Odysseus needs a job he calls pima community college art department chairperson sends her his resume she does not respond after a week he catches her on phone she says he lacks proper credentials laughs to himself his whole life never worked lucrative or reputable position gets job working at thrift store wacky group of coworkers customers store frequently smells like public latrine job expires after 7 weeks he gets better paying job working at record exchange Odysseus always loved music everyday he learns new artist or band his coworkers are at least half his age they pester him about being slow on keyboard he never learned to type neither he nor his generation could have foreseen future would revolve around keyboard he plods on register keys people smile politely kids he works with fly fast making many keyboard mistakes November 29 2001 george harrison dies of cancer he is 58 years old Odysseus recognizes he is from past world different era of contrasting standards ‘80’s behavior is totally unbefitting let alone ‘60’s beliefs it is 2002 and one badly chosen word is sure to send someone flying off the handle he watches his language carefully co-workers mostly born in 1980’s grew up in 1990’s they live indifferent to hopelessness he struggles to bear none of them believe in higher power music is their religion he wonders what their visions concerns for humanity are? they seem addicted to consumption as if it is end in itself he questions what is hidden at root of their absorption? loneliness? despair? apathy? absence of vision? where is their rage against social conversion current administration? he warns them about homeland security act privacy infringement increased government secrecy power they shrug their shoulders why aren’t they looking for answers? why don’t they dissent? do they care where world is going? he realizes they will have to learn for themselves few coworkers read literature or know painters philosophy their passions are video games marijuana “star wars” most of them are extremely bright more informed than he often Odysseus needs to ask questions they know answers to right off the bat he is like winsome uncle who puts up with their unremitting teasing “hey you old hippie punk rocker get you fiber in today? stools looking a little loose! peace out old man” in peculiar way he finds enough belonging he so desperately needs they tell him stories about their friends *** addictions eating disorders futile deaths he is bowled over by how young they are to know such stuff job includes health insurance which is something he has not had since Dad was alive having some cash flowing in he buys laptop computer with high-speed connection cell phone trades in toyota for truck opens crate of writings he abandoned in ‘80’s begins to rewrite story sits blurry eyed in front of computer screen his motivation has always been to tell truth as he knows it he wonders what ramifications his labor will bring positive or negative results? he guesses his story will sound like children’s fable in stark brutality of distant future october 2002 3 week ****** spree terrorizes maryland virginia  district of columbia 10 people killed 3 critically wounded police believe white van responsible october 24 man and 17-year-old boy arrested in blue chevy caprice juvenile is shooter assailants linked to string of random murders including unsolved shooting of man at golf course in tucson Odysseus mentions incident at work speaks of prevailing terror madness in america co-workers kid tell him he is crazy “did you see a white van parked outside the store Odys?” they seem desensitized to increasing national atmosphere of anger panic or perhaps they are overwhelmed by weight trauma of modern life lie after lie prevailing  havoc slaughter make for dull numbness in world they know suicide is compelling option december 22nd 2002 joe strummer dies from heart failure at age 50 Odysseus’s eyes wet he adored the clash everything they stood for loved joe strummer and mescaleros he plays “global a go-go” over and over listens sings along with first track “johnny appleseed” march 2003 president bush launches attack against iraq united states seems drunk with “shock and awe” zealous blind patriotism many people politicians countries around globe question unproven line of reasoning saddam hussein possesses “weapons of mass destruction” Odysseus gripes “not another **** vietnam” record company allows employees to check out take home used product Odysseus stopped watching movies in 1980’s he has lots of catching up to do particularly likes “natural born killers” “american history x” “american ******” “fight club” “way of the gun” “******” “king of new york” “basquiat” “frida” “*******” “before night falls” “quills” “requiem for a dream” “vanilla sky” “boys don’t cry” “being john malkovich” “adaptation” “kids” “lost in translation” “25th hour” “28 days later” “monster” “city of god” “gangs of new york” “**** bill” list goes on perfect circle becomes his favorite band followed by tool lacuna coil my morning jacket brian jonestown massacre flaming lips dredg drive-by truckers dropkick murphys flogging mollies nofx stereophonics eels weakerthans centro-matic califone godspeed you black emperor magnetic fields fiery furnaces dresden dolls smog granddaddy calexico howie gelb sufjan stevens warren haynes dax riggs john vanderslice alejandro escovedo sean paul elephant man bjork p. j. harvey ani difranco aimee mann cat power sophie b. hawkins kathleen edwards mia doi todd kimya dawson regina spektor carina round neko case fiona apple nina nastasia beth gibbons mirah rasputina dr. dre talib kweli immortal technique murs slug atmosphere trick daddy eazy-e tricky list goes on october 21 2003 elliott smith commits suicide stabbing 2 wounds into his chest Odysseus thinks about music when jimi hendrix stood up at woodstock deconstructing national anthem on guitar it took courage when punk emerged with ugly screechy sounds attempting to divorce itself from melodious harmonies of 1970s complacent crosby stills nash  the dead kennedys and *** pistol did not pander to conventional commercial success what they performed were desperate gutsy songs trying to reclaim music rock’n’roll is no longer about inventing instead it imitates its glorious past hip-hop and rap come nearest to risking rebellion but are caught in gangsterism infantile self-adulation no longer does music offer vision of what is or could be instead it conjures looping escapism from hopelessness of modern life he continues working at record shop for several years store contains every genre of music cinema he grows weary of retail sales weary of higher-ups constantly changing rules dictating what to do head manager is manipulative drama queen thrives on crisis once in private admits stealing from company Odysseus nods not knowing what to say head manager works Odysseus hard keeps him down atmosphere of conspiracy betrayal hang at start of each day assistant manager routinely taunts berates bullies teases regularly calls Odysseus “dumb-****” or “****-up” other times laughs after goading Odysseus to flinch eventually bully backs off and they become friends retail pushes Odysseus to brink of misanthropy corporation requires all employees to exercise overt courteousness while serving a public of disrespectful gang bangers demanding “show me black market brotha lynch mac dre why ya godda keep dat **** behind da counter? dat’s ****** up hey old man i ain’t got all day” it always amazes him when shoplifter is caught with product stuffed down his pants thief blatantly states “i didn’t do it i don’t know how that got there” thanksgiving through christmas to new years is most swarming stressful he feels like automaton greeting customer scanning product looking at screen to see if price agrees with product typing money amount counting money into drawer counting money out handing change to customer handing customer product receipt next customer cockroach capitalism packs of masses line up in endless stream of needs stupid remarks job also involves trade appraising condition value resale probability of cds dvds video games tapes vhs vinyl news of  iraq war gets dismal mounting civilian casualties suicide bombers hostages beheadings beginning of 2004 reports of torture ****** psychological abuse **** ****** ****** of prisoners at abu ghraib prison guantanamo bay white house cover-ups denials growing insurgency increasing u.s. body count other costs he thinks about men and women who are so much braver than him then comes re-election and lavish republican parties parades cheney rumsfeld tom delay and whole regime smirk portentously on tv none of it makes sense anymore “we the people of the united states” what does it mean? the dreams and aspirations of his generation have long since faded away he is citizen of forgotten past current world is barbaric place he barely recognizes there are real pirates with machetes rocket launchers on the seas big drug corporations hiding harmful findings kidnapped children abandoned children crooked politicians corruption at every level of society horrifying stories daily ******* priests slave markets extreme heinous cruelties abruptly everyone is acknowledging society is worsening life is not the same he does not understand people and certainly does not understand america or the world he remembers when all could be so good modern existence has turned everything into madness what happened to lessons of history? it is as if Odysseus fell asleep and when he woke everything is changed he is mistaken about what he thinks he knows feels pity for people america pity disgust sorrow he misses his dog

my fingers have become bored with
the quicksand of routine
they prefer to dance erotically over my typewriter
frolicking like naked ballerinas
over an ancient stage
spilling their secret thoughts
onto blank page,
after their day job
threaded together
over my lap,
or bending over to
reveal the contents
of my burlap sack

they have taken instead
to jumping over cracks
in the nothing of night
stifling the sound of silence
with assortments of clicks and clacks
punching in the perfect pitch of keys
to leave Beethoven blind
from this symphony of notes combined

and just like that at last
they have unfolded some rhyme
unachievable with ink and pencil,
without the stencil of time
dictating to work inside the lines

Whilst installed in the Blackhouse,
RumputiN's and vlad the impaler's latest
craven political attack on the military,
Against Admiral McRaven, who headed up
the capture of Osama, is just more raving.
This is clear to everyone since they,

the bi-headed underworld crown of
the bipolar axi of global supposed power,
RumputiN, republican capitalist materialists,
vlad the impaler, totalitarian socialist
materialists, put our military on TX's SE
border with Mexico, even though the "caravan"
which was 40 days away, was projected
to be arriving at the SW part instead,

A political stunt to get republican politicians
between 1/2 and 1 % more votes in the Midterms,
While it worked for the criminal gaining of votes,
The military is doing next to nothing there,
And should be allowed home by Thanksgiving.
Meanwhile, Trumpler said, the "Admiral didn't
do so well, since it took so long to capture
Bin Laden", when it was king george and his ****,
cheney, who ordered Osama to be allowed to escape
from Bora, Bora to Pakistan for safe keeping in

Abbottabad, "5 miles S. of Pakistan's Westpoint".  
You see, Bushs and Bin Ladens had been in business
for decades, and in the M.E. business is thicker
than blood, Bush could no more **** Bin Laden than
he could his own flesh and blood.  It's well known
that he received wedding invitations to Osama's kids
weddings, etc., for years, so, Trumpler blaming
McRaven and O'bama, when they caught him in the 2nd year
of his Presidency, is just more precious examples of our
king kong sized terrible two's use of 1st conclusion,
superficial, linear thought stragedy to attack everybody,
in attempts to silence, cower most if not All, in vain.

These attacks by Trumpler are also misdirections, to take
the news cycles off: his party's extreme losses and evident
voter crime they did, like in GA, where Abrams "couldn't
concede in her Governor's race for that would mean it was
proper...", it wasn't because Gov. Elect Kemp determined that
"...it wasn't a free, fair election, ...democracy failed in GA".
Also, his illegally installing Whitaker, a criminal the FBI is
investigating, to acting Attorney General, to preside over the
Mueller investigation (cover-up for: it doesn't use the RICO act
and asked for him to answer a take home test months ago, he
hasn't even handed in yet, while "...We(e),...", got our last
take home tests in 1st grade).  As well as his wasting a 1/2 a
billion of your tax $ on further militarization of our S. border.
His false, lame attacks against democratic leaders are unending.

On the letter by 16 democrat politicians who signed onto "the
leadership fight against Pelosi (for the republicans), Ocasio-
Cortez, Elect, says, "what's the point of changing just to...,
we might get a more conservative leader, for signers aren't diverse,
14 are male, very few people of color, progressives aren't signing."
I agree, why would the non-repubs get rid of their strongest
political leader going into impeachment time and 2020?  The supposed
left said "Hillary wasn't perfect", and helped to install him, when,
if you didn't vote Hillary you voted for the bi-headed, RumputiN/vlad
the impaler, head of the global oligarchy and bi-polar global axi of
supposed power to dictate the extermination to extinction of humanity,
large mammals, for the corp structure's convolution's devolutionary
direction + 'la machine''s, sociological programming (machining) human
(into not) being, individually, which is the social challenge of our
day, as the convolution's dictating cult of personality is almost all
and the socialist's extemist lie that "there's no reality without
their agreement", is the political one.  Don't be undone, be one well.

It all began with a ‘he’
he who said I was pretty
  when my face turns sideways and
  the right amount of sunlight casts shadows
  on the planes of my cheeks
he who kissed me in 6th grade
  in front of my best friend – whom he used to date,
  his lips were cool and moist
  moist – it didn’t feel anything.
he who requested love songs during our high school intramurals
  when all of my friends and all of his friends
  cheer us up like we were the sweetest thing they’ve seen.
he who danced with me the whole night of our junior prom,
  my shoes dangling behind him, my arms and his arms were sweating
  he whispers now, “You look beautiful.”
he who gave me wilting flowers on the 15th of February
  because I skipped school – too scared to face the truth
  that no one would do what he just did. He proved me wrong.
he who said “I love you” too late.
he who said “I love you” too early.
He who made me believe that fate, destiny, sparks, forever, and all that *******
  were real, written in His holy book. Should I still believe in you?
he who said would wait – the next month telling me he realized
  it wasn’t me he was waiting for.
he who told me to stay.
he who left. he who never went back.
and oh – he
he who was never here in the first place.

it all began with a “she”
she who danced in front of the class
  with all her sass, snaps, and we laugh.
she whose hair used to be straight
  swaying down her waist, flows smoothly when she walks,
  falls perfectly down her collarbones. Let’s not start with collarbones.
she whose eyelids flutter like butterfly wings
  making the ones inside my stomach dance like hummingbird’s wings
  her eyelashes are thick, outlining her brown eyes – her perfect brown eyes.
she who throws he head back when she laughs
  not knowing I drift and crash back to the sea
  like a wave thrown back by her chuckles and laughter
she who reads and reads tons of books
  when she could write about her day
  and that’ll still be the greatest stories I could read
she who held me close when she stumbles towards the bus station
  when she’s drunk
she who wanted nothing between us – worried it will not work.
but she made the raindrops of yesterday meaningful
  so it could wash off all the hurt from everything, from everyone.
she who changed me. – no.
she who made me face the mirrors I’ve been running away from
  all those lies I’ve been hiding alone
  all those pain, all those bad memories
she washed them all away, like a hurricane
   she dragged my whole town with her
she who made me forget.
she who makes me ache at times but it’s the kind of ache
  you’d gladly take – a suffering worth all the suffering
she who outshined all of – in the best possible way I could imagine
she who made the stars insignificant.

It doesn’t end with a ‘he’
It doesn’t end with a ‘she’
it all ends up with a simple ‘who’
that person who will always come through
for you

I learned that love sometimes doesn’t last that long
sometimes it doesn’t even start at all.
But I know one thing, you cannot fight it.
I don’t know where – maybe in his hands
or in her eyes. It will make you move like you
have no choice at all – like a puppet stuck
******* and down nylon strings
by the puppeteer
dictating your life
like you have no choice, at all.

Great Caesar's ghost,
Hail dictating despot!
Overlord of Rome,
His soul still roams,
Big Julie's the magnate,
His motto still rates,
"We ain't dead yet!" Great!
All hail dictating despot,
Hail, great Caesar's ghost!

~

verse 1
in the town of Chateau Thierry,
along the banks of the Marne,
just up the road from Paris,
a’ fore it meets the Seine;
’twas here our soldiers fought
in nineteen-seventeen;
'twas here they took the Kaiser,
in the trenches, rain and mud.
the Great War, then they called it,
here the river ran with blood;
with bayonet and shovel,
here an Allied victory made;
to halt the enemy’s advancement,
here too many made their grave.

instrument of bow and strings,
in composition history sings.
if, one-day strings could talk like men,
if, we could sing like violin!
stories told will ne’er grow old,
tales of courage that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows despite the dark,
soldiers of a genteel king,
wield your power to strike the heart.

verse 2
near the town of Chateau Thierry
in a convent, St Joseph by name
a violin by Francois Barzoni,
a resident luthier by trade.
prized possession of the Sisters,
they tuned well it's strings.
their convent walls withstood the bombs,
though leaving here their mark;
defaced but not destroyed,
and so with grateful hearts,
the Sisters of St Joseph,
for brick and mortar trade,
gathered up their treasures
their convent to remake.

instrument of bow and strings,
with composure history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of hope that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows to light the dark,
soldiers of a genteel king,
wield your power; rebuild the heart.

verse 3
from the town of Chateau Thierry,
they advertised their local gem,
“wanted: no strings attached;
no saint expected, no requiem.
just two hands to cherish,
and a patron of our instrument.”
this their prayer, “oh Lord, one wish,
may our search meet no resistance.
may we find a young apprentice,
please reward our long persistence.”
and so they found their debutant;
prayer answered in Saint Louis.
a boy who understood its voice,
with their strings again make music.

instrument of bow and strings,
of your journey history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of old they build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and find your mark,
soldiers of a genteel king,
wield your power to soothe the heart.

verse 4
near the town of Chateau Thierry,
along the banks of the Marne;
ply this channel of the masters,
play us a river, Lowell Meyer;
once a boy, become grand-father,
then a treasure to receive;
heirloom placed within your trust,
your prize possession to bequeath
to yet another debutant,
its strings to pluck and bow to draw.
he a master of persistence,
who with practice met resistance;
yesterday’s grandson, beloved progeny;
tomorrow’s hope, an admired prodigy.

instrument of bow and strings,
with clarity your voice still sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
for these are tales that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and make your mark,
soldiers of a genteel king,
wield your power to touch the heart.

~

post script.

A violin…  an instrument of hollowed wooded frame, strung with five strings made of gut, played by the drawing of a bow of hair crosswise over strings tuned in perfect fifths; an instrument of song with uniquely, beautiful voice.  Whether played as a violin with symphonic overture in a seventy-piece orchestra in Carnegie Hall, or as a fiddle in a four-piece southern country band at a barn dance down in a Kentucky hollow, in the hands of a violinist… a master… a virtuoso… a fiddler, it becomes an hallowed instrument… of diplomacy… of peace.

When I heard the faint whisperings of story about a nephew’s instrument I pledged to learn the details of its journey.  Charlie obliged, allowing me to interview him one evening early this month.

The instrument came complete with an old typed letter from Lowell Meyer, Charlie’s maternal grandfather, whose family purchased the instrument on his behalf, from the Sisters of St. Joseph when he was yet in middle school in 1923.  An instrument in its own rite, the letter also acts as a legal document, sharing not only the violin’s European heritage and how it came to arrive in these United States, but also dictating its future journey, naming only three possibilities of conveyance.  First, while in the possession of his family, the violin is to be owned by all of Mr. Meyer’s children and their heirs rather than by any one single heir.  Second, it allows a method for its sale should an urgent financial need arise.  And third, it dictates the intent of Mr. Meyers for the violin’s return to its original owner into perpetuity, the Sisters of St. Joseph near Chateau Thierry.  Charlie scanned the letter and emailed it to me, giving me a greater sense of its history and helping to establish its authenticity.   Its making by well known French luthier Francois Barzoni, who unlike the Stradivari family made his hand-crafted instruments for the masses, its survival within the convent walls during the bombardment of the Battle of the Marne and its subsequent journey from Chateau Thierry, to Saint Louis, each detail carrying great significance. As an example of one detail among many, it did not escape the attention of this story lover, the significance of a journey from its setting on one river to a similar setting on another, from along  the banks of the Marne before it spills into the Seine, winding through the fertile rolling hills north of Paris, to the fertile banks of the Missouri at its confluence with the Mississippi in St Louis, two famous rivers, a half a world apart, each with their own folklore of simple people living a simple life, of battles fought by simple people with uncommon valor.

*This simple story of “the violin” is a story worth telling; just one facet of Charlie’s interesting heritage; one which has its own voice, and is a tale that begged to be written.

First they came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

"First they came for the Muslims" was published in Amnesty International’s "Words That Burn" anthology and is now being used as training material for budding human rights activists. My poem was inspired by and patterned after Martin Niemoller’s famous Holocaust poem. Niemoller, a German pastor, supported Adolph ****** in the early going, but ended up in a **** concentration camp and nearly lost his life. So his was a true poem based on his actual life experience. Keywords/Tags: Holocaust, genocide, apartheid, racism, intolerance, Jew, Jews, Muslim, Muslims, homosexuals, feminists, apathy, sisters, brothers, Islam, Islamic, God, religion, intolerance, race, racism, racist, discrimination, feminist, feminists, feminism, sexuality, gay, homosexual, homosexuals, LGBT, mrbmuslim, mrbpal, mrbnakba



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



I Pray Tonight
by Michael R. Burch

for the mothers and children of Gaza

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels’ white chorales
sing, and astound you.



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



I, too, have a Dream ...
written by Michael R. Burch for the children of Gaza

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
written by Michael R. Burch for the children of Gaza

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go ...
when lightning rails ...
when thunder howls ...
when hailstones scream ...
when winter scowls ...
when nights compound dark frosts with snow ...
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill,
beyond the capacity of moonlight to fill?
When the only relief’s a banked fire’s glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times and Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...

Published by The Lyric, Promosaik (Germany), Setu (India) and Poetry Life & Times; translated into Arabic by Nizar Sartawi and into Italian by Mario Rigli

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza, who know all too well how fragile life and human happiness can be. What can I say, but that I hope, dream, wish and pray that one day ruthless men will no longer have power over the lives and happiness of innocents? Women, children and babies are not “terrorists” so why are they being punished collectively for the “crime” of having been born “wrong”? How can the government of Israel practice systematic racism and apartheid, and how can the government of the United States fund and support such a barbaric system?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”

(In the poem "US" means both the United States and "us" the people of the world, wherever we live. The name "jesus" is uncapitalized while "Room" is capitalized because it seems evangelical Christians are more concerned about land and not sharing it with the less fortunate, than the teachings of Jesus Christ. Also, Jesus and his parents were refugees for whom there was "no Room" to be found. What would Jesus think of Christian scorn for the less fortunate, one wonders? What would he think of people adopting his name for their religion, then voting for someone like Trump, as four out of five evangelical Christians did, according to exit polls?)



Excerpts from “Travels with Einstein”
by Michael R. Burch

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.  

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



Brother Iran
by Michael R. Burch

for the poets of Iran

Brother Iran, I feel your pain.
I feel it as when the Turk fled Spain.
As the Jew fled, too, that constricting span,
I feel your pain, Brother Iran.

Brother Iran, I know you are noble!
I too fear Hiroshima and Chernobyl.
But though my heart shudders, I have a plan,
and I know you are noble, Brother Iran.

Brother Iran, I salute your Poets!
your Mathematicians!, all your great Wits!
O, come join the earth's great Caravan.
We'll include your Poets, Brother Iran.

Brother Iran, I love your Verse!
Come take my hand now, let's rehearse
the Rubaiyat of Omar Khayyam.
For I love your Verse, Brother Iran.

Brother Iran, civilization's Flower!
How high flew your spires in man's early hours!
Let us build them yet higher, for that's my plan,
civilization's first flower, Brother Iran.



These are my translations of Holocaust poems by Ber Horvitz (also known as Ber Horowitz); his bio follows the poems. Poems about the Holocaust and Nakba often bear striking resemblances, especially when written from the perspective of a child.



Der Himmel
"The Heavens"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

These skies
are leaden, heavy, gray ...
I long for a pair
of deep blue eyes.

The birds have fled
far overseas;
"Tomorrow I’ll migrate too,"
I said ...

These gloomy autumn days
it rains and rains.
Woe to the bird
Who remains ...



Doctorn
"Doctors"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Early this morning I bandaged
the lilac tree outside my house;
I took thin branches that had broken away
and patched their wounds with clay.

My mother stood there watering
her window-level flower bed;
The morning sun, quite motherly,
kissed us both on our heads!

What a joy, my child, to heal!
Finished doctoring, or not?
The eggs are nicely poached
And the milk's a-boil in the ***.



Broit
“Bread”
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Night. Exhaustion. Heavy stillness. Why?
On the hard uncomfortable floor the exhausted people lie.

Flung everywhere, scattered over the broken theater floor,
the exhausted people sleep. Night. Late. Too tired to snore.

At midnight a little boy cries wildly into the gloom:
"Mommy, I’m afraid! Let’s go home!”

His mother, reawakened into this frightful place,
presses her frightened child even closer to her breast …

"If you cry, I’ll leave you here, all alone!
A little boy must sleep ... this, now, is our new home.”

Night. Exhaustion. Heavy stillness all around,
exhausted people sleeping on the hard ground.



"My Lament"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Nothingness enveloped me
as tender green toadstools
lie blanketed by snow
with its thick, heavy prayer shawl …
After that, nothing could hurt me …



Ber Horvitz aka Ber Horowitz (1895-1942): Born to village people in the woods of Maidan in the West Carpathians, Horowitz showed art talent early on. He went to gymnazie in Stanislavov, then served in the Austrian army during WWI, where he was a medic to Italian prisoners of war. He studied medicine in Vienna and was published in many Yiddish newspapers. Fluent in several languages, he translated Polish and Ukrainian to Yiddish. He also wrote poetry in Yiddish. A victim of the Holocaust, he was murdered in 1942 by the Nazis.


Second Sight
by Michael R. Burch

I never touched you—
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then—

eternally present
and Sovereign.



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.

Published by Angle and Poem Today



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust ...

hearing the desiccate whispers of voices’
dry flutters,—
moths’ wings
brittle as cellophane ...

Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing . . .
through thin adhesive gloss
I caress your face.

Published by The HyperTexts



US Verse, after Auden
by Michael R. Burch

“Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.”

Verse has small value in our Unisphere,
nor is it fit for windy revelation.
It cannot legislate less taxing fears;
it cannot make us, several, a nation.
Enumerator of our sins and dreams,
it pens its cryptic numbers, and it sings,
a little quaintly, of the ways of love.
(It seems of little use for lesser things.)

Published by The Raintown Review, The Barefoot Muse and Poetry Life & Times

The Unisphere mentioned is a spherical stainless steel representation of the earth constructed for the 1964 New York World’s Fair. It was commissioned to celebrate the beginning of the space age and dedicated to "Man's Achievements on a Shrinking Globe in an Expanding Universe." The lines quoted in the epigraph are from W. H. Auden’s love poem “Lullaby.”



Sea Dreams
by Michael R. Burch

I.
In timeless days
I've crossed the waves
of seaways seldom seen.
By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.

With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.
Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.

In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.
I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.

I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no man has sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.

And I've grown and grown and grown
till I thought myself the king
of every silver thing . . .

But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray . . .

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs that I used to climb
when the wind was **** with a taste of lime
and every dream was a sailor's dream.

Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright.

Christ, those nights were fine,
like a well-aged wine,
yet more scalding than fire
with the marrow’s desire.

Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam . . .
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!

It's almost nine
and I must be back home by ten,
and then . . . what then?

I have less than an hour to stroll this beach,
less than an hour old dreams to reach . . .
And then, what then?

Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.
When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.

Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.
The distant cooling clouds.

Then the sun shone bright
with a different light
over different lands,
and I was always a pirate in flight.

Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that rush into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams . . .
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” To the best of my recollection, I wrote “Sea Dreams” around age 18, circa 1976-1977. For years I thought I had written “Sea Dreams” around age 19 or 20, circa 1978. But then I remembered a conversation I had with a friend about the poem in my freshman dorm, so the poem must have been started around age 18 or earlier. Dating my early poems has been a bit tricky, because I keep having little flashbacks that help me date them more accurately, but often I can only say, “I know this poem was written by about such-and-such a date, because ...”

The next poem, "Son," is a companion piece to “Sea Dreams” that was written around the same time and discussed in the same freshman dorm conversation. I remember showing this poem to a fellow student and he asked how on earth I came up with a poem about being a father who abandoned his son to live on an island! I think the meter is pretty good for the age at which it was written.

Son
by Michael R. Burch

An island is bathed in blues and greens
as a weary sun settles to rest,
and the memories singing
through the back of my mind
lull me to sleep as the tide flows in.

Here where the hours pass almost unnoticed,
my heart and my home will be till I die,
but where you are is where my thoughts go
when the tide is high.

[etc., see handwritten version, the father laments abandoning his son]

So there where the skylarks sing to the sun
as the rain sprinkles lightly around,
understand if you can
the mind of a man
whose conscience so long ago drowned.



Ode to Postmodernism, or, Bury Me at St. Edmonds!
by Michael R. Burch

"Bury St. Edmonds—Amid the squirrels, pigeons, flowers and manicured lawns of Abbey Gardens, one can plug a modem into a park bench and check e-mail, files or surf the Web, absolutely free."—Tennessean News Service. (The bench was erected free of charge by the British division of MSN, after a local bureaucrat wrote a contest-winning ode of sorts to MSN.)

Our post-modernist-equipped park bench will let
you browse the World Wide Web, the Internet,
commune with nature, interact with hackers,
design a virus, feed brown bitterns crackers.

Discretely-wired phone lines lead to plugs—
four ports we swept last night for nasty bugs,
so your privacy's assured (a *******'s fine)
while invited friends can scan the party line:

for Internet alerts on new positions,
the randier exploits of politicians,
exotic birds on web cams (DO NOT FEED!) .
The cybersex is great, it's guaranteed

to leave you breathless—flushed, free of disease
and malware viruses. Enjoy the trees,
the birds, the bench—this product of Our pen.
We won in with an ode to MSN.



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.


Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child . . .

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites . . .

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends . . .

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in its sway . . .

For, as suns seek horizons—
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!

I believe I wrote the original version of this poem in my early twenties.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



You Never Listened
by Michael R. Burch

You never listened,
though each night the rain
wove its patterns again
and trembled and glistened . . .

You were not watching,
though each night the stars
shone, brightening the tears
in her eyes palely fetching . . .

You paid love no notice,
though she lay in my arms
as the stars rose in swarms
like a legion of poets,

as the lightning recited
its opus before us,
and the hills boomed the chorus,
all strangely delighted . . .



Through the fields of solitude
by Hermann Allmers
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion ...



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky,
and the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some savage ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze,
blown high, upward yearning,
twin spirits returning
to the world of resplendence from which we were seized.

In the whispering night, when the mockingbird calls
while denuded vines barely cling to stone walls,
as the red-rocked rivers rush on to the sea,
like a bright Goddess calling
a meteor falling
may flare like desire through skeletal trees.

If you look to the east, you will see a reminder
of days that broke warmer and nights that fell kinder;
but you and I were not meant for this life,
a life of illusions
and painful delusions:
a life without meaning—unless it is life.

So turn from the east and look to the west,
to the stars—argent fire ablaze at God's breast—
but there you'll find nothing but dreams of lost days:
days lost forever,
departed, and never,
oh never, oh never shall they be regained.

So turn from those heavens—night’s pale host of stars—
to these scarred pitted mountains, these wild grotesque tors
which—looming in darkness—obscure lustrous seas.
We are men, we must sing
till enchanted vales ring;
we are men; though we wither, our spirits soar free.



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Bowery Boys
by Michael R. Burch

Male bowerbirds have learned
that much respect is earned
when optical illusions
inspire wild delusions.

And so they work for hours
to line their manly bowers
with stones arranged by size
to awe and mesmerize.

It’d take a great detective
to grok the false perspective
they use to lure in cuties
to smooch and fill with cooties.

Like human politicians,
they love impressive fictions
as they lie in their randy causes
with props like the Wizard of Oz’s.



THE KNIGHT IN THE PANTHER’S SKIN

***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend.

The Knight in the Panther's Skin
by ***** Rustaveli
loose translation/interpretation by Michael R. Burch

excerpts from the PROLOGUE

I sing of the lion whose image adorns the lances, shields and swords
of our Queen of Queens: Tamar, the ruby-throated and ebon-haired.
How dare I not sing Her Excellency’s manifold praises
when those who attend her must bring her the sweets she craves?

My tears flow profusely like blood as I extol our Queen Tamar,
whose praises I sing in these not ill-chosen words.
For ink I have employed jet-black lakes and for a pen, a flexible reed.
Whoever hears will have his heart pierced by the sharpest spears!

She bade me laud her in stately, sweet-sounding verses,
to praise her eyebrows, her hair, her lips and her teeth:
those rubies and crystals arrayed in bright, even ranks!
A leaden anvil can shatter even the strongest stone.

Kindle my mind and tongue! Fill me with skill and eloquence!
Aid my understanding for this composition!
Thus Tariel will be tenderly remembered,
one of three star-like heroes who always remained faithful.

Come, let us mourn Tariel with undrying tears
because we are men born under similar stars.
I, Rustaveli, whose heart has been pierced through by many sorrows,
have threaded this tale like a necklace of pearls.

Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan



Final Lullaby
by Michael R. Burch

for my mother, Christine Ena Burch

Sleep peacefully—for now your suffering’s over.

Sleep peacefully—immune to all distress,
like pebbles unaware of raging waves.

Sleep peacefully—like fields of fragrant clover
unmoved by any motion of the wind.

Sleep peacefully—like clouds untouched by earthquakes.

Sleep peacefully—like stars that never blink
and have no thoughts at all, nor need to think.

Sleep peacefully—in your eternal vault,
immaculate, past perfect, without fault.



don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

I dedicated this poem to the love of my life, but you are welcome to dedicate it to the love of yours, if you like it. The opening lines were inspired by a famous love poem by e. e. cummings. I went through a "cummings phase" around age 15 and wrote a number of poems "under the influence."



Options Underwater: The Song of the First Amphibian
by Michael R. Burch

“Evolution’s a Fishy Business!”

1.
Breathing underwater through antiquated gills,
I’m running out of options. I need to find fresh Air,
to seek some higher Purpose. No porpoise, I despair
to swim among anemones’ pink frills.

2.
My fins will make fine flippers, if only I can walk,
a little out of kilter, safe to the nearest rock’s
sweet, unmolested shelter. Each eye must grow a stalk,
to take in this green land on which it gawks.

3.
No predators have made it here, so I need not adapt.
Sun-sluggish, full, lethargic―I’ll take such nice long naps!

The highest form of life, that’s me! (Quite apt
to lie here chortling, calling fishes saps.)

4.
I woke to find life teeming all around―
mammals, insects, reptiles, loathsome birds.
And now I cringe at every sight and sound.
The water’s looking good! I look Absurd.

5.
The moral of my story’s this: don’t leap
wherever grass is greener. Backwards creep.
And never burn your bridges, till you’re sure
leapfrogging friends secures your Sinecure.

Originally published by Lighten Up Online

Keywords/Tags: amphibian, amphibians, evolution, gills, water, air, lungs, fins, flippers, fish, fishy business


These are my modern English translations of poems by Dante Alighieri.

Little sparks may ignite great Infernos.
―Dante, loose translation/interpretation by Michael R. Burch

In Beatrice I beheld the outer boundaries of blessedness.
―Dante, loose translation/interpretation by Michael R. Burch

She made my veins and even the pulses within them tremble.
―Dante, loose translation/interpretation by Michael R. Burch

Her sweetness left me intoxicated.
―Dante, loose translation/interpretation by Michael R. Burch

Love commands me by dictating my desires.
―Dante, loose translation/interpretation by Michael R. Burch

Follow your own path and let bystanders gossip.
―Dante, loose translation/interpretation by Michael R. Burch

The devil is not as dark as depicted.
―Dante, loose translation/interpretation by Michael R. Burch

There is no greater sorrow than to recall how we delighted in our own wretchedness.
―Dante, loose translation/interpretation by Michael R. Burch

As he, who with heaving lungs escaped the suffocating sea, turns to regard its perilous waters.
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you nosedive in the mildest breeze?
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you quail at the least breath of wind?
―Dante, loose translation/interpretation by Michael R. Burch

Midway through my life’s journey
I awoke to find myself lost in a trackless wood,
for I had strayed far from the straight path.
―Dante, loose translation/interpretation by Michael R. Burch

INSCRIPTION ON THE GATE OF HELL
Before me nothing created existed, to fear.
Eternal I am, eternal I endure.
Abandon all hope, ye who enter here.
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Ladies of Modest Countenance” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

You, who wear a modest countenance,
With eyelids weighed down by such heaviness,
How is it, that among you every face
Is haunted by the same pale troubled glance?

Have you seen in my lady's face, perchance,
the grief that Love provokes despite her grace?
Confirm this thing is so, then in her place,
Complete your grave and sorrowful advance.

And if, indeed, you match her heartfelt sighs
And mourn, as she does, for the heart's relief,
Then tell Love how it fares with her, to him.

Love knows how you have wept, seeing your eyes,
And is so grieved by gazing on your grief
His courage falters and his sight grows dim.



Paradiso, Canto III:1-33, The Revelation of Love and Truth
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

That sun, which had inflamed my breast with love,
Had now revealed to me―as visions move―
The gentle and confounding face of Truth.

Thus I, by her sweet grace and love reproved,
Corrected, and to true confession moved,
Raised my bowed head and found myself behooved

To speak, as true admonishment required,
And thus to bless the One I so desired,
When I was awed to silence! This transpired:

As the outlines of men’s faces may amass
In mirrors of transparent, polished glass,
Or in shallow waters through which light beams pass

(Even so our eyes may easily be fooled
By pearls, or our own images, thus pooled):
I saw a host of faces, pale and lewd,

All poised to speak; but when I glanced around
There suddenly was no one to be found.
A pool, with no Narcissus to astound?

But then I turned my eyes to my sweet Guide.
With holy eyes aglow and smiling wide,
She said, “They are not here because they lied.”



Sonnet: A Vision of Love from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

To every gentle heart which Love may move,
And unto which my words must now be brought
For true interpretation’s tender thought―
I greet you in our Lord's name, which is Love.

Through night’s last watch, as winking stars, above,
Kept their high vigil over us, distraught,
Love came to me, with such dark terrors fraught
As mortals may not casually absolve.
Love seemed a being of pure joy, and had
My heart held in his hand, while on his arm
My lady, wrapped in her fine mantle, slept.
He, having roused her from her sleep, then made
Her eat my heart; she did, in deep alarm.
He then departed; as he left, he wept.


Excerpts from LA VITA NUOVA
by Dante Alighieri

Ecce deus fortior me, qui veniens dominabitur mihi.
Here is a Deity, stronger than myself, who comes to dominate me.
―Dante, loose translation/interpretation by Michael R. Burch

Apparuit iam beatitudo vestra.
Your blessedness has now been manifested unto you.
―Dante, loose translation/interpretation by Michael R. Burch

Heu miser! quia frequenter impeditus ero deinceps.
Alas, how often I will be restricted now!
―Dante, loose translation/interpretation by Michael R. Burch

Fili mi, tempus est ut prætermittantur simulata nostra.
My son, it is time to cease counterfeiting.
―Dante, loose translation/interpretation by Michael R. Burch

Ego tanquam centrum circuli, cui simili modo se habent circumferentiæ partes: tu autem non sic.
Love said: “I am as the center of a harmonious circle; everything is equally near me. No so with you.”
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Love’s Thoroughfare” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

“O voi che par la via”

All those who travel Love's worn tracks,
Pause here, awhile, and ask
Has there ever been a grief like mine?

Pause here, from that mad race;
Patiently hear my case:
Is it not a piteous marvel and a sign?

Love, not because I played a part,
But only due to his great heart,
Afforded me a provenance so sweet

That often others, as I went,
Asked what such unfair gladness meant:
They whispered things behind me in the street.

But now that easy gait is gone
Along with the wealth Love afforded me;
And so in time I’ve come to be

So poor that I dread to ponder thereon.
And thus I have become as one
Who hides his shame of his poverty

By pretending happiness outwardly,
While within I travail and moan.



Sonnet: “Cry for Pity” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

These thoughts lie shattered in my memory:
When through the past I see your lovely face.
When you are near me, thus, Love fills all Space,
And often whispers, “Is death better? Flee!”

My face reflects my heart's blood-red dammed tide,
Which, fainting, seeks some shallow resting place;
Till, in the blushing shame of such disgrace,
The very earth seems to be shrieking, “Die!”

’Twould be a grievous sin, if one should not
Relay some comfort to my harried mind,
If only with some simple pitying
For this great anguish which fierce scorn has wrought
Through faltering sights of eyes grown nearly blind,
Which search for death now, like a blessed thing.



Excerpt from Paradiso
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

****** Mother, daughter of your Son,
Humble, yet exalted above creation,
And the eternal counsel’s apex shown,

You are the Pinnacle of human nature,
Your nobility instilled by its Creator,
Who did not, having you, disdain his creature.

Love was rekindled in your perfect womb
Where warmth and holy peace were given room
For this, Perfection’s Rose, once sown, to bloom.

Now unto us you are a Torch held high
Our noonday sun―the light of Charity,
Our wellspring of all Hope, a living sea.

Madonna, so pure, high and all-availing,
The man who desires grace of you, though failing,
Despite his grounded state, is given wing!

Your mercy does not fail, but, Ever-Blessed,
The one who asks finds oftentimes his quest
Unneeded: you foresaw his first request!

You are our Mercy; you are our Compassion;
you are Magnificence; in you creation
Unites whatever Goodness deems Salvation.



THE MUSE

by Anna Akhmatova
loose translation/interpretation by Michael R. Burch

My being hangs by a thread tonight
as I await a Muse no human pen can command.
The desires of my heart ― youth, liberty, glory ―
now depend on the Maid with the flute in her hand.

Look! Now she arrives; she flings back her veil;
I meet her grave eyes ― calm, implacable, pitiless.
“Temptress, confess!
Are you the one who gave Dante hell?”

She answers, “Yes.”



I have also translated this poem written by Marina Tsvetaeva for Anna Akhmatova:

Excerpt from “Poems for Akhmatova”
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...
to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...


Dante Criticism by Michael R. Burch

Dante’s was a defensive reflex
against religion’s hex.
―Michael R. Burch


Dante, you Dunce!
by Michael R. Burch

The earth is hell, Dante, you Dunce!
Which you should have perceived―since you lived here once.

God is no Beatrice, gentle and clever.
Judas and Satan were wise to dissever
from false “messiahs” who cannot save.
Why flit like a bat through Plato’s cave
believing such shadowy illusions are real?
There is no "hell" but to live and feel!



How Dante Forgot Christ
by Michael R. Burch

Dante ****** the brightest and the fairest
for having loved―pale Helen, wild Achilles―
agreed with his Accuser in the spell
of hellish visions and eternal torments.
His only savior, Beatrice, was Love.

His only savior, Beatrice, was Love,
the fulcrum of his body’s, heart’s and mind’s
sole triumph, and their altogether conquest.
She led him to those heights where Love, enshrined,
blazed like a star beyond religion’s hells.

Once freed from Yahweh, in the arms of Love,
like Blake and Milton, Dante forgot Christ.

The Christian gospel is strangely lacking in Milton’s and Dante’s epics. Milton gave the “atonement” one embarrassed enjambed line. Dante ****** the Earth’s star-crossed lovers to his grotesque hell, while doing exactly what they did: pursing at all costs his vision of love, Beatrice. Blake made more sense to me, since he called the biblical god Nobodaddy and denied any need to be “saved” by third parties.



Dante’s Antes
by Michael R. Burch

There’s something glorious about man,
who lives because he can,
who dies because he must,
and in between’s a bust.

No god can reign him in:
he’s quite intent on sin
and likes it rather, really.
He likes *** touchy-feely.

He likes to eat too much.
He has the Midas touch
and paves hell’s ways with gold.
The things he’s bought and sold!

He’s sold his soul to Mammon
and also plays backgammon
and poker, with such antes
as still befuddle Dantes.

I wonder―can hell hold him?
His chances seem quite dim
because he’s rather puny
and also loopy-******.

And yet like Evel Knievel
he dances with the Devil
and seems so **** courageous,
good-natured and outrageous

some God might show him mercy
and call religion heresy.



Of Seabound Saints and Promised Lands
by Michael R. Burch

Judas sat on a wretched rock,
his head still sore from Satan’s gnawing.
Saint Brendan’s curragh caught his eye,
wildly geeing and hawing.

I’m on parole from Hell today!
Pale Judas cried from his lonely perch.
You’ve fasted forty days, good Saint!
Let this rock by my church,
my baptismal, these icy waves.
O, plead for me now with the One who saves!

Saint Brendan, full of mercy, stood
at the lurching prow of his flimsy bark,
and mightily prayed for the mangy man
whose flesh flashed pale and stark
in the golden dawn, beneath a sun
that seemed to halo his tonsured dome.
Then Saint Brendan sailed for the Promised Land
and Saint Judas headed Home.

O, behoove yourself, if ever your can,
of the fervent prayer of a righteous man!

In Dante’s Inferno, Satan gnaws on Judas Iscariot’s head. A curragh is a boat fashioned from wood and ox hides. Saint Brendan of Ireland is the patron saint of sailors and whales. According to legend, he sailed in search of the Promised Land and discovered America centuries before Columbus.



RE: Paradiso, Canto III
by Michael R. Burch

for the most “Christian” of poets

What did Dante do,
to earn Beatrice’s grace
(grace cannot be earned!)
but cast disgrace
on the whole human race,
on his peers and his betters,
as a man who wears cheap rayon suits
might disparage men who wear sweaters?

How conventionally “Christian” ― Poet! ― to ****
your fellow man
for being merely human,
then, like a contented clam,
to grandly claim
near-infinite “grace,”
as if your salvation was God’s only aim!
What a scam!

And what of the lovely Piccarda,
whom you placed in the lowest sphere of heaven
for neglecting her vows ―
She was forced!
Were you chaste?



Intimations V
by Michael R. Burch

We had not meditated upon sound
so much as drowned
in the inhuman ocean
when we imagined it broken
open
like a conch shell
whorled like the spiraling hell
of Dante’s Inferno.

Trapped between Nature
and God,
what is man
but an inquisitive,
acquisitive
sod?

And what is Nature
but odd,
or God
but a Clod,
and both of them horribly flawed?



Endgame
by Michael R. Burch

The honey has lost all its sweetness,
the hive―its completeness.

Now ambient dust, the drones lie dead.
The workers weep, their King long fled
(who always had been ****, invisible,
his “kingdom” atomic, divisible,
and pathetically risible).

The queen has flown,
long Dis-enthroned,
who would have given all she owned
for a promised white stone.

O, Love has fled, has fled, has fled ...
Religion is dead, is dead, is dead.



The Final Revelation of a Departed God’s Divine Plan
by Michael R. Burch

Here I am, talking to myself again . . .

******* at God and bored with humanity.
These insectile mortals keep testing my sanity!

Still, I remember when . . .

planting odd notions, dark inklings of vanity,
in their peapod heads might elicit an inanity

worth a chuckle or two.

Philosophers, poets . . . how they all made me laugh!
The things they dreamed up! Sly Odysseus’s raft;

Plato’s Republic; Dante’s strange crew;

Shakespeare’s Othello, mad Hamlet, Macbeth;
Cervantes’ Quixote; fat, funny Falstaff!;

Blake’s shimmering visions. Those days, though, are through . . .

for, puling and tedious, their “poets” now seem
content to write, but not to dream,

and they fill the world with their pale derision

of things they completely fail to understand.
Now, since God has long fled, I am here, in command,

reading this crap. Earth is Hell. We’re all ******.

Keyword/Tags: Muslims, sonnet, Italian sonnet, crown of sonnets, rhyme, love, affinity and love, Rome, Italy, Florence

Published as the collection "First they came for the Muslims"

I thought the pain of not being respected by my peers was the worst
Until I met Social Media
She is a selfish dictator
Dictating who I should be,who I need to be
Telling me in every moment I am not good enough
Now if I get praise then I am elated,in such madness I feel accepted for my personal moment
Then the next day comes and I have to prove myself all over again
I am a blank slate,time for my begging
Social Media you have ****** my moisture dry in the deepest of my ligaments and bones
Who do you think you are?
How dare you tell me who I am?
You know nothing...nothing at all
To live ones life in constant expectation
left wanting to be liked,even appreciated for your work
Are you a photographer,writer,singer,lover of the Arts that have given you such joy
Artists of our past put out their work every 6 months to a year or even years
And we are expected to come up with something magical everyday,multiple times a day...again I scream,"Madness!"
I have been a people pleaser my whole life.
Beginning my life yelling at the adults,"Look at me,look at me!"
I grow tired of this impossible grind
Weariness is my comfort(how twisted)
Forget this,forget them all
I am going to go read a book now

Manifested while delightfully under the influence of three grams of psilocybe cyanescens*

Anything is possible. Why not try horizons that defy what you understand as existence. Why not open your mind to a world of joy and peace. This is how we are to live. In a heighten state of euphoria. If we are ever to work collectively, there must be a common bond. Not something as simple as a heredity trait or superficial idea. There needs to be a plane of existence that dominates the current one. World peace, which should be the goal of all humans, is only achievable through accepting chaos and rising above it. No need to face the world alone, but one must understand the brutal force reality can assert. The cosmos is hostile and indifferent to our existence yet still provides a bounty for life to flourish. We must consider our place in the cosmic perspective of life. We need to put aside our differing perspectives on the afterlife and focus on this realm. With our collective understanding of the fragility of the Earth we can create a more sustainable future. World peace and sustainability is only achievable through the individual effort. We are a collective organism comprised of individuality. Thus everyone must adopt the true definition of anarchy. Now, once the concept of anarchy is introduced into a conversation, the collective consciousness immediately applies the negative stigma that is normally associated with the word. Whereas the true definition of anarchy is a much more neutral term. Anarchy is pure self governance. We govern ourselves and help one another in a local community structure. There cannot be another body of government dictating the actions that need to take place. The presence of a centralized government drains the positive energy, diminishes personal responsibility, and forces everyone into a clouded routine. The routine becomes comfortable and with the few privileges granted to the people it seems no other system is necessary. Yet the powers that be use this complacency to slowly tighten the vice grip that is their greed. Unfortunately this is where we are today. Everyone, seemingly unbeknownst to the truth, exists in a sterile and regimented lifestyle, that when looked at from an outside perspective, seems dull and truly unnecessary. It seems that we are too concerned with exacerbating the emotion of the moment, instead of embracing it with pure neutrality. Do not suppress your emotions or neglect their significance. Rather, approach the situation with as little emotional stake as possible and allow your open mind to thrive on the natural vibes. Granted, we all emit a vibe according to our current psychological state. This is a product of our socialization and environment that we sometimes cannot rise above. But what we can do is accept the emotional roller coaster and find our cosmic balance. You are the center of your universe; just one more way for the cosmos to know its self. Meaning, if life is all relative, then we should eliminate our attempts to swing the collective consciousness in our favor. Life should not be a constant battle of maintaining our socially constructed image; but rather an existence of peace and neutrality. One must understand that basic neutrality is neither good nor bad; it simply is. The universe exists in a permanent state of chaos, which fundamentally is neutral. It is incredibly satisfying to exist with this knowledge. In essence, we do share a common bond. However you want to classify it. The catalyst for the masses to achieve this collective understanding is, essentially, unknown. Whether this transcendence is reached with psychedelic drugs or the simple progression of time is unclear. But one can only dream about the utopia that a permanent state of neutrality would bring. To put it simply, applying the realization of neutrality and the need for cooperation to the collective consciousness will allow for a more prosperous way of life.

you can tell by the way she swings her hips
and pulls your hair
and licks her lips
and whispers in your ear
that she's easy.

you'll know her by the short skirt
and the tight top
and the high heels,
by the butterfly tattoo on her lower back
and the drink in her hand.

if she carries condoms
or takes birth control,
if she can't say no,
if she takes no convincing,
you'll know.

she's the girl at the party who drinks the most
and laughs the loudest.
she's the one you discarded the first night you met her,
when she gave you
the only part of herself that you deemed worthwhile.

you'll figure her out
from the tar trails of mascara,
the untouched meal,
the word "worthless" carved into her thigh like a brand,
marking her flesh as property
to which you are entitled.

pay close attention to her need for validation.
a **** will have the audacity to seek your approval
just because she's been told all her life
that she is  nothing without your love.
she will measure her worth
in units of attractiveness
and desirability
because that is the only system she's ever been taught.

you'll know she's a **** when they find the defendant
not guilty,
and he arrives at the ten-year reunion in a limo.
you'll know she's a **** when she doesn't arrive
at all.

it's easy to spot a ****
in a society that teaches her that her lips are for kisses
and not battle cries,
that her hands are meant to be cradled in yours
and not ****** into the sky,
that her body is your wonderland
and not her home.

it's hard to miss a **** in a culture that paints women as ****** objects
while condemning any expression of female sexuality,
that glorifies the "good girl" who becomes whole
when the right man comes along
and stakes his claim.
the women you ****** in the lifetime before you met your wife
weren't marriage material;
you need a girl who's saved herself for you because
a girl who lets you **** her
crosses the threshold from ****** to ****
in a bizarre coming of age ritual in which your **** is so ******* important
that its temporary entrance to her body
renders her worthless.
you can tell she's a ****
because for her, there is no right answer.

you can find your **** at rallies
and in body-baring photographs,
alive in the anxious triumph
of finding something in herself that she can love,
of digging through a lifetime of rubble
and reclaiming small shards of forgiveness from the dirt.
her self-identified status
rips away your long-established privilege
of dictating who she can be
and defining her worth;
your resent her new autonomy.

you can march beside her,
or you can step aside.
she has stolen back her power.
she was made for revolution.

What do you like about her?

For some reason, I could not decide what to say. When someone asks what I like about her, my mind goes racing so fast that I get caught up in my words.

She's the type of girl who would force the secret out of you if you refuse to tell it to her.

She's the type of girl who doesn't care about what other people think, she lives her life without anyone dictating it for her.

And her curves. God, if I could, I'd trace her curves all day.

She's the type of girl who gets jealous, even with the littlest of things. I thought at first it was normal to get jealous, but this is different. She'd get jealous not because you're breathing the same air as the other girl, but she'd get jealous because she's territorial-- she wants you all to herself.

She's the type of girl who never stops talking. If talking were a sport, she'd be an olympic medalist! But no matter how far off her topics would be, you'd never get tired of her, ever. You'd probably even drift away, lost in her eyes, and she'd have to snap her fingers in front of you to come back to your senses.

She's just mesmerizing, like you would probably touch her arm just to make sure that she's real. She's the full moon on a starry night; God, how could such an amazing person exist?

I'll admit, she's not perfect. Perfection is overrated. She has flaws, and that's why I fell in love with her in the first place. I fell in love with her flaws.

Players,
Upon people’s weaknesses they play.
Tramplers,
Upon people’s happiness they trample upon.

They preach,
Oh they preach,
Preachers of men,
Preaching their manifestos.

Their mass oppressions,
A whipstroke of slavery,
Keeping freedom away,
Allowing unspoken speeches.

Mr. Government!
Your planting of truth,
Yet acting lies,
Like Lucifer upon earth.

Our lost lands,
The cornering of leaders.
Our cherished freedom,
The bounds of greedy mortals.

Their moral compass,
A dumpling for gutters.
The words of restructuring,
A lie they tell to sleep at night.

The revolting of souls,
A bribery round the corner.
The dawn of a new day,
A shutting down of a never casted dye.

The Bantu they throw at us,
An education of their disloyalty.
Equality they preach,
Yet enjoying the fruits of our labour.

Our heroes past,
A burden dropped,
To be forgotten,
Yet remembered for belly sake.

Me, My belly and I,
A stomach infrastructure,
Catering only to the rich,
Yet diminishing the poor.

The controllers of affairs,
Dictating one’s future
Offering obedient slaves,
A slaughtering for their ****** souls.

Their theatre signatory,
A passing for comedy.
Our leaders,
A legacy of betrayal.

The citations of a bad fruit,
Their forever plantings,
Bringing over odour,
Of sadness and slavery.

An act of niceness,
Yet taking my bones at every given chance.
Giving us no choice,
Yet claiming we have no bounds.

Stirring us along
Giving us hope
Talking of a bright light,
Yet sinking in your treacherous torture.

Stealing of freedom from our lips
Pushing us into the dark quarters
Digging our early graves,
Yet cometh like a Redeemer.

Telling us of your democracy,
Yet ripping off our fundamental rights.
Your dictatorship,
Creating our unfree society.

Coming out,
Telling us of our victorious times,
A bribery to generations,
Yet helping to dig out graves.

Giving heart-warming patriotic speeches
Telling us not to be afraid,
Portraying tunnels of hope,
A bribery we didn’t reject.

Your illusion of a god-complex
Crushing everything in your path
Giving false hope
A mockery we carry on our foreheads

Our daily tyrants,
Walking freely,
Taking slaves,
Yet leaving no man to rise.

We envisaged a better tomorrow
Leaving the past behind
Creating new dreams
A dream you cut short

Our pens as placards
Establishing dictatorship
Safeguarding a revolution
Writing hopes of tomorrow

Your speeches
Bringing apathetic graves
Letting out your brutality
Showing life’s forces

You stand on the hill
Shouting your command
We all gather in fear
Singing silently “dictatorship free us now”

Written by Tosan Oluwakemi Thompson

Anyone who wants to fight me all the time
committee meetings, board meetings.
Facing death was how they knew they were alive
or was it more about allocating resources
like yr Dad said.
It's hard to step outside what yr DNA tells you to do.
Nice ****.
Family farm, fight club. It's all one yet distinctions are
what separates the librarian, reflective man, from the road and bridge
      crew.
That's a class statement. Us guys love
our children and will, circumstances dictating, fight for you.

                                 --------------------------------------

Anyone who wants to fight me all the time
is more important to me than my wife. But there is no one left to fight
and no one knows me and I know no one well. That's good,
there is more space between people than I'd ever dared to hope.
I'm confused.
Meditator or gunfighter. Either could come to know himself,
flat abs, clear sight
with patience and discipline.
What's this:
know yourself?
Once yr knee or neck is smashed there's no getting up to fight.

                                 --------------------------------------

Anyone who wants to fight me all the time
will grow old alone once I'm in the ground. He will live
with the question what was our purpose? He was managed by
the molecules we're made of, proteins, enzymes, amino acids, DNA.
******* DNA.
I'd rather be a rock.
But the rock is subject to
its elements. Thus, the periodic table and particle physics,
meiosis and mitosis and yes, democracy and self-governance,
all the colors of anthropology and ecology, windmills and sundials,
fission and fusion for evil and light
and the devil who exists to carry the load when we misbehave and
      fight
among ourselves.

                                 --------------------------------------

Anyone who wants to fight me all the time
is how I know who I am.
Because the truth is always changing, depending on the meeting.
What's good.
Service to others is a safe bet. That service
may take many forms: fighting, meeting, teaching, making.
The fighting may be part of holding community together. Limited
      scope, defensive posture.
How broadly we define community says everything. So,
we come to Mexico, a violent border and an unhappy history.
Or Gaza and Israel. Or Russia and just about everybody.
How can a people become a nation without resorting to violence or
      incurring violent reaction?
Does it matter? Accept violence like any EMT and devote yourself
      to
what, beauty?
Why do I write about violence, I've almost never
had to fight.

                                 --------------------------------------

Anyone who wants to fight me all the time
is nothing compared to the ocean which can take your children any
      time.
The Nazis or janjaweed.
In peace we have our meetings.
When violence comes to the neighborhood the hierarchy of
      communicants will hold or fold
it is then the peace work proves relevant.
Hold your clod of land.
Give way to the waves.
All I do not know.
I admire the writer who penetrates the unknown by describing that
      which
is not himself.
His enemy,
anyone who wants to fight him all the time
helps him live outside himself.

I saw fireworks

Tiny explosions of reds
yellows and purples colliding --
Fourth of July through a kaleidoscope

So much happening
yet my mind sits in a daze
Your lips, your taste, is everything.

My body is numb
The heart dictating all
until its beat rings clear

I saw fireworks

As the daily news  I was reading,
Here is the story that was leading,
Zombie spider slaves, wasp masters dictating,
Subsidised fake spider skills,
Wasp masters must be getting their thrills,
I sense an allegory,
Like humanity's history,
Teeming ants in a global rat race,
Pleasing some master's lack of grace.
Same scenario, different day,
Till you retire and fade away,
Who, indeed, are our wasp masters?
Come on, humans, work much faster,
Don't you forget to hurry,
Or wasp masters shall give you curry!

As the daily news  I was reading,
Is there no other news for leading?
Yes, allegory I was perceiving.

You subtly strum soft passionate symphonies of pathos
and are wordless in casual relapse
to canals of bliss
and carnal bane-
Schisms of cannibalism eat at my soft humanity
with cries of animalism-
that are ****, animated in oil.

I consume you on dull nights
because you are there no matter what
And I hate the way you purse your lips
a stenosis of encapsulated disapproval
even pursed in pleasure
Your closed eyes give away more than
any assuming part of fleshy eyelids
slits of white shine as unfaithful mirrors
reflecting my own narcissism.

Afterward in comfortable silence-
two quotation marks still hang naked
trapped in the smell of sweat,
wrapped elaborately around
            "I love you"
standing like an alabaster sentinel
but acting more as a crossing guard,
dictating my need

I don't cry a lot, or at all for that matter.
I've fooled myself into thinking strength, isn't comforted by weakness.
Truth is, weakness is the builder of strength.

I find that so contradictory, because what breaks me, tears me up and what strengthens me, builds my character up.

No one decides, which is which.
We have feminists arguing on behalf of the woman, dictating and reasoning for emotional expressions, but society judges being make and falling.

Being a man, is a matter of endurance through hardships, breaking sweats, but never breaking a tear, because water works shouldn't work on male species, because feeling, isn't in our nature, says society.

So, we aimlessly tear through the jungle, hunting for what we don't know, looking for a next meal, never being content, because, contentment is not part of our nature, says society.

With private parts being made public, we move through the next with being hesitant, by the time she realizes, she's already been ******.

Break hearts, play hearts and acting like we have hearts. That's society's perception of the male species.

Society never talks about, the clean up crew.
Society, never speaks about me.

Society never speaks about my ****** hands with cuts of your broken heart, and with missing body parts try to bring aid to your heart.

Society never speaks about trying to make you understand how I'm different, and with countless bouquets, it's never okay to let me in because you let him in, and from the *******, he left like you were nothing, and now that you have something, you won't let me in.

He penetrated your skin, and I'm not fascinated by it, I was see your soul unmasked to mine, so I explore your soul before your body, and these steps I take on hot coal, because he didn't care so much so that the cuts burn.

Your soul is almost like a morgue, I swear it's like your heart has been cremated, with an invite to your funeral, I hope you spread your ashes on my heart, so once again you can feel something whole, again.

it reached a point
where lies came easier
than the truth
and the truth was
that i wasn't a liar
but i would do anything
to save our little world
so i lied and i lied
until my heart scrunched
into an empty hole
and i was left with
trembling hands
and a sour mouth
because the truth was
i wasn't a liar
but when i looked in the mirror
that's all i saw
and it spread
like a rash on my skin
and there were black spots
within
because every lie crawled
under and inside
in the deepest parts of me
they'd grow and they'd grow
like a rash on my skin
***** incantations
were my mantra
lie after lie
i'd look myself in the mirror
and say
you're not a liar
you're only trying to survive
but the rash wasn't a rash
it was a disease which owned me
my mouth opened and closed
what came in and out
i do not know
my mind stopped dictating
the words i spoke
and the disease
taught me all i know
the truth is
i wasn't a liar
it wasn't me
because i was hidden
beneath the surface
of the disease which overtook
the parts of me
i could never touch
i ripped my skin
crying-
let me out
let me out
but the liar took over me
and i was stuck
beneath a film of safety
lies which spread like gel
over my surface
i was untouchable
until i couldn't differentiate
between the liar
and myself
and maybe all along
they were one
inside me that voice of truth sung
you are not a liar
but maybe
that was the biggest lie
of them all.

we all live in closets. somewhere we don't want to escape from because we think it's more comfortable than what is on the other side of that door. we all have something we want to say but don't know how to say it. something we're not sure anyone would understand but us. our walls are a barrier. and i know these barriers keep us safe where no one could hurt us but ourselves, though they also limit us. i have a barrier between my mind and human interaction. nothing i think seems to get out of my tounge well enough for anyone to understand it. when you tell someone you suffer, he or she probably would think of it as something immense you're going up against when trying to fight your way through it. when you tell people you suffer (if you do tell them, that is.), depression is not what they expect rolling off your tongue. because most people don't think it's serious ENOUGH. you'll try to explain, you'll tell them what it's like in your head.

“well, i feel like my brain holds more weight than it should hold, and all the weight belongs to the thoughts screaming loud in it. the voices dictating how i should feel. how i should react. and my body complies with it.” “it's like, i have my worst enemy trapped in my head. then i realise, my worst enemy is myself..or these thoughts..but myself as well. and do you know how hard it is to fight back against yourself? you don't, ofcourse you don't. i mean you shouldn't know how that feels like. i wouldn't wish that upon anyone..although i wish worse upon myself. i wouldn't mind shredding my skin to pieces but i'd mind hurting others with my words. because no self worth exists, because i can't find it no matter how hard i look and i looked everywhere, but i ran out of locations now. so it's based on how people feel about me. and tell me, who could love someone as troubled as i, when even my own self, has given up on me?” “ah it's like having bruises on the insides of every inch of my body. it's when my blood cells are so focused on healing the ones on the outside they forget that what's on the inside matters as well. IT'S WHEN YOU HAVE SELF-INFLICTED BRUISES. it's when you don't want them to heal. it's when you want to bleed. it's when you don't think it matters. when you don't think, you, matter.” “it's when the sound of death tastes better than your favorite flavor of icecream. it's when you eat to fill your empty spaces, and then throw it up because you're not used to being full even it's only for counted minutes. it's all the days when you don't eat too. all the days when getting out of bed seems too hard of a task to get done with. so when i tell you i'm tired, i don't mean i need to sleep. (although i might need some of that too.) when i tell you i'm tired, know that i mean every step i take away from my bed takes a whole lot of strength i can't seem to find in myself.”

you'd reply with;

“i'm sorry. but you know? it's just because of your environment. and you let things get to you often, don't you think? i mean we all have those days sometimes. i even felt depressed yesterday, myself. but you get over it you know? why aren't you over it? do you pray? no? maybe that's why. okay, it's okay. it'll all be okay once you see things differently. i mean it's all in your head, okay? you need to be more positive, where does all this negativity come from? baby, tired is just a better word for lazy. and you don't want to die, do you? you do? well, you're too young to know what you want anyway. i was like you when i was a kid and look at how i am now happy and well. are you okay, now? you are? okay, cool. nice talking to you.”

and here's what i want to say but don't;

“i'm not sad. i'm empty. i'm not misguided, i know the way. but every way seems to be the wrong way for me to take. i don't lack faith in "god", i lack faith in myself. and i'm not okay, so stop telling me i am. stop telling me it's all in my head, i'm very aware that it is. hence, the "mental" illness. tell me, instead, that you want to hear me talk. tell me you'll listen even when you don't understand. tell me you'll be here even when it might not be enough for me. only a few might understand and i don't expect you to be one of them but just please stay.”

i think i want to stay in the closet for while. uncomfortable over misunderstood, don't you think?

I took myself from from city to city
To pursue my dreams as tall as skyscrapers
But with more freedom comes more precaution
And all the safety nets set around couldn’t catch me from the fall

Mom told me to not forget about the top lock of my door at night
Dad said to always tell a friend when I’m heading out
I’ve learned not to ride the subway alone after 5 pm
But I needed someone to tell me that I did the right thing

I navigated my nights through pavements and grids
I found myself in the Upper East side, the streets shifting beneath my feet
Bacardi dictating each of my steps, but making no difference when I danced
I was always told to never trust a back alley, but no one warned me about a dance floor

I stumble my way onto the street, change scattered all over 72nd
I count the pennies like I count sheep, usually I’m out by 30
Hailing a cab, with him right beside me
My head rests on his shoulder along with the thought of good intentions

His apartment had a remarkable view of the skyline, but I can’t look at it the same
The Empire State reminds me of bruises on my thighs and muffled screams
My night faded in and out from flickering kitchen lights and cold linoleum flooring
But the next morning clarity hit
Veiled with excuses
Confusion
Regret
Shame
They say the NYPD are the finest in the world
But I sit in this cold, stale building reflecting on the night before
My mascara still smeared and a rip in my tights

“Is this what you were wearing?”
“How much exactly did you have to drink”
“You agreed to go to his apartment though”
“How often do you go home with strangers?”

My throat is tight
Everything I say is taken and twisted
Eyes glaring at me with low-brows
And the smell of burnt coffee
Trust draining out my body as color drains from my face
I’m ripping through the safety nets, one by one

Unable to take their judgemental gaze, I look up at the ceiling
Answering questions
I think to myself, “Was this moment in a cold police station even worth the fight?”
Was this cry for help from one terrible night worth the trauma they’ve caused from doubt
It’s unbelievable that I would have to rationalize which event was worse

I just needed someone to tell me I did the right thing.

I can’t look at them
I still look up and answer questions
That time spent counting each tile on the ceiling until it was over,
when i should have been counting sheep,
hoping I can wake up and this was just a dream,
but I keep counting…

100, 200, 300..

One: Sleepy
When your spine takes cat-like curves into the recesses of blankets
And crickets and thunder and howling wind all sound like peace
And puzzle pieces fitting splendidly against each other
You’re sleepy when your eyelashes are weakly magnetized
And pull gently towards one another in soft but stuttered motions
When white noise and static fill your ears the way that water can sometimes fill a glass a little bit past the top without spilling
And you look forward to the lure of dreams or of dreamless nights
Because you know you’re sleepy when the only reason to be awake in the moment
Is so that you can appreciate the split second of falling
When you finally lose consciousness

Two: Bored
When you switch from counting ceiling tiles to counting the colors that you can find when you close your eyes with varying degrees of tension
And you’ve become so bored with distracting yourself that sleep seems like the only genuine option
Even if you’ve only just woken up
Even if you’re not feeling comforted by darkness and silence yet
Even if distractions are abundant
Because they just aren’t distracting enough
Sometimes boredom summons misery just to occupy your mind
And you’re bored when you remember you were supposed to be in bed an hour before
And you actually listen to yourself and go

Three: Drowsy
When you wish you had longer limbs just so you could properly drape them from the edges of your mattress and stretch at better angles
Suspecting that maybe the odd crooks in your bedframe are the crooks that have been thieving in bits of the night and stealing the ends of dreams and the beginnings of alarms
You’re drowsy when you can feel the burn of smoke sloping against the walls of your lungs
Even when you’ve been breathing clean air all day
And the dizzy spin of the room is more of a waltz that’s moving just a little bit slower than expected
Until you turn the music off

Four: Fed Up
When stress is snapping at your synapses and igniting fizzling fireworks at the back of your throat
But the forward corners of your eyes pull together to shut out the world
Because ignoring is a temporary retreat into forgetting
And permanence isn’t something you’re in the mood to believe in any way
You’re fed up with the world, and with existing
Or maybe just being awake
When you know there are better things that you could and should be doing
But shutting down is all you can manage right now

Five:  Faint
When the world appears not only blurry, but verging on translucent
And there’s a steady hum lacing the edges of reality
With sporadic jolts of memory forcing twitching sensations down your back
You’re feeling faint when you’re hopelessly holding onto consciousness
Because you’re a little bit afraid of falling
But you would never admit it
Because there are too many blank spaces in your vision to allow for any vagueness in your thoughts
But sometimes the body can’t keep up with the mind
And you collapse all the same

Six: Weary
When time seems to thicken and stick to your skin
Weighing down your movements like steel beads of sweat
And pressing palms to your eyes almost seems to drown out sound as well
You’re weary when the grass feels a few inches too long and the ground seems a few inches too close
And the ends of your limbs feel as though they have been reaching for something a little bit too far away
And you have only just given up
So you grab handfuls of the clothes you have on and pull them tighter against yourself
Forming an artificial blanket
And imitation slumber

Seven: Exhausted
When you can feel static buzzing through your veins
Stretching capillaries into threads to keep yourself sewn together
Knowing that consciousness could spill from the cracks in your skin all too easily if given the chance
And your eyelids hold together like the grand doors of a cathedral
Opening only with a struggle that everyone tries to make seem effortless
You’re exhausted when you’ve been writing this poem for days trying to find the words
To properly describe different degrees of fatigue
And you’re sure that you’ve probably recycled a metaphor or two but you don’t bother to double check
So you keep trudging along
Until nothing makes sense anymore
And the seams that encase your consciousness begin to strain
And snap

Eight: Hyperactive
When despite all reason dictating that you should be experiencing the drag of being awake for too long
You see clearly and think in double time
With energy flickering behind your irises
Foreshadowing the dread of sunrise
You’re hyperactive when you’re knitting your voice with your friends’ voices in a collage of laughs
Each indistinguishable from the last
And you start counting the stars with flashlights until
Like sugar and smiles
And fast cars on icy roads
You inevitably
Crash

Nine: Emotionally Drained
When you’re worn to the point that mental distress manifests itself physically
And you can feel the chains of your own thoughts around your wrists
Almost wishing they were tighter so there would at least be proof of their damage
You’re emotionally drained when you can scream without making any sound
And you've perfected the syncopated rhythm of a nervous twitch
You realize that you've been grinding your teeth for the last two hours
So you switch to biting your tongue
And you don’t rest
You don’t rest until there are tears mimicking a Jackson ******* on your pillowcase
You don’t rest until the clock is judging you for testing it
You don’t rest until you feel empty
You cannot rest when you feel empty
No matter how desperately you wish you could just fade
And drift away
You do not
Rest

Ten: Tired
Just…tired

In India, we need feminism
Because, it stands for equality
Before you start losing your calm
Please allow me to clarify
Feminism means not, women dominating men
It means equal rights for both men and women
And of course, women empowerment
Now, let me be blunt
India is not and has never been a great place for women
Our society enables male *******
In almost every sphere of life
Which ends up creating a lot of strife
It is time to change all of that
Hence, is feminism so important
Because, women need to find their voice
And for that, they must have a choice
To do what they desire
Without invoking the society's ire
So, it is time to dismantle our Brahminical patriarchy
Only then, can we really reform our society
Because, gender and caste go hand-in-hand
We cannot destroy gender inequality with a magic wand
It is necessary to strike at its very root
Which, essentially, is caste
For instance, why do so many rapes happen?
Because, they enable upper caste male *******
****** harassment and **** reinforce the caste structure
Thus, does the Manusmriti continue to influence gender
And proactively hinder women empowerment
Again, this is why feminism is so important
But it also needs to be intersectional
And include women at all levels
Of our wretched caste hierarchy
In order to achieve gender equality
It is necessary for Brahmin and Savarna women to take a pause
And allow Bahujan women to make uniformed choices for themselves
Instead of dictating terms to them all the time
Also, men need to be part of feminism
After all, inclusiveness is the very core of feminism
It transcends gender, ***, race, religion and caste
Was not Babasaheb Dr. B.R. Ambedkar one of India's greatest feminists?
It is thanks to this beautiful soul
That, at least in theory, are men and women equal
As far as our country is concerned
Therefore, feminism is something we greatly need
But it can be successful only when it includes everyone
Thus, in order to make India a much safer place for women
Everybody must adopt feminism
Because, it is equivalent to humanism!
Jai Bhim!!