theodicy in fatalism that predestination experimented with its own vaulted verve to find permanent solutions engraved in the agrapha of time to solidify the redintegrated truth of God’s divine stewardship above the quisquilous deism of former regnant centuries of blench and blandishment. We revolt at the specter of rot only when the effluvia of disgust elevates the visceral reality above the utilitarianism of recycled prim nuisances of noisome lineage that yet balk because they are bereft of attention but not a vacant talent and therefore should the subsidies of man surpass the ignorance of appearances he will shrug of the demur of the scrimshank and sharpen his scrivello in the service of redemption found through cultivated prowess of gardens beneath where rivers flow above a cubic centurion of embattled visages of the heavens becoming the rampart for the vestigial clarity of Secret Masters to foresee the bypass that heals decadence and rebukes the formalism of puritan endeavor to sweat with exhaustive patience over the gossamer intertesselations of a ripe reality rather than a groveled fragmentary world shattered too much by exigent metanoia to mount the crenellated catchpole of vigilant enmity towards the stew of listlessness found in epigone and farce more than in organic fortunes. We flip the upheaval of society to squander our proportionate degrees of wealth on the necessity created by dire quandary which enamors by interrogations of pulchritude the verisimilitude of participle ivory dalliance of etched canvasses of simultagnosia for the librations of the liberated rings of betrothed liberation despite profound lurches of the mistetches of ignorance presiding dismally over the hulked disdain of glamborge rather than resselenque.

     The winter is a poor porcine glut of ciconine swelters because the prickly obtuse recoil of the delopes of caution find their permeable balance with a sort of photographic photosynthesis that braves the dearth of reprieve for the reprisal of nostalgic deeds found in the docimasy of riveted reflections because the preordination of God is the superlative champion of the witeless grandeval protectorate of infinite concepts guarded from the parvanimity even of the most strident minds squabbling over the braseros and battues of history as though those funereal stains of lachrymose regret outweigh the traditions of vaunted human progress because they are finicky about importunate pleas of subsidiary injustice rather than fulminations of the modern rebuttal to the disclaimers of an uneven history that shepherds the doubts of nihilism into ripe fruition at the expense of very expensive moral rot for the codlings of urbacity and mendaciloquence used to foment that tribalism of totemic justice. We see in Penuel the wrestling match of specters and heroic giants documented on the ageless pages and we notice the ironic twinges of struggle that kneaded the propriety of gentilian privilege that ultimately fostered an insurrection against chosen bravado among those that sear with zeal beyond the yordim afflictions of yobbery because the Jewish heart is stronger than any calamity even if it departs from the reverence of the colporteurs of the integrated syncretism of the attempted monolith that beseeches polyphiloprogenitive growth in mindset rather than in testy abeyance of forbearance because of known scrutinies into the tropology of wilted facts remanded by curious historicity that crumples without disdain when we memorialize the erasure of scepsis by modern standards of thaumaturgy.

    The minauderies of growth are a repositioned tacit allegiance to the untold fanfare and hearsay immunized against the broach of facetious levity to buoy discordant hearts above fumatoriums of relentless ignorance because coherent masterwork can be cobbled without such lapidary toil and toll on sincere affectations of wizened brevity. The seismic precautions for the forefathers of incidental convergences between expectancy and crystallized history are an ironic intortion of priorities because the heralds and tribunes matched the peerless foresight with the gerrymandered figments of apartheid between the imaginary and the real so that the delicate synchrony of events could unfurl a riveting carapace from the shells of protection even in amiable squalor for its impenitent attrition on the volleys of sensible rumor becoming fashioned in covert bedazzled errors in judgment leading to the triumph of the eventual civilization over the futtocks of the burial of the former trekleador of zenkidu belonging to provincial cadasters found so tucked in the hedges that discernment of frikmag would be an indelible scourge on the biognosy of the diagnosed endeavors that elapsed into remediated circumstances that brave the depths of deontological violation for the breadth of apportioned loaves and two swanky fish earning a place among the miracles of transcendent liberation from articles of decree imperious by sardonic disdain becoming nullified by the histrionics of a delicately staged orchestra that cements human achievement.

       We relish the frescades of a ruffled autumnal reminder of flourish above pothers of the screed of admonition swamped by nostalgic backtracks in the séance with ultimatum of design and the impregnated and carnal lusts of a world pitched in darkness with guarded lambent lights fomenting a perjury against tact for the deliverance of freedom in tacit agreement with owleries that every bonanza be tithed in their favor regardless of hibernation of spoilsports or their subsidiary remarks on indelible quills of invented manufactured realities we crave with desperation rather than cower from in requited nescience urging us to depart from affairs and stagnate the loyalty of fealty above the limber of utility mobilized above levities for solemn remarks and rejoinders. Promulgated above the robotic rubble of staffage haywire in wiredrawn contemplative resonance of tremulous subterfuge vestigial but immediate to the yardsticks of reprehensible malarkey, is the barnstorm for erratic dimples sauntered by the saunas of shelter above the chaos of ruined ginnels for the gimcracks of auxiliary duty to service, is the glorification of the sultry intimations of legions of remonstrance in guarded decorum about sunken atrocities lapsed in memorial to the incumbent brunt of sockdolagers of justice returning revenants from the bridewell of historical internment. The symphily of orchestras to cineaste symposiasts of surquedry in impudence beyond the brays of betrayal is the aborning mythos of regimented perceptions of a world that when magnified by minutiae appears starkly contrast to the gapped gubbertushed reality of the average patron of the arts to such an extreme gulf of receptive understanding that the qualia are dovetailed only in the swink of careful kisswonks to certify certitude itself when all the fragments coalesce into subjoined harmony to the substructures of inherent conscientiousness. The miracles at work that are vesicles and vessels for the swage of imprint above the loyalty of the imprinted tribunes of the fluminous is how hidden protrusions can emerge so victorious over popularized glazes on the pastures of a farmed culture itching for timmynoggies of innovation but only finding the etched remarks of pristine imagos of heroism dwindling in motivation to surpass the imaginative leaps accustomed to a newfangled laziness that bedazzles the guzzle of crowds but not the discrimination of the crowded morass of incompletion found in mosaics missing enigmatic philters of intoxicated love for the profound. So to be intermediary as a custodian for artistry we must cozen the wheedled imaginations not of the relic but the archaeologist that discovered the embedded prisms of attentive scrutiny for glinting sunshine inherent in troves of surpassed excellence beyond parochial sympatric blandishment of donnism rather than a resselenque that floats above demeanor to usher the cosseted age of treasure above the glib brocards and florews of past success.

      Immanent to the provisions of God as decreed from a syncretic reconnaissance of the pitiable gulfs that separate boundless divine love from the clavigerous potential for scrappy sympatric affiliation to **** through the barnstorms of internal comestions of conflated priorities we are ourselves prismatic in the indulgence of a tasty life sprinkled with zest rather than tempered with the vengeance of retorted animosity that we knead the pottery of ironclad resistance to a metallic conduit of pruned fulminations of unguided intuition so that the natural accord supersedes the goad of materialism for the sustenance of antiquity beyond its heyday for vital gains against the tauricide of panic and frenzy. The linchpin of all realistic attempts at the sympatric symphily of civilization is a guided remorse through the torment of affliction that sizzles without anteric barbs as it measures through engrenage how to pilot the vehicles of prosperity through the minefields of contingency that invisibly bequeath new hurdles and inestimable obstacles that collude surreptitiously to fulminate measured controversy against the backbites of restrained equipoise created by polities of the macadamized fabric of a welded smithy of a universe that with ubiquity proclaims above the senseless the harvest of conjugal repartee in sensible pride against militant bastions of incidental prejudice for a careen against the flyndresques of danger and the flyndrigs of glaikery alike for a humane spurt of enlightenment to tower peerlessly in supervision of entelechy created by esemplastic unity in apolaustic purpose. We cannot be puritans engaged in a pilgrimage to a palimpsest of priggishness because the daring elements of adventurism are necessary ingredients to catalyze the supply-chain of the innate gluttony of ego-seeking endless balance with a natural sustained biognosy that prizes biocentric harmony above bibliognost scepsis so that the enthused can flock with liberty divorced from libertinism. The ultimatum is a war between hedonism wed with donnism against eumoirety and self-restraint and this battle will be waged on the indolence of a future of cordslave tethers to interrogation of privy conceptualism hamshackled by the gradgrinds into the neat nexility of precise conformity that blacklists the samizdat because the genizah profoundly twists the already jumbled jengadangle and provides a junediggle of procession and ceremony rather than pomp without substantial grit embedded in the showmanship of a reality in need of a fourth-wall.

        It is ironic how we bewrayed our stewardship of the planet as a plenipotentiary sentience waged against the vesicles of instinct but more fundamental to this tattered but pregnant psalm is that the stronghold of our future is the tenacity of filial duty to enthrone the household with husbandry and restraint as an emolument to divine justice that sparkles opalescent in its own redacted notions of gravity imperfect in the taradiddles of science but refined by the eclat of the combustible syncopation of a reiterative trope of realism combined with surrealist caprice to henpeck affectionate violation above inviolable screeds of blood sport rather than conjugal affections afforded to the brood and the feast of the flocks that rein supreme over all things but exert inclement justice over the cattle and chattel of civilization itself. The minkumpf against the sacrilege of a prioritized kosher is to abhor the suffering rather than embrace the penitence of perceived but specious sacrifice which is an ornery thorn on the stained conscience of the yobbery of both the apikoros and the obedient because to attenuate all suffering even of instinctual beings we anneal our hearts to a glorified compassion that supersedes the relegated relics of pushful genuflection by succedaneum of sacrifice waged against the docile whangams of otiose theodicy. The filibusters against the regnant complexity of regalia that is a sprauncy poivrade with terpsichorean flairs to transmute the intimations of hibernated perfidy into finicky transmissions for the riometers that accord orbific merit in a lackluster time enchant the rollicking audience of this auditorium of the prevenance of the conquered universe bracing for the camorra of the insipid entreaty of defalcated casuistry—the prominent exchequer in hoodwinked political agitprop that forges ironclad allegiances to flimsy facades of the verisimilitude of dignity with recalcitrant but incondite bruits of venom militant against secular apostasy—that the fitful arrivistes that swim in dire dearth will be welcomed into the reconciliation of all time with a tempered lurid glint of revelation bounded by sunken albatross of hype unbounded with a peace insurmountable in prestige rewarded only with the highest reservations.


    On 3-1-2020 when I penned my philosophy—even at a slowpoke margin of crafty precision above rapid empirical faucets of folly—I was entirely selfsame with the autotelic engravings of the smoldering aboriginal talents within that many can swing through by tenacity for enormous plaudit but a flagrant majority will apprehend with flippant scollardical tenets of rebuke and remain honest in their appraisal only in meek resignation of parvanimity.
Consider the postulates of rarefaction whittled into a vehement zeal against the prostitution of our species to the anteric cycles of residual molds of dingy spectacle mired by the tyrannical towers of supercilious squirms of revamped novelty rather than enhanced by the freebooters of dirigisme that borrow from time the behest of philandered flairs divorced from the cadges of secular instinct and enthroned by the qualms of engineered virtuosity that is stark, barren but peerless in its outstretched clamor for luxuriant sprees against the silentium of grandeval asylum incurred by the flippant filigrees of recalcitrant modernism endangered by the irredentism of the future upon the whimsy of the present-minded momentary glare of rapture.  This impending architecture of nimble but subservient endeavor is a pinprick rejoinder against the wernaggles of prepossessed fountains of configured animosity against the stapled heed of a modality of trayned invictive invectives against the plodding course of fustilugianation that swerves in apathy of autopilot junediggle to emanate the surrender of epigone to the raktendure of the synaesthesis of the attuned perception of all superimposed minutiae delegated by calculated design into a synclastic focus on veiled caprice that is vaulted above the choppy and sketchy verdure of remiss perception to stellar continuities rather than mundane knickpoints of stodged blurs that magnify syncretic qualia into baseline congruity rather than staid torpefied resignation of the visage of thunder without the pangs of the widely vituperated lightning that bequeaths all certain notions but flouts the tortious saboteurs of the prim trucage of brittle fundamentalism.

     As the flawed paragon of a picaresque youth punctuated by vibrant plumage of self-wrought tropophilous usucaption of remote groomed frontiers of desolate luxury but buoyant morale into the ballasts of a nimble usufruct that hikkles yet still against still-framed thilloire--fatuous in endearment only to the polity of the waterdrip of craven but gravid disingenuous flickers of lambent cloaks of perfidy—that earned its birthright by meditative fruition rather than prodigal tallespin of indolent frapplanks of a vicarious personage rather than an autotelic haecceity showcases the folly of heterodyne inclinations meeting an impasse of accidental dislodgement. The interregnum between the spurts and sprees of luxuriance is a staid pause between continuities of afforded parlance becoming stapled demographic solidarity affixed to a strident gallop of effortful pushes against the tenacity of the slumberous wicked hibernation of vetust magpiety without hieratical internment because youthful industry beats hackneyed bludgeons of wiseacres of a stilted manufacture of steamy nostalgia for lickerish moments that dignify but undermine moral virtues but splash anointed and sometimes disjointed favor upon the congeners to a rabid escapade of a heedless love frowning on the girdles of the prim balderdash of heralded jolts dim on levity and puffed with elusive contextualized control of libidinous serrated defilement because the crotaline **** outmantles the sweedled limber of exploitable folly. The cosseted reality of wheedled gourmands of continuous perception rather than the Gaussian blur of the protean invention of stitches in time that obscure rather than magnify the supernal levity inherent to most artistry is a linchpin of lenient gravitas that levies the lavaderos of ripe perception into annealment.
Excuse the bravado of the gait of winnowed forks in a bronteum for heralds of megaloscopy fastened to the macroscian reality of indelible filigrees of countermanded controversy becoming its best behest in the sempiternal flowering of burgeoned demonstration rather than illustrious overhang of drab slabs of manufacture rather than organism that should be interposed between the constellated concepts of both apperception and the aggrieved counselors to obtuse obsessions that are an improper tutelary for a designated reprisal of the once profane now immediately gratified by ramshackle tenets of a guarded sublimation of the tenets of post-modernism into a sustained force of the internalized tabernacle of haecceity shepherded into exuberance by the manumission of spirit from the ******* of purblind scalds of defamation that incurs the penalty of flippant privation. The refuge the Lord provides is not contingent upon the vagaries of deliberation nor the calculus of oversight but the remontant amaranthine glower of a listed deed becoming an eternal reminder that a dismantled and disjointed world fathoming only remorse rather than the trudge of gentility against the headwinds of brunt asperity will always flout the successor rather than atone for the failure of the imponent condition that constellates around rudimentary drivel grubbing the momentary out of avarice for allotted merchandise rather than glommed magnets to amoeba sentiments for the kisswonk of ulterior motive beyond dungeons of desperation that lurk ghoulishly with spectral frights at the disfigurement of morale created by errors askew rather than a contagion of righteous valor.

   Ask the heedful servant if the captaincy of reneged commitment owes homage to dutiful instruction or whether it is a balking corpse of necrosis accorded to the omphalism of brutish carnal repose in times of sedentary silt siphoned in spelunked rijuice for preordination is a predominant specter for a world scared scurrilous and skittish in a diatribe against the very notion of tribal screeds embedded in the sedimentary heft of traditionalism above the pother of vacillation commended to the apikoros but counterfeit fiat system of a ruddy governance without a supreme magistrate. Now lets venture into the territory of visagists as we envision the swanky subversion of impoverished and nebbich visions of oligochrome that fixates on belabored but dead notions of rigid propriety and levitate above those concerns with a querulous transcendence that never wernaggles about the profaned irrelevance of burlesque tropes of sidereal friction but instead memorializes the thermolysis of permeable endeavor above staid countenances of imposture that lurk in the shadowy penumbra of the connivance of persona above the archetype of the tutelary guardian spirit that through windlass and sometimes deliberation affixes nobility to even the pedestrian in order to assize its proper proportions to granular ironies expounded into megalography transformative by the very rivets of its supersensible existence and cohabitation with histrinkage among human taboos.

   The handiwork of a permeable race prone to exacerbated proclamations of prerogatives bulldozed by the rapid percolation of insoluble quandaries to the gripes of the feast of foofaraw sometimes shelters our otherwise regnant concern about the plenipotentiary God that observes all latent affairs without the paramours that conflate vivid carnality with appeased luxury and superimposes a crafty system of seismic shifts in rantipole dances with numinous flux rather than dissipated militant suppression of the fracklings of dissolute pollution which swirk in their dastardly desperado endeavors to corral the entire monoliths that guard each province into a winnowed rumble of rubble by tarnish of Tyre rather than by the upstart rejoinders of Canaan. Every creature which has the capacity to perceive language is afforded benedictions by the overhailing force of the hypaethral heights of superlative ingenuity founded in the bolted speculation of the endearment of all to tropological seesaws embattled against the hearsay of nyejays that contaminates the telmatology of the ecosystem of revivalism rather than buries the leaden debts of the disjointed revenants of past prominence into recycled irrelevance for posterity rather than for anything but a machination of a clockwork apple rigged for a rotten worm to swindle the sweet delicate tempests of unforeseen disaster to perjuries against financial solidarity.

The spinsters of sardonic drollery underscore the imminence of an incondite cutthroat collapse blackguarded by the hucksters of incontinence grubbing every fetched noisome notion and congealing a bonnyclabber of desiccated mildew that proves vestigial when the victors of time earn their joyous serenade to the pinnacle of the totem of jaundice slits in wavy endeavors for the participles of sejungible syntax of the ephorized furor to outlast the draksteng of droned dereliction manned by half-baked spies of ulterior recitals for imprinted vicissitude in supremacy in synquest for frizzlounges rather than the pedestrian circulatory system of careworn polity. We vaporize the petty hatred of sympatric regelation that neuters the virulence of motivated impediments to the draconian surge of asperity that sinks temporal haplessness as a regaled blasphemy that crowns only the ringed betrothal to spumid serrated halts in slick superstition that is a buggery to the idea of insectivores devouring the erratic chantage of germane germs that pauperize rather than even blind the deafened to be a crutch to vehicular homicide. Melismatic sennet is a dirigible of immense herculean sinew without the traces of vestibulary retches of kisswonked grisly tepid intimidations of eccedentesiasts by the radioglare of wizened corrugations in thanatism that exhort the avatars of narquiddity over the natural departure of revenant souls back to their temporary hostility to crass lifeless decarnate immediacy that slinks with foibles magnified by vertiginous heights of scollardical reputes rigged by the rijuice of the plackiques of meaningless spoils for swashbuckler bonanza borrowed from serrated vengeance exacted in prominence to provide false avenues of extenuation to malefaction that is confidant to the panopticon of exemplary dimples meager in the largesse of the composite realism of a sizable imprint on megalography that outlasts impertinent excuses for dangerous trout swimming against the mobilized selachostomous frizz of sharks gathering to avenge disclosure with insolence and gravid atrocity of incisive surgical evisceration of attempted depositions that falter by innumerable facets of countenance that belie ultimate realism and the perdurable construction of a sturdy hive of bibliognost revelry.

     Even with the blaring sennet of majesty inundating my piecemeal perception with the marstions of flarium that is an efficacy in a flaccid world of otiose pretenses limpid only in folly but contraplex in ironic skewbald skerries of grubbed destination that is the terminus of karezza despite the maledictions of vehement guarded betrayals that conjure up lurid noisome virility against the gamines and gallywows that populate interstellar fictions of virtu rather than mundane pragmatica that astound with the resselenque of contaminated skeumorphs of latent fracture belonging to a skeletonized ossified reification of farce above historicity in seemly seamless countenance with overwrought princely stature deserving integrity to ripples through sparkling opalescence. The vapid insularity of the self-contained mythos of appeased groundlings is based on the rhizic and rhizogenic fracklings destitute in predicative flares to swelter above stratospheres of the illimitable into the dwelling of the highest serenity inherent to the pacification of truth to neglect its egregious errors of mistetches of a ripened pachyderm of bravery in times of austerity and now a reclaimed notion of sempiternal charades swimming above the punitive draksteng of dranger that is enlarged by acclimated attempts at foiled raltention hikkling against its own superior forces of galvanized preterition to elide over screwball insanity of derangement in this virtual paradise of inhabited souls belonging to former times congregating on the pasture of the evanescence of now for all eternity having the optative condition of incarnation above the ferules of the stagnant brevity of oversight in heavenly realms by postulate but not confirmed by regal logic.

     The troponder of the flickered lambent niceties of polity is a countenance that piggybacks on simpered jostles of negligent engrenage to appease sworn enmities among beatific havens for certitude swarmed by the fisticuffs of darbied bridewells of desiccated drainage traversing the distant disdain for the gravel of cemented slits of stilted pragmatica that is a gavel of atrocious estoppel mediated by heroic heresiarchs against pitiable betrayal for forceful remedies in acclimated servitude to the groans and groaks of a life of remorse and dearth rather than the glut of luxuriance in forbearance to its own intorted mirrored ironies that etch infinity with every scrawled rejoinder to austere ploys of checkered rumbles of threat and exigency posed by the clairvoyant hypocrites who benefit greatly by the design of the omphalism above the frays and brays of corporate dogmatism slowly outmoded by vibrant plumages of heteronormative originality beyond petty chantage. A hesitation overcomes the bluster of bravado as the restive earnest concerns of tribulation beset the minauderies of divine affection to reaffirm the teachings of the Gospel so that future generations genuflect beneath the altar of the ultimate stroke of sociogenesis and the blood ransom of suffering that promoted the human latitude and liberty against incarcerated throngs of virtue over caesaraproprism accorded to genuflection beneath denarii rather than absolution by tether to the eternal vine of sensation of the supersensible entelechy of all valiant insurrections against defective polities and renewed policies.

     We thus seek a transdimensional bridge between the morphean virtu of rudimentary alchemy of propitiation divulged by leverage and the teeming rambunctiousness of fiduciary tribes to the ultimate duty of man to consummate the future of eternity even in slowpoke mannerisms that sidle through rigors of entelechy and assize the masterwork of tutelage above the circumforaneous entrenchment of glut above the mastery of the subtle subaudition that beleaguers an adept conflagration of harnessed human ignorance staid in the incarceration of exotic virtues of freewheeling sapience never vulnerary to hospitable concerns that entrenches the verisimilitude of a refracted justice to reign over the stultification of a primitivism inherent to man and not man alone.
Used some neologisms
blue house
brown house
tan house

brown house
blue house

brown house
brown house
brown house

backyard inside the fence
rocks inside of rivets

dead grass and
rocks inside rivets
rocks inside rivets

bridge over tracks
bridge over trails
bridge over the river
bridge over rails

parking lot
parking lot
parking lot
parking lot

high school called
a dead man’s name

circle
avenue
court
lane
And now, as Dawn rose from her couch beside Tithonus—harbinger of
light alike to mortals and immortals—the gods met in council and with
them, Jove the lord of thunder, who is their king. Thereon Minerva
began to tell them of the many sufferings of Ulysses, for she pitied
him away there in the house of the nymph Calypso.
  “Father Jove,” said she, “and all you other gods that live in
everlasting bliss, I hope there may never be such a thing as a kind
and well-disposed ruler any more, nor one who will govern equitably. I
hope they will be all henceforth cruel and unjust, for there is not
one of his subjects but has forgotten Ulysses, who ruled them as
though he were their father. There he is, lying in great pain in an
island where dwells the nymph Calypso, who will not let him go; and he
cannot get back to his own country, for he can find neither ships
nor sailors to take him over the sea. Furthermore, wicked people are
now trying to ****** his only son Telemachus, who is coming home
from Pylos and Lacedaemon, where he has been to see if he can get news
of his father.”
  “What, my dear, are you talking about?” replied her father, “did you
not send him there yourself, because you thought it would help Ulysses
to get home and punish the suitors? Besides, you are perfectly able to
protect Telemachus, and to see him safely home again, while the
suitors have to come hurry-skurrying back without having killed him.”
  When he had thus spoken, he said to his son Mercury, “Mercury, you
are our messenger, go therefore and tell Calypso we have decreed
that poor Ulysses is to return home. He is to be convoyed neither by
gods nor men, but after a perilous voyage of twenty days upon a raft
he is to reach fertile Scheria, the land of the Phaeacians, who are
near of kin to the gods, and will honour him as though he were one
of ourselves. They will send him in a ship to his own country, and
will give him more bronze and gold and raiment than he would have
brought back from Troy, if he had had had all his prize money and
had got home without disaster. This is how we have settled that he
shall return to his country and his friends.”
  Thus he spoke, and Mercury, guide and guardian, slayer of Argus, did
as he was told. Forthwith he bound on his glittering golden sandals
with which he could fly like the wind over land and sea. He took the
wand with which he seals men’s eyes in sleep or wakes them just as
he pleases, and flew holding it in his hand over Pieria; then he
swooped down through the firmament till he reached the level of the
sea, whose waves he skimmed like a cormorant that flies fishing
every hole and corner of the ocean, and drenching its thick plumage in
the spray. He flew and flew over many a weary wave, but when at last
he got to the island which was his journey’s end, he left the sea
and went on by land till he came to the cave where the nymph Calypso
lived.
  He found her at home. There was a large fire burning on the
hearth, and one could smell from far the fragrant reek of burning
cedar and sandal wood. As for herself, she was busy at her loom,
shooting her golden shuttle through the warp and singing
beautifully. Round her cave there was a thick wood of alder, poplar,
and sweet smelling cypress trees, wherein all kinds of great birds had
built their nests—owls, hawks, and chattering sea-crows that occupy
their business in the waters. A vine loaded with grapes was trained
and grew luxuriantly about the mouth of the cave; there were also four
running rills of water in channels cut pretty close together, and
turned hither and thither so as to irrigate the beds of violets and
luscious herbage over which they flowed. Even a god could not help
being charmed with such a lovely spot, so Mercury stood still and
looked at it; but when he had admired it sufficiently he went inside
the cave.
  Calypso knew him at once—for the gods all know each other, no
matter how far they live from one another—but Ulysses was not within;
he was on the sea-shore as usual, looking out upon the barren ocean
with tears in his eyes, groaning and breaking his heart for sorrow.
Calypso gave Mercury a seat and said: “Why have you come to see me,
Mercury—honoured, and ever welcome—for you do not visit me often?
Say what you want; I will do it for be you at once if I can, and if it
can be done at all; but come inside, and let me set refreshment before
you.
  As she spoke she drew a table loaded with ambrosia beside him and
mixed him some red nectar, so Mercury ate and drank till he had had
enough, and then said:
  “We are speaking god and goddess to one another, one another, and
you ask me why I have come here, and I will tell you truly as you
would have me do. Jove sent me; it was no doing of mine; who could
possibly want to come all this way over the sea where there are no
cities full of people to offer me sacrifices or choice hecatombs?
Nevertheless I had to come, for none of us other gods can cross
Jove, nor transgress his orders. He says that you have here the most
ill-starred of alf those who fought nine years before the city of King
Priam and sailed home in the tenth year after having sacked it. On
their way home they sinned against Minerva, who raised both wind and
waves against them, so that all his brave companions perished, and
he alone was carried hither by wind and tide. Jove says that you are
to let this by man go at once, for it is decreed that he shall not
perish here, far from his own people, but shall return to his house
and country and see his friends again.”
  Calypso trembled with rage when she heard this, “You gods,” she
exclaimed, to be ashamed of yourselves. You are always jealous and
hate seeing a goddess take a fancy to a mortal man, and live with
him in open matrimony. So when rosy-fingered Dawn made love to
Orion, you precious gods were all of you furious till Diana went and
killed him in Ortygia. So again when Ceres fell in love with Iasion,
and yielded to him in a thrice ploughed fallow field, Jove came to
hear of it before so long and killed Iasion with his thunder-bolts.
And now you are angry with me too because I have a man here. I found
the poor creature sitting all alone astride of a keel, for Jove had
struck his ship with lightning and sunk it in mid ocean, so that all
his crew were drowned, while he himself was driven by wind and waves
on to my island. I got fond of him and cherished him, and had set my
heart on making him immortal, so that he should never grow old all his
days; still I cannot cross Jove, nor bring his counsels to nothing;
therefore, if he insists upon it, let the man go beyond the seas
again; but I cannot send him anywhere myself for I have neither
ships nor men who can take him. Nevertheless I will readily give him
such advice, in all good faith, as will be likely to bring him
safely to his own country.”
  “Then send him away,” said Mercury, “or Jove will be angry with
you and punish you”‘
  On this he took his leave, and Calypso went out to look for Ulysses,
for she had heard Jove’s message. She found him sitting upon the beach
with his eyes ever filled with tears, and dying of sheer
home-sickness; for he had got tired of Calypso, and though he was
forced to sleep with her in the cave by night, it was she, not he,
that would have it so. As for the day time, he spent it on the rocks
and on the sea-shore, weeping, crying aloud for his despair, and
always looking out upon the sea. Calypso then went close up to him
said:
  “My poor fellow, you shall not stay here grieving and fretting
your life out any longer. I am going to send you away of my own free
will; so go, cut some beams of wood, and make yourself a large raft
with an upper deck that it may carry you safely over the sea. I will
put bread, wine, and water on board to save you from starving. I
will also give you clothes, and will send you a fair wind to take
you home, if the gods in heaven so will it—for they know more about
these things, and can settle them better than I can.”
  Ulysses shuddered as he heard her. “Now goddess,” he answered,
“there is something behind all this; you cannot be really meaning to
help me home when you bid me do such a dreadful thing as put to sea on
a raft. Not even a well-found ship with a fair wind could venture on
such a distant voyage: nothing that you can say or do shall mage me go
on board a raft unless you first solemnly swear that you mean me no
mischief.”
  Calypso smiled at this and caressed him with her hand: “You know a
great deal,” said she, “but you are quite wrong here. May heaven above
and earth below be my witnesses, with the waters of the river Styx-
and this is the most solemn oath which a blessed god can take—that
I mean you no sort of harm, and am only advising you to do exactly
what I should do myself in your place. I am dealing with you quite
straightforwardly; my heart is not made of iron, and I am very sorry
for you.”
  When she had thus spoken she led the way rapidly before him, and
Ulysses followed in her steps; so the pair, goddess and man, went on
and on till they came to Calypso’s cave, where Ulysses took the seat
that Mercury had just left. Calypso set meat and drink before him of
the food that mortals eat; but her maids brought ambrosia and nectar
for herself, and they laid their hands on the good things that were
before them. When they had satisfied themselves with meat and drink,
Calypso spoke, saying:
  “Ulysses, noble son of Laertes, so you would start home to your
own land at once? Good luck go with you, but if you could only know
how much suffering is in store for you before you get back to your own
country, you would stay where you are, keep house along with me, and
let me make you immortal, no matter how anxious you may be to see this
wife of yours, of whom you are thinking all the time day after day;
yet I flatter myself that at am no whit less tall or well-looking than
she is, for it is not to be expected that a mortal woman should
compare in beauty with an immortal.”
  “Goddess,” replied Ulysses, “do not be angry with me about this. I
am quite aware that my wife Penelope is nothing like so tall or so
beautiful as yourself. She is only a woman, whereas you are an
immortal. Nevertheless, I want to get home, and can think of nothing
else. If some god wrecks me when I am on the sea, I will bear it and
make the best of it. I have had infinite trouble both by land and
sea already, so let this go with the rest.”
  Presently the sun set and it became dark, whereon the pair retired
into the inner part of the cave and went to bed.
  When the child of morning, rosy-fingered Dawn, appeared, Ulysses put
on his shirt and cloak, while the goddess wore a dress of a light
gossamer fabric, very fine and graceful, with a beautiful golden
girdle about her waist and a veil to cover her head. She at once set
herself to think how she could speed Ulysses on his way. So she gave
him a great bronze axe that suited his hands; it was sharpened on both
sides, and had a beautiful olive-wood handle fitted firmly on to it.
She also gave him a sharp adze, and then led the way to the far end of
the island where the largest trees grew—alder, poplar and pine,
that reached the sky—very dry and well seasoned, so as to sail
light for him in the water. Then, when she had shown him where the
best trees grew, Calypso went home, leaving him to cut them, which
he soon finished doing. He cut down twenty trees in all and adzed them
smooth, squaring them by rule in good workmanlike fashion. Meanwhile
Calypso came back with some augers, so he bored holes with them and
fitted the timbers together with bolts and rivets. He made the raft as
broad as a skilled shipwright makes the beam of a large vessel, and he
filed a deck on top of the ribs, and ran a gunwale all round it. He
also made a mast with a yard arm, and a rudder to steer with. He
fenced the raft all round with wicker hurdles as a protection
against the waves, and then he threw on a quantity of wood. By and
by Calypso brought him some linen to make the sails, and he made these
too, excellently, making them fast with braces and sheets. Last of
all, with the help of levers, he drew the raft down into the water.
  In four days he had completed the whole work, and on the fifth
Calypso sent him from the island after washing him and giving him some
clean clothes. She gave him a goat skin full of black wine, and
another larger one of water; she also gave him a wallet full of
provisions, and found him in much good meat. Moreover, she made the
wind fair and warm for him, and gladly did Ulysses spread his sail
before it, while he sat and guided the raft skilfully by means of
the rudder. He never closed his eyes, but kept them fixed on the
Pleiads, on late-setting Bootes, and on the Bear—which men also
call the wain, and which turns round and round where it is, facing
Orion, and alone never dipping into the stream of Oceanus—for Calypso
had told him to keep this to his left. Days seven and ten did he
sail over the sea, and on the eighteenth the dim outlines of the
mountains on the nearest part of the Phaeacian coast appeared,
rising like a shield on the horizon.
  But King Neptune, who was returning from the Ethiopians, caught
sight of Ulysses a long way off, from the mountains of the Solymi.
He could see him sailing upon the sea, and it made him very angry,
so he wagged his head and muttered to himself, saying, heavens, so the
gods have been changing their minds about Ulysses while I was away
in Ethiopia, and now he is close to the land of the Phaeacians,
where it is decreed that he shall escape from the calamities that have
befallen him. Still, he shall have plenty of hardship yet before he
has done with it.”
  Thereon he gathered his clouds together, grasped his trident,
stirred it round in the sea, and roused the rage of every wind that
blows till earth, sea, and sky were hidden in cloud, and night
sprang forth out of the heavens. Winds from East, South, North, and
West fell upon him all at the same time, and a tremendous sea got
up, so that Ulysses’ heart began to fail him. “Alas,” he said to
himself in his dismay, “what ever will become of me? I am afraid
Calypso was right when she said I should have trouble by sea before
I got back home. It is all coming true. How black is Jove making
heaven with his clouds, and what a sea the winds are raising from
every quarter at once. I am now safe to perish. Blest and thrice blest
were those Danaans who fell before Troy in the cause of the sons of
Atreus. Would that had been killed on the day when the Trojans were
pressing me so sorely about the dead body of Achilles, for then I
should have had due burial and the Achaeans would have honoured my
name; but now it seems that I shall come to a most pitiable end.”
  As he spoke a sea broke over him with such terrific fury that the
raft reeled again, and he was carried overboard a long way off. He let
go the helm, and the force of the hurricane was so great that it broke
the mast half way up, and both sail and yard went over into the sea.
For a long time Ulysses was under water, and it was all he could do to
rise to the surface again, for the clothes Calypso had given him
weighed him down; but at last he got his head above water and spat out
the bitter brine that was running down his face in streams. In spite
of all this, however, he did not lose sight of his raft, but swam as
fast as he could towards it, got hold of it, and climbed on board
again so as to escape drowning. The sea took the raft and tossed it
about as Autumn winds whirl thistledown round and round upon a road.
It was as though the South, North, East, and West winds were all
playing battledore and shuttlecock with it at once.
  When he was in this plight, Ino daughter of Cadmus, also called
Leucothea, saw him. She had formerly been a mere mortal, but had
been since raised to the rank of a marine goddess. Seeing in what
great distress Ulysses now was, she had compassion upon him, and,
rising like a sea-gull from the waves, took her seat upon the raft.
  “My poor good man,” said she, “why is Neptune so furiously angry
with you? He
Jim Sularz Jul 2012
(Omaha to Ogden - Summer 1870)
© 2009 (Jim Sularz)

I can hear the whistle blowin’,
two short bursts, it’s time to throttle up.
Conductor double checks, with tickets punched,
hot glistenin’ oil on connectin’ rods.

Hissin’ steam an’ belchin’ smoke rings,
inside thin ribbons of iron track.
Windin’ through the hills an’ bluffs of Omaha,
along the banks of the river Platte.

A summer’s breeze toss yellow wild flowers,
joyful laughter an’ waves goodbye.
Up ahead, there’s a sea of lush green fields,
belo’ a bright, blue-crimson sky.

O’er plains where sun bleached buffalo,
with skulls hollowed, an’ emptied gaze.
Comes a Baldwin eight wheeler a rollin’,
a sizzlin’ behemoth on clackin’ rails.

Atop distant hills, Sioux warriors rendezvous,
stoke up the locomotive’s firebox.
Crank up the heat, pour on the steam,
we’ll outrun ‘em without a shot!

‘Cross the Loup River, just south of Columbus,
on our way to Silver Creek an’ Clark.
We’re all lookin’ forward to the Grand Island stop,
where there’s hot supper waitin’, just befor’ dark.

On our way again, towards Westward’s end,
hours passin’ without incident.
I fall asleep, while watchin’ hot moonlit cinders,
dancin’ Eastward along the track . . . . .

My mind is swimmin’ in the blue waters of the Pacific,
dreamin’ adventures, an’ thrills galore.
When I awake with a start an’ a **** from my dreamland,
we’re in the midst of a Earth shatterin’ storm!

Tornado winds are a’ whirlin’, an’ lightnin’ bolts a’ hurlin’,
one strikes the locomotive’s right dash-***.
The engine glows red, iron rivets shoot Heaven sent,
it’s whistlin’ like a hundred tea-pots!

The train’s slowin’ down, there’s another town up ahead,
must be North Platte, an’ we’re pushin’ through.
Barely escape from the storm, get needed provisions onboard,
an’ switch out the locomotive for new.

At dawn’s first light, where the valley narrows,
with Lodge Pole’s bluffs an’ antelope.
We can all see the grade movin’ up, near Potter’s City,
where countless prairie dogs call it home.

On a high noon sun, on a mid-day’s run,
at Cheyenne, we stop for grub an’ fuel.
“Hookup another locomotive, men,
an’ start the climb to Sherman Hill!”

At the highest point on that railroad line,
I hear a whistle an’ a frantic call.
An’ a ceiling’s thud from a brakeman’s leap,
to slow that creakin’ train to a crawl.

Wyomin’ winds blow like a hurrican’,
the flimsy bridge sways to an’ fro.
Some hold their breath, some toss down a few,
‘till Dale Creek disappears belo’.

With increasin’ speed, we’re on to Laramie,
uncouple our helper engine an’ crew.
Twenty round-house stalls, near the new town hall,
up ahead, the Rocky Mountains loom!

You can feel the weight, of their fear an’ dread,
I crack a smile, then tip my hat.
“Folks, we won’t attempt to scale those Alps,
the path we’ll take, is almost flat.

There ain’t really much else to see ahead,
but sagebrush an’ jackalope.
It’s an open prairie, on a windswept plain,
the Divide’s, just a gentle *****.

But, there’s quite a few cuts an’ fills to see,
from Lookout to Medicine Bow.
Carbon’s got coal, yields two-hundred tons a day,
where hawks an’ coyotes call.

When dusk sets in, we’ll be closin’ in,
on Elk Mountain’s orange silhouette.
We’ll arrive in Rawlins, with stars burnin’ bright,
an’ steam in, at exactly ten.

It’s a fair ways out, befor’ that next meal stop,
afterwards, we’ll feel renewed.
So folks don’t you fret, just relax a bit,
let’s all enjoy the view.”

Rawlins, is a rough an’ tumble, lawless town,
barely tame, still a Hell on wheels.
A major depot for the UP rail,
with three saloons, an’ lost, broken dreams.

Now time to stretch, wolf down some vittles,
take on water, an’ a load o’ coal.
Gunshots ring out, up an’ down the streets of Rawlins,
just befor’ the call, “All aboard!”

I know for sure, some folks had left,
to catch a saloon or two.
‘Cause when the conductor tallies his final count,
we’re missin’ quite a few!

Nearly everyone plays cards that night,
mostly, I just sit there an’ read.
A Gazetteer is open on my lap,
an’ spells out, what’s next to see –

‘Cross bone-dry alkali beds that parch man an’ beast,
from Creston to bubblin’ Rock Springs.
We’re at the backbone of the greatest nation on Earth,
where Winter’s thaw washes West, not East.

On the outer edge of Red Desert, near Table Rock,
a bluff rises from desolation’s floor.
An’ red sandstones, laden with fresh water shells,
are grooved, chipped, cut an’ worn.

Grease wood an’ more sagebrush, tumble-weeds a’plenty,
past a desert’s rim, with heavy cuts an’ fills.
It’s a lonesome road to the foul waters of Bitter Creek,
from there, to Green River’s Citadel –

Mornin’ breaks again, we chug out to Bryan an’ Carter,
at Fort Bridger, lives Chief Wash-a-kie.
Another steep grade, snow-capped mountains to see,
down belo’, there’s Bear Valley Lake.

Near journey’s end, some eighty miles to go,
at Evanston’s rail shops, an’ hotel.
Leavin’ Wahsatch behind, where there’s the grandest divide,
with fortressed bluffs, an’ canyon walls.

A chasm’s ahead, Hanging Rock’s slightly bent,
a thrillin’ ride, rushin’ past Witches’ Cave.
‘lot more to see, from Pulpit Rock to Echo City,
to a tall an’ majestic tree.

It’s a picnic stop, an’ a place to celebrate –
marchin’ legions, that crossed a distant trail.
Proud immigrants, Mormons an’ Civil War veterans,
it’s here, they spiked thousand miles of rail!

We’re now barrelin’ down Weber Canyon, shootin’ past Devil’s Slide,
there’s a paradise, just beyon’ Devil’s Gate.
Cold frothy torrents from Weber River, splash up in our faces,
an’ spill West, to the Great Salt Lake.

It’s a long ways off, from the hills an’ bluffs of Omaha,
to a place called – “God’s promised land.”
An’ it took dreamin’, schemin’, guts an’ sinew,
to carve this road with calloused hands.

From Ogden, we’re headin’ West to Sacramento,
we’ll forge ahead on CP steam.
An’ when we get there, we’ll always remember –
Stops along an American dream.

“Nothing like it in the World,”
East an’ West a nation hailed.
All aboard at every stop,
along the first transcontinental rail!
This is one of my favorite poems to recite.   I wrote this after I read the book "Nothing Like It In the World" by Stephen Ambrose.  The title of this book is actually a quote from Seymour Silas, who was a consulting engineer for the Union Pacific railroad.  Stephen's book is about building the World's first transcontinental railroad.   Building the transcontinental Railroad was quite an accomplishment.   At it's completion in 1869, it was that generation's "moonshot" at the time.   It's hard to believe it was just another hundred years later (1969) and we actually landed men on the Moon.   "Stops Along an American Dream" is written in a style common to that period.   I researched the topic for nearly four months along with the Union Pacific (UP) train stops in 1870 - when most of the route's stops were established.    The second part of the companion poem, yet to be written, will take place from Ogden to Sacramento on the Central Pacific railroad.   That poem is still in the early formative stages.   I hope you enjoy this half of the trip on the Union Pacific railroad!   It was truely a labor of love and respect for all those who built the first transcontinental railroad.    It's completion on May 10th, 1869 opened the Western United States to mass migration and settlement.

Jim Sularz
There, in the corner, staring at his drink.
The cap juts like a gantry's crossbeam,
Cowling plated forehead and sledgehead jaw.
Speech is clamped in the lips' vice.

That fist would drop a hammer on a Catholic-
Oh yes, that kind of thing could start again;
The only Roman collar he tolerates
Smiles all round his sleek pint of porter.

Mosaic imperatives bang home like rivets;
God is a foreman with certain definite views
Who orders life in shifts of work and leisure.
A factory horn will blare the Resurrection.

He sits, strong and blunt as a Celtic cross,
Clearly used to silence and an armchair:
Tonight the wife and children will be quiet
At slammed door and smoker's cough in the hall.
Amber Bowen Jan 2015
The realization that you had gone
Hit me harder than ever before
Pulling the air from my lungs
As if I had just taken a vicious blow
Every muscle in my body froze
Nothing had the desire to move
For fear that I'd slip even farther
Tumbling down this dark path
I pressed pause, looking for rewind
But life doesn't operate that way
A desperate cry for help escaped
As violent rivets cycling through
This broken and unwilling soul
Searching endlessly for someone, anyone
It was then that I sadly realized
No one was ever truly there
I hate this feeling.
Alone with your thoughts,
And nobody willing to listen is there.
They're always too late.
Lexander J Apr 2015
I travelled straight west
to the epicentre of the southern wastelands
and 'twas with mind-numbing disbelief that
I found an Oak table propped upon the sands

and it was not alone either
for three beings sat it, seemingly nonplussed -
one was a skinny old man
wearing a linen suit faded and powdered with dust

his collar frayed around the edges
a moth-eaten hat sat upon his head,
he had a daisy poking from his breast pocket
so very much preserved, so very much dead,

to his left sat a one-eyed Hare
the sole eye ecstatic and wiggling -
he swore and blasphemed each time the man spoke
from a mouth toothless and dribbling,

sat to the right of the man
was absolutely (absolutely!) nothing,
however I observed with mild humour
that both man and Hare were convinced it must be something

for the man was profusely adamant
scorning the Something for dissing the Hare's hair,
although the Hare was too busy rolling around its one eye
to even notice the man, or simply give a fu- care

"Hey hey talk to I! Hath thou seen my missing eye?!"
Hare asked from a voice shrieky and shattered
saliva running in rivets
upon the table it slopped and slavered -

then suddenly the man started singing encore
his voice cringe-worthy, out of tune,
sounding like a cat back-broke and on steroids
rocking and waving like a spastic-loon;

"If Father Time has no end,
does he even have a beginning -
oh, if there's pain is there gain,
which one of us is it that's winning?"

alas, that's when my attention was brought to the mounds
of surgical needles cluttered on the ground,
feeling sickly aura lick the back of my throat
I started backing away without a sound

["Hey hey talk to I -"]

["If there's pain is there gain -"]

["Hath thou seen my missing Missing MISSING EYE?!!"]

#FLASH!#

the dystopian landscape around me melted
into a field of bloated poppies -

serene, scarlet and blinding 'neath the sun,
feasting upon our charred bodies.

AJ
This poem is pretty much inspired by Lewis Carrol's Alice In Wonderland (The Madd Hatters Tea Party). I wanted to write nonsensical!
Jordan Frances Dec 2014
Hold your breath, girl.
Don't feel.
As he places his shallow love inside of you
Every breath feels like a brick
Pressed against your stomach
Collapsing the walls of your lungs
Until you feel yourself gagging.
Let him talk to you
But your words have become rather expensive
As he plays with your hair
As he touches your waist
As you turn away
Because his fingers cannot feel the rivets in your rib bones.
Your eating disorder makes casual *** a little harder
As does your history with assault.
Sometimes, your PTSD and bulimia want to have an ****
They are the extra lovers you never invited
But as you mount on top of him
Trying to make him forget he doesn't love you
And that you don't love him
It seems they are whispering in your ear
Why would any man want to *******?
                         He's all you have.
Stop pretending to be good enough.
Try to let these thoughts slip out of your mind
As you slip out of your clothes
Shedding your snake skin.
You kneel there now
His eyes are resting on each inch of your body
But your skin begins to crawl
Your heart begins to shake
You unravel before him
Every end of you is fraying
And he doesn't even know.
What happened to never doing this again?
What happened to getting over it?
Promiscuity smells like stale cigarettes and ***
In the back of a car
With an older man.
Promiscuity tastes like an empty transparent bottle
You can see through it like everyone sees through you.
Like ice cubes
On your fire slinging tongue
From that shot of whiskey a few minutes ago.
How many minutes ago?
Two hours ago.
Yesterday.
Wake up, girl
Detach
Stop holding on to the shards of glass
That break the delicate flesh
On your fingertips.
Put on a mask
Don't let him know you're dead inside.
Your job here is to
Make him believe you're still alive.
Curt A Rivard Sr Jul 2012
Beside the tree of life I sit alone and write
So many pieces of broken headstones
Wedged in the valley of the branches
Each one stolen from the field behind
Placed into the bark in hopes to show that they were kind
Hard to comprehend the fact I am taken on a higher education
Today is day one and the only crime is my age
I am an old dog who still can learn new tricks
Like a red alert or white meteor flares on a dark night
My Friendly Ghost ring tone wale’s out my phone.
I know it’s time to put all personal feelings and thoughts aside
Without any delay I respond
Heading back to the maze again and so soon
No dragging left hand on wall I know my way out this time
Into the chiller once again and there he laid near another
Pushing you out I’m taking you to a better place
And In matter of minutes I will see your face
Out your zippered pouch you emerged
Onto to the table in the preparation room I laid you
After a detailed look over I then prayed for thee
For I know what is I think to come next
I was given vivid words in complete details prior
Numbed with fear I wanted to see more
Laying out all the instruments and many odd shapes they all were
Saw so much before with the others but this time I’m given a blue apron
Step one was to first watch and then I must do just the same
Tan eye cap with thorns go in and grab hold of the velvet underside
So clear the color blue I saw the lost Atlantis water in you
Mouth now opened and rivets with wire are shot into your firm gums
He held your chin up and I twisted it shut
To a perfect gap I took you so thin the entrance was
In earlier times a silver dollars was the rule
And in your mouth it went to pay the ferry man
Breaking the rigor in the arms is next to follow
Scalpel in his right hand and the neck in the left
Feeling around for the perfect spot of execution
He Suddenly then makes a quick and clean cut
Sinking hooks went in he exposed and pulled out your major one
Then came the elevation and he held it with a stainless steel handle
Strings now are cut and perfect lengths yes they were
Under the massive one I reached in with the angled tweezers
Spun threads I pulled and through the opening underneath
Like tying a child’s shoe he did the first loops
Next came a tiny snip with the special scissors
Then after a wiggling push the valve was in its sheath
Now the torquing of the strings to hold them tight like acting as a hose clamp
Same now is done to the second biggest one
A Thick rubber hose now finds its way and attaches itself to the port of entry
After the precise ratio customized to your specks
The proper mix of a liquid concoction and concentration of flesh color rejuvenator
Now join forces together inside the tornado simulator vat
Dials are set and switches are then flicked to power it up and power it on
Spinning like a sky high typhoon the raging torrent in its attempt
To slow down the decomposing process now only scares your soul away
Clinging for dear life was still no match, many clots there were and many I saw
I had my hand in the helping of you so you could be set free
Out you escaped you’re now free and all the rest I washed away
Like magic right before my eyes
Your pale color is now taking on a new tone
To help the proper flow and to stop things that might grow
Dampened sponges now massage your face and arms
When it came to your hands I shook it first and then told you my name
Blended mix is coming to its end what is then next
Knots are released and oozing they were
A quick packing of gauze slows the red sea’s waves
Drying salts and a squirt of super glue then arrest the flow
Hosing all the magenta away jelly suds are then applied
Washing your strands and then your frail brows
In-between my fingers bubbles did appear
Like a new born infant I treated thee
In hopes that someday that’s how they will treat me
Warming the flow to a comfort zone I gave a quick rinse
Foaming growing lather now upon your face
A five bladed razor in his hand he gave you the perfect shave
My hands are now dunked into the soothing cream
On your smooth as a babies bottom grin it is rubbed
That is all for today lets wrap him up and yes I did tuck him in.

(CARSr. 7-10-12)
Maggie Emmett Nov 2015
On the mud flats of Padma Delta
where the mighty Ganges slides
into the Bay of Bengal
ships come to die.

Rusting oil tankers,
container ships from Panama
passenger liners,
and cargo ships from Zanzibar
North Sea fishing boats
research vessels and mother ships
anything that floats
each one has made its final trip.

Steel Leviathans
low tide beached
oil-slick stuck.

Metal monoliths
****** deep
into black sand.

The people of Sitakunda
come marching, ants
across the slippery surface
of diesel sand
to pick the carcasses apart.

Barefoot, with only blow torches
hammers and brute strength
wrenching rivets, nuts and bolts
breaching beams and deck
splitting welded seams
until the hulls are gutted
ribbed struts broken down
and torn from the edges of shape

Bit by bit
they scour and empty
right down to the core.

Bit by bit
they carry *****
to the waiting shore.

Where melting pots are kept boiling
giant stock pots stewing goodness
in a broth
but metallic flavours and oily spiced stench
hang in the misty bleakness of the bay

Skeleton hulks shift and ride
lurching, lifting with the tide
rolling, dangerous still
collapsing, with groaning creak
to maim, to crush and ****
the daring, the slow and the weak.

© M.L.Emmett
First published in New Poets 14' Snatching Time'
LAY me on an anvil, O God.
Beat me and hammer me into a crowbar.
Let me pry loose old walls.
Let me lift and loosen old foundations.

Lay me on an anvil, O God.
Beat me and hammer me into a steel spike.
Drive me into the girders that hold a skyscraper together.
Take red-hot rivets and fasten me into the central girders.
Let me be the great nail holding a skyscraper through blue nights into white stars.
sinews held in by rivets rh-rhy-rhythymed apart
frayed like cello bowstrings - the silly string hallways of hearts
a war where the marching drums sound like violins
the weapons wielded merge heartbeats and equestrian -
hook-hairs that snare the steely strings
ones not quite so metallic as we think -
they've frayed like flesh and refrained-
from sn-snaa-snapping -but just barely-
they still trip - trying to make music merrily -
still beat themselves up -with the singsong self-hate they're carring
they prefer to hide in the woods at the moment -
their cries as slight as the winds - perhaps they're out of breath
from trumpeting explanations - or perhaps they wish to rest -
tired of touching lips-
to instruments----------------
- they don't want this symphony to crescendo into treble this time
-  they're starting from the base up -
Happy for now and trying to hold their face up-
they are aware that they could be used
to make garottes  -or grand music -
to suffocate mute musician's who refuse to hear their sound -
or strangle guitar necks as deceptive cadence mimics resonance and resolve-
. . .
.........
there's a duet full of dissonance and you won't-
believe it but by the tear-tearing disbelief
you will timber like a tree -tone in two-
voices arguing inside of you- staccato soliloquies -
punctuated with melodic defeat -
intercede with a sharp or two - cut down to the root, the truth -
result in music i can dance to - symphonies , harmonies, rounds -
we are notes - in twoes and fours - together we are sounds-
adagio acrobatics emanat from where our feet touch the ground
in time, intonation the same as our romantic inclinations -
dances we just both seem to know - impromptu instrumentations-
the interval betwen  these two half notes made whole is zero-
you're a maestro whose got my heart crying in half time
-its the sound of requiem turned serenade - I was Alive on our wedding day -
and so were you - proceeded by a promenade -
of promises -
a recital of something more than just lyrics -
you said I Do to me-
a staff of out of sync harmonics
It's ironic  - I worship with shhhh- under my fingernals
and you - you love the sound - and the smell

Dancing so long that nocturne
turned to noonday sun -
until I , nightingale, and you the gales in night-
are one
Edward Coles May 2014
I cannot recall the moment
that sanity became a working goal.

Drugs are expensive,
sobriety; even more so.
Somewhere between all of this
I will have to learn to live.

The homeless are pushed out of town,
asleep beneath the railway bridge
that sends rain through rivets
like bullets.

I keep punching the clock
as it throttles Eros with slow hands.

“Sometimes just a smile is enough”
reads a cardboard placard.
But I have not cracked a smile
since I started popping these pills.
c
Julian Jul 2020
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor
So the son of Menoetius was attending to the hurt of Eurypylus
within the tent, but the Argives and Trojans still fought desperately,
nor were the trench and the high wall above it, to keep the Trojans in
check longer. They had built it to protect their ships, and had dug
the trench all round it that it might safeguard both the ships and the
rich spoils which they had taken, but they had not offered hecatombs
to the gods. It had been built without the consent of the immortals,
and therefore it did not last. So long as Hector lived and Achilles
nursed his anger, and so long as the city of Priam remained untaken,
the great wall of the Achaeans stood firm; but when the bravest of the
Trojans were no more, and many also of the Argives, though some were
yet left alive when, moreover, the city was sacked in the tenth
year, and the Argives had gone back with their ships to their own
country—then Neptune and Apollo took counsel to destroy the wall, and
they turned on to it the streams of all the rivers from Mount Ida into
the sea, Rhesus, Heptaporus, Caresus, Rhodius, Grenicus, Aesopus,
and goodly Scamander, with Simois, where many a shield and helm had
fallen, and many a hero of the race of demigods had bitten the dust.
Phoebus Apollo turned the mouths of all these rivers together and made
them flow for nine days against the wall, while Jove rained the
whole time that he might wash it sooner into the sea. Neptune himself,
trident in hand, surveyed the work and threw into the sea all the
foundations of beams and stones which the Achaeans had laid with so
much toil; he made all level by the mighty stream of the Hellespont,
and then when he had swept the wall away he spread a great beach of
sand over the place where it had been. This done he turned the
rivers back into their old courses.
  This was what Neptune and Apollo were to do in after time; but as
yet battle and turmoil were still raging round the wall till its
timbers rang under the blows that rained upon them. The Argives, cowed
by the scourge of Jove, were hemmed in at their ships in fear of
Hector the mighty minister of Rout, who as heretofore fought with
the force and fury of a whirlwind. As a lion or wild boar turns
fiercely on the dogs and men that attack him, while these form solid
wall and shower their javelins as they face him—his courage is all
undaunted, but his high spirit will be the death of him; many a time
does he charge at his pursuers to scatter them, and they fall back
as often as he does so—even so did Hector go about among the host
exhorting his men, and cheering them on to cross the trench.
  But the horses dared not do so, and stood neighing upon its brink,
for the width frightened them. They could neither jump it nor cross
it, for it had overhanging banks all round upon either side, above
which there were the sharp stakes that the sons of the Achaeans had
planted so close and strong as a defence against all who would
assail it; a horse, therefore, could not get into it and draw his
chariot after him, but those who were on foot kept trying their very
utmost. Then Polydamas went up to Hector and said, “Hector, and you
other captains of the Trojans and allies, it is madness for us to
try and drive our horses across the trench; it will be very hard to
cross, for it is full of sharp stakes, and beyond these there is the
wall. Our horses therefore cannot get down into it, and would be of no
use if they did; moreover it is a narrow place and we should come to
harm. If, indeed, great Jove is minded to help the Trojans, and in his
anger will utterly destroy the Achaeans, I would myself gladly see
them perish now and here far from Argos; but if they should rally
and we are driven back from the ships pell-mell into the trench
there will be not so much as a man get back to the city to tell the
tale. Now, therefore, let us all do as I say; let our squires hold our
horses by the trench, but let us follow Hector in a body on foot, clad
in full armour, and if the day of their doom is at hand the Achaeans
will not be able to withstand us.”
  Thus spoke Polydamas and his saying pleased Hector, who sprang in
full armour to the ground, and all the other Trojans, when they saw
him do so, also left their chariots. Each man then gave his horses
over to his charioteer in charge to hold them ready for him at the
trench. Then they formed themselves into companies, made themselves
ready, and in five bodies followed their leaders. Those that went with
Hector and Polydamas were the bravest and most in number, and the most
determined to break through the wall and fight at the ships. Cebriones
was also joined with them as third in command, for Hector had left his
chariot in charge of a less valiant soldier. The next company was
led by Paris, Alcathous, and Agenor; the third by Helenus and
Deiphobus, two sons of Priam, and with them was the hero Asius-
Asius the son of Hyrtacus, whose great black horses of the breed
that comes from the river Selleis had brought him from Arisbe.
Aeneas the valiant son of Anchises led the fourth; he and the two sons
of Antenor, Archelochus and Acamas, men well versed in all the arts of
war. Sarpedon was captain over the allies, and took with him Glaucus
and Asteropaeus whom he deemed most valiant after himself—for he
was far the best man of them all. These helped to array one another in
their ox-hide shields, and then charged straight at the Danaans, for
they felt sure that they would not hold out longer and that they
should themselves now fall upon the ships.
  The rest of the Trojans and their allies now followed the counsel of
Polydamas but Asius son of Hyrtacus would not leave his horses and his
esquire behind him; in his foolhardiness he took them on with him
towards the ships, nor did he fail to come by his end in
consequence. Nevermore was he to return to wind-beaten Ilius, exulting
in his chariot and his horses; ere he could do so, death of ill-omened
name had overshadowed him and he had fallen by the spear of
Idomeneus the noble son of Deucalion. He had driven towards the left
wing of the ships, by which way the Achaeans used to return with their
chariots and horses from the plain. Hither he drove and found the
gates with their doors opened wide, and the great bar down—for the
gatemen kept them open so as to let those of their comrades enter
who might be flying towards the ships. Hither of set purpose did he
direct his horses, and his men followed him with a loud cry, for
they felt sure that the Achaeans would not hold out longer, and that
they should now fall upon the ships. Little did they know that at
the gates they should find two of the bravest chieftains, proud sons
of the fighting Lapithae—the one, Polypoetes, mighty son of
Pirithous, and the other Leonteus, peer of murderous Mars. These stood
before the gates like two high oak trees upon the mountains, that
tower from their wide-spreading roots, and year after year battle with
wind and rain—even so did these two men await the onset of great
Asius confidently and without flinching. The Trojans led by him and by
Iamenus, Orestes, Adamas the son of Asius, Thoon and Oenomaus,
raised a loud cry of battle and made straight for the wall, holding
their shields of dry ox-hide above their heads; for a while the two
defenders remained inside and cheered the Achaeans on to stand firm in
the defence of their ships; when, however, they saw that the Trojans
were attacking the wall, while the Danaans were crying out for help
and being routed, they rushed outside and fought in front of the gates
like two wild boars upon the mountains that abide the attack of men
and dogs, and charging on either side break down the wood all round
them tearing it up by the roots, and one can hear the clattering of
their tusks, till some one hits them and makes an end of them—even so
did the gleaming bronze rattle about their *******, as the weapons
fell upon them; for they fought with great fury, trusting to their own
prowess and to those who were on the wall above them. These threw
great stones at their assailants in defence of themselves their
tents and their ships. The stones fell thick as the flakes of snow
which some fierce blast drives from the dark clouds and showers down
in sheets upon the earth—even so fell the weapons from the hands
alike of Trojans and Achaeans. Helmet and shield rang out as the great
stones rained upon them, and Asius the son of Hyrtacus in his dismay
cried aloud and smote his two thighs. “Father Jove,” he cried, “of a
truth you too are altogether given to lying. I made sure the Argive
heroes could not withstand us, whereas like slim-waisted wasps, or
bees that have their nests in the rocks by the wayside—they leave not
the holes wherein they have built undefended, but fight for their
little ones against all who would take them—even so these men, though
they be but two, will not be driven from the gates, but stand firm
either to slay or be slain.”
  He spoke, but moved not the mind of Jove, whose counsel it then
was to give glory to Hector. Meanwhile the rest of the Trojans were
fighting about the other gates; I, however, am no god to be able to
tell about all these things, for the battle raged everywhere about the
stone wall as it were a fiery furnace. The Argives, discomfited though
they were, were forced to defend their ships, and all the gods who
were defending the Achaeans were vexed in spirit; but the Lapithae
kept on fighting with might and main.
  Thereon Polypoetes, mighty son of Pirithous, hit Damasus with a
spear upon his cheek-pierced helmet. The helmet did not protect him,
for the point of the spear went through it, and broke the bone, so
that the brain inside was scattered about, and he died fighting. He
then slew Pylon and Ormenus. Leonteus, of the race of Mars, killed
Hippomachus the son of Antimachus by striking him with his spear
upon the girdle. He then drew his sword and sprang first upon
Antiphates whom he killed in combat, and who fell face upwards on
the earth. After him he killed Menon, Iamenus, and Orestes, and laid
them low one after the other.
  While they were busy stripping the armour from these heroes, the
youths who were led on by Polydamas and Hector (and these were the
greater part and the most valiant of those that were trying to break
through the wall and fire the ships) were still standing by the
trench, uncertain what they should do; for they had seen a sign from
heaven when they had essayed to cross it—a soaring eagle that flew
skirting the left wing of their host, with a monstrous blood-red snake
in its talons still alive and struggling to escape. The snake was
still bent on revenge, wriggling and twisting itself backwards till it
struck the bird that held it, on the neck and breast; whereon the bird
being in pain, let it fall, dropping it into the middle of the host,
and then flew down the wind with a sharp cry. The Trojans were
struck with terror when they saw the snake, portent of aegis-bearing
Jove, writhing in the midst of them, and Polydamas went up to Hector
and said, “Hector, at our councils of war you are ever given to rebuke
me, even when I speak wisely, as though it were not well, forsooth,
that one of the people should cross your will either in the field or
at the council board; you would have them support you always:
nevertheless I will say what I think will be best; let us not now go
on to fight the Danaans at their ships, for I know what will happen if
this soaring eagle which skirted the left wing of our with a monstrous
blood-red snake in its talons (the snake being still alive) was really
sent as an omen to the Trojans on their essaying to cross the
trench. The eagle let go her hold; she did not succeed in taking it
home to her little ones, and so will it be—with ourselves; even
though by a mighty effort we break through the gates and wall of the
Achaeans, and they give way before us, still we shall not return in
good order by the way we came, but shall leave many a man behind us
whom the Achaeans will do to death in defence of their ships. Thus
would any seer who was expert in these matters, and was trusted by the
people, read the portent.”
  Hector looked fiercely at him and said, “Polydamas, I like not of
your reading. You can find a better saying than this if you will.
If, however, you have spoken in good earnest, then indeed has heaven
robbed you of your reason. You would have me pay no heed to the
counsels of Jove, nor to the promises he made me—and he bowed his
head in confirmation; you bid me be ruled rather by the flight of
wild-fowl. What care I whether they fly towards dawn or dark, and
whether they be on my right hand or on my left? Let us put our trust
rather in the counsel of great Jove, king of mortals and immortals.
There is one omen, and one only—that a man should fight for his
country. Why are you so fearful? Though we be all of us slain at the
ships of the Argives you are not likely to be killed yourself, for you
are not steadfast nor courageous. If you will. not fight, or would
talk others over from doing so, you shall fall forthwith before my
spear.”
  With these words he led the way, and the others followed after
with a cry that rent the air. Then Jove the lord of thunder sent the
blast of a mighty wind from the mountains of Ida, that bore the dust
down towards the ships; he thus lulled the Achaeans into security, and
gave victory to Hector and to the Trojans, who, trusting to their
own might and to the signs he had shown them, essayed to break through
the great wall of the Achaeans. They tore down the breastworks from
the walls, and overthrew the battlements; they upheaved the
buttresses, which the Achaeans had set in front of the wall in order
to support it; when they had pulled these down they made sure of
breaking through the wall, but the Danaans still showed no sign of
giving ground; they still fenced the battlements with their shields of
ox-hide, and hurled their missiles down upon the foe as soon as any
came below the wall.
  The two Ajaxes went about everywhere on the walls cheering on the
Achaeans, giving fair words to some while they spoke sharply to any
one whom they saw to be remiss. “My friends,” they cried, “Argives one
and all—good bad and indifferent, for there was never fight yet, in
which all were of equal prowess—there is now work enough, as you very
well know, for all of you. See that you none of you turn in flight
towards the ships, daunted by the shouting of the foe, but press
forward and keep one another in heart, if it may so be that Olympian
Jove the lord of lightning will vouchsafe us to repel our foes, and
drive them back towards the city.”
  Thus did the two go about shouting and cheering the Achaeans on.
As the flakes that fall thick upon a winter’s day, when Jove is minded
to snow and to display these his arrows to mankind—he lulls the
wind to rest, and snows hour after hour till he has buried the tops of
the high mountains, the headlands that jut into the sea, the grassy
plains, and the tilled fields of men; the snow lies deep upon the
forelands, and havens of the grey sea, but the waves as they come
rolling in stay it that it can come no further, though all else is
wrapped as with a mantle so heavy are the heavens with snow—even thus
thickly did the stones fall on one side and on the other, some
thrown at the Trojans, and some by the Trojans at the Achaeans; and
the whole wall was in an uproar.
  Still the Trojans and brave Hector would not yet have broken down
the gates and the great bar, had not Jove turned his son Sarpedon
against the Argives as a lion against a herd of horned cattle.
Before him he held his shield of hammered bronze, that the smith had
beaten so fair and round, and had lined with ox hides which he had
made fast with rivets of gold all round the shield; this he held in
front of him, and brandishing his two spears came on like some lion of
the wilderness, who has been long famished for want of meat and will
dare break even into a well-fenced homestead to try and get at the
sheep. He may find the shepherds keeping watch over their flocks
with dogs and spears, but he is in no mind to be driven from the
fold till he has had a try for it; he will either spring on a sheep
and carry it off, or be
Trinity O Feb 2012
I never leave the West when it isn’t raining,*
My brother says to me through the phone.  
He is on his way back
over the Rockies and through Nebraska.
He’ll never make it intact—
hands fuse to the steering wheel
like nylons on a burn victim,
knees and elbows bolted in
precise angles keeping the car straight,
tires pulling everything forward.
One foot is the pedal, one becomes the floor mat.

Shoulder to armpit with a semi truck
hauling jet wings from Denver,
he notices the paths of rivets
like bread lines in Omaha.
Some of them are starving.

But where is the rest, the airplane body
without its wings? A hollow silo,
pilot in a cockpit
not going anywhere.  
I think airplanes molt this time of year.
It’s still raining or it will be,
the white-lined highways
will carry you here unscathed.
A mechanized millennium
studded
with silver rivets hammered from
the once glorious dreams of the populace
They are now all identical.
cylindrical
instruments that pierce the flesh of progress
conformity:
the price paid to advance across the toll bridge
that is "the betterment of society"


But bland and boring can hardly be better
than stark and standoffish rants of individual pipe dreams
They took those too-
the pipe dreams are now piping in the plumbing that runs beneath the streets
we walk all over them.
only half realizing they exist and not half caring
anymore
with spirits that lack luster our
low lackluster dreams are dying
Helseivich May 2014
A scarlet sky besets the realm around me
Welcoming my existence to the plateau of life which I sought with great determination
Scarlet leaves dexterously fall to the floor with nimble grace
The cries of angelic beings invigorate my ears
I can only see their scarlet eyes as they observe me from the heavens above
And her scarlet hair which was more refined than honored silk itself
Swings in the wind as she faces me with a curious look of inquisition
The wind caresses her scarlet dress causing it to dance with a rhapsody of acceptance
Her gentle aura rivets our actuality as she extends her hand to me
Her dominion is now the reality in which I lie dormant
For the longest time, all I saw was red.

November 2011.
I want to disappear
Leave no note
Erase my existence.
Fade away
like dead leaves
From sycamore trees

I can't stand it
I feel too much
I say more than I should
I cover my mouth
But I can't take it back
When will I learn
I'm so naive
So quick to run
At the slight chance
It will burn

I don't want to care
Even after you leave me
Time and again
Just standing, there
My mind is racing
My thoughts always
So complicating

My eyes see
But I don't know
I don't care
I don't care
Yes you care
I don't want to care
This hurts too much
I try to be strong
I've tried for too long

Should I quit
Surrender this heart of mine
Would it be so kind to die
To wave my condition
On the tears
of my mother,
father,
sister,
brother,
foe

No, not I
I didn't come this far
To ditch my life
Or to spit on my name
My birthright is claimed
And my purpose lay waiting
Though I know glory is laid
in the hands of my father.
Yet, still look at me, I falter
So quick to jump
That much is clear
So quick to love
Whom do I fear

Dear inner me
I say to you
Pity the fool
Who turns from you
You are everything
You are the essence of truth
You are love wrapped in clover
You are divine
And your soul is a fire
Those too weak can't carry
Don't aspire to capture the liar
Just desire the light within you
There you'll find the proof
Your strength is of many mountains
From Generations passed
To Generations come
Your worries are of only a mustard seed
Your heart is the greatest
And it is the capsule you read to world
I ask you to lay in wait
For much more is to come to you
Rise and claim your victory
More towers must yet be built--more towers destroyed--
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
****** out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,--
And so went out . . .  For once, he forgot his pail.

Something had changed--but it was not the street--
The street was just the same--it was himself.
Puddles flashed in the sun.  In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,--deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . .  Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,--
He slowed his pace a little, and thought with horror
How monstrously that small tree ****** to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be?  He'd never been afraid--
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,--
That blue-eyed innocent girl, in a soft blouse,--
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off.  Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God--I'm done for now, the dream was right . . .'
Ritz Jun 2021
She cried diamonds.

They ran down her cheeks in rivets.

Glistening under the moonlight, she cried diamonds.

They pooled at the bottom.

Looking at the mirror, she cried diamonds.

They fell, echoing in the silence.

She fell with them.
Connor C Blake Jan 2016
Soft padded sheets with a chalk-white fade
Contours from repeated pressure illustrating a familiar shape

Indented rivets in the overused cushion where you tried to hide
Red-turned-brown spots dried, markers of where you failed to keep it inside
Timid stains of salty moisture once fallen from your eyes
Now just a faded gravestone to the bliss simplicity brought before your fight died

Deaf ears and the pleas that pass through their shallow halls
But the sound changes octaves as it bounces off the thin beige walls
And so it echoes unheard as it falls
One too many close calls to accept the sound that emulates from it all

Trembling bones under heavy skin clutching the bed-frame with an iron grip
Second only to the pressure your upper teeth have on your lower lip

Revolving doors unhinged, flooding your thoughts as they race
Tired eyes stay bolted open, not recognizing the shape of your own face
in the jagged glass that now lays fractured and stained from the image you tried to replace
But it still didn't go away
“This is it,” you say

Cavernous holes,
Once whole,
Now just hollow shells you used to call home
Empty of all heart and all hope

And you brace for the hit, the moment where it finally all goes black
And the silence will finally answer back,
telling you you've ****** it up, it's all rotted through, you didn't fight hard enough and now you're done

And every single time you're still surprised when that moment never comes
And despite the tremors and daggers, your stubborn heart carries on

So find the narrow sliver of air where reality and your mind meet
And take in all the oxygen like it isn’t always free
There isn’t much too it,
You just put your head down and breathe

Because if there’s only one thing of which you can be sure
It's that these souls were designed to endure

And "this too shall pass" will become true once more

Let your heart and its resting pace made amends
Once the shaking stops you can finally stand
And wear that smile until courage finds you again

Somewhere inside you always knew this isn’t how it ends.
Tried to verbalize in prose my some of my experience of one of the many panic attacks from my dark days of recovery just locked inside my bedroom.

.It's sloppy and incoherent, but then so too is anxiety, so maybe it works.
The trees are a kaleidoscope of the green  
rivets of sunshine peak through the canopy of leaves
as the light flows to the forest floor.
Vines wrap their arms around the trunks of the trees
climbing to reach the sun
Each desperately fighting for the just a piece of the warm glow
Robins, swallows, and Cardinals all sing their songs
as they glide from branch to branch
filling the woods with their symphonies.
A fox dashes across a steady stream
leaping over rocks and fallen logs
making his way home again.
Journey of Days Jul 2017
...do not tell me
what I think or what my intentions are
you do not know me at all
what you see is true
but it isn’t all of me
there is so much still hidden
some things thought lost
as if passage of time removes their relevance
secrets and events held deep
in depths welded into caverns
there are sconces on the walls
marking the tombs for the living
you walk over them and past them
unknowing and uncaring with your presumptions
clipping your heels and stubbing your toe
on the rivets that keep them tethered.
preaching your rants
spin them wildly into screams
to keep you covered
in a fury of anger and hate
while I keep mine encased
held deep in a cold temple
with the pressure it might create diamonds

@journeyofdays
Jimmy Solanki Feb 2014
Rivets of words
Like swords in a gunfight
Silence roars
Like love, without light
A singularity
of frightful might
Ravages the desert
and storms the memories, in
That little backyard of your own

Stories you shall tell
of places far and near
Reminiscence is cute
But it won't last, dear
A billion sparks
Drive you close to tears
Won't I wonder, whats inside
closing your eyes, its
That little backyard of your own

Denial is just a game
Still you run forever
Looking back again
A dreadful fever
Nobody wants to die
Nobody can live forever
Won't you hold my hand
For a moment, in
That little backyard of your own
Jonny Angel Jan 2014
I dive headlong into the fray
on a secret mission,
so exuberant
craving the lava flow,
the adrenalin fixation,
creating an *******
in the warrior-mind,
she covers me with
explosive pixie-dust.

Lust shakes my rivets loose
in a fiery demise,
'till I see
those Chakra-eyes
begging for release
again & again.
Sean Critchfield Aug 2011
Shut the Windows.

Turn off the lights.

Lock the doors.

Make no sound.



Cover your eyes.

Cup your ears.

Until the only sound that remains is the steady beating of your heart.



This is where we will begin.



If you were the only thing this town had to offer,

It'd be enough for me to stay.

Or go.

Or try.

Or talk.

Or tear the roots of a sequoia from the earth and mend it together into a spine,

That I would wear for you.

Earthen.

Beautiful.

Strong.



It is like being shown how to breathe and then asked not to.



And these cycles keep forming on my chest like a bulls-eye.

Making me a target, once again, for beauty just out of reach.

And how we seem to perpetuate patterns. Circling uselessly through our transgressions.

Like a broken record.

All grooves and needled and cracks.

Skipping like heart beats.



Seems I am always chasing some sunset or another.

They just have different names.



And we believe the promises. Inscribed on the back of dewy eyes at dawn.



Not me.

Not this time.

Babies in skins.

Mountain tops.

Running away.

Steaming trains.

Landscapes and bedrooms and windows and moonlight.



But then they are always just warning labels.

Fine print.



We have already made promises.

Pastries and the smell of fresh coffee.

Rain on green hillsides.

Mountain tops.



Mountain tops.



But my hands only seem to fold into prayer or failure anymore.



My wolf heart smells familiar scents.

Like endings.



Once again, my branded heart is folly.

And the river of doubt snakes through our canyons, making our mountain tops further away, and settling about our necks like guilt.

Guiding us parallel.



But not yet as one.

I have already lost what I had won.



And my trap has been set and released.

Golden teeth like shackles, clamped to my leg.

Victory on it's grin like plague.

Plating your outstretched wings.



I can see beyond these words of breath and know you are poised to fly.

And finally I understand what it is to stand on this side of the ocean.



It is cold here.



My shoreline is my prison.



Let. Me. Be. Something.



Or just let me be.



And I have held my heart out. Netted together by cast iron plates, rivets, bolts, violin string, and wishes.



Again and again.



And each time, I am told, yes..



yes..



I will take it as it is.



Yes



I will take it into me.



Yes.



I will walk the path. First to make the prints and then to walk in yours that walked in mine.



I believe in how you love.



I will hold your heart in mine.



Just





Not





Yet.



Or ever it seems.



It used to shine.



Running down my arms as I held it aloft on mountain tops.



A beacon.



A light house.



A fool on a tower.



Now it hardly glows at all.



But it smolders madly.



And it could burn.



For you.



Or burn out.



Forever.



Just



Not



Yet.
mark john junor Oct 2013
she begins to swing her hips
and flicks her bick to overload
her lips on fire with the words
her mind is a furnace comin unglued
see the images leaking out the seams
rivets slamming the walls
as the ***** busts a nut
she is full on now
aint no stopping
aint no slowin down
what are you crazy think you want her
spreadin roots in this state of mind
like unleashing a hailstorm in a paper cup
this version of the girl aint for bring home to momma
she swims out of her eyes
and bites the natural world
but she is an artwork on two fast feet
she is the cover of time pasted on a cereal box
eat that walter cronkite

any questions

his hand a tangled knot
in the handles of his life
and the he begins to bounce on his feet
as the tune rides up onstage
the crows parts to let the kid roll
they can tell this one is gonna burn the carpet
he  calls out the things on his mind
the funky thing crawls down his mind
and out the dancing in his legs
heavy steps like rolling thunder
light ones like flashes of lightening
see the music speak with this
poor fools broken form bouncing
but see that ear to ear grin
that ain't painted there
its live and in person
cause this is living
when the music shakes to your soul
long into the night as the band onstage
plays through their list
plays all the favorite ones
and some for the silly little ones who think
its so cute to wear weekend Tye-dye
these two got the dance-floor sweating
these two stretching the flesh
and greeting the sky
one star at a time
people can you feel the heat
coming off her
shes gonna give birth to a lighting rod
and its gonna explode allover this dance-floor

all  too soon the band is pulling out the encore
fare thee something
and her exhausted smile is filled with love
for every note she has made love to
this night
and his laugh is for the trails of mind light
that he has danced with and ran with
they wind it on down
they meet in the middle
and hold eachother
as the music finally fades
the rest of the world goes home to sleep
these two
will lay down to relive it in visions
for a lifetimes in a dream
goodnight prince of the river
goodnight princess of dreadlocks
dedicated to Jay Bianchi and Quixotes True Blue...a piece of sunshine eternal
sinandpoems Jun 2013
Stick around
Shucks shucks
Long necks like water pipes
You spout words I like
Words I like

The bench we sit on can’t hold our excitement
Our legs like jackhammers
****** wildly
And there’s no switch to turn them on or off
Our word centipede crawls into our butterfly bellies our
Awkwardly loud laughter
Fuels our one way-two-way train wreck
You’re funny
I like it
I like it

I’m twisting my wire pipe fingers into
Infinite loops
I won’t stop
Because there’s no clocks in our world
They only tick away for legs
Straight and solid like enslaved cement blocks that sway
Only when forced by the machines they’re trapped between
The machines that
Won’t let them stop moving
And we’re breathing
Breath as fluid and exact as the clocks that don’t exist
Between our bodies so fitting

I think gosh gee
I think
If I could
I’d tell you it’s okay to sit closer
And the sun wouldn’t be the only burning
Gem in this world
Ill float upstairs with you
And the overhead light of your staircase wouldn’t be the only bulb burning bright and bold
The mattress a pseudo pool
Of fierce waters
And shallow rivets
Hearts inside clamshells
That peak out
Hesitantly
From salty sweat erupting from jackhammer limbs
Invigorating
Tell me you mean it
My taste buds sting with your coat
Of dangerous bumpy roads
And car sick groans and moans
My head hits the window and then your shoulder blade
And lastly the front seat
Drive me away
No
Drive me home
Drive me straight into this pit of broken glass and wrecked car doors
****** specks against cracked windows
The cracked sunroof fills with debris
Blundering amongst a whirl of unexpected destruction
and the eyes remain glossy and indifferent
Where star dust and bellowing wolves
Sink silently
Glare slovenly with laser beam vision
Sneering
Sniffing for a heartbeat lightening bolt
Shiny pearly whites
Against
Rusty stained gums
Hurdling into each other with irrevocable force
Beneath the corset of Athena’s bloated body
Where babies curl underneath to go die
They bleed ****** blotches unto bruised blisters, bleak and bolted tight
By warrior instincts now
Infantile, fetal
Caused by the men who tore off more then they could chew
Chosen like a useless card in a mismatched deck
No second thoughts I said
Why me
I said why me
Floating into your room
I’m a piece of furniture
A lamp a chair your headboard beating fiercely against your brittle wall
You look at me with double vision while my eyelashes remain speckled with the tears of
Spotty speeches and surly surfing
Amongst warm waves of love god would be jealous of
I’ll say it again
Tell me you mean it
Sara Dec 2012
Pink eyed words whisper slow.

Lazy layers of smoke curl around her expositions--
marbled collarbones protruding from the recluse
of a crippled child called

Hot ash sprinkled across her duvet,
she feels too heavy
under the dark velvet of the night sky.

Fingertips trace stories across wrists,
catching the rivets of her imperfections with
bitten down nails.
Julianna Eisner Mar 2014
.
Even after visits to apartments in self-named cities to see soccer stars swathed in orange tuxes,
Swerving off country roads in berating fits of tenderness,
Sputtering 'i love yous' in ditches and river canals;
Even after chais with Ye Ye Elders,
Messenger powwows with ancestors, and
holding the hands of comforting Harmonies, I

Never got it right.
.
It was a pathetic attempt to join a traveling circus; a passive means for an escape. Who were the Elephant Man, the sword swallower, or the contorting twins?
****** if I know.
Buddy had his hands wrapped around my neck in a nihilist noose so tight that it bubbled up amaurotic visions within my retina.
I couldn't see or feel a ******* thing.
Lost consciousness on his cold bathroom tiles, sprinkled with ***** confetti, **** all up on my cheek.idonthavetimeforthis!sleeponthecouch!
Watching 'Teach Yourself Circus!' videos at circus camp, I learned to juggle,
albeit groggy and disoriented. Only brightly coloured ***** at this point but I was up to seven tosses! While the freaks and geeks headed to carousels in the big top tent, I headed back to my dilapidated den leased on a broken Concord.
getoutbitchgetoutbitch
Back at camp ( hazy lazy crazy ) rivets affixed so I could only stare forward at the wall.
An e.ch-o-y sound in my
left  ear
voice reverberating down thru
t
h
e

w
e
l
l  
past
   t
   h
   e

   b  u  c
   k  e  t

I turned my head,
slo-mo tracers flashed in warp speed,
glacial stares softened into slushy moss.
A buttery soft cashmere reply,
                                      i'm sorry? what did you say?
                                                           ­  you seem nice...
.
Infrastructure collapsed.
    ****
Gone.
Crumbled in a heap of rubble.
Impaled by rebar and rebar erections.
Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab.
Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab. Dab.
in a black plastic sack
And....then....
Who's to say about the linear sequence of events, anyway?
.
Matthew Harlovic Nov 2014
Buddha was the broken hourglass
that spilled seconds across my backyard.
Mother Earth scolded him for his slipup,
so I smoothed her over with my minute hands.
She told me that he who skips an interval
needs to double back his ticks
so, grain by grain, tick by tock.
She rewound my hands to round out
the stonewashed garden that was being fabricated.
So I steadily swept shards of seconds
under the rugged rug of ill will.
I riddled ripples within her granular skin,
skidded stones across her carved clock
face fitting ****** features together like cogs.
Buddha shook the soil off
and fixed his gaze on my clockwork.
He explained that patience is key
if one wants to harvest his feast.
Before the goods go about,
pivots and rivets need to tie together.
Mother Earth collected her thoughts
and agreed with his concept.
I finished my work, stepped back,
admiring the hourglass I rebuilt.
"He can't walk, he's on decline."
I was briefed as I clocked in.
an anxious robotic voice says
You have clocked in at 9:40pm
"When I get back from vacation He'll be dead"

I stand awkwardly at the landline phone and stare at him.
between us is the Clients bedroom doorway
The Client is asleep.

"When did he go to bed?," I say after a silence.
"Oh about a minute ago"
Breathing becomes fast and heavy from inside the room.

"I think it's a good time for you to go now"
I say, "It was nice to meet you."
"I'll be relieving you tomorrow morning at 8:30"

He leaves,
There is nothing relieving about this man
eager to back into each parking space
Lusting for his vacation in California
Caring for this helpless old man when I leave.

Architecture rivets as he walks down the hallway.
footsteps echo off the empty fireplaces and yellow wallpaper  
no tumbleweed in the darkness outside
only snow wet and black tar.
as he looks in the mirror his wax smile fades into his hairline

I shiver in the recliner at my journal.
I look at the man sleeping past the doorway.
This is my job now.
That man is my future
Destined for a Hospice Heart
Rae Jul 2017
Throw rocks on my car
and spit curses in my face.
I'll sharpen my teeth for war,
getting ready for the chase.

I'll cut you and let you bleed,
for all the times you've broken me.
I won't listen to you plead,
but laugh in your face with wicked glee.

My teeth are razor sharp,
and I've put on my war paint.
Trust me, no angels will play the harp,
when neither of us have claimed to be a saint.

I've never been a damsel in distress,
no I can fend for myself.
With claws for nails and rivets on my dress,
you brought this upon yourself.
- i have two faces. the first one is the nice me, the other is the angry me. sadly, the angry me often takes control. but i promise you i'm nice. -
Zulu Samperfas Dec 2013
I had to do it, since I wanted to see him again
one last time, it was OK
Just a guy in a typical poofy too big man's shirt
Funny how men try to puff themselves up with their clothes and suit
and we try to look smaller,
undershirt borders underneath too big white sleeve his wife bought
A married weight, a paunch that began at chest level
and made him look like a mango and brown slacks
a tan, and that curly hair with the little twirl on to that seemed to asked to be
grabbed onto and pulled back
and his authority the sexiest part
I needed him to sign a form and he took a long time to sign it
read every tiny thing, as I squirmed inside, but sat up straight and
perky so happy to be here.
was he drawing out--for me?
Then he looked at me with those baby blues
up from the paper on the desk, with those deep rivets in his forehead
all these huge scrunched up muscles
why do they need muscles even on their forehead?
and I was pierced to the center
and I know I'd think he's a bore
and as I drove away I saw him walk out of the building
carrying a lunchbox his wife probably fixed for him
and no, I'm not proud that I feel like this
and no, it's never something to act on
but as I drove home, I thought of him
despite the mango body, the huge shirt
and my not in shape profile that would have to be
crammed into a corset I thought about a lot
and if I could forgive him his middle aged flaws
I should be able to forgive mine
because humans are much more complex than those
dumb two dimensional magazines let you believe and
we haven't been photographed for all the thousands of years we've been reproducing
Jonathan Witte Nov 2016
Some nights it
is alarmingly
imperceptible:
an exoskeleton ascends
on iron rivets and steel;
unseen scaffolding tapers
to a steady pulsing point
of phosphorescence—
a mechanical heart
circulating red light
into leaden clouds.

Some nights the air thickens
with cordite, grief, and snow.

Tonight with winter here
we can see the tower’s
beacon blinking through
a tangled scrim of trees
half a mile across town,
and yet even with our
bodies squeezed together
like radio dials in the dark
we are unable to tune it in—
the signal that would calibrate
our estranged transistor hearts.
Nicole Wheat Apr 2013
For in the cloth held by rivets in his pants,
he held captured luminosity
—because she feared eclipses—
so he could draft constellations
in that darkness.
Steele Jan 2015
I*             wasn't born in a hospital like most children are. I
am         made of soft thoughts, but too of hard muscular rivets; steel bars are
not         nearly so malleable as my arms. So far, so good, no need to be
afraid,    no need to be alone. There's no need to cry in the dark, wishing for

home      and a soft bed and warmth and food for my soul. My soul thrives; it
is             the howl of the wind on the mountain top; My soul lives in hardship.
Where     others tremble, I will not walk alone, because My soul lives in pain
The          pretenders; the snakes; the cowards do not sway. Because My soul is
Hard
    Like my muscles, like my heart, like the place where I was born. It
is...              funny actually. I wasn't born in a hospital; I was born on the way.

I
Was
Born
Moving
Forward.
  and I refuse to move back. Because *
*I am not afraid.
It's been a rough week.
Zigmaz F Mar 2015
Like thread in the tapestry,
So delicately woven,
With intricate detail,
Vibrant design, and such precise pattern,
We were once alive and full of life.

Our creation became a masterpiece.
A unique piece, significant to the rest,
Handcrafted with genuine love;
We devoted time,
With pure emotion
We didn't care for slight imperfection.

Our foundation has now become worn out,
As if our colours have been faded by the rays of the sun.
Little rivets show signs of wear and tear.
No longer an original,
It seems more like a hand me down.
One that has just been collecting dust,
Or has been settling inside the wooden chest,
Stored away in time.

If you wish to bid farewell of this work of art,
Please lay it down with gentle ease
There's no need for it to be a burden any longer.

One man's trash,
Just still may be another's treasure.

— The End —