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Kimberly Aug 2013
Loving you seemed effortless
I was beautiful
Even with the strands of hair out of place
I was funny
Even when it was just a causal comment I thought of halfway
I was clever
Even when the things I said were never always quite right

Loving you seemed effortless
I never had to wake up early to pick my clothes
I no longer worried about the zit on my nose
I didn't feel the need to tie my hair
I just came as I was
And you accepted it there and then,
Magnificently
Perfectly

Loving you was effortless
How our conversations continued tirelessly
You knew just the right things to say
And I did too
we could understand each other
Magnificently
Perfectly
Like a whole new language
Only we understood
And how you told me I looked beautiful
Even though I was not

Then loving myself became effortless
Delores Wiltse Oct 2010
the various colours of the autumn leaves
as one of nature's rhythms change with ease

the crispness of the air and the morning dew
creates a need for inner warmth inside of you

this time of year is so invigorating
as we harvest crops of our own creating

I love how the seasons have an ambiance of their own
Mother nature showing us her emotional tone

Weaving one into the other, this natural rhythm
Giving us a sense of her effortless decisions

may we take the lesson of this effortless flow
as we shift our awareness of inner growth
© Delores Wiltse Oct 2010
judy smith Jan 2016
Mikaela Lagdameo-Martinez has forged her way in and around the beauty industry. Starting out as a model at 15, she’s now started working as an entrepreneur and VIP sales manager for Stores Specialists Incorporated, one of the top names when it comes to bringing international beauty brands to our local counters.

With such a background and how she continues to grow her opportunities (she’s now started a scented candle business called Mink), you would think she’d have a million things in her everyday makeup stash, but the reality is quite the contrary. She still keeps it easy with tried and tested products that do their job efficiently. How else would she be able to keep up with all her work on top of being a mother and wife?

On a Thursday morning, Mika was kind enough to squeeze us into her busy schedule to share her favorite makeup and skincare products and how she doesn’t believe in going over-the-top when it comes to beauty.

Describe your approach to beauty

I’ve always been drawn to effortlessness. For me, beauty is in simplicity and comes in the most natural form.

What’s the best beauty advice you’ve ever received from your mother?

Always put lotion on! Ever since I was a kid, I knew that after every bath came lotion application. I was never allowed to get dressed without [applying lotion first.] I can say I was officially brainwashed until this day!

If you had to prioritize skincare or makeup, which would it be?

Skincare, definitely. When you take good care of your skin, makeup is secondary. Plus, I literally feel the weight on my skin when I have makeup on. It’s not the best feeling.

What is one beauty item you would always repurchase?

Moisturizer!

What is the first beauty or makeup item you even bought for yourself?

I think it was makeup remover when I started modeling.

Name five grooming items you would recommend to any man.

After-shave, hair gel, moisturizer with SPF, a good bottle of perfume, and hand cream.

What are five makeup items you never leave the house without?

Moisturizer, bronzer or blush, brow mascara, lip balm, and my favorite **** lipstick.

What is one makeup trend do you always do I always follow?

Neat brows.

What is one misconception about the beauty industry people should know about?

One brand fits all—it isn’t necessarily true. Most of the time you really have to take into consideration your skin type, lifestyle, skin sensitivity, etc. You really have to try them out and see what works best on you.

Who are your beauty icons? Why?

Cheryl Cole aka Cheryl Fernandez Versini. I never get tired of staring at her. She’s one face that never bores me.

One a regular day, which tube of lipstick do you reach for?

Make Up Forever in Mat 2.

On a night out, which shade of lipstick goes with any ensemble and occasion?

MAC Ruby Woo.

What are your top three favorite perfumes?

Jo Malone Nectarine Blossom & Honey, Hermes Pamplemousse Rose, L’eau Par Kenzo

Smoky eye or dark lip? Why?

Dark lip. Not a fan of heavy eyes.

Can you tell us about your nightly skincare routine?

Wash face with my gel cleanser. Moisturize and done!

What are the five best skincare products you’ve tried?

Every time I’m pregnant I run to my ever reliable Clarins Tonic Oil for my tummy and *******. It’s the best and most effective product for firming and avoiding stretch marks! Next would be Murad’s ****** cleansers. I alternate between the foaming wash and gel cleansers because they’re the best. Third would be Benefit’s Boo Boo Zap for treating zits! Fourth, Maui Babe’s browning lotion. Fifth, Kérastase Powder Bluff dry shampoo!

What is one thing that you think is lacking in the beauty industry?

Personally, I think everything we need is already available. What else do we need?!

Who is in your beauty black book (hair, makeup, skin, body)?

For my hair, I go to Alex Carbonell. He knows how to manage my wavy hair with the right layers, length, and color.

For makeup, my favorites are Gela Laurel-Stehmeier, Juan Sarte, Steven Doloso, and Angie Cruz. They know exactly what to do with my face and how much I dislike foundation. (Laughs)

For my body, I go to Marie France. I started going to them ever since I gave birth to my daughter almost 12 years ago. I actually enjoy their treatments because they work so well and I don’t even have to break a sweat.

read more:www.marieaustralia.com/vintage-formal-dresses

www.marieaustralia.com/****-formal-dresses
onlylovepoetry Jan 2017
losing you and it's effortless
redefining short and sweet,
a whiskey neat,
eight years, much shorter than the forever,
everyone's grand assumption feast,
wrongly assumed, love consumed,
making ***** of her and me
for believing,
and looking now,
as if it's almost
our own closing time,
the hour of our
just desserts

you lose yourself, asking yourself,
can a three legged stools
with two busted legs be
just merely rocky,
without another hand on the tiller~shoulder,
something

with haunting visions
of falling, failing, flailing,
down the stairs
victim of a stoning, or just ******,
gravity, the Blackhawk down,
the string puller, the no-reason reason

the slow descent,
so effortless, glassine smooth at first,
barely noticed, shrugged away like a small bruise,
then you cannot help to stop and forgive the incessant
wondering of how we got,
the confusion contusions,
now body bejeweled resplendent,
everywhere, in everything

you were once
a rock, a star,
with all the answers to the questions
she was about to ask,
your arm punched,
attached to an affectionate smiling,
for the perfection of our mutuality of
knowing

was her rock,
and now, quietly,
this last piece of jewelry consists of
a necklace of stones,
a choker of
glass pebbles in both our mouths

wry cry
realizing that the
darkness cracks of
busted and rusted,
are voluminous surround sound silences
breaking up,

either side of

*us
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
jacky Jan 2014
Loving should be effortless
in a way that you need not to impress
to change or to bless

I feel like this when I'm with them,
I say what I say, in an instant
what comes into my mins, I say
or what has been buried deep
waiting for the right catharsis
of all
and it's effortless
I don't mind about my words
I don't filter my thoughts
They read me as the book I was printed
no less, always more
With them, no plans are needed
only the presence of each
peculiar perspective
that each of us contain

I don't feel that with you,
and even I do
I feel like it was
congregated,
never natural

now why is that?
I really do believe that we feel like this at certain people, being exhausted in loving them but the funny (and hurtful) thing is that we still keep on loving them. And the saddest part which I can't change myself is that we still want to love them even if we know that it is very exhausting.

Love works in puzzle pieces, unsolvable and insane.
GGA Dec 2014
Crawling, slowly, firmly, effortless towards me.
Billowing from sea over hills,
the blue sky is envious of its charm.
What can it offer but a backdrop of blue?

Its ever morphing silhouette captures our gaze and fascinates.
Not to be revisited, once witnessed, suddenly changed.
Forever, only in memory it plays.

Lie back, enjoy it's visions,
for it is past, as quickly as it came.
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Asim Javid May 2015
Having hardships in life is somewhat
we all have to face .
No matter how positive we foresee our lives ,
struggle towards serenity is never effortless.
We all are embedded in deadlocks of life.
Without ENDURANCE & TOLERANCE
we will collapse in gyration of  dilemma.
As quoted by Prophet Muhammad (s.a.w)
“Happy is the man who avoids hardships, but how fine is the man who is afflicted and shows endurance"
Kayla Whipple Nov 2012
I saw you from across the gym and the second my eyes laid on you I knew I was never going to be the same.
Is it possible to fall in love with a stranger, because I think I just did.
Your posture resembled the self-confidence that filled your *****
Your hair a blonde hue that I have never been attracted to before.
How could it be, you already have a piece of me.

I couldn’t take my eyes off of you, you see.
For you were already starting to seep into me.
Maybe it was the idea that I can feel love like this, for someone I don’t even know.
Or maybe it is that I looked into your blue eyes from across the room and felt like I knew you.

My emotions were wired, and my thoughts gambled.
I had to remind myself  how to walk and remember that staring in awe isn’t generally socially acceptable.
I can’t believe I just fell in love with a stranger.

You tossed the basketball with such grace, it sliding off your fingers so effortless. Your shoulders broad and your stamina grounded.
The way you slid across the floor so smoothly chasing after the ball that went perfectly into the net.

When the smile grew on your face as your friend shot the ball, my soul felt warm as I looked into the happiness of yours.
Your teeth, strategically placed by God’s fingers. Resembling how perfect we will all soon be.
I can’t believe this is me.

Falling in love with a stranger, what else is new.
The second I saw you I knew
My confidence was back and I began to come to life again.

So maybe you were an angel sent from God.
Teaching me that I still do have hope.
Showing me that my heart is still in enough pieces to love.
What ever the case and outcome of this, I feel happy.
I feel at peace that maybe, just maybe, someday I will lay eyes on someone and know they will embrace me for the rest of eternity.
Adrianna Aug 2018
I despise social media.
It's ugly, to state the obvious
Our lives are posted, retweeted, altered, reblogged, perfected, and photoshopped to exactly how we want to be perceived
We have the freedom to be exactly what they want us to be.

It starts with a few edits doesn't it,
pigmented our skin to seem smooth and sun kissed,
that would seem most acceptable right?
Maybe an extra like for the skinnier waist.
More reassurance for brighter colors.
Some more filters will hid the emptiness you feel with your friends
   Another like
Flashier clothing, phones, shoes, cars, other simple words our eyes have latched on to
     Another like
We urge ourselves to portray the life of leisure and effortless beauty, happiness, success,
       Another like
But what are we enjoying?
         Another like
Views of our changing world through a 3 by 8 view.
           Another like
Events pass by swipe
             Another like
and swipe
               Another like

And when we managed to unlock ourselves from this grasp
We always come back
Like flies to light, more like scratches to a scab
Festering we find ourselves getting ****** back in
To an imaginary world, that if destroyed, would have no physical effects on their fictional beings
For without this world, maybe eyes will open
We will step past the boundaries,
and start to love our beings
unfiltered
I really do not like the social norms of having the staples of social media, it is a toxic area that traps us in an infinite loop of trying to upgrade one another
Lindsay Oct 2017
Finding a lover is effortless
for some people.
They only want a few things:
Someone attractive, kind,
funny or rich.

But
I desire
something so much deeper.

I want

an intelligent mind
that wakes up thoughts in me
I didn't realize were hibernating.

I want

to converse, analyze and debate
without being conscious of
the sun rising and falling
between our words.

I want

to make a witty remark
at a coffee shop
so he can reply sarcastically
just for me to jab back immediately
and for him to comeback back playfully
until we're both laughing
stomachs shaking
spit flying
the whole store staring
and we leave
without coffee

I want

our hands to stitch together
perfectly
like two lost puzzle pieces;
one found under a couch cushion
one found inside a junk drawer.
The rest of the puzzle has
already been thrown away
but
these two pieces remain
and they fit.

I want

to fall in love together
then together fall in love with
art, museums, songs, poems
T.V shows, radio jingles,
greek food, backroads,
our mutual hatred for pop culture,
doing the dishes (as long as he washes and I dry)
wrong turns, piled up laundry, life.
Just fall in love with life.

I want

to hurt with him

I want

to save the world with him

I want

to meet, see, understand
and experience all that is foreign
with him.

I think it will only take us meeting
and it'll only be history and happiness from then on.

It's just a matter of if a love like that could ever be
and if a love like that could ever be for me.
Megan B Apr 2018
I want to be mysterious
I want to be the kind of girl
who leaves pieces of herself
with different people, all around the world
so that no one knows her full story
but it is all there
for some potential dedicated soul to discover.

I want to be a puzzle
that everyone thinks they have figured out
and all I do is smirk
because they have no idea
what they're talking about.

I want my life to seem effortless
my world falls gracefully into place around me
to the wonder of everyone else
but all according to my plan.


But that is not me.


I love fiercely, and with reckless abandon.
I tell the world my story in hopes that
someone will care enough about it
to stick around to watch the rest of it to play out.

I care. Deeply. About a lot of things.
So much so that it hurts.

I stop to watch squirrels munch on their dinner
and would much rather talk to a child about nothing at all
than have an adult conversation.

I am not mysterious. I am no puzzle. Nothing about me is effortless.
I am an open book with her heart on her sleeve
yearning and searching for true human connection
somewhere in this vast cold expanse.

But what's so wrong with that?
Meghna Jan 2015
I see him there
But he doesn’t talk
He finds me staring
And turns around to walk

Is this what we’ve been reduced to?
Ignorant bliss - solely for you

Shackled to our bonds
And surrounded by brambles
Like sand castles by the sea
Strong foundations crumble

My hand shakes, my pen breaks
But I am not suppressed
Tearing grass and filling pages
With a force I never knew I possessed

Feeling unwanted, ignored and lost
I sink down with the approaching dusk
Losing myself in the thick mist
My identity becomes a mask

My lips start to quiver
Because you’re right there
But you’re looking right through me
I realize, with a shiver

Nothing remains, all is lost
My efforts are in vain
Pain and twangs of sadness are all I have
When you are washed away in the rain
PK Wakefield May 2010
effortless branch) cinnamon skinned lovers
crisp the night leaves(
winding path stricken moon spit
caving shadow light lady of white haloed perfections

we walk stepping on
cool drunk earth
i,ve uncoiled muscle wreathed limbs
to pluck your hollow cords; make a melody unmeasured

(in a death littered valley
i made a song of you)
Sapphire Dec 2014
All consumed by thoughts of you
Tied with chains
my heart in pain
I long for your touch your taste
body begs you to penetrate
It's like you can't hear or see what you do
So effortless yet you have no clue
my physical illnesses stem directly from you
head bangs of desire from chemicals that set my brain on fire
You're the air that feeds the flames
squeezed from my lungs
I'm locked in a haze
Waiting to be saved
Amitav Radiance Jul 2014
Fulfill the dreams of yearning heart
Under the arch lights, bathed in glory
Reminiscing the path that you took
Forlorn and strewn with hurdles
At times an effortless glide ahead
Blended with mixed fortunes
Inching towards the destination
Trial of patience as going gets tough
Dreams will be fulfilled, after tribulations
Don’t stop dreaming just yet
Ignore the furtive glances of cynics
Dreams are to be nurtured and fulfilled
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
Raj Arumugam Aug 2013
my brother-in-law’s really fit
I admire him for it

He spends much time
in exercise, in energetic thrusts
He’s a whole aerobics center;
gets all the exercise he needs:
He constantly jumps to conclusions
runs down friends, back-stabs whenever he can
side-steps responsibility
and you could say, is constantly pushing his luck
And pushing it too far too…
and goes round and round in circles
with many false arguments

But one kind thing I can say of him
he’s mindful of my health
for he must have observed how I hardly exercise
and he invites me often to his fitness program
“You scratch my back, I scratch yours,” he says…
But I’m just too lazy even for such effortless exercise
and meanwhile, he continues with his fitness program
namely, as I have said before,
jumping to conclusions and constantly pushing his luck…
while the only thing I can manage
in response to his fitness program
(darned lazy as I am, as he complains to his sis)
is to lift my *******

but frankly, my brother-in-law’s really fit
I admire him for it
...hey, I get enough exercise, as it is, completing the obstacle course of life...
Katherine Oct 2012
A real man
Remembers that stars are there
Even when blocked out
By city lights
He knows patience
Because more often
Than not
Waiting
Is
Worth it
He does not falter
With his love
He does not stutter
When he mutters
Three
Simple
Words

A real man
Need not be rich
Or giant
Or aggressive
But knows that family
Is prosperity
Love is vast
And
Compassion
Is more powerful
Than destruction

When he laughs
He is carrying me away
On plush clouds
Lightening my day
Reminding me, not to feel so heavy
You feel his heart
Beating at once
With yours
Even from far away

When he smiles
It is not forced
It is peaceful
It is effortless
You see the world in his
Gleaming
Brown
Eyes

When he cries
(Yes, a real man cries)
He is shedding away his pain
Collecting tears
To make a river
So that he can swim
He never
Allows himself to sink

When he loves
It is almost indescribable
He takes care
He is devoted
He is reliable
Understanding
Of the universe’s trials

The sad truth is
So many good men
Go unnoticed
In this world
So many are
Taken
For granted

When a girl
Realizes
She has a real man
She must decide to
Step up
And become
A real woman
Strong
Loyal
Nurturing
Loving
Honest
She gives him her heart
And never thinks twice
And if she’s lucky enough
To be given his
She treats it
Like a precious stone
And never lets it
Out of sight.
Sara Kellie Sep 2018
Starting with coverage from BBC2.

Brushing calm shadows into
pastel hills.
A rhythm paints terrain a
sugary brown.
Flicks of green create
fauliage serene.
The clean tasteless air is
cotton soft.
A effortless stream runs
cobalt clear.
Where salmon gymnastics begin
each year.
Squirrels practice dance routines a
glamorous red.
The doormice dressed and ready
for bed.

Continuing coverage on Ch4.

The perch, the tench sat together on an underwater bench.
Discussing bait and hooks whilst flicking through some fishing books.
What's he eating? Mr Mole,
it looks like cheese and ham
on a soft brown roll.
There's a chicken and a fox that
live round here.
Seriously, they've been dating each other for about a year.
Now, if you take the next left,
then over the stye.
There's a duck lives there,
call in and say, hi!

Poetry by Kaydee.
Poetry by Kaydee present what is believed to be a creative first.
One story, one habitat, one poem giving you the viewer, two different narratives.
Now here's another twist because instead of you, the reader, reading a poem in the traditional way. We handed our work straight to two television broadcasters and they have each made a program exactly as they wanted with no constraints.
Showcasing two well known broadcasters with polar opposite styles.
Poetry by Kaydee presents to you 'The Meadow'. We take up the story with BBC2 before switching over to CH4.
Will you notice a change of style as we go from the 'high brow' production of the BBC to a more laid back, social media type of production from Channel 4.
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
Heavy Hearted Jul 2018
sad boy;
what a pathetic
ploy
this is for my attention.
all you contrive
tastelessly
always lacks concession.

every word,
and image you fake
I reject, from my
possession,
for all you are
's worth less than this
effortless expression.

you see, my natural
creativity
surmounts your ****
impression
of the beauty of my work
and my powerful
transgression.
leave me alone
Cana Aug 2018
Ripples riddle the mirror,
Below, faint shapes shift
Elegant forms float here and there,
Little legs thunder, leaving a gentle wake
in lieu of turmoil.

The air is thick, the sun falling,
Already lost behind billowing storm clouds
Etched chaotically on the horizon.
Invisible but for the ubiquitous light.

It is the dragonflies time,
A darting zip and an effortless flutter.
From surfacing **** to towering Reed,
Searching for something we can only pretend to know.

Determined housewives, faces set,
Arms pumping and hips swaying
Their Anatidean waddle so fitting
Their quacks, a wall of stereo.

A lone rusted sign warns of gators,
but of signs, there is that one alone.
No rogue bubbles or beady eyes,
no ticking of swallowed clocks,
no suspicious splashes.
nothing.

My battery is now as low as the sun,
and my pen is as empty.
A not so subtle poke in the ribs
from a universe in protest of the
bad poetry being inked.

c'est la vie
or as we say in English
**** it
Tuesday evening park sit. Waiting, watching, and stuff.
I wrote his sober, so I cannot be held accountable.
Jame Jul 2017
This is a letter to the person who made me believe that he loved me.

Yes, you. That's you.


I still remember when we weren't even that close to being friends. You and I, we were both trying to come up to each other but there was always something pulling us back from doing it.

Maybe God was trying to make a way from getting us too close from each other- maybe he knew what was coming. Maybe he already knew that there was a storm coming before it could even hit us.

Let's go back to the days when we started sharing the same space. There was never an assurance of anything we said or what we did. Those "I miss you already", "You're so cute"; to the stares, and the songs we sang together, the quirky smiles and eventually, I find myself holding your hand too, then it went down to hugging you from behind and you don't seem to mind.

I would talk to my friends about you a lot. It would start from the days when i said, "I'm so happy" and escalated to constant phrases of "I'm so tired" and "I can't do this anymore"- and all the sad songs started to make sense.

Believe me when I say you made me happy. You were a much bigger part of my whole, but also broke me at the same time.

Even though you weren't trying to make me happy, yours was effortless, I still felt happy.
Even though I know in yourself tried to love me, and made me believe that you do, I know from the back of your head and the bottom of your heart; I know you're sorry.

I know you're sorry. It's not your fault. Maybe I came off too strong, and I'm sorry too. I'm sorry that I loved you.

I know you're sorry for being a little early and a little too late.
I know you're sorry when you can’t be the one to sweep off my feet.

But I guess I'm the one who should be sorry.
I'm sorry for getting tired playing your silly game and for thinking that I ever had a chance on breaking through your walls, when you, yourself, won’t even let anyone in.
I'm sorry for pulling too many false alarms. And because of you, I never thought that loving and hurting could possibly strike at the same time.

I'm so tired of trying, TRYING to understand you but you just won't let me. You won't let me in.
I just want you to feel how worthy you are- that you deserve to be loved and I want you to feel that with me. But you won't let me.
I know you're scared, because I am too.

Are you scared because you're happy?

I know you're scared to love, but you didn't have to make me feel like you do.


But I get it; Maybe you were scared of what could the outcome be.
Maybe you're scared because you didn't want to end up like your parents or you're scared to feel anything deeper than anything deeper than deep.
Maybe you're scared because you didn’t know how to handle problems, fights or anything that relates to feeling something.
Or maybe, just maybe, you're scared because you don’t know how to make a person stay.


So today, we have to start letting go of each other because we're still there. You're still in that phase and I'm still in that place. I'm still that friend, I'm still that "friend" who holds your hand whenever nobody is looking.


It’s so hard for me to actually explain how i truly feel about you when we can't even have a continuous conversation in a normal day. I don't know how you do it but how can you stay friends with someone you like and hold their hand, and act like there's nothing going on between the both of you, but deep inside you know there really is- and the hardest part is you have to pretend it doesn’t mean anything?


But I took that risk. I took every risk just to be the girl you wanted me to be.
But you lost it.
You lost that girl, because you forgot her.
You forgot how she looked like and how she speaks.
You forgot how she looked like in a happy bright Monday when you're all alone and upset, and she's there to lighten you up but you closed the light.
You forgot how she painted your skies blue and made your sun yellow.


You forgot that she notices you even when she's mad and hurting because of you.
You forgot that nobody looked at you like the way she did-
She's all about you; and nobody will ever love you like I do.
But you lost it.

And I want you to know that no matter how much you have hurt me, I will always be here for you and I will keep waiting. I know it wasn't any of your intentions to hurt me like that, but I made you make me feel like I was special when you really didn't want to.


I know a part of you loved me. I felt it - and i know you did too. I just wonder what went wrong. I even question myself what I did wrong, if it has something to do with the way I dress, or with the way I speak, or with the way I let my guard down easily.


But despite everything, thank you. Thank you for showing me a piece of your world, and handing me a piece of your heart;


We, will keep waiting.
Lydia Solkov Mar 2014
The cherry blossoms, pink and luscious, in full bloom.
Below the koi fish swim round, round in circles.
The sun reflects off silk kimonos with a shine radiant, dazzling,
With red lips against painted white skin, blindingly beautiful.
A walk like unraveling ribbon,
And hair like ink, bound tightly a few strands bound for escape.

Untouched skin tainted by stares, clipped wings useless for an escape,
Freedom comes in the hope of riding a cherry blossom, swelling in bloom.
The leaves swirl to the ground, spiraling in nature’s ribbon.
The glares of tigers ******* her, kimono falling to her feet in circles,
Eyes of blue, green, never turning away, trapping those beautiful,
The nature of a hidden world, shaming and stunning, confining yet so dazzling.

The snap of the gold-trimmed fan weaving in and out, dazzling
The crowd with effortless twists and turns; clenched tightly, no room for escape.
A dance of untamed water in a disturbingly beautiful
Unity of desire and fright. A young bud not on the verge of bloom
Thrown into a crowd of tigers to be spun in uncontrollable circles
And entrapped by the unflinching gazes in silk ribbon.

The game is simple: mesmerize a pack with grace of ribbon,
Attend engagements that ask for a dance, tea pouring, but never dazzling
That pure smile too brightly. Fool the ***** tigers to follow in circles,
But never trust a tiger that promises a chance of escape.
Never fall for love’s first bloom,
Never become the next to lose the light. Stay pure and stay beautiful.

A kimono is only as pure and as beautiful
As the woman underneath. By cutting the ribbon
Of virginity by a friendly lamb, instead of tiger’s bidding for the bloom,
Only leads to the fall of a shooting star, gracing the sky with its dazzling
Beauty, and the hope and wish of an everlasting escape
Is crushed by the weight of a soapy rag, washing away the hope in circles.

Though the pain of the cage binds the mind in endless circles,
Though tigers ignored the aching backs and blistered feet, staring at only the beautiful,
It is better, safer to stay in the hidden world, banishing all thoughts of an escape.
Keep the tigers in a tight ribbon,
Stay young, fresh, never letting the mind wander away from dazzling,
And never fall like a cherry blossom after its first bloom.

A walk like unraveling ribbon,
The sun reflects off the silk kimono with a shine that never ceases from dazzling,
And forever watching the cherry blossoms, pink and luscious, fall in full bloom.
Adam Childs Jan 2015
In the forever winter landscape
Live gentle waddling penguins
While fierce forces conspire
All life brushed away
By unforgiving weather
But with an icy resolve
They all push back
Not with a Roar
But a little pitta patta
Of jolly dancing feet
As they happily bubble along  
With defiant hearts whispering
To the weather
With a nonchalance  
Disarming the Gods
   "we don't care"
With a silky soft defiant Roar
They potter on with their day
In a light hearted way  

Traveling through their life
They feel bound by limitation
Limbs retreating,, wings shrinking
Escaping from the weather
As the world places them
In a straight jacket
But they fluff out their
Love filled chests
A dash of yellow
On their cheek
Proclaiming I love who I am
As they slowly press into snow
Heart blazing with white fires
Busily they chatter
Nodding and bowing
To each other

Life pushes newly weds apart
As her ladyship is forced to abandon
Her man to the long winter's night
Left holding the egg
She looks back with a longing glance
Her heart torn
But in the blistering chill winds
And freezing cold air
A cool clarity is born
Where all passions are left
Under sheets of steely ice
And soft blankets of snow
Her task very clear
She pushes on

A trust between partners feels itself called on
Now fierce winds blow through
And into her face
As they now feel so far apart
She stops to take one last look back
And feels an impenetrable bond
Forged in their hearts
As her beak circles the sky
It is as though an arc
Of light is made
A silver connection
Binding them together
As they feel somewhere
In the eternal they remain holding hands

The aspiring father left
Holding precious egg tenderly
Left standing on cold ice
In blistering winds
Four months there left balancing
Treasure softly on his feet
Through the winter's night
Angry winds betrayed by the sun
Sting with a viper's vengeance
As temperatures plummet
-70 and dropping  
Cooperating together they huddle
For their very survival
Perfectly dressed in Tuxedos
Black like death standing on their back
White in front for the devotion
They show us in life
Reliant on each other
They spiral around together
And say
   "together, together we can do it"
As they silently sit through
The long winter's night
Letting go of their resistance
They release a godlike persistence

Over the horizon mothers appear bobbing
Like bubbles of thought bursting
From the flat transcendence
Fulfilled wishes appearing
New mothers pulled forward
By tickles of joy in their hearts
Leaping forward on their bellies
As they collapse in
Boundless devotion
Their hearts drawn forward
Skating along on their Love
They glide.................................
           and slides..................................
On their own pouring devotion...................
Effortless devotion..................................................
They almost fly on their
Unlimited Love

Effortless embracing tasks
Supporting new life
They are filled with the
Ecstasy of fruitful service
Later adults return to water
Float with a grace
Of a dancing ballerina  
As though fuelled by rocket fuel
They leave bubbles like smoke

As we delve into these
Vast fields of devotion
And see these jolly beings
Successfully spilling through
The dark winter's night
As they spread new life
I feel like the great God above
Totally humbled And can only
Kneel and Bow
To the beautiful penguin
Jh Aug 2014
Fallacious words and
Temperate attention
Still I am a moth who never learns
To stay away from the baneful light.                       Time is dragging us
Your justifications cannot                                           further and further
Substitute reasoning.                                                       ­     apart.
Countless times
You've intoxicated me                                                    I am drowning
With our effortless chemistry.                                            in your
I feel like I am burning                                                endless deception
But I am in no position
To claim physical pain.
So feed me more synthetic flattery,            We seem to be parallel lines,
If I had to choose between                                     the only constant
An honest lover and a dreamy liar,                we are capable of holding
I'd pick you again and again.
((Poem doesn't show up correctly on cell phones))
J M Surgent Nov 2015
Some of you make it look
So effortless.
Love, I mean
In all different geographies.
Charlotte J Feb 2017
The way he looks at her
and she looks at him
makes love look so
effortless.

He doesn’t even notice
how he is leaning in –
towards her. And how her arm is
intertwined
around his so tightly;
with such a devoted glint of comfort
and familiarity.

I hope you're on the same train.
Making the aftermath
of falling easy, the complexity simply
luminescent.
Almost allowing me to feel light.

My heart had its fair share of
lightness, brightness – heavy now but
the smiles, the laughter;
It makes me feel as if
perhaps
that is what I yearn for in The End.

But will I ever find happiness if I'm overflowing with joy?

Because the
Melancholy
of a platform sliding out-of-mind,
with You standing there debating the
tangles in your shoelaces
warms up my equally tangled,
Masochistic
heart. Because that is not granted for me (us).

Not the handholding
nor the scent of your hair
when it’s 5 a.m. and your arms
are knotted around my waist and we
waste the day, the days, days in my bed.
Oh, yes (please).

No. I can't get that.
I remind myself:
"I don't need that."
I step onto the platform.
I mind the gap.
I dare do much
But I cannot dare to
trip, stumble,
and fall.

For You. (I already have.)
Martin Narrod Feb 2014
The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten
Noah Sep 2018
Beauty of this effortless.
I did not come to swallow of guilty tongue,
Though rightfully, it has been made done.
Having been I to pronounce in unrightful bearing,
Brought down in redeeming unveil in the turning toward you.
My eyes were told to ration my love in foreign experiences,
Such a time that I couldn’t hold back.
Time ran like a moment of memory,
Which was the cause for all motion to remain.
Your defining passerby moment made me consume silence,
Unfolded your presence, expressed your moment to not forget.
Showing guiltiness of my dissonant mind.
Beauty of not any effort, I became an atonement and could not say.
Forthwith that moment, this stride, yours.
To glimpse what I became aware.
Seamlessly this path was made more.
Evermore I mourn to relive it.
Urmila Jun 2015
Maybe these desperate attempts to prove my love,
To prove I'm a friend,
To prove all that is true,
Have led you to believe the opposite;

Maybe it needed to be effortless,
To let the effortless conversation flow,
To let the effortless comfort of silence be,
To let the effortless love bloom
Brandi Jan 2019
Someone walks by and calls me beautiful
Beautiful because I am sitting alone at this bright red picnic table

I am surprised
It is such an unexpected and lovely occasion
To wonder if I am a melody of an unsung song

Something familiar to passers by
Yet entirely unique

Like an art form that is effortless
Simply because of my place in that moment of life
Surrounded by a cacophony of college students
Some of whom are my friends

This was my moment of solace
Of solitude

"Click"
School photographer takes a picture of me tearing into my hamburger Piled high

Once the party is over
I am gone
Like a shooting star

He looks up in the sky and sees me
And while I want the one to join me ablaze
I feel the fear in his heart
Fear I will never be the fireball I once was
If I am suddenly plucked from the sky

Having this unsung
Effortless
Imperfect type of beauty
I smile as I think of the one
The actual one
Knowing it is him
Always and forever
And walking up to the big bright picnic table
Hoping to stay awhile
We lift off ablaze into the night sky

© 2018
Brandi Keaton
Embracing isolation when it may come is freedom from its destruction. Realize inward beauty and keep shining.
I feel so out-of-touch and small talk seems out of reach.
Are my thoughts worth airing? Maybe its better to not speak.
See, lately I've been thinking. More so than usual.
And its come to my attention that my attention is unusual.
I can't believe it took me this long to realize
just how egocentric I can be.
A fourth of my life is gone and its always been about me.
I know and acknowledge that you're a person too
but something has changed and I feel like I can't talk to you.

Where once it was effortless, now conversing is difficult.
Instead of truly listening I'm preparing my rebuttals.
It isn't that I don't care.
It isn't that I'm disinterested.
But it feels like my volume knobs got ****** up and I can barely listen.
Why is my head louder than reality?
It's exhausting to focus on anyone but me.
Truly a self-serving, self-centered friend I am.
Sorry.
Skylar Jones Aug 2016
There is a beautiful serenity in simple conversation.
I don't want to feel obligated to dazzle with big words or with intricate philosophies.
Let's talk about the simple things, they may not be of much importance of others, but others fail to see that a wonderful life is comprised of simple things and effortless momments.
You don't have to look far for inspiration,  just read to me the words etched on your heart , where expressions exist in their purist form ,and when you're done I'll read to you the words engraved on mine.
Let's talk about leaving footprints on beaches around the world and about all the wonderful things the years to come  will bring.
When we've finished purging our hearts, let us welcome the comfortable silence and take in the slender of this effortless moment.
Thia Jones May 2015
I want perfection
I want that moment where our eyes meet
and neither of us can break the gaze
where our souls open to one another
like buds thirsting for the rain
where I see eternity, endless infinity
expand and share their secrets
from within you and know in that instant
that you see the same in me
I want that perfection of recognition

I want perfection
I want a shared empathy
an effortless telepathic connection
to feel that golden thread that links
all my chakras with all yours
I want to wake thinking of you
to drift into sleep doing the same
to know this is true for you too
and to meet even in our dreams
I want that perfection of synchronicity

I want perfection
I want to explore your body
to marvel at its complete perfection
even though you believe it imperfect
I want you to marvel too
at the perfection you see in this body
although I know it to be far short
I want to be consumed in mutual lust
to burn with your tastes sounds and smells
subsuming our senses into one another
I want that perfection of sensation

I want perfection
I want to run and work and sweat with you
to experience the joys of music, of performance
to travel with you to places of wonder
to inspire your creativity
to be inspired by you in every way
to reach new heights as yet undreamed
to remain forever grateful
for the gifts of your love
I want that perfection of complementarity

Cynthia Pauline Jones 4th May 2015
I have still to meet this person. There was someone who ticked some of the boxes and who for a time it seemed might complete the set, yet drew back. So I continue to search.
Steve Page Feb 18
It's good to make you smile
by simply being myself

You too make me smile
effortlessly

Let's make more time
together
and make less effort
Here's to easy

— The End —