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RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
IN SEARCH OF THE PRESENT

I begin with two words that all men have uttered since the dawn of humanity: thank you. The word gratitude has equivalents in every language and in each tongue the range of meanings is abundant. In the Romance languages this breadth spans the spiritual and the physical, from the divine grace conceded to men to save them from error and death, to the ****** grace of the dancing girl or the feline leaping through the undergrowth. Grace means pardon, forgiveness, favour, benefice, inspiration; it is a form of address, a pleasing style of speaking or painting, a gesture expressing politeness, and, in short, an act that reveals spiritual goodness. Grace is gratuitous; it is a gift. The person who receives it, the favoured one, is grateful for it; if he is not base, he expresses gratitude. That is what I am doing at this very moment with these weightless words. I hope my emotion compensates their weightlessness. If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement. And also an indefinable mixture of fear, respect and surprise at finding myself here before you, in this place which is the home of both Swedish learning and world literature.

Languages are vast realities that transcend those political and historical entities we call nations. The European languages we speak in the Americas illustrate this. The special position of our literatures when compared to those of England, Spain, Portugal and France depends precisely on this fundamental fact: they are literatures written in transplanted tongues. Languages are born and grow from the native soil, nourished by a common history. The European languages were rooted out from their native soil and their own tradition, and then planted in an unknown and unnamed world: they took root in the new lands and, as they grew within the societies of America, they were transformed. They are the same plant yet also a different plant. Our literatures did not passively accept the changing fortunes of the transplanted languages: they participated in the process and even accelerated it. They very soon ceased to be mere transatlantic reflections: at times they have been the negation of the literatures of Europe; more often, they have been a reply.

In spite of these oscillations the link has never been broken. My classics are those of my language and I consider myself to be a descendant of Lope and Quevedo, as any Spanish writer would ... yet I am not a Spaniard. I think that most writers of Spanish America, as well as those from the United States, Brazil and Canada, would say the same as regards the English, Portuguese and French traditions. To understand more clearly the special position of writers in the Americas, we should think of the dialogue maintained by Japanese, Chinese or Arabic writers with the different literatures of Europe. It is a dialogue that cuts across multiple languages and civilizations. Our dialogue, on the other hand, takes place within the same language. We are Europeans yet we are not Europeans. What are we then? It is difficult to define what we are, but our works speak for us.

In the field of literature, the great novelty of the present century has been the appearance of the American literatures. The first to appear was that of the English-speaking part and then, in the second half of the 20th Century, that of Latin America in its two great branches: Spanish America and Brazil. Although they are very different, these three literatures have one common feature: the conflict, which is more ideological than literary, between the cosmopolitan and nativist tendencies, between Europeanism and Americanism. What is the legacy of this dispute? The polemics have disappeared; what remain are the works. Apart from this general resemblance, the differences between the three literatures are multiple and profound. One of them belongs more to history than to literature: the development of Anglo-American literature coincides with the rise of the United States as a world power whereas the rise of our literature coincides with the political and social misfortunes and upheavals of our nations. This proves once more the limitations of social and historical determinism: the decline of empires and social disturbances sometimes coincide with moments of artistic and literary splendour. Li-Po and Tu Fu witnessed the fall of the Tang dynasty; Velázquez painted for Felipe IV; Seneca and Lucan were contemporaries and also victims of Nero. Other differences are of a literary nature and apply more to particular works than to the character of each literature. But can we say that literatures have a character? Do they possess a set of shared features that distinguish them from other literatures? I doubt it. A literature is not defined by some fanciful, intangible character; it is a society of unique works united by relations of opposition and affinity.

The first basic difference between Latin-American and Anglo-American literature lies in the diversity of their origins. Both begin as projections of Europe. The projection of an island in the case of North America; that of a peninsula in our case. Two regions that are geographically, historically and culturally eccentric. The origins of North America are in England and the Reformation; ours are in Spain, Portugal and the Counter-Reformation. For the case of Spanish America I should briefly mention what distinguishes Spain from other European countries, giving it a particularly original historical identity. Spain is no less eccentric than England but its eccentricity is of a different kind. The eccentricity of the English is insular and is characterized by isolation: an eccentricity that excludes. Hispanic eccentricity is peninsular and consists of the coexistence of different civilizations and different pasts: an inclusive eccentricity. In what would later be Catholic Spain, the Visigoths professed the heresy of Arianism, and we could also speak about the centuries of ******* by Arabic civilization, the influence of Jewish thought, the Reconquest, and other characteristic features.

Hispanic eccentricity is reproduced and multiplied in America, especially in those countries such as Mexico and Peru, where ancient and splendid civilizations had existed. In Mexico, the Spaniards encountered history as well as geography. That history is still alive: it is a present rather than a past. The temples and gods of pre-Columbian Mexico are a pile of ruins, but the spirit that breathed life into that world has not disappeared; it speaks to us in the hermetic language of myth, legend, forms of social coexistence, popular art, customs. Being a Mexican writer means listening to the voice of that present, that presence. Listening to it, speaking with it, deciphering it: expressing it ... After this brief digression we may be able to perceive the peculiar relation that simultaneously binds us to and separates us from the European tradition.

This consciousness of being separate is a constant feature of our spiritual history. Separation is sometimes experienced as a wound that marks an internal division, an anguished awareness that invites self-examination; at other times it appears as a challenge, a spur that incites us to action, to go forth and encounter others and the outside world. It is true that the feeling of separation is universal and not peculiar to Spanish Americans. It is born at the very moment of our birth: as we are wrenched from the Whole we fall into an alien land. This experience becomes a wound that never heals. It is the unfathomable depth of every man; all our ventures and exploits, all our acts and dreams, are bridges designed to overcome the separation and reunite us with the world and our fellow-beings. Each man's life and the collective history of mankind can thus be seen as attempts to reconstruct the original situation. An unfinished and endless cure for our divided condition. But it is not my intention to provide yet another description of this feeling. I am simply stressing the fact that for us this existential condition expresses itself in historical terms. It thus becomes an awareness of our history. How and when does this feeling appear and how is it transformed into consciousness? The reply to this double-edged question can be given in the form of a theory or a personal testimony. I prefer the latter: there are many theories and none is entirely convincing.

The feeling of separation is bound up with the oldest and vaguest of my memories: the first cry, the first scare. Like every child I built emotional bridges in the imagination to link me to the world and to other people. I lived in a town on the outskirts of Mexico City, in an old dilapidated house that had a jungle-like garden and a great room full of books. First games and first lessons. The garden soon became the centre of my world; the library, an enchanted cave. I used to read and play with my cousins and schoolmates. There was a fig tree, temple of vegetation, four pine trees, three ash trees, a nightshade, a pomegranate tree, wild grass and prickly plants that produced purple grazes. Adobe walls. Time was elastic; space was a spinning wheel. All time, past or future, real or imaginary, was pure presence. Space transformed itself ceaselessly. The beyond was here, all was here: a valley, a mountain, a distant country, the neighbours' patio. Books with pictures, especially history books, eagerly leafed through, supplied images of deserts and jungles, palaces and hovels, warriors and princesses, beggars and kings. We were shipwrecked with Sinbad and with Robinson, we fought with d'Artagnan, we took Valencia with the Cid. How I would have liked to stay forever on the Isle of Calypso! In summer the green branches of the fig tree would sway like the sails of a caravel or a pirate ship. High up on the mast, swept by the wind, I could make out islands and continents, lands that vanished as soon as they became tangible. The world was limitless yet it was always within reach; time was a pliable substance that weaved an unbroken present.

When was the spell broken? Gradually rather than suddenly. It is hard to accept being betrayed by a friend, deceived by the woman we love, or that the idea of freedom is the mask of a tyrant. What we call "finding out" is a slow and tricky process because we ourselves are the accomplices of our errors and deceptions. Nevertheless, I can remember fairly clearly an incident that was the first sign, although it was quickly forgotten. I must have been about six when one of my cousins who was a little older showed me a North American magazine with a photograph of soldiers marching along a huge avenue, probably in New York. "They've returned from the war" she said. This handful of words disturbed me, as if they foreshadowed the end of the world or the Second Coming of Christ. I vaguely knew that somewhere far away a war had ended a few years earlier and that the soldiers were marching to celebrate their victory. For me, that war had taken place in another time, not here and now. The photo refuted me. I felt literally dislodged from the present.

From that moment time began to fracture more and more. And there was a plurality of spaces. The experience repeated itself more and more frequently. Any piece of news, a harmless phrase, the headline in a newspaper: everything proved the outside world's existence and my own unreality. I felt that the world was splitting and that I did not inhabit the present. My present was disintegrating: real time was somewhere else. My time, the time of the garden, the fig tree, the games with friends, the drowsiness among the plants at three in the afternoon under the sun, a fig torn open (black and red like a live coal but one that is sweet and fresh): this was a fictitious time. In spite of what my senses told me, the time from over there, belonging to the others, was the real one, the time of the real present. I accepted the inevitable: I became an adult. That was how my expulsion from the present began.

It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality. For us, as Spanish Americans, the real present was not in our own countries: it was the time lived by others, by the English, the French and the Germans. It was the time of New York, Paris, London. We had to go and look for it and bring it back home. These years were also the years of my discovery of literature. I began writing poems. I did not know what made me write them: I was moved by an inner need that is difficult to define. Only now have I understood that there was a secret relationship between what I have called my expulsion from the present and the writing of poetry. Poetry is in love with the instant and seeks to relive it in the poem, thus separating it from sequential time and turning it into a fixed present. But at that time I wrote without wondering why I was doing it. I was searching for the gateway to the present: I wanted to belong to my time and to my century. A little later this obsession became a fixed idea: I wanted to be a modern poet. My search for modernity had begun.

What is modernity? First of all it is an ambiguous term: there are as many types of modernity as there are societies. Each has its own. The word's meaning is uncertain and arbitrary, like the name of the period that precedes it, the Middle Ages. If we are modern when compared to medieval times, are we perhaps the Middle Ages of a future modernity? Is a name that changes with time a real name? Modernity is a word in search of its meaning. Is it an idea, a mirage or a moment of history? Are we the children of modernity or its creators? Nobody knows for sure. It doesn't matter much: we follow it, we pursue it. For me at that time modernity was fused with the present or rather produced it: the present was its last supreme flower. My case is neither unique nor exceptional: from the Symbolist period, all modern poets have chased after that magnetic and elusive figure that fascinates them. Baudelaire was the first. He was also the first to touch her and discover that she is nothing but time that crumbles in one's hands. I am not going to relate my adventures in pursuit of modernity: they are not very different from those of other 20th-Century poets. Modernity has been a universal passion. Since 1850 she has been our goddess and our demoness. In recent years, there has been an attempt to exorcise her and there has been much talk of "postmodernism". But what is postmodernism if not an even more modern modernity?

For us, as Latin Americans, the search for poetic modernity runs historically parallel to the repeated attempts to modernize our countries. This tendency begins at the end of the 18th Century and includes Spain herself. The United States was born into modernity and by 1830 was already, as de Tocqueville observed, the womb of the future; we were born at a moment when Spain and Portugal were moving away from modernity. This is why there was frequent talk of "Europeanizing" our countries: the modern was outside and had to be imported. In Mexican history this process begins just before the War of Independence. Later it became a great ideological and political debate that passionately divided Mexican society during the 19th Century. One event was to call into question not the legitimacy of the reform movement but the way in which it had been implemented: the Mexican Revolution. Unlike its 20th-Century counterparts, the Mexican Revolution was not really the expression of a vaguely utopian ideology but rather the explosion of a reality that had been historically and psychologically repressed. It was not the work of a group of ideologists intent on introducing principles derived from a political theory; it was a popular uprising that unmasked what was hidden. For this very reason it was more of a revelation than a revolution. Mexico was searching for the present outside only to find it within, buried but alive. The search for modernity led
Prelude  PART I


"Today when the threat is looming, as close apocalyptic years approach, it will be by cohabiting itself and the ruining valley of debris, which will make this world corrupted the next issue of the numeral scale of the new count, a rising hyperspace , concerning the parts of the kingdom of God ... "

Then on the Lord's day, John saw the glory of the risen Christ, and she understood from the point of view of God, he saw that the fate of the Church and threatened in the first persecutions took the appearance of a dark beginning.
And the time John wrote the Evangelist, including books were Jews called Revelation, that is, "Revelations". With fantastic images of monsters, angels and cataclysms, evidence of the Jewish people are stressed and are invited to await the judgment of God who intervenes from heaven with all his power.  So my beloved world is harsh and does not represent an apocalypse, but it is the true reality is when I will bear its overwhelming slaughter.

" Today when I walked with my winged feet near my friend Victor, I confided down the road crushed by afflictive legs; how difficult the taste of laughter when the decadent surrounds you, the human, the vile, the loose ...
Even though the celestial charisma invoke his memory and help nourish the weakness of Robert in hyperspace, with clean clothes, I can see his beloved mother consumed as automaton can take care of him. She is also her father, because it carries rooted in its members and manners, infinitely sharp look; in their arms they will gather wherever his soul is under his patronage that lives there ..."
I am  who  say that Roberto is a dog, who bears all the faces of dogs humble and serene. Perhaps tired of hearing young people, it is flush adults who do not accept, and who do not share as young faces were watching them, getting them to receive them what they should disclose them.
This is how we are numbed and distraction is fleeting, and he looking aside in his astrayed, he would be saying ...:
"Among the cradle and the grave I have a feeble scaffolding, and then complains, though his other I demolishes; unsconcient defends his executioner ... that the threat of death is its widespread depravity, which dominates it and want to go on like mortifiying.

      I want to talk about life ..., he said in his short years of life, which is more of it; possibly coming to complex, what our Somatic territory responds in normal or involuntarily. Comparative anatomy, and its innermost portion, the link body and mind, as a pure white as Samadhis and nature.
Homeostatic factors regulating our vitality, making its experimental modification, increasing to evolution, or maturation as a criterion of personal psychology go with the passage of time into in the depths of our mind.
Thus in a known threshold of Vedic architecture, its sensitivity is excited by regulating the effectiveness of the response to be made ... and everything related to the world of Ludwig Garroch; brother Robert in his strange Emigrate.
Yesterday when my arms away from hers, my fingers pounding away and recording what the heart more than a song, was a symphony sonata with a single end, long and sustained movement; It was the adage inner melancholy with an eye romanticism, which dominates the
passions of the visible world, which inhabits Antonieta, causing me, unbalanced living.


                                       CHAPTER I


In the beginning years of his childhood, little Ludwig sitting at home, in the gallery. Ask her aunt who was ironing ... Madelain, how I would always be a child of five ...?, And being as such, a privileged to receive toys for many years. Attentive aunt, maybe go to hear with little complacency as his hands only want unroll clothes.
After two years at the age of seven, when her aunt arranging his coat to go to Mass, she teaches a carol that had been taught in childhood. When many wondered whether there is a Santa Claus ...?, And among his friends they looked to unravel the mystery. One year later, when he enjoyed his unicycle, who just dominated him, called him a cousin telling her it was her birthday. He did not hesitate to go to find out what was behind the call, so he found the means by which we celebrate, we live and cooperate towards happiness and delight to have us at each other.
Not long after a friend told him .. "You do not have ten years are too big And Ludwig thought he was well endowed and well stopped, so not your friend was wrong in the above. It is my label and my stance has put the world on me.
Every passing day came the stamp of manly character, a woman or girl who made change her hairstyle, and he did dress more attractive every day.
Later, in his teens, his gaze was well received and their voices radiated security screening. Where He must continue the line of men. Even when I was living as smoothly, looks out strong destination with which calls us to live with skin clean or *****, because it is inside the feeling and the pain does not come out, it is enclosed by the overflowing affection. Here is the portion of good or evil haunting things casual and destroys the healthy, it fertile.

                                        
              ­                           CHAPTER II


Then was a year with a sports compensate pleasant summer sated outdoors, almost fugitive ... will not wonder that life smiled on him serfdom, and very willing opened his prudence.
Every time I decided to go to his favorite places, he went with his burly comrades in the best mood to conquer optimistically. Thus, no wonder he wanted when he was alone and put your reasoning judiciously, because nothing is distant, nothing is impossible.

After unite desires and forces, to clean your bike, piece by piece, in full sun know much security would not allow the mother of vices ruin their fun, that scarce alive to possess the desire to move and go on compliance instinct. Casts on itself, the vigor of the inner, its desolate world full of free enthusiasms who obey no doubt the vital complex activity.
Ludwig and entering the maelstrom of men love hate Godson, you can glimpse the friction with the air, with people ... I wore. That their voices heard their soul contracts, and thus puts light feet towards an acceleration which does not afflict his troubled stomach, nor regret his decision and put fearful, but, bring himself retained encouragement of his mind to remember the maternal cooing, comfort and timely relief to protect forever the suffering, the suffering of torment without end, not he shut the inspiration of the good man that no harm will result, and not for nothing the valence of living and not quarrel prancing. No existing could shed some light on what role, and that little thought is not complicated, and thus shown kneeling and unable to distressing oppressors and agents tangled conduct to chaos, those characters of ambition and discrimination.
Ludwig, who lives in the Ecologist City, where large forest ... budded, is home jungle floral site, whose relations are flowers, trees ..., next to Strange birds migrate flower in her intra nature reproduced, and pods evacuated by butterflies.
His close friend, is the watery and salty sea, which is beloved because he falls in love, puts on alert and curses him by his surroundings and invoking him. Anyway, it dwells wherever it is, and is accepted as a basic element of the universe.

                                    
                                         CHAPTER III

The act of tender love would be fulfilled later ..., what his voice fell silent and had his eyes and heart fortify, which will be linked from far inside.
At night, with Roderick going to a festive night, they climbed the rungs center alone, with heat in his shirt skin later. And in a deliberate action, someone asks you a sign that taking care tired and distinguishing see that John was his friend, school mate. He did not hesitate, he approached, greeted him and his sister and a cousin when she noticed well, he saw that he wore perfect for your night.
Debra wore elegant, dark clothes and sang with her dark brown wavy hair; his white brunette and harmonious ****** complexion line, gave her constant reflection. Fate was present, as it would not go around the world to be looked at by someone, he would watch his choice. Little was said, he only realized he was not passing and North America came eleven years ago.


They roasted the hours and the party ended, Ludwig remained with her new friend and his old friend John. They went downstairs, thinking about committing his new friendship, as I had noticed a slight interest in it. This happened and the meeting lasted for several hours.
The next day, he went to see her lawns roads where she lived, always with its mystique and kneeling the beast that wanted to impose upon him, that gives it excessive materialism unloved peace.
She arrives at her house, which was to John, though not very comfortable, but sure to please and attentive to host it.
And that night said much that was the tender feeling and liking her, but as his policy was rigid and concerning celibacy, only mattered to him, the unknown world of madness in his brawling to survive.
Time passed and deepened love, Ludwig went to say goodbye to his beloved, especially that he had faith, but that day would betray him. And so I wanted to put his heart and iron sleep peacefully, but Debra no secret  to tell ...:

"Ludwig, do not abandon our own, we must have faith, and I understand what it is. Ludwig rested and then brought her hands to her, hugged her and kissed all over her face, covering her eyebrows, nose, forehead, mouth; his lips positions in the middle of it, wanted to feel her warmth and tell her he loved her and would miss a lot of pain. But there was no show weakness, he must be strong and not to complicate the farewell from North America. Mourn scared him, because he had forged the feeling, because his aching grief was deep and it was at an undetermined point, with great desire to hold her and kiss over his face.
So ever, it was unbearable, she would like to die in his memory and had to remember in the collective thinking of his family circle. Which it fits the feel shivers ideas with sensations, such as the best in its inherent upstart point.

It was hard, as if more than man Ludwig out the feminine side of himself. But irremediable was the end, eager poisonous reaper approached. Ludwig hugged her, kissed her and stroked her right breast ... saying: "Do not forget me ..." and so left. Then he wrote her, that madness had transformed her away, but the distance was prevented against carcinoma being all postponed.
To know he could not boil your blood heavy thinking, they were contracted muscles. When he relaxed, he saw back through the hatch of his head, the soul that was in an ****** tragic holocaust, where Eros tenaciously and rebellion dictated its laws. Ludwig slept, and consciousness became natural color, as if it were safer, eternally fresh and manufactured this dream a poem ...:  

" That one corresponding to the celebration,
I wish to reunite with enthusiasm and strength ...
touching eyes closed
the sad sky, the dry ground, dried flowers
and people backward habits.

As meaning if it takes itself ...,
is the meaning
although they are scattered
in flows oppressions ...
the animosity of delight just widow and desultory,
losses and more losses at the time of aging ...
and profits to appease others.

For more like,
there seems to be a big drop ...
the same credibility ...?
and setting as a feeling
remain imagination stationary.

As hard it corresponds to the body,
It is destroyed inside ...
and hardened thoughts
tears falling to the esophagus,
without recognizing either way.

Who the pace of living is customizable,
and no opportunity is lost ...
but growing and creative
rears its profile,
as an unforgiven mirage. "


    Have been and unrestless forms of peremptory perceive, and when it starts to wander in my solitude, transporting my sorrow with grief, wherever I go I will take silent and vivifying separation completes the probable brain, which lives and endures in avidity stamped man with his need to want the Lord's command that made me forge this creation .--- he told himself, as a witness epilogue of his poem, albeit as the cry to its essence it was about. Originally from the Ecologist City, where reigned the wise and calm, where he healed their diseases, which has dodged the putrefaction of their wounds, where you inhale the aroms most want and cordoned off its without a grave lack of soft and flowering odour.
To believe missing, do not be afraid and trust that will grab everything, that not a drop of air was not lost on her fingers, which will not fail to display their imaginative stuff Alma Mater.
With all their eating, you want to cure your bad like venereum, and would go into the hands of a counselor or a warlock who extirpated the curse. Heal her feet and hands to despair, to heal the memory of his thought that I seasoned and voluptuous breaks the veins of his caleter, which seems not of it like a dwarf be provided with a dagger will break their venal, and this to commit such surgery, he laughs loudly with garnets eyes, full of the worst evil.

And this way Ludwig Garroch, vague without fear of rags, without fear of hunger or the messiness, only idles so that someday I can walk on the water surface, leaving their hydrocentric footprints where plankton reverence their sense of pain, his infarcted heart , her long fingernails of violence.


TO  BE CONTINUED….
Under edition,  then under All...
***** girl. godly beast.

I couldn't be
one of those
beautifuls
if I pleased.

tribal bones stained
with European empirico
I am black death disease,
just human trash
that learned to read

& I believe bootleg genius
is being
massively reproduced
more cheaply & as we speak
is being weakened
so as to be spoon fed
to the cool kids.
yknow they
couldn't do it
by themselves.

never sweated.
laughed instead
yes
I seen em
inchin to the edge
but
I didn't
do anything about it.

I kinda feel guilty
cause I didn't
do anything about it.

It's just a ****** up
awful sound,
a whole generation
hitting the ground
at once.

Man. it really
puts things in perspective.
kinda makes you wonder
what's coming next.

medicine medley
ineffectual
malady infectious
witch hunt etiquette,
I think in pictures
disney depictions of
apocalyptic ****
yet to be decrypted

I rip myself to pieces
every day.
Part one.
(This poem was discovered etched/burnt into the interior woodwork of a viking ship of around 800AD, discovered in the north of England in the '60s. Quite possibly from the northernmost islands around the area now referred to as Archangel, and originally written in what became known as Runic/Russo Scandinavian, it nevertheless resonates clear Saxon/German tonality. Given that it is one of the first examples of early Runic, and indeed that the actual letter-shapes are unclear, the poem has been reproduced below, using broad phonetic license.

As far as can be determined, the content appears to be a somewhat ribald message from the ships leader to his wife. It was not uncommon for women/wives to accompany their men folk on long voyages. Given cramped conditions aboard, the conditions were likely to be insanitary and it is this condition that informs the subject).  WJL

Das andrs zu-almen su-cara
Archezum des hafta confagra
Der ecra zu alpe
En pecra nachte schalpe
Viel ondra der zulpa te bag-ra

Und zortem pur ordour cloabera
Eh-min-te ah solbra schactarar
Sul-phereth zum tinctum
Abroath ah den penk-tum
Bai anthe con anthe ebactah-ra

Zorbuhr genkst canke zer vilk-um
Solginster zep ecra der nep-ehlcome
Calmen-de ser paarte
Eh zin bah die faarte
Confide ah can-de zum schtinc-tulm
Poetic T Oct 2019
He was the child with the magnifying glass that lingered
in the exhalation of the heavens. Always holding it on
those of weaker statue than himself. Insects were his
starting point, as they were barbecued under the influence
of what was focused between light and glass and what
lived became inanimate just a blackened smear that he
smothered words into the dirt
        
                           I'LL BURN THE WORLD,

His parents saw this and in jest laughed it off as the
Immaturity of a child's frustration. That all was but a
a boy finding his place within the many echoes of manhood.
A child was maturing, and they assumed that he was not
ready for the collision of what was in-between the moments
of childhood and adulthood.

One cold and sodden night where the only things that were dry.
Were submerged in the cover of roofs and foliage.
But even the penetrating raindrops gathered in haste to soak
the earth beneath the leaves protection. All drowned within
nights flourish of immersed air. Where it felt that breath was only
in-between the flurry of h20's deluge.

Within the house, within the rooms crept a silence.
            It wasn't alone, for it wept unseen streams between the  
crisp white borderlines,  were doused in clear liquids,
Draping the curtains in non received  heavy remorse,
the only things that were burdensome were the drapes as the weight of the liquid pulled at the seams holding them aloft.

Remorse was neither felt or given. just a feeling of accomplishment.  
Felt it in the moments that succeeded between this
gathering of dead lights as a flame was lit.
But not a whisper was echoed this flame was lifeless
in the eyes of its beneficiary.
But it lept upon the walls like a ballerina, gentle,
and dancing within the confides of its given dance.

He stood in the hallway the flashback was unexpected,
but he still stood there gazing and the beauty of something
given with such frailty that a breath could extinguish
its potential. His parents had no idea, they were slumbering
within the confines of blankets that entombed the warmth.
Clasping hand even in sleep love was a subconscious yearning.
The thing with these old houses some had decretive metal over
the wind bars in beauty crafted to keep things out.


But this was his plan, what cant get in cant get out.
He'd gone in there room and stole the key.
He took a last glance, and said,
             "I Love You
,Before sealing them within. The flames were silent like
a stalker watching waiting, till the inevitable conclusion.

As things started to burn more passionately, caressing every
thing it was touching. So the smoke started to thicken like
A heavy smog it got into places the fire had not reached.
Moans could be heard, then screams at the realisation of
what was happening. He Could hear them, he could see them.
For even though a teenager he was intuitively cunning,
tinkering with everything and anything.

And small cameras were dotted around the house,
looking listening to everything that was seen and spoken.
It had come to fruition due to one such thing he had heard
being discussed by his parents.

"I saw him in the woods,

                 "Doing what darling?

"He didn't see me but the neighbours cat,
                                  "you know soot,

"What did he do, nothing bad!

                "He tied it up,
"Then threw what I thought was water on it,
                  I thought it was nasty but then!!!  

"Then what, your scaring me,

"He lit a cigarette, I didn't even know he smoked,
  "Then he discarded the match,

       "
The cat, oh my god the cat,

"
But he recorded its screams, he recorded it dying,

"
I couldn't move I was so angry, so humiliated,
        "
I wanted to throttle him there and then,

"
But ill phone the police tomorrow,
                  "He's not right, who would do that,

How dare they think that I can just be fobbed off,
         discarded.

                                             I was making music,
the screams were a delicate symphony,
            acoustics that's couldn't be reproduced.
It had to be from the source.

That laid, the plans for what now enveloped that house,
recording every noise, every scream. But what he needed
was for them to burn, to release the music he needed to
hear to complete his work. And they like parents gave it
there all, he had goose bumps as he heard there terror.
his eyes welled up, not in regret but the beauty that his
parent last words were given to him, so personal was this
moment that he'd never forget it.
                                                        
                                                                ­          "Thank Mum & Dad,

After this he released a mix tape, that could be only
conceived from an artist, in the womb of excellence.
That's the reviews he had, it brought shudders to your
heart and mind. It was if your humanity was crying out to it.

As so forth and more were sewn in the adulation of his work.

Now he needed to make more music, but he needed more
screams to make his next piece two were not enough..

So he wandered the night, dressed in unclean wear
so not to be confused with who, or what he was..
He hung around the homeless parts of town,
plastic sheeting for roofs.. and combustible bedding.
It was as if he'd planned himself. but he had to be smart.
for this was if ill planned he would have a needle in his
arm within the year. But he took his time tiny cameras
recording visually and sound.

He had gathered the combustible elements needed to
make this a orchestra of his needing, not a duet like before.
He didn't down play his past offering, but this would make
an album of despair and monument to the flame.

It had been raining, but only lightly as he needed some
dampness in the air on there sheets cardboard mattresses.
So not to raise suspicion on the dampness of there homes.

As they moved away from the embers of barrel fires,
yes he'd thought about that. Not every home was a
crematorium a cardboard and plastic coffin of there
choosing. He waited clasping his hands together breathing
on them as it was cold night. He liked to watch, a voguer
of sort, but his wasn't the fantasy of death it was to hear the
music that was about to be sung with smoke filled lungs.

He'd set up a unique but rudimentary way to light the fire,
a small gas hob with liquid within. it needed to be a certain
temperature ignite, he had tried it before in a field out west.
Deserted he'd made a mock up of this humble place.
And he wasn't mistaken it was fascinating, the flame spread
like the wind enveloping everything but, it was a dull for even
though the flames wept of everything, its tears turning all to
ash..

It was silent, deafening, he cried for a while, there should never
be censorship of the flame, for what is a log fire without the cracking of its inner self being consumed. This was just smoke
and regret. But he now looked down at the camp, his watch
counting down the precious moments.
                                                             He whispered.
                                              

                                                  "Thankyou,
­
And then like a super nova the darkness was ingulfed in
the aurora of flame, gliding over the ground as if a stream
of conscious reckoning. Those near by the civilians that were
                        across the street were transfixed.
As screams embellished the flames, this was my orchestra
of light and noise. Those across the street were either screaming
or videoing the scene.
I looked at them and wondered where there humanity
had gone to, as to film this moment rather than to rush in
and save the few that they could.

I watched as the engines came, extinguishing my masterpiece
choosing the night was always preferable to the day as flames
dance better when there is less light to contaminate there beauty.

My music, I had become quite the remixer, of vocal and rhythmic
sounds.
                               Within a week I had mad nine new songs.

I named them each as deserved, making them in memory of
those who perished that dreadful night.
            It was well received, a few thought it was a haunting
melody of humanity's struggle, while a few thought it was
over ambitious, and lacked the passion of my first piece.

All together it went down well, and the adulation of the
flame was kept, to honour that which gives as much as
takes the breath of life away.
A year had past and the door rang, it was an officer.

                 "Could you come to the station please,

Had I become the victim of my own success, had someone
broke down the acoustics of my music and realised what
they were?? So many thoughts went through the calm
exterior of my persona. But inside the flame dimmed,
had I lit the last candle. I was taken in to a room,
and questioned evasive not to the point but gathering
speed to the answer, where were you on the
                                                             ­       30th April 2019.

Alabi's were a fantastic thing to plan ahead, I had laced
my date with sleeping tablets to leave her in perpetual
slumber. And got back before she awoke, we made love
we were the flame and the wick.. and our sweat was the wax dripping from our form. The next week I dumped her.

They asked if I recognised a picture, blurry and ill framed
but I could make out the figure was me. No sir I don't why.
This person of interest is wearing your jacket, your logo!
I smiled and was truthful to a degree.
                                                             Planning is everything.

I threw maybe fifty into the crowd when I did a concert
in the city, when we drove past some homeless persons.
We donated what was left to them, do you realise how
cold these streets are, who am I to steal warmth away.
I don't wear my own merchandise what do you think I
am egotistical, no I wanted to help those who I could
have been if not for my music. I lost my parents I know
what its like to be alone.

I think the show went well, as I was released before
reporters even got a sniff. But I knew that my time
was a wick trying to keep the flame lit but dying out
anyway. I had made preparations for this time.

I had brought a club only for gigs, cheesy as hell but
had that 80's disco vibe the entire floor was light up.
But I had brought  the ingredients for thermite,
amazing what you learn in school and the internet.
But I never used mine different libraries in different
cities so not raise suspicion. I  invited the music critics
and others which I had personally disproved of.
its was going to be free drinks and themed 80's night.

Who can not want free drinks, well I wasn't going to be
disappointed 90% came, how lucky the few.
Phones were confiscated, no video, but more
importantly no phone calls to the outside world.
I told them at the end of the night that I was realising
a new song, they were like vultures to flesh.
As the night progressed some wanted to leave,
but we offered them the VIP section also lit flooring.

Now was the time, I had put heating elements under the floor
to ignite the thermite. A supernova of heat even though brief
would ignite the choir of harmony needed. I asked them,
                                                           ­ "Are you ready,

And then silence, I put on my welding glasses,
                                                        ­         I wasn't stupid.
Never look into the heart of the flame unless you want
to be blinded by its beauty.
I pressed a button and it was magnificent, it was like a tide of sunlight, they tried to scramble but all exits were locked.
It was like the wizard of Oz, and the witch I'm meltinggggg..
But this wasn't a fairy tale.. The adulation I had for these
chosen few. What excitement the others had missed.

I'd made my booth flame and smoke proof, I had my own
walkway but I knew that this was the last time I could pay
homage to the flame. As the screams died down.
The wicks smouldered and the floor looked more like a battle
field of  WWII. I began I knew I didn't have a lot of time.
But this was just a single I'd already got the backing music
ready. And as I worked away, I could hear the banging on
the reinforced doors. They gave me a breather to get my
work fulfilled.

I heard the doors start to give way but no matter
I'd only needed this time to tweak the music.
Given I'd started this over an hour ago, it was good
on my part for this not to be broadcast till I saw fit.
As the police burst through, gazing at the flaming
effigies that lied before them, some threw up, gross..

While others saw me smiling I pressed the button and
my new song was word wide.. its was called the critics
tried to burn me down. The response was gratifying.
Likes reached the hundreds of thousands in mere minutes.
Well it was only three minutes twenty five seconds long.
As they shoot at the booth I wiggled my finger at them.
I do like to plan ahead but dam was that loud against the
glass. Got to be said some had wicked aim, made me flinch
a few times.

But alas all things come to an end, I uploaded my videos
of what I had done. I was proud of my contribution to
my legacy and empowering others with my music.
As I looked down at the puddle, I tap danced in it for
a moment and then lit the lighter, I looked a them
and once again waved, I was like a funeral pyre.
A crematorium of silence and then I was gone.
                                                I didn't scream,
I was in her embrace and had done her proud.
Hal Loyd Denton Aug 2012
Variables
Through an old church of considerable size the light shined through stained glass windows it was
Reproduced on a number of stone pillars that stood at a distance cold gray stone took on a liveliness
It rose to enthralling and then continued to blaze its power smites the eye enchanting escapes from the
Lips wondrous makes its bow in the soul there is another light that shines it strikes the heart
Unconditional exquisite light shines the lighted one enters the chamber where the heart abides this once airy sweet place of innocence is
Now tightly wound as a cord to his knowing thoughts this is a place of unbelievable dark foreboding but
He knows this mystery it also is a place that holds a profound gratification never be fooled sin is
Desirable the whole world is dying in its throes of pleasure then the heart itself black as ebony if a mere
Mortal would glance at it they would be destroyed we die gradually from its emanating force that is
Hidden so deep the great physician waste no time as the fragmented stained glass window glows with
Different colors he rather than imitates he produces the original color that is whitest purest love it
Strikes the ebony surface it appears to only be dissolved and drawn within without effect then the color
He uses is finest and rarest gold not ornamental this represents the golden grain that is the telling when
He says I am the bread of life and no where on earth is there a place of such hunger as in the human
Heart that has sold itself as a salve into sin many is the delicate morsels but there is no table spread
Prepared by the master for his Childs desperate need to be fed to brace and strengthen them for battle
There runs throughout the human family a weakness to do the right thing to produce true wellness
The second color is silver he lays this behind the gold making the word come to life apples of gold in
Pictures of silver the silver is mercy we come with the load of guilt mercy tenderly removes the straps
That has held the load because the straps have dug deep and cut into the shoulders mercy enfolds
The shaking tearful one and assuages with great assurance nothing has been done that the next color
Can’t resolve yes the savior’s red and pure blood silver white and the extraordinary essence that is
Wonder not a color but one of his names and he shall be called wonderful counselor almighty God
The everlasting farther prince of peace you little know these words have for ever destroyed the doctrine
Of the trinity that is the next color blue and never was it more profound or right than the saying true
Blue this is the game changer this is the dazzling beautiful light that can and will turn blackest ebony to
Purest white this vanguard is the measureless endless refuge of all human kind it continues and ends
With this the whole truth that sets every human totally free baptism is in Jesus name not in the titles
Of the father the son and the Holy Ghost and the evidence of receiving the Holy Spirit is evidenced by
Speaking in other tongues folks I have to meet you in judgment the word says this truth if you desire
Truths on the inward parts it will be reveled to you go to the word and prove these words wrong it can’t
Be done the heart of darkness has been cured and is now the inward home the holy temple of the
Crucified lamb that was slain before the foundations of the world for you and me
Soul so fair all the castles of Europe the grandeur of earths
Mountain ranges all combined cannot compare to you in story and lore there is no greater picture
But we behold our faces and lament how low and insignificant we are this is a natural scale we use
We down grade that which is the apple of His eye we slumber while wonder advances our cause with
Love renown it has these adversaries ever present man divides himself against Heaven for earthy gain
That isn’t worth one ounce of his interest but he will gamble his eternal soul for days of pleasure and
Put up a wall that cannot be breached even by divine light and love that is the essence and fabric of
Eternal Paradise nothing else could build your everlasting home anything else would fail it’s not gates of
Pearl or streets of purest gold that is just the over exuberance of his uncontainable love but only the
Heart as a flower will open to love that being the central need of every human life in disasters that are
Frequent in varied places all say those material things can be replaced but loved ones are irreplaceable
If Heaven has a unbreakable slogan or code it is that same word God has it behind His throne its written
In the savage glory of Calvary’s blood that none perish my I only son I gave but so few turn to the light
That their hearts can know more than a lone church where natural light stirs with such effect how much
More when the light is clothed with love and promise that will slay all woes and perfect every longing
And more you gave up the dust of earth to take your rightful place beyond the stars to be sons and
Daughters of the King of Kings glory, glory and more is yours look for the church with the light
Red is the colour of my blood
Red is the colour of my heart
Red is the colour of love.

My love is the spirit of my heart
My heart is the sanctuary of my soul
My soul is the sacred chalice of my spirit.

My heart is a bouquet of red roses
Red roses, the ambrosia of my spirit
My spirit is the immaculate dove
The dove bearing the olive branch from above.
My spirit descends in the feast of the Eucharist
The Eucharist is the sacred sacrament of Christ
Christ is the eternal spirit of the love of God
For our sins, He bled and shed His innocent blood
And by His blood we have been redeemed.
The blood of His covenant
The covenant of His new testament..

~ By Orikinla Osinachi, Saturday November 8, 2014.
© Orikinla Osinachi. 2014. All rights reserved. No part of this content can be duplicated or reproduced in any format of media and anywhere without the authorization and permission of the author and publisher.
Portentous enunciation, syllable
To blessed syllable affined, and sound
Bubbling felicity in cantilene,
Prolific and tormenting tenderness
Of music, as it comes to unison,
Forgather and bell boldly Crispin's last
Deduction. Thrum, with a proud douceur
His grand pronunciamento and devise.

The chits came for his jigging, bluet-eyed,
Hands without touch yet touching poignantly,
Leaving no room upon his cloudy knee,
Prophetic joint, for its diviner young.
The return to social nature, once begun,
Anabasis or slump, ascent or chute,
Involved him in midwifery so dense
His cabin counted as phylactery,
Then place of vexing palankeens, then haunt
Of children nibbling at the sugared void,
Infants yet eminently old, then dome
And halidom for the unbraided femes,
Green crammers of the green fruits of the world,
Bidders and biders for its ecstasies,
True daughters both of Crispin and his clay.
All this with many mulctings of the man,
Effective colonizer sharply stopped
In the door-yard by his own capacious bloom.
But that this bloom grown riper, showing nibs
Of its eventual roundness, puerile tints
Of spiced and weathery rouges, should complex
The stopper to indulgent fatalist
Was unforeseen. First Crispin smiled upon
His goldenest demoiselle, inhabitant,
She seemed, of a country of the capuchins,
So delicately blushed, so humbly eyed,
Attentive to a coronal of things
Secret and singular. Second, upon
A second similar counterpart, a maid
Most sisterly to the first, not yet awake
Excepting to the motherly footstep, but
Marvelling sometimes at the shaken sleep.
Then third, a thing still flaxen in the light,
A creeper under jaunty leaves. And fourth,
Mere blusteriness that gewgaws jollified,
All din and gobble, blasphemously pink.
A few years more and the vermeil capuchin
Gave to the cabin, lordlier than it was,
The dulcet omen fit for such a house.
The second sister dallying was shy
To fetch the one full-pinioned one himself
Out of her botches, hot embosomer.
The third one gaping at the orioles
Lettered herself demurely as became
A pearly poetess, peaked for rhapsody.
The fourth, pent now, a digit curious.
Four daughters in a world too intricate
In the beginning, four blithe instruments
Of differing struts, four voices several
In couch, four more personae, intimate
As buffo, yet divers, four mirrors blue
That should be silver, four accustomed seeds
Hinting incredible hues, four self-same lights
That spread chromatics in hilarious dark,
Four questioners and four sure answerers.

Crispin concocted doctrine from the rout.
The world, a turnip once so readily plucked,
Sacked up and carried overseas, daubed out
Of its ancient purple, pruned to the fertile main,
And sown again by the stiffest realist,
Came reproduced in purple, family font,
The same insoluble lump. The fatalist
Stepped in and dropped the chuckling down his craw,
Without grace or grumble. Score this anecdote
Invented for its pith, not doctrinal
In form though in design, as Crispin willed,
Disguised pronunciamento, summary,
Autumn's compendium, strident in itself
But muted, mused, and perfectly revolved
In those portentous accents, syllables,
And sounds of music coming to accord
Upon his law, like their inherent sphere,
Seraphic proclamations of the pure
Delivered with a deluging onwardness.
Or if the music sticks, if the anecdote
Is false, if Crispin is a profitless
Philosopher, beginning with green brag,
Concluding fadedly, if as a man
Prone to distemper he abates in taste,
Fickle and fumbling, variable, obscure,
Glozing his life with after-shining flicks,
Illuminating, from a fancy gorged
By apparition, plain and common things,
Sequestering the fluster from the year,
Making gulped potions from obstreperous drops,
And so distorting, proving what he proves
Is nothing, what can all this matter since
The relation comes, benignly, to its end?

So may the relation of each man be clipped.
Ember Bryce Sep 2013
We write because there is an unexplainable magical phenomenon surrounding us called conscious.

It is what expanded in the very beginning, it's will evolved everything living.
It invented these elements, that binded to create compounds.
With the help of gravity and expansion, these natural chemical compounds slowly started structures.
Other elements were produced, binded, and reproduced, exponentially manifesting other life.

Thankfully, consciousness is beautiful.
And it has an exquisite pattern that boggles the mind. Astronomers, mathematicians, scientists, artists, and other mortal men are astounded by it (even if they don't know 'it' yet). Because of this pattern, known as The Fibonacci Sequence, also relates to geometry, dimensions, and space, creates "The Flower of Life".

Look up into the stars and you will see them all pointing out, all moving still as one, there will be one brighter star that seems to serve as the center point for the flower. But focus on another and you will see the flower there too. Howl at the stars and you will see a dimension of movement as they shine a tail reacting to your vibrations. (I wonder if that's what wolves always see).

It is because of this pattern that the compounds "fell" into place. They happened upon a dimensional line and shaped nicely into spheres that includes all their elements they were attracted too. They followed the Sun and other stars for the light and a leading center point. Our rock (this planet) just so happened to be perfectly away yet close enough to the Sun, and had the right kinda elements, that it was able to form a livable habitat for something..

It was the first four main elements that came alive with activity on the surface of this land. Earth, Water, Fire, and Air started oozing, spilling, swimming, forming, into a place that gave way for the compounds that make up the cells of plants to sprout. Bacteria grew also out of cells and atoms and ****. Bugs and other simple creatures where the first to be bestowed upon this mass. This consciousness just wanted to grow, however way it can or does, it did. Even as reptiles, as dinosaurs, as birds, as sea creatures. The consciousness that started the craziness was snot stopping any time soon. It was going through trial and error, how we, everyday, always do. The consciousness just wanted to grow, to do, to be, it needed to replenish it's energy through eating whatever else it had created, it needed to reproduce so as to continue, and it needed to die to make room for the new and improved. But this consciousness is always there, always around, flying everywhere.

Other habitants of this universal consciousness has seen our Planet, and they were pleased. Good and Evil wanted to help or destroy.

The weather, and geology, are also still a part of this consciousness, and with their elements and the expanding evolution of the atmosphere and core of the Earth, were able to evolve as well. Other animals came about as a reaction and adapted to the ever changing environment.

Finally, the consciousness that exists in every thing that tells it to move, to change, to do, to be, to create: started having emotions.. Thus, humans were created. We still have that older consciousness of wanting to do, to be, to create, to reproduce. We have viral qualities of latching on to a host and slowly destroying here (Mother Earth), we have plant like and animalistic qualities becuase we have a male and a female that reproduce, we feed, we grow, we protect, we crave the Sun, we crave acceptance. But now we also crave Love. We encompass compassion. We have consciousness, and we KNOW we have consciousness, we not only think and make decision, but we know that we are. Isn't that crazy!? I believe many animals are starting to think this way too..

We embody emotions, the greatest being love. Fear was an emotion for the first creatures on this Earth, it is slowly evolving to Love. Fear made us make more. As bacteria and viruses, we fear deceasing to nonexistence, so we become stronger to keep up with the cures. As plants we feared being over powered by others, so we reached out our limbs and branches to touch closer to the Sun. As animals we fear other animals. As humans, we know what it is to love and be loved.

Some Earthlings know the powers we carry, and of the Mother and Father.
Some give praise to these every day, because we are the children.
Some don't, some have lost what it means to be.

Some have evolved in the opposite intended direction. Which is silly to say because as consciousness' only meaning is to grow, be and do, with this statement, consciousness is going in the 'right' direction. I do not know yet why there is good and evil sides of consciousness. did one come as a result of the other? were they nth part of consciousness at the same time? Can we all agree we need both? (cannot feel pleasure without pain, etc) or can we see what it is like with just good surrounding.. then in that case, who is to say what is good: The child dancing in the rain, watching her garden grow, catching droplet on her tongue, would say the weather is 'good'. The lovers' getting washed away in the flood trying to save each other, would not. But all this is 'the way things are'. Anyways..

to be continued
Ayeshah Dec 2015
I have this
feeling

I'll not try
to explain it

Deep inside
me*

It's telling
me
not to

*trust
you


I admit it

I've been
hurt a great deal


but seems here

You're
playing a game
only you can

win

You hold all
the major cards


SO
of course
You'll win


Only one's
that'll work


In this game is
the pair of


Jokers

Which doesn't say a lot
then again it says;


I'm the Fool

Not once
but
twice over


I've been a joke before
unbeknownst
to myself


The other players knew
&

They've cease to inform me

SO I've had no choice
to be lead on these string's
forever

&
Danced
to a foreign tune


This time
I'm a Joker
&

long as you're amused

Guess I'll play my part.

Act II Scene VII

© 2015-2077 by Ayeshah K.C.L.N.
All rights reserved.
No part of this may be reproduced or transmitted in any form or by any means,without prior written permission of Ayeshah K.C.L.N.
All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms.
As You Like It,
Act II, Scene VII
William Shakespeare
onlylovepoetry Jun 2019
it is done differently - more is not necessary - more of this -
is too much;
the kissing is an exploration - to a polar destination of
virtual whiteness -
to discover more than this.  the kissing is not an end in and of itself - but a fjord unexplored leading to what? yes there are many different kinds of kisses - adaptations to a changing terrain - but the face, the face, the face (not just the lips),
the head entire -
is the first battle in a world war where the
opponents strengths and weakness are
literally uncovered and shape the nature of the war of the worlds
yet to come.

more than kissing, it is a speech and an interrogation;
an ******* revelation
of fine lines and small scars, a writing of a history, a history that existed  unbeknownst to the explorer and thus interesting and dangerous - a history composed in a different time and place and almost in a vacuum - for kissing is impactful - outlines of footsteps on never before trodden lanes - but who prepared these paths in advance of my arrival, and was my arrival forecast or just imagined?

first time kissing oft portrayed as excited glee - but this is a grievous error - a wild display of wasted resources - it is not to meant to be pesky single shots of damp I was here where next? it is a drawing, nay, a sculpting of map to be reproduced in limited quantity for only the map rooms of the greatest museums.

each individual kiss is more than an act, but a marker
connecting the previous
to the future next -
exactly a map drawn by an explorer - meant to be shared with others who love history, discovery and women creatures.

be wary of unmarked crevasses and pools where
no one has measured the depth -
novice sailors without proper charts upon unfamiliar faces -
too oft drown or are somehow sail as lost forever.

but the notion of being the first, even if you are not the first,
is so intoxicating
for the brainstorming it provokes - the envisioning of
more than kissing but of unlocking
a new nature, creating a creation born in the intersection of two waters - where fresh waters joint the brine of the ocean -
and there are untold different kinds of waters and no two terrains though similar - are ever exactly the same.

here does my entry in my log - my journal - end - though the notation of than
is comparative and therefore unending.
Andrew Rueter Oct 2017
I shed tears
You shed humanity
I dread and fear
Your unstable insanity
You loosen your compassion
Like it's your belt
For it's in your fashion
To inflict welts
On the ground I knelt
Doubled over in pain
From a punishing rain
My eyes welled up and my vision got blurry
I was unable to break your encryption of fury
My mind was in constant examination
Of your gift of violent contamination
Lines were crossed on my back
Living life on your torture rack

You become my God
You never spare the rod
My brother may be able
But I'm on *******
I turned the tables
By torching my brain
On the ****** train
I invented a game
Out of ruining your creation
My veins experienced deflation
Until I saw the error of my ways
Adopting your negative craze
You wanted me to get used to pain
But I'd rather get used to change

The effects of corporal punishment are felt
When society hits us with a conveyor belt
Convincing us if something worked it must continue to
Our childhood experience this is imprinted through
We figure our children must be belted
After our minds have been smelted
Forged in fire
Our hearts retired
As we grew colder
The beaten grew older
And reproduced
And re-introduced
A punishing perception of the world
They beat the clam that holds the pearl
667

Bloom upon the Mountain—stated—
Blameless of a Name—
Efflorescence of a Sunset—
Reproduced—the same—

Seed, had I, my Purple Sowing
Should endow the Day—
Not a Topic of a Twilight—
Show itself away—

Who for tilling—to the Mountain
Come, and disappear—
Whose be Her Renown, or fading,
Witness, is not here—

While I state—the Solemn Petals,
Far as North—and East,
Far as South and West—expanding—
Culminate—in Rest—

And the Mountain to the Evening
Fit His Countenance—
Indicating, by no Muscle—
The Experience—
Mateuš Conrad Jan 2023
Brian Molko was already doing the current wannabe-trend of trans-sexuality long before trans-sexuality was a common "thing"... tracing back some ulterior taboo settings... today on my way to work i spotted my first trans-******: wow! obviously he had manly hands... large... he was tall... he had large feet... but slender legs... and a face, with all that necessary make-up of eyeliner... hair? not very long... shoulder length... yes... a deep voice... but then again my godmother has a husky voice from all the smoking and drinking... but i fancied him... the dynamic on the tube was magnifying... three women sat beside him while he was talking to his geeky (maybe, probably) boyfriend, a plump chap with eyeglasses... i couldn't stop thinking: ah... the solidarity of men... when in shortage of supply of women, men will find alternative avenues to compensate for women, men will find women in men... the idea that i might be a transphobe never occurred to me: but it did occur to me that women: for all their supposed glorification of acceptance would never allow men to be attracted to men who are: beyond merely the thespian gay-lord, *******... ally... this... "freak"... i fancied this man... i could omit all the stressed "imperfections"... but such a feminine-feline face... it really suited him... i wanted to kiss him... i was thinking... i'll tend to the "oysters" and all the tender bits and bites of being with him... andd do the butcher's work with a *******... problem solved... this skin-head middle-aged (i'm coming to middle age, or life expectancy, not the lottery of mortality, mind you) sat next to me and was sort of nudging me with a shadow missing in the full-glare of the lights of the tube... you fancy him? insinuations via body-language: yeah... i do... is it wrong? nope! check the women sitting next to him... do you fancy them? nope... me too... of the three or four women sitting next to this trans-****** specimen... none had a lovelier face... mutations just... "happen"... the eureka-oops moments... i could seriously forget about the shared dimensions of large hands twice as big as that of a geisha, same with the feet... i could forget the baritone voice... i really fancied this boy... in a way that gay-lords just make it difficult having mingled with actors too much and not retaining an aura of: suspense and: something in me is frigid, alien... i shouldn't but... hell... i really should! i will! benevolent London that is... he was prettier than all the women i saw that day... like my grandfather once said: there are no ugly women... there are only abandoned... if not abandoned then neglected women... to think that women could ever be neglected: says as much about neglected men... men will find alternative avenues to women when the women self-exfoliate in their "privilege" of: first-come-first-served-and-thus-the-only-served menu... **** that! but what was special about this trans-****** specimen? it reminded me of the time i fancied Brian Molko, still do... in a non-gay sort of way... in a Plato the Plumber there's a blocked toilet of reincarnation afloat... it was actually, sort-of, actually-sort-of-funny watching the women on the same carriage trying to read my reaction... for once a man was more attractive than a woman to me! wow! being accused of trans-phobia... in London? well... only if you can't pull it off! it's like saying: coulrophobia! fear of clowns! with the clowns being without make-up? conflating the Apex Twin gargoyle from Window-Licker?! yeah... scary ****! the grin that's the length of the equator... i couldn't be attracted to a standard homosexual... Thespian leeching or intellectually pleasing akin to a Douglas Murray... or body-building blah blah... but this trans-****** specimen? that's an affront to a woman... all women... a man can have a prettier face to a woman's if... a man deems the exampled woman to be nothing more than akin to a lineage of... never arrived at cosmopolitanism... beetroot countryside proud... all red and irritated... i fancied this one... i was one step away from askig him: can i have your number? again, to reiterate: i didn't mind the deep voice... i didn't mind the size of hands that could match mine or the size of feet that could match mine... i was... infatuated with the magic dust of PIXIES! maybe that's what i learned from going to the brothel... but if you're going to play the trans-****** game... can you please avoid the mishandling of the Hippocratic oath... so little is actually necessary to accomplish a ****-heterosexual confusion-attraction that leaves women feeling inadequate: you, wouldn't even want to begin to believe! i'm now currently thinking of that film: the Odd Couple... Walter Matthau as Oscar Madison and Jack Lemmon as Felix Unger... Felix being the male-feminine counterpart of the feminine-man slob child pampered to: or however this quadratic works... i wouldn't be doing the cleaning and the cooking out of a feminine dignity to avoid doing the hard work of society's demands... no... i'd be perfecting my cooking to match up to the sort of food available upon heading out to a restaurant, i.e. not eating out... i've seen some car-crashes of trans-****** attempts... but this one stuck out for me because i started to think along the lines of: who needs women if men can appear prettier than women?! i'll just close my eyes when hand meets hand... it's a sickly sweet sensation but i could stomach it: if the conversation was kept to a satisfying lubrication: and it wouldn't be even remotely associated to the feminist-gay "commonwealth"... alliance... i don't need homosexuals to tell me XY&Z... i'm actually grooving this trans-****** trend: if spotting the exacting specimen to curtail all the wannabes... if there's an authentic Brian Molko specimen walking around... wow! reimagining being *** starved on the Western Front... a few guys with more artistic inclinations... rather than the rough sea-faring roughage of **** on the spot job done become involved... prettier faces than those of women... i could: no! i would succumb! it's just the terror in the eyes and on the faces of women... hey presto! a stick has two ends! freeze eggs... follow a career... demand a car a mortgage blah blah... my my... what a curiosity this trans-****** worked up to a perfection specimen of disphoria awoke in me... good enough cushioning blanket of sleeping with enough prostitutes... now i really want to sleep with a man... which is not gay... i'm bored of prostitutes... they're like any other woman: you pay them... yet they still complain as if you haven't paid them when not getting a hard-on because of (x) tiredness, (**) distraction, (***) life... per se... whatever... but those female faces... i pretended to be snoozing... they knew i knew... i kept an itch of a blink at this specimen... woman: ANGRY... no... actually... not angry... woman... what the **** is going on? of the times i went to a gay club and didn't pick up a Francis Bacon i wondered: did i drink enough? homosexual lust and all that same-for-same feminine-pro erotica of the jealous stone-rub-stone-offensive... the trans-****** "confusion" is a bright light... if done properly... done... naturally... i'm mesmerised... without... obviously... without... people succumbing to the breaking of the Hippocratic-oath... obviously... i despise the gay-pride movement... at least the authentic trans-sexuality movement is subtle... it's philosophically laden with a curiosity of more lips and less **** stressing fist-*******... this morphing of the pareidolia toward: seeing a female in a man's face... or seeing a man in a woman's face... hardly gender dysphoria... *****-utopia and... just as children look alike, regardless of ***... so do old people... also regardless of ***... but to achieve a heterosexual attraction in the realm of trans-genderism? it can't be forced... it has to happen ha-ha-naturally! i'm laughing at myself... only briefly... i'm more inclined to see the female in a man without seeing the homosexual... because homosexuality is like that quote from... no... not Human Traffic... about being gay and eating *****... how... eating ***** is not for real men... while ******* **** is all All Spice Alles Mensch... whatever... the gays are too proud might as well look out for the shy, proper, proper shy... trans-sexuals without any anti-Hippocratic-Oath mishandling(s)... the women become jittery thus...

i should have come home and reflected on spending
the past several hours on a shift
in Bishop's Park, overlooking Putney Bridge
watching the tide of Thames' recede back into the great
mouth before mingling with the salty waters
of the North Sea...
     all loved-up with the cold the dark and the wind
putting on some Woljiech Kilar soundtrack music
from Dracula - love remembered...
well... i was in the mood for something like that:
i put the track on... nope... can't feel it...
i'm tired, i'm cold i need to put on something to groove
to... we ain't going out like that - Cypress Hill...
tiredness swells the imitation pigeon-strut
in my head... bouncy-Billy will also ask for a chance
to express himself...
    the joke ran with Martin's team (Chelsea)
losing for the first time since 2006 to Fulham...
         the police officers were in a good number...
they even brought their horses...
two stood across from us when the final whistle was
blown... one of them started "laughing": if that's
what horses do, i.e. laugh...
no onomatopoeia here: hey Martin! even the horses
are laughing that Fulham beat Chelsea in the most
local derby of London...
    Craven Cottage is what? a mile at max two from
Stamford Bridge...
          one can only love the ever infuriated Martin...
but still the Thames receding...
   at first glace i might have stretched across
the balustrade and probably touched the surface of
the water... by the end of the shift when the river-bed
started to be exposed i started to wonder:
all that volume and now apparent air where once
there was water...
  no river in the world akin to the Thames...
tide in and tide out... at Westminster it's a river
that rid itself of the kettle and is nonetheless standstill
and boiling - during the day...
while eating a chicken wrap of torsos and tortillas
talking to a Norwegian who came over to watch
the football for the week...
last time he was here in the 1980s... have things changed?
the oyster one-touch travel card...
sure... it has just become a little bit more expensive:
but nothing has changed that much...
but during the night, and if its windy... well: clearly
there's a flow... a tide in or a tide out...
by the time i got to Goodmayes i walked past the brothel:
thank god i have nothing more to prove
thank god i have satiated my base needs and that's that...
what am i looking for? a compliment to a pharma-knock-out
of generic painkillers in the form of a bottle
of whiskey...
    too tired to **** not tired enough to think:
maybe i could fall in love again...
   fall in love... fall in love: but... ugh...
               fall in love and not pamper a woman's needs
with all those basic "tattoos" of courtship...
i might as well ask any future father-in-law:
so... where's my cow, my wedding dowry?
                     where's the pick-me-up to work with?
well if manna from heaven will not drop into my lap...
i hardly think... who the hell needs a car in London?
given the oncoming ULEZ restrictions?
bicycle, underground and the trains, plenty of buses...

today i was sent the most odd message from a coworker
who i am supposed to do a shift at the ice rink
on Sunday...
i was rather surprised - a "box" i never thought i would
unbox (as it were)...
i'll be honest... she's damaged - seriously damaged:
i'm on the "top" of the pile of damaged goods...
a mythological schizoid - ageing - each year turns
out easier as the madness spreads around me:
madness or the crushing mundaneness -
mundaneness or mediocrity -
    in a democracy it's all and the same: in the grey yolk
of bureaucracy -
         pushing letters through keyholes that leave
no door open: unless playing the "system" like
a criminal or a mummy with five different shades
of children from five different fathers...

                       the trouble with Russian girls is that...
they don't like a boy who appreciates music by Placebo...
huge disagreement... her take on Nancy Boy was
rigid and could never be biding: no appreciation of the music
for you... well... that be that...

this girl is hurt... i am hurt: everyone's hurt...
but i still find reasons to find silly happiness in cooking
cleaning, general groundwork labour of changing
the garden - some carpentry: cycling...
keeping up appearances of a well-kept diet
and perfumery of all sorts... at least dressing like
my idol Karl Lagerfeld... like an animal wears its fur...

she even changed her name to Frankie -
Frankie... i.e. is that Franklin, Frank?
no... it's actually Francesca...
the running joke with another girl i work with
runs along the line:
wouldn't that be something, to put on your CV
if you managed to convert her?
convert? or reconvert?
after all she has managed to produce offspring...
god knows why she's not in contact with her daughter...
but it's not like she was always a lesbian...
forced lesbian... it's not something a priori:
it's a posteriori...
after the facts that include: her biological father
beating her biological mum...
her biological mum abandoning her and her siblings
to escape with her dear life...
    how her step-father is like her biological father
but then the problem arises: the mother is unhinged
and now her step-father is facing splitting up with her
mother... of all the siblings she's the only one
keeping contact with her mother...
the other siblings, at least one... is ******* up to
her biological father who was: the greatest intersexual
boxer of the domestic environment to have ever lived
(in her eyes at least, i bet Tina Turner could compensate
such allowances of vanity)...

she used to be a man's woman once...
but now she switched... ******* without all
the Hippocratic misdeeds of the modern, current, narrative,
cutting off ******* and other genitals,
hormonal treatments... it's almost as if Joseph Mengele
died in body but his spirit lived on...
it's like a never-ending Auschwitz or at least
encryptions of mad-scientists for thirst of knowledge
have continued on a side-note of eugenics...
but at least with the closure of the 20th century
there was safe ******* experiments undertaken
by individuals without any authority of government:
the boys would grow their hair long and put
on eyeliner...
    perhaps even use girly perfumes or wear
dresses, nail-polish... hell... even sniff ******* or wear
them... but not with medical authority creating
irreversible ****** changes...
the girls would put on more weight or work out
and pretend to be East Germany's Olympians...
cut their hair short... who came the Pixie girls...
get tattoos wear signets: those bulky rings worth not
a gram of gold but their own worth of bulk...
    and like Francesca get an undercut with a Mohawk...
change their tone of voice... defence defence defence...
and become suddenly less and less agreeable...
still retaining a feminine smile and the odd feminine giggle
that could be unearthed...
or like with her text...
'hey... i want to go ice-skating after our shift...
do you think you'd be up for it?'
sure... although i only ice-skated twice in my life...
a long time ago, 13? i fell every single time...
i looked like someone who escaped from having
suffered from Polio...
i'll still look like someone who suffered from childhood
Polio akin to Israel Vibration's
Wiss", "Apple Gabriel", "Skelly"
      or Ian "Lane" Drury...
                                    instead i sent her a text replying:
sure... but i'll look like a spider equipped with
roller blades... i'll need to bring a casual set of trousers
just in case i fall and rip my work trousers...
'ha ha ha ha(insert crying with laughter emoticons)...'

oh sure... it's not a date... i'm not just going on a date...
we're not going for dinner...
i'm going ice-skating with a lesbian...
a butch-lesbian a hiding woman...
tattoos six-pack and muscle...
no wonder: only hours prior i was admiring
a would-be Brian Molko on the tube...
        
she followed up with a text of yet more defence:
but i'm skint - it will cost £10.50 for an hour
and a bit...
      we'll see i reply... as if she was implying:
if we can't get in for free... would you be willing
to pay?
i didn't reply with agreement to paying for...
then again: i'm not thinking about ***,
or homosexual conversion therapy...
i just don't remember when a girl last asked me to
go on a date with her... after all:
isn't a girl asking a boy to go ice skating with her
sort of asking a boy to go on a date?
she said she was quiet adapted to ice skating:
she owns a pair (of ice skates)... and i'll be the hilarious
polio walker / spider strapped with roller blades
trying to swim in quicksand...
mind you... i'm trying to rid myself of the past two
interactions in the brothel... terrible ***...
that one with the madam where i was limp...
the fate of the Sabine men gripped me...
i won't deny it...
second time... she calls herself my favourite:
she isn't... she's deluded... to the amazement of the other
girls i like to **** in the brothel...
i only extended my per usual 30min stay
by clocking up an extra 30min because i was so close
to climaxing from a *******: knock knock on the door...
time's up... no... not this time...
i'm going to finish... ergo...
but even she has paved her way onto a path of too much
physical augmentation...
if the **** don't come first... then the duck quack lips
reveal themselves first... she's an aging *******
and she has never done anything in terms of work
prior... no laundry no till service...
pregnant aged 14 and in the profession aged 16...
this is the murk and the sully of the gallows
of everyone: once, former, youthful idealism of love...
trotting a horse with broken legs like
waking up into birth by a man sitting in akimbo
for too long... standing up with numbed legs...
moving awkwardly...

obviously i was going to be robbed of Khadra and Mona...
Mona became stupid for getting pregnant
with a customer... hmm... i wonder who...
last time i saw her i teased her without a ******
and this massive fright gripped her face
because i was only teasing and she thought i was
a premature ejaculator... clearly a ****** was subsequently
used and the deposit in it: **** knows...
she should know... i haven't seen her since...

i think i'll text Francesca (Frankie) and tell her...
bring your skates girl... if we can't get in for free i'll
pay for the two of us...
only two shifts prior she was insinuating about
going for a pint: i just replied: i would...
but i had to help my father write the fortnightly
invoice and send it in...
like tomorrow... tomorrow i'll have to help my mother
with the taxes and VAT...
they're getting a new accountant and she lied
about doing her taxes on a spreadsheet...
**** me... i probably used Microsoft Excel twice...
twice, properly... but since i only used it twice...
i'm a bit rusty... so much worth of secondary school
education or the university...
   they taught us the bare minimum of real-world
life-long tools of the onslaught of technology -
   hammer and scythe i can use to count heads...
oh well: there's bound to be some crash-course for dummies
on the internet...

i waited until 9pm for the three of us to sit down to
eat some fajitas...
i overdid it using Kashmiri chilly powder
and three fresh chillies in making the pineapple salsa...
but the hotness neutralised itself with the addition
of the tomato salsa i made... and the guacamole...
the sour cream and obviously cheese, esp. cheddar
neutralises all possible excess spices...
we ate, chatted... one big ******* family,
me, father and mother and my "brother" and "sister"...
well... at least the cats meow and don't bark...
oddly enough: i'm happy... mediocre sort of:
that scene from Hellraiser: Inferno...
were the protagonist - a corrupt police officer -
is forced into a nightmare of having to relive his
eternity in his childhood's bedroom...
living with his parents...
shouldn't the horror be... your parents getting divorced?
i don't know why mine are still together...
they must be freaks... i must be a mutant:
well... born only two weeks after Chernobyl:
no riddles, only clues...
     i keep the conversation going...
i help around the house...
  
                        Frankie dealt me two nuggets of hashish
in the past 4 months... once i was desperate
when the hashish ran out so she gave me the number
of a marijuana dealer: great green all the way from
America... i only used the service once...
maybe that's me being bulletproof...
i'm cutting down on drinking and i will never return
to smoking marijuana to achieve a Buddha-esque glow
meditating while high and hungry...
weighing in at 78kg... it's a bit of a yoyo with me these
days... from 99kg through to 103kg...
but then... i pinch myself: i summon the ***** to pinch
back... hmm! no man-****... so i could try out for
some amateur rugby matches...

a butch lesbian asking a boy for a date to go
ice skating... i feel... truly terrible for all the conventional women...
i would have offered a cinema date...
she beat me to the better sort of entertainment...
she said: let's go ice skating...
i would have retorted: i do own two bicycles...
how about we go cycling in the night...
round and round Raphael's Park...
round and round... and if we're lucky...
and if the winter air aligns itself with some idiot
setting off fireworks... we can get snippets of whiffs
of imitation autumn... as if the leaves of the trees
have fallen in the dry crisp air and someone
set them alight and there's no rot and knee-deep
digging of plush-decay exfoliating a sickness
in the air... how's that?

i'll send her the text... hell... i'll pay for her...
i'm not interested in ***...
she might be a butch-lesbian trying to hide her
femininity... but she still smiles like a woman...

oh sure... i remember the last conventional:
heterosexual date i was on...
we met in a sweaty night-club... if we kissed we kissed:
i don't remember... she gave me her phone-number
i gave her mine... i was in the company of
about 3 girls who i met elsewhere, otherwise:
also randomly...
at least one made something of her life...
she ****** off to Norway - totally off-the-grid...
by now probably breeding huskies for sleighs...

the next time we met... i bought two bottles of wine...
the "date"? a job interview... we talked...
subsequently we went to a pub while i had a pint...
she was feeling claustrophobic...
i was the alcoholic and she became the **** of boredom...
she excused herself: some prior engagement
with her girlfriends... i guess she thought she got away...
i way happy to get away by same mechanisation
of oppositional psychology...
all this talk within the confines of carpe diem that
centred upon: what do you / what's you living
should i think about life insurance - will we live to be 70
years old?
well... that's the cherry on top with Francesca...
you want to go ice-skating? sure...
you want to go cycling with me in the night?
sure... life insurance / what do you for a living?
how much do you earn?
             can we live a little outside a prison within a prison?!

so much for Dawid Bovie's idea of the androgynous man:
if i'm to be surrounded by "butch" lesbian
and prostitutes: that's my lot then...
i'm not going to succumb to the CV-project-veritas
in-vitro infanticide females with CHOICE
like... my spunking into a bucket and calling it:
falling asleep with the sound of rain
trickling trickling on a metallic roof...
in the night when the horrors come and horrors
claim all the little details of frailty
of mortality...

                  for every tear-jerking sympathy for
a Romeo there's the mantis of
   a Judith kissing the decapitated head of
                                                             Holofernes:
**** it... the prostitutes i truly loved ******* are either:
pregnant or on "holiday"...
i passed the brothel only two nights ago...
i spotted a man walking out from the door...
he froze like a doe in the headlights and didn't move
until i turned my head and kept walking...
i was about to blast out with wind and voice:
no shame in having to share women
we will never impregnate!
start thinking like a woman, dear man...
think on ground of evolutionary bias...
for every women there's this boast of:
50% of men reproduced successfully...
while all the whole lot of them the 100% of train-wrecks
and Piccadilly butcher's antics with the flab
have... their greatest success story to ever live...
i could be worse off... than right now...
i could have married an ugly woman:
by definition: if a most feminine man
grows his hair long and applies some slapstick
makeover creases of eyeliner...
i can forgive him his match-for-match size
of hands... height... size of shoe...
but never an ugly woman... UGLY...
that goes beyond mere the physical-glass...
i'm talking: character... there's no prime-ego
LEGO building block... no architect's corner stone...
there's nothing to work with...
just everything to work around...
to avoid...
                    
    if: for ****'s sake... i'm not planning: i'm providing
the revenue... i want to go ice-skating!
she doesn't have any money? i have "too much"...
i don't: but for the worth of life in life that's only
to supposed to span a month's worth of living it...
hell: i have no better idea to pass the time...

at one point i found out that Francesca has some Irish
roots... you're Aye-Reesh?!
              really? never would have conjured up
a sharing of ******* on a leprechaun...
**** it for good luck... like circumcision:
that's apparently Hebrew for: good luck...
with the addition of: ensuring your bride to be
be donning a niqab and all those "other"...
culturally sensitive, exclusive terms of
cultural-dis-appropriation: or whatever the **** is
coming out of H'America...
             once upon a time when that cultural export
was relevant: these days: nothing new to be
found... except the abandoned moon...

well... i sent the text... sure... i'll pay for the ice-skating...
but you have to promise me to go cycling
with me during the warmer months
with me... don't worry about having a bicycle...
you can have my mountain-bicycle
i use for the winter months
while i'll get on my summer month
road-bicycle...
we'll head toward Thurrock...
and elsewhere that's Essex friendly
and far away from London outer-suburbia...
fresh... fresh...
Jean Claude van Dame...
                       Fresh: that's her idea of working out
before the shift... and then going ice-skating...
FooR x Majestic x Dread MC...

                oh well... life in Loon-downs...
or is that: no apples... i'm sure there are no apples...
if she takes the bait...
i.e. i pay for both of us going ice-skating tomorrow...
she better go cycling with me during the
summer months...
she says no to ice-skating tomorrow
i'll become Trojan in my own defense...
if she wants to be all ******* lesbian defensive...
i can be defensive too...
i'll arm myself with enough brothel visits to erase:
first... comes... oh my grandmother disappointed
me... i could have been there for my
grandfather stabbing himself in the leg
while entering the state of AGONIA...

                    i could have been there: she? trying to protect
me against the advent of mortality?
or her... biting my grandfather's alcoholism she
induced by being a terrible woman?
his last pleasures?
crossword puzzles... cycling, fishing,
rekindling with the day-tripper postcard sender
vouch! you're the simulation tourist with
his... grand... chill... no... not -dren...
his... sole and only grand-child... i.e. me...
him buying me the books i read over the summer holidays...

women are so ape so cruel...
i stopped believing in what's idealistic and rare before
me: which i can't replicate...
i'm happy being freed from:
i don't earn the sort of money that the state
demands taxing me... weird? no!
i don't earn enough to be taxed!
weird... i'm sort of pretending to be a jellyfish
afloat... simulating gravity:
gravity is always a simulation in the medium
of water...
                by air contra vacuum:
the mountain breathes in winter a cascade of
frigid snow slides down...
a Michael Schumacher goes skiing...
****** races cars at 200kmh... one loose turn and twist:
cranium like an opening of a watermelon...
jellyfish fighting for life dead-locked style
in a sick-bed while people nearest to him
think about magic-spells: how best to live without
him: how best to milk the cow with *****
instead of milk... hmm hmm hmm...

if she wants to go on a date with me to go ice-skating...
and i'm supposed to be paying for it...
she better be readied to go cycling with me
during the summer months...
if that's not going to happen:
she shouldn't have suggested
going ice-skating in the first place, for ****'s sake...
like: anything by Bricktop in ****** is
Shakespeare to me... perhaps even more...
living with the times...

                                oh well some well: Samuel!
Samuel: you're not Samantha... learn to become
a transvestite first... before we employ the ****
Hippocrates to mutilate you, o.k. darling?
    learn to grow your hair long...
learn to put on make-up... learn to wear dresses...
learn to sniff female underwear...
Samuel! Samuel! you're not Samantha (yet)!
we will not give you up to the Joseph "Hip-replacing-******"
Mengele: shy away from everything American
in the realm of: worth being culturally exported
and influencing foreign cultures: esp.
in the basin of the origins of the English ZZZUNGE...
that's England...
                  
HIPS FOR KNEES!
                    America: beacon, former: beacon of the world
to come... came one Cain for every second cannibal
no Satan was spawned: at least that's Iranian paranoia
covered: converted, shut the doors on Tehran...
bigger whoops happened when...
Garry Glitter became pop once more
with the release of the Joker movie
and that mad dance scene...
on the 132 steps where Shakespeare Avenue
meets Anderson Avenue...

    i will never, ever... visit... anything... remotely...
resembling... or being curated as being:
North America... i've had too much north american
cultural anemia...
             prior to words not being so much politcal
as agent orange doing all the "talking"...
                                  
  tam tam tam dam dam dam... ditto... do no more than
the necessary "evil": just, bass: on the base
on insinuation;
hell... if the afro-cosmopolitan is the new "cool",
the new "groove"...
let's just keep it... marred: in murk: in murky.
Spencer Dennison Jan 2015
In a place where everything and everyone
is shallow,
your eyes alone are left with a depth to them
that no-one could have ever guessed.
In a place where hard work is an excuse
to be superior,
you value interior in a way
quite ulterior.
In a mirror you're just as good as them,
but your beauty will stem
from things other than your physicality.
It comes from the fact that you make happiness
a reality.
The totality of your devotion
to something as simple as a smile
makes every second spent with you,
instantly worthwhile.

Sure, there have been guys,
who have had their own ideas.
Used lies like a blade
to cut their way into your heart,
but you've grown wise since then.
You've been hurt before,
but your determination to stay happy
is worth more than any man could be.
I'm only around you three hours a week,
but your smile shines through any attempt I have
at keeping my attitude bleak.
If I can be completely honest,
you leave me absolutely star-struck
and it was just my luck
that I was born four years before you.

Our worlds run parallel from my view,
but the way I can connect heart and mind with you
is a treasure that cannot be reproduced.
Tessitura, psalms, and songs of praise, they branded atheism when singing Christian psalms in the streets making ineffable groans, where the exordios looked from the back with Delphic prose, where the dart that opens the curtains of the hallelujah tormented, with darts that rubbed weathered in the tentative to rise of the stores of Sanequerib. They are relatives of Incipit Psalm 69. " Saint John said as they continued to climb the Calvary of Profitis Ilias, but this time in the company of the Help of Isaiah, with a great spirit of being from the cavern of Elías in Haifa, at a flat point at the time of the Benedictus. Already the Assyrians were returning the same way they came, as Isaiah prophesied, in the morning with ejaculations that ended with the crass rottenness that could end the day without a step other than an anti-Jesuit one. Prayers go and implore the Omnia Vanitatis, the moment when the sun honors, taking you towards the close of the day with the perpetual antiphon. The vigil was reaching the lines of Isaiah does not rest, in Trinitarian doxology. Where is the darkness, where is the glory to see you...? If the stars collide with each other in Baptismal frowning, and in the mystery of Vernarth that lies a complex, tied to becoming that never begins, and what was Christic history of a morning introit.

Saint John the Apostle and Vernarth express in the Trinitarian doxology: “Through Christ, with him and in him, to you Almighty God the Father, in the unity of the Holy Spirit, all honor and all glory, forever and ever. Amen"

The triangular taxias of the Hetairoi made faunas that came cutting themselves with the wind of the "incipit" of Psalm 69: "My God, come to my aid;" Lord, hurry to help me ", by the Keras or wings of the site of Arbella; or Gaugamela rather said…, sonnetized by some Pazhetairoi, made up of 32 Syntagmas, as units of sixteen revived Falangists from Court V of the Helleniká Necropolis, bilocated on Patmos, a few feet from the Mandragoron project. Thus the triangular spellings of war were formed again, to the astonishment of all those present. Alexander the Great, already graceful, was over-trained in irrigation and supplications, he was consisting of 128 Syntagmas, with 62 Falangists covered by the Cinnabar that subdivided them into bones by sixteen of the Lochoi or guides. The Syntagma bipartite was enlarged by two Syntagamatarchos captaining two units, all with their semi-open belly, re-liquidating their viscera by the Ghosts of Shiraz, the Saltimbanqui Hydro comes from Roknabad (also known as Aub-e Rokní), from an underground channel which carried spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here he has to mend the propellers and water ropes to do his acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When he bites his tongue, they repair it with the verses of Hafiz's Koran, there are three hundred creeds, three hundred hectares to irrigate with his wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monte Blanco, to overestimate the liveliness of the caravan that trembles with uncertain doubts here on Patmos "

Saltimbanqui of Bascule says: “We are Epi ghosts, green in reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almeria of the highest Mirror of the Sea. Will take you back to Limassol. Curiously to the same ship as the Eurydice that sleeps in the swings of the sea, and in the arms of the petulance of Dionysus in a new awakening of lethargy of theorization of the superstrings of Anaximander, here is the intrinsic speculation of science, already that this is not just purely empirical research. "

In between them, they form even and odd rows. The horizontals were tinged with the Red Blood cells that became volatile and surrounded the Xyston lances, for thirty soldiers of the Diloquia, with their dismembered arms that began to take them back with their hands tightly girded by the song of the Theological Shemesh of San Juan, which subsequently rescinded last in the sum of two taxiarchies, constituting a Syntagma. The units rose with the sickle that cuts definitive death, to reconstitute it in five thousand that should tread through the hierarchies of formations, amid the frolics of the Phalanx, where Vernarth protested to all “Khaire, Kalos irthate apo tin kentriki, Welcome from Hell !"

Thus the Phalanx was constituted among the Syntagmas in metaphors of the Falangists. In this way this antiphon was revealed martial, denoting synergies of the Sybilla Herofila that conferred to the world of Trinitarian Doxology, among ashes that remained by a solid cobblestone witness of the reluctant troops that testified to the sense of interpreting the law of bringing to the world what to their lives it owes them. The prophecy shone from an intangible Isaiah before all in this concomitant episode, and to the degree of the reign of Judah, here together with the prophet Elijah, they faced the hardened fragrances of blessing as oracular teachers of so many goods, and of the benefactor that protects by inspirational mandate, making laws for the end times before closing his own eyes without having prophesied them.

The rows in “V" contrasted with the corridor friezes in the crowned troops of the Hetairoi, and in the syntagmas that became appressed from the triangle that opened the three-quarter proportions of Athenea's physiognomy in Pergamum, subjugating Alcineo, so that finally it was forged in constellations of equanimity in the fifth courtyard or "V" of the Necropolis of Helleniká in the allegory of Vernarth, stopping the plausible dogma of the initial that glosses the Law in Vernarth's "V". This in turn in double syntagm of the Syntagamatarchos guide, in the high sky of Patmos, and in the medrones growing on the antlers of the proclamation of Wonthelimar, which made them a twin "W" in the star that shines in the medrones of the Ibix, in the Cornacabra and in the Cornucopia, with certain docile movement, adhering to acrostic and prehensile preliminaries of the Isaiah saying.

The Phalanx Alexandrina Heterochromatic of Alexander the Great volatilized between the villi of his Falangists, climbs the Holm of Zeus and causes a "Gore" or horrifying reflection, allowing the rhizomes to become a hundredfold, which will make the nominal order of five thousand, for each member of the Syntagma, in an astonishing quantum that reproduced itself to materialize before Him. Then he tied each one of them as Prometheus chained to each of the oaks, from an Akane grocer, incontinenti withdraws a sharp dagger and opens each one's veins to free them from the isolation of so many years settled in their last heterochromia of the War Iridium that he conferred on them, to endure the visit of the spirited Grim Reaper. This causes liberation, in this way they re-install themselves in their bodies, with Iridium or iris that made them see before their optics in two biases of Hoplite alter egos, impacting half of their body. Alexander the Great, being the philanthropic heir and of Platonic legacy, made them superfluous in the melanin that fell from the Epíchisis or libation vessel, to taste the effluvia of Dionysus with the maenads, with wide ambivalence filling them with viticulture, so that they would flow through the veins of his soldiers, and to revive them with the Dionysian must of melanin to the left eye of the Hegemon King Alexander the Great, with Jasper in the left, and the right with ultramarine from the bottom of the Ionian, on the banks of the washed banks of Patmos, in high swells of Greek alcohol that was distilled from the Mosacism of the stones when unraveling the peripheral forces from the prefectures of the great native of Pelas. They ordered areas of all Greece under their heterochromia flow that gave life to the Perifereoaki, or periphery for Central and Western Macedonia that came with great vigor, with Epirius central, western Greece, Peloponnese, and Crete. East Macedonia and Thrace, Ionian Islands, North Aegean, and Thessaly, later they would go for the Aldehyde alcohol that summarized and epitomized Dionysus taking him with four eagles that distilled the unprisoned Syntagmas of the lines of 16, 32, 64, etc...., for purposes never to start on an omega all the way to the Ionian Islands from Corfu.

Alexander the Great, went near the pre-urbanization of the Mandragoron towards Vernarth, somewhat dizzy, and before attending to him he presented himself first to the Zefian; who looked at his iris like a foreman who re-divided his visuals, by prevailing in eagerness to restore his soldiers, to help in the construction of adventures of life, and to assist in building the Megaron, which still rested in the myopia of mythological vision of the Gods tied in animosity with the Titans. Overwhelmingly, he highlighted the clouding or turbidity that was seen beyond the radius or visual field of two realities, found in visual refraction and interference with refractive statisms of the periphery that led him to the other world in Babylon when death imprisoned him...? Here the root revived, it became parallel in a unique world with divergent lights, which entered his Akera or right-wing of his soldiers, bringing visual acuity that brought the perchlorate volatilizations that hovered in the boots of his soldiers, when they marched in awareness of the retina and of the mean light, that for the first time was clarified in true holistic and political from a Parthenon with the musk of mortals and immortals of neo Hegemonic ophthalmology, which he was already re-leading by his command, where he was going to invest his greatest and most spiritual elemental Commander Vernarth, with his Himation.

The rays of his eyes seemed distant, but they were diffuse and alternate, they wandered through the lens of his clouding, which blinds a partial of the left Akera, or flank of the Hypaspists that dazzled Parmenion. Here the optics of Alexander the Great, remained in the diatribe of the small eye next to another that was enlarged, being hyperopic of a mysterious confine in the severity of Dionisio when confronted with him, in light effects of the high liquid vineyard, refracting meridians in his troops next to the Hexagonal Primogeniture who observed them behind the magenta image, which was the one that flashed from the Clouded holm oak and eclipsed by calm heat movements, and rising air masses that were in the opportune station of good sense. When being aided by the Maenads and the Herophile, they were teaching from a parent, who now sponsored the entire political and spiritual will of the Hoplite side, made up of the King of the World Vernarth, together with Alexander the Great, after receiving the photocoagulated lightning bolts. of the officers, under redeeming and reduced of the metabolic, and of the oxygenated preeminences of new lungs for each devout consecrated body, towards Saint John, the Apostle, pigmented and mechanized with aggravating heterochromia, and extensive in the bodies raised in new parallels that have to confront an anonymous or semi-god by turning for his own.
Antiphon Benedictus III Isaiah / Syntagma
Stanley Wilkin Apr 2016
Recollections by the window

darkness at the door,

a spent cigarette,

a dried up memory bank-

a laptop lying purposefully in the grass.



in between the moment is the event



The wood is riven by foxes

whimpering with cloven paws

the newly accommodated ******

rakes up a new home

the water vole scurries into the infested water



in between the moment is the event


reproduced in the computer

action and moment have ceased,

action and intent no longer connected

time and thought perpetually adjusted



hollow rain signifies emptiness

a blank screen eternity.
Richard Riddle Sep 2014
There will always be someone who wants what you have, for its easier to steal from someone who has already performed the work, whether a material object, idea, or talent, etc.. Someone who takes credit, where it isn't due, for what you have accomplished, worked hard to attain, or saved for a special purchase. Hence, the PLAGIARIST!

The counterfeiters, whether it be money, or the reproduction of the "Old Masters" oil paintings, claiming it was purchased at a garage sale, or found in an old trunk in the attic of an old house they purchased. Many scenarios, many such events, and mostly untrue. Plain, and simple, they are nothing but "THIEVES." They have been around for thousands of years. Aggravating, yes! Frustrating, absolutely! Discouraging, you bet! The difficult part is knowing"they don't care!", as long as they get what you have, or think they can.

To my friends at HP: Regardless of whatever name they wish to use at the bottom of your piece, your signature is still inside the piece itself. Whether it be a particular phrase or word meticulously placed, the style of your writings, the way you approach your thought, the rhythmic flow of your prose, the softness or harshness of expression. All which has created "your signature". That, cannot be reproduced.

To those literary "thieves: You will continue to try and steal our work. But, for each letter stolen, for each word stolen, only creates another rung on your ladder, leading you deeper and deeper,further down into your abyss of loneliness, until the blanket of your depression, discontent, and hatred suffocates you. That is when your name will become known only as, "WHO?"

copyright: Richard Riddle September 08, 2014 10:00am(CDT)
Esther Mar 2017
Dearly departed,
Pray for me
In life I still need to excrete
Not only faeces but thoughts
Just like food in my mouth
I chew possible sounds
Until they are… reproduced
I think
What I thought was art
Is now a bit bitter on my tongue
The saliva must be tainted
With odours I’ve inhaled
Because this ******* I taste
Is too flavoursome
I know this isn’t appealing
But neither is the finished product
Unwrap what you can
Of what we toss down to you
And swallow what you think is sweetest
You know it will all be… sour
I think
What I thought was lasting flavour
Turned out to be flesh
And even as I write this
I feel the unpicked hair in my teeth
So that when I create
I am secretly painting in words
From the inside out
I am closer to you in this way
But in that way-
Not so much.

Dearly departed,
Pray for us
In life we must run to you
But in living we must wait
Amongst the rotting peels
We left in our backpacks
For too long
We’ve learned to speak
About the smell
But in doing so our breaths
Stink up the air
And our legs are getting stiff
Sitting cross legged and festering thoughts
Bubbling images we wanted
To forget
God, this is a witch’s ***
But she forgets to stir it on hot days
And we decay
Faster than you do, I swear
The curses don’t become me
I know, the curses
Must be me and them.

Dearly, Departed,
Pray, and still listening
I’m sorry about the foulness of everything.
i've been washing myself
in John Baptiste's fury
more precipitation
of our seasons
saturated by the come'n'go
wait and see
the white swans before we die
crashing naked bodies
in a ***** L.A.
swimming pool
we succumbed
to their glamorous scartissues
carving our egoic existence
that time when you
soaked your hate in
the summer sun
died over and over
like a fish jelly scattered
on the hot sand
we still remembered
our mother's womb
the development of
the caterpillar
butterflies only lived
in our stomach
reproduced on rusted
trains towards
divergent universes
towards
the infinite self.
Teezy Apr 2016
Why did we meet?
Wanted love but I'm faced with defeat
Souls confront at the moment of separation
Hours of captivation lured my makeup to sedation

Homecoming brought aspiration for our unities firm imminents
But elapsed time left liberty for another's feelings of intense sentiment
Fortune brought the tides of our fates to fasten in sync anew
For the light of your sheath left my lips to never mutter another adieu

Lack of presence molded every ambition to conclude with you
Fondness for your heart carved no room for our courting to undo
Your very structure reproduced in facsimile to my psyche
Bountiful love influx my spirit bounding my soul from defying

Uncontrollable passion awaited the culmination of my hour exile
Expecting the ripest of the body but faced with something more juvenile
Incandescent feelings brings pain to my mind, body, and soul
Waiting patiently for these long awaited feelings to unfold

Into heartless darkness robes of a man without compassion
Or someone unlovable but masked with false face of a former gentleman's attraction
Forced the realization true love is not attained through a man's unchangeable chivalry
But a savage bleak mind that seeps more and more through open pores unwillingly
Faleeha Hassan Apr 2016
I would have sneaked
In from the pores of a net.

I would have wrapped you in a prose
Poem that lacks precision and laid you to sleep
Under the covers of my bed.
Quietly.

So if love was to engulf me
And a longing rises from my soul
I would stretch the fingers of my hand towards
you  and dabble with the words of the poem,
Letter by letter.

If I was truly a poet
I would have limped to the Lord by now
And sat by the foot of his throne
And held on to it
With both hands
And whispered: ‘you are the Greatest,
most Beautiful, most Wonderful and Capable,
Will you create a lover for me?’

I mean only for me.

But I know
That my prayer will not be answered
Not because it is impossible.
More than that really,
Since I have never known
A man
Who has never betrayed his lover.
*******
Translated by Dikra Ridha



© Copyright 2016, by Faleeha Hassan. All rights reserved under the Copyright laws of the United States of America and international copyright agreements.  No portion of this book maybe reproduced in any form, electronic or otherwise, without written permission from the author.    Email:  d.fh88@yahoo.com
it is published on (Philadelphia Poets) 2016 Volume 22  page 46
N Paul Jun 2015
Oh, elegant verse-*
As one might stumble upon
Some striking thought or connection;
A comet fallen, burning hot as it strikes,
But cooling with each passing second.

As one stands transfixed,
Aware with every fibre that this cannot last for long,
It is you that captures the greatest of these moments.

For with the words that spring to mind
And twirl and morph and stick,
The meaning may change but
Burn bright still.

Reproduced to new form in every mind
That stumbles through the lines,
With some brighter still, than ever did descend
By nature’s hand alone.
Maxim Keyfman Oct 2018
a huge strong wind in the street
on the street and in the squares and even on the mountain
where I was where I sang songs at all
recently today where met evening where
watched the sunset and yawned and tired and raged

a huge huge strong wind outside the window
as if the fire no longer holds the frame
as if the fire had completely forgotten what it was
it was as if I was losing myself once and for all
and forever and to the end and forever and forever so

and today many different sounds were reproduced
many different sounds and minor and major
but most birds and I was like birds in flight
and shouted and sang I and I created a huge parade because
that the wind never leaves my heart

12.10.18
Aaron Driver Feb 2012
Words arranged through other’s egos
Plethora of personal shop windows
Designed by one who loves ego most
Reproduced on a sickening scale
Pictures show worthless lies
All tailored for ***.
Perhaps they will grow to learn; or Die?
One of which I know will occur first.

A life like this is all but life
Existing in cruise ship grandiose
Lost in narcissism; who pays when you are a *****
Whose biggest customer is yourself?
Others feed on your looks and holes
What are you to them really?
They  most certainly aren’t feeding on your mind.
Success is gauged by a bias meter
Measuring your ability to rely
Physical attributes; a smoke screen alike;
Your life but a cheap end flight
Buy your ticket! Wait in line , bland is the word of the day.
When the flight is over make way for the next
Pray your not on there when the **** crashes.
Isn’t that what you all worry? That you’ll be there,
To see how you turn out?
It’s best you continue to sleep
You would wake to find your angels and demons never were
Who would lead you then? The plane was on autopilot,
The whole **** time.
Raul Rivera Dec 2011
Inspired by Jason Silva*

There is a revolution in the way that we think
Each day we push our bodies, thoughts, and voices to the brink.

Most of us most of the time, see the world through a very small set of filters
We must break these filters and let our thoughts flourish instead of die and wilter.

This is a time of communication, connection, and collaborative innovation
This will bring us progress and give humanly thought salvation

You use perhaps one millionth of the potential energy that’s inside your head
Lost in vibration, are the ideas that are said.

In my mind it is life that gives meaning to life and what we do with life
By preserving knowledge and science with the creation of music and art are the gains of our strife.

In the science of today we become artist. In the art of today, we become scientist
We use this to progress our species to become worldly finalist

There are no boundaries. There are no fears
We use this to accomplish and not look to our rears

Imagination allows us to think beyond our limitation-

It allows us to conceive of what might be -

And go farther that we ever thought possible
No idea ever to grand or radical

The point is in order to use your head you must go out of your mind
In order for you to gain the knowledge needed to unbind

You have to get beyond your routine ways of thinking
In order for your mind to be free of pollution and shrinking


We can break free of our genetic heritage
We have circled the moon, artificially reproduced DNA, and cut our death percentage.

Why should death itself our last enemy be considered beyond conquest?
We as humans have defined ourselves by overcoming biological contests

We are teaching people how to use their head
And have their thoughts ultimately shed

You are ready to have your perspective about yourself and life dramatically changed
And have your body thoughts and life go beyond the possible range

Because you will be a different person, and you should be ready to face this possibility
Because soon we, ourselves will become whole new entities.
After watching a documentary that Jason Silva hosted called "Turning Into Gods". I just had to write this poem.
Henry Koskoff Nov 2017
alas, spring was a time of fakeness
and sally sneezed in sequences
everything swayed with breeze
on the brink of warm and cold were the colors
greens and yellows and ochres
that were pleasing those eyes
red, moist, sore
emblazoned by the dusty air
everything reproduced at a fast rate
au printemps, she remembered
bath absorbed
sally wandered
less direction now
her home near
too familiar now to be satisfying in any way
there she was
when she awoke at noon
David Barr Oct 2015
To raise a seagull would be no small task – do you know why?
Because both you and I are not seagulls.
If an individual is perceived to be revolting, then the question arises as to whether non-conformity or debasement are the identifiable issue.
Like those cheapened activities which are secretly laid bare within the hotel hallways of Sin City, my immeasurable and baron liaisons have also been revolted by scorpion-like stings, as the wind promotes her seductive and tantalising thoughts through the brushwood of Autumnal celebrations around the vicinity of Nevada.
It is important to understand that the fullness of sound involves the synchronicity of isolated connectedness, and that we validate both the message and the messenger.
Balancing acceptance and change is horribly attractive.
Do you know why, my reciprocal affiliation of that which is considered to be humanity?
For that which is conceived, formed and reproduced within the solar system of Nirvana is not so readily articulated within the parameters of epistemology.
Aren’t ornithology and psychology both flighty?
Christian Grover Apr 2015
I thought to acquire
A piece of wall art;
Reproduced in mass would be fine
As long as it’s attractive, yet honest,
without tasteless jest,
And appears to be organic,
Cultivated
At the artist’s discretion.

In the catalogue, my attention falls
To a print
Of an anatomical drawing
From a botanical field guide,
Colored with pencil: the perianth
A pastel pink
That yields to a gentle yellow
Just before
the petals are enveloped
by the green sepal coat.

High on the hanging stems
Round buds of emerald and buttery cream
Follow their elders
In gradient lines of expansion
To the end where the eldest
Bend into blossomed bells;
All come together and seem
As a pink and gold Easter dress.

From the petals stretch
The pistils and stamen.
Reaching
Reaching
Gasping, I can nearly hear
The flower’s patient breathing,
Waiting
For a kiss
From a fluttering errant proboscis.
The pistil aims for the ether,
To another’s anther and
Pollen dusted petals.

Tempted now am I
To wear always
A corsage about my neck.
This poems is in reference to the foxgloves illustration found on the cover of Ted Hughes Selected Poems 1957-1994.
Faleeha Hassan Apr 2016
My innocence nudges me
As she points to the creases of my bedding on the ground.

While the bed itself, with the imbecility of its sheets,
Lies rejected in the corner of the room.

My parents’ smiles widen with the stupidity of the covers.

They alone, and the bed
proved to me my innocence and the idiocy of a tidy bed.

Even if I inherited the furniture, children
And the creases under the eyes,

Every time my bed rubs in the carpet’s weave,
I am still baffled by the wideness of their smiles,

As I lie between my children
On a stupid, tidy bed.

By Faleeha Hassan
Translated by Dikra Ridha

© Copyright 2016, by Faleeha Hassan. All rights reserved under the Copyright laws of the United States of America and international copyright agreements.  No portion of this book maybe reproduced in any form, electronic or otherwise, without written permission from the author.    Email:  d.fh88@yahoo.com
Jade Aug 2020
I've grown to love
the sound of my name

swaddled in the contour
of my cupid's bow;

rolling off the tides
of my tongue;

humming
like earthquakes
in my vocal cords

my name--

Jade,
after the precious gemstone.

~

A girl named Jade
beckons the moon
so that it sits
between her palms
brings it closer to earth
through her camera lens,

photographing celestial portraits,
each crater immaculately reproduced.

She grows bouquets
of bluebells in her lungs,
poetic eidos
ringing
from her mouth,

fingers pulsing
against the typewriter
like the oscillation
of a butterfly's wings.

The soft hiss of verse
dissolves on the reader's taste buds,

each stanza an exhalation of
profundity--

unforgettable.

Maybe you were the one
to walk away
but
there will always be
a part of you
that mourns.

Her name etched
onto the surface of your ribs
like they are tombstones

(and they are tombstones).

You lie in wait to be
haunted

(because that's the only way
you'll ever see her again.)


A girl named Jade--

ferociously loyal

but she also declares
her own worth,
recognizing those who will only
abbreviate it.

She is a melodic composition
of sunflower petals and stardust--

but that does not make her fragile;

for her bones
are cast with iron;

mind the crown of
Athenian wisdom;

heart a pounding sea

where water lilies float
and leaches drown;

And of her soul?

A girl named Jade
wears her soul
in an aurora borealis
of purple light

(just as she was always meant to).
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In the beginning when Adam met Eve beneath the canopy of paradise
they agreed on most things.
They basked in the perfection of all that surround, laughing at each other's jokes.
One day Adam carved a gift for Eve.
Tirelessly wildling the branch of an oak tree.
"Tools", he boosted as she stroked the small utensils.
"I'll call them forks," said Eve happily setting the table.
What came next sparked an age old debate, as Eve grasped her fork in the left hand, Adam in his right.
"What are you doing?" he vexed, scratching his head.
"That hand is incorrect!"
"Tis not my sweet, it is the hand I use to eat, I am in my right mind my dear, you are the uncultured one here!"
And so it began, as they reproduced.
Cain was right handed as was Seth, but poor Able was born with his mother's fondness for left.
Left hands unite
Julian Cardona Jun 2011
While hearing these beautiful sounds,
I find myself thinking deeply.
Can I recreate love I found,
in another's bright eyes to see?
My everlasting devotion
will never burn like it did then,
as intense as a vast ocean.
Will the Lord kindly reveal when?
Was I not meant to sway girls' hearts
with the kindest words in pure truth?
Reproduced in these kind of arts,
words that nourish, comfort, and soothe?
To entrust my heart in one's hands,
palms not icy-cold like before,
dropped and abused in deepest sands,
strong, I find this want, all the more.
Will one step forward to ensure,
my heart can beat for two the same?
For if she can I will love her,
a smile brought and heart inflamed.
Saturday, April 4, 2009

— The End —