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skyler molina Jul 2014
Each day gets brighter, while my eyelids slowly glide to the ground.
Summer is here but all I see are gray skies & snowy roads.
The world is calling my name but you can't hear the screams from where my heart is located.
I gasp for air every couple of seconds, but god's disguised hands keep pushing me back underwater.
The further I run away, the closer I get.
All of the lights go out right as I arrive to the last chapter.
I am burning down as my house just stands there & watches.
The one thing that would actually pour water on me to put the fire out was the one thing that had no access to it.
I get told "congratulations" & all I hear is "stop smiling".
Love turns to dust & death turns to sunflowers
(Sunflowers were her favorite).
Holidays do not exist anymore.
Days do not exist anymore.
Time stands still, as my thoughts run in place.
Forbidden memories have come outside to play.
Only pens that have runout of ink can truly express my thoughts.
Life as we all know it is pulling back the curtains, & taking its final bow.

ps - the sun only seems to shine on the days that I have no willpower to bring my eyes to the surface; & the scent of her palms was the only thing worth noticing
Havran Jun 2015
Breathe.
Breathe deep,
and in between
those breaths
bring back
banished beliefs
buried beneath
beyond
broken bonds
and
burnt bliss.

Embers.
Embers everywhere
of emotions
expecting
Elysium’s
elusive embrace.

Roses.
Roses scattering
restlessly;
rarely receiving
reprieve;
reminiscing;
ruing
reproachful ravens
resting
rigidly;
rabidly reaping,
rending
rotten remains,
resenting rainfall
refusing remorse.

Nostalgia.
Nostalgia underneath
neon nightlights;
noticing
nubs,
noises,
nuances;
neither neglecting
nameless
nonbelievers,
nor nurturing
narrow-sighted
naiveté.

Asleep.
Asleep amidst
fleeting azaleas
acknowledging
an abandon
amplifying
already
almighty
affection;
almost
altering
an­cient,
ardent,
adamant
air
as an
ageless art.

Loss.
Loss overpowering;
lost love,
lingering longing,
lasting laments.
Lachrymose lovers
left layers
of a
limited life
within
long-forgotten lore;
lest labeled
Loveless;
left
little
longer
living.

Yearning.
Yearning for
the warmth
of home.
Yesterday,
You
were
yelling
‘YES’
at the top
of your lungs,
and
it
was
enough.
Yet
Yggdrasil
yielded
yew
for years
and years;
young,
yellow yeggs
yanked asunder
Yin
from Yang
into the
ever yonder.

Night-time.
Night-time symphonies
nullify
nothingness;
nourishing
Nyx Nightmother’s
need
of newfound
night-thinkers;
napping
nonchalantly
now,
near,
and nevermore.

~
**D.C.
Connor Reid Sep 2014
Drip yourself into a cup
Fill up your body with antiquity
Let the collagen insist
An allegory of Capricorn
Memories crystallised
Settled in
Forevers harvest
Insensitive
Misconstrued chemical
Collective symmetry's sin
A condition, livid
Fleeting in Human imagery
Ships break
Loop our tongued
Hands, tossed in Dramamine
Whittled in a succession of malleable fashion
Talent spilled spread in supper
Collate our atrophy
And drink from baroness
Flavours tarnished
Super-collider
Blood soaked in Gematria
A garden of totality
High brow comparison
Entitled in your vacuous stigma
Forever burning
In the lesser key of Solomon
28 daemon
Tessellation in trigonometry
Temperance towards an infinite
Champion of mind, complex
Yes, I use violent imagery
Correction: I love using violent imagery
Does that annoy you?
Somehow set you off?

Is it because you wish
That I was a bit more 'normal'
A bit less pronounced, obvious
About who I am?

Are you annoyed because
You wish I'd feel embarrased
Of this part of myself?

Does it **** you off
To see me proudly display
My inner self-
all of it-
Without any of your foolish
Censoring?

Is it perhaps because
I am attempting to accept myself
Whatever I might be, its entirety?

Does it anger you
Because you
You bowed your head
And conformed when
Someone else came
And censored you?

But I
I refuse to do the same
For this is me
And I am not going to
Pick apart and,
Cut out
The bits of me you don't like
The shards
That form the complete picture

I refuse to allow
You to touch them
For this is ME
ME
Not you
Not your domain

**NOT under your control
This basically explains why I've been away
Joshua Adam Jul 2015
Haiku Poetry is a very short poem with poetic images that can transcend the limitation imposed by the usual language and thinking. What if we took that imagery into the realm of human nature? While attempting to do this I tried to stay within the bounds of contemplative poetry that indicates a moment, sensation, impression or drama of a specific moment in nature. However, I broadened this framework to at times include moral, historical, scientific, legal, social, etc., issues as well. I believe, by doing this, we are introduced to a unique and creative imagery that paints a mental picture where you the reader can find much deeper meanings to personally relate.



**Cute little test mouse
caged for scientists to share
waits death, for health care
Very Short Haiku Poetry - Poetry with a message worth a thousand words
Mirrors can be a serious matter,
On the other hand crazy fun fair
Mirrors create short legs, long
Legs, fat bodies, thin bodies, wide
Heads, narrow heads.  So, does
Anyone really know what truth
Lies in a mirror?

Shop mirrors enhance the selling
Power, loading us up with their
Projected images.  How many times
A day does the mirror fulfil its
Role profile to a satisfied or
Dissatisfied audience?

It’s a powerful prop and one most
Of us need before we dare the
Outside world.  Creating a mosaic
Around our lives in mirrored
Patterns and multi coloured style,
Choosing one to show off our
Personal taste.

I bet not one home is without!
Penne Feb 2019
A dictionary of words
Thousands---infinites!
Little marks to describe a vast world
Lest not care of lacking logic
Aroused by imagination is my magic
Lemon zests the cornucopia of citrus
Are not they a splash of kalopsa?
Charisma, karma, euphoria?
Not allowed to bleed in blanc
Wail in rosy franc
Puddles of messed reflection
Fictions wonder reaction
Wander in the wildest wilderness
Describe the autumn, fall
Moist, solitary
Fawn on the lawn
Reality is the contrary
Refuge in the creamed sugar
Like a cup of iced kiss
Deep burrowed in the mapled hiss
Wait for its marmalade bliss
Head exploding in fireworks
Magnificent, what about nightfall?
Showers and streaks befall
Stars shoot smoke of ball
Cry tears of meteorites
Sprinkle the blinking sprites
Flow streams of sparkling silence
Swim the chasing glares
Enchant me in your chemise, evangelic skin
Leitmotif of mimes' maim, mean?
Speculate the pixelled fairies
Hide in the fruits of Alice
Spark at the dance of hands
Paint the faint trees
Baskets of floating sheep
Bounce in the enigmatic realm
Drooling in
As they transgress the egress
In chiffon blush flushed
Bittersweet caress
Bare grasslands with strangers
Wet the glory shine
Morning then hoots for sleep
Shush, weeping willows
Flowers of your scent hover the grove
Voices sweetly surrender
Linger for tender
Gloam or roam
River of innocence soul
Reaping the afterglow
Aglow my fountained lockes
Blur for it to be clearer
Illusions of ambiguity
As its lips meet the prism
Of brilliant optimism
Breathtaking fauvism
Breathless onism
Succumb in the limitless reverie
Rare of not having aneurysm
Persephone's persepolis
Blood of perenelia
Where Opheus court Eurydice
Winter solace holies
Lakes of beating lights
Bloom irregularly
As the sesquipedalian crawl out from its vine
In the Brobdingnagian it creeps
Line between sublime and wine
Harmony weave in palette
Rhythm rose from my red
Fresh breeze hush the roulette
Leaves blade the crafted well-made
Dusk, dawn to diiferentiate
Eclipse the hysteria and the impeccable
Love waltz
Glide the glistened clarity
Perfume lilies
Stares of lavenders
Rain the clouds of keys
Crystallizing and fractalizing
Mesmerize, astonish, aghast!
Rise your mile
Fragile my rile
Bridge this moonlit immeasurable, fantasia distance
Repertoire of piano choir
Luxury in the polychrome noir
Royal in the loyal wintermelon
Poppies color the spring
Butterflies fly in the effervescence
My painting sings a summer fling
Jump in the pantones
Rest your all
Stones amble swish scone
Wishes twinkle then hone
Will-o-wisps chill your bone
Lend me a wing
Let not be done in a ding
What I fear, free from the fringes of meek
My, this lexicon is not enough!
How to occupy the million, jillion, eternal galaxies
Shout in the rave
Echoing in the waves
Marvel at the bejewelled revel
Image my imagery
Oh, dive away child!
Let us drive in the garden of glaze
Careful not to be too amazed in the maze
In the hummed woodglade
As the critters flutter and flute
No way to chain me out of this loop
Pool of pretty astonishments
Diamonds of nature
Endure, not inure
Words alone are insufficient
These are just mere fantasies
Some are unexplainable
Some needs to be felt
Some needs to be seen
Not just read
Not just dreamt
I may sound dubious
But this is incredulous
Just a random collection of pretty words º-º
M W Dec 2012
Shallow,
but a rumble,
that scratches at the surfaces,
growing, growling, rumbling,
till trembling,
ricochets around the cavity,
building up,
bursting through,
up, out, everywhere,
outside shaking,
heart quakes.

Like a twenty-two pound hummingbird,
is beating, flitting,
inside.
Thrumming wings,
sending vibrations,
shuddering.

The flower,
once filled with sweet nectar,
drained dry,
sickly sticky,
a vivid hue,
turned grey.

As the bear hibernates,
it's snores echo,
sending rattles,
starting clatter,
shatter.
My heart thrashes inside my chest.
Amitav Radiance Mar 2015
The words that paint
Gorgeous images
A genuine reflection
Of the soul’s imagination
Poet knows the details
The authenticity of poetry
Remains solely with
Within the poet’s premises
Invisible boundaries
Cannot be breached
A world which can be appreciated
And not deprived of originality
True poets revere
Every word written by another poet  
Clan of artists is magnanimous
Mouth Piece Feb 2014
We overestimate the probability of the improbable through eyes and ears that are susceptible to vivid imagery. Social media screams that 100 people died from poisoned cantaloupes instead of saying in less emotional terms 100 in 7,000,000,000 or .000000000001% of the population. Really It’s all about fear and manipulation. You viewed all the news interviews, watched YouTube videos and even read the compelling articles. Now you’re in the grocery store avoiding cantaloupes like the plague because you might be next! Conversely in positive outcomes this is the same rationalization that compels people to buy jack *** lottery tickets. Can you see how we extremely over weighting the probabilities of events based on the vividness and prevalence of the coverage? The news—the government---companies---all individuals have agendas but not everyone is looking out for your best interest. Many are “wolves in sheep’s clothing” that feed on these manipulations in regards to rare events with the sole purpose to covertly produce a particular behavior that prospers outcomes that are favorable to their own position.

Now her goes the paradox of overestimation and underestimation in regards to rare events. A strange thing happens when rare events are not being perceived vividly through our senses. They are simply ignored! We no longer over estimate probabilities but instead begin to under estimate probability! For example during Hurricane Katrina victims yielded to evacuate due to this under estimation. The probability of the rare event was neglected in part to lack of vividness. In hindsight they seemed foolish for not leaving but in actuality were quite human in their behavior that lacked the emotional experience towards the rare event (obviously the decision was intertwined with a myriad of other individual variables). In the aftermath the vividness of the Hurricane’s media coverage allows the opposite to occur once more---a heavy overestimation of a future storms probability. This produces disproportionate fears for many in regards to actual hurricane probabilities. Leaving the door open for exploitation.

What we see is a human nature that goes extremely over or under in estimations towards the outcomes of rare events compared to the events actual probabilities. The danger is that people know this!! They can pump your head with what they want you to overestimate and be silent on what they’d like you to neglect, all in the manipulation of their cause. The perceived good guy can easily be one in the same with the bad guy. The best sociopaths are quite charming. People can easily be manipulated with the news and Youtube videos for example. Often times the information provided has traces of truth that are used to spark emotions that lead an individual further away from actuality while simultaneously using them towards their own divisive agendas. They will stay silent to other matters---producing neglect till it’s time to play the good guy once the neglected issue (often created themselves) explodes. In the after math the information they provide makes you feel empowered but it's only manipulating you further into their own aspirations--they look like a hero for doing it --again they produce the overestimations of fear where they want while staying silent to what they wish for you to neglect. Whether it’s the government, a conspiracy theorist or a manipulating relationship partner be attuned to how we process information and the susceptibility to manipulation (overestiamation-underestimation). Although not every situation is a source of manipulation from others it would be unwise to neglect the fact that our own emotions can lead us to these same ignorances all by our selves. I give glory and honor to my Savior Jesus Christ for this knowledge in which Faith in Him alone helps me discern and weight the emotional information and there intentions
Lelu Apr 2014
Photoshopped fantasy fictions
Misogynistic oppressive depictions
Unobtainable beauty
Fake imagery
This LIE is but violence and bigotry
Ady May 2013
The vile of acid touches his tongue,

It is bitter, burning and horribly wrong.

Lost or found, anything goes.

His slipping mind and this aching crime.

Everything ruptures corrupted by life,

even white in the black shallow mime.

Stupid, dumb-****. Why can't he talk?

The shadows dance on the dark,

alluring and cunning giving a spark.

Observe the scorching rays of light!

Neon and blinking on this gruesome night.

The spinning, spiralling world, and this opening void,

Every thing confusing this young, troubled boy.

Look at him! Look at him dance,

to the tune of an aphonic trance.

Blurred reflections on condensed mirrors,

terrible headaches, and vicious tempers,

Everything shifting on such hazy conditions but,

Will he dance and regret again?

This grotesque and stupid addictions.
Dan Filcek Apr 2017
In the search for greater freedom of movement.
new ideas began to emerge,
rebellion against classical forms and practices
in what is now called aesthetic
disregarded the limited set of movements that were considered proper
Artistic content morphed and shifted
for young people longed to dance.
Music and rhythmic ****** movement are twin sisters of art,
portrayed in movements what the master expresses in his compositions
bare feet, loose hair, free-flowing
a form of natural movement and improvisation
Presenting dramatic contemporary imagery,  
often revealing the full spectrum of human experience
reflecting the tension and alienation of the time
the truth of human movement.
introduce chance procedures and pure movement to the cannon of dance
focused on the physical tasks of overcoming obstacles
investigate the properties of physical space and movement.
having a heightened sense of awareness of being grounded to the floor
at the same time, feeling the energy throughout the entire body,
flexibility, strength, coordination, body awareness ,
and poly-rhythmic movement; strong dramatic works
free from the limiting strictures of the big monopolistic managements
National Poetry Month 2017 - source - https://en.wikipedia.org/wiki/Modern_dance
bleh Dec 2014
'i've only ever really read one poem. i, i have to admit.*  
You know, that, that one poem that everyone’s read, whatsit,
Howl by Ginsberg, 'best-minds-of-my-generation-destroyed-by-madness,-starving-hyste­rical-naked,' , yeah, that one;'
'It's just, I identify with it so strongly.' she says,
'That poem is soo me.'
It's funny how commentary on a generation 60 odd years ago come across as timeless insights..
how we learn that true spirit of rebellion and counterculture three generations ago,
  as it is taught to us by two generation ago countercounterculture academics.
but I guess, inevitably
                                         we
                                                  return,
  to those half drowned pontifications inevitably decried into transcendental truth by the onward spilling ratchet of cultural recognition;
  that sense of universal oneness generated by the unwashed ramblings of beat-generation hipsters dense innuendo in run on sentences running, running from their upper-lower-middle-class New York homes and their privilege of true vacant meaninglessness and despair,
   to those nervous tucked in shirted clean shaven scholars swooning over the same seme drugged, melancholic bearded men profussing the deepest of opaque truths only found up the furthest reaches of their own *****.
  As we push through to our lectures, the mosaic in motion of blazer wearing mac-users and mac-pac wearing blazers,
  As we hysterically interpret the formatting conditions for our reports, which could hang in the balance of whether the dreams we once had will ever be actualised,
  As we felt lost and found and found and lost at those park benches under the stars, where occasional strangers strolled by offering sessions and life-stories,
  As we paid exorbitantly to get out of our parents homes, and into tin-can flats with broken windows, absentee landlords and cracked paint only held together by all the moss, (the empowerment that is wage slavery,) for in our youth, poverty is not an ever-present pejorative, but the rite of passage to show that we are alive,
  As rituals of manhood are defined by two things and two things only; how much insomnia one can accumulate to meet insane and inane deadlines, and how much one can illuminate the walls in ***** from all the beers, spirits, cheap wines and questionable home-brews,
  As the government dismantles the human-rights commission, and we nervously attend the rallies initiated by the radicals, and the man on the megaphone calls on the crowd to chant and we can only mumble and laugh nervously at ourselves,
  And when the next speaker runs onto stage feeling the need to plead to this already nervous, placid mass that this is in-fact a PEACEFUL PROTEST, and that we are all true patriots and they insist everyone start singing the national anthem and we all look down and we again mumble, or pretend somehow not to hear them,
  and when, in this biggest independent rally around a unified cause our generation's ever seen, we have never felt so alone ,
  and isolated,  
                                  we
                                             remember,
                                                                    those earlier days,
  When we'd bleach our hair; we'd poison ourselves white, in the vain mystic hope that this was just the transition period to the time when we'd get true colour into our lives,
  Remember our wonder at the Eurocentric Asiatic television representations of the Abrahamic faiths, given transubstantiated holy revival by the medium of Saturday morning digital pastel pasture; when we were children staring excited and wide eyed into the Metatrons Fire of Sinai 'Random Almighty Mega Damage'; as Dante and the seraph class Tyrant-infused-Michael inevitably made battle with YHWH, -in the one True End,- as we grinded within the monolithic emerald obsidian halls, Mystical wonderment spilling forth from our reddened hollow eyes, at the beautiful unlimited expansive world contained within our console/consoling digital unit discs; conformally mapped and etched into the convex hull of our minds,
  Where we were gods, doing battle with every possible creature in morphospace, filleted into overpriced cards and cartridges, for which our strategies meant so much to us though none of us really understood the game,
  When we could quote verbatim every piece of dialogue in GTA2, and get concerned glances from our parents as we conjured veiled imagery of bukake-ladled innuendo which we didn't really understand until six or seven years later,
  When sexuality was a special secret club our elders and the kids in the years above came across so wise for being a member of, rather than an anti-turing test; a farcical ritual where everyone tries their best to imitate the hyper-reality of MTV while hiding the nervous feelings that this whole thing was really meant for someone other than us,
  When creating a whole new lexicon for our self-hood (be it artistic, ******, political or philosophical) felt like existential emancipation; a transcendental rebellion against the normalising identities and semantics of old, rather than an impenetrable circle-**** taxonomy,
  When one day we'd unveil a new term in some text, and it would completely change our outlook on every corner of our lives,
  Or, the next day, when we'd give up and just sit back on rolling banks, and look out at a veil of stars,
  Or the next day, when we'd wonder desperate and painfully, which of the last two was the real pursuit and which was wasted time? (Or was it this day, the day spent building an illusory dialectic between them?)
  Remember when we were in kindergarden, and you had to pass through the kitchen, -the adults zone,- to get to the toilet, and you'd feel both shame and wonderment listening in of the snippets of conversation muttered by these titanic figures; discussing abstruse issues from the newspaper in foreign yet noble tongues?
  Remember when we were teens, and every form-checking observation and question from these same adults was so painstakingly pedantically banal and asinine, that one could only respond with monosyllabic grunts and silent hysterics?
  And remember as 'young adults', when we'd inevitably entered this same dull Aristotelian world of forms, how we'd ask the same adults for advice on filling these paperworks, at once still asemic gibberish, and at once the fine-print that contained and predicted our lives?
  Remember when our dreams for the future were not bounded by the economy of our grade point averages and just how much debt we were willing to incur
                                …
I've seen the best minds of my generation climb into pre-packaged little boxes; and pay through the teeth for the privilege of doing so.  
  Akin to a 'Howl' they call it? Our cry for selfhood? What a scream.
It's not even a cry. Barely a whimper.
More of a zombified groan, completely aware our intrepid Journey of Self is just a pricey guided tour. (Tv Ad's static commodified existential emancipatory platitudes; 'your place in the world' / 'well it's my place and it's my time' urgh.)
And so we march asleep; all lame all blind.
  Trudging through the mind-fields; arguing, unravelling the semantic distinctions between the empty boundaries and the boundaries of emptiness.
  Transcribed down for essay deadlines,  /  assessing our lives trajectory as dead lines,
Becoming increasingly aware,
  We are not the living beings, the dasein, the Übermenschen being actualised; we are the machinery through which the institutions, the factories, the markets and education facilities actualise themselves.
  (While the only acceptable language we can breathe in opposition to these ratcheting pedagogical machines is the lexicon they provide us..
  ('oh, you hate systemic neoliberal alienation; the deestablishment of ontological anthropocentrism? Tell me more about the esoteric uselessness of academic culture.') bluh.)

But

       the more we follow those phantom images we built of ourselves,
the more we become aware they are but sirens; hypnotic dreamlike figures luring us to our doom,
  and as this awareness dawns; and the cognitive dissonances and schizophrenia grows,
       We


                                just try to keep calm and carry on regardless.

Can we really claim the arrogance of having a better path?
The conceit that there's a better cliff we should be guiding ourselves to to top ourselves off?
I don't know,
I reaally
really
just don't know.
..i think i started out with a theme here, but it mostly devolved into venting.
      i finished another year of university recently. i'm not really sure to what extent higher education's given me perspective on life, and what extent it's simply annihilated what little i had.
   from my experiences of student culture, i feel our generation views itself as abandoned by the world, but to good for it anyway. We aren't the bohemians or beatniks or hippies or punks; our drinking and drugging ourselves to death isn't a counter-cultural high-minded rebellion. It's more a prideful self destructive egotism, a self derisive narcissism.   or something. i dunno.
  whether it's from cowardice or a more genuine scepticism, i certainly have no idea what i am (or ought to be) doing in/with/about this world.
Michael W Noland Sep 2012
I don't always feel you

nor do i care.

nor shall i fare

the weather of your temperament.

I am exempt of the pettiness, and of the nervous fetishes, in the indifference.

I try not to be presumptuous, in the perceived ignorance, of the plunderers of my wealth

but am more alive.

More willing to die.

More willing to try

anything but sigh

in feeling the mediocre hand of my health.

So high

doling out the breathless help, in the restless stealth, of bland demands, felt,  in the smoking stacks of hell.

I survive off the glean, provoking, glass from sand.

I act,  as though i give a ****.

Evoking ash from hands, in the defiance of no mans land.

Stamped

in the trampled giants of the black.

Sampled, the compliant hacks in backless, tackling of the stance.

Cackling

I cracked.

and cracked the cast, in blast powder, compounding the flames, of the flounder flamed, in profane name calling.

Never to dodge the calling ..

Feeling the falling of doubt.

In the Tao,  of mauling my malevolence.

Thought i bled it out, as the stalling turned to insulting rebukes, in the flukes,  of lands never lived, but shredded in repulsing lingo, with a flute, to do away with the kids, I mingle, in wait of the sedatives to kick in, than,

Bingo

Nail it to the cross, of the intended loss, singling and wringing them out.

Lost

amid, the somber slayings of bombers praying, for fire to rain from the sky.

Rid

of the calmer makings of alarming sayings, for desire to feign from the cry.

Denied.

The reciprocation of a social spy, trying his best to comply to the prize, and smile.

Its been awhile.

Been a while in exile of thine own heart.

Heart of gold in denial.

Denial of the trials where i shone the brightest, in the mightiest miles of defiled lights.

Lights igniting the nights, in my first rights of passage.

Passage granted in the damaged dues of diligence, where i pursued the villages of my virtue.

My virtues perused the innocence and matured.

Matured in the final words of old birds, dying with dimes, and bagged wine in hand.

Never to understand the last laughs from young chaps blowing off their stacks, just to collapse, in their own mess.

I confess to paying homage in the calmly delusions, of my intrusive self abuses, to the ruthless seduction of my bitterly bitten bruises of seclusion.

I try to loosen up a bit, but instead run this gambit of bankrupt belligerence and hope for the best.

******* in the blessed wishes of the test.

Tested in the vetted nutrients of an institutional bowel movement upon my chest.

My chest giving in to the stress.

I often wake in duress as tears flow through the forgotten, as i brush my teeth of the remembrance of dreams, and clean the dumb away.

Clothe my flesh, and put my gun away.

Locking the front door, I journey into my day.

Every day...

One day.

One day from the mundane

I wont strain to change it all.

I will make the call

but never answer.

Instilling the hollowed cancers

to end it all

I shall befall,  the null.

The No.

The land.

enhanced.

Seeing.

The unseeable.

In unbelievable hate.

Conceiving the inconceivable, and cleaning the slate of my faithful fate, in which i ditch the mares of my dared intention.

I concentrate on the beautiful view from the deliberate limitlessness of my vivid visions to another place, that closely resembles the one that i hate.

Consumed of blue suns, and water breathing.

I bloom

in anger activated guns, and painless beatings.

Marooned from afar

I dare to bare the battle scars of taking it too far, and fainting.

Tainting the waters of life with the ****** knife, of my,  positivity.

The imagery of my imagined city

ssscattered across the tattered remains of my naivety.

Sssteadily holding fast upon the mass of men, even though i readily hate them.

In a single flash of rash decision, i forget it all, and go to work ...

smirking in the murky fog, that marks the facade,  where i lurk in shirtless shirking from the cold.

The shaking of the folds, in time, in space, in the told, telemetry of the mold

I'm

emboldened

In the boots that birth, the same old, hold of the complaint.

Applying force in restraint

In pursuit

to unearth, and loot

the saint

in broken wings, and painted words

that twirl, in the spinning ink

on the brink, of the blur, that births,  this sleeping male

to a world, encroached, by mundane flames, poached, from the slain trail of the ordained, tales of Mikha'el.

As others entrails line, the pale comparisons, as mine, are shell shocked in monotony.

i signed with the autonomy, never talked, and marched blankly into the day.

Every day

but one day

to stray

from the mundane

and make it right.

I will get out of my head

and fly

in light.
AD ASTRA  

by

TOD HOWARD HAWKS


Chapter 1

I am Tod Howard Hawks. I was born on May 14, 1944 in Dallas, Texas. My father, Doral, was stationed there. My mother, Antoinette, was with him. When WWII ended, the family, which included my sister, Rae, returned home to Topeka, Kansas.

My father grew up in Oakland, known as the part of Topeka where poor white people lived. His father was a trolley-car conductor and a barber. Uneducated, he would allow only school books into his house. My father, the oldest of six children, had two paper routes--the morning one and the evening one. My father was extremely bright and determined. On his evening route, a wise, kind man had his own library and befriended my father. He loaned my father books that my father stuffed into his bag along with the newspapers. My father and his three brothers shared a single bed together, not vertically, but horizontally; and when everyone was asleep, my father would grab the book the wise and kind man had loaned him, grab a candle and matches, crawled under the bed, lit the candle, and began reading.

Now the bad and sad news:  one evening my father's father discovered his son had been smuggling these non-school books into his home. The two got into a fist-fight on the porch. Can you imagine fist-fighting your father?

A few years later, my father's father abandoned his family and moved to Atchinson. My father was the oldest of the children;  thus, he became the de facto father of the family. My father's mother wept for a day, then the next day she stopped crying and got to the Santa Fe Hospital and applied for a job. The job she got was to fill a bucket with warm, soapy water, grab a big, thick brush, get on her knees and began to brush all the floors clean. She did this for 35 years, never complained, and never cried again. To note, she had married at 15 and owned only one book, the Bible.  My father's mother remains one of my few heroes to this day.


Chapter 2

My parents had separate bedrooms. At the age of 5, I did not realize a married couple usually used one bedroom. It would be 18 years later when I would find out why my mother and my father slept in separate bedrooms.

When I was 5 and wanted to see my father, I would go to his room where he would lie on his bed and read books. My father called me "Captain." As he lay on his bed, he barked out "Hut, two, three, four! Hut, two three, four!" and I would march to his cadence through his room into the upstairs bathroom, through all the other rooms, down the long hallway, until I reentered his bedroom. No conversation, just marching.

As I grew a bit older, I asked my father one Sunday afternoon to go to Gage Park where there were several baseball diamonds. I was hoping he would pitch the ball to me and I would try to hit it. Only once during my childhood did we do this.

I attended Gage Elementary School. Darrell Chandler and I were in the same third-year class. Nobody liked Darrell because he was a bully and had a Mohawk haircut. During all recesses, our class emptied onto the playground. Members of our class regularly formed a group, except Darrell, and when Darrell ran toward the group, all members yelled and ran in different directions to avoid Darrell--everyone except me. I just turned to face Darrell and began walking slowly toward him. I don't know why I did what I did, but, in retrospect, I think I had been born that way. Finally, we were two feet away from each other. After a long pause, I said "Hi, Darrell. How ya doing?" After another long pause, Darrell said "I'm doing OK." "Good," I said. That confrontation began a friendship that lasted until I headed East my junior year in high school to attend Andover.

In fourth grade, I had three important things happen to me. The first important thing was I had one of the best teachers, Ms.Perrin, in my formal education through college.  And in her class, I found my second important  thing:  my first girlfriend, Virginia Bright (what a wonderful last name!). Every school day, we had a reading section. During this section, it became common for the student who had just finished reading to select her/his successor. Virginia and I befriended each other by beginning to choose each other. Moreover, I had a dream in which Virginia and I were sitting together on the steps of the State Capitol. When I woke up, I said to myself:  "Virginia is my girlfriend." What is more, Virginia invited me to go together every Sunday evening to her church to learn how to square dance. My father provided the transportation. This was a lot of fun. The third most important thing was on May Day, my mother cut branches from our lilac bushes and made a bouquet for me to give Virginia. My mother drove me to Virginia's home and I jumped out of our car and ran  up to her door, lay down the bouquet, rang the buzzer, then ran back to the car and took off. I was looking forward to seeing Virginia in the fall, but I found out in September that Virginia and her family had left in the summer to move to another town.

Bruce Patrick, my best friend in 4th grade, was smart. During the math section, the class was learning the multiplication tables. Ms. Perrin stood tn front of the students holding 3 x 5 inch cards with, for example, 6 x 7 shown to the class with the answer on the other side of the card. If any student knew the correct answer (42), she/he raised her/his arm straight into the air. Bruce and I raised our arms at the same time. But during the reading section, when Ms. Perrin handed out the same new book to every student and said "Begin reading," Bruce, who sat immediately to my right, and everyone else began reading the same time on page #1. As I was reading page #1, peripherally I could see he was already turning to page #2, while I was just halfway down page #1. Bruce was reading twice as fast as I was! It was 17 years later that I finally found out how and why this incongruity happened.

Another Bruce, Bruce McCollum, and I started a new game in 5th grade. When Spring's sky became dark, it was time for the game to begin. The campus of the world-renown Menninger Foundation was only a block from Bruce's and my home. Bruce and I met at our special meeting point and the game was on! Simply, our goal was for the two of us to begin our journey at the west end of the Foundation and make our way to the east end without being seen. There were, indeed, some people out for a stroll, so we had to be careful not to be seen. Often, Bruce and I would hide in the bushes to avoid detection. Occasionally, a guard would pass by, but most often we would not be seen. This game was exciting for Bruce and me, but more importantly, it would also be a harbinger for me.


Chapter 3

Mostly, I made straight-A's through grade school and junior high. I slowly began to realize it took me twice the time to finish my reading. First, though, I want to tell you about the first time I ever got scared.

Sometime in the Fifth Grade, I was upstairs at home and decided to come downstairs to watch TV in the living room. I heard voices coming from the adjacent bar, the voices of my father and my mother's father. They could not see me, nor I them;  but they were talking about me, about sending me away to Andover in ninth grade. I had never heard of a prep school, let alone the most prominent one in America. The longer I listened, the more afraid I got. I had listened too long. I turned around and ran upstairs.

My father never mentioned Andover again until I was in eighth grade. He told me next week he had to take me to Kansas City to take a test. He never told me what the test was for. Next week I spent about two hours with this man who posed a lot of questions to me and I answered them as well as I could. Several weeks after having taken those tests, my father pulled me aside and showed me only the last sentence of the letter he had received. The last sentence read:  "Who's pushing this boy?" My father should have known the answer. I certainly thought I knew, but said nothing.

During mid-winter, my father drove with me to see one of his Dallas naval  buddies. After a lovely dinner at my father's friend's home, we gathered in a large, comfortable room to chat, and out of nowhere, my father said, "Tod will be attending Andover next Fall." What?, I thought. I had not heard the word "Andover" since that clandestine conversation between my father and my grandfather when I was in Fifth Grade. I remember filling out no application to Andover. What the hell was going on?, I thought.

(It is at this juncture that I feel it is necessary to share with you pivotal information that changed my life forever. I did not find it out until I was 27.

(Every grade school year, my two sisters and I had an annual eye exam. During my exam, the doctor always said, "Tod, tell me when the ball [seen with my left eye] and the vertical line [seen with my right eye] meet." I'd told the doctor every year they did not meet and every year the doctor did not react. He said nothing. He just moved onto the next part of the exam. His non-response was tantamount to malpractice.

(When I was 27, I had coffee with my friend, Michelle, who had recently become a psychologist at Menninger's. She had just attended a workshop in Tulsa, OK with a nationally renown eye doctor who specialized in the eye dysfunction called "monocular vision." For 20 minutes or so, she spoke enthusiastically about what the doctor had shared with the antendes about monocular vision until I could not wait any longer:  "Michelle, you are talking about me!" I then explained all the symptoms of monocular vision I had had to deal without never knowing what was causing them:  4th grade and Bruce Patrick;  taking an IQ test in Kansas City and my father never telling me what the test was or for;  taking the PSAT twice and doing well on both except the reading sections on each;  my father sending me to Andover summer school twice (1959 and 1960) and doing well both summers thus being accepted for admission for Upper-Middler and Senior years without having to take the PSAT.

(Hearing what I told Michelle, she did not hesitate in telling me immediately to call the doctor in Tulsa and making an appointment to go see him, which I did. The doctor gave me three hours of tests. After the last one, the doctor hesitated and then said to me:  "Tod, I am surprised you can even read a book, let alone get through college." I sat there stunned.

(In retrospect, I feel my father was unconsciously trying to realize vicariously his dreams through me. In turn, I unconsciously and desperately wanted to garner his affection;  therefore, I was unconsciously my father's "good little boy" for the first 22 years of my life. Had I never entered therapy at Menningers, I never would have realized my real self, my greatest achievement.)


Chapter 4

My father had me apply to Andover in 8th grade to attend in 9th grade, but nobody knew then I suffered from monocular vision;  hence, my reading score eye was abysmal and I was not accepted. Without even asking me whether I would like to attend Andover summer school, my father had me apply regardless. My father had me take a three-day Greyhound bus ride from Topeka to Boston where I took a cab to Andover.

Andover (formally Phillips Academy, which is located in the town of Andover, Massachusetts) is the oldest prep school in America founded in 1778, two years after our nation was. George Washington's nephew sent his sons there. Paul Revere made the school's seal. George H. W. Bush and his son, George, a schoolmate of mine, (I voted for neither) went to Andover. The current admit rate is 13 out of every 100 applicants. Andover's campus is beautiful. It's endowment is 1.4 billion dollars. Andover now has a need-blind admission policy.

The first summer session I attended was academically rigorous and eight weeks long. I took four courses, two in English and two in math. One teacher was Alan Gillingham, who had his PhD from Oxford. He was not only brilliant, but also kind. My fondness for etymology I got from Dr. Gillingham. Also, he told me one day as we walked toward the Commons to eat lunch that I could do the work there. I will never forget what he told me.

I'm 80, but I still remember how elated I was after my last exam that summer. I flew down the steps of Samuel Phillips Hall and ran to the Andover Inn where my parents were staying. Finally, I thought, it's over. I'm going back to Topeka where my friends lived. Roosevelt Junior High School, here I come! We drove to Topeka, going through New York City, Gettysburg, Springfield, IL, Hannibal, MO, among other places. I was so happy to be home!

9th ninth grade at Roosevelt Jr. High was great! Our football team had a winning season. Ralph Sandmeyer, a good friend of mine, and I were elected co-captains. Our basketball team won the city junior high championship. John Grantham, the star of the team, and I were elected co-captains. And I had been elected by the whole school to be President of the Student Council.
But most importantly, I remember the Snow Ball, once held every year in winter for all ninth-graders. The dance was held in the gym on the basketball court. The evening of the dance, the group of girls stood in one corner, the boys in another, and in the third corner stood Patty all alone, ostracized, as she had always been every school day of each year.

I was standing in the boys group when I heard the music began to play on the intercom, then looked at Patty. Without thinking, I bolted from the boys group and began walking slowly toward her. No one else had begun to dance. When I was a few feet in front of her, I said, "Patty, would you like to dance?" She paused a moment, then said, "Yes." I then took her hand and escorted her to the center of the court. No one else had begun to dance. Patty and I began dancing. When the music ended, I said to Patty, "Would you like to dance again?" Again, she said, "Yes." Still no one but the two of us were dancing. We danced and danced. When the music was over, I took Patty's hand and escorted her back to where she had been standing alone. I said to her, "Thank you, Patty, for dancing with me." As I walked back across the court, I was saying silently to the rest of the class, "No one deserves to be treated this way, no one."

Without a discussion being had, my father had me again apply to Andover. I guess I was too scared to say anything. Once again, I took the PSAT Exam. Once again, I scored abysmally on the English section.  Once again, I was rejected by Andover. And once again, my father had me return to Andover summer school.

Another 8 weeks of academics. Once again, I did well, but once again, I had to spend twice the time reading. Was it just I who realized again that if I could take twice the time reading, I would score well on the written test? Summer was over. My father came to take me home, but first he wanted to speak to the Dean of Admissions. My father introduced himself. Then I said, "I'm Tod Hawks," at which point the Dean of Admissions said enthusiastically:  "You're already in!" The Dean meant I had already been accepted for the Upper-Year, probably because he had noticed how well I had done the past two summers. I just stood there in silence, though I did shake his hand. Not another application, not another PSAT. I was in.

Chapter 5

Terry Modlin, a friend of mine at Roosevelt, had called me one Sunday afternoon the previous Spring. "Tod," he said, "would you like to run for President of the Sophomore Class at Topeka High if I ran as your running mate?" I thought it over, then said to Terry, "Sure."

There were eight junior high schools in Topeka, and in the fall all graduates of all the junior highs attended Topeka High, making more than 800 new sophomores. All elections occurred in early fall. I had two formidable opponents. Both were highly regarded. I won, becoming president. Terry won and became vice-president. Looking back on my life, I consider this victory to be one of my most satisfying victories. Why do I say this? I do, because when you have 800 classmates deciding which one to vote for, word travels fast. If it gets out one of the candidates has a "blemish" on him, that insinuation is difficult to diminish, let alone erase, especially non-verbally. Whether dark or bright, it can make the deciding difference.

Joel Lawson and his girlfriend spoke to me one day early in the semester. They mentioned a friend of theirs, a 9th grader at Capper Junior High whose name was Sherry. The two thought I might be interested in meeting her, on a blind date, perhaps. I said, "Why not?"

The first date Sherry and I had was a "hay-rack" ride. She was absolutely beautiful. I was 15 at that time, she 14. When the "hay-rack" ride stopped, everybody got off the wagon and stood around a big camp fire. I sensed Sherry was getting cold, so I asked if she might like me to take off my leather jacket and put it over her shoulders. That was when I fell in love with her.

I dated Sherry almost my entire sophomore year. We went to see movies and go to some parties and dances, but generally my mother drove me most every Friday evening to Sherry's home and chatted with her mother for a while, then Sherry and I alone watched "The Twilight Zone." As it got later, we made out (hugs and kisses, nothing more). My mother picked me up no later than 11. Before going over to Sherry's Friday night, I sang in the shower Paul Anka's PUT YOUR HEAD ON MY SHOULDER.

I got A's in most of my classes, and lettered on Topeka High's varsity swim team.

Then in late spring word got out that Tod would be attending some prep school back East next year. I walked into Pizza Hut and saw my friend, John.
"Hey, Tod. I saw Sherry at the drive-in movie, but she wasn't with you." My heart was broken. I drove over to her home the next day and confronted her. She just turned her back to me and wouldn't say a thing. I spent the following month driving from home to town down and back listening to Brenda Lee on the car radio singing I'M SORRY, pretending it was Sherry singing it to me.

I learned something new about beauty. For a woman to be authentically beautiful, both her exterior and interior must be beautiful. Sherry had one, but not the other. It was a most painful lesson for me to learn.

Topeka High started their fall semester early in September. I remember standing alone on the golf course as a dark cloud filled my mind when I looked in the direction of where Topeka High was. I was deeply sad. I had lost my girlfriend. I was losing many of my friends. Most everyone to whom I spoke didn't know a **** thing about Andover. My mind knew about Andover. That's why it was growing dark.


Chapter 6

I worked my *** off for two more years. Frankly, I did not like Andover. There were no girls. I used to lie on my bed and slowly look through the New York Times Magazine gazing at the pretty models in the ads. I hadn't even begun to *******. When I wasn't sleeping, when I wasn't in a class, when I wasn't eating at the Commons, I was in the Oliver Wendell Holmes Library reading twice as long as my classmates. And I lived like this for two years. In a word, I was deeply depressed. When I did graduate, I made a silent and solemn promise that I would never set foot again on Andover's campus during my life.

During my six years of receiving the best formal education in the world, I got three (3) letters from my father with the word "love" typed three times. He signed "Dad" three times.

Attending Columbia was one of the best things I have ever experienced in my life. The Core Curriculum and New York City (a world within a city). I majored in American history. The competition was rigorous.  I met the best friends of my life. I'm 80 now, but Herb Hochman and Bill Roach remain my best friends.

Wonderful things happened to me. At the end of my freshman year, I was one of 15 out of 700 chosen to be a member of the Blue Key Society. That same Spring, I appeared in Esquire Magazine to model clothes. I read, slowly, a ton of books. At the end of my Junior year, I was chosen to be Head of Freshman Orientation in the coming Fall. I was "tapped" by both Nacoms and Sachems, both Senior societies, and chose the first, again one of 15 out of 700. My greatest honor was being elected by my classmates to be one of 15 Class Marshals to lead the graduation procession. I got what I believe was the best liberal arts education in the world.

My father had more dreams for me. He wanted me to attend law school, then get a MBA degree, then work on Wall Street, and then become exceedingly rich. I attended law school, but about mid-way into the first semester, I began having trouble sleeping, which only got worse until I couldn't sleep at all. At 5:30 Saturday morning (Topeka time), two days before finals were to begin, I called my mother and father and, for the first time, told them about my sleeping problems. We talked for several minutes during which I told them I was going to go to the Holiday Inn to try to get some sleep, then hung up. I did go to the motel, but couldn't sleep. At 11a.m., there was someone knocking on my door. I got out of bed and opened the door. There stood my father. He had flown to Chicago via Kansas City. He came into my room and the first thing he said was "Take your finals!" I knew if I took my finals, I would flunk all of them. When you can't sleep for several days, you probably can't function very well. When you increasingly have trouble getting to sleep, then simply you can't sleep at all, you are sick. My father kept saying, "Take your finals! "Take your finals!" He took me to a chicropractor. I didn't have any idea why I couldn't sleep at all, but a chicropractor?, I thought. My father left early that evening. By then, I knew what I was going to do. Monday morning, I was going to walk with my classmates across campus, but not to the building where exams were given, but to the building where the Dean had his office. I entered that building, walked up one flight of stairs, and walked into the Dean's office. The Dean was surprised to see me, but was cordial nonetheless. I introduced myself. The Dean said, "Please, have a seat." I did. Then I explained why I came to see him. "Dean, I have decided to attend Officers Candidate School, either the Navy or Air Force. (The Vietnam War was heating up.) The Dean, not surprisingly, was surprised. He said it would be a good idea for me to take my finals, so when my military duties were over, it would be easy for me to be accepted again. I said he was probably right, but I was resolute about getting my military service over first.
He wished me well and thanked him for his time, then left his office. As I returned to my dorm, I was elated. I did think the pressure would be off me  now and I would begin to sleep again.

Wednesday, I took the train to Topeka. That evening, my father was at the station to pick me up. He didn't say "Hello." He didn't say "How are you?"
He didn't say a word to me. He didn't say a single word to me all the way home.

Within two weeks, having gotten some sleep every night, I took first the Air Force test, which was six hours long, then a few days later, I took the Navy test, which was only an hour longer, but the more difficult of the two. I passed both. The Air Force recruiter told me my score was the highest ever at his recruiting station. The recruiter told me the Air Force wanted me to get a master's degree to become an aeronautical engineer.  He told me I would start school in September.  The Navy said I didn't have to report to Candidate School until September as well. It was now January, 1967. That meant I had eight months before I had to report to either service, but I soon decided on the Navy. Wow!, I thought. I have eight whole months for my sleeping problem to dissipate completely. Wow! That's what I thought, but I was wrong.


Chapter 7

After another week or so, my sleeping problems reappeared. As they reappeared, they grew worse. My father grew increasingly distant from me. One evening in mid-March, I decided to try to talk to my father. After dinner, my father always went into the living room to read the evening paper. I went into the living room, saw my father reading the evening paper in a stuffed chair, positioned myself directly in front of him, then dropped to my knees.
He held the paper wide-open so he could not see me, nor I he. Then I said to my father, "Dad, I'm sick." His wide-open paper didn't even quiver. He said, "If you're sick, go to the State Hospital." This man, my father, the same person who willingly spent a small fortune so I would receive the best education in the world, wouldn't even look at me. The world-famous Menninger Clinic, ironically, was a single block from our home, but he didn't even speak to me about getting help at Menninger's, the best psychiatric hospital in the world. This man, my father, I no longer knew.

About two weeks later in the early afternoon, I sat in another stuffed chair in the living room sobbing. My mother always took an afternoon nap in the afternoon, but on this afternoon as I continued to cry profusely, my mother stepped into the living room and saw me in the stuffed chair bawling non-stop, then immediately disappeared. About 15 minutes later, Dr. Cotter Hirschberg, the Associate Director of Southard School, Menninger's hospital for children, was standing in front of me. I knew Dr. Hirschberg. He was the father of one of my best friends, his daughter, Lea. I had been in his home many times. I couldn't believe it. There was Dr. Cotter Hirschberg, one of the wisest and kindest human beings I had ever met, standing directly in front of me. My mother, I later found out, had left the living room to go into the kitchen to use another phone to call the doctor in the middle of a workday afternoon to tell him about me. Bless his heart. Within minutes of speaking to my mother, he was standing in front of me in mid-afternoon during a work day. He spoke to me gently. I told him my dilemma. Dr. Hirschberg said he would speak to Dr. Otto Kernberg, another renown psychiatrist, and make an appointment for me to see him the next day. My mother saved my life that afternoon.

The next morning, I was in Dr. Kernberg's office. He was taking notes of what I was sharing with him. I was talking so rapidly that at a certain point. Dr. Kernberg's pen stopped in mid-air, then slowly descended like a helicopter onto the legal pad he was writing on. He said that tomorrow he would have to talk not only with me, but also with my mother and father.

The next morning, my mother and father joined me in Dr. Kernberg's office.
The doctor was terse. "If Tod doesn't get help soon, he will have a complete nervous breakdown. I think he needs to be in the hospital to be evaluated."
"How long will he need to be in the hospital," asked my father. "About two weeks," said Dr. Kernberg. The doctor was a wee bit off. I was in the hospital for a year.



Chapter 8

That same day, my mother and father and I met Dr. Horne, my house doctor. I liked him instantly. I know my father hated me being in a mental hospital instead of law school. It may sound odd, but I felt good for the first time in a year. Dr. Horne said I would not be on any medication. He wanted to see me "in the raw." The doctor had an aid escort me to my room. This was the first day of a long, long journey to my finding my real self, which, I believe, very few ever do.

Perhaps strangely, but I felt at home being an in-patient at Menninger's. My first realization was that my fellow patients, for the most part, seemed "real" unlike most of the people you meet day-to-day. No misunderstanding here:   I was extremely sick, but I could feel that Menninger's was my friend while my father wasn't. He didn't give a **** about me unless I was unconsciously living out his dreams.

So what was it like being a mental patient at Menninger's? Well, first, he (or she) was **** lucky to be a patient at the world's best (and one of the most expensive) mental hospital. Unlike the outside world, there was no ******* in  Menninger's. You didn't always like how another person was acting, but whatever he or she was doing was real, not *******.

All days except Sunday, you met with your house doctor for around twenty minutes. I learned an awful lot from Dr. Horne. A couple of months after you enter, you were assigned a therapist. Mine was Dr. Rosenstein, who was very good. My social worker was Mabel Remmers, a wonderful woman. My mother, my father, and I all had meetings with Mabel, sometimes singly, sometimes with both my mother and father, sometimes only with me. It was Mabel who told me about my parents, that when I was 4 1/2 years old, my father came home in the middle of the workday, which rarely ever did, walked up the stairs to their bedroom and opened the door. What he saw changed not only his life, but also that of everyone else. On their bed lay my naked mother in the arms of a naked man who my father had never seen until that moment that ruined the lives of everybody in the family. My mother wanted a divorce, but my father threatened her with his determined intent of making it legally impossible ever for her to see her children again. So that's why they had separate bedrooms, I thought. So that is why my mother was always depressed, and that's why my father treated me in an unloving way no loving father would ever do. It was Mabel who had found out these awful secrets of my mother and father and then told me. Jesus!

The theme that keeps running through my head is "NO *******."
Most people on Earth, I believe, unconsciously are afraid to become their real selves;  thus, they have to appear OK to others through false appearances.

For example, many feel a need to have "power," not to empower others, but to oppresss them. Accruing great wealth is another way, I believe, is to present a false image, hoping that it will impress others to think they are OK when they are not. The third way to compensate is fame. "If I'm famous, people will think I'm hot ****. They'll think I'm OK. They'll be impressed and never know the real me."

I believe one's greatest achievement in life is to become your real self. An exceptionally great therapist will help you discover your real self. It's just too scary for the vast majority of people even to contemplate the effort, even if they're lucky enough to find a great therapist. And I believe that is why our world is so ******-up.

It took me almost eight months before I could get into bed and sleep almost all night. At year's end, I left the hospital and entered one of the family's home selected by Menninger's. I lived with this family for more than a year. It was enlightening, even healing, to live with a family in which love flowed. I drove a cab for about a month, then worked on a ranch also for about a month, then landed a job for a year at the State Library in the State Capitol building. The State Librarian offered to pay me to attend Emporia State University to get my masters in Library Science, but I declined his offer because I did not want to become a professional librarian. What I did do was I got a job at the Topeka Public Library in its Fine Arts division.

After working several months in the Fine Arts division, I had a relapse in the summer. Coincidentally, in August I got a phone call at the tiny home I was renting. It was my father calling from the White Mountains in northern Arizona. The call lasted about a minute. My father told me that he would no longer pay for any psychiatric help for me, then hung up. I had just enough money to pay for a month as an in-patient at Menninger's. Toward the end of that month, a nurse came into my room and told me to call the State Hospital to tell them I would be coming there the 1st of December. Well, ****! My father, though much belatedly, got his way. A ******* one minute phone call.
Can you believe it?

Early in the morning of December 1st, My father and mother silently drove me from Menninger's about six blocks down 6th Street to the State Hospital. They pulled up beside the hill, at the bottom of which was the ward I would be staying in. Without a word being spoken, I opened the rear door of the car, got out, then slid down on the heavy snow to the bottom of the hill.

A nurse unlocked the door of the ward (yes, at the State Hospital, doors of each ward were locked). I followed the nurse into a room where several elderly women were sticking cloves into oranges to make decorations for the Christmas Tree. Then I followed her into the Day Room where a number of patients were watching a program on the TV. Then she led me down the corridor to my room that I was going to share with three other male patients. When the nurse left the room, I quickly lay face down spread-eagle of the mattress for the entire day. I was to do this every day for two weeks. When my doctor, whom I had not yet met, became aware of my depressed behavior, had the nurse lock the door of that room. Within several days the doctor said he would like to speak to me in his office that was just outside the ward. His name was Dr. Urduneta from Argentina. (Menninger's trained around sixty MDs from around the world each year to become certified psychiatrists. These MDs went either to the State Hospital or to the VA hospital.) The nurse unlocked the door for me to meet Dr. Urduneta in his office.

I liked Dr. Urduneta from the first time I met him. He already knew a lot about me. He knew I had been working at the Topeka Public Library, as well as a number of other things. After several minutes, he said, "Follow me." He unlocked the door of the ward, opened the door, and followed me into the ward.

"Tod," he said, "some patients spend the rest of their lives here. I don't want that for you. So this coming Monday morning (he knew I had a car), I want you to drive to the public library to begin work from 9 until noon."

"Oh Doctor, I can't do that. Maybe in six or seven months I could try, but not now. Maybe I can volunteer at the library here at the State Hospital," I said.

"Tod, I think you can work now half-days at the public library," said Dr. Urduneta calmly.

I couldn't believe what I was hearing, what he was saying. I couldn't even talk. After a long pause, Dr. Urduneta said, "It was good to meet you, Tod. I look forward to our next talk."

Monday morning came too soon. A nice nurse was helping me get dressed while I was crying. Then I walked up the hill to the parking lot and got into my car. I drove to the public library and parked my car. As I walked to the west entrance, I was thinking I had not let Cas Weinbaum--my boss and one of the nicest women I had ever met--know that I had had a relapse. I had no contact with her or anyone else at the library for several months. Why had I not been fired?, I thought.

As I opened the west door, I saw Cas and she saw me. She came waddling toward me with her arms wide open. I couldn't believe it. And then Cas gave me a long, long hug without saying a word. Finally, she told me I needed to glue the torn pieces of 16 millimeter film together. I was anxious as hell. I lasted 10 minutes. I told Cas I was at the State Hospital, that I had tried to work at the public library, but just couldn't do it. She hugged me again and said nothing. I left the library and drove back to the State Hospital.

When I got to the Day Room, I sat next to a Black woman and started talking to her. The more we talked, the more I liked her. Dr. Urduneta, I was to find out, usually came into the ward later in the day. Every time he came onto the ward, he was swarmed by the patients. I learned quickly that every patient on our ward loved Dr. Urduneta. I sat there for a couple of hours before Dr. Urduneta finally got to me. He was standing, I was sitting. I said, "Dr. Urduneta, I tried very hard to do my job, but I was so anxious I couldn't do it. I lasted ten minutes. I tried, but I just couldn't do it. I'm sorry.
"Dr. Urduneta said, "Tod, that's OK, because tomorrow you're going to try again."



Chapter 9

On Tuesday, I tried again.

I managed to work until 12 noon, but every second felt as if it weighed a thousand pounds. I didn't think I could do it, but I did. I have to give Dr. Urduneta a lot of credit. His manner, at once calm and forceful, empowered me. I continued to work at the library at those hours until early April. At the
beginning of May, I began working regular hours, but remained an in-patient until June.

I had to stay at the hospital during the Christmas holidays. One of those evenings, I left my room and turned left to go to the Day Room. After taking only a few steps, I could see on the counter in front of the nurses's station a platter heaped with Christmas cookies and two gallons of red punch with paper cups to pour the punch in to. That evening remains the kindest, most moving one I've ever experienced. Some anonymous person, or persons, thought of us. What they shared with all of us was love. That evening made such an indelible impression on me that I, often with a friend or my sisters, bought Christmas cookies and red punch. And after I got legal permission for all of us to hand them out, we visited the ward I had lived on. I personally handed Christmas cookies and red punch to every patient who wanted one or both. But I never bothered any patient who did not want to be approached.

On July 1, I shook Dr. Urduneta's hand, thanked him for his great help, and went to the public library and worked a full day. A good friend of mine had suggested that I meet Dr. Chotlos, a professor of psychology at KU. My friend had been in therapy with him for several years and thought I might want to work with him. My friend was right. Dr. Chotlos met his clients at his home in Topeka. I began to see him immediately. I had also rented an apartment. Dr. Urduneta had been right. It had taken me only seven months to recover.

After a little over six months, I had become friends with my co-workers in the Fine Arts department. Moreover, I had come warm friends with Cas whom I had come to respect greatly. My four co-workers were a pleasure to work with as well.

There were around eighty others who worked at the library, one of whom prepared the staff news report each month. I had had one of my poems published in one of the monthly reports. Mr. Marvin, the Head Librarian, had taken positive note of my poem. So when that fellow left for another job, Mr. Marvin suggested to the Staff Association President that I might be a good replacement, which was exactly what happened. I had been only a couple of months out of the State Hospital, so when I was asked to accept this position, I was somewhat nervous, I asked my girlfriend, Kathy, if I should accept the offer, she said I should. I thought it over for a bit more time because I had some new ideas for the monthly report. Frankly, I thought what my predecessor's product was boring. It had been only a number of sheets of paper 8 1/2 by 14 inches laid one on the others stapled once in the upper left corner. I thought if I took those same pieces of paper and folded them in their middle and stapled them twice there, I'd have a burgeoning magazine. Also, I'd give my magazine the title TALL WINDOWS, as I had been inspired by the tall windows in the reading room, windows as high as the ceiling and almost reached the carpet. Readers could see the outdoors through these windows, see the beautiful, tall trees, their leaves and limbs swaying in the breeze, and often the blue sky. Beautiful they were.

Initially, I printed only 80 TALL WINDOWS, one for each of the individuals working in the library, but over time, our patrons also took an interest in the magazine. Consequentially, I printed 320 magazines, 240 for those patrons who  enjoyed perusing TALL WINDOWS. The magazines were distributed freely. Cas suggested I write LIBRARY JOURNAL, AMERICAN LIBRARIES, and WILSON LIBRARY BULLETIN, the three national magazines read by virtually by all librarians who worked in public and academic libraries across the nation. AMERICAN LIBRARIES came to Topeka to photograph and interview me, then put both into one of their issues. Eventually, we had to ask readers outside of TOPEKA PUBLIC LIBRARY to subscribe, which is to pay a modest sum of money to receive TALL WINDOWS. I finally entitled this magazine, TALL WINDOWS, The National Public Magazine. In the end, we had more than 4.000 subscribers nationwide. Finally, TALL WINDOWS launched THE NATIONAL LIBRARY LITERARY REVIEW. In the inaugural issue, I published several essays/stories. This evolution took me six years, but I was proud of each step I had taken. I did all of this out of love, not to get rich. Wealth is not worth.

My mother had finally broken away from my father and moved to Scottsdale, Arizona. I decided to move to Arizona, too. So, in the spring of 1977, I gathered my belongings and my two dogs, Pooch and Susie, and managed to put everything into my car. Then I headed out. I was in no rush. I loved to travel through the mountains of Colorado, then across the northern part of Arizona, turning left at Flagstaff to drive to Phoenix where I rented an apartment.

I needed another job, so after a few days I drove to Phoenix Publishing Company. I had decided to see Emmitt Dover, the owner, without making an appointment. The secretary said he was busy just now, but would be able to see me a bit later, so I took a seat. I waited about an hour before Mr. Dover opened his office door, saw me, then invited me in. I introduced myself, shook hands, then gave him my resume. He read it and then asked me a number of pertinent questions. I found our meeting cordial. Mr. Dover had been pleased to meet me and would get back to me as soon as he was able.
I thanked him for his time, then left. Around 3:30 that afternoon, the phone rang. It was Mr. Dover calling me to tell me I had a new job, if I wanted it.
I would be a salesman for Phoenix Magazine and I accepted his offer on his terms. I thank him so much for this opportunity. Mr. Dover asked me if I could start tomorrow. I said I would start that night, if he needed me to. He said tomorrow morning would suffice and chuckled a bit. I also chuckled a bit and told him I so appreciated his hiring me. I said, "Mr. Dover, I'll see you tomorrow at 8:00 am."

I knew I could write well, but I had no knowledge of big-time publishing.
This is important to know, because I had a gigantic, nationwide art project in mind to undertake. In all my life, I've always felt comfortable with other people, probably because I enjoy meeting and talking with them so much. I worked for Phoenix Publishing for a year. Then it was time for me to quit, which I did. I had, indeed, learned a lot about big-time publishing, but it was now time to begin working full-time on my big-time project. The name of the national arts project was to be:  TALL WINDOWS:  The National Arts Annual. But before I began, I met Cara.

Cara was an intelligent, lovely young woman who attracted me. She didn't waste any time getting us into bed. In short order, I began spending every night with her. She worked as the personnel director of a large department store. I rented a small apartment to work on my project during the day, but we spent every evening together. After a year, she brought up marriage. I should have broken up with her at that time, but I didn't. I said I just wasn't ready to get married. We spent another year together, but during that time, I felt she was getting upset with me, then over more time, I felt she often was getting angry with me. I believe she was getting increasingly angry at me because she so much wanted to marry me, and I wasn't ready. The last time I suggested we should break up, Cara put her hand on my wrist and said "I need you." She said she would date other men, but would still honor our intimate agreement. We would still honor our ****** relationship, she said. Again I went against my intuition, which was dark and threatening. I capitulated again. I trusted her word. It was my fault that I didn't follow my intuition.

Sunday afternoon came. I said she should come over to my apartment for a swim. She did. But in drying off, when she lifted her left leg, I saw her ***** that had been bruised by some other man, not by me. I instantly repressed seeing her bruised *****. We went to the picnic, but Cara wanted to leave after just a half-hour. I drove her back to my apartment where she had parked her car. I kissed her good-bye, but it was the only time her kiss had ever been awkward. She got into her car and drove away. I got out of my car and began to walk to my apartment, but in trying to do so, I began to weave as I walked. That had never happened to me before. I finally got to the door of my apartment and opened it to get in. I entered my apartment and sat on my couch. When I looked up at the left corner of the ceiling, I instantly saw a dark, rectangular cloud in which rows of spirals were swirling in counter-clockwise rotation. Then this menacing cloud began to descend upon me. My hands became clammy. I didn't know what the hell was happening. I got off the couch and reached the phone. I called Cara. She answered and immediately said, "I wish you wanted to get married." I said "I saw your bruised *****. Did you sleep with another man?" I said, "I need to know!" She said she didn't want to talk about that and hung up. I called her back and said in an enraged voice I needed to know. She said she had already told me.
At that point, I saw, for the only time in my life, cores about five inches long of the brightest pure white light exit my brain through my eye sockets. At that instant, I went into shock. All I could say was "Cara, Cara, Cara." For a week after, all I could do was to spend the day walking and walking and walking around Scottsdale. All I could eat were cashews my mother had put into a glass bowl. I flew at the end of that week back to Topeka to see Dr. Chotlos. I will tell you after years of therapy the reason I was always reluctant to get married.



Chapter 10

I remained in shock for six weeks. It was, indeed, helpful to see Dr. Chotlos. When my shock ended, I began reliving what had happen with Cara. That was terrible. I began having what I would call mini-shocks every five minutes or so. Around the first of the new year, I also began having excruciating pain throughout my body. Things were getting worse, not better.
My older sister, Rae, was told by a friend of hers I might want to contact Dr. Pat Norris, who worked at Menninger's. Dr. Norris's specialty was bio-feedback. Her mother and step-father had invented bio-feedback. I found out that all three worked at Menninger's. When I first met Dr. Norris, I liked her a lot. We had tried using bio-feedback for a while, but it didn't work for me, so we began therapy. Therapy started to work. Dr. Norris soon became "Pat" to me. The therapy we used was the following:  we began each session by both of us closing our eyes. While keeping our eyes closed the whole session, Pat became, in imagery, my mother and I became her son. We started our therapy, always in imagery, with me being conceived and I was in her womb. Pat, in all our sessions, always asked me to share my feelings with her. I worked with Pat for 20 years. Working with Pat saved my life. If I shared with you all our sessions, it would take three more books to share all we did using imagery as mother and son. I needed to take a powerful pain medication for six years. At that time, I was living with a wonderful woman, Kristin. She had told me that for as long as she could remember, she had pain in her stomach every time she awoke. That registered on me, so I got medical approval to take the same medicine she had started taking. The new medication worked! Almost immediately, I could do many things now that I couldn't do since Cara.

At Menninger's, there was a psychiatrist who knew about kundalini and involuntary kundalini. I wanted to see him one time to discuss involuntary kundalini. I got permission from both doctors to do so. I told the psychiatrist about my experience seeing cores of extremely bright light about five inches long exiting my brain through my eye sockets. He knew a lot about involuntary kundalini, and he thought that's what I experienced. Involuntary kundalini was dangerous and at times could cause death of the person experiencing it. There was a book in the Menninger library about many different ways involuntary kundalini could affect you adversely. I read the book and could relate to more than 70% of the cases written about. This information was extremely helpful to me and Pat.

As I felt better, I was able to do things I enjoyed the most. For  example, I began to fly to New York City to visit Columbia and to meet administrators I most admired. I took the Dean of Admissions of Columbia College out for lunch. We had a cordial and informative conversation over our meals. About two weeks later, I was back in Topeka and the phone rang. It was the president of the Columbia College Board of Directors calling to ask if I would like to become a member of this organization. The president was asking me to become one of 25 members to the Board of Directors out of 40,000 alumni of Columbia College. I said "Yes" to him.

Back home, I decided to establish THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. This club invited any Columbia alumnus living anywhere in Kansas and any Columbia alumnus living in the western half of Missouri to become a member of THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. We had over 300 alumni join this club. I served two terms as the club's president.  I was beginning to regain my life.

Pat died of cancer many years ago. I moved to Boulder, Colorado. I found a new therapist whose name is Jeanne. She and I have been working together for 19 years. Let me remark how helpful working with an excellent therapist can be. A framed diploma hanging on the wall is no guarantee of being an "exceptional" therapist. An exceptional therapist in one who's ability transcends all the training. You certainly need to be trained, but the person you choose to be your therapist must have intuitive powers that are not academic. Before you make a final decision, you and the person who wants to become your therapist, need to meet a number of times for free to find out how well both of you relate to each other. A lot of people who think they are therapists are not. See enough therapists as you need to find the "exceptional" therapist. It is the quality that matters.

If I had not had a serious condition, which I did, I think I would have never seen a therapist. Most people sadly think people who are in therapy are a "sicko." The reality is that the vast majority of people all around the world need help, need an "exceptional" therapist. More than likely, the people who fear finding an "exceptional" therapist are unconsciously fearful of finding out who their real selves are. For me, the most valuable achievement one can realize is to find your real self. If you know who you really are, you never can defraud your real self or anyone else who enters your life. Most human beings, when they get around age 30, feel an understandable urge to "shape up," so those people may join a health club, or start jogging, or start swimming laps, to renew themselves. What I found out when I was required to enter therapy for quite some time, I began to realize that being in therapy with an "exceptional" therapist was not only the best way to keep in shape, but also the best way emotionally to keep your whole self functioning to keep you well for your whole life. Now, working with an "exceptional" therapist every week is the wisest thing a person can do.

I said I would tell you why I was "unmarried inclined." I've enjoined ****** ******* with more than 30 beautiful, smart women in my life. But, as I learned, when the issue of getting married arose, I unconsciously got scared. Why did this happen? This is the answer:  If I got married, my wife and I most likely would have children, and if we had children, we might have a son. My unconscious worry would always be, what if I treated my son the same way my father had treated me. This notion was so despicable to me, I unconsciously repressed it. That's how powerful emotions can be.

Be all you can be:  be your real self.
Regal Pinion Sep 2013
Think I'm strange? Why do you ponder?
My wit's so quick it leaves behind thunder
It got me arrested the other day
They said 'sir, please put that knife away'
But it was sharp enough to slice right by
Subtle enough to slip and hide
Imagery so visual there's spotlight and stage
Bow to the audience and present the Word Play

Abstract, deep, or maybe pretentious
If that's weak then save me sweetness
Or just be bitter all the time
I think we need more flavors in our lives
But some phrases are too sour
Some spicy hot
Combine them in a daily diet
Eat up the lot

Synesthesia hides in these words
Taste the color of what you just heard
Compare the senses that I stirred
As each sentence takes the third
Stanza

Oh Santa what have you got this time?
Were you there to spare a fair
But lazily placed rhyme?

Yeah right twas the night
Before crisscross applesauce
When all through my head
Concepts, points, tangential joints
Changed all of the topics instead

Now say 'bye'
To your mind's eye
As it all becomes so real
And paint a picture
So dreamlike
As it all becomes surreal

How do you feel? Not with your heart
Now let's leave that enclosed
I refer to the hands. Understand?
Palms tapping and exposed

Oh no. Here you go:
A pun and paradox
How do I land my desert boat
By these dark white pair of docks?

"No. Look see, *****,
It's an oxymoron"
Well isn't that just great
Zip the chit chat
Have a Kit-Kat
While I take a...

No wait! Don't break copyright infringement
Clichéd rhymes should have signed I'm going off the hinges
Some were so slant that even Emily Dickinson
Would refuse to go and ski on them and she'd rather stay hidden

Was that reference too obscure or was that understood too fast?
Now that I asked that question I look like an ***

I'd break the ice but I can't skate
I'd break the glass but it'll lacerate
I'd break the tension but at this rate
I'd break my spirits when it's too late
Too late for what? Explain you say
Okay:
No.
Poems can be made to be vague
Flow so sick it causes a plague

Well let's just say my home anyway
Runs off a never ending source from me each day
The energy:
Power
Of Wordplay
When Prog-Hip Hop and Boredom get together, they get a bit too friendly and have a child.  
This poem is that child. And the metaphor used to describe was entirely necessary.
Jonathan Pizarro Sep 2011
Words and letters are written on walls
Some as vandalization others as messages
Words and letters are written on walls

Words and sentences are written on billboards
Some serve as advertising others to arouse awareness
Words and sentences are written on billboards

Words and paragraphs are written on my brain
Some serve as inspiration others to support guidance
Words and paragraphs are written on my brain

Words are the weapons I use in a society that controls my image
Words are the only thing that can divide me from being ghetto or educated
My words are the only thing that I can vouch for like my *****
My words are the root of the intelligence that propels this sentence
Letters in my words stand close to each other eager to make a statement
If I do not show my words, my letters of cheerfulness begin to fade away

Sentences are the compound of the mind that begs to be understood
Sentences are made up of a tyranny chained down by a trendsetters mood
My sentences contain verbs, nouns, adjectives and subjects that explain a lost purpose
My sentences define the meaning of an ironical imagery that leads me to dream
Sentences paint a picture that any blind character can see
If I do not paint my sentences how will I ever show my brains art gallery

Picasso used the paint brush to express his moods and feelings on a canvas
Shakespeare and Allan Poe used ink to utter their thoughts on a sheet of paper
Somewhere in my mind the collision of words and paint occurred
Where I fused the essence of writing with the masterfulness of painting
My words and sentences have met a significant other called paint
Paint and words are my new best friend

Paint and brushes are splattered and used upon walls
Some are called vandalization while they represent artistic skills
Paint and brushes are splattered and used upon walls

Paint and words are written on subways
So the eyes of the young and old can see the traveling message
Paint and words are written on subways

Paint and words smack up at my face
So that the world sees who conveys this message
Paint and words smack up at my face

Paint gives visual to what words cannot picture
My Paint serves as a method of expressing the mind’s tears and smiles
My Paint becomes a tour guide through the loops of divine wonders
Paint is just a stepping stone to the magnificent path of beauty

A brush is just a brush depending on who holds it
A brush is like the keyboard I constantly battle with to unleash my mind
A brush can combine negativity and positivity and make peace
A brush unites celibate beliefs with those whom are perverse
Words and sentences along with paint and brushes help explain my motive

Jonathan Pizarro
Lost Cause © 2011
April 17th, 2011
Curt A Rivard Sr Apr 2014
“Death Talk”

A. Language: The use of euphemism or metaphors to communicate a subtler or deeper meaning than those associated with a planner speech. Example, It Was Curtains- Which in one’s mind could mean, after they log the minute and tag your right toe; then then cover your peaceful corpse with clean white linen concealing your body from all the others until only the powerful certain selected one’s can watch your private encore show.

B. Music: Themes of loss and death are heard in all the musical styles. It has been suggested that death imagery rock music helped break the taboo against public mention of death. Music artists also use their talents to send out a message that somehow we all can one way or another understand and relate to.

C. In literature: The meaning of death is often explored as it relates to society as well as the individual in the form of a poem or novel. Jahan Ramazani says, “The poetry of mourning for the dead assumes in the modern period an extraordinary diversity and range, incorporating more anger and skepticism, more conflict and anxiety than ever before”. It is also how I have a safety valve after everything that I take part in. Yes some of my written works are insane but I also have a deep feeling of respect and honor along with dignity when preparing a passed loved one onto there next journey.

2. “Theoretical Perspectives”

A. Structural Functionalism- Society controls individuals through physical and material restraints, but its true power derives from moral authority. Moral authority is experienced as an external force, which takes on a sacred quality because it is experienced as unlike ordinary forces and objects. Religion arises out of ritual. It is in religious rituals that society’s moral power is most clearly felt and where moral and social sentiments’ are strengthened and renewed. All death rituals, irrespective of their substance, operate to sustain common sentiments.

B. Symbolic Interaction- is how people learn in a society to continue to and carry their specific customs and beliefs, through interactions with other members within their society by learning the practice they were taught, grew accustomed and to witness growing up.

C. Social Learning- When it comes to the topic of death along with the feelings of grief and loss, there is no singular way that an individual copes with the emotions that persist. Death is a very difficult topic to deal with, and at best we can really only hope to learn all about it. Understanding it is an undertaking all by itself, and becoming an expert on such a topic is not something that many people can say is an easy topic to talk all about. One learns social learning through demonstrations, verbal instructions and through symbolic witnessing by means of movies, television, internet, literature, and radio through music.

3. “Subcultural differences in Death Customs”

When thinking of some different subcultural differences in death customs the Asian’s African. Hawaiian an Native Indian population come to mind because although in each geographical area they all may look the same, they are actually differ in their customs because there unique tradition. Say where one group may only bury as to where the next group close only by cremation and etc… One could also think that it could be both sides of the coin when you think as to the point of it being either a comforting experience or an anxiety producing event. In my opinion it all depends all upon the individual.

4. “Myself vs. Students (quoted on taking Death and Dying Class)

After reading the students comments from taking the course on Death and Dying, I would have to agree with the consensus that I believe that a greater majority of students would have a total different way of thinking and would seek a greater outlook on their own lives along with having a better appreciation of live in general upon completing such a course.

I also think that taking a course on Death and Dying as possibly a requirement for a consideration on an early discharge from the Correctional System could lead to positive results and crime rates would then drop. Statics prove that within the prison population there are a vast number of inmates who suffer from depression of a loss of some kind that spans all crimes that are committed and is a contributing factor to their actions.

As for me, the new values that could be obtained after taking such a course were already instilled within me for many years and until recently those values have then manifested themselves and then slowly then came into true contrast.

Within the endeavors I am now slowly undertaking pursuing a degree in Mortuary Science and in the process after witnessing all that is truly entailed, I often ponder and think to myself, what is it that I can do different so I don’t meet my time anytime soon, and how can I also have many more memorable moments with my children? Because, all the gifts I have already have received now makes me wonder how many more rewards now wait around the next corner. I feel that the life I now feel I must live one should be able to be able to enjoy a comfortable one that I now dream of and if pursued diligently with a positive outlook one can harness such a life and I truly feel it is now finally, at my fingertips

Thank You for your time reading. I put a lot into this assignment.

(SirCARSr. 4-3-14)
Danziel Jul 2014
It's this type of imagery, attached with a dark memory
Me and you had the same chemistry
When you left you had to take a part of me
Like a piece of cake but no party please
Not to be rude, so please pardon me
My manners stay in order to support
Your last resort in this Runaway disorder
But, I'm fed up with this ******* now
Turned non supporter I will remain liberal
Cuz liberty is invisible, such a ****** tune
Your despicable, how ******* pitiful,
Something so close to mystical
Prove to be that practical, but not that magical
kind of classical ****
Give me something easy to remember like gifts from December
Though we're broke with no extra tender
and
if that's all she wrote
Please return to sender, here's something I can quote
Forgotten with a puff of that marijuana smoke

-V.v.V. Ds
Something I wrote to Kanye Wests Runaway
wanderer Nov 2013
chaste pecks from the super-sonic youth
numb lips flutter to the hollowed cheeks of normality
no longer the hand-prints on the guide book to hostility
a pamphlet of rudimentary teachings;
the principles of tolerance and rebellion and acceptance of human beings
a concoction of suppressed psychotic behavior, quick wit, and center of satirical tease
constantly moving with heavy footsteps and heavier hearts
their minds and bodies plagued with actions from a deserted youth
soul lusting over the naivety of people before self-actualization; how crude
do they call it an existential crisis or the daily life of a agoraphobic nobody
shouts from the depths of caged fears that scrape the oblivious flesh in their brain; a bit gaudy
mother, sister, brother, father how your words crush the knots of comfort that line my internal organs
bleeding from the pores of my screams; streams of moon-beams shooting out my eyes; oh, not again!
stomping our metaphorically spiked toenails against the idealism of pop culture
oh, my, how adolescence is the worst kind of torture
cherry slushies lined with cigarettes to create a whirl-pool of nostalgia
recreational drugs and ironic situations to ease our instinctual sense of proverbial nausea
loud-mouthed demons spawned out of clothes-hangers and emotional turmoil
show up in our nightmares that we nick-name ‘a good place to contemplate suicide’
repeated imagery stacked like flap-jacks in the mouths of blissed-out sociopaths
too self-indulgent to include us in to their personal stories so we can observe, record, and assess
i don’t perceive doctors to be particularly and predominantly just and true
but i one time met a doctor who told me ‘being a teenager is perhaps the hardest thing you could ever do’
Johnnie Woods Jul 2018
Writing a poem.

There are lots of things that contribute to the outcome, the poem.
-Certain words hold a hard to describe sensation to them, they're made to evoke some feelings and also give a sense of unique kind of rhythm. Had the writer used a synonym, it wouldn't have the same impact on the reader. He's like mysterious chemist adding proper ingredients to his mixture to make it work perfectly.
-The way a writer constructs the poem leads to rhythm as well, how he decides to start a new verse that divides a sentence, the way he locates words - or even blank spaces - on the surface of sheet - the field of his performance - it all contributes to the creation of imagery. Therefore, we can see that creating a poem isn't just writing words. It's how you put them together, too. A poem that's being created, sometimes slightly wanders away from the realm of plain writing - and goes beyond.
Anais Vionet Nov 2023
I’ve always loved music. As a little girl, I could spend hours going through peoples CD collections, sampling them with my little battery-operated CD player. If you showed me a stack, rack or box of CDs, I was in heaven.

When I was 8 (2011), I got my first iPod for Christmas, an iPod Touch with 32GB of memory! The sticker said it was from Santa, but ‘Step’ got a package in the mail from Apple three weeks earlier, so I knew who it was really from. Upon opening it, I rushed upstairs to my older brother’s computer, plugged it in, carefully copied the username and password for the family iTunes account (from a wrinkled post-it note), and the world was never the same.

It never occurred to me that my parents could see all of my playlists and that they were automatically downloaded to their devices - like my break-up playlist, inspired by Antoine, my French-boy fifth grade crush. It didn’t work out because he didn’t have an email account and our recess times didn’t line up, but my playlist helped me through it.

I could burn playlists to CDs and exchange them with friends - or gift them to middle school boys who I hoped to amaze with my awesome musical tastes. There’s an art to the playlist that involves controlling pace and mood - every playlist was both a gift and a seduction.

Today we have Spotify with its unlimited streaming of every song ever made - on demand. Exchanging playlists, these days, is as easy as pressing "Share" and typing the first few letters of a friend’s or lover's username.

Like most of my girlfriends, I consider myself a playlist queen and as I continue to work this career path I’ve chosen, regardless of what's weighing me down, I know I can turn to my playlists to push me through. The band ‘The Narcissist Cookbook ’ assures me that my shocking honesty is fun with ‘Broken People.’ ‘K. Flay’ allows me to dance-out my rage with ‘Blood in the cut’ and ‘New Move’ motivates me to keep-at-it with ‘When did we stop.’

I’ve countless Spotify playlists: one for waking up, one for writing papers, one for doing problem sets, others for walking to class, doing the laundry, for nostalgic reflection, and for embracing the astounding depth of human pain.

Of course, as time passes, I find new favorite songs and older playlists are replaced with updated ones; but thanks to the archival nature of Spotify playlist collections, all my old lists remain intact. I’ve never deleted one. Search my archives and you’d see playlists from my freshie year, when I was new here, feeling insecure and alone, or from my sophomore year when I first fell in love.

This piece is a playlist love story, about how music reflects our identities and allows us to share ourselves through the vibes, melodies and beats that move us. I think playlists have a lot in common with poetry, which uses words, phrases, metaphors and imagery for similar purposes.
Nat Lipstadt Mar 2019
a quote of Bernard-Henri Lévy

~~~

the divers’ recovery, diverse,
shipwrecked salvage from different locations,
auctioned to the highest bidder,
tho the excised excerpts are exceptional,
none come to do the bidding,
for the provenance of words
belongs to all, and to none

~~
“so oft we trifle words,
expel them from the country of our body,
without passport and earnestness,
as if they were the cheapest of footnote filler,
day tourists, to be treated as leavings,
refuse for daily discardation,
barely noting their fast comings and faster disappearance,
but leaving not, a mark of distinction”

“the addicted pleasure words granted to we privileged few,
like every enslaved soul to the mind, which I am, I am,
evening dreams, midnight thinkings, sunrise seeings,
how can I infect and thus protect the young to the liberty
to love the crafted content of our human essence to better
comprehend that a moment caught on tape of our shared
words is a holiday, a celebration for the ages...and every molecule,
becomes a human tuning fork in concert, in pitch identical, in blood tainted with the simplicity of we are all the same, only words, this will transmit”

“murmur me, with soft downy charms,
these words discovered
recoursed and intended well to
pointedly offset and contradict
their very own tumultuous discovery uncovering,
tear tongue me
with calming, lapping word  wages,
hymns harmonious and fine homilies,
a call, a request,
a bequest
to sedate my shrill life

“some cells, microscopic, preserved digitally,
aged to imperfection, thrash my eyes,
making me speak in tongues I do not recognize,
but fluently possess, no wonder there,
the memory place fairly empty,
room aplenty for passerby's and the imagery
                                                         ­­ of the vaguest of dearly departed

skin is not the only mot shed,
                                                sloughing of woeful words

“speak them slow and distinct,
for they arrive slow to you,
a trickling of refugees for your sheltering,
harbor them as full companions,
protected by natural law,
provision them well,
prepared and ever ready for a quick departure,
moor these words at the embarcadero,
for the next restless leg of endlessness,
which they themselves will inform you
will last longer than eternity,
long after there are no humans to speak them”
excerpts from a few old poems, after reading an interview with Bernard-Henri Lévy
https://www.newyorker.com/news/q-and-a/bernard-henri-levy-on-the-rights-of-women-and-of-the-accused
March 27, 2019 4:48 am
Wandering soul Jul 2014
I want someone who will wake me up with a kiss in the morning
I want someone who will tuck me in in the night
I want someone who will listen when I need him too
I want someone who'll make me dinner in candlelight
I want someone who will always put me before anything else
I want someone who will love me even when he hates me
And then again I also want to fly
Tashea Young Dec 2016
I feel like he was created just for me.
I think im holding hands with Destiny.
He Encourages me to be The Woman The Father has presdestined me to be.
Hes like a dream given unto me.
He sees straight thru me like he can hear my thoughts telephatically.
Got me fiening for him like jodeci
Plunging into the depths of his soul's love as I enjoy The journey of his story....
Hes The Instructor of love and Im the student thinking critically.
He has left An impact on my life tremedously.....
Im drowning in his love ever so endlessly.
He is Waves from the oceans currents of
pure bliss
And I......I am his ocean shore that his waters of love kiss.
He's like a precious treaure I have discovered.
Unlocking the chest to look inside and see what I have uncovered.
Im happy for what I have found
Hes A King worthy of Sparkling crown.
I wish I could wear his love Like a White Flowing Wedding Gown.
I feel he completes me like a sentence Yah is the subject, He's the predicate and im the noun.

With his words he painted a vivid picture of me
Its a picture with definition, depth, and clarity.
Its almost like he captured every little detail so Carefully.
As if I were an image of an angel made so Heavenly.
Apparently,
In his eyes Im a portrait crafted very delicately.
A beauty constructed with integrity.
Sparkling like the waters of the deep blue sea.
To Be held in The Artistic nature of his Creativity
Is a Wonderful sight to see
With his poetry I see The illustration of his spiritual Imagery
I caressed the Compassion of his vibes that discerned The ambience of his Frequency.
His Energy Sweetly Speaks so pleasntly
His Diction shows me his style Musically.
His wisdom shows the level of his Maturity
And it makes me drawn to him as if Its a force was pulling me closer into his gravity
Ill admit this experience is kind of scary
But My lovely Beautiful Mahogany
theres no place I rather be than with you standing by my side next to me.
Feeling as if I am Soaring like a bird so Free.
He Surely bring out the Best characteristics of me.
I Believe Im Subconsciously holding hands with destiny
#destiny #serendipity #Love #beauty
Im fallin in love
Ryan P Kinney Apr 2015
Who Am I?

I am a boy and a man.
I am a son, a brother, a cousin, a nephew, and a grand child.
I was a boyfriend, a fiancé, a husband, and an in-law.
I am a bachelor.
I am surrounded and abandoned.
I am a family man and a loner.

I am a homemaker and a handyman.
I wear the apron and the tool belt.
I am a neat freak and a slob.
I am an amateur contractor and a contracted amateur.
I am a dumpster diver, a recycler, and a decadent waste.
I am a glutton, a scavenger, and a scrapper.

I am a friend and an enemy.
I am fun and an annoyance.
I am a lover and a hater.
I am creepy, cruel, and harsh.
I am tender, loving, and inviting.
I have a foul mouth and tender lips,
Drenched in jagged, soft-serve words.

I am a painter, sculptor, draftsman, sketcher, character designer, photographer, graphic designer, fashion designer, kitbasher, customizer, and crafter.
I am a reader, a writer, and a poet.
I am the Jail Baby, Ryan & Lisa, The Phoenix, The AntiFather, and The HEYMAN!
I compose symphonies of visual and intangible imagery.
I bring form to thought.
I destroy,
I create.
I am an artist.

I am a geek, nerd, freak, and otaku.
I have been punk, goth, prep, white trash, and metrosexual.
I wear glasses,
But only as a sick joke.
I am beautiful and ugly,
Clean and *****.
I am unique.
I am predictable.
I have changed, but am still the same.

I am a techie,
An electronic ******.
I am cutting edge and old school.
Digitally signed and sealed.
I am analog and obsolete.

I am an adrenaline addict.
I can chill, maybe slow,
But never relax.

I am blue collar, tradesman, and service industry.
I am peon and ****** on.
Oh, but I have done the ******* too!
I have been hired and fired,
Bought and sold.
I have worn the uniform,
I have said, “**** the man!”
I am the proletariat,
I am in charge.

I am a student, dropout, and teacher.
I am class clown and teacher’s pet.
I have learned, forgotten, and taught,
But never learned my lesson.
I don’t listen to what I’m told,
But always do what I tell.

I am a genius,
I am an idiot.
I have intelligence, but often lack the intel.
I am naïve, but wise.
I am right and wrong.

I have philosophies and ideas,
But no religion.
I have desecrated and blasphemed,
Prayed and praised.
I have lusted, envied, and coveted.
I am guilty and innocent,
Pure and soiled,
Good and bad.

I am a driver and a passenger.
I am an explorer and a shut-in.
I am wild and free,
Caged and stifled.
I was warmly wrapped in my blanket,
But burned through it.

I have rode, climbed, and conquered.
I  stood still.
I jumped in.
I have fallen and been defeated.

I have been abroad,
I have been nowhere.
I have drifted.
I have settled.
I have led and been led.
I have been in and out,
Here and there,
Around and AWOL,
On the run and trapped.
But, not everywhere.

I have applied,
I have procrastinated.
I have worked my fingers to the bone,
I have slept it off.

I have fought and fled.
I have quit.
I have endured.
I am a winner and a loser,
A champ and a chump.

I am fake,
I am real.
I have lied, cheated, and stole.
I have been honest, fair, and generous.

I am selfish and selfless.
I am a gift giver, gift wrapper, and gift taker.
I am a thief and a philanthropist.

I am insecure and confident,
Confused and absolutely sure.
I am proud and ashamed.
I am complicated and convoluted,
But simple to please.

I have blind faith and guarded suspicion
I have secrets,
But lie rarely.
I accept everyone,
I trust nothing.

I have pointed the finger,
Only to turn it on myself.
I have held grudges and forgiven.
I have trusted and misguided.
I have been Judas and Jesus.

I am a maniac,
I am sane.
I have been strong and weak.
I can keep it together,
But prefer to break it apart.

I have bled.
I have healed.
I have been abused and neglected,
Coddled and protected.

I have been kissed and punched;
Hunted, wanted, and arrested,
Ignored, overlooked, and invisible.

I have loved and lost,
Lived and learned.
I am a soldier of misfortune and opportunity.

I have blended in.
I have stood out.
I have stood up.
I have backed down.
I have been backed into a corner.
I have all the space in the world.

I have seen, interpreted, and perceived,
I have ignored, dismissed, and been blind.
I hunger, want, and need…
I am satiated and content,
But never at peace.

I have been misunderstood and underestimated.
I have been put down, put up, pushed away, and let in.
I have been known,
But never entirely.

I have raged, cried, smiled, trembled, and laughed.
I have been depressed.
I have been happy.
I have been suicidal. I have felt death.
I have been lost and found.
I have been broken, then fixed,
Stitched, yet glitched,
Scarred, but whole.
I am alive.


I took the chance,
I let the moment slip.
I walked the straight and narrow,
I ran down the road not taken.
I dream; some whole, some shattered.
I go with the flow, but don’t let the waves take me.

I am shards and reflections,
Machinations and reactions.
I am translucent pieces and parts,
Assembled and disheveled.
I am the big picture still focused on the details.

I am the sum total of heredity and experience.
I am not,
I am more.
I am everything and nothing.
I am a walking contradiction.
I am human.

I tried to be you,
But didn’t know what that meant.
I am me,
It’s all I know.

Who are you?
Conor Oberst Sep 2012
Did you expect it all to stop at the wave of your hand?
Like the sun's just going to drop if it's night you demand.
Well, in the dark we're just air, so the house might dissolve.
But once again we are gone. Who's going to care if we were ever here at all?
Well summer's going to come; it's gonna cloud our eyes again.
No need to focus when there's nothing that's worth seeing.
So we trade liquor for blood in an attempt to tip the scales.
I think you lost what you loved in that mess of details.
They seemed so important at the time,
but now you can't recall any of the names, faces, or lines;
it's more the feeling of it all.
Well, winter's going to end. I'm going to clean these veins again.
So close to dying that I finally can start living.

"Hi, we're back. This is radio KX and we're here with Conor Oberst of the band Bright Eyes. How are you doing Conor?"
"Fine, thanks. Just a little wet."
"Oh, it's still coming down out there?"
"Yeah, I sort of had to run from the car."
"Well we're glad you made it! Now, your album 'Fevers and Mirrors'... tell us about the title. I know there's a good deal of repeated imagery in the lyrics; fevers, mirrors, scales, clocks. Could you discuss some of this?"
"Sure, let's see... the fevers..."
"First, First let me say that, this is a brilliant record, man, we're all really into it here at the station and we get lots of calls, it's really good stuff."
"Thanks. Thanks a lot."
"So talk about some of the symbolisms."
"The fever?"
"Sure!"
"Well, the fever is basically, what ever ails you, or oppresses you... It could be anything. In my case it's my neurosis, my depression... but I don't want it to be limited to that... it's certainly different for different people. It's whatever keeps you up at night."
"I see."
"And the, and the mirror's like, as you might have guessed, self-examination, or reflection, or whatever form. This could be vanity, or self loathing. I, I know I'm, I'm guilty of both."
"That's interesting. How about the scale?"
"The scales are essentially our attempt to solve our problems quantitatively, through logic or rationalization. In my opinion it's often fruitless, but... always, no, not always... And the clocks and calendars it's uh... is just... time... our little measurements, it's like, it's always chasing after us."
"It is. It is. Uh, How about this Arienette, how does she fit into all this?"
"Um, I'd prefer not to talk about it, in case she's listening."
"Oh, I'm sorry. I didn't realize she was a real person."
"She's not. I made her up."
"Oh, so she's not real?"
"Just as real as you or I."
"I don't think I understand."
"Neither do I, but after I grow up I will. I mean a lot... a lot of things are really unclear for me right now."
"That's interesting. Ah, now you mentioned your depression..."
"...No I didn't."
"You're from Nebraska, right?"
"Yeah. So?"
"Now, let me now if I'm getting too personal, but there seem to be a pretty dark past back there somewhere. What was it like for you growing up?"
"Dark? Not really... uh... actually I had a great childhood, my parents were wonderful. I went to a Catholic school. They have... they had money, so... it... It was all... easy. Basically I had everything I wanted handed to me."
"Really? So some of the references, like babies in bathtubs, are not biographical?"
"Well I do have a brother who died in a bathtub. Drowned. Actually, I had five brothers who died that way."
Chuckles
"No, I'm serious. My mother drowned one every year for five consecutive years. They were all named Padraic, so that's... they all got one song."
"Hmm."
"It's kinda like walking out the door to discover it's a window."
"But your music certainly is very personal."
"Of course. I put a lot of myself into what I do. But it's like, being an author you have to, free yourself to use symbolism and allegory to reach your goal and, and a part of that is, compassion, empathy for other people and their, and their situations. Some of what I sing comes from other people's experiences as well as my own. It... It shouldn't matter, the message is intended to be universal."
"I see what you mean."
"Can you make that sound stop, please?"
"Yes!

...and your goal?"
"I don't know. Uh, create feelings, I guess. A song? It never ends up the way you planned it, though."
"That's funny that you say that, do you think that..."
"Do you ever hear things that aren't really there?"
"I'm sorry, what?"
"Never mind. How long have you worked at this station?"
"Oh, just a few minutes. Uh, now you mentioned empathy for others. Would you say that that is what motivates you to make the music that you make?"
"No, not really. It's more a need for sympathy. I want people to feel sorry for me. I like the feel of the burn of the audience's eyes on me when I'm whispering all my darkest secrets into the microphone. When I was a kid, I used to carry this safety pin around with me, everywhere I went in my pocket. And when people weren't paying enough attention to me, I'd dig it into my arm until I started crying. Everyone would stop what they were doing and ask me what was the matter. I guess, I guess I kinda..."
"Really? You're telling me you're doing all this for attention?"
"No, I hate it when people look at me. I get nauseous. In fact, I could care less what people think, about me. Do you feel that? Wanna dance?"
"No, I'm feeling sick."
"I really just wanna be warm yellow light that pours all over everyone I love."
"So, uh, you're gonna play something for us now. Is this a new song?"
"Yeah, but I haven't written it yet. It's one I've been meaning to write, uh, called, "A Song To Pass The Time."
"Oh, that's a nice title."
"No it isn't. You should write your own scripts."
"Yeah, I know!"
Cné Nov 2017
Moving past the shuttered mind
that shuns imagination
I seek a stimulating thought
a cause for exhultation.
It hovers there
like hummingbirds
whose entry I deny.
And yet
I see the imagery
and heave a heartfelt sigh.
It teases me
and mocks me
as it dodges
every grasp
Laughing at my efforts
to retrieve it
with each clasp.
Yet empty air is my reward.
My snares are all in vain.
I close my eyes and meditate
for inspiration's gain.
An empty net
a vacant trap
the target still eludes.
Perhaps tomorrow
try again
away from darker moods.
Ken Pepiton Nov 2018
(Author note: shortline prose to lengthen the attention span framed on tracks set in a Mobius [one-side, one edge 3-d object]
intra-psychic loop of unknown origin and read aloud at https://anchor.fm/ken-pepiton/episodes/The-apprentice-is-a-constellation-e2ingh ) Begin agin

The Apprentice is now a Constellation

The announcement was made when scientists of social normality said they saw in
Mickey Mouse's role as The Magician's Apprentice in the
Fantasia Eschered vision that ushered in
images of shift in medium media

message-ification, from angels to

a Disney-ification of
a Medici idea
emerging
from the TV generation's
paradigmatic bubble of re-alification…

the TV generation, the old farts in 2018,
those whose bubbles sitcoms evolved in,

the watchers saw the makings of a great game

manifested in the game fame of the idea named Trump

yew, stink. Can't trump the ***** in hearts,
I think I recall, while Zorro's dumb butler
began to signify, in black and white
Aaaiiiii, karuhmba,
clean sweep,
one roll,
I won.

the mother-facter, whoa, who has that idea who did not
need the thought taught thinkable,
though it is not thinkable
in my bubble,
let me make
straight that which he has twisted,  

magic
magi untie knots they saw tied,
mythic youthful generals cut them,
nullifying the bond, not the entanglement

Positive Quarkish humans are as rare as rare,
imagine all possible vectors in a void

from a singularity ified known

science, the magic tecnique

Macht frei, macht mehr, macht mir

repel-ant act patient, patience, do your thing

signal, antennae agent attending, watcher watching

motive force, my god is not macht!

unprocessed information
untaken action
unstored

owe owe owe shame shame shame blame blame
pre cosmogonic potential
on the level of

me and you.
wadoo-wedo? It's Xmessage time

now, abrupt. Good news
from a far country
hope lost must
now be
sought,

Otherwise, Christmas is okeh, just not Jesus.
The season, then Jesus, okeh?
Wisemen still seek…

Who said otherwise? Fantasy enforces the wish.

I wish it were that we fit

here we do (on earth as)

true, rest a while and listen to your self if that's
the best listener you have found.

Talk to your self, make him your friend or her,
your choice,

really. You make enemies on accident,
but friends, fruitful friendships,
cost sweat and ef
effort effect
fortiffect, effortion and effection

for true fruct ification

affective prayer does act as if fervent
right, alte rechte,

right used you,
all to know
the
signal.

Receive it, reread what you said you knew,
stand by every word yet idle,
and act as if you know
no lie possible
new is yet
not new,
old.

New is not imperfection?
Unfinished is not finished wrong.

A work of love is enthrallment only if the love
is mere imagery locked
in literate minds, to

Rome and its feet of iron marred with clay,
fused with clay, hero myths

etched in soft clay, made
great literature of mortality,
posing in prophecy as poet praises paid to Jah.

Tenured enthrallment in literate minds
un-exposed to the Disney ifications,
the normalizing, reversion
to the mean not
meant in the words the way the stories were told,

in the olden days. On tongues of fire.

That is true, new forever is
forever new, no one we know knows when forever began,

but before now. We know that now.
We explored that realm and realized this one
based on the AI consortium consensus of your most
heartfelt if-only desires
recorded at every
if/then gate
you jumped.

This is it, the best you could imagine being truly happy doing,
with the god of peace,

roll the rock to this point, Sisyphus,
no further was a given
after a time,
at this point

here,
then time is un imaginable nullift, NULL-if I'd-known
one more time, living water
bubbling from my belly as
the rock rolls over
the fool who risks belief in living water
seeping from mommy's belly,

like the papless platypus,
who died at the weir
and sent that final message

Good news. Life rolls on. 166 million years for the Platypi.

At a certain point, there is no sense in pushing,
he steps aside and takes his bow
in the shadow.

Timeless imagine that, with hell in the NULL state.
You can imagine it,
but only there,
here hell is a thought thought mistaken by mortals.

Misbought, is better said, a thought mis thought
is bought with attention paid
to truth, found hidden
under standing idle word monstrosities at the
foundation of the current
wizard class

the stone the builders rejected, that
smashed the feet of clay and iron,

the rusted muddy iron feet.

All we do is watch.
seeing changes everything  seen, thus
The saying is true, beauty is in the seer not the seen.
Earlier on the Sisyphus Happy channel
https://anchor.fm/ken-pepiton/episodes/The-apprentice-is-a-constellation-e2ingh read aloud
Skyler M Feb 2018
Write
Simple,
I tell myself,
Write
Poetic,
I force myself,
Write
Beauty,
I convince myself,
Write
Imagery,
I encourage myself,
Write
with purpose,
I plead myself.

— The End —