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preston May 2020

From the sodden, trundled forest floor the trees reached higher
than he ever imagined possible-- pine needles from the conif,
blending in  perfectly with those, broadleaf.. a strange, almost
absurd-feeling; symmetry- in a world, nothing more than
cluttered and confused--
           in the eyes of a small-one, now subject..

And now as a grown man,
I return to the disenchanted forest..
       in order to bring enchantment.
At the edge of the rustic, one-room
cabin, I pause..
choosing to peer in, rather than enter--
my world-hardened hands,  now pressed against
cracked window glass--

opaque, but still..

           I can see..

Inside the small room is as if a cosmo to itself-- there is a large
ring of dark water, surrounding what
seems to me to be a small island,
     yet still, I can feel her..  
           sense her glow..
And magnificent   within
her solitude and silence..
she is strong,
and firm-- her war-torn heart, gathered and secure..
all boundaries, seemingly intact--
        but there is a teeming..
        a never-ending movement
        of some form of life-

..in what I had once thought a ring of dark water,
but can now see as if some kind of a fear-hewn moat..
and the movement within, none other than that
           of those trying to reach her.

She is the prize,
pulled away from the threat of harm
       by her intricately created world.

And there is this black movement above her..    what is that?  
Moving in rhythmic synchronization..
             like a flock of starlings maybe..
The wings that give them flight, are bat-like and sharp..
and only varying sections at a time  of the flock's movement
alight on to her..
as other ones take flight and rejoin the ever-moving,
          ever-shifting flock's shape..

..and as each changing of the guard takes place,
the inhabitants of the moat change color--  

the light, now reflecting through the small window
and bringing a matching glow to my arm..

And though I remain unaffected by the color of light,
I see the whole nature of the moat, conform to each color's change..

And it is then that I realize
that the birds  are the pieces of her fragmented heart,
and the changing colors,  her perceived reality..
based on whatever portions of her heart are inside of her
at any given time.

The moat provides the distance,
yet one without its inhabitants even knowing
they are in it--

changing color in order to fit in to
              her ever-changing reality.


I will never enter into the moat..
and the color change is hers, not mine.
I am more distant to her now
than even those, of the moat..
and my refusal to change color
will always be a point of contention--
but for her, I am the only one who sees,
I am the only one who knows

about the island, the starlings.. the moat.

She loves me so much,
she hates me.

My prayer for her is that one day,
that whole flock of starlings will alight on to her..
      and never, ever leave.

Maybe on that day also, her moat filled with
Mona Lisas and Madhatters,  will finally, dry up..

and that her color perception  
will become  the colors that truly are,
            rather than those, of her ever-changing, shift


A disenchanted forest--  enchanted, once again.


as she quietly whispers into my ear..


"Until you've seen this trash can dream come true
you stand at the edge while people run you through,
..and I thank the lord, there's people out there like you"
https://youtu.be/OthHVnG9EKg
xox
Andrew Rueter Aug 2021
There's a moat of sand
it's a bulwark for a prosperous kingdom
beyond the Rio Grande

treacherous trajectory
through an ocean of heat
on the way to their rectory.

There's a moat of sand
turning refuge into risk
dividing two brands

predators look to make one suffer
an ATV piranha's snack attack
tases pregnant mothers.

There's a moat of sand
on the journey from hell to heaven
where the blessed meet the ******

gnawed to the bone
by roaming coyotes
while searching for home.

There's a moat of sand
guarding providence
the bountiful land

just when you think it can't get any hotter
you see a shrine for the dead with a sign
saying they didn't bring enough water.

There's a moat of sand
that's unforgiving and cruel
so it's used by man.
Yenson Jul 2020
Group think in unison disarray
morons looking for Camelot in mob's dive
we spoil for mind war but pray lend us our minds
in cloudy storms of magical red rains our brains were washed
to pristine white

Our masters tell us
its a remote affair so show us the moat
we will swim float and jump
masters says its a revolution
we are revved up but spare us the elocution

Some are saying this is mindless but we could not care less
though those wenches were careless
when they stole from the Moor
who was not from the moors in North York

A bright spark said its a vendetta of thieves
they cut of his tongue and said his brains had not
been washed proper
that he was calling a ***** a *****
yet the masters had taken our pitchforks and cudgels away
them dumb masters keeps on saying remote remote
and then control, control, then, power, power

now if you ask me fellow hicks in unison
this really is no time for **** roll
neither is it a time to go to the moat, what's it with this re moat
then they say its tower, tower
in Cromwells' name
are we being told to go via the moat for a **** roll in the tower
don't blame me they washed my brains a while ago.....
SATIRE.....What's wrong with you, have you lost your sense of humour, When asinine s say they are doing heads in, does that not make you roll on the floor in helpless mirth. Lighten up man, this is serious stuff we're talking about. Though I find it all incredibly hilarious,  people hang themselves when they are given this treatment, this is heavy stuff I have you know!
Alex Apr 2018
I walk with my head down, I've outgrown this town,
I know my way around but it's boring now,
I'm snoring now, ignoring clowns that surround me, how
Do I break out, find some glory now,
See the globe, rewrite my story, develop some clout,
Enveloped by doubt...can't seem to figure it out,
Developed my sound, need to deliver a shout, no fuss, gotta row,
This **** bridge fell in the moat,
Forget a paddle,
I'm still building a boat,
Don't doubt though, I'll break out now, might be slow but expect a ******* as I go,
Not gonna linger, stay sharp like iguana fingers,
Depressed and full of stress, my best is yet to come,
Inhibitions, lack of rest keep my ambitions undone,
My dreams have been oppressed, my soul remains repressed,
But instead of being stunted I'll stun, refuse to just regress
Nigel Morgan Oct 2012
The courtesan and poet Zuo Fen had two cats Xe Ming and Xi Ming. Living in her distant court with only her maid Hu Yin, her cats were often her closest companions and, like herself, of a crepuscular nature.
      It was the very depths of winter and the first moon of the Solstice had risen. The old year had nearly passed.
      The day itself was almost over. Most of the inner courts retired before the new day began (at about 11.0pm), but not Zuo Fen. She summoned her maid to dress her in her winter furs, gathered her cats on a long chain leash, and walked out into the Haulin Gardens.
      These large and semi-wild gardens were adjacent to the walls of her personal court. The father of the present Emperor had created there a forest once stocked with game, a lake to the brim with carp and rich in waterfowl, and a series of tall structures surrounded by a moat from which astronomers were able to observe the firmament.
      Emperor Wu liked to think of Zuo Fen walking at night in his father’s park, though he rarely saw her there. He knew that she valued that time alone to prepare herself for his visits, visits that rarely occurred until the Tiger hours between 3.0am and 6.0am when his goat-drawn carriage would find its way to her court unbidden. She herself would welcome him with steaming chai and sometimes a new rhapsody. They would recline on her bed and discuss the content and significance of certain writings they knew and loved. Discussion sometimes became an elaborate game when a favoured Classical text would be taken as the starting point for an exchange of quotation. Gradually quotation would be displaced by subtle invention and Zuo Fen would find the Emperor manoeuvring her into making declarations of a passionate or ****** nature.
       It seemed her very voice captivated him and despite herself and her inclinations they would join as lovers with an intensity of purpose, a great tenderness, and deep joy. He would rest his head inside her cloak and allow her lips to caress his ears with tales of river and mountain, descriptions of the flights of birds and the opening of flowers. He spoke to her ******* of the rising moon, its myriad reflections on the waters of Ling Lake, and of its trees whose winter branches caressed the cold surface.

Whilst Zuo Fen walked in the midnight park with her cats she reflected on an afternoon of frustration. She had attempted to assemble a new poem for her Lord.  Despite being himself an accomplished poet and having an extraordinary memory for Classical verse, the Emperor retained a penchant for stories about Mei-Lim, a young Suchan girl dragged from her family to serve as a courtesan at his court.
      Zuo Fen had invented this girl to articulate some of her own expressions of homesickness, despair, periods of constant tearfulness, and abject loneliness. Such things seemed to touch something in the Emperor. It was as though he enjoyed wallowing in these descriptions and his favourite A Rhapsody on Being far from Home he loved to hear from the poet’s own lips, again and again. Zuo Fen felt she was tempting providence not to compose something new, before being ordered to do so.
      As she struggled through the afternoon to inject some fresh and meaningful content into a story already milked dry Zuo Fen became aware of her cats. Xi Ming lay languorously across her folded feet. Xe Ming perched like an immutable porcelain figure on a stool beside her low writing table.
Zuo Fen often consulted her cats. ‘Xi Ming, will my Lord like this stanza?’

“The stones that ring out from your pony’s hooves
announce your path through the cloud forest”


She would always wait patiently for Xi Ming’s reply, playing a game with her imagination to extract an answer from the cinnamon scented air of her winter chamber.
      ‘He will think his pony’s hooves will flash with sparks kindling the fire of his passion as he prepares to meet his beloved’.
      ‘Oh such a wise cat, Xi Ming’, and she would press his warm body further into her lap. But today, as she imagined this dialogue, a second voice appeared in her thoughts.
      ‘Gracious Lady, your Xe Ming knows his under-standing is poor, his education weak, but surely this image, taken as it is from the poet Lu Ji, suggests how unlikely it would be for the spark of love and passion to take hold without nurture and care, impossible on a hard journey’.
       This was unprecedented. What had brought such a response from her imagination? And before she could elicit an answer it was as though Xe Ming spoke with these words of Confucius.

“Do not be concerned about others not appreciating you, be concerned about you not appreciating others”

Being the very sensible woman she was, Zuo Fen dismissed such admonition (from a cat) and called for tea.

Later as she walked her beauties by the frozen lake, the golden carp nosing around just beneath the ice, she recalled the moment and wondered. A thought came to her  . . .
       She would petition Xe Ming’s help to write a new rhapsody, perhaps titled Rhapsody on the Thought of Separation.

Both Zuo Fen’s cats came from her parental home in Lingzhi. They were large, big-***** mountain cats; strong animals with bear-like paws, short whiskered and big eared. Their coats were a glassy grey, the hairs tipped with a sprinkling of white giving the fur an impression of being wet with dew or caught by a brief shower.
       When she thought of her esteemed father, the Imperial Archivist, there was always a cat somewhere; in his study at home, in the official archives where he worked. There was always a cat close at hand, listening?
       What texts did her father know by heart that she did not know? What about the Lu Yu – the Confucian text book of advice and etiquette for court officials. She had never bothered to learn it, even read it seemed unnecessary, but through her brother Zuo Si she knew something of its contents and purpose.

Confucius was once asked what were the qualifications of public office. ‘Revere the five forms of goodness and abandon the four vices and you can qualify for public office’.
       For the life of her Zuo Fen could not remember these five forms of goodness (although she could make a stab at guessing them). As for those vices? No, she was without an idea. If she had ever known, their detail had totally passed from her memory.
       Settled once again in her chamber she called Hu Yin and asked her to remove Xi Ming for the night. She had three hours or so before the Emperor might appear. There was time.
        Xe Ming was by nature a distant cat, aloof, never seeking affection. He would look the other way if regarded, pace to the corner of a room if spoken to. In summer he would hide himself in the deep undergrowth of Zuo Fen’s garden.
       Tonight Zuo Fen picked him up and placed him on her left shoulder. She walked around her room stroking him gently with her small strong fingers, so different from the manicured talons of her colleagues in the Purple Palace. Embroidery, of which she was an accomplished exponent, was impossible with long nails.
       From her scroll cupboard she selected her brother’s annotated copy of the Lun Yu, placing it unrolled on her desk. It would be those questions from the disciple Tzu Chang, she thought, so the final chapters perhaps. She sat down carefully on the thick fleece and Mongolian rug in front of her desk letting Xe Ming spill over her arms into a space beside her.
       This was strange indeed. As she sat beside Xe Ming in the light of the butter lamps holding his flickering gaze it was as though a veil began to lift between them.
       ‘At last you understand’, a voice appeared to whisper,’ after all this time you have realised . . .’
      Zuo Fen lost track of time. The cat was completely motionless. She could hear Hu Yin snoring lightly next door, no doubt glad to have Xi Ming beside her on her mat.
      ‘Xe Ming’, she said softly, ‘today I heard you quote from Confucius’.
      The cat remained inscrutable, completely still.
      ‘I think you may be able to help me write a new poem for my Lord. Heaven knows I need something or he will tire of me and this court will cease to enjoy his favour’.
      ‘Xe Ming, I have to test you. I think you can ‘speak’ to me, but I need to learn to talk to you’.
      ‘Tzu Chang once asked Confucius what were the qualifications needed for public office? Confucius said, I believe, that there were five forms of goodness to revere, and four vices to abandon’.
       ‘Can you tell me what they are?’
      Xe Ming turned his back on Zuo Fen and stepped gently away from the table and into a dark and distant corner of the chamber.
      ‘The gentle man is generous but not extravagant, works without complaint, has desires without being greedy, is at peace, but not arrogant, and commands respect but not fear’.
      Zuo Fen felt her breathing come short and fast. This voice inside her; richly-texture, male, so close it could be from a lover at the epicentre of a passionate entanglement; it caressed her.
      She heard herself say aloud, ‘and the four vices’.
      ‘To cause a death or imprisonment without teaching can be called cruelty; to judge results without prerequisites can be called tyranny; to impose deadlines on improper orders can be thievery; and when giving in the procedure of receipt and disbursement, to stint can be called officious’.
       Xe Ming then appeared out of the darkness and came and sat in the folds of her night cloak, between her legs. She stroked his glistening fur.
       Zuo Fen didn’t need to consult the Lu Yu on her desk. She knew this was unnecessary. She got to her feet and stepped through the curtains into an antechamber to relieve herself.
       When she returned Xe Ming had assumed his porcelain figure pose. So she gathered a fresh scroll, her writing brushes, her inks, her wax stamps, and wrote:

‘I was born in a humble, isolated, thatched house,
and was never well versed in writing.
I never saw the marvellous pictures of books,
nor had I heard of the classics of earlier sages.
I am dimwitted, humble and ignorant . . ‘


As she stopped to consider the next chain of characters she saw in her mind’s eye the Purple Palace, the palace of the concubines of the Emperor. Sitting next to the Purple Chamber there was a large grey cat, its fur sprinkled with tiny flecks of white looking as though the animal had been caught in a shower of rain.
       Zuo Fen turned from her script to see where Xe Ming had got to, but he had gone. She knew however that he would always be there. Wherever her imagination took her, she could seek out this cat and the words would flow.

Before returning to her new text Zuo Fen thought she might remind herself of Liu Xie’s words on the form of the Rhapsody. If Emperor Wu appeared later she would quote it (to his astonishment) from The Literary Mind and the Carving of Dragons.

*The rhapsody derives from poetry,
A fork in the road, a different line of development;
It describes objects, pictures and their appearance,
With a brilliance akin to sculpture and painting.
What is clogged and confined it invariably opens up;
It depicts the commonplace with unbounded charm;
But the goal of the form is of beauty well ordered,
Words retained for their loveliness when weeds have been cut away.
Alyse M King Mar 2012
The moat was built to flood
Like a boychild that built his castle
To be destroyed by his whim
Controlled by the waves of emotion
And I am the tower
Crumbling beneath the forces
Of controlled nature
Like all mankind likes to believe
He can wield the sword of passion
To control
When he does not even understand
What makes it grow
But I am the tower
Built with the intent to let fall
Under a force you believe you can control
And I am left wondering
Why I allow myself to be such
Like sand
Malleable and weak
Yet everlasting in its sound
And
Still
you wonder why
I choose to try
To be like a stone.
Aabid Rumi Apr 2017
KOI AUR HAI
Tere  khaboon mai koi aur hai,aur tere sayee mai  koi aur hai
Kaisay tu dekhay hasrat mere,tu haqeeqat mai koi aur hai
Yeh dil kab tak arizoo karta rahai ,ab koi sabab-e-furkat **
Kaisay tu pehchaanay mere ulfat,tu zahir mai koi ,aur batin mai koi aur hai

Itrey sabnum ki tarah jalah hai mera daman bhi
Mai manzil ki jistu ju kya karoon, ab rasta bhi nazar nhi
yadoon kay samandhar mai dhoob chukka ab toh
Mai haar chukka hoon zindagi  aur ab toh moat bhi ati nhi

Bhulavou yeh gum kaisay ,dil ko kya dawaa doon bhar janay ki
Mai kyun nhi rub a ru khudsay  ,mai kon hoon  ya mujmai he koi aur hai

Faryaad bhi kya ** , naa ashinaa hai yahaan sabhi
Kis  mode pay kya  hogaye koi khabar nhi hummay
Mai toota huva taraa hoon mujmai ab wo  timtimhath kahaan
Lagta Aasmaan bhaag rahaa hai aur zameen fisal rahe ** jaisay

muntazir-e-humraah ** kya,jo rahai thi wo rahai he badhal gaye
Mud kay ab dekhoon  kya, akela rahai safar tha ya koi aur be hai
Mubarak ** tummay ab yeh jahaan dard baraa
Na mud kay kabhi dekhay **** issay dhoobara
Ab aur palkoon pay ashikay baar saha nhi jata
Laboon  pay ab aur bahaana bardast nhi hota

Waqt guzra hai, kyun naa mera bhi saleeka badhal gaye Rumi
Ab aur ranjishay nhi,bhula do ghar koi ghilla aur bhi hai
                                 written by: Aabid Rumi
                             suggested by:Tanzeelah Illahi
when believe becomes faith,life ruins
Mike Virgl Mar 2018
I was alone.
With the pitter patter

My solemn mouth
From a bitter shatter.

I still hear.
The waters eating waves

My hearts flutters
Reflecting the knave.

I had fun.
With another rosary

My soul asks,
"Was it just tonight?"

I dont feel.
I dont feel now

My passions stills
With a heart bow.

I feel distracted.
Why do I look?

My senses joined
As my brains crook.

I lose belief.
In self fufillment

My feelings pass
The path to sacrament.

I want death.
Upon my stimulation

My feeling gone
I give a libation.

I am tranquil.
Not sad, or desperate

My face is rational
As emotion is separate.

I offer myself.
And give peacefully

My ending, my soul
And my entire body.

To unlock the peace I found and to keep it forever.
Anthony Garcia Mar 2014
Ignorance is bliss
Uncertainty is hope
The things I'll never miss
Are what I need to cope
Don't say the things I dread
I'd much rather not know
They'll forever be in my head
And the pain will never show
I've no walls
But rather a moat
Should you fall
Hope that you can float
The only way out
Is to never have gone in
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
Zemyachis Jul 2012
Oh! Remember that time with the guy in the place?
He had a blue jacket, the one with the face?
We were walking some street, on a simple quest,
To find chicken nuggets, and a place to rest
We had just watched a tape, oh what was it called?
The guy had blond hair or brown? Or, was he bald?
People were jamming around the subway station
I wish I could remember, **** conflagration!

Or that other time, when we tried to surprise,
But clever you would already surmise
And we searched every crevice, of that jungle-y zoo
While lil’ wandering kinds came up to you
Because you had a cool t-shirt and we did not
I shall always remember that very spot.

Or that average day, specifics I’ll not say
That we were doing some papier-mâché
And days, or weeks, or months, or later
When, you had a dream about an alligator
(it was actually a crocodile)

I brought you a present, ever so small
And with a knife, shiny and tall
We designed a marvelous work of art
Who could imagine that it would explode apart?

Or that other afternoon, we spent in the prickers
Jumping over annoying brown stickers
And tossing around a-- , I’ll say no more
Who would care, we weren’t keeping score
As red, yellow, orange were falling from above
Because we made them with a shove
And bagels and comics were lying around
As TV commercials played in the background

Hey, remember those times when we were so little
At the front desk, my head came up to the middle
When there were only “original” Pokémon
And you had a different house and lawn
I miss our games of trust, they were lots of fun
When all that we did was laugh and run

I remember drinking tea in the outside air
And sitting in a big red van praying for God us to spare
I recall “Sand” and flairs and quote
As we were digging our pirate moat
I enjoy our profound discussions and your denial
Of us doing anything but homework, while
We **** each other in the asphalt road at night
Act ridiculous in all the sight
Of people at Food Max, and you are jealous
Of old guys jogging, what befell us?

When Catherine is dancing with Russians and hasn’t energy to type
I will mumble under my breath and force her to skype
I know we both suffer without her sarcasm, bright
Your melodious tone is absent where you guys used to fight
Ah! Fond remembrance of backstage flashes
Of hairspray stiff wigs, sticky floors, and sweat on mustaches

Some day we will look back on all we have done
And think of each smile, each day under the sun
We’ll tell horrid stories to all of our kids
Of hiking through snow, eating rocks and some twigs

Somewhere, in that place, where there is no time,
There still is no Starbucks to spend our dime
But I think that now will be better than then
If we only can forget the “how” and “when”

There is no one but God who gets you and me
For who would subscribe to our philosophy
As we laugh half an hour over a crime just planned
Or a stupid movie that we watch “On Demand”
I think to myself, as red eyes fill with pus
That no one else thinks quite like us.
11/13/10
“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!
Mike Hauser Aug 2013
Straight out of prison
Wondering what I've been missing
Right out of the gates I stuck out my thumb

A van load of hippies
All from Mississippi
Stoped and asked, hey dude...what's going on

I'm here for adventure
Well hop in then Mister
Adventure is what we're all about

Now where we're all going
There's no way of knowing
A van of hippies and parolee freshly let out

We ended up in Disney
Me and all of the hippies
Where we had caboodles of fun

We met Mickey and he saw it
When I lifted his wallet
Now we're in the Magic Kingdom all on the run

We split in different directions
To throw off detection
It's A Small World is where I made my mistake

With that song stuck in my head
It's a fate worse than death
Prison now sounds like a wonderful place

We rendezvoused in
The Pirate's Of The Caribbean
Where soon after, in came the law

We all jumped from our boats
Splashing around in the moat
And had ourselves a good old fashioned pirate brawl

We soon made our escape
Out of exit door 88
Finding ourselves in Frontier Land at night

Where in the middle of the street
Were Mickey, Donald, and Goofy
All with guns strapped to their sides

We ran into a shop
And bought guns on the spot
All with Mickey's money...he's a mouse of a man

Mickey squeeks we're going to ruff you up
As Goofy holds up the cuffs
And Donald says something we can't understand

We had a shoot out
With cap guns no doubt
After all Disney runs a safe place

Ran out of caps in our guns
Which stopped our lives on the run
The wrath of Mickey we all now would face

After justice's hammer
I'm now back in the slammer
This time I made my own prison bed

Now I cry every day
What more can I say
With It's A Small World still stuck in my head
Leal Knowone May 2016
WOULD YOU RATHER DIE BY THE MOAT AROUND THE CASTLE, OR BY THE ***** OUT IN THE RAIN?
TORN APART BY THE TERROR OF THE WATERS,
OR BY THE JAWS OF THE ENSLAVED?

Lets reek havoc, we can all take turns
annihilate the whole human race
let us watch this ******* place burn
an eye for an eye, a mangled face
an eye for an eye, a mangled face
destroy this whole decrepit place
decimation of the known race
Lets reek havoc, and see the toll it takes

WOULD YOU RATHER DIE BY THE MOAT AROUND THE CASTLE, OR BY THE ***** OUT IN THE RAIN?
TORN APART BY THE TERROR OF THE WATERS,
OR BY THE JAWS OF THE ENSLAVED?
WOULD YOU LIKE TO STAY TO SEE YOUR GOD DETHRONED?
TO SEE THE CHANGE IT BRINGS?
DO YOU WISH TO HEAR THE WARRIORS OF THE APOCALYPSE, AND THE SONGS THEY SING?

SOME PEOPLE JUST WANT TO SEE IT ALL BURN
TO TEAR IT DOWN AS THE WORLD TURNS
REEKING HAVOC ON THE WHOLE **** PLACE
DESTROYING HISTORY LEAVING NO TRACE

COME ON BACK TO THE WALL AND SEE IF THEY'LL LET YOU IN. GO ON AND ROLL THE DICE, AFTER ALL ALL IT IS YOUR LIFE MY FRIEND
GREEN MEADOWS YOUR BODY LIES BELOW, HANGING BY A THREAD ON THE END
IT WAS REALLY OVER BEFORE IT ALL BEGAN.

DO YOU WANT MISERY TO JOIN THE WORLD NO LONGER ALONE?
TO FREE THEIR TROUBLED SOULS?
DID YOU THINK YOU WOULD ESCAPE YOUR DEMISE
YOU MUST PAY THE TOLL
THERE IS A PRICE FOR LIFE, THAT YOU'LL SOON KNOW
YOURS IS THE LIFE I STOLE.

SOME PEOPLE JUST WANT TO SEE IT ALL BURN
TO TEAR IT DOWN AS THE WORLD TURNS
REEKING HAVOC ON THE WHOLE **** PLACE
DESTROYING HISTORY LEAVING NO TRACE

THIS IS NOT ONE OF THOSE THINGS

WOULD YOU RATHER DIE BY THE MOAT AROUND THE CASTLE, OR BY THE ***** OUT IN THE RAIN?
TORN APART BY THE TERROR OF THE WATERS, OR BY THE JAWS OF THE ENSLAVED?
Batya Apr 2013
All your life, you've wished for wings
While I've learned the notes the ocean sings.
To stroke the sky where it hugs the shore,
To ask the waves if we've met before.
You took your first flight as I was learning to float,
You build yourself a catapult, I dug myself a moat.
Both our hearts are equally blue,
And neither one has learned to hide.
Like lovers' eyes, you're lost inside-
Intoxicating, infinite, new.
We'll gallop together on common ground,
Sea horses with eagles true love have found.
No wind nowhere, dear, ever behaves,
The sky weeps tears and the sea laughs waves.

Where sky meets sea at the end of the world,
Where they kiss and intertwine to the beat of their song,
With the sun as a lone fiery partition,
That's where we belong.
Moriah Harrod Aug 2012
You were sick, and we stole all the stars for you. Placed them in our knapsack and traveled all the way up the mountain at midnight. We let the stars out into the very tip-top of the stream, the very point of origin. At the bottom, you sat with your camera and captured the stars making there way through the stream to the very bottom. Before we left, I was sure to add a large portion of the stars back into my knapsack. I didn't want this to be the end of the stars. The picture was beautiful, breath-taking, and we put it in the largest frame we could find in the living room.

Before that, we'd stolen all the music for you. We gathered a big, mesh net, with large holes, and stood along the border of the place where songs play. As they traveled, we swept them up. The prettier the music, the bigger notes, so we caught only the most beautiful of sounds. We made a moat around your house and placed these melodies inside. When we stole the stars, I added the few from my knapsack into the moat as well. The stars sparkled and the melodies resounded and it was a place of peace.

Lastly, we found the feelings. We went to the building in which tension ebbs and flows like the aromas of sweets at the bakery. They were colored with the connotations they implied. We hand-picked the peace, the passion, the joy, the gratitude. They were green, purple, orange, and navy blue. To balance it out, we picked up red anger, black grief, and white innocence as well.

We came home to your moat and poured them in. The sight and sound was beautiful. We were finally finished. We had helped. This was going to be enough to fix you.
Vicki Kralapp Aug 2012
The night is closing in as the rain is drumming on the drain outside.
Long streaks on the window run like tears down my cheeks
reminding me of you.

The oneness of being alone is swallowing me alive,  
eating me from the inside out,
from my heart to the arms that once held a love.

I am struggling to make it through the puddles
and the moat that has wrapped itself around my heart;
afraid of getting wet again, afraid to get hurt.

The cold and damp have camped out in my soul,
without the warmth of the fire of love
to keep me warm.

You moved me to take a chance and make a change
scaring the hell out of me along the way.
I should have listened to the voice inside  
and stayed away.
All poems are copy written and sole property of Vicki Kralapp.
(Descendant of the Eight Small Furies)

Cold frigged and wet but not icy and not yet. Two laborers at docks
find camaraderie in talks, tho’ their neighbors bustle by as they unload shipping stocks,  

For the kinsfolk miss a nothing a light mist of breath when huffing.  
The women like to pout as the crassy men do shout, shine on awhile whistling, Inn-keepers at shops coo their bristling and Old Wicca ones seen hissing from low, low talk in whisperings,

Although the morning bright the seas are high and not retreating, weather cool and fleeting, the peoples sounds a blend of bleating, as wily sheep would gather to speak about a matter for it is not the people’s spoke of that draws faint sorts of blather.

On this day...rains are much to rather, feigning raspy talons cloaked in chatter and from stores to shores to boat, seas, lakes, lochs, bridges over moat, not as to say they gloat, or ramble to invoke which fear of and from it stoke the gossip on one surly bloke…

For on this day everyone is talking in this seaside town in Eire. A hero undone by gossip but none can be called a liar. For about whom and what of -a man of such great fire.

Celebrity renown, born and raised but not settled down. Within its boundaries a-proper but of such character to copper, to change tasty meat to fat and bone, awe in disposition down to tone, mind boggling this gent whose life god gave as a gift of own.

In a perplexity of fright, brought tragedy each night and none could get away, from the obvious decay, due brutal awful fray, to make a beast from a shining dove, what the hell was God thinking of?

The crisper ears do so hear though not quite enough to whet, the imaginings to happenings they speak about just yet.  So hastily move spies, as I tell you of the sighs, the indignity and pride, swallowed with a town’s growing angry tide,

Upon this night so they see a man, creep who once the pride of Dan, loved more above all here in Tan, his birthplace this old briny-land but lately fondness on the wan, oh here he comes to close in again, to wane and wax vaudevillian, end up by dark a plain villain, as his face turns a shade of vermilion, electric ghost of Kirlian, eclectic host of deviling and calculated mind disheveling,

Pumped of mead or whiskey arguments are risky. Against his manner and girth, intoxicated nature -or mental worth. Sheer size attests his power, muck and mirth to fallen valor, the change is said to wow us, proven brute against all prowess, as such preferred and fight and such to nightly fright,

Béarthr is this man of once, of promises found to be just fronts, hanging around a town's high perch…though seen at the bar as sulk and lurch, or testy to some called a sailor who know not the fear of old dear Balor?

Sullen rent asunder, quick to wit when buntered, try with fists this skunkard; you brought low as a punter, hail to hell with such a drunkard! To stand and watch in awe, as blood and cracks and calls with cries and screams at falls, at doors torn from building halls, no end or stop to pause, sheer terror fighting brawls with fists he lays the laws, a violent testament to theater,

The burly beast named Béarthr!

Eight levels down to hell with him, each evening a town made grim but not tonight and nevermore, a double barrel out missing door, a silence from frosty place our cavern and dead beast felled on floor of tavern!  

If you find yourself frisky one night and driving through our Tan. If you’ve got salt are brisk for fight and hold your weight in sand…
…then make your way to such a place, renowned for such a meter,

You’ll find a name above the door;

O’ Ochtar beag the Béarthr!
Old English-style rhyme. Béarthr is Gallic and pronounced, "Be-ate-tor."
genetic poetic Sep 2014
Listen close, hear the queens cries?
I wonder why I despise her blue eyes?
Rise and shine my wonderful bride,
Today's the big day,
Today you will die inside, so try to hide,
It cuts like a knife through everyday of your life,
I wonder why the king has no wife,
Cross the moat, buried remorse
My heart won't float, couldn't get any worse.
I.

I cannot choose but think upon the time
When our two lives grew like two buds that kiss
At lightest thrill from the bee's swinging chime,
Because the one so near the other is.

He was the elder and a little man
Of forty inches, bound to show no dread,
And I the girl that puppy-like now ran,
Now lagged behind my brother's larger tread.

I held him wise, and when he talked to me
Of snakes and birds, and which God loved the best,
I thought his knowledge marked the boundary
Where men grew blind, though angels knew the rest.

If he said 'Hush!' I tried to hold my breath;
Wherever he said 'Come!' I stepped in faith.

II.

Long years have left their writing on my brow,
But yet the freshness and the dew-fed beam
Of those young mornings are about me now,
When we two wandered toward the far-off stream

With rod and line. Our basket held a store
Baked for us only, and I thought with joy
That I should have my share, though he had more,
Because he was the elder and a boy.

The firmaments of daisies since to me
Have had those mornings in their opening eyes,
The bunchèd cowslip's pale transparency
Carries that sunshine of sweet memories,

And wild-rose branches take their finest scent
From those blest hours of infantine content.

III.

Our mother bade us keep the trodden ways,
Stroked down my tippet, set my brother's frill,
Then with the benediction of her gaze
Clung to us lessening, and pursued us still

Across the homestead to the rookery elms,
Whose tall old trunks had each a grassy mound,
So rich for us, we counted them as realms
With varied products: here were earth-nuts found,

And here the Lady-fingers in deep shade;
Here sloping toward the Moat the rushes grew,
The large to split for pith, the small to braid;
While over all the dark rooks cawing flew,

And made a happy strange solemnity,
A deep-toned chant from life unknown to me.

IV.

Our meadow-path had memorable spots:
One where it bridged a tiny rivulet,
Deep hid by tangled blue Forget-me-nots;
And all along the waving grasses met

My little palm, or nodded to my cheek,
When flowers with upturned faces gazing drew
My wonder downward, seeming all to speak
With eyes of souls that dumbly heard and knew.

Then came the copse, where wild things rushed unseen,
And black-scathed grass betrayed the past abode
Of mystic gypsies, who still lurked between
Me and each hidden distance of the road.

A gypsy once had startled me at play,
Blotting with her dark smile my sunny day.

V.

Thus rambling we were schooled in deepest lore,
And learned the meanings that give words a soul,
The fear, the love, the primal passionate store,
Whose shaping impulses make manhood whole.

Those hours were seed to all my after good;
My infant gladness, through eye, ear, and touch,
Took easily as warmth a various food
To nourish the sweet skill of loving much.

For who in age shall roam the earth and find
Reasons for loving that will strike out love
With sudden rod from the hard year-pressed mind?
Were reasons sown as thick as stars above,

'Tis love must see them, as the eye sees light:
Day is but Number to the darkened sight.

VI.

Our brown canal was endless to my thought;
And on its banks I sat in dreamy peace,
Unknowing how the good I loved was wrought,
Untroubled by the fear that it would cease.

Slowly the barges floated into view
Rounding a grassy hill to me sublime
With some Unknown beyond it, whither flew
The parting cuckoo toward a fresh spring time.

The wide-arched bridge, the scented elder-flowers,
The wondrous watery rings that died too soon,
The echoes of the quarry, the still hours
With white robe sweeping-on the shadeless noon,

Were but my growing self, are part of me,
My present Past, my root of piety.

VII.

Those long days measured by my little feet
Had chronicles which yield me many a text;
Where irony still finds an image meet
Of full-grown judgments in this world perplext.

One day my brother left me in high charge,
To mind the rod, while he went seeking bait,
And bade me, when I saw a nearing barge,
****** out the line lest he should come too late.

Proud of the task, I watched with all my might
For one whole minute, till my eyes grew wide,
Till sky and earth took on a strange new light
And seemed a dream-world floating on some tide -

A fair pavilioned boat for me alone
Bearing me onward through the vast unknown.

VIII.

But sudden came the barge's pitch-black prow,
Nearer and angrier came my brother's cry,
And all my soul was quivering fear, when lo!
Upon the imperilled line, suspended high,

A silver perch! My guilt that won the prey,
Now turned to merit, had a guerdon rich
Of songs and praises, and made merry play,
Until my triumph reached its highest pitch

When all at home were told the wondrous feat,
And how the little sister had fished well.
In secret, though my fortune tasted sweet,
I wondered why this happiness befell.

'The little lass had luck,' the gardener said:
And so I learned, luck was with glory wed.

IX.

We had the self-same world enlarged for each
By loving difference of girl and boy:
The fruit that hung on high beyond my reach
He plucked for me, and oft he must employ

A measuring glance to guide my tiny shoe
Where lay firm stepping-stones, or call to mind
'This thing I like my sister may not do,
For she is little, and I must be kind.'

Thus boyish Will the nobler mastery learned
Where inward vision over impulse reigns,
Widening its life with separate life discerned,
A Like unlike, a Self that self restrains.

His years with others must the sweeter be
For those brief days he spent in loving me.

X.

His sorrow was my sorrow, and his joy
Sent little leaps and laughs through all my frame;
My doll seemed lifeless and no girlish toy
Had any reason when my brother came.

I knelt with him at marbles, marked his fling
Cut the ringed stem and make the apple drop,
Or watched him winding close the spiral string
That looped the orbits of the humming top.

Grasped by such fellowship my vagrant thought
Ceased with dream-fruit dream-wishes to fulfil;
My aëry-picturing fantasy was taught
Subjection to the harder, truer skill

That seeks with deeds to grave a thought-tracked line,
And by 'What is,' 'What will be' to define.

XI.

School parted us; we never found again
That childish world where our two spirits mingled
Like scents from varying roses that remain
One sweetness, nor can evermore be singled.

Yet the twin habit of that early time
Lingered for long about the heart and tongue:
We had been natives of one happy clime
And its dear accent to our utterance clung.

Till the dire years whose awful name is Change
Had grasped our souls still yearning in divorce,
And pitiless shaped them in two forms that range
Two elements which sever their life's course.

But were another childhood-world my share,
I would be born a little sister there.
Got Guanxi May 2015
One year on....

My Nana has unfortunately passed away after a valiant fight against cancer. In this passing we have lost a lovely woman who meant the world to our whole family. Me and my cousins affectionally called her 'straight Nana' as when we were younger we were lucky to also still have our great gran around who we called 'curly Nana' this was based on the fact that Nana Pauline has Straight hair and her mother had curly hair. In all my years I've have never heard even a choice word said against her spirit or character which is truly a rare commodity in this day and age.



She lived a full life and had three amazing daughters and a step son who she raised as her own. Thirteen grandchildren one being myself and five great grandkids. Thankfully we recently all got together and she was able to see her whole family together for the first time. I could see how happy it made her that day to see the legacy she had created and more importantly that we all were in a good place before she left us for the final time.



'May the wind always be on your back and the sun always upon your face and may the winds of destiny carry you aloft to dance with the stars '



My mother was very young when she had me so the support that my Nan gave her as I grew up was vital. Without her me and my mum would of struggled but we always had a safetynet of support that we could rely on that was invaluable to us both. I know this notion is appreciated by my aunties and cousins too. We all share our own individual special memories as well as collective moments too that we will never forget. I would appreciate it so much if anybody has any memories stories that they wish to share as I know they will help us all as a family as we cope with this difficult time.




Cara: ". I once mistakingly rang there (labour club) instead of nanas house looking for mum, nana answered anyway, and passed me on to mum! Good job I got the wrong number! 



Her husband John is a great man who was with my Nana for her last 20 years. He is a part of our family and I hope he knows that we will always be here for him and I look I will look forward to his Sunday Dinners in future and having a beer in the back garden in tribute to our usual routine. I know I'm not alone when I say we are always here for you and we love you
and respect you so much. If you ever need anything please do not forget that.


She had a a gift for poetry that was exposed when she made her way to Facebook. I would always giggle at the little dittys she would loving, yet embarrassingly post to our Facebook walls with affection, nailing little pockets of the personalities of the protagonists each time she wrote them. Reading back some of these small potent poems know I smile as a proud Grandson and I'm happy we will all each have our own little prose to refer to in the future. 




From Moat Road, to Winterslow Avenue, Clover  Croft and finally your home in Widnes - I'll always remember each place fondly for reasons as they represents different periods of my life as I've grown up. My blue bear and parties, your back garden at Moat Road. Snowballs and magic tricks, teddy football at Winterslow Avenue. Clovere Croft was a place of refuge in my teenage years, your naughty rabbits and old school cooked dinners and misbehaving Malig. The dog who you took in and never left your side. The Labour club, where you worked hard and played hard! The beautiful garden you have created that will grow and remind us of your colourful nature as the flowers grow and bloom each year. I know John will tender them with care and think of you with a smile as he listens to smooth FM and remembers all the great times that you both spent together there. 



'if winter comes can spring be far behind?'



As a woman she was truly beautiful, a short stunning blonde. Her three daughters each different in ways but each a  reflection of there mother in their own unique ways.  Looking at them now they are all testament to her gorgeous genes and gentle, kind nature.



Nana was the most amazing crossword completer I have ever met. I was consistently surprised by her ability to finish these crosswords as she watched daytime TV and it was one of the small funny things that made me really proud of her. She filled in the gaps that was synomomus to her life.

Each of her daughters have fought through hard times and she provided a back bone of support that helped them reach the stability and happiness in their lives today. I know she said to me personally how she had comes to terms with her fate and that she was especially happy my Aunty Julie has found happiness with a good man like her sisters. I feel this represented the final piece to the puzzle for her and as usual she was able to complete this before she left. She took great solace in this fact - and so she should. It made me feel a small element of contentness when she told me this during one of our last conversations together.



To all my cousins now is the time to step up and being there for your mums. I have no doubt you will be.  I am proud of you all and you all have a special place in my thoughts. You all have great qualities and potential and it's been a pleasure to watch you all grow up into fine young men and ladies, even mothers.  Please never hesitate to contact me if you need to talk or share your thoughts. I know we will remain strong as a unit and we will get through this tough time together as a family!


In closing I want to thank my Nana just for simply being her. I will hold you in a special place in my heart forever and you will never be forgotten. Each Christmas I will toast you with a Jack Daniels (Nan would always buy the guys a JD related present every year) I will never taste that whiskey again without a passing thought for you as it passes my lips. I know I will not be the only one with this sentiment.

Even as a close family - I still hope this brings us all together and that we use this experience to better ourselves in our own personal ways. Fight hard to reach your potential and stay true to your essence and the person you desire or have chosen to be. It's these times that expose what really matters to you - embrace those thoughts and do not lose them in grief or forget them in time.

I am so proud of you.
Goodby Nana. I love you.
Your Grandson,
Nathan x
this was difficult to revisit but it's important to remember those you love most and don't take a fleeting moment for granted.
LifeBeauty13 Dec 2015
Being sick, isn't it lovely,
Sore, scratchy, throat,
Body feels like I'm stuck in a moat.
Boy I feel great more chicken soup please,
No... I want popsicle's, why am I hurting in my knees?
Please take care of me I say with doe eyes,
Who was the Knuckle Head who gave me this dripping surprise?
You? Husband? Oh...by me you will meet your demise.
But before that rub my back and get a new revise.
cheryl love Jun 2014
It is my legs
My shopping bag
my companion
My float,
The two oars
My extended arms
Parting the water
In my little rowing boat.
We get there eventually
There are complaints on the way
But we ignore those and soldier on
Loweing the drawbridge in the moat.
Tricky I grant you, in your best frock
No man to help, just me, and my pal.
Keep calm, our motto, or we do rock.
Frothy waters jet up our way
Every now and then
It is like the rivers lets rip
Pulls out its cork to say "when"
Turbulance, oh yes, it is a scary time
The boat behaves like it's on the Irish Sea
Stiff talkings to and patience then it is fine.
We sail to the bank oh its a stone throw away
We disembark like a liner on the ocean
I tie it up to the nearest tree
Walk off through the wood in time for tea.
Piling the two carrier bags on board
It is chocs away into the moat
Back to the castle we go, my home,
To rest, me and my little rowing boat.
Sally A Bayan Jan 2017
(a temple complex)

The ruins seemed indomitable than ever,
the concrete walls looked like they'll survive
no matter what...
the tree trunks are gaining more layers
getting taller...wider...older,
aging doesn't seem to bother them
their spirits live on, and rule
generation after generation...
i believe, even the moat that surrounds,
and safeguards the temples,
has its own spirit as well...

my hands touched the concrete walls at Ta Prohm
all felt strong, and unconquerable,
and i thought of my own human walls
i have fought, i still fight...they must not crumble...
i struggle...so my walls wouldn't fall
when a huge steaming net of uncertainty
melts my confidence, and a strong fever enfolds me,
and possesses me...

i saw those monks, unburdened, seemingly bold
walking lightly, sweating, while their soft orange clothes,
moved with the gentle breeze that blew from the moat
cooling whoever,  whatever was about to implode...
i thought, the blending of the heat and cold
could delay, or counter the breaking of any wall...

during that moment of scorching heat,
anybody could've given in...the wind was so cool
i almost jumped into the King's Pool
The vast moat surrounding the temples
kept beckoning...to anyone, to me, to play the fool...


Sally


Copyright January 29, 2017
Rosalia Rosario A. Bayan
(lyrical outbursts while driving around... breathing high and low within, ...walking up and down, in and out, of the Angkor Wat and Ta Prohm temples...)
LovelyLittlePoet Oct 2016
Bird looked in the moat
In the moat he saw a boat
In there was a goat
Jay M Wong Jun 2012
What is a word, when one can mean two?
What is the alphabet without the I and U?
What is a ship that fails to set a’float?
What is a heavenly castle without its moat?

A ship can fight the storms, upon its decks, brew,
Until the day its faithful crewmen bid adieu.
A heavenly castle can maintain its own little moat,
Until overtaken for the newest King’s name rote.

A single man can still spell his thoughts aloud,
Without that U and I; with twenty four allowed.
Neither do we need not to speak a’mind.
Neither do we need not to when all is blind.

And the word “love” needs not neither I nor U,
Yet, we need the given two to speak a’mind true.
The truth be told, must we use this single word,
But as a single, its meaning is but blurred.

Must we take this word deeply into the heart,
And barricade it with merely two more apart.
And so, must we need these characters: I and U,
So it starts one and ends the other. Adieu.
A poem that tries to say I love you, but can't.
Penny Iloa May 2018
Please release your humble fear.
The road ahead is windy, yet clear.
The pedestal I built for you is high, indeed... To protect my love from all evil creed.
I have dug a moat around it too,
To drown the sorrows that still haunt you.
Take another look and you will see, the pedestal was intended for only me.
Amateur. I appreciate you reading this.
In the meantime in the Állos kósmos or Ultramundi, Wonthelimar after hearing the speeches and paragraphs of the speakers saw from paradise how Calypso Lepidoptera appeared, approaching in great magnitudes on the dry land on the banks of the blue and golden stones of Skalá. In torrents of rushing from the water-sky with wind-water, by geomorphological hydraulics of the collapse of the irresistible capacity to harass each other in the ears of Seleuco's dialogues, after they piled up in the sneaking curds of him on the island of his speech. Right there it settled from the koelum or sky of the Lepidoptera from the Orofí or ceiling, on the natural arches of aeolian erosion and its devastating plumage, appearing in the subaerial splendor of Chauvet and its gloomy darkness, changing the morphology of the bank of Skalá turned into enchanted turquoise light also with Calypso nuances. From here Wonthelimar obscures the circumflex arc or circumflexes, which pierced and eroded the surface, piling up the ex-generals of Alexander the Great, to skewer them on the stump that was languidly seen supporting them, after the tides of Lepidoptera that avalanche in destined per capita towards the destined underworld of Wonthelimar.

Wonthelimar was separated from everyone by the moat that was separated from the gods of the surface, but now where the supporters of Seleucus were predestined by imbibing themselves in the bilocated kingdom of Chauvet and its darkness, where they were put into agreements of suitability and clarity of words discursive for the eagerness to persuade his major general. But they all fell into the middle of a dark Ultraworld, judging themselves to be dying in stockpiles of biosystems where no one helped them and gave them some indication or diagnosis of being separated from the canopy that drained them from spectral affairs, speaking as vivid visions of benefits and sovereignties that escaped from themselves without contemplation or quietism of the human race, which procreates xenophobia to kings without throne or nation. Under the Attic, calendar were the months here were only eighth, Anthesterion, received them with the name directly of the main festival celebrated in this month, Anthesteria. In goods of name contests in the semester of Pyanepsia, Thargelia, and Skira where they were relatively significant, in some of the greatest celebrations in the life of a Polis, which is not recognized in the name of the month. Some sparkled in the sound of the Great Dionysia celebrated in Elaphebolion (ninth month), and the Panathenaia in which they are only indirectly recognized in Hekatombaion (month one), named after the hecatomb, of the sacrifice of "one hundred oxen" celebrated at night. End of the Panathenaia. This is where the suspicious fondness of both families of Seleucus and Alexander the Great differed in the accent that marks the written line of the infra Polis, where the leaders of Haides or Hades are lost, for the purposes of Aïdes, as not indivisible, but with the presence of Wonthelimar, who is invisible but epically static on his balustrade in all the rings that chorally wore them for each patronage of the diádocos generals, even so he had betrayed the Hellenic legacy, by a Hellenic-Orthodox one in the disappearance of Alexander the Great in Babylon without knowing that it had been rescued by Wonthelimar, surpassing the limits of the rings of stefánes ibix, or Aros de íbiz, as nano kvantikoí daktýlioi, quantum nano-ring that augured to sensitize the dermis of its carpal phalanges, from the eighth, Anthesterion to Elaphebolion (ninth month), minus the one hundred and twenty days of gestation in a month of the attic of imníbiz, that it was of wise advice to receive him in the new engend rivers of Wonthelimar in the depths and bundles of marrow with gestation forms of an Ibex goat, with their embedded bases of stalagmites, filing the meaning of each life that was lodged in the depths of the caves and its opacity. The Eygues of Valdaine was the Acheron, but with half the deceased who sat in rows and unleashed their laurels that possessed poor aids tormented by mandrake root hands.

The underworld was a swamp that covered the heels of the diádocos in the immense blackness of the cavern that wounded them one and the other with its Kopis, by more than a hundred blows and slashes that covered them with mud and moans in their buried half bodies. That they had been intruded from linear entrances to the underworld of Wonthelimar. In the thick musts of the quagmire where objects with ornaments of fear and cavalier materiality lay, such mangrove deserts satiated with gloomy fibromyalgia and amnesia, refiguring in the wandering bones, that sinned in lights and destinies that were adopted in the sub-world with incorporeal needs., more than the exhaustion that tore the skeletal muscle of each one behind the meager compromise openings, in the strong ligaments of the host Wonthelimar that took them at forced steps towards paradises where there will never be consciousness from a Theseus typology, but from a sub taxonomy - Verthian mythological, for purposes and among others that unleash it by propelling self-infernos that are not those born by a Macedonian force or Satrap into puny kings turned into a servile, mute and decayed.

It is necessary, that solitude of all the entrances from the abyss into which they fell, was titanic and of ultraphobic acquiescent inspiration, and in the acid gestures of search of Persephone or Aerse that in random gestures fled from their persecutors, like females who ended fleeing from themselves falling into the back room where the end of souls is never exceeded or Psyché re emigrating from the punishments of a satire or a static that resulted in a ghostly wandering, or in tendentious spinners that tribulated in belated bundles of repentance. From primitive times, subjugations have been longed for in kings who would never think of leaving their cracks and washing their hands behind the backs of others who stood by, leaving the courage to lose themselves in the perversity of a body deposited in the Tartars, having to give them their prehistoric debts and meadows of carpeted debts and caged rooms.

The generals commanded by Seleucus walked barefoot along with the stump that wounded them in seams for their plantar areas, and in extreme distress, they did not dare to ask mercy from the cave host who transported them through the deep pit of perpetuity, where the frigid bullet of angina of Wothelimar, filled them with memories that protected their survival. In unworthy caprice and watery *****,… it ran frivolously down their legs, even after each impulse to recover the flashes of estimating being scared of oneself, after finding dead fruits subsisted halfway, feeling voices from the origin of the abyss that I quoted them.

Etréstles says: "Mashiach allow me to enter this grave, I do not know if I should go to rescue them, because I know what will happen..., I only ask that if I enter with courage, help me to find the same light of the exit, with the same memory of not to waste arrests, and not to lose myself in my entrustment by those who I know will not return”

Behind some Sabine poplars, it is seen how the elytra of the Lepidoptera were opened for those who crossed from the darkness without the appearance of their fruitful eyes that tickled praises of surrender, and not of ibid in the ibid that surrounded them, as if they were violated that heal at the moment when their faces departed from the miracle of privacy, and from the solitude decreed of non-existent company, companionship calming any dogmatic symptoms and hypoxia that the glimpse of the Eygues and the Acheron left them, further behind in which Saint John the Apostle and Vernarth, Reader and Petrobus to bring Etréstles back.

Saint John the Apostle says: “Vernarth go for your brother,… he wants to protect the souls of Seleucus and his comrades, go soon because there is little left to fill them with darkness which will even besiege in their reasoning and anti homelands that will not be from the din of the campanile, out of tune with joy that runs on the graces of the gift that frees you from the worst virus by not being anti-viral… ”.

Vernarth replies: “Etréstles is the slogan of Erebus, perhaps of Bumodos…, I have to stop him for his profession, since the comrades of Seleuco will not return, the effigies of Wonthelimar have made them of his children in Ultramundi, and what is Solstice of the underworld, it is only a small Sun that fits in the buttonhole of the orthogonal slot that confines it”.

At that time Raeder paraded where he before they reached the omega of the gully pit, running swiftly over the eyelets of Wonthelimar, leaving both completely naked, to tear them away from the contrived spell and bring Etrestles back all the way together and running., but both stripped of lightness and acceleration escaped from the centripetal bodies. After the tortured walls of the pit, they no longer supported themselves in their Skotos or Erebo of Wothelimar in such a primordial deity of this theogonic and fantastic event in the bilocated cavern of Chauvet in Skalá. Here all the densities and units of physical genres, from above and below surrounded them in the thick sulfur atmosphere, Ananké in such a goddess of inevitability ran after all who tried to reverse the situation of the diádocos, for the purpose of consenting their paragraphs Hellenics and to save their lives, but the mother of the Moiras went behind Etréstles and Vernarth along with Rader and Petrobus who were basking in the glow of Persephone that imbued them as they stagnated drinking mead with the Canephores who followed him. From this cryptic moment or from the bombastic insignia of Crete, Kanti's trotting from his Cretan figure was felt united with the Lepidoptera Calypso, redeeming Demeter from her crying on the edge of some Bern olive trees, emptier now that the last gradients of the agonic and venous voices in the hilarious of some diádocos that were completely absorbed by the benevolent illusion of Wonthelimar, snowy in the harrowing tenuity of his gestures and of the great Iberian that took them towards the heights of the hillocks and towards the Ultramundi that It turned them into proles of the mountainous areas, and into super aquatic monsters with thousands of loose eyes in the arches of the generals bleating, which transposed ****** subjugations of primal deities, and philastics of phantasmagorical genres of Hellas that is plucked from the peritoneum of their stomachs, and that guttural eradicated them from the blue adrenaline of Apollo.

This odyssey dispelled the orthogonal lines of the poetic affliction of those who could see the sunset and the Spyché ***** that antagonized Ananké's numinous efforts to extubate them, and perhaps exile them to the Theban plains to graze Achaeans of the first degree alongside Shamash. Lamenting of young afternoons and of the abysmal with beautiful hair of the generous of effects, swampy and of feverish Hadesian or Hade's rounds that crippled their districts, they emanated from some Marie Curie junk and vapors radiating this Parapsychological Quantum to them from their own holy final body., for a virtuous and rout of the Ultramundis of Wonthelimar.
Wonthelimar Ultramundi
Nat Lipstadt Sep 2013
New Moon Melange

(for Harlan Rivers originally,
and now for Aparna,
who reminded me
how I used to write
in the golden era of
seven years of plenty, so long, so ago...)

                         <>

The softest cotton,
Wears ever softer with every use.

Contemplative introspection,

Like digging a castle & moat in the sandy beach,
You dread and joy, the knowing,
Incoming tide will arrive destructive inevitable,
Yet fill the moat, protect the kingdom,
Till is undone and returned to the blocks of minuscule,
Grains of sand.

Answers found, maybe lost, once more,
Necessitating questioning, non-stop processing,
And a rebuilding tomorrow... Pas de choix

But softer each time, easier with practice.

Even if convoluted, it is still a revolution.
Like twelve new moons, recycled.
(occasionally a lucky thirteenth appears)

Some of us are special chosen,
To essay, to assay, the condition human,
With a rock axe, tiny slivers chipped off,
And yet new moon stones uncovered,
needy of Cataloging,
introspection,

You can change the day,
The month,
The moon twelve, thirteen times,
Hell, You can change your **** hat,
But don't fool nobody,

You are one of the special,
You job to paint the verbal paintings,
And to ascertain the meaning interior.

For in doing so, you do all of us service.
For your eyes see it ever so differently,
For you, task, paint and reveal each
New Moon’s Melange,
your unchosen gift.
to you
Responsa to "Mindfulness Mélange"
re-reminded by Aparna June 25, 2020
Rain forest warm,
predicting a storm,
hippos, giraffes and more
Parumping the water hole.
didn’t take us long, to slap a crown
on a fools heart.
Everything the light touches
made the lions cold.

had to many sad boys in your bed.
(To tune of: Nants ingonyama bagithi baba from: Lion king intro)

Moat of toys,
prey on canniballs,
venison visceral
Drop your bridge Shallow moat.

Midus touch,
rabbit didn't quite touch
lucky enough, your trust, bust
The weatherman cuts.
Can't fight a storm with a pack
Of lions, and djarum butts
Cool Cats don't like the water
won't splash,
might soil their tight pants
Sea captain called
old Horizen won't dance
"listen to your old man".
not worth a penny of your sand.
but if we weren't so green-headed,
A compas might save our hand
for marriage
we don't want plans
They don't understand
want to roll around with simba
Giggling in the butterflies
when they're gone, find another man.
Chris Rodgers Aug 2012
Castle tower,
Stone walls.
Cold soul.
Moat of fire:

Burning passion.

Castle tower,
Cracking and crumbling,
laughing and stumbling
on my words:

My shields.

Castle tower,
***** liar.
Rubble pile.
Moat of fire.
warthogs for men singing amen
i ink my scars with a ball point pen
buffalo grass and ******
they want *** but won't die
i want *** but it's not me
they tell me that I'm pretty

i smoke **** in a blazing forest
i feel as rubbery as a curious tourist
and plenty of coke goes in my nose
i bleed headaches, when it rains it snows
i'm dreaming of a white christmas, i suppose
with my squad when i don't want to feel alone

i make lies but can't hide like room raiders
i cut up coke for all my haters
with a side of oxy
tells me that I'm foxy
right before he knocks me
my brain goes on high alert
i can ******* stomach
because cake was yesterday's desert

i say that we're proxies
i take the red pill
some like oxys  
some like bikini ****
some nights aren't so chill
some brains are mentally ill
but he doesn't like to feel, y'feel

tell me if you want a
*** flavored banana
a broken heart from havana
or to drink my coke flavored blood
dragging me through the mud  

whoops
son of sam
touch my **** like we're not fam
drug me if you want to slam
my head off the coffee table
i'll choke on fear until i'm not stable
i pretend i'm in a fable
this can't be real
does he not feel

break it off and shove it down my throat
cut me into pieces
make a blood moat
oak splinters suffered through winters in my spine
find you in jail and you ask if i'm fine

i break off rhymes like i break out grams
shaking because of a spiked promise
i wish i wasn't here
i wish i wasn't here

sham in the garden of clouds. when you '****' you want people around
when i cry, you hear no sound  

buffalo grass and ******
they ******* but ask why
my box in their face
i don't want to be in this place
Nico Julleza Oct 2017
The grass was clear in the moist of the ruins moat
Twas dawn and all this hike, not even a city I could sight
The plains were sheer as the white satin coat I've seen

Clash, a clustering view from mountains down to hills
Shaking knees as I rise to pick up my bed of sheets
Then the breeze swept as I shivered to its grasping chills

Distant peeks; unbridled stallions are troubled free
The sunray spots the verge and brightens the darkest end
At lost in the moment, a nature's sage of imagery blends

A brown wren swiftly glides upon to rest at my tent
In the midst of the day like rain in June and blooms of May
Swans, Geese and white petals dancing to a bluish bay

Solitary to be, but with the rivers overflowing symphonies
We'd sing hymns to delight in an afternoon galore
A steadfast rhythm clinging as I walk with God alone

Euphoric army of billows cascading, a purple-orange scene
As I idle in the view of fields depicting a justful liberty
To smile and remember someone cared with all is please

Singing crickets and fireflies we're all a friend of mine
At eve I rolled endlessly, frolicking at the midnight meadow
Casting joys and crowns as the moon beams a silver line

To the hinterlands, life's a breeze and everybody twas at ease
An escapade I was wanting to get lost from life's reality
Meeting pauper's, gazing wonders, then we'd all fall asleep
#The #Hinterlands #God #Nature #Man

Sometimes I just wanna get lost in this place...

An Imagery of a New day cycling from Dawn, Mid-Day, Afternoon, Evening and Lastly Midnight..

(NCJ)POETRYProductions. ©2017
storm siren Aug 2016
Rather than built on pillars of sand,
We were built on stone and asphalt,
Metal bars children swing from,
Their laughter fading into the night
As they face the pains of growing up.

Stitched from the bark of a Black Locust tree,
Using vines made from platinum and steel
As the thread.
And thorns grown from
Diamond
And pure carbon,
Lace up the side of a castle,
And around that castle
A moat filled with black water,
With a PH balance of nine.

And in that black water,
Small water dragons swim,
And in the forest lurks,
The largest (and most friendly)
Lynx's you'd ever meet.

And inside that castle
Of blue
You'll find
Halls decked with red and orange to the East and South wings,
And to the West and North,
Seafoam greens and blues,
And the walls are built from glass,
As to watch the animals from within the moat that like to defy physics,
Swim about and find prey to sustain themselves.

And in the reds and oranges you'll find
Cats and dogs of all kinds,
All creatures of Canis and Felidae and Panthera roaming the halls,
Bounding after vermin,
Or pouncing onto poultry.

And the silk drapes,
Cascading through the halls,
In colors reflecting the sights we've seen.

And on days our halls
Have black blood running through the
Pipes,
Allow for me
To find you some light.

I may have trouble,
Discovering the sun
On my own
For me,
But if I can find
That I do it for you,
Then finding light
Will never have been
So simple.

And the main foyer will change
With the feelings
That are being felt
Most prominently.

And no storm
Of my making
Will shatter the glass
Keeping dragons within their homes.

And no storm,
Whether it be of my making
Or another's
Could tear down our Castle's walls,
No matter how much wind or lightening.
No hurricanes nor tornadoes,
Nor flooding
Could destroy us,
Because we'll be just as strong,
If not stronger,
Than the storm.

And with all that courses through my veins,
I will fight for the passing of each storm,
And watch as the rain fizzles out,
And the storm forfeits this particular fight,
And in the distance buzzing of animals in the trees,
I will know our fight was worth it,
As we watch a hummingbird hover and buzz circles around a floating bluebird,
As they come home from their migratory patterns,
and nestle into a tree,
With a sodden nest,
But warmth is found
Within fluffed up feathers
And a storm rolling out.

However unstable my heart,
Our castle was built on stable ground,
On which I've found,
A reason to keep continuing my purpose,
Instead of living a life without one,
A life with none.

My goal is holding your hand,
Sixty years from now,
And our castle being just as bright
And filled with overwhelmingly loving light,
As the day we established it as
Ours,
And ours alone.
Nothing wrong with blueprints, right? To be read while shrugging sheepishly.

No, but in all honesty, this is directly for you, Bluebird. <3 I hope you had a fun night.
Marieta Maglas Aug 2013
(Frederick entered the room. He told them that he found a treasure into the castle’s cave.)

'I found the rarest treasure of all today. What can I do with that gold?
'Surah hid it.'Mary said,' hence, some mining activities are uncontrolled.'
'The finders and the landowners are entitled to these valuables,'
The cleric said,’ hence, it may help John to adjust the budget balances.'
(Mary wanted to tell Frederick the truth about Surah.)

'Surah is an alchemist, and she loves to do this with fierce intensity.
Her studies about substances, their composition, their density,
About purification by dissolution and by crystallization are rife.
She hopes to discover, someday, the formula for the elixir of life.'

'Summa Perfectionis and the emerald tables of Hermes', said
The cleric, 'this alchemy explains why her statues have lizards on head.'
'Maybe she gave Jezebel a strange substance to drink,' Frederick
Said. 'Go to her castle to search this substance, dear. I am so sick.'

(It was Mary, who told Frederick to go to Surah’s castle to find the antidote. Frederick and Matthew went to the castle. )

The turrets of the castle crumbled under the slow pressure of time,
Their glory has disappeared because of poverty and cold clime.
The falling wall stones, the ill-paved courtyards, the dusty moat,
The sagging floors, the worm-eaten wainscot had a blue note.

The faded tapestries within, all tell a gloomy tale of fallen grandeur.
The alchemy chamber in the remaining tower showed Surah was poor.
She spent the hours of her life in poring over the ancient tomes.
The occult studies made Surah first focus her attention on fomes.



Her belief in all the dark power was firm and deep-seated.
With burning small peasant children, the demon she greeted.
Many times, she was busy over a violently boiling cauldron,
Where many substances spewed out their thick concoction.

She searched a spell to release her life from its terrible burden.
She used to work only when the alchemy room began to darken.
She should never wed, she might, thus, end the curse with herself.
She kept cobwebs and bats. Strange things were on her shelf.

Frederick entered that room and saw her manuscripts and studies
In the field of alchemy. She had bottles, their colors being so muddy.
He opened those books, where it was written how to prepare
Elixirs from herbs, gems, and metals while using a devilish prayer.

The books instructed in the casting of spells, invocations, rites,
Talismans, amulets, and sigils. He found how she spent her nights.
On the altar, a doll-representing Jezebel had needles in her head.
There was a paper, where it was written, 'nor alive, nor dead.'

Near it, he found Kratom leaves and bottles-containing naloxone.
He took the bottles because he understood what Surah had done.
While feeding the horses, Matthew was waiting near the castle.
Clayton was in a stable, but working there became such a hassle.

He thought that something happened, when tools dropped on the floor.
A bottle dropped over another one, when Frederick closed the door.
An explosion was heard in the castle, which sounded like a sonic boom.
Surah was in a hurry to see what happened into the alchemy room.

Another explosion was heard being more loudly than the first one.
Surah gazed at her reflected face within the mirror instead of run.
Huge deformations of her new face formed a monstrous being.
An illusion shifted her identity. Believing is not always seeing.

She had sensations of otherness, when her new face appeared
To be a stranger looking at her, beyond the mirror, then disappeared.
A monster was watching her, and smiling with an enigmatic expression.
Clayton embraced her while crying, 'My dear, you have an obsession!'

Frederick told Matthew, ‘I took the potion, let's straddle the horses.'
'The castle is burning. To get out of this wood, we need strong forces.'
'My horse sped up. ‘What does he feel in front of fire and crack?
'He's fearful, because he feels trapped. Don't pull him back!'

'Being scared, his reaction is flight and run away from the fire wallop.
'You're scared, and instinctively you urge him to go into a gallop.'
'The horses are not thinking. It’s all out of the instinct to survive.
You can help your horse, when you know how to ride and to drive.'

(They rode their horses to the castle of Jezebel.)

They entered the castle, and climbed up the stairway to Jezebel.
'I came here in a hurry to save you, and my way to you was a hell.
Drink the potion, and wake up. I wonder how you feel in my arms.
I'm in love with you and still so deeply captivated by your charms.
(Jezebel had opened her eyes for the first time since being asleep. ‘I know that you love me!’ She told Frederick.)
(Clayton had managed to extinguish the fire. After that, he held his precious Surah in his arms while crying. Her face was burned by acid during explosion.)

'Nothing happened to your face. You're the same beautiful woman.'
'Why my face is in pain? ‘It’s because of the heat. Lie on the divan.
Let me take off your clothes, and flush your skin with cold water.'
'You're so gentle, Clayton. In your arms, I feel safe like a little daughter'.

'I lost the potion I prepared for Richard. He's my last chance.
It was destroyed by the explosion. I feel like I am in a trance.'
'I gave you morphine for treating your pain. He wouldn't help you.
Richard is like John, and you cannot change their point of view.'

(Clayton loved her, because he thought she was vulnerable and incapable to adopt the situations. Her soul was very fragile, even she masked this so well. She wanted to be more than she could be in life, and this was the reason her ways weren’t always the best chosen ways. He hoped someday his love would change her. He wanted to save her life. Surah closed her eyes, and fell asleep.)

To be continued...
Bob B Oct 2019
Once there was a president,
Cold and heartless, who set about
Finding ways to make his country
Great by keeping migrants out.

"We'll place soldiers along our southern
Border," said the nation's boss.
"That way we can easily stop
Migrants from making their way across.

"And if the migrants become unruly,
The soldiers can shoot them, one by one."
Advisers turned to the president
And said, "No, sir, that can't be done."

"Then let the soldiers shoot the migrants
Low, low, in the ankles or thighs.
We will see the unwelcome
Migrants start to drop like flies."

Advisers looked at their boss and said,
"Sir, that's also out of the question."
The president, getting angry now,
Said, "Then here's another suggestion:

"We will build a moat along
Our border wall and fill that moat
With alligators and venomous snakes."
That idea made him gloat.

"And then we'll add spikes to the wall--
Spikes that can penetrate human flesh.
Find me the cost for all of this,
Or else we'll have to start afresh."

Suddenly, he said, "I know:
We'll just change asylum laws
And separate the families.
That should give the migrants pause."

Hard, hard the administration
Worked together to find a plan,
Using words like "riff-raff," "invaders,"
"Dangerous threats," and "caravan."

The whole world watched in horror,
Lamenting how democracy fails
When an unfit elected leader
Goes completely off the rails.

-by Bob B (10-4-19)
Paul Hardwick Apr 2015
Now when I call it the Village
well thats what
my mom calls it
but really its urban space
so today I walked around it
the first road
I came to has speed bumps
according to signs they are twined with towns in France
it called Hob Moat
and a moat it has
known to me as the woods
spent many happy hour riding up and down those hills
but the way it got built up
it's not a village
walk through the woods you get shops
which have change over time
there are two churches
one new bit like a carbuncle
a blot on the landscape built in the 60s
man they where so on drugs
what was in there heads
the other old
I got baptised there so did my brother
went to sunday school
they gave out stamps each time you attended
but within 20 mins you can walk
into countryside
but now I find that is changing to
MAN
why do we **** every thing up?
True Story just today         P@ul
Valora Brave Aug 2015
I was always convinced you could feel me
We were of the moon and of the tides
(But) too stubborn to attempt another ride

I wanted you to know everything
in my eyes.
The truth
when I deliberately told you lies
and the expense of a life in a heart before it dies.

You would be gone too soon
All of this and heaven too
I would wander, I will roam
I will find decadence in alone.
I would dream, I will achieve
Everything only after you leave

You are the anchor chained to my throat,
You are the sand in a shallow moat.
You are the power in my stare,
You are the guilt after an innocent dare.
You are the face in the shadows on the wall
You are the fear in the Devil's call

The invitation to come in
Join a game you cannot win.
But I play, but I play
And forgive the day
Forgive and move away
The state lines you will cross
To lasso me in, refuse your loss
Of my heart, of my head

Your place in the poems I have read

— The End —