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Pea May 2014
It begins when a
butterfly dies. My stomach
is an insect grave.
zebra Jul 2017
the child's house
domicile of estrangements
his parents dressed him like a little girl
against his will
a pox of gender confusion
glum aura
he ascended by violence
and lived through the logic of a mirage
except for copulating with demons
which of course
was ruined by
the good Christians
they who always hate ***
not wanting to be reminded
they are animals too
their heaven withheld
their halo's sullied
the vulnerability of desire their crime
Eros a disgrace
still beating their genitals until a wicked thunder
the pro-creative
an affirmation of paradox
between the continuity of life
and the dread of death
***** resurrections
a second *******
**** flood
without redemption
Satan standing on their necks
while God pulls them up by their hair
rebels to reason
bewitchers of wit
deranged by the myth
of dolls
wood and plastic painted corpses staring
and a blossom throated Goddess
ham handed monkey fist
jerking off in search of a bulls eye anyway
eyes bleeding on bare legs; lifting a white cotton dress
a bulwark of erections
like canons blasting puce spats
under his frilly skirt; a red rain
haunted by dead girls dancing
like homeless hip bones sway
a bewildered phantasm
in a doll house dream
DEATH *** GENDER RELIGION ADULT EXPLICIT
As a child
I put my finger in the fire  
to become
a saint.

As a teenager
every day I would knock my head against the wall.

As a young girl
I went out through a window of a garret  
to the roof
in order to jump.

As a woman
I had lice all over my body.
They cracked when I was ironing my sweater.

I waited sixty minutes  
to be executed.
I was hungry for six years.

Then I bore a child,  
they were carving me  
without putting me to sleep.

Then a thunderbolt killed me
three times and I had to rise from the dead three times  
without anyone’s help.

Now I am resting
after three resurrections.
Prabhu Iyer Nov 2012
That season again; familiar fragrances:
of flowers and of emotions.
On shortening evenings
graying skies paint the earth in shades of
anticipation; Snapshots,
joyous memories, of
distant years roll out of catherine wheels
and sparkle-pots, rare
treats and new clothes
for the year; rolling wheels of time, how
loves change, people's
priorities change, events
drive everyone further and farther away.
But memories awaken
from vaults in the heart;
Familiar fragrances, blessed resurrections
always chase
all the doubters away
Yes, this season again; blessed fragrances.
Sia Jane Mar 2014
She came into her life
A mere stranger of coincidence
Alexander McQueen ivory silk tulle
Empire line gown.
All senses heightened;
She was waiting amidst
The exotic smell of burning
Candle wax.
The scent of a woman clinging
To lustful air, white roses ribboned
Thorns tinting porcelain skin.
She hears the patter, not dislike
A small child coming toward you.
All senses are broken; just a voice
So much power in the echo
Of words spoken with such
Fluidity.
****, he ******* knew that
She was awake, Louboutin steps
Scaring the devil itself; what sin.
Walking through flames,
Burning, hot coals; presence.
Ophelia approaches, a creature
Secure, arms wrapped tight
And smiles at her.
Ophelia speaks to her; lifting her arms
To wrap around her instead.
A gentle hand, to the thigh
A soft caress across silver scars.
The girl feels; inadequate
And yet, forgiven for all she has
Committed; sins of the flesh.
It was only now that, this goddess
Of desire, lust and eternity
Could mark a soul, for she was an
Angel, winged feathers a glow.
She reaches to the empty soul
Challenges her resoluteness
"What can I do to help?"
Eyes welling, the sound of a
Tear, akin to a pin drop
In silence.
In that silence, words formed
Like cloud patterns, shifting
Graceful elegance.
Nothing was heard, all was spoken.
Ophelia stole her heart,
The girl will always be attached
By symbolic resurrections
Of strength,
Spiritual
From
The heart and mind.

© Sia Jane
It's 03.33am
I wrote a poem recently.
Not so much a poem,
more like a story;
a story of love,
kind of like a love story.
Sure,
it was the best love story
we've never read.

There were romances,
struggles,
some revelations
and resurrections...
even a few bruised egos.
Blah,
blah.

Yessir,
a bayside view of
false paradise
if I'd ever seen one;
some dogeared page
ripped out of a
journal written in ink
and found in the gutter.

No beginning or end.
Just a thought.
A memoir
of a fantasy that should've just
been
and never had to explain itself.
note: Do not read.
Glenn Currier Apr 2019
The big story of this day is Jesus’ Resurrection from death.
It will be celebrated in homes and churches throughout the world.
But I think Jesus is more interested in us than us celebrating him.
He wants us to recognize
and celebrate the way we rise
from our darkness, and digressions
failures, weakness, sadness and depression.

When Jesus was on Earth he was honest.  He was himself.
That’s what got him in trouble.
He teaches me to subdue the anger and every hint of violence inside
to be true to the unique creature his Father has crafted
not special or above the rest of ordinary men
just different and true to my own voice.

Unlike Jesus, I am not that courageous and mighty with the power of love.
I still fantasize doing damage to those whom I deem evil
still I care too much about what others think
about how I look or sound in public.

I am unlike Jesus in too many ways,
but I am like him in my rising from darkness and doom
from my own self-made tomb.
My resurrections might be tiny
but large is the Spirit in me
and the ability to see
the light
to see the right
and pursue it wherever it leads
into meadows and into the weeds
away from tradition and my roots
beyond my past moorings
toward truth
and its small soarings
telling my little stories
from death to glory.
Carlo C Gomez Jan 12
~
I. Fog Glossaries
'Echoes don't tell lies,'
but inclement weather so often does.
look!
between whales and feverish thought,
between their sparkle and debris,
what is brewing systematically,
right under the surface,
might be terrifying.
or it might not.

II. The Cruxifiers
Time and life are machines that manufacture doom,
their sparkle and debris calculatingly withheld,
like keyholes to dark rooms that they
—in their reserved attack—never let you into.

III. Oceano Dunes
Bedouin princess—Charis Wilson tumbling
with Edward in the sand
—a photo finish.
—a young woman's triumph.
—a naked gift wrapped in sparkle and debris.

IV. Jellyfish Are Murderers
Here's a hint,
needle mark refineries are back,
expanding and contracting
in Baltic Sea,
in sparkle and debris,
smack after smack,
umbrella bell stings send
another pearl necklace
of dreams to its grave.

V. Container Ships
Substance A covers the outside hull,
Substance B is leaking from everyone's ears,
still the captain smiles, sailing straight ahead, ignoring the crew
as they turn into sparkle and debris.

VI. Mouth Guards of the Apocalypse
No one on the submarine is listening,
scopes up, spirits down,
current position unknown,
longer commutes, shorter lives
recede the fear of sparkle and debris,
by hiding out in the guest rooms,
waiting for a messiah drink
or perhaps a palindrome:
'never odd or even
no lemon, no melon.'
It's all so sour to the teeth and gums
of Armageddon's kids...

VII. Womenfish
Lost girls drive rental cars, change identities at rest stops. They shuffle down an otherwise sunny street beneath their own personal raincloud, shivering in an oversized coat. They imagine they're a parable stretched over the sea and not just mere sparkle and debris.

VIII. A Mother’s Book of Hours
At home and in her head
the roots get tangled,
so she storyboards each morning.
the lathe of heaven
must be Morse code
for death of romance.
she hears silent music
as her children sleep,
as whales sing off the coast,
they share their blood,
they share sparkle and debris.
there's a sweet little lie
baking in the oven,
she doesn’t want to talk about it.
she wishes her dreams were longer
and catches an interested eye
at the dream window,
her hands surrendering
their attempt to conceal,
naked is her perfect disguise,
you can hear her repeatedly asking,
“Who have I lived for?”

IX. The Pavilion of Dreams
How often I dream water,
some are lakes and seas,
others Olympic-sized pools,
each a self-portrait,
holding fast to the resurrections unseen,
to the digitally etiolated detail of the comedown,
every chimera ending
with my mind floating
just beneath the surface with all
the other sparkle and debris.
~
'Echoes Don't Tell Lies' is a borrowed line from the title of Neville Pettitt's new book of poetry.
https://hellopoetry.com/poem/4791671/echoes-dont-tell-lies/
322

There came a Day at Summer’s full,
Entirely for me—
I thought that such were for the Saints,
Where Resurrections—be—

The Sun, as common, went abroad,
The flowers, accustomed, blew,
As if no soul the solstice passed
That maketh all things new—

The time was scarce profaned, by speech—
The symbol of a word
Was needless, as at Sacrament,
The Wardrobe—of our Lord—

Each was to each The Sealed Church,
Permitted to commune this—time—
Lest we too awkward show
At Supper of the Lamb.

The Hours slid fast—as Hours will,
Clutched tight, by greedy hands—
So faces on two Decks, look back,
Bound to opposing lands—

And so when all the time had leaked,
Without external sound
Each bound the Other’s Crucifix—
We gave no other Bond—

Sufficient troth, that we shall rise—
Deposed—at length, the Grave—
To that new Marriage,
Justified—through Calvaries of Love—
Harry Roberts Sep 2018
Cutting Your Head Off It's Not On Your Shoulders,
Stamping & Kicking & Pulverising Your Boulders.

Sick & So Twisted Pure Evil Inside,
Demons Take Form In The Flesh You Reside,
You Could Take The Reins But You'd Never Decide,
Lacking Control So There's No Need To Revive.

Let His Soul Sink As His Frame Rots Away,
Malleable In Death As Energies Like Clay,

Reformed & Reworked & Reinvoked When We're Made,
Spirits Impression From The Past Will Fade,
Resurrections Reincarnation Like The Phoenix's Way,
We Can All Leave Buy It Takes Steel To Stay
Harry Roberts - Ressurections Reincarnation © 11/09/18
I found my voice in a pocket of oxygen buried in my gut,
it was a hot air balloon
backlit by the aura of my lungs,
my chest was the sky that coughed it up.

Knowing that we are water-based creations
spread thin
like the last spoon of pancake batter,
I wear my impermanence like Jupiter wears her red spot.
I wear my fears like continents wear mountains,
pointing them toward the sky,
hoping to someday adhere a sticker to my chest that reads,
THIS CAR CLIMBED MT. COMMITMENT

I have the scars to prove it.

My mother carried me like the last drop of water in a desert canteen,
there was no need for a soft spot; I was headstrong.

I brought the kitchen to the gun fight.
Held my hands to the stove top
turned my back to the knife rack
kept one foot in the door jam and my mouth to the bedpan,
just in case these words washed my mouth out.

Most people never get close enough to recognize
that the smile on my face is written in Braille--
but you've always been there with a blind eye
reading my innuendos
and holding me to my words.

When your marathon feet hit the pavement
it's a lot like Buddy Wakefield at a typewriter
striking the first letter of the word benevolence--

You taught me how to b b b b b in the moment.

Even at my most negative
when my body is a hearse,
this heart is a corpse
and this life is a road-trip from funeral parlor to graveyard,
so that I may have spent my entire life in the company of mourners,
who loved me.

Even at my most positive
when my body is a universe,
this heart is Hatch Shell located on the south bank of the Charles River
swelling with the sounds of the Boston Pops
and this life is everything leading up to the Big Bang,
so that I may have spent the entirety of my life in the company of creation.

Even on the night we met—same night I found my voice
we stayed up to watch Lake Michigan come to life in a pocket of oxygen
under a Chicago sunrise so inescapably underwhelming
it was covered by clouds.

But we were not disappointed.

Even though all of our rainbows have been stitched into flags,
draped over coffins
and buried by the same people who taught us to believe
in optical illusions.
Our hearts were not drawn by Jeremy Fish,
we're not weighted in fiction,
we did not have heartstrings rigged by Geppetto.

No, we were not disappointed,
this was nothing like (I still remember) when we learned
that we couldn't all be Mouseketeers.

Disappointment is a pastime that we reconciled
when we laid our grandmothers to rest
and recognized that their tombs did not believe in resurrections.

The past is a hot air balloon hoisting us up to a sky we'll never see.
I get it.
I'm not lookin' down.

We are old enough to know the truth.

The light at the end of the tunnel is behind us,
that's where we came from.
We are not running from it.
There's no looking back.
Nat Lipstadt Aug 2019
for you, of you: you’ve been between my ears

close enough to being on my mind,
almost the same thing,
though that’s unfairly inequitable, we both agree,
for when in an ear one opines, too oft it escapes
out the other side, only a tree ring mark left,
someone was here, present

as for the Confucius confusion in

ok, who’s writing this poem to whom,

cause it’s never clear between us
who is
asking the questions,
since the answers come
demanded and undemanding,
fomenting newer questions and follow through,
before, as well as,
‘please sir, may I have some more?’

the mutualizing game tasking begin-began-begun,
for this, our lovely crazy teasing of our-thing, ago began,
don’t recall who or how intimated-initiated
this oil drilling exploration,
who is the annointer and who is the annointed,
who seeds the plants, picks the fruit, and who
gets paid with cloves of poems, by the bushel

you say I’ve been on your mind,
which we now have both pointed out
is somewhat extraordinary since,
the sight lines are drawn through
long distance cloudscapes that travel
through underground cables,
making everything said,
fallow and rich-ending, deeply frustrating,
impossible to see the outcome

clouds usually imaginary, (not like now),
making visibility normative poor,
unlike the real ones I’m flying at the moment through,
ensconced in front row seat 1F, heading northwest passage,
passing by so ridiculously close to where
you are minding the soil,
as I am
mining your soul’s soil, tilling it between the ears,
of you, by me, for us, and the excited sadness
makes me happy and yes, inequitably, again,
hopping-mad

because your breadcrumbs and dark Swiss chocolate bars are
scattered and defaced, bitten and chewed, lovingly licked melting,
we who cover our tracks too well;
but what I do have, makes me ravenous,
having read all your poems,
in random order and then one more time,
sequentially

I see your history, near escapes and resurrections,
in fine grained moody minutiae punctuated by huge gaps in between,
that we must cream fill with clouds of wondrous loving curiosity,
a torture so exquisite, only the gods could have invented it like
Sunday Night Football,
and crazy sayings,
like I love you too...

been on my mind and I imagine you
hot and sweaty,
bent over, aching tired, from
picking weeds (gotcha),
when sudden one of us stands up straight, back aching,
screaming out loud
this is crazy, and follows up with
a *** Darius type proclamation,
who’s writing this poem to whom
issued to the upwards-skywards,
but addressed to ourselves,
the poets

as we search clouds by the thousands,
is that you in that cloud, in that poem,
I look down thinking that, that must be,
the plot of green and dusted light brown ground
where she has gone into hidey-hole hiding,
disappearing for months at a time,
before arising for the sticking of me
in the sticking place,
wounding me fresh with brand new poems
scandalous and imaginous,
and our imaginations are both
too skilled

so here I close, overwritten, overridden, too long,
overshot my imaginary bounds, so one
pulls down the shade over the oval window
through which too many great stories have commenced,
and ended

the thick cumulus shouting
as we look up
as we look down,
saying “enough, you crazy people,
your poems tell too much,”

perhaps, find me in that
next bite of herbs buttered,
and then ask (of course)

who’s writing this poem to whom?

then breathe out, exhaling me a
breath-poem up above, to where I’m hiding
just as I, am sending one to you,
earth falling from thirty thousand feet,
coming to rest on your mind,
in between your ears,
friend

<>

8-6-19
somewhere in the sky, clueless, heading north by northwest
Robert C Howard Jul 2013
Courageous Phoenix, what do you know
of past and future conflagrations?
With wings afire, do you sense
the embers of your renascent soul?
Is your savage life-death vortex
as mysterious to you as it is to us?

Although I'll never fly on Phoenix wings,
or share your tortured falls and resurrections,
I feel I know you as a brother
for we all have Phoenix games to play
with each dividing and perishing cell
its own ancestor and descendant -
tomorrow's joys born of present sorrows.

Who among us has never tasted
the bitter gall of enmity -
or been driven to our knees
by the searing blade of failure?
But time is the most physician -
stirring new life from the ashes of despair.

Noble Phoenix, in our barren seasons
when scorched spirits tumble to the earth,
soar down from your blackened rock
and restore the feathers of our tattered wings.

*March, 2012
Included in Unity Tree - Collected poems
pub. CreateSpace - Amazon.com
Selcæiös May 2019
You’re wide-eyed blinking at that wall,
You’re on the other side
You’re still shocked n' pretty shook
thinking that you just can’t die

But please don’t be surprised
if the next time
You're staring down
the Sewer’s Porcelain Eye,
The clock strikes 12,
it chimes for midnight
But this time
you don’t make it out alive

No resurrections
No second tries
You already used them all up
On the times you OD’ed
All alone on those
Solemn weekday nights

So better luck next time
In this game we call life
Because this time
you ****** up;
Made mistakes so bad
even I couldn’t revise
Alexandra J Jan 2017
The witch’s hour approaches-
What an unearthly time to be alive,
To open your eyes in fear,
To shut them back into illusion.

In your tired veins, yesterday’s sorrow sneaks through;
Do they burn with numbness?
Does the air caress your venomous pores?

This girl is a witch;
A witch is a saint,
For all the saints have confessed
To having sinned.
Can a god resign?
Can he seek forgiveness?
I hold him in the palm of my hand-
Tired creature,
Old with time,
Dark with worry.
There are no resurrections left to save
What is to be forgotten anyway.

The witch’s hour passes by—
The almighty can be put to rest once more;

Sleep in a mattress of distress,
Slip in oblivious bliss.
JJ Hutton Jul 2017
I found a way to make it painless, to make god good, to make myself good, to make myself god—me—Joshua Jerome Hutton, sound familiar?  

God I hope so.

I found a way to make it painless in the checkout line, while the bleary-eyed maidens of South Moore, one in front, one behind, talk 3 a.m. rallies and resurrections right through me.

I found a way to make it painless at the eternal stoplight, watching the eternal Vietnam veteran in eternal rags holding eternal cardboard, summoning crumpled bills from anyone other than me.

I found a way to make it painless during the photo shoot, a way to place my chin so thoughtfully in my hand, a way to look into the middle-distance, a way to imply self-deprecation, a way to find near perfection—only under ample light, of course.

I found a way to make it painless in the soup queue, amongst my fellow unshaven, shamed naked, shamed to the bone, shamed pure, shamed to one flybuzz drive: I must consume.

I found a way to make it painless, to make it to the center of the white space, to suspend, inking out the worst parts of me, an all caps ATTRACTION, impossible to pinpoint, all for the review of books and the cabal of the slowed-down and insane still reading the review of books.

I found a way to make it painless by never breaking eye contact nor speaking a word as you talk yourself deeper into what you hate about yourself, and I stir my drink with a black cocktail straw, and I clear my throat, and I hahaha to myself, and I say these little issues just seem like problems. Just wait. You just wait.

I found a way to make it painless, to eek out of my own borderlines, to meld with the air and chemtrail across the sky, to observe from a holy distance the tightrope walker, the controlled demolition, the desperate young men lagging five feet behind the elusive loves of their lives, firing every clever phrase, hoping for one to land, to glean one little pause, a moment to catch up, and here, I must admit, it gives me great relief to be this removed, this far gone, this far god.
Moris Sep 2012
youre snoring awfully loud
so
thanks for interrupting those nightly resurrections.


really.
if whiskey can't cure me
im not sure what will.
not much of a poet "scramble two"
Anais Vionet Jul 2023
Lisa and I finally tested covid-free! When we saw our results, we began an impromptu dance that felt like levitation.

Although my covid case seemed much milder, Lisa’s been nothing but supportive. Why just yesterday morning, before we tested, Lisa said, “If you test covid-free before I do, I’ll **** you.” She was holding a spork which gave the threat a specific gravity it might otherwise have lacked.
“Back off, Sweeny,” I said.

We worked the next day, masked - just in case - and I’d swear that Rebecca, my surgeon, almost smiled when she saw me. As funny as Rebecca is, off-hours, once she puts on that white coat - forgetaboutit - she goes to some other, humor-free zone.

That night, we went out to our favorite bar to celebrate our Lazarus-like resurrections.

In the club, as we were walking to the bar, Lisa asked me, “What if we get carded?” I gasped. Never, have I EVER been carded. To even suggest the possibility is to risk breaking a spell that has lasted since I was fifteen years old and first walked in the adult-bar world.

It’s not that I look old, I’ve been told I don't look 21 (although I’m almost 20) - but in dark, bar-light - I just look “right,” like I belong. And let's face it, no bar turns away college girls or charges them a cover - we’re good for business.

I put a hand on Lisa’s shoulder and stopped us in our tracks. “Turn around three times,” I said.
“Why?” She asked. “To break the god-****, bad luck, vu doo you just put on us!” I said exasperatedly. She shrugged and started to turn in a circle. Again I took her by the shoulders, “Counter-clockwise,” I instructed, “don’t you know anything?!” Once she’d broken the jinx, we were free to go on.  The next part can only be poetry.

Behind the bar were shelves of bottles, brightly lit,
with pastel glows that shame the merely silver moon.
Red rums, golden bourbons, begging you to commit,
elixirs that dull every pain and brighten every mood.
Give us your tired, your lonely, and like Houdini
we’ll invoke fun with mystical treats like martinis.

We were basking in those lantern-like glows, like tourists, in heaven, when a bartender said, “What can I get you?” How generous those words were, how open and inviting.

“What’s your name?” I asked, he was wearing a name tag but I leaned in and gave him my friendliest smile. It’s important to establish a personal connection - but you can’t get carried away. He might be gay and decide you’re trailer.

“Brian,” he said. Brian was talking to me, but then he’d noticed Lisa and suddenly, he couldn’t take his eyes off her (Lisa’s an adriana). This bartender wasn’t gay at ALL.

I handed him my black, Centurion, American Express card “Can we set a tab for us?” I motioned to include Lisa, “and please include a 30% tip for yourself.” I smiled. He smiled.
“Oh, and there’ll be a gentleman joining us as well (Charles).”
“Sure.” he said, as he swiped the card on his iPad, adding, “now, what are you having?”

I’m a bit of a bon vivant, where cocktails are concerned but tonight, we’ll keep it vanilla.
“We’ll start with a Cherry coke (for Charles) and,” I looked at Lisa for approval, “Two American Martinis?” She smiled, “Please,” I added, putting my card away.
The coke is psychologically important; it gives the bartender what’s called 'plausible deniability.’
“Do you have a menu?” I said, as he turned to go. “Coming right up,” he said.

We were on a rooftop terrace that overlooked the Boston skyline. To the left, there were tables enclosed in glowing, geodesic bubbles that changed colors and off to the right, a dance space where couples were dancing, and a DJ was spinning ‘Sorja Smith’s - Little things.’

Our drinks arrived and Lisa and I laughingly toasted our covid survival.
At that moment, at least, everything seemed right with the world.
BLT Marriam Webster word of the day challenge: A bon vivant:  a person with cultivated and refined tastes

slang…
sweeny = sweeny todd, the murderous demon barber of fleet street (Sondheim musical)
forgetaboutit = ‘forget about it,’ best said with a fake, somewhat racist, Italian accent.
trailer = as in trailer trash
adriana = a stunningly gorgeous girl
yes to the mess
yes to the lessons
yes to the illusions
cracking

yes to me
yes to being
yes to releasing
past ashes

yes to living
again

yes to showing up broken
yes to rising in blue and black
yes to bandaging crimson scar-chars

yes to
healing

yes to love
in infinite resurrections
LD Goodwin Jan 2013
You arrangers of thoughts and visions.
Sharing that most personal light that filters into your lens.
Opinions on sunsets, and of Autumns,
and attempting resurrections of days gone by.
A childhood Holiday, a skipped Summer stone.
A first heartache,
or a loved one’s soul ascending.
Perfectly honest glimpses into your most precious moments.

How do you do it?
How do you make me feel like a peeping Tom as if I had stumbled upon your most private files,
your family photo albums, your **** stash?
Like intercepting a note passed under a schoolhouse desk to Dorothy, ....what's her name.
Or that little red book in you Sister's night stand.
Her diary under lock and key?
No.
No, not diaries.
The visions you throw up are more than diaries.
They are ancient words that have longed to be spoken.
The thoughts of a thousand souls, you so bravely have loosed.
But you have to do this don't you?
You are so beautifully addicted.
From time to time you have to purge.
You have to stick your fingers into the throat of your mundane day jobs,
or lifeless relationships,
or awkward adolescence,
and for a moment,
for me,
throw up.

How is it that it stirs me to do the same?
I must crave that same drug as you.
To tap that vein and bleed...
But until then I will read you.
I will wander down your lonely paths,
I will let you in so that I may, for awhile,  
find the tear you wanted me to shed,
find that smile you knew was there, hidden among my layers.
And then, to take a breath and cherish the tattoos you have left behind.
To read you.
To see just what you see.
Is that what it is, this poetry?
Middlesboro, KY    2013
I have been a song writer for years, but have always had a great respect for poets. Maybe I will find my voice.
Mateuš Conrad Jun 2022
Charon:

churning memories
from a black
tide fleeing
   with a voice upon
the wind.

this is a perfect example of what happens when you're a "poet" and not a novelist and you take an entire day to finish some scribbles... i have a principle to follow... that's the uninterrupted pillar from Japan that's ensoo (i won't bother employing the macron o)... エンソ... drawing the circle in one smooth motion... i literally can tell you: the circle is there... but few can draw it perfectly without some variability to detail signatures of an ellipse... somewhere between Omicron and 0... squashing a doughnut... blah blah... i can't be a novelist... i figured out this impasse from the very beginning... i sit down... write... i'm out... i couldn't possibly interrupt myself with daydreaming and writing about drinking coffee, romancing the typewriter... well... beside the design of QWERTY... and... why is it that there are 2x shift buttons?! well... like the Marquis de Sade's uncle's library: of books to be read using only one arm... ahem... the other used to *******... when you're trying to type something verbatim... it makes perfect sense to have two shift buttons for the uppercase sentiment of aesthetic, esp. when employing italics...

well then... imagine my surprise...

ok baby
i tell you Sunday night
kiss (heart)

     (kiss)

come Sunday night...
i send her...

     ...

that's all i send...
and she replies...

    yes tomorrow i'm off

i seriously wasn't expecting that... i thought she was
going to dump me like Jemminah...
but then again: she's not an English girl...
she's not a European girl to say the least...
i too have my roots in the Caucaus steppes...
she's Turkic i'm a hybrid of Aryans and Mongols and
**** knows what... great... now i can plan
booking that hotel room...
             i am surprised... time to bend this universe
into a surprising night of love making...

reply:

yes tomorrow i'm off

i've found this one hotel in Barking with a Parkside view...
i'll make a booking in the morning / noon...
we can go for a meal at some restaurant...
i'll buy some brandy, or whiskey, proseco, strawberries...
once i book the room i'll text you and we can meet up,
how's that?

good baby
i mesaj to you when i'm up

   well then... until tomorrow (kiss)...

and that's how it should have been for... donkey's years...
i'm a woman... ****... ha ha... sorry...
i'm a man... she's a woman...
                          i give her what she wants...
she gives me what i want...
and what do both of us want?
    to escape the ugliness of this world...
the ugliness that's not inherent to this world per se...
well... beside gangrene, cancer... parasites...
people make this world ugly for other people...
we're here to make this world... slightly more bearable...
i stopped caring... she did too...
i'm a "poet" she's a "*******"...
                  but: we're not into the thrills of
                                    cheating on monogamous partners...
that's for the disappearing middle-classes of
"journalists"...
                  i'm done playing mr. nice...
i'm about to embark on playing the role of herr freiheit!
i want to resurrect myself into the memory
of myself climbing the rooftops of Edinburgh's
Prince's St. after yet another disappointing night out
dropping bricks from the roofs
and screaming an ancient call for war...
                                 i'm done with social standards...
hell... if everyone is breaking norms and etiquettes...
hmm... stand back? relax?
   n'ah... n'ah ah...
                                          i'll better them...
                      i'll destroy them...
                                       i'll make them timid...
scared... obscene... fringe...
                                              i'll go right to the source
of my "cis-normative-binary" blah blah alphabet soup
antithesis! it's going to look ugly...
a bit like... the ***** of Babylon riding the Hydra
beast of revelations... Babylon... aren't all the tongues
suspended in time in London at this very time?
Turkey... Iran... Iraq... eh...
                             she sure as **** isn't going to be attired
in the sun... and an iconoclast that i am...
   but that's what i love about ****'ite Islam...
that's why i think there needs to be a third branch of
this religion: to stabilise it...
    i lost hope in Christianity when i thought:
well... not another Jesus imitation...
     this religion is pretty much... this religion degenerated
into a polytheism with the number of schisms it has
"celebrated"...
                   lucky me: born into Catholicism...
yet? against my will: the baptism...
                             even Richard Dawkins was confirmed:
him being an Anglican and all...
me? i haven't... i couldn't have a church wedding...
i haven't been confirmed...
i don't have a confirmation name!


*******! another two exhibitions that i really want to see...
art and sensuality in the houses of Pompeii
at the archeological park at Pompeii...
oh ****... i thought it was in London...
    mind you... not everything comes through or to London...
the whole world might come...
but Pompeii's erotica hasn't...
        well... there's always Edvard Munch: masterpieces
from Bergen at the Courtauld Gallery until Sep 4...
but recently i've been having too much fun
watching sketches from South Park...
    i was never a big fan... well... apart from Team America
and that one line: Matt Damon... ha ha...
but those sketches of Tuong Lu Kim
   vs. Junichi Takiyama...
                        well... i have a nickname for my female
cat too... hell... i'll even employ the Katakana...
ヤマモト: empress - ya-m'ah-m'oh-t'oh...
   the male cat meows constantly: i want food...
let me into the house... please come upstairs turn on
the light and let me sleep in your bed...
but this "empress": i don't think i heard her meow...
she sort of... no: i have no access to the sound...
a bit like with a crow's croaking... it's croaking
but it's also a KRA- prefix of sorts that morphs...
just like you couldn't really write down a transcript of
Mongolian throat singing...
oh right... etymology...
     two words...
       yamamoto... i know where that comes from...
motać się... i.e. to struggle...
                 the additional letters hide the original intent...
because... unlike my male cat...
she... doesn't meow to indicate what she wants...
esp. when wanting to be let in from the garden...
hence...
             but she also does this truly weird thing...
imploring for food... she will stand on her hind legs
and with her front legs she will make a...
imploring gesture... as if testing: amen...
   or some Buddhist / Shakespearean kiss metaphor...
rubbing her paws together...
another word... KACAP: Кaцaпы (plural)
KACAPY... because what would a ****** think of
the current conflict between the Russians and the Ukrainians?!
aren't they both Cyrillic?!
i started wondering... maybe the etymology of
this intra-racial slur is derived from kaptur (hood)...
no... it's not...
it's derived from KAC (Кaц) - which means?
hangover...  
         meaning? even i know that Polacks have a reputation
for being drunkards... but...
the slur is derived from: but at least we retained
some civility - joviality in our drinking ****** -
the Cossacks and Muscovites were brutes when drunk...
the suffix -py (-пы) is unimportant...
     empress yamamoto (cat)...
                   well... i should text her around 12am tonight
asking her if she's available to spend an entire night
with me in a hotel...
   for £70 i found this decent one in Barking...
            hell... even if i throw in extra for wine, strawberries
and a dinner... it will come cheaper than
paying £120 for an hour in the brothel...
she might bring some ******* and i'll be like:
you know... like with those two Irish guys who thought
i was an undercover journalists...
that hit in the head from laughing gas...
see... i'm on the borderline of inherited a faulty gene
of high-blood pressure...
   so... too much coffee and mix that with nicotine...
i'm sort of immune to the effects of *******...
or laughing gas...
         with ******* i can do with coffee and a cigarette
after "fasting" from smoking for an entire day...
and laughing gas?
   i can myself laugh... on a whim...
   i just think of something absolutely stupid like:
i think i'm in love and i'm already giggling...
    eh... the mantra of: laissez faire sexuality...
it's so much easier with women when it ****** OBVIOUS...
well she can't "somehow" hide her over partners...
virgins and nuns aside: it's so much easier
to heave a hardened phallus and a hardened heart...
there's no allure of the western concept of romance...
there's absolutely none...
but you couldn't do that with European women...
and i won't go as far east into Asia as say...
beyond Iran... Turkic women...
    after all... i'm looking for a second schism in Islam
to be spearheaded by the Turks...
why? well... if Moses was the grassroots Messiah:
a proper fighter and a poet...
    a philosopher-warrior... then Hey-Zeus Crissy
was a cosmopolitan messiah...
the Turks? the Turks bring cosmopolitan Islam
to the fore... the right sort of levelling Islam...
they drink beer! they're the best barbers known to man...
****'s sake... even that beer of theirs:
Fiçi? probably the best beer in the world...
and no... i'm not into memes or emoticons...
that, above, in the title, in the (brackets)?
that's an ideogram for cat... most probably borrowed
from Chinese by the Japanese...
               the Manchurian crisis and speedboats...
it's truly fascinating... given the Chinese ideograms
are probably just as old as Egyptian hieroglyphs...
but more: x-ray vision than using actual forms
and adding colour...
could i conjure up the idea of a cat from that little scribble?

J++
  ロ      that's the simplified version... in addition
       to perhaps adding elements of T, ð and F...
cupboard... nope... i'm too European too Latinized...

no surprises elsewhere...
notably with the fact that we're not that much different
to the ancients...
modern times reflect the trials and tribulations
of emperor Augustus...
abortion was common in Rome...
lex julia de maritandis ordinibus (18 b.c.)
& lex papia poppaea (9 a.d.)
the arguments haven't changed...
extinction contra: not allowing such VIPs to emerge
akin to Newton or Achilles...
personally? fat chance of me reproducing...
from observing who actually reproduces...
sorry... life is remarkable in and of itself...
                 but sometimes people disappoint...
i too have been prone to have disappointed
based on the investment in what was expected of me...

lucky for some to have the attention span of moths
and be content with watching the daily news...
that's what turned me off from furthering
the relationship with the first girl i pair bonded...
we broke up... well: me doing it on the sly...
she doing it blatantly: in mutual agreement
when she said the following words:
i just want to sit down with someone to old age
and watch the news on television...

               **** me: i was quicker than a lightning
bolt bailing out!
me? i want to close my eyes and listen
to fire... i want to close my eyes
    and hear as fire nibbles on wood...
how much sloser is a lightning bolt from
light? and how much slower is fire from a lightning bolt?

stupid questions: but also awe-inspiring questions...
because what is question-worthy
and what is philosophical, these days?
it's not something anti-scientific...
it's more... post-scientific...
                         a bit like post-modernism...
i'm writing (or at least i hope)
writing some post post-modernistic in that
it's post-scientific... because? objectivity is a ******* drag...
it's so unlike the pretentiousness
associated with associating subtle scents and taste
hues of a wine:
   instead: calling it the ****** obvious:
a cherry's a cherry...
    eh... it only goes as far as that...

trouble obviously comes with time...
       because we're bound to be plagiarising each other
after enough times passes...
or we relegate someone for someone else
out of spite... out of jealousy... out of material gains...
out of sycophancy...

time's dearest slow trickle of foundation,
unlike the already established unfathomable
extent of space...
one can find a claustrophobia among
the stars with the magic trick of the ego
dying and being reborn toward
the practical activity of thought...
one can find that parallel when coupled
to demoniac sexuality hang-overs...
sleep-walking through, a thorough rereading
of Ovid...
    i'm in disagreement with myself...
Horace... or Ovid?

  a bit like saying: Hades? or Cronus?
        the old gods haven't died... no Hebtew deity
would or therefore could undermine
the gods of these letters...
no sacrifice could outlive its sacrificial rite of passage
for the sacrifice per se,
      Latin scriptum is and forever will be unlike
the Hebrew conquest of the Cuneiform
or the egyptian hieroglyphs...

i drank a little... i'm happy... tipsy...
i'm going to text her come midnight... are we on for tomorrow
night?!
   i don't mind rejection...
my cats like me... and i like drinking...
so... it's still 0 - 0...
i just wanted to paint a picture of
omicron zero, degrees superscript...
etc. bubbles... all is bubbles...
and 8... and B... and... the infinity symbol...
an eight reclining...

      ...someone always wants to be the one who
wrote the lyrics of Aud Lang Syne...
   that one song... ritually song on these beautiful isles...
just give me that... and all of Shakespeare can
hide in a library and never reach the stage of
a theatre...

unlike tennis players... we don't bow out...
we die... either by our own hand
or by the fading light of prescribed dementia...
we didn't allow ourselves to live
on easy terms... we certainly will not die:
allowing others to think we died on easy terms...
k'oh-g'oh yamamot'oh...
empress "?!" cat...

        neko...

               while time stumbles on a repeat...
everything: yet nothing... ever changes...
fashion changes... we're still the same creatures
from 2000 years ago...
simple pleasures... simpler deeds...
yet all the more complicated complications
of life's adorned schematics...
life is still life...
only now life's become the individualistic
horror-show of:
the re-established focus for "transparency"...
for...

             something is truly new...
   unknown prior...
                   there's a shift... it's almost quasi-tectonic...
it suggests to me the sentiment / statement of:
i'd be sooner dead than be in want
of learning about it...
  to be able to solve it...
                       i've had my problems...
i think i solved them...
Turkic women were always more...
appealing to me than European "royalty"...
if a woman has enough bravado
to tell you: men are better cooks than women...
right... sorted...
    i don't need to compensate chasing
after women already ***** by Afghan migrants...
to hell with that sort of crap!

nein! das ist der zweite diktieren!
amerikanisch-frauen "denken"
ist nein: universalübersetzung...
no... it's not...
that **** can stay localised in New York...
help me?! help me?!
help yourself...
     that's the message i heard...
right... so?
               **** the ******: forgo the virgins!
don't touch the European women...
go for the exotica of Turkic...
Arabic...
                Pontius Pilate says: 'ello from 'ell...

well... tennis...
   female tennis vs. male boxing...
like for like... i really don't understand why it's so...
just like i don't understand:
well, i do now...

    i just managed to watch the Matrix resurrections...
yep... i'm on board...
  i believe in gender dysphoria...
                         it's very much clarified for me...
only a woman in a man's body
    or a man in a woman's mind could have written
this sort of movie...
   it's basically a romance story
              with zombies...
                       the hive mind: zombies...
since there's no longer a chance to liberate anyone...
no one is an individual in the Matrix resurrections...
since? the hive mind can be switched on...
ergo? you don't even require agents to do anything...
it's a very ****** up sort of romance...
it's like... what comes after the Matrix resurrections?
the Matrix: reincarnations?
   i.e. only a limited number of "souls" exist
   in this world while the rest of the people are:
de facto - defaults?!
        i always found reincarnation to be a cruel concept...
it's elitist in that: perhaps there's no
European ****** royalty at hand...
    Tsar Nicholas II and King George V...
or that wild-eyed half-breed (sorry) -
   you'll see the picture if you type in...
       oh ****... can't find it...
   some half-wit related to Mary of Teck or someone...
or the Habsburg Jaw... infamous...

    it is: what it is... and i will use this language because
it's the necessary language to use...
but at least some royals are sensible enough
to untangle themselves from that vile practice
of breeding within a close-knit community of relatives...

the rest of us have been politely asked to breed
within the confines of scientific sensibility...
    why should they be allowed to continue that vile
act of tititalitng ******?!
hell... if they want to try the route of ******:
no problem... as long as they do not reproduce...

i know: who would have thought that the new
Matrix movie would spawn such emotions and thoughts
in me... completely "unrelated"...
well... it's not like in Plato's "theology" it isn't
mentioned that as punishment by the gods...
men would return in the bodies of women...
this story is as old as... the memory of ancient Greece...

i was hoping for some nostalgia...
i got nothing... just a confused narrative...
      because there really wasn't anything convincing
about this movie: beside the fact that
gender dysphoria is authentically: real...
in its unreality when based on a former architectural
logistics of the constraints of man...
   i should know... being a man...
i'm fixated on things remaining things...
esp. concerning inanimate objects...
           no need for telekinesis...
   "i", personally idealise the movement of traffic...
a cyclist can become a traffic-shepherd if he knows
his way around... say...
cycling behind a truck or a bus outside
of the realm of the blind spot... on the outside
of a large vehicle... being in full-view of the driver's
rearview mirror...

since i took up cycling in central London?
i cycle aggressively...
    how many stories of cyclists being rammed...
minced under the wheels of a truck have i heard of?
zilch! nada!
          that's a good thing...
i'm not saying that's because of me...
but... you need to teach people some *******
etiquette... an etiquette of movement...
the laws of traffic are pristine...
   i don't need some oblivious, solipsistic sacred cows
to **** up my bicycle-ride into central London...
pretending that they are pedestrians on wheels...
learn, your, *******, place...
respect... larger, moving, objects!
nivek Feb 2017
Heavy bored uselessness can be a frightening burden
and it can be counterintuitive to stay with it
but if you do, something beautiful can happen
and you will have to experience it to truly know it
- something akin to a mini death and resurrection.
Christos Rigakos Mar 2012
eight months we loved and fought with equal rage
upon the net's equator spinning round
we baked our flesh in sun of summer's age
and died on winter's snow filled concrete ground

this, every day a battle to the death
we slaughtered one another to the grave
then making love, restoring life with breath
we'd soar back to the skies embraced and saved

each day has been a lifetime full of life
lived fully in our love den's angry place
ineffable our love in passion's strife
so many resurrections in one space

and now too tired to raise again the sword
we rest with silenced love and not a word

(C)2012, Christos Rigakos
Sonnet
g clair Sep 2013
when there are no answers which will satisfy your questions
i can tell you
i can tell you

stop with all the questions, they won't help when there's no answer
i can tell you
i can tell you

you are only one small star but
you
can light the darkness
with your smile
little child.
when you go to sleep at night you try to let go of the fright
and pain
in your brain
and when you rise and shine it might not be the way you feel inside
but someday baby
someday
you will laugh and shine again and wonder how and wonder when
it happened
how'd that happen?
things
are not the same for everyone
it's not a game, but still
we come back
somehow
we come back~
and if you do not know the way, there's someone by your side today
to guide you
right beside you~
He's the one and only one, the Father sent his only Son
to find us
to find us
lonely and in emnity, and searching for identity
we stumbled
then we tumbled
still we had our ups and downs
'cause even in the depths there's clowns
that cheer us
the demons fear us
but if you've got connections to the King of resurrections
you'll be lifted
free and gifted
so if at night, you can not sleep, count it right, you are the sheep
he shepherds
your loving shepherd
leaves the rest and comes for you, wants you back, to talk to you
just listen
wait and listen
rest in Him, He holds no grudge
He hates all sin, a righteous judge
but loves you
deeply loves you.
don't be fooled there's nothing out in outer space but you need Grace
it's right here
always right here.
in a closet. on a shelf , in field all by yourself
he's present
ever present.
Waiting for the day when you will take him in and say
I want to know You
just to know You.
Money to be made with moves to make

The right to exist and do business 

Time to occupy each corner occupants

Do comply and follow obstruction

Not your average FAQ

Free software for the eye to sync

Learn sign language before we lose our freedom of speech

Thus page is an open source of parapsychological poetry

The movie extra you did not see coming

Firewall around the communication bubble 

Saving up ameros to invest online 

Pedestrians crossing walking the line

No binge drinking only red wine

The liver gets important just in time

4x4 on every Friday

Don't forget the right of way

Moral duty on everyday basis

Pledge to humanity not a three colored quilt,

The man infested with manifestation

Where did this past year go?

About 10 jobs and no money saved,

I've died like about 5 times,

Baptize my nostril and felt my brain vaporized,

Having an auction for my addiction,

Suffering from wisdom erosion,

Once enlightened by the souls resurrections,

Here's to you higher evidence of existence,

Please end this phase of false occasions,

This human ghost rider is at his last hour with decaying flowers,

Three quarters shy of death,

Life is just a biological process,

Space continuum hole to heaven just to hide,

Or to the future perhaps,

Thus next year might be my last.
Mateuš Conrad Jun 2016
where space and space become mandible,
where flex is not distinguishable from flux,
where, precisely, on a treasure island
of contentment i could have planned my
daydream trip solo to India, and set off by
myself aged 21, but i didn't - and perhaps
i have a regret or two not having seen
the tsunami of colours, brighter than
fireworks, in whatever gloom we represent
grey, to be cremated and turn into the colour
of cinnamon, or chilli, or turmeric,
if only we could turn to such colourful powdering,
one song, a mosaic of feeing: Moby's porcelain
spurred me, but indeed, the trip was abandoned,
India was replaced with Hades, the internal
adventure, with my ego theories extinct,
no couches, represented as a walking stick,
a prayer mat, a support of some sort, and before
me the mountains, canyons, rivers and seas
of thought - nothing more.
aeons have passed since my hope to travel
the oceanic and oriental traverses -
but in my ivory tower, like old Merlin trapped
on the drip of knowledge, i read a ted hughes
poem glimpse: /
'o leaves', crow sang, trembling, 'o leaves -'
the touch of a leaf's edge at his throat
guillotined further comment.
                                                        ­nevertheless
speechless he continued to stare at the leaves
through the god's head instantly substituted. /
commiserations having left a sense of
achievement from a novel - but the feelings
are not mutual - a love for a god or a love
for a novel is quiet alike - cold narcissism of one,
instant devotion for the other -
poetry like breadcrumbs, sometimes, all the time,
it's not a loaf of bread, the poem isn't,
to have a taste for poetry doesn't necessarily
mean a capitalistic sport, competitive and blood
thirsty, it's a chance, a stealthy endeavour -
in whatever profession, forever defining our art -
i'm sure many chemists could say:
reduced us to skin-care and suntan lotion,
perfumes and bleach? imagine the geneticist
working on the d.n.a. of down syndrome people,
i mean: those people hardly age!
what's your secret Freddy? come on, tell us,
you're 50 and yet your orangutan expression
is hiding Dorian Grey for ****'s sake - yet you're
pristine like a snowflake!
apart from that, what i really wanted to say,
what philosophers and quasi disciples of regurgitation
speak of: to stand outside all of space and time -
well, hell, i'll give it a go!
the great mountain range that was once Sahara,
the great mountain range that was once Gobi,
a day will come when the Himalayas will turn
into a desert, a grand desert by the name of Himala,
jasmine scented Layla told me so, whoever she is,
i probably would have met her, had i travelled to
India and walked from Bengal to Jerusalem,
walking across Persia - but i didn't, and since i didn't
i did the best i could: with my ego acting like a walking
stick, i crossed frontiers of what horizons came,
and all horizons consolidated themselves as a thought,
unblemished by choice - residue of ink,
not even a bone - to be incubated in the elemental,
a walking flask of water that i am, non-revelatory,
to enshrine myself in fire, to that likelihood i
am affectionate - all this stuff of coffin and burial
is humorous in the extreme black, the morbid rites,
expecting resurrections almost everyday -
so morbid - housing shortages due to cemetery spaces
needed, strange, isn't it? i expect we're hoping
to be the next stockpile of oil for other humanoids
later on - the mechanisation of our age, apparently
due to some great disaster -
as i wonder: historically speaking, isn't
reaching so far back into history, to the humanoids,
to the dinosaurs, to the big bang, sort of,
make our history slightly meaningless? the effort
to write it, you'd have to write it like a Holocaust...
and who wants to write history like that?
with affection, given the scaling of where we wished
to regress to: the big bang theory or no theory...
is... just... as... important... as... a... full... stop                    *.
Ope Jide-Ojo May 2017
Swallow your wishes

Like a swallow swallows the wind-

You have only just begun to walk

We heard these things one time too often

Almost like we never heard it at all

We spent the rest of the days thinking,

Deep in diverse musings,

Ears open for deep nothings,

Hopes for meaning dropping from the skies

Like the skies dropped answers as rain,

Like the skies dropped answers as rain



We danced, happy as the sun

Eyes open for all of its brilliance

We lost time; we were never in time

For the first time we had a taste of God

Forgotten moments, one stretched into many others,

Never ending continuum

Till we enveloped the universe,

Till we enveloped the universe:

We made many others



We lost all we came with

Crashing into one other plane-

Before we became gods, we slept

Sit at table with the ages,

Converse with the days, days on end

Days without end, sempiternal stretch

We believed what we believed

Making what we can into what we believed,

And all the rest were true

Like a swallow



We flew like falling stars

Piercing into the mind of wonder,

Truth variables and conflicting paradoxes-

The dead were asleep

While we walked the other sides:

The other sides of reason

Like a swallow



Ashes risen, fiery resurrections

Parallel worlds closing in on each other

It was the discovery of madness,

An awareness of the powers of the mortal mind

Twisting desires, twisted cravings:

They were all given to unnatural uses, one for the other

For want of propriety, inconvenient fates

Shed skins, like shed feathers

Like a swallow



In the end we disappeared

Out, out, out of time

We ceased existence

We believed what we made

Stuck in our own madness, we disappeared

As our wings opened to the sun

Our voices loud, ringing to eternity

Spirit soaring, rushing thunderclaps

Plummeting down earthward

Like a falling star

Like a swallow



Like a swallow swallows the wind

You have looked into the sun, and lived:

You have only just begun to walk

Falling star; now your spirit takes wing,

Wind

Like a swallow
zebra Jun 2017
in the house of poems
there are no words
only sheaths of rapture
color and puzzle cutouts
on an empty table
mute
composed of shadow thin
aching smoke ghosts
desires
aphotic and tender
twisting souls in labyrinths lurid
*** shake sweet inky *******
that turn earth
to pleasure domes
and shadows
like cimmerian children
in harsh judgment
******* on
purple night shade candies
burning incense and black candles
uncrossing energies foreboding
while subterranean crystals
refract burnished glows
pulsing blood diamonds
in sacred heart manias
throb with warm breathy kisses
on plates of ash
engulfing
a terrace of pink flickering tongues
drooling and biting
that turn mere pleasure
into inflammations of ecstasy
oozing creme de menthe saliva
where souls levitate and flutter
on bilious stained beds
copulating
being impregnated with verse
smelling of warm **** cauldron

fetuses curl
in their little crib's
and bubble tapioca lyric wrangles
afterbirths purged
poems emerge
like sand bars and palm tree islands
from
sopping woven tunnels
and

caress upturned poetic posteriors
dancing in glitter frilly word tutus
while torrid confessions
dreaded breakdowns
and resurrections
dress themselves in garments
of language re-pleat
quickened by eloquence
in the house of poems
Fish The Pig Feb 2017
my eyes are raw
and sting
from the constant blotting
of deep
and soulful
resurrections of emotions,

perhaps I would feel better
If I stopped trying to hide them.
Tyler King Jun 2015
Spotlights burn confessions from the sinners pockets as their penance is paid penny by penny in spare change jars and guitar cases all along the interstate,
Go and tell the gutters of our suicide and leave a note in tomorrow's obituaries if they wept for us
If not, just ******* spare me
Neurotic breakdowns in melting rooms filled to fever with strung out felons just now crossing the lines of the tally marks that denote their resurrections,
And I long to start trash can fires with my wasted chances and apologies from former lovers mixed with equal parts sawdust and gasoline,
I've got more than enough to light up the backstreets I take to get home every night at least, but you know how melodramatic I can be
I'll be dressed in all black back against vandalized brick walls on some steps somewhere claiming to be able to read the future in a deck of hand-me-down tarot cards,
I'll be hearing the whispers in stuck tongues about my hair and how it's grown as I listen to the horizon waiting for the crack of thunder to begin the storm,
I'll be contemplating connections between drags of cigarettes in the hum of static evening with the drifters drawn like moths to the glow of empathy,
I'll be ready to go whenever I'm called, and I promise I won't cause a scene,
But now I think there's a girl walking calmly towards me, ignoring the traffic jam of my speech patterns and I find myself catching fireflies by the hundreds to illuminate her approach,
She tells me she'll see me in the morning if I ever decide to lay my head to rest,
And we wish each other good luck
spysgrandson Nov 2016
spending time with you is like
being cast eternally as a character in
a Terrence Malick film, a narrator dictating
our every move, our scripts unfolding
in slow, mesmerizing motion

someone always has to die in these tales
and question the almighty's purpose, if there
be one, beyond birth and return to the earth;
the time between being swallowed
by our eyes, undigested

I am ****** in as well, slowly, by the lungs
of our creator, whose exhalations come as oceans of light,
though high tides recede to reveal dark shores,
our inevitable demise, before painful,
interminable resurrections
you have to be a Terrence Malick fan...
Jonathan Moya Sep 2019
I collect the death masks
of everyone I see,
many ready with their
mouths turned to  the earth,
eyes closed tight in hellish denial.

Except for L’Inconnue de la Siene
pulled from the river in utter peace,
lovely as Ophelia floating in the reeds,
the resuci Anne of two centuries
of death and resurrected respirations.

Her I grant the heaven she envisioned,
rescue her from the sterile pummel
of kisses and mechanical resurrections
for the body forever remembers its debt
to the devil’s dance of an aspiring life.

I am an exiled poet like Dante
finishing the Paradisio and Inferno
before the malarial last vision
and stone cold gasp reveals
the world and God as just a trick.

I witness the world pleading mercy
to the executioner before the beheading.
“No, no Madam you must die.  You must die”,
is the death mask maker’s answer before
the axe man takes his three swings.

I wonder, like Keats, before the wax
embalms his consumptive face
“How long is this posthumous
existence of mine to go on?”
The answer coming one year later.

I know the world will die, like John Dillinger
in a hale of bullets under a movie marquee,
its death mask ceremoniously displayed
next to its ***** pickled member
and the Sheep Child bleating for love.




Notes:
L’Inconnue de la Siene is a famous death mask created from a Parisian suicide.  Her death mask was a popular morbid collectible found in many French households of the late 1800’s and early 1900s. The Death Mask was also used as the face of a  popular CPR teaching mannequin known as resuci Anne.

The Sheep Child is a reference to the James Dickey poem about a creature that was the off spring of *******.

John Dillingers pickled ***** is rumored to be a part of the Smithsonian museum’s  hidden collection of oddities.
L’Inconnue de la Siene is a famous death mask created from a Parisian suicide.  Her death mask was a popular morbid collectible found in many French households of the late 1800’s and early 1900s. The Death Mask was also used as the face of a  popular CPR teaching mannequin known as resuci Anne.

The Sheep Child is a reference to the Janes Dickey poem about a creature that was the off spring of *******.

John Dillingers pickled ***** is rumored to be a part of the Smithsonian museum’s  hidden collection of oddities.
Mike Essig Aug 2015
In it, all the debris of a life:

lost loves, pieces of
a broken heart, the smiles
of friends since gone,
a marriage, children,
jobs, cars, houses,
the shards of dreams,
various rainbows, sunsets,
thunderstorms, poems
never to be finished,
the chaos of battle,
squandered opportunities,
misplaced lusts,
the best *******,
the deepest kisses,
the worst disappointments,
betrayals, dashed hopes,
many resurrections,
bundles of broken promises,
and endless other items,
large and small.

It is the messy drawer
of a very messy man,
rarely opened anymore.
   - mce

— The End —