Submit your work, meet writers and drop the ads. Become a member
I met him on the Amtrak line to Central Jersey. His name was Walker, and his surname Norris. I thought there was a certain charm to that. He was a Texas man, and he fell right into my image of what a Texas man should look like. Walker was tall, about 6’4”, with wide shoulders and blue eyes. He had semi-long hair, tied into a weak ponytail that hung down from the wide brim hat he wore on his head. As for the hat, you could tell it had seen better days, and the brim was starting to droop slightly from excessive wear. Walker had on a childish smile that he seemed to wear perpetually, as if he were entirely unmoved by the negative experiences of his own life. I have often thought back to this smile, and wondered if I would trade places with him, knowing that I could be so unaffected by my suffering. I always end up choosing despair, though, because I am a writer, and so despair to me is but a reservoir of creativity. Still, there is a certain romance to the way Walker braved the world’s slings and arrows, almost oblivious to the cruel intentions with which they were sent at him.
“I never think people are out to get me.” I remember him saying, in the thick, rich, southern drawl with which he spoke, “Some people just get confused sometimes. Ma’ momma always used to tell me, ‘There ain’t nothing wrong with trustin’ everyone, but soon as you don’t trust someone trustworthy, then you’ve got another problem on your hands.’”—He was full of little gems like that.
As it turns out, Walker had traveled all the way from his hometown in Texas, in pursuit of his runaway girlfriend, who in a fit of frenzy, had run off with his car…and his heart. The town that he lived in was a small rinky-**** miner’s village that had been abandoned for years and had recently begun to repopulate. It had no train station and no bus stop, and so when Walker’s girlfriend decided to leave with his car, he was left struggling for transportation. This did not phase Walker however, who set out to look for his runaway lover in the only place he thought she might go to—her mother’s house.
So Walker started walking, and with only a few prized possessions, he set out for the East Coast, where he knew his girlfriend’s family lived. On his back, Walker carried a canvas bag with a few clothes, some soap, water and his knife in it. In his pocket, he carried $300, or everything he had that Lisa (his girlfriend) hadn’t stolen. The first leg of Walker’s odyssey he described as “the easy part.” He set out on U.S. 87, the highway closest to his village, and started walking, looking for a ride. He walked about 40 or 50 miles south, without crossing a single car, and stopping only once to get some water. It was hot and dry, and the Texas sun beat down on Walker’s pale white skin, but he kept walking, without once complaining. After hours of trekking on U.S. 87, Walker reached the passage to Interstate 20, where he was picked up by a man in a rust-red pickup truck. The man was headed towards Dallas, and agreed o take Walker that far, an offer that Walker graciously accepted.
“We rode for **** near five and a half hours on the highway to Dallas,” Walker would later tell me. “We didn’t stop for food, or drink or nuthin’. At one point the driver had to stop for a pisscall, that is, to use the bathroom, or at least that’s why I reckon we stopped; he didn’t speak but maybe three words the whole ride. He just stopped at this roadside gas station, went in for a few minutes and then back into the car and back on the road we went again. Real funny character the driver was, big bearded fellow with a mean look on his brow, but I never would have made it to Dallas if not for him, so I guess he can’t have been all that mean, huh?”
Walker finally arrived in Dallas as the nighttime reached the peak of its darkness. The driver of the pickup truck dropped him off without a word, at a corner bus stop in the middle of the city. Walker had no place to stay, nobody to call, and worst of all, no idea where he was at all. He walked from the corner bus stop to a run-down inn on the side of the road, and got himself a room for the night for $5. The beds were hard and the sheets were *****, and the room itself had no bathroom, but it served its purpose and it kept Walker out of the streets for the night.
The next morning, Texas Walker Norris woke up to a growl. It was his stomach, and suddenly, Walker remembered that he hadn’t eaten in almost two days. He checked out of the inn he had slept in, and stepped into the streets of Dallas, wearing the same clothes as he wore the day before, and carrying the same canvas bag with the soap and the knife in it. After about an hour or so of walking around the city, Walker came up to a small ***** restaurant that served food within his price range. He ordered Chicken Fried Steak with a side of home fries, and devoured them in seconds flat. After that, Walker took a stroll around the city, so as to take in the sights before he left. Eventually, he found his way to the city bus station, where he boarded a Greyhound bus to Tallahassee. It took him 26 hours to get there, and at the end of everything he vowed to never take a bus like that again.
“See I’m from Texas, and in Texas, everything is real big and free and stuff. So I ain’t used to being cooped up in nothin’ for a stended period of time. I tell you, I came off that bus shaking, sweating, you name it. The poor woman sitting next to me thought I was gunna have a heart attack.” Walker laughed.
When Walker laughed, you understood why Texans are so proud of where they live. His was a low, rumbling bellow that built up into a thunderous, booming laugh, finally fizzling into the raspy chuckle of a man who had spent his whole life smoking, yet in perfect health. When Walker laughed, you felt something inside you shake and vibrate, both in fear and utter admiration of the giant Texan man in front of you. If men were measured by their laughs, Walker would certainly be hailed as king amongst men; but he wasn’t. No, he was just another man, a lowly man with a perpetual childish grin, despite the godliness of his bellowing laughter.
“When I finally got to Tallahassee I didn’t know what to do. I sure as hell didn’t have my wits about me, so I just stumbled all around the city like a chick without its head on. I swear, people must a thought I was a madman with the way I was walkin’, all wide-eyed and frazzled and stuff. One guy even tried to mug me, ‘till he saw I didn’t have no money on me. Well that and I got my knife out of my bag right on time.” Another laugh. “You know I knew one thing though, which was I needed to find a place to stay the night.”
So Walker found himself a little pub in Tallahassee, where he ordered one beer and a shot of tequila. To go with that, he got himself a burger, which he remembered as being one of the better burgers he’d ever had. Of course, this could have just been due to the fact that he hadn’t eaten a real meal in so long. At some point during this meal, Walker turned to the bartender, an Irish man with short red hair and muttonchops, and asked him if he knew where someone could find a place to spend the night in town.
“Well there are a few hotels in the downtown area but ah wouldn’t recommend stayin’ in them. That is unless ye got enough money to jus’ throw away like that, which ah know ye don’t because ah jus’ saw ye take yer money out to pay for the burger. That an’ the beer an’ shot. Anyway, ye could always stay in one of the cheap motels or inns in Tallahassee. That’ll only cost ye a few dollars for the night, but ye might end up with bug bites or worse. Frankly, I don’t see many an option for ye, less you wanna stay here for the night, which’ll only cost ye’, oh, about nine-dollars-whattaya-say?”
Walker was stunned by the quickness of the Irishman’s speech. He had never heard such a quick tongue in Texas, and everyone knew Texas was auction-ville. He didn’t know whether to trust the Irishman or not, but he didn’t have the energy or patience to do otherwise, and so Walker Norris paid nine dollars to spend the night in the back room of a Tallahassee pub.
As it turns out, the Irishman’s name was Jeremy O’Neill, and he had just come to America about a year and a half ago. He had left his hometown in Dublin, where he owned a bar very similar to the one he owned now, in search of a girl he had met that said she lived in Florida. As it turns out, Florida was a great deal larger than Jeremy had expected, and so he spent the better part of that first year working odd jobs and drinking his pay away. He had worked in over 25 different cities in Florida, and on well over 55 different jobs, before giving up his search and moving to Tallahassee. Jeremy wrote home to his brother, who had been manning his bar in Dublin the whole time Jeremy was away, and asked for some money to help start himself off. His brother sent him the money, and after working a while longer as a painter for a local construction company, he raised enough money to buy a small run down bar in central Tallahassee, the bar he now ran and operated. Unfortunately, the purchase had left him in terrible debt, and so Jeremy had set up a bed in the back room, where he often housed overly drunk customers for a price. This way, he could make back the money to pay for the rest of the bar.
Walker sympathized with the Irishman’s story. In Jeremy, he saw a bit of himself; the tired, broken traveler, in search of a runaway love. Jeremy’s story depressed Walker though, who was truly convinced his own would end differently. He knew, he felt, that he would find Lisa in the end.
Walker hardly slept that night, despite having paid nine dollars for a comfortable bed. Instead, he got drunk with Jeremy, as the two of them downed a bottle of whisky together, while sitting on the floor of the pub, talking. They talked about love, and life, and the existence of God. They discussed their childhoods and their respective journeys away from their homes. They laughed as they spoke of the women they loved and they cried as they listened to each other’s stories. By the time Walker had sobered up, it was already morning, and time for a brand new start. Jeremy gave Walker a free bottle of whiskey, which after serious protest, Walker put in his bag, next to his knife and the soap. In exchange, Walker tried to give Jeremy some money, but Jeremy stubbornly refused, like any Irishman would, instead telling Walker to go **** himself, and to send him a postcard when he got to New York. Walker thanked Jeremy for his hospitality, and left the bar, wishing deeply that he had slept, but not regretting a minute of the night.
Little time was spent in Tallahassee that day. As soon as Walker got out on the streets, he asked around to find out where the closest highway was. A kind old woman with a cane and bonnet told him where to go, and Walker made it out to the city limits in no time. He didn’t even stop to look around a single time.
Once at the city limits, Walker went into a small roadside gas station, where he had a microwavable burrito and a large 50-cent slushy for breakfast. He stocked up on chips and peanuts, knowing full well that this may have been his last meal that day, and set out once again, after filling up his water supply. Walker had no idea where to go from Tallahassee, but he knew that if he wanted to reach his girlfriend’s mother’s house, he had to go north. So Walker started walking north, on a road the gas station attendant called FL-61, or Thomasville Road. He walked for something like seven or eight miles, before a group of college kids driving a camper pulled up next to him. They were students at the University of Georgia and were heading back to Athens from a road trip they had taken to New Orleans. The students offered to take Walker that far, and Walker, knowing only that this took him north, agreed.
The students drove a large camper with a mini-bar built into it, which they had made themselves, and stacked with beer and water. They had been down in New Orleans for the Mardi Gras season, and were now returning, thought the party had hardly stopped for them. As they told Walker, they picked a new designated driver every day, and he was appointed the job of driving until he got bored, while all the others downed their beers in the back of the camper. Because their system relied on the driver’s patience, they had almost doubled the time they should have made on their trip, often stopping at roadside motels so that the driver could get his drink on too. These were their “pit-stops”, where they often made the decision to either eat or court some of the local girls drunkenly.
This leg of the trip Walker seemed to glaze over quickly. He didn’t talk much about the ride, the conversation, or the people, but from what I gathered, from his smile and the way his eyes wandered, I could tell it was a fun one. Basically, the college kids, of which I figure there were about five or six, got Walker drunk and drove him all the way to Athens, Georgia, where they took him to their campus and introduced him to all of their friends. The leader of the group, a tall, athletic boy with long brown hair and dimples, let him sleep in his dorm for the night, and set him up with a ride to the train station the next morning. There, Walker bought himself a ticket to Atlanta, and said his goodbyes. Apparently, the whole group of students followed him to the station, where they gave him some food and said goodbye to him. One student gave Walker his parent’s number, telling him to call them when he got to Atlanta, if he needed a place to sleep. Then, from one minute to the next, Walker was on the train and gone.
When Walker got to Atlanta, he did not call his friend’s family right away. Instead, he went to the first place he saw with food, which happened to be a small, rundown place that sold corndogs and coke for a dollar per item. Walker bought himself three corndogs and a coke, and strolled over to a nearby park, where, he sat down on a bench and ate. As Walker sat, dipping his corndogs into a paper plate covered in ketchup, an old woman took the seat directly next to him, and started writing in a paper notepad. He looked over at her, and tried to see what she was writing, but she covered up her pad and his efforts were wasted. Still, Walker kept trying, and eventually the woman got annoyed and mentioned it.
“Sir, I don’t mind if you are curious, but it is terribly, terribly rude to read over another person’s shoulder as they write.” The woman’s voice was rough and beautiful, changed by time, but bettered, like fine wine.
“I’m sorry ma’am, it’s just that I’ve been on the road for a while now, and I reckon I haven’t really read anything in, ****, probably longer than that. See I’m lookin’ to find my girlfriend up north, on account of she took my car and ran away from home and all.”
“Well that is certainly a shame, but I don’t see why that should rid you of your manners.” The woman scolded Walker.
“Yes ma’am, I’m sorry. What I meant to convey was that, I mean, I kind of just forgot I guess. I haven’t had too much time to exercise my manners and all, but I know my mother would have educated me better, so I apologize but I just wanted to read something, because I think that’s something important, you know? I’ll stop though, because I don’t want to annoy you, so sorry.”
The woman seemed amused by Walker, much as a parent finds amusement in the cuteness of another’s children. His childish, simple smile bore through her like a sword, and suddenly, her own smile softened, and she opened up to him.
“Oh, don’t be silly. All you had to do was ask, and not be so unnervingly discreet about it.” She replied, as she handed her pad over to Walker, so that he could read it. “I’m a poet, see, or rather, I like to write poetry, on my own time. It relaxes me, and makes me feel good about myself. Take a look.”
Walker took the pad from the woman’s hands. They were pale and wrinkly, but were held steady as a rock, almost as if the age displayed had not affected them at all. He opened the pad to a random page, and started reading one of the woman’s poems. I asked Walker to recite it for me, but he said he couldn’t remember it. He did, however, say that it was one of the most beautiful things he had ever read, a lyrical, flowing, ode to t
A Short Story 2008
JB Oct 2018
I'm broke
and **** near broken

some days i can't eat at all
other days i eat too much
can't stand to look in the mirror
wishing the number i see on the scale would switch with my grades

things never go the way i want them to

too many dead ends
not enough ways out

got nothing to do
no time soon

i'm often forgotten like snow in summer

i'm breaking out
but not from this hole I'm in

my brain is constantly fizzling
hopefully soon
i'll get tired,
simply fizzle out
so this static can just
        S
    T
  O
       P

i need something,
or someone,
that takes the pain away

that fills my lungs with something other than this
undescribable
endless
void

i'm done
i'm tired of this body and soul

how many pills does it take
until i no longer regenerate?

is this a call for help?
or a way to let it all out?

but when you ask,

I'm fine
Taylor St Onge Nov 2015
1611: Emilia Lanier became the first Englishwoman to publish and collect patronage from her original poetry with the publication of fifteen poems, all about or dedicated to particular women, in her “booke,” titled in Latin, Hail, God, King of the Jews.  She was the fourth woman in England to publish her poetry, but the first to demand payment in return for it.  The first to see herself as equal to the paid male authors of the era.

This was the same year that the King James Bible was first printed.  This was eight years after the death of Queen Elizabeth I.  This was 180 years after nineteen-year-old Joan of Arc was burned at the stake.

                                                               ­      +

The Querelle des Femmes is “the woman question.”
Frenchmen of the early fifteenth century created a literary debate: what is the role and the nature of women?  Is it stemmed within a “classical” model of  human behavior; gnarled and rooted with misogynistic platonic tradition?  Should women actually be allowed into politics, economics, and religion?  There are scholars that say this debate radiated across several European countries for three centuries before finally fizzling out.  

                                                         ­                   But it is still there; has crossed
continents, has crossed oceans, is sizzling, sparking up fires, flaring out
into the night, leeching onto the trees, onto buildings, onto people, onto
anything flammable.  It is burning down monarchs and their thrones.  It is
raking back the blazing coals.  
                                                   Exposing the charred corpses.  
                 Proving their death.  
                                                   Burning and burning and burning them
                                              twice more to prevent the collection of relics.
                 It is chucking the ashes into the Seine River.

Lilith: who was made at the same time, at the same place, from the same earth, from the same soil as Adam, got herself written out of the Bible because she thought herself to be Man’s equal. Because she got bored of the *******.  Because she wanted to be on top during ***.  Lilith was replaced in the book of Genesis with a more-or-less subservient woman that was made from the rib of man instead of the same dirt and dust.  She was replaced with a woman that Adam named “Eve.”  She was replaced with a woman who served as nothing more than the scapegoat for Man’s downfall.
                                       The original Querelle des Femmes.

                                                                     +

1558-1603: Queen Elizabeth I ruled England in what is considered to be a masculine position. Although a woman can take the throne, can wear the crown, can wield the scepter, can run the country, the actual divine task that goes along with being a part of the monarchy, being a god on Earth, is thought to be the duty of a man.

Nicknamed The ****** Queen, Elizabeth never married,
                                                     never found a proper suitor,
                                             never produced a direct Tudor heir,
                                   (but this is not to prove that she was a ******).  
Chastity, especially of women, is a virtue.  ((To assume that she never had ***
simply because she never married
                                                                ­ is another Querelle des Femmes.))

For nearly forty-five years, Queen Elizabeth I did not need a man by her side while she lead England to both relative stability and prosperity; did not need a man by her side while she became the greatest monarch in English history.  
                                                She held the rainbow, the bridge to God, in her
                                                                ­                     own small hands just fine.

                                                          ­           +

Saturday, February 24, 1431: Joan of Arc was interrogated for the third time in her fifteen-part trial in front of Bishop Cauchon and 62 Assessors.  During her six interrogation sessions, she was questioned over charges ranging from heresy to witchcraft to cross-dressing.

At age twelve Joan of Arc began seeing heavenly visions
                                                                ­               of angels and saints and martyrs;
age thirteen she began hearing the Voice of God—was told to
purify France of the English,                          to make Charles the rightful king—
age sixteen she took a vow of chastity as a part of her divine mission.  

When the court asked about the face and eyes
that belonged to the Voice, she responded:
                                                      ­                      There is a saying among children, that
                                                         “Sometimes one is hanged for speaking the truth.”


Joan of Arc was declared guilty and was killed by the orders of a Bishop during a time when men were beginning to question the role and nature of women in society.  They thought women to be deceitful and immoral.  Innately thought Joan of Arc to be deceitful and immoral.  (Perhaps she was one of the catalysts for the Querelle in the first place.)

((The church blamed Eve for the
fall of mankind.  Identified women as
                                                                     temptation:
                                                               the root of all sins.))

Twenty-five years later she was declared innocent and raised to the level of martyrdom.
The Catholic Church stood back,
saw the blood,
                          the ashes,
                                            the thick smoke and stench of burned body that
                                                                ­               covered their hands, their clothes,
                                                                ­                    their neurons, their synapses;
        a filth that couldn’t be washed off by Holy water—
can’t be washed off by Holy water.

Four hundred and seventy-eight years later Joan of Arc was blessed and gained entrance to Heaven.  Four hundred and eighty-nine years later she was canonized as a saint.

                                                         ­            +

Lines 777-780, “Eve’s Apology in Defense of Women,” Emilia Lanier, 1611:
                         But surely Adam can not be excused,
                         Her fault though great, yet he was most to blame;
                         What Weakness offered, Strength might have refused,
                         Being Lord of all, the greater was his shame…


Adam, distraught and angered that his first wife, Lilith, had flew off into the air after he had refused to lay beneath her, begged God to bring her back.  God, taking pity on his beloved, manly, creation, sent down three angels who threatened Lilith that if she did not return to Adam, one hundred of her sons would die each day.  

                              (This is where the mother of all Jewish demons
                                         merges with the first wife of Man.)  

She refused, said that this was her purpose: she was
created specifically to harm newborn children.  This legend,
dated back to 3,500 BC Babylonia, describes Lilith as a
                                                                       winged feminine demon that
                                                     kills infants and endangers women in childbirth.

In the Christian Middle Ages, Lilith changed form once more:
she became the personification of licentiousness and lust,
she became more than a demon, she became a sin in herself.  Lilith
and her offspring were seen as succubae, were to blame for the
wet dreams of men.  Taking it a step further, Christian leaders then
                                                                ­                           wed Lilith to Satan;
                                                                ­                              charged her with
                                                                ­               populating the world with evil,
                                                   claimed she gave birth to
one hundred demonic children per day.

Lilith is considered evil in the eyes of the church because she was insubordinate to Adam.  Both she and Eve are considered disobedient; are too willful, too independent in the way that Lilith wanted to be on top and Eve wanted to share a knowledge that Adam could have refused.  They are perceived as a threat to the divinely ordered happenings that men see to be true.

Men wrote the history books because only their interpretation was right.  
Emilia Lanier writes:
                                       Yet Men will boast of Knowledge, which he took
                                           From Eve's fair hand, as from a learned Book
(807-808).

The Querelle des Femmes is not just a literary debate in the fifteenth century.  It is a way of life.  It is the divine portion of Queen Elizabeth I’s job being fit for men, and men alone.  It is Joan of Arc being a woman and hearing the Voice of God; it is Joan of Arc being burned three times by the same Catholics that revered in Jesus, a man who, too, heard the Voice of God.  It is Lilith being deemed a demon for not wanting to have *** in the *******.  It is Eve having to apologize in the first place for sharing the apple, for sharing knowledge with her partner.  It is women holding positions of power and yet still feeling powerless to men.  

The Querelle des Femmes is wanting to use gender
to keep one group of people above another.  The Querelle des Femmes
is continually thinking that the ***** is greater than, but
never equal to, the ******. The Querelle des Femmes is
                                                       not understanding the difference between
                                                                ­       ***          and          gender
                                                                ­              in the first place.  
The Querelle des Femmes is me,
burning your dinner and telling you to eat it anyway.
This is part of a larger project that I am working on pertaining to the Querelle des Femmes.
monique ezeh Nov 2022
Twin glasses of orange juice, froth quietly fizzling out
A plate of turkey bacon piled overzealously high


I would cook you French toast every day, if you'd let me.

Fresh croissants from a bakery down the street
Halved strawberries drizzled with honey


I'll sprinkle cinnamon in our coffee, just like my grandmother used to.

I don't know much of love, but I know this:
When the sun breaks through my kitchen window,
I hope you'll be sitting at the table.
English Jam Mar 2019
I claw out of the grave like the phoenix
And for my 15 minute lifetime
I burn like the sun, the gas lamp, California, the Holocaust
Before fizzling out again
I live to die  

I awaken on the production line
I breathe in the ash pouring from the apocalyptic clouds
Disappointed, I turn to my grey sarcophagus
The faceless, factory-made, invisible-as-Kether generation
Buried in the grocery store pyramid

Like Goya's dog, I peer blindly, so tiny
Upwards, into the infinite nothing that awaits
The afterlife, the void, Abraham's *****
Death, limbo, desolation row
The nihilistic emptiness from which I rise
JS CARIE Jun 2019
On the night of initiation,
curves of pale luster began to gleam unwrinkled from the darkened divots along the lunar surface
A perspective unseen for so long, it was viewed as a defaulted “wink” on the face of the moon
And therefore, forgotten, unmentioned, until it’s means were sought  

From days ‘fore, and long since now dust
Scribing authors, secrete beads of frenzy  into ink filled phial
Sending tremors down, into the quill tip
Filling scrolls for permanence in a preemptive defense against continuous unraveling thoughts would befall
this fluency into incoherent clutter  

Pioneers of preprint in a provoking tome,
would speak educated reasons why these areas of Moon had been locked under sealed dark punishment

since Empedocles mixed cosmic elements to breed an undeniable proving truth

Exhibiting the myth of danger
alongside
The established absolute and supervening fizzling sunset
proving the existence of love...

—————————————————-

“Since I have given you words from my within
like the ecliptic rising and burning massive,
Our mutual visibility of late is either one-sided
or
short lived
I’ll take a detour around the comforts of romance
And try to talk my way into your pants
By tossing at you, letters squeezed together,
for your minds transcription into the heart of my subliminal write  
In hopes you’ll feel a trickling gush
If I get really lucky these words will find you like a volcano erupts a ****
The same way water, beating against years of stone can fall
And crash through a dam with pouring force so insatiable it’s territory is marked in history
Mateuš Conrad Nov 2016
i should be handling a champagne flute by now,
i don't know, maybe it's the laughter
that's curbing me from doing so... oh the fizzling
of my shizzle: or whatever's the trend in Campton.

now i'm watching videos on the pros and cons
and i'm thinking: it's really out of my hands -
i can do what Pontius Pilate did, back when
everything political required things to be hygiene prone
- and when there were literate fishermen who
miraculously broke from physical toils
       and wrote anti-Pharisee booklets.
forget Socrates defiling the youth:
it's me and a few old men -
will i become martyred because of it,
am i deluded with an invasion of
Shoreditch coolio across the depth and breadth
of London: who cares?!
       i like a good film, and this one is
always going to be good -
it only takes one word (well, two): the queen;
mainly the logic stuck true to the end
result: it would have been too good to be true...
take that logic and make it into a motto -
        wholeheartedly honestly,
      i have not an inch of my own wet *****
dipped into your ear: that's what
being independent means -
it also means that Copernicus ruined
   all things nautical, sunrise, sunset,
                  and thank **** the earth is
3D, now the problem, what shape is the universe?
   as it goes we're in a fudge swamp -
we aren't going anywhere, we think we are,
but people forgot to twin thought and doubt together,
   instead we have thinking and denial twinned,
which means: no matter how many facts are
spewed and later picked up as golden nuggets
we're not going anywhere.
       that's the beauty of a niche armchair,
      you get to bypass the comforts of crowd and airing concerns -
i'd never miss those emotional reactions
of people slyly: for the world!
    i love how they think that spying is masquerading
and not stating the obvious: which it usually is,
spying is stating that: the opposite has a tradition
built upon using sharpened knives:
                    me and my blunt knives:
i'm tearing into the meat like a vulcher -
what the hell can you do?
   sell the truth for 30 quid, buy it back for 20.
  that's a Homeric certainty -
    no, not the jokey Springfield variety:
the serious Grecian 2000 year old (if not more)
one - and i already asked:
what are you here for?
  me? i'm into writing a 2000 year old chapter
ranging from monkey, neanderthal and man -
     given the obvious disparities
and image issues and ****** favours considering
the pale anorexic Parisian modelling skeletors.
     you know what i found distinct in that story:
Slavs among the Germanic tribalism?
i concentrated on the eyes, rather than admit
a less pronounced *occipital bone
: yeah,
that's almost a tail in evolutionary sprechen.
       all thanks to a girl in school who noted
that "defect".
     i just looked at the eyes and found they were
more ****, and subsequently quasi-Mongolian
and less Germanic fish-eyed fixative of ogling
out as if about to be gouged out, or simply
popping out with a reference to helium.
    once again: a stick has two ends.
         it's the historiological (why the iota in that
i'll never know) demand:
the pendulum simply said: too good to be true -
and it was:
  i'll go one better, better than black and female?
how about native?
   now that would be a game-changer -
      anything less than a native american is
as about as revolutionary or a status quo disciple
or a hamburger for breakfast:
hence the reason why sarcasm and apathy mingle
        and look down at the doormat:
  oh right, only wiping my shoes does it? hell,
i'll wipe my shoes: come in and take a ****.
     thus the misrepresentation of writing on
pixel-paper (or what's called:
       drunk, but still in want of having a chance to
revise, because we're all sloppy when
      staging what the original transgression was);
   i never write with a want to say the things i write,
i just think the misrepresentation comes
when i treat the internet as a punching-bag to think
things through: a voyeuristic-reversal,
        as such a great medium to think things out:
the new ****.
   nonetheless, it's hard not to laugh within
the framework of defending the freedom to sprechen
and leave the defence of the freedom to denken
  within a socialism that never manufactures
    anything: apart from protest marches -
the F. Gumps amid broken vocal chords.
                  you get suspicious about deaf people
hearing more than those able...
                                 to hear a crackpot mantra
and subsequently diffuse it.
                     i wish we lived in world summarised
by the words: all eyes on Mongolia...
            but that's what happens when you popularise
**** and industrialise it:
    a. China and India beat you in terms of industrialising
             it (over a billion buggers by my count, each!)
and b. it's a litmus test of youngsters in the future
              suffering from depression -
now that's really obscure - i don't really have a b.
     point to make... pornographic industrialisation
got me...            come to think of it:
if america didn't industrialise *** i'd be in a transgender
clinic trying to figure out whether i had
    any ego in my phallus - completely bewildered
whether i should accept my ******* as if a dog
accepting its canine extension...
        given women these days
and the fact that i had to pay for the pleasure tells me
a lot...
            i either pay for it and play the genteel role
or i go mad from ****** frustration and ****:
at least we're talking a contract,
like that bubbly Puerto Rican woman in Amsterdam:
                                         **** it... Freud!
so we solved the whole "earth is not flat" debate,
           even though we still require the n.e.w.s.
to go about our daily business... tragic: we now have
to encapsulate the universe as having a shape -
  milestones have been conquered,
  from a 2D earth into a 3D earth
      we now have an infinitely 1D universe -
                because it couldn't have been: a box
within a box, within a box: without an actual box,
or as the people said: hence we having the sport of boxing /
dentistry.
            the Russians put a man and a dog into
space: fair enough...
      we go a step further and end all fairytales
  and turn our children into ambitious astronauts
breakdancing on the moon -
                              then comes Mars...
if we're going with that sort of escapist route then we're done:
   these traditional capitalistic endeavours for
mere competition have turned into a variation of
simple escapism - as i was taught in a catholic school -
imagine yourself in a world, then leaving it -
always imagining the earth from afar, from the moon, say;
all that really was said was the Taoist motto
about not engaging with the world on terms of
rounding up, rabble talking and ******* whatever needed
******* (pervert, i know the slang in the engagement
     of the cultish excesses of skin; rough ***?).
   but that's what it is: escapism -
                         as they said: a message from former
communist countries -
                           a sprouting vogue in western
           societies: with their beards, and chequered shirts,
social conforming hippies know as hipsters:
i don a beard because it's cold around here:
plus i look less of a fat person -
alcohol fat ain't cutie pie fat: it's called being bloated.
       only among an obese population would you
get anorexia - again: historiological logic (the pendulum,
or the Newtonian impression) -
         once Newton was told he was less than accurate
people decided everything was relative:
the Greeks abhorred moral relativism -
   it's not that god died - cause & effect died
in what's modern, and reliably crescendo.          
sure, humanity will go on in any other argumentative suite,
      it's the one thing humanity can't be, i.e.: undermined.
*** is (after all), an existential variant of ******* -
you'd be daft to think that it was or could / would be
  otherwise.
Nat Lipstadt Jan 2014
after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.
Jan. 9th, 2013
Julian Jul 2020
Although flummoxed by the gabble of hibernaculum I seethe with the verdant quiddity that is a cross-pollination that spans the gamut of historical memory and owns the usucaption of infrastructure equipping our bootstrapped capacities of literacy tethered to the ecumenical capacity for proliferation through amplified discernment that percolates at decorative gallop into the stridor of unified apothegms that quantify the visibilia of the broadened universe into the nexility of formula bounded by the parameters that equip synergies of space-time to envelope its own reification and magnetize urbane freebooters of coalescence to grapple with the ineffable mathematics of absorbed losses in the human fraternity becoming overlooked because of the providence of shepherded acrimony to escape the oblivion of barely marginal exponential extinctions of impropriety into fast-paced panoramas of expedited dalliance with optimums constrained by the effluvia of hinderbaggle which exist only by domineering mercurial lability of manufacture enabled by the siphon of Promethean reason to catapult the slogmarch of advancement by punctuated achievements registered by canonical gravitas to revolutionize society in longevity and interplanetary awareness that places a 1000:1 premium on a 165 IQ in comparison to a 110 IQ. Although bewildered by the beaucoup of raxed originality the anoegenetic flux of slogan achieves but a petty solidarity in comparison to the galvanized bronteum of registered invention that provides decisively seminal locomotive prowess to the foisons of promulgated ingenuity propped up by the capacity for raltention that exceeds the inherent longevity of humans on Earth into the permanence of memory to achieve radical vanguard frontiers within diminishing frames of a once vapid time recorded only through the lens of finicky preoccupations of crude retention rather than the kinship of the perceptive unity of the authors who remarked on history to share the same vantage with the distant onlookers upon that very history with such a convergence of judgments the photons that trespassed on inquisitive eyes of inquierendo are the very same blueprint for the modern savory traipse with selfsame perceptions embedded in canonical history like the spool of an exact daydream unfurled before inoculated eyes differentiated by context but achieving the same visual footprint of historical lineament provided by the original exemplar. The luxury of our provisional prosperity is the unique ability to browse spontaneously a two-century travail of perceptible records embedded in the same perceptual rudiments captured by the original vetuda thereby enabling the specificity of prowess to vicariously encounter distant gulfs of time with the simultaneous realization of past becoming present tense because beyond the revisionism of the censors the human lineage originates in approximated design tethered to the aboriginal photographs and hallmark expenditures of celluloid digitized into annealed constellation to provide separate junctures in space time with the same indelible percept decontextualized but potent by showcase of the verdure of the generosity of shared perception rather than cleaved faint traces of divergent imagination conceiving junctures by distal lurches of insular harbors of private registries of tact and discretion without the shared raltention of the plevisable entities that populate the fragmented lineage of space-time to achieve full congruence in percept first and abstract eventually as neuroscience slogmarches with the nockerslug of invidious depredation of sanctanimity. Adrift in iconoduly sustained by lambent monasticism of abnegation we were lost widows of insular idiosyncrasies of similar concepts separated by the longevity of imagination redacted into communicable formula to ensure the divergence of impact of liturgies heterodyne by vast distances but linked to archaic designs that formed the paradigms which eventually merged with the wiseacres of Renaissance conserved in momentum over centuries into the information capital that forms the futtocks of the girdle of a womb matrix of society sustained by a newfangled uniformity of exposure that slowly churns the collectivism of memory and the syndication of the cartel into the ubiquity of prominent thorns of perception magnified by iconography of the megalography of historical permanence evasive of censors and embracing the entelechy of coherent perceptions siphoned by different engineers but arriving at precisely the same conceptual imprint thereby unifying the perceptual world with the usucaption of leveraged networking of browsers of antiquity. The finesse of leapfrogs of modern human impediment is to scour the reaches of the troves of the most vivid imagination and expedite the turnstiles of conserved rollercoasters of enthusiasm probed by the cadasters capable of castophrenia to syndicalize the autonomy of human perception sejungible from indelible vivid footprints of abstraction upon an interface of truly hard-won vehicles of transmissible abstraction to win the arduous relish of once a vacuum of infested instinct into an algorithm of an intelligent source that creates the precise conditions of parallax to seed through celestial hosts the flourishes of stereodimensional traces of permanent cadaster into something that elects beyond the ethereal snatches of oblivion the provisional apportionment of sentiment above continence to set ablaze the rarefaction of raltention and quantify the intelligible impact of one artifact of civilization over the constellated taxonomy of all apothegms within the divine grasp of a sublunary eternity revived and recycled into syndicated scrutiny that bows to a convergent entelechy of instantaneous improvisation of perdurable registry into indemnities that litigate the humorous quizzical trangams of vastly outmoded obsolescence borrowing from panspermatism of technocracy to the edgy appeal of scintillating horizons of peerless scope that approximate the ommateum of approximated omniety but never span far enough for the distant riometers to see for deputized galaxies to be evoked in concrete human-alien achievements sempervirent and virulent guardians of the toil of sensation to refract off of its overhang because of redundant upbringing to shelve the incendiary impediments of the chary into the corsairs of revelation beyond gamuts of lurch and bypassing elapsed regress to arrive at ceremonial progress to trespass upon many minds with a unified concrete hypostasized entelechy of a fielded incorporation of organic life into a manufactured cycle of the most prolonged and beatific longevity capable of digestion and implementation from the toolsheds of hubris accelerated by the vainglory of subsidized harmonies that break through the barriers of language to sprout convergence in direct opposition to entropy to achieve oculate ommateum.The opponents to the logical syndicalism of positivism emergent as the verdant drape of homogenized pasteurization of raw lavaderos that capsize swallock and devour consciousness with predatory mobilism is the tregounce of the ponderous imprints of recapitulated stupidity which is easy to quantify in terms of human rarity because the difference between a 130 IQ and a 155 IQ is a difference in ingenuity power than exceeds 25:1 or an even higher margin of liquidation of indebted concatenations forming the flombricks of capitalized language finessed into burgeoned growth to radically shift postulates into abstract precision that observes the flanges of the dominion of inculcation into the filibusters of gainsay that supersedes hearsay in an evolution of the dialectic to exert transformative esemplastic rejuvenation that transcends creed and ingeminates the festivity of spectacle with the alvantage of albenture to such an extent it predicates new modalities of persiflage grounded on the aggressive patented expansion of the noosphere to inherit the instincts of orthobiosis while simultaneously inheriting the flair of redoubled ingenuity swarming with the vespiaries of predatory discretion working to ***** out glaring beacons of sapience so that intellectual capital is a local rather than ubiquitous emergence because of the prizes of urbacity enhanced by systems of masonic creed that preserved foresight with varying degrees of exactitude knowledgeable about outcomes but incidental in creating those outcomes out of the alchemy of the convergent sphere of spacetime to curve to synclastic pancratic refinement realized in the taxation of the most domineering figures of canon to indoctrinate the inkburch of wernaggle while the panorama of peripheral obscurity adduced by the resourceful few provides the progeny for a seminal equation that encounters the quandaries of precise retention amplified by the synergies of language exponentially grown by the depth and breadth of lexicon siphoned through mechanisms of percolation seeded by the convergent progeny of hindsight meeting foresight to a truce in the elected interests of the filagersion of the spotlight highlighting a universe that only exists with self-aware reification rather than plodding animated instincts of a stagnant match with a slowpoke evolution that scrawls the gabble of the vacuums of faint oblivion knowing only pain, agony and brief felicity but never registered into ecosystems capable of enriching themselves with artifices of origination rather than vapid retrenchments of the stale vapor of the exigencies that plague the intellectually bereft with tertiary deskandent perfunctory desuetude outstripped by the parsecs of the 170 crowd who secretly orchestrates the think tanks that run the furtive cryptadia of regional governance with foisons of fruition realized as dividends of exponential bypasses of even a linear route of the streamline by warping time itself to a spontaneous entelechy that triangulates a warped trigonometry that fathoms what can only be mapped on an imaginary flickering plane of fluxed existence that achieves sub-Pythagorean travel by altering the vacillating distances predicated by the theory of relativity into shortened tracts of abbreviation separating the bridgewaters of locomotion from the vast lurking prowess of reconfigured geometries lurking beyond the shadowy grave of reconnaissance into the penumbra of conservatory refinement. The punctual symmetries of thermodynamic decay met with a conversant offset in reverse acceleration of thermolysis converge with the centripetal prism of annulment to make stalemates of atomic precision appear grandiose to the economic principle of leverage acquired by debt because the discounted cost of symmetrical approximations of sentiment, abstraction and the already syndicated unity of perception vastly scale the scope of the reach of the amenable universe to tractions bound more by eccentricity of parameterized volumes of competing hyperbolas of a warped unity of tugging forces spawned by the differential weights of a flummoxed calculus that provides obeisance in ecumenical uniformity that was absent by degrees through the tinkers of time to adjust the orbits of consideration by tilted warbles of the songbirds that swim in abysses reaching sizable celestial tutelage providing reprisal for quintessential crudity mapped into a syntax of evolved refinement amplified by conserved concatenation accelerated into mastery by the coalescence of new lexicon to probe conceptual space unchartered by the nexility of normal human conduct and therefore bound to a different pattern of evolution that is oleaginous to the engines of revved ostentation in intellectual prowess that is selfsame from the majesty of heaven because of preordained populace meeting transitory flickerstorms twinged with the irony of discursive disclaimer and discretion of disclosure of emissary vehicles that power synaptic vesicles to burst with signal strength harnessing the unity of conscientiousness into a coenesthesia that fathoms interdisciplinary bridges rarely exacted by the formulas of a more rudimentary mind demarcated in taxonomies of scope that are taxemes for unrealized entelechy bristling against the headwinds of doldrum rather than zephyrs of accelerated approximations of the enumeration of elaborate sveldtang into seminal traversals of the inhibitory grasp of narquiddity exceeded by the alacrity of provident discretion in apportioned judgment enough to parameterize vast distances with instantaneous wiseacres rather than rippled mirrors of faint simulations of simultagnosia bounded by the regional scope of subliminal etches of harnessed flombricks invisible to most aptitude measures of working memory but evocative of subroutines that flourish because of the cross-pollination of exasperated sapience clambering for a perpetuity of renewable raltentions conveyed widely and succinctly in indelible tacenda broached by the wisest sophrosyne inclinations to survive the onslaught of traditional nexilities that make obtuse minds hardened by slowpoke myelination and hidebound parameters of achieved convention recursive on reiteration but not expansive on the tracts of genius reserved for the asylum boundary between insanity of delusion and bountiful riches of harvested non-conventional imagination which sometimes pollutes the integral provenance of rapid conveyance. True transcendence is summarily defined as outpacing pace itself to visibly outfox the forsifamiliation of events perceived as distance sworn by the ability of the accelerated frontier to understand the vestiges of the outmoded to the extent redintegration can surpass with imagination beyond the tethers of quddity that narrowcast swallock but refine the space that distances itself from magnitude and achieves a limited vetuda that phenomenalizes the redacted plucky perjury of self-anonymity to identify a novel visibilia of characterized clarity only specialized to the extent the vast sphere of retention exerts a gravitas over footloose fragments of disunity to surpass the skeumorphs of the trailing bolides of distant comets to avoid by meteoric trajectory the lapse incumbent to E=MC^2 which guarantees implicitly in the barter of nebbich chalky rigmarole that the energy of refinement is an abstraction limited only by the coherence of marginal dumose decay to estrange inertia as plevisable from motion and thermolysis as sejungible in partition what cannot be summarily be filibustered by the succedaneum of shortchanged shorthand convenience of the credulity of those who perceive dynamism of delivery as an easily fudged quandary not restrained by the logarithmic slowdown of conservatory inseminations of panspermatism of invention. The riddle of the enigma of neuroscience that presides over classifiable qualia is that the outstretched rax of rectiserial reorganization must gradatim invoke spurious prestige to predicate the entrapment of narrative exponentially slower than the impregnated literacy of an integral harpsichord of mind to finesse the octaves so that sublime majesties become superlative ringleaders of seditious conventions embedded more by absorptive brocrawlers than expressive werniques. We must fashion an orthobiosis that is leniency embodied but plenitude outnumbered by the progeny of its sculpted riches for extravagant spools of tapestries of refinement to be the imprints of legacy compounded by the complexities of inheritance in lineaments situated in the context of overhanging specters and domineering prospects swimming by commonwealth acatelepsy in a maelstrom of revived gammerstang notions of impetuous apostasy benighted by the macroscian and macrobian spans of the captive capture of a Taylor Series of infinite expenditure assuming perpetuity that necessarily converges on organization because of conscientious reversals of entropy into ladders of betrayal against the hegemony of ******* over the synquests of hortoriginality that spurn the castigations inherited from its immodesty of permutation to fixate on global problems of intricacy ragged in salebrosity bereft of the marginal galvanization of hidden inquirendos into artifice contingent upon elapsed epiphenomena of compounded rigmarole resonant with a simplified system of hostage complicity to a least common denominator that belongs to suboptimal refrains issued by Procrustean forces against demassified parsecs of bounded limitations exceeding the volume of perceptible shadows recessive in the alleles of culture but eventually transmogrified into teetotaler totalitarian principles of grave gravities of tabanids to the aceldamas of territorial joust rather than annealed irony of the recidivism of the plucky thorns of percurrent but latent vehicles for oppression to swamp the lethargy of durative formation such that the hambourne atrocity of hambaskets of hinderbaggle grapple mostly with the adolescent excesses of milked pleonexia becoming the downfall of cagey imprisoned syntax bereft of capable constellation and thereby stranded in vagrant proclivities that net positive only in the rare grandeur of my formative axiom of the axiolative excesses of my recensed definition of transcendence. The vacant harbor of asylum of abiding auctions of flexible transistors of wealth is inherently a poolswap of attractive chocolate-box travestime of incurred wreffalaxity suborning the lewd machination of funneled flipcreeks to the commerstargall of incendiary glaciers basking in boardrooms of ataraxic placations of commiseration found in dynamos lamenting degraded embodiments of regaled regelation as seasonal flictions of submerged vanity vaporizing the wisps of whimsical bloated grievances of paltry imparlance to the defalcation of a filigree of mind only sustained by the steady churlishness of preserved relic hibernating in brocrawler pleonasm to grindole the welter of spates of vapid deceleration of successful vibrancy measured in the gamut of hues to exact a penultimate ruse before the finitude of the capstone of capers of fiat remission slick with glamborge of gallionic sciamachy prone to revelry in the cretaceous extinction of monochromatic mathematicization of gradgrind visagists toying with the treacle of blue-sky action billowed into toxic spurts of contrarian aggression of herculean appendages of hackumber providing the bronteum of recidivism to vanquish a righteous trajectory on a pause of Canada Dry conveniences sultry in daft hipsters of tilted stage grafting conclusion prior to rapport of introduced variables of poignant tethers of necessary succor for a desiccated bastion of hidden unspoken reach fizzling into trangams of obsolescence because of perennial inebriations that thwart strong character to scandalize a pinhoked vessel of conscientious objection to the radiology of centerpiece hapless forlorn arid squelches of the vibrant verdure of macrobian dumose shelter for reformatories that invent incidentally accidents otherwise precluded by the ommateum of wasted foresight guzzled on the premium of disaster for a showcase of verve going awry steamy with livid filagersion aimed with a reluctant enmity against the cagey headwinds of recalcitrance inveterate to the scruples of the otherwise unscrupulous who foist lewd licentious philandered paragons of philogeant mysticism to forefront cowcatchers that eliminate kumbaya rijuice of gridlock impressionism guarded by the sentinels of rambunctious destructive attempts to evict intellectual propriety from careens of subtlety barnstorming with polyacoustic nuances of differential gradients of vapid bastions of strident but backwards versamily froward and bountiful of Head Hunter specters rather than heaved recombinations of orthotropism wed with mangers of savory dilettantism of the lionized array of brooks branching into rivulets and the fluminous barnstorm of pelagic awareness interrupted by the finicky prevarications of piggybacked fair-weather allies who secretly fund the slander for the mainour of dirt fundamental to meteoric rises acclimated to dissipated moral vacuums of disbelief of evidentiary miracles among the jostle of scientific regency that slakes opprobrium to illiteracy while benefiting greatly from my perceived barathrum that is rather a crowning ravenous achievement of appetite above substance and distinction varied from prediction that my Titanic zalkengur spared from the unnecessary sacrilege of less accommodating curglaff to the metaphorical hypothermia of albatross in dramaturgy rather than a pause glowering with mastery against my jarred enemies preying on weakened reach due to preeminent dirges of inkburch and swallock to ravage my sanctity with a hyped stage without a starlet daydream fantasia spectacle that is calculated to upstage even in the coverthrow of intelligentsia against the plodding boweries of pestilential raving resentment absconding with elusive enmity rather than cherishing a true trident champion of the seized seas and the traindeque of emulated intellectual accordions of claptrap chockablock pedigree that outlast gallywow afflictions of rapacious venality tenacious to the detritus of constructive detriment building the ashes of effigy before I am dead and buried with the storge of perennial legacy rather than scandalous privation of the obolary tenets of desecration above reabsorption of mendicant bodges of the bodewash of freedom’s counterstrokes of maskirovka ineradicable and plenipotentiary wit deniable but legacy ineffable by degrees of exponential long-winded flambeaus of filagersion swiveling with recessive rubble in a crenellated fortress guarded with tripwire insubordination against cordslave dependencies liable to recurrent reproach rather than sustainable filigrees of electrified balkanization toxic to the aquifers of modernity streamlining Roman imperium. To this flajoust I owe eternal behest as the captaincy of time is not a perishable whangam of superstition an affront to a provident rejoinder of verifiable prestige because the curvature of time favors the ripple effect of magnetized reninjuble charms alerted to upward soaring skies of inevitable peerless dominion in the  perceived symphily of competing benevolence with a shared stake in Earthly pulchritude emanating a sworn allegiance to the best interests of philosophical enlightenment
1:43 PM MST 7/18/2020
Josie Patterson Nov 2014
I will wear the cotton in your voice
Like a satin waistcoat
Hearing you call through splintered walls
And the wind blows as easily as the rain falls
Slowly
I feel as though I am a drop
Hurtling through the sky
Towards the moss covered earth at a shattering pace
Barely making a dent
On the sliver of the place you are
The other side of the door
Just a track away
And though I do not see you I hear your sway
Creating balance in the things you say
And we will walk forever
Though we do not move from the warmth
Of your iron cage
With boiling over foreigners begging for attention
My eyes cannot be drawn away
And ill stand in a field
And the corn will have no names and you will be
Flying like a bird without a cage
A slave without binding
A stitch without thread
And we will sprint like two parallel lines
Always similar but never touching
Infinite in ourselves
But finite with each other
Our paths never cross
Though we move side by side
Lost in the people we want to be with
balancing on a fence post we dont know is stable
With chipping paint
And white lines
Moving forever through a blind eye
You’ve found the pair to your pair of die
But where were you when I hadn’t
When my tissue box was a house for elves
And my sandbox was not a place for creation
Where memories went to sleep
And marbles were lost
I slipped in the downpour
And my shirt ripped
And my shorts tore
And I am sobbing alone
Optical spillage with small oceans removing themselves
Left drowning on my own
But though your seams are now sewn
Mine remain alone
And I stand now
Like a house without a home
Im sitting like a rock at the bottom of the sea
And I feel the pressure though it has never touched me
Fizzling inside my ears like static during a phone call
With you on the other line
Your hearing fine
Mine not at all
Your white noise is blinding but you never hear it
Sending me message after message
But my ears refuse to be near it
Like a microphone and a speaker
Your feedback is heavy
and when you are with her
Your white noise goes away
Your equally quiet souls both speak loud
And neither one overpowers the other
And I know you will not have me
For I am a force of nature
I swing like the light on the top of a lighthouse
And warn sailors of the danger on my shores
Because though you do not want me when I am yours I am yours
I am in the world for a long haul
And I hope your course changes
I hope your white noise dulls
I hope she can hear you when you whisper like sirens
And I hope if your voice reaches
Or hers falls
I hope you find comfort in the ***** of her sanity
because every other set of lines, meet once
and then drift apart forever
parallel lines are infinitely similar
but will never meet
Welcome my Princess! Oh Heavens,
For the queen of my heart
Is about to offer to nature
Her complete beauty of Africa,

Give her the Kente cloth
In its rich, natural and splendid array,
And offer her newborn feet with
The golden sandals and diamond beads,

Behold! There she descends from the
Unapproachable eternal flames of the sun,
With the divine firmament
Fizzling at her flammable tune,

See how the precious fragrant branches
Of the clouds covers her lovely feet,
For the clouds have gathered and there is
Nothing more to expect but the storm,

Oh yes, I have found a ****** woman,
The beauty among the daughters of great men,
Whose eyes are as brilliant as the star

And as delightful as a sugarcane;
Behold, her face is as bright as palm wine;
Her hair sleeps like a slender thread,
And her stature is as that of a pawpaw tree,

She is called Obaahemaa Kabutuwaa
And truly she is Rasses Kabutuwaa
Whose eyes are those of the faithful dove,

Truly, Kabutuwaa whose
Gods is like that of bees,
Slim, black and full of sweetness,

Truly, Kabutuwaa is obedient and wise,
Truly, Kabutuwaa for whom
All men felt love in their hearts!

Come! Oh my unveiled one,
And expose thy soft and loamy face,
For the nations shall seek and
Behold thy enviable eternal beauty,

Ah, the proud effeminate shadow of Africa,
Please show the angelic face of
Thy love to my perturbed soul,
For thou art an African ****** indeed.


© PRINCE NANA ANIN-AGYEI
Email: nanaspeaks@gmail.com
Xander Duncan Jun 2014
One: Sleepy
When your spine takes cat-like curves into the recesses of blankets
And crickets and thunder and howling wind all sound like peace
And puzzle pieces fitting splendidly against each other
You’re sleepy when your eyelashes are weakly magnetized
And pull gently towards one another in soft but stuttered motions
When white noise and static fill your ears the way that water can sometimes fill a glass a little bit past the top without spilling
And you look forward to the lure of dreams or of dreamless nights
Because you know you’re sleepy when the only reason to be awake in the moment
Is so that you can appreciate the split second of falling
When you finally lose consciousness

Two: Bored
When you switch from counting ceiling tiles to counting the colors that you can find when you close your eyes with varying degrees of tension
And you’ve become so bored with distracting yourself that sleep seems like the only genuine option
Even if you’ve only just woken up
Even if you’re not feeling comforted by darkness and silence yet
Even if distractions are abundant
Because they just aren’t distracting enough
Sometimes boredom summons misery just to occupy your mind
And you’re bored when you remember you were supposed to be in bed an hour before
And you actually listen to yourself and go

Three: Drowsy
When you wish you had longer limbs just so you could properly drape them from the edges of your mattress and stretch at better angles
Suspecting that maybe the odd crooks in your bedframe are the crooks that have been thieving in bits of the night and stealing the ends of dreams and the beginnings of alarms
You’re drowsy when you can feel the burn of smoke sloping against the walls of your lungs
Even when you’ve been breathing clean air all day
And the dizzy spin of the room is more of a waltz that’s moving just a little bit slower than expected
Until you turn the music off

Four: Fed Up
When stress is snapping at your synapses and igniting fizzling fireworks at the back of your throat
But the forward corners of your eyes pull together to shut out the world
Because ignoring is a temporary retreat into forgetting
And permanence isn’t something you’re in the mood to believe in any way
You’re fed up with the world, and with existing
Or maybe just being awake
When you know there are better things that you could and should be doing
But shutting down is all you can manage right now

Five:  Faint
When the world appears not only blurry, but verging on translucent
And there’s a steady hum lacing the edges of reality
With sporadic jolts of memory forcing twitching sensations down your back
You’re feeling faint when you’re hopelessly holding onto consciousness
Because you’re a little bit afraid of falling
But you would never admit it
Because there are too many blank spaces in your vision to allow for any vagueness in your thoughts
But sometimes the body can’t keep up with the mind
And you collapse all the same

Six: Weary
When time seems to thicken and stick to your skin
Weighing down your movements like steel beads of sweat
And pressing palms to your eyes almost seems to drown out sound as well
You’re weary when the grass feels a few inches too long and the ground seems a few inches too close
And the ends of your limbs feel as though they have been reaching for something a little bit too far away
And you have only just given up
So you grab handfuls of the clothes you have on and pull them tighter against yourself
Forming an artificial blanket
And imitation slumber

Seven: Exhausted
When you can feel static buzzing through your veins
Stretching capillaries into threads to keep yourself sewn together
Knowing that consciousness could spill from the cracks in your skin all too easily if given the chance
And your eyelids hold together like the grand doors of a cathedral
Opening only with a struggle that everyone tries to make seem effortless
You’re exhausted when you’ve been writing this poem for days trying to find the words
To properly describe different degrees of fatigue
And you’re sure that you’ve probably recycled a metaphor or two but you don’t bother to double check
So you keep trudging along
Until nothing makes sense anymore
And the seams that encase your consciousness begin to strain
And snap

Eight: Hyperactive
When despite all reason dictating that you should be experiencing the drag of being awake for too long
You see clearly and think in double time
With energy flickering behind your irises
Foreshadowing the dread of sunrise
You’re hyperactive when you’re knitting your voice with your friends’ voices in a collage of laughs
Each indistinguishable from the last
And you start counting the stars with flashlights until
Like sugar and smiles
And fast cars on icy roads
You inevitably
Crash

Nine: Emotionally Drained
When you’re worn to the point that mental distress manifests itself physically
And you can feel the chains of your own thoughts around your wrists
Almost wishing they were tighter so there would at least be proof of their damage
You’re emotionally drained when you can scream without making any sound
And you've perfected the syncopated rhythm of a nervous twitch
You realize that you've been grinding your teeth for the last two hours
So you switch to biting your tongue
And you don’t rest
You don’t rest until there are tears mimicking a Jackson ******* on your pillowcase
You don’t rest until the clock is judging you for testing it
You don’t rest until you feel empty
You cannot rest when you feel empty
No matter how desperately you wish you could just fade
And drift away
You do not
Rest

Ten: Tired
Just…tired
This is about twice as long as it can be for a poetry slam, so I need to cut out almost half, but at least I can post the full version here
Adam B Feb 2010
Paratroopers free fall,
'chutes coiled and caught in a grease ball afro curl
reaching down perplexed ****** frames.
Diligent chortling mimes trapped in handmade indecision cages, tapping a telling tune of tired games played day after day.
A right brained boy with a head full of clout
miscommunication with a leftist expat from the north
to the south.
Jostled connections send out fizzling sentences
through blown speakers and an overheated circuit -
Bored of the excuses whispers the nameless
without a reason there isn't a purpose.
Shoot an accusing glare past Father Time
overlooking treasonous discouraging crimes
Open those whale blubber caked eyes
to the other side.
It's not what this has done to you
but what this has done to us.
The hitchhiker gave up, traded his thumb for a seat on the bus.
Never was he lost, but given more than one chance.
He, no, she, no we
were thrown away with his walking stick and his waterproof nap sack.
Will we cross this road again?
And pick up from where we began?
Or never turn back?
Always was he lost, but given one too many of a chance
But was it worth it?
Upholding the "right and proper" stance?
namii Dec 2014
Spiralling downwards,
Bitter taste of coke slipping in between the bumps on your tongue
And months from now when I try to think about you
I will remember the way you looked at me
And how time stood still
So it felt just like you were standing across from me
Throwing your unsaid medals at my throat
I let them slide down to my chest
It burns
Like the acid streams of coke surfacing my lungs
And I cannot breathe
All I can think about is why do I cross paths with people I am not supposed to fall in love with
Coke sliding down your throat
Swallow your golden apologies you never were brave enough to say
Crackling fizzling drink
I have been in love with you since May
And every look out has been a habit, I still try to find you in a crowd
I still try to swallow the bitter fizzy only slightly sweet taste of coke down my throat
The same way I choke
On every apology I never said to you and how I almost but never did tell you how much your cheekbones remind me of the sunset.
Timeless
This drink will never age and neither will your eyes
Visceral bubbling youthful
I have been waiting on nothing
I feel the acid burn in my throat in my chest and it erupts as I ***** every scent I’ve had of you, every gaze we have exchanged while she looks at you and smiles
Electric
Like the fizz that touches the insides of my stomach
I want to look at you and smile
And all you do is watch me
Sipping through your straw
I am drinking coke
And your eyes say it has been a while and look at me, look at what I do I want to show you what I do because it has been far too long
Child
I am not a child I am a hazy incense drifting through hollow walls, corridors and people infested places
Everywhere I turn I cannot breathe
I need something to quench this thirst of longing
I have collected from every instance I never get to see you, every moment you look at me and she is with you
I want to keep these aluminium tabs
I want to push the bubbles down your throat, tell you this is how I feel every time I look at you and you look at me and we say nothing
I want to tell you I have been doing just fine
And that you are wearing the same shade of red I’ve been feeling and this coke can shares the red we are crying
I want to say I am sorry I looked back and I wished so very hard
Sohrab
You are between these lines the coke can holds, every droplet that condenses on this metal surface, cool
I have something to hold and I don’t know what to feel
Only the acid taste of coke
Kendra Hall Nov 2012
I am pounding on the walls,
Clawing at my skin.
Make it stop,
Oh god, please.
I can't take it,
It's tearing me apart.

It's silent,
They're in my head.
Telling me what to think,
What to do.
Not myself.
I've ripped apart my flesh,
To please them.
Oh god,
It's happening again.
Help me,
Please.
My soul is starving.
to death to death to death.

Somebody
walk me to the store.

It's four in the morning
it's not as cold
as it should be.

I realized resistance
weighs you down &
you sink into "the ****;"
you don't need to be
the current or
go with the flow
just try floating
for survival so
you don't drown.

My head is flooded with
thoughts & doubts & worries
about nothing.
The eye of the storm
looks like yours which
looks like mine.

Like you could tell
we're dead inside

we're ever-expanding
supernova
egotistical suicide
exploding in the night
& fizzling to a spark
that's a spark because
they said it's a spark.
& everyone nods.

Live for awkward silence
or die alone complacent.

commonplace

dreams do not chase themselves,
you, or anyone else.
this realm is not that special.

you should know
I've never been so comfortable.
it's making me uneasy.

this kind of greed
is completely fine with me.

chaos. neat.
Today is a bad day.
Alex McQuate Jan 2023
What will that day be like,
When the ink finally runs dry?
When the gas runs out of that gas station lighter,
When those remote batteries finally die?

Will the muse dry up,
Or will passion finally run out,
Fizzling like a sparkler at its base?

When will it go,
Will it be on a bus one day,
A startling realization,
Or something that can be seen far off?

If that's the case,
Will it come after some magnum opus,
Planned out in excruciating detail?
Or will it go out in a rapid fire of words,
A race against time to put letters on the page,
A desperate act of the unprepared?
Man of the Hour- Eddie Vedder
Five more dossiers slam down
beside you, bosses look stern
and flick through to spite you,
crossing off task after task:
appraisal target attitude,
shred your worries and feign
a false sense of gratitude,
scribble a signature, pretend
that you won't work here long.
It's just a stop gap, well,
one of two, perhaps after this
you'll be hired by another few.

Ten minute lunch, more bitter
than ***** tabasco juice
but ****** Mary and Jesus,
keep your mind on the salary
and you might get through
tapping and typing away
for a parasitic conglomerate
who barely remembers you.
Wolf down the freedom,
spark a fossil fuel fire on
your tobacconists’ anti-stress
breathing flute, clench
fists as you trudge through
the muck and the mire.

They laugh as you slump
over your desktop, under
the fifteen thousand word
count a day, hundreds
of calls and email favours
still you get payed for less
than half of your labour.
One look to the surroundings,
the folks in your office, step
back from your desk and hand
in your notice; sell your assets,
share your amenities,
cut off your phone-line,
don’t pay your licence fees.

At the door, the postman
struggles with bills and notices,
pushing and prying
more and more letters
the poor fellow moans as
you almost clap his efforts.
Gathering dust, your post
gets pushed up the stairs.
Knocking out your wellbeing,
this builds up in piles to
the height of your ceiling
until one day you awaken
with no gas or lighting,
nothing to quench or feed,
your rumbling stomach
near delirious being.

No more in awe, frightened
to express your distaste
for nine to five slavery
you pile a large steel cylinder
with technology and clutter;
letters and junk-mail literature.
Lighter fluid marinade you
feel empowered like
the folks at the gas board.
Pull out a matchbox
strike to a major chord.
Prepare for the roaring
of bureaucratic nonsense
burning and fizzling.

Strike one, the phosphorus
occupies your nostrils,
how sweet the smell
of keratin, and butane,
kerosine and hydrogen.
Strike two the match ignites,
the wind breaks your bindings,
you relax with such laughter
that the flickering orange
flame blows into a cinder,
smoke pining. Rig the pack
and pull out your portable
lighter, the whole box of
matches sets joyfully on fire.

Like witch over cauldron
you cackle and crack up
toss in the phosphorescent
rectangular prism to
the concoction which kept
you imprisoned for month
after month; year after year
you’d forgotten to fulfil
that dream, pull out your
mobile and text your queen
‘Let’s move to the mountains
and bask in the heat; revel in

rebellion. Reject, neigh, defeat
the notion that we must sit
at computers like digital sheep
that we can’t cross an ocean
on our own two feet.
We can grow our own grain
and cull our own wheat’
Whip out your tickets and jump
on the flight here lies a path,
come forth and fulfil it tonight.
'No amount of fire or freshness
can challenge what a man
will store up in his ghostly heart'

F. Scott Fitzgerald
Brycical Sep 2013
I don't recall where in the bible it says
Love thy neighbor, unless they are...
or
Do unto others as you would have them
do unto you, unless...


Of course, if you're quoting bible verse
or any form of religious doctrine
you're in a lot of trouble anyway!
These words tend to contradict themselves.

That, and you're quoting a book,
not your soul.
Maybe some of your soul
is in those sacred pages,
but definitely not all.
And why are you scouring books
trying to learn how to live your life?

The answers aren't in there anyway,
at least not whole ones.

The answers are in you!
God is you! You are god!
You are created from particles that inhabit the universe!
You are the universe!
YOU ARE NATURE!
YOU ARE ALL!

All the answers are in you,
just have to know where to look.
Just have to remember,
just have to remember
just have to remember...

just have to remember
we are god, the universal ONE
creators of our own habitats
& sustaining celestial universes of friends and family.
Like the universal ONE
we make and create life
from ****** cosmic big bang howls hurling white rock into feminine space only for a star child to be born over time.
Billions of lives reside & crawl within skin walls, cavernous intestines & ride on vein roads controlled by the omnipotent electrical awareness called the ONE brain & son mind.

Each new friendship & connection is its own universe and some expand too quickly fizzling out with a deflated echo of "It's not you, it's me," and returned DVD's
while others cultivate and grow gradually sustaining a millenia lifetime of cafune, pumpkin pancakes in bed, Facebook photos and winks.

We are the ONE where all the answers reside,
just need to have the heart to look inside
to find your higher calling is to honor thyself
as you would the univer-SOUL ONE.
Faith Flowers Apr 2014
What comforts you
at 3 am on a Wednesday night
when the darkness traps you in your bed,
straps you down by your wrists and ankles,
whispers words of loneliness down your neck?

What comforts you
when you're out of options
and thoughts of forever consume your soul
burning and destroying every ounce of will you have left
until fizzling out leaving smoldering ashes in its wake?

What comforts you?
Is it a pet?
A song?
A person?
A dream?

He comforts me
at 3 am on a Wednesday night
when the darkness traps me in my bed
straps me down by my wrists and ankles
whispering words of loneliness down my neck.

He comforts me
when I'm out of options
and thoughts of forever consume my soul
burning and destroying every ounce of will I have left
until fizzling out leaving smoldering ashes in its wake.

He is there to comfort me
on the darkest nights
patiently rekindling the flame of hope
hidden in the darkest corners of my soul.
Providing light,
giving warmth,
pushing down walls,
all so he can comfort me.
There's always that someone who only makes their presence felt when everything is going great for you, then goes on to wreck your day and messes with your good vibes, deliberately
I can feel my intellect waste away as I try to reason with these kinds of people
You know the kind that makes a big deal out of the most trivial of matters
You can tell that they can't get themselves to think of anything else better to do
You can tell, they're only envious of you
Eager to tear away at you at the first sign of opportunity
Eager to see you go down their level, and beat you up with their stupidity
I'm just thankful that I'm fortunate enough to see through the facade, and understand them instead
I am lucky to have culminated the patience and character to stop myself from caving their faces in, and just say, "Have a good day!" and walk away
Mateuš Conrad Nov 2016
a note before i end the pending poem.

i know i'm not writing anything "in the groove"
or whatever urban tonguing i should use to invent
the new form of glue: to stick with the trends.
                    when people read candyfloss
literature i read lead literature,
  that's how it goes, i find too many poets
angry shouting down other people's throats,
i find them in positions where they think
they empower people: but rarely do.
   i write for the sole purpose of a demographic,
a democracy of sorts, i never want to hear
my voice regurgitated back at me,
i find it prickly, apart from the half-digested content
i am actually opposing being fed it...
  i can't explain why i don't entertain,
write one poem every two years either, apart from
the fact that: well, writing a poem and then
performing it? performance doesn't really do much
for what's an ongoing voyage, performance to
the art is like a Moby **** moment:
   you get to tell the adventure of a shipwreck,
rather than the proof that the earth is not flat.
the additional benefit, you get to see how your
thinking interacts with symbols, and how these symbols
will never betray the tongue that doesn't speak them...
   you get to do x-ray upon x-ray and find that
stuff like this: is actually equivalent to a bone in your
tongue. as with the moment: when artists are quoted
as having said: words are meaningless...
     i guess there comes a time when, with that said:
punching someone dead means more.
   oh this pithy sentiments that only empower politicians
and the media... i might have said
    a baby's gluttonous gaga drool and you'd be like:
yay! happy days upon us!
                      when poetry isn't performed it continues
into the nether region of thoughts: it's not jeopardy
of suddenly fizzling out into a state of a stale champagne
bottle... the residual power is confiscates from speaking
it retains a close proximity of actually writing it,
on the basis that it becomes prolonged, and more concentrated,
it cannot be allowed to diffuse into the open,
into a crowd, for a democratic hurrah on we go.
  i wanted to simply see poetry as an optical exploration,
rather than a vocal necessity of the art,
      philosophy was clogged up in too many truths
and untruths, and basically too many paragraphs,
   i wanted to make frank the medium that abhors paragraphs,
and by the looks of it: punctuation marks.
well, it's all about pedantry to be honest,
               but then i never desired the urban lingua
of keeping with the zeitgeist... i see how keeping up
with the times is enshrined with materialism and how
fickle it all eventually becomes... you can never reach
a status of cool reaching for the obscure,
but that's what all attempts at fame end up being:
a quiz show, trivia, obscure knowledge, 0 points
means the best points available, and after that, the realisation
that all is empty, and that attempts at fame
become questions in a quiz show where the aim of
the game is to: name the most obscure answer possible...
oddly enough the same show invites celebrities to
take part in the quiz for charity... *pointless celebrities
,
first word, yep, that's the name of the show.
oh no, i don't shun television, i do admit that watching
a brick wall is more entertaining drunk than television,
but the sober me has to do something from time to time.
so poetry: a medium that's opposite of vocally necessary,
a medium to explore the bone inside the tongue
that writing invokes: ****** stalemate...
      would i care to say why every word has a meaning?
unless you can speak hundsprechen i'd say only this,
that sort of reasoning is dangerous...
            we wouldn't get anything done is units of language
was meaningless... (hold on, i'm going to create
a crescendo for this point)...
you can say language is meaningless when you're
singing... vocalising language from these depths of
what would otherwise be known as the graveyard of surds
on the pure basis of optics and all cognitive parameters...
      sure, from these depths into an angelic gospel choir
you can get a meaninglessness: because it's so ******
    pleasurable... you can't deny a good song, you
can't compare the use of language in singing to the use
of language in lecturing some obscure topic by simply
talking... for thus words are sounds, and not the dreaded
pluralism of conventional talking: i.e. meanings.
              unlike the Chinese who have a certain capacity
to remember about 3000 ideograms, we have a much
bigger capacity, but our words are shrapnel and what we
don't have that the Chinese do have is:
                 a capacity for the multiplicity of meaning.
i can't imagine any ambiguity with Chinese ideograms
in the range of 3000 symbols... but there is clearly ambiguity
in our system...
                      obviously we can say words are meaningless
at times when rules of using language are lax given
the lies of politicians and the media roulette:
the fact that media is not state owned is even worse,
shadow brokers and a tarantula venom disorientating people.
   singing is an escape route from the socio-political
conventions of using language, hence the ambiguity trail
of what's deservedly called: socially-acceptable mode
of conduct, something that doesn't receive the ****** frown
of what would probably look like a lemon smiling.
  yet, if language doesn't give you a chance to see a labyrinth
then you have the shallows of singing... mm, yeah, mm, boo...
         ye-ha! ******* cowboys the whole lot of them...
but it's what it's supposed to be, something to be sung
for someone else to hear... it's not something written
down for someone else to see... and subsequently maybe
think about... oh how dreaded that statement seems in
English, a bit like denken scheiße / shy-se!
          people only make statements about the meaningless
of language when they sing... but that's the point:
you're making sounds, akin to the rhythm of my heart,
hence i don't think and subsequently go into a moshpit
or nod my head with some pigeon-like "cool" approval...
language is a bit like Shrek talking about onions...
it has layers, "spooky" other dimensions, oooh oooh...
Casper asked for a weener so he could invert necrophilia
and ghost-**** that ***... it has layers...
         somewhere between the Antarctica and the Arctic,
perhaps in the tropic of Capricorn, but who knows?
but i'll tell you one thing... it's not a white guy thing...
i finally understand why i don't like rap...
a bit like saying: a crowd shouting at a football match
is not an onomatopoeia of whatever is **** sapiens worthy...
   i think that classification actually predates
the expression of it... it's out there, but on the fringes...
         it's like this standard of protestantism with the concept
of predestination: we might just get there by Sunday
in the year 2099, but who knows?
        now i do understand why i don't like rap...
never liked it... couldn't stomach it...
   then i come across a beauty... so all those things i said
before, it culminates into this...
    Akua Naru, ring a bell? probably not,
3mil is nothing in today's celebrity cut-throat backstabbing...
     http://tinyurl.com/lt8ayhg... now that's entertainment...
that's what i love, how every instrument is
actually heard... the bass kicks in to set the tone
with the tickly percussion accents...
                       she's baking a cake...
she's layering...
  it's unlike that ****-culture music of pounding pounding
overly rhythmic and for every band these days
   it's one guitar = 20 violins of an orchestra's worth...
                  this is the new-jazz, or what John Coltrane
insinuated with the words: a love supreme, a love supreme.
            i don't know if it's poetry...
                                   a weak message on a stage might
always require a backing band, like a weak voice
might require a backing band... but this little critique doesn't
necessarily mean i can appreciate it,
   and is the reason why i don't understand rap, and never will.
Jess Carroll Jul 2022
Dripping quietly
Leaving trails; clean and crisp
Down the glass
Merging
Or racing
Or fizzling out
And dying
Eventually ending
Upon the next sunny day
Akshay Kumar Mar 2014
Unknown is my destiny,
Unexplained questions fizzling my mind
Unexplored dreams haunting all night
Unrecognized darkness filled in my heart
Unsatisfied is the way i live

Today,I stand on the edge of the cliff
Frigid breeze pulling me off,
With hands high in the air,
Numb Mind,heartbeat bumping in my head
Marvelous feeling it is,Suddenly
I see a bird fighting against strong current
It strikes from nowhere,unforeseen

Ample chances given by life to fall down  
Meager are given to rise up and fight back
Countless are the people who mock
Fewer are the people who believe

Outnumbered are the opportunities
Less we notice and practice
What we desire is not what is whack for
What we thirst is not what we acquire

Few seconds,cliff and the bird
I realize that life is what we choose
I never felt so confident,I had to isolate myself
I had to find a way out,I did what i had to do
With no fear in heart,no questions in mind
My destination was unknown,Heaven or Hell ?
LCN Jan 2019
I can feel it
fizzling, fading
Your smile is not the same
teeth but no eyes
shorter replies
I try and I try
I think to myself
where did we go wrong
what can I change
what had I done
and the conclusion I come to
is not the one I want
We had our fun
and it was great
but now you are bored of me
you want to vacate.
Theres no way I can help
nothing I can do
the truth is you dont love me
the way I do you.
Chloe Mar 2014
Tiptoe with me through roads of mottled rainbows
We’ll build a city of coffee cream clouds and crystallized light
Our sticky shadows can stumble jump rope with fizzling stars
And our light will tang in the air with peace

Every streecorner will have an off-key symphony
Played with tongues broken from laughter
Raise your arms to catch the words that’ve ballooned into the stratosphere
I’ll tangle my fingers in your palm to lift you higher

You’ll collect liquid moon in a sandcastle bucket
Drips of silver catching in your spidersilk hair
I’ll pour it down all outside the doily mold
It’ll twist down to earth in fractured motion

Trust me, I never knew how to fly
Only to fall, and to fall with broken hands
Jump with me and skate down a sunset
Dorothy ain’t got nothin’ on this kind of color

I’m blinder than an arsonist with night vision goggles
But only ‘cause I see with my heart instead of reflections of light
Life is opaque when your soul is an old one
Though I’m still getting drunk on the learning wine

Take a rose and ***** a finger on a petal
The softest feelings always have the sharpest bite
The devil’s left the details to hammer her way up to heaven
She’ll shatter kaleidoscope bullets into mosaics of sin

Love is the game that all the best dreamers play
I think up slow nonsense that fills my lungs with longing
Bright towns are always blurrier than the grey
And my brush is shaky from absent disuse

So bring me home (my home is you)
Build love from the broken rubble souls
Sing for our voices reaching higher than the sun
As my hair links with yours in the summer breeze

Frozen bubbles can chime on every door
Our bare feet will press into wet desert clay
Smiles will be painted pure and golden
And all the colors will fill our footprints as we walk away in joy.
So I wrote this in an hour-ish and I'm kind of reluctant to post it cause all my other ones have been from at least a year ago and extensively edited. Meh, I'll just go back and fix it later if I need to. Hope you like it (and sorry for my ramblings ^.^) -CS
My Mind - is not My own.

It is the sleepless nights,
the empty stares,
the half-hearted comments
the quickening breaths.

It is the clouded days,
the fizzling thoughts
the fear that is constant

My Mind - it is not.
Debra A Baugh Feb 2013
in state of REM a succubus looks
upon me as if, I'm tainted; the
intensity of his stare mars my
soul.

besmirching...

every thought of self-elucidation
and I cringe under his watchful
eye; raking my skin with daggerlike
curiousity, sniffing, while I crumble
in openmouth terror.

he descends upon me swiftly; eyes
darting from head to toe piercing me,
into a trance I fall, as if, Dracula has
entered upon spread wings

transforming...

to full humanlike form and stained
teeth sink deep in vein *******
life's blood like a cool soda pop
fizzling with every sip.

savoring...

its pungency in dark delight,
smelling me like I'm a blood
tinged rose.

dripping...

and I awaken upon soaking wet
sheets in trepidities blood
curdling screams.
another dark poem contest regarding nightmares
Connor Mar 2015
Empyrean ocean
sifting silken under moonlight.
Pure and dawn the memory of bonfires
and hymns passing like fading auras
echoing into the firs.
I sit on a lawn chair whiskey in hand
head loosely let back
while we wait for the end of one year
and the start of another.
Drunken voices speak
faint topics inside the cabin a few meters off,
it's silent here a picture settling
over our temporary breath of history,
smoke escaping our lips and entering
the haze of reminisce.
Fire crackling contained roars warmth
like freckled arms laced around our skin
and eyes heavy set in the sheath of heat
resounding the field
while winter's dew is pollinating the lawns.
Celebration on all corners of the world
Big Apple bumper to bumper
metropolitan hysteria
TEN
I'm smiling
NINE
the crowds gathered around palettes burning
to ash like the universe
EIGHT
sparklers lit small stars
fizzling dancing midst the embers
SEVEN
I'm dying beautifully
SIX
You are too
FIVE
Indonesian Summer on the horizon it's all
so hopeful and you can't help but think idealistically  in times like these
FOUR
take a break from the bombs and the wars
for oil or in the name of god and let the air soak through your lungs
refreshing the world refreshing our youth
THREE
we have so much time soon to be so little
it all goes by too quickly somehow
TWO
our eyes are gleaming
lips wide in radiance
kisses kissed hearts lifting
up in flame
ONE
what will we be another year from now?
where is it we cry next?
who and where is our next great love?
how do we hurt and when?
what does it take to recover?
I'm sure we'll find a way
it's only a few hours to morning now
always is somewhere I suppose
and here starts a new odyssey,
everything is getting older
and newer all at once,
the fire is still glowing.
Nirvana goes on dancing
inside us.
holyoak Aug 2014
lately i've been day dreaming at night
and every time
you're grasping
at the smoke in my lungs
trying to make sense of the poetry
that you think is about yourself
the steam was coming off 
of the asphalt 
and i thought about 
how i was so breathless
when you told me
i float just out of your grasp
but at least you can see me
i've been blind since the day we met
and as it turns out
that was more curse than blessing
i could see nothing
except for the words you used
to keep me focused on you
you were always the selfish one
but what I gave
you couldn't take
it's not enough to just look away
because now I don't see anything
but that's better than seeing you 
you
in all your 
underwhelming 
overbearing
need to be seen by everyone
i wonder
do you think fire is scared 
of fizzling out and dying 
or does it just take pride 
in giving warmth 
and roaring while it can

[holyoak]
Courier Pigeon Feb 2012
The room spins with an awkward intensity
As I find myself (once again) questioning what is real
Fearing that time will steal another moment
From my consistently weakening grasp
Unknown forces pillage my thoughts
3:00 am
Ideas jump from my mind like suicide bombers
Burning and fizzling as they plummet to the ground
Confused by my feelings
And confused by the world
I ***** emotion onto a page
Hoping it will save me from being broken
But words cannot contain
The run away
Freight train
That is my soul
On fire and restless
Far too tired to sleep
Way too hungry to eat
Too thirsty to drink
Too everything to think
I mean what I say
But I can never say what I mean
So I stare a the T.V. screen
Hoping it will make me normal
Or at the very least numb

Goodnight Red Balloon
Our love is the burning august sun
Bowing to September nights
Setting

Everyone's captivated
Affection fizzling out
Tinges of orange
Our molten feelings
Cooling now

We illuminate them
Kissing their edges
With yellow candle light
A faded reminder
Of our radiance

Our love
Nothing but a setting sun
Destined to rise again
Tell me we can make it.
Lesley Apr 2016
You and I speak only in whispers
No living out loud, no shouts
The softest fragmentary conversation
Static in the wind
Slow starts and stops
Communication lost
Please try again
Whispers
Please try again
No love or living out loud
Hugs and kisses hidden in the dark
Silent screaming
Frustration & agony
In the silent gloom, our loves grows pale like mushrooms

Drops of dampness in the dark
Fizzling out the weakest spark
Only in whispers
careful looks & timid gestures
Silent, hidden prisoners
No love or living out loud
No shouts of happiness or promises
Only silence
Hushed whispers of longing
Silent screaming
Frustration Agony
You and I speak,
But only in whispers.
GaryFairy Nov 2013
I have styles that go for miles, but they cause frowns and don't cause smiles
i have files of rhymes in piles written on the floors and ceiling tiles
i have thoughts and i mean lots, i connect the dots at a million watts
you take *** shots, but if that's all you got, all i can say is your rhyme's not hot
it's the same old same, same old name, just another freeze frame in the game
your aim is pretty lame, the fame that never came, now so tame, a fizzling flame

i could go on for days, in so many ways, but it isn't going to faze a mind in a haze
i hope i shined my rays on a burnt out blaze, beaming through the greys of your played out daze
softcomponent Mar 2014
there are several ways to say, 'what in the hell are you doing?'

the first starts with: 'what in the hell am i doing?'

someone coughs in the backdrop. there is a hollowness to the room.
the cough bounces wall to wall, playing auditory pong.

you turn around, rather startled, and see an old man keeled tightly over his knees,
fast asleep and yet choking on his compressed diaphragm.

he snores, habit fizzling over loose lips and dripping thru his warm saliva 'til it becomes a taoist creek on the bed of the auditorium floor. he coughs, chokes, and it repeats throughout the room like a phantom.

you trudge slowly toward him. he lets out one long, conservative choke and jerks backward, a spinal catapult and to the ground. THUMP

there are several ways to say, 'what in the hell are you doing?'

the first starts with: 'what in the hell am i doing?'

someone coughs in the backdrop. there is a hollowness to the room.
the cough bounces wall to wall, playing auditory pong.

— The End —