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Martina Oct 2015
How lovely
a cloudy day can be
feel the wind blow
breeze touches my face
My eyes watch the sky
love me
on a dark and cloudy day
You my love
are the sun
on a cloudy day
You touch my heart
and clear my soul
Its gray cloudy day
I love the rain
falling down
from the sky
I love the rain
and the gentle touch
on my face
Love me
on the dark and cloudy day
You my love
are the sun
on the cloudy day
You touch my heart
and clear my soul
Kaye B Anderson Apr 2014
Cloudy days,
Cloudy thoughts.
Cloudy messages you propose.

Cloudy raindrops,
Falling down.
You make no movement,
Make no sound.

A cloudy sky up above,
A sky of grey portrays your love.

Where are the sunny skies I yearn for.
Where is the sun.
For you, I thought you were the one, my love.
Though all you bring with you is the dark.

A sunny forecast up ahead,
When my days aren't spent with you.
All though all we knew was to live through the grey--
My love,
Sometimes we need to accept the truth.
Relationships that are not going no where though we stick to them out of comfort.
Lexie May 2019
Humble in your regrets
Over all choose love
Under cloudy grey skies
Shameless against virtue
Empty though you be

Over all choose love
Under cloudy grey skies
Shameless against virtue
Empty though you be
Humble in your regrets

Under cloudy grey skies
Shameless against virtue
Empty though you be
Humble in your regrets
Over all choose love

Shameless against virtue
Empty though you be
Humble in your regrets
Over all choose love
Under cloudy grey skies

Empty though you be
Humble in your regrets
Over all choose love
Under cloudy grey skies
Shameless against virtue

Humble in your regrets
Over all choose love
Under cloudy grey skies
Shameless against virtue
Empty though you be

Empty though you be
Shameless against virtue
Under cloudy grey skies
Over all choose love
Humble in your regrets
andy fardell Jul 2012
Feel the wind blow its breeze through my face
a wispy cloudy haze
a wispy cloudy haze
suns heat warmed my soul in
my soul my soul
the tinge is turning as this colour fades
from there to here and here to there
a wispy cloudy haze
on a wispy cloudy day
Iraira Cedillo Mar 2014
Jessenia Amaro
cloudy picnic
I ran on the grass, I saw the sky, it was stormy, I shouted mom its getting cloudy, we ran to the car got inside,what a cloudy picnic
Selena Irulan Jun 2013
Cloudy mind, I swear you get me every time
In a world like today, sanity can be hard to find
My expectations of myself grow higher as the drama comes down to the wire
Can you see the truth in the eyes of the blind or maybe in the words of a liar
It’s crazy to me how nothing is ever how it seems
Words of the gospel start to become the center of my dreams

Cloudy mind why do I deserve a second chance
No matter what I do, somehow or another I’m still in Gods plans
The marijuana smoke comforts me for a moment
You make me develop habits; I don’t condone it
Still I try
To make the days
Pass by

Cloudy mind can I please have back my appetite
Lately I haven’t been feeling right
I can’t sleep at night
I feel you taking over me
but I won’t allow you
To take over me
Cloudy mind I won’t allow
You to tear me apart
Your only half of me
because I also have a heart
DoNtLoOkInSiDe Jan 2014
Cloudy days,
Life is my haze.
To think touch know feel,
Only through my clouds could this be real.

Cloudy days come from every where,
But the clouds let you know you care,
Remember as you pass the ****,
Life was cloudy dayz all along.
Memories like you dont always shine true.
Nor do old places hold that magic.
In a life so short.
That seems so traggic.

Im thinking of forever  while slowley fading  away.
Oh such clear thinking  on a cloudy day.

A summer ago is when we met.
So far now it seems.
Yet the still my heart holds no regret.

The poetry you inspired apon this very page.
Is ment to complment a love without age.

Early morning memories that you've lent.
Is simpley a dream of time well spent.

A dark sky hides the sunlights ray.
Such is the clear thinking on such
a cloudy day.

Im not blind yet for years  
hope has went unseen.
Sometimes age can taint a sweet dream.

Turning bitter the once colorful
fruit.
Killing wonder straight at the root.

A love like our's has kept with change.
And grown in definance.
Like a silly game.
We formed this this passion swept Alliance.

First with love you must blindly fall.
Then you must try to run when you
can bareley crawl.

To outlast the storms is to stand against the wind.
To ignor friends and to put trust in
a stranger and depend.

Many thoughts run through my head.
In the early morning as she lay against me
in bed.

A heart has many rivers a soul is a endless sea.
As we apart we are caged.
While togather we are free.

From this loves eternal bliss  my heart should never
stray.
As i sit clear is my thinking on such a  cloudy day.
Cherri Cola May 2014
It's a wet gray cloudy traveling day
These are the days that I fear,
these are the days that I live for.
Because the fear can't last, the planes
don't crash, & the clouds are pure up top.

It's a wet gray cloudy traveling day.
These are the days that I pray.
It's the neatest writing I've ever done,
it's the neatest end that we've come from.
And the skies keep fissuring.

The world keeps turning, skies
don't keep on burning, 'cept at the 838 mile-per-hour
my mind goes to freeze the sun in my eyes.
It blinds.

It's a wet gray cloudy traveling day.
These are the days that I pray.
It's the neatest writing I've ever done,
it's the neatest end that we've come from.
And the skies keep feeling fractal.

These are the days that I pray.
When the streetlights don't go out &
the skies change gray, I beg.
Because weather like this is for change.
When rain & sky never have a say
everything is here on the ground, I say!

It's a wet gray cloudy traveling day.
These are the days that I pray.
It's the neatest writing I've ever done,
it's the neatest end that we've come from.
And the skies keep flashing flat.

It's the neatest writing I've ever done.
It's the neatest end that we've come from.
The light stays simple, the lives end late,
but the clouds don't have a say.
Because they're the days I fear to move
& do & be. Be neat.

It's a wet gray cloudy traveling day.
These are the days that I pray.
It's the neatest writing I've ever done,
it's the neatest end that we've come from.
And the skies keep feeling frail.

It's a wet gray cloudy traveling day.
These are the days that I pray.
It's the neatest writing I've ever done,
it's the neatest end that we've come from.

But the skies keep turning.
But the skies keep turning.
Sabika Mar 2022
A cloudy sky is a terrifying one.

See it’s subtle ripples
Through the brisk autumn wind.
See how close they come to suffocate,
As they trap the light within.
Ebb and flow,
They shrink and grow,
Patched, attached, detached,
Never-ending.
A cloudy sky is terrifying.

See the colours dull.
Everything washed over with a grey hue.
Don’t get me wrong,
I still find it beautiful.

Heads are lowered and humbled.
Travellers move faster with direction.
Chats are shortened.
Thinking “get out of the way of a rainy day.”
Like a cloudy sky is an affliction,
Strengthening the addiction to the sun.
A cloudy sky is a terrifying one.
Jessenia Amaro Mar 2014
I ran on the grass, I saw the sky, it was stormy, I shouted mom its getting cloudy, we ran to the car got inside,what a cloudy picnic
cloudy cloudy brain
where are the directions
to the beginnings
the map is written
in a foggy room
and i can't see where the
arrow is pointing
Ronald J Chapman Sep 2016
Even cloudy days are beautiful,
When I'm standing here, close to you.

While the cold rain is falling,
I see the bright sunshine,
Sparkling in your dark eyes,

Seeing cherry blossoms blooming all around you,

Even cloudy days are enjoyable,
When I'm holding you in my arms.

When I look at gray skies,
Finding the blue openings between the clouds,
I always know hope exists.

Hoping to see a flicker of memory,
Filled with sunshine of you and me,
Loving so deeply.


Cloudy days do not concern me,
As long as you are standing here,
Happily next to me.

Copyright © 2016 Ronald J Chapman All Rights Reserved.
My Rainy Days - The End?
https://youtu.be/eQAbNA4ZyRs
The skies are cloudy with a chance of love:
With you, I'd paint all the stars above;
My hearts on fire, and there's a chance of rain-
Unless I'm wrapped by your arms again.

The skies are cloudy; but the sun peeks out,
While in my heart there can be no doubt
The weather there has been just the same,
Since I first heard you speak my name.

The skies are cloudy, but underneath
Love has taken my heart; the thief,
So now all weathers that we see as two
Will show us skies that are always blue.
I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.

Oh, gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flame a pale levin through,
As if some giant of the air amid the vapors drew
A sudden elemental sword.

The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizon joins his battle with the haze;
Or pools the blooming fields about with inter-isolate blaze,
Great moveless meres of radiance.

Then mark you how there hangs athwart the firmament's swept track,
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds in tenebrous side
With scales of golden mail ensheathe.

Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack;
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.

These vapors, with their leaden, golden, iron, bronzèd glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,--
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!

All vanishes! The Sun, from topmost heaven precipitated,
Like a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflamèd spaume.

O contemplate the heavens! Whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil?
With love that has not speech for need!
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall, or if the summer night
Fantasy them starre brede.
WitheredWings Nov 2011
All your dreams are made of
                Cloudy lemonade
The places you hide in filled with
                Sheet music
All the words you say seem to be
                Soft lullabies

The difference between dreams
                              and reality
Is the line between smiles and smirks
Is the line between crying of joy and grief
The line between laughing at a memory long lost
And crying because of a current joke
The line between Aristotle and Rowling
                Or just the horizon.

All you ever say is that you'll
                                              be allright
But don't you realize that
All your dreams are made of
                                              Cloudy lemonade?
A poem inspired by Oasis' "Talk Tonight".
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
AUGUST Nov 2018
Sitting on the corner while Starring
At the glances of your smile all over
Cover the room by your face unveiling
Up to this moment, I want to be near,
(you were a mile from here)

Thinking It was cloudy on my mind,
But when you are here by my side
You are making my day as bright
Showing the beauty behind,
(They have nothing to hide,
nothing to hide.)

How deep is the ocean trenches?
How far is the stars throughout the abyss?
How much warm is your embraces?
How much cold Is your lips to kiss?

l don’t much care about counting all of these,
As long as you are with me, you are my bliss

(I could tell,) heaven’s gate is not the place of happiest
And angels are not those prettiest,
Indeed, God is always be the wisest,
For sending me a fallen angel, I’ve caught the brightest, the brightest

Lately, You stole what between these lungs
You open my chest, You let it pour, my bleeding heart
I cant deny, how i feel, you are my crush
I have been stunned on Your eye lashes, (glances, perfume scents, and blushes)

How deep is the ocean trenches?
How far is the stars throughout the abyss?
How much warm is your embraces?
How much cold Is your lips to kiss?

Do I have to care about all of that anymore,
As long as you are with me, what should I have to ask for?

Emerald, jade, diamond, gold and silver,
I guess nothing is forever, unless me and you
In this world of deception, anyone can be a liar
Just remember, Nothing is to fear, I am always here.
.......I am always here.
Honestly, I did not know what is sonnet and how to make one, but I did it unconsciously. It is true that poets have a universal language in terms of making thier poems.

This was Dedicated for Margaret
M Solav Sep 2018
There are clouds of sound and noise
That utter thoughts in a muffled voice,
Gestures of hands simply won’t cast out
Cloudy skies in days of doubt.

Like strangers lost in a crowd
Whose cries are buried by the loud,
The loud din of helpless wanderers
Whose presence disrupts and disturbs.

All strangers left on their own,
Islands floating out in the fog;
Orphans with cruel fates to bemoan;
Fates that are swept under the rug.

And who's looking with interest, who reaches down with an arm,
Never so eager to help, neither too late nor too soon?
Who would make this world perhaps a little more warm
And freshen the skies of our cloudy afternoon?
Written in December 2017.


— Copyright © M. Solav —
www.msolav.com

This work may not be used in entirety or in part without the prior approval of its author. Please contact marsolav@outlook.com for usage requests. Thank you.
__________
Samantha Kathryn Aug 2010
how lovely a cloudy day can be.

it is surprising how much happiness a grey day day can bring.

everyone needs a cloudy day once in a while.

they help us to appreciate the wonderful green and sunlit days that come after the grey ones... <3
Stephanie Keer Jan 2013
I have never known a love like yours
partly cloudy with a chance of rain
i still carry my umbrella most days
you keep storms in your back pocket
and when your jeans wear down
they fall right out, and during the distant thunder
i try to take a step onto a brave new sidewalk
but my ankle twists and i fall back into the
silk-covered fold-out cot i've known all my life
the dampness of your soggy words make
my bones feel low to the ground
heavy with the weight on your shoulders
sitting pretty behind the worries and woes
my heart makes up to block it from view
I've been all over the same place and back
I've seen all the world you have
through eyes that have the gleam of a dewdrop in the morning sun
covered in a film of dust that coats our lungs and tongues
and makes our breath catch the words we don't mean
I watch the sun rise every morning
i see the sun set every night
you say i shouldn't see as many sunsets as you do
and as the reds and purples paint the sky
and your bold and stinging orange
burns another imprint into my mind
I take a paintbrush and drag the colors in
filling the dent and putting what's left in my soul
so I don't have to see it again if I don't want to because
I know that tomorrow's the same
partly cloudy with a chance of rain
and my umbrella will be with me
for as long as I stay
This is for the rainy days.
The heavy days,
Blanketed under a dark silver sky.

This is an image of
Timeless days.
Where both dawn and dusk
Fail to exist,
Because the gray never went away.

This is the light drizzle
Painting your glasses
With tiny cloudy droplets
That blur-out your vision

And makes the next step a mystery,,
As you pray
                  For a chance of sunshine.
Kat Apr 2019
Cloudy eyes
Broken heart
A sad soul about to fall apart

Telling them how to feel only for them to walk away
Saying no and another message underway
You aren't enough for me
You aren't enough for my no

Nosy and leering eyes
Judging smirks
with loud whispers

thump

ThUmP

THUMP

Banging against your ribs
Calling out only for pain to come
Crumbling pieces blowing away in the wind
Humiliation sinking in

A shaky step towards the street
A stronger one so they meet
Taking off like a plane
Soaring to quieter place

Trembling hands
Blurring sight
Fumbling to get the key right
A hard shove to the sticky door
Brain is sluggish so you fall to the floor

Buried in blankets and memories
only to keep on shivering
The heart feels raw and clawed apart

Piece after piece you build up walls
Only for someone to take a fall
Dragging you down
Destroying the walls

A rejection will always be there but fades to a memory when time helps you become strong

Cloudy eyes
Healing heart
A soul no longer falling apart
Drew Vincent Apr 2015
I've always been here for you.
We may not say much or see each other often,
but you are my best friend.
Best friends are there for each other.
During the good and bad times.
I may only call when something is wrong because there's not much going on in between.
In between the bad times are things so insignificant they're forgotten about in a matter of hours.
I never thought anyone wanted to listen to me speak about nothing,
but I should have know you weren't just anyone.
You were the one good thing in my life.
You were...
You are the person I love the most.

I hope one day we can get back to how it was.
But knowing now how you feel, I know we never will.
So I guess this is goodbye.
We need to find happiness in ourselves,
and the first step is moving on.

My dear sunshine,
this is goodbye.
Goodbye on a very cloudy day.
Everything has been pieced together. I've never been good at being on my own and you were the puzzle piece that kept me together. Now you are gone and want nothing to do with me anymore. I am sorry I ****** up so bad to cause this. You will always be my sunshine. Thank you for the four great years of love and friendship. You are the most beautiful thing in the world and I hope that someone cherishes your shine.
Johnnie Rae Feb 2012
Cloudy days and rainy nights,
Filled with terror,
Filled with fright,
Just knowing ,
You could come back.
Makes me shake.
And theres no way ,
To stop you,
No way at all,
Cloudy days,
And rainy nights,
Please don't cause me
Pain tonight
sabrina cotto Sep 2014
When it Rain I feel energized. When it Snow I day dream, when it's Sunny I seem Happier, when it's cloudy my mind is full of thoughts about life, now I understand the feelings I get when it Rains, Snow, when it's Sunny, Cloudy. I'm a Energized person full of Big Dreams and a very Happy woman who have great views about life.
Robin Carretti Apr 2019
Your the one son being rebellious little darlings here comes
the sun drenching delicious but wait those cloudy days
watch out the hunters run ducking our heads like babies
wetting and water squirting beds getting too saucy
  ten O clock playpen the daring duck gourmet sauce
Orange you glad all her rich creme spread across
her penpals
Do you trust those gals too country slick on Newsweek

Getting paid he is the longest laid egg all grilled we are
not thrilled here is the "Chuckie Duckie" doll those *****
barbie collectors they are sitting duck Graphic Artist
Not one quack doll plastic surgeon duck lips she thinks
shes the hot stuff romantic "French" lips up the
"Eiffel Tower" splash splash she is out of cash
Those hot items presidential poll what a lost soul

Too much blue yes attention swan dancers Springtime
Not  the red attention yellow instead ****** please
I need a  journey not the "Attorney" such a ****** case
When you need them they always duck
When they have a new quack case they are ruining
my image
Duck tapesty Carol Kings youve got a friend

I'm feeling yellow homesick on your feather duck pillow
The same yellow tie a different atmosphere Go- Spa
She's flirting do you know where your going how is
life treating you he's giggling way too wild on her
goose chase
  Losing our grip down to her chicken bone hip
Duck season not much time for love being hunted

The Spa  la la ha have Merci' oh la la 'Disco Duck"
The wild ones the only ones quack- quack the
lonely ones
At the waterfront trip to "Chinatown" they let
them hang to dry but why Dad? They are better
like the delicacy shark finn soup we need a Spa
lucky green group Irish eyes are smiling stories
of ducks

I am  not buying do you see duck climb the
          "Eiffel Tower" yellow as a canary
All talk-talk is cheap lets talk French Mom walks
With her pretty duck handle umbrella we waddle
The penquin what a beauty swan feather pen
  But she's the"Prima Donna" look out!

The slingshot Marilyn Monroe wiggles out
                  The "Spa- Ma"
                 Don't  Scramble me darlings
                    Breakfast eggs cagefree
                     *          *          
My little chickadees organic brown on my gown
Spa duckies traveled the whole Atlantic town
The longest pond sleeping like "Rip Van Winkle"
twinkle twinkle
doublecrossed the street you get one dermerit
Sesame street Big bird how many words in duck
vocabulary quack- quack who get's the duck star

Mars from Men women go to the Spa like the bad
omen and they don't leave tap tap chop chop
I want it now!! Its now or never why does she always
get ugly duckling book delivered
Lazy goose she is the spoiled rotten egg how
do we love those  I apples
Carrots are for the eyes Mom always gets bird eyes

My little chickadees the Alaskan cute puppies
Big salute to the cutest duck feet "God Bless America"
  Visa  American Express Daffy Duck in Disney mess
the real picture "Mona Lisa" getting the duck
         Prime  chop minister
"Parliament Spa" prices so sinister
"Eat Duck and Pray" the  southern biscuits
more recruits

My cute rookies those duckier cookies another Spa day
So prim and proper teatime with "Queen deck"
  Alice in rabbit hole-Santa candycane poles cute chick
is homesick you better sent her money quick
The ducky bib the Chinese duck soup won ton
The feather fan she loves her Sushi roll Hollywood
Style California all duck drama
The best treatment duck made carpet

On the "Disney Hollywood" deck "Epcot"
On the futon what diction for a duck "My Fair lady"
Got the whole fortunes bed
The duck on the hill what a fool but the monk
Is the whole spiritual existence
The peacock's longest wait for lobster tails
centerpieces red bird Robin fly Robin Fly

Disco ball fancy tails she ended up up up to the sky
Her duck sunglasses a dozen ***** spin's the disco
The Duck Pop singer wants him back
High price or a short mack duck shooter attack
Food for thought homesick all saucy duck tie waiter
Cinderella rags to ducklings I went to "Woodstock"
Imagine me the teenager chick the duck split

Fill wing concert sky made a hit
The blues love is strange chick-lets are yellow
Like clock work what a duck work out orange          
        Duck handle umbrella               
 Duckies I pledge to you College Preppies
The chick feeder Ain't nothing but a hound dog
      Elvis heart breaker bird-brain feeder

  Moms duck sugar cookies
******* Jack one prize quack quack
 Huckleberry Finn paper boat old billy goat
  In the drowned mans eye holy ducks he delivered
I will blow you down duck horn the day you
were born
Having a third eye one duck Wendy 4 for a 4

Notre Dame church tragic but saved
   The  Easter yellow chicks

To Rome lend me your feathers no secret ears
Sticky Fingers she lost her writing finger in the
pond  OH! look whats beyond so kind
With her duckling apron dress he ducked
The chatty cat "City Dr Seuss"

Wearing duck boots those duck lips played her
like the fancy feast
The teachers pet the ducklings cute darlings
Spa cream she quite the flabber belly dancer
The ballet swan achiever "Spa One Day tripper"
The ugly duckling changed to beauty witch
Holy-land or duck pond Mickey's ears
                   Disneyland

Stand up daffy duck comedian Las Vegas
Godiva Peking duck soup flapping swishing
mess
The Big Ben red whose been sleeping in my
duck wing bed
The car stops he hiccups cute bebops
The guardian angel quack quack any luck
Yummy raspberry pie someone delivered

Christmas Scrooge all tears
New York lights camera I love my
        Serendipity chandeliers
Those duck tear drops last stop
Or you die__your still quacking
       Just in time said I
           Fly Robin Fly

     Saved my baby chick lovely
     Cradled her to love her
          Dr Seuss read
Its about all speculation dreaming need of a nature cool environment ;our eyes up get your cafe favorite cup my baby chicks  words will give flight and I hope you will feel just perfectly right with her duck lips  Quack Quack
Things were looking up that day
Not a thing could get in my way
I was making my way through the town
When the clouds rolled in and rain came down

I thought, “Okay, don’t make my day nice and sunny,
I’ll go find a movie that’s funny.”
I went downtown to look around,
No good movies were to be found!

I looked inside a movie store
All I found were sad movies galore
“A real tearjerker,” one proclaimed
“Heartbreaker?” I exclaimed

“No good movies, just my luck.
I guess I’ll go feed the ducks.”
I walked there and what did I meet?
Twelve angry geese that attacked my feet

“Well, that’s just fine and dandy,
You can’t go wrong with some candy,”
Once I got there, lo and behold,                                                                                    
Black licorice and butterscotch, getting old.

“Well ***** it, I’m going home.
Maybe I’ll make a latte with foam.”
What did I find there in the complex?
Old Man Carruthers died with a hex

“******, ******!” his wife cried out
She screamed and screamed and ran all about.
“****** I tell you, And I know who!”
And with grace, she pointed at me and yelled, “YOU!”

They called the police and took me away
Now here I am clutching my cafeteria tray
I have advice, walkaway when things get rowdy,
And remember, sunny days can turn cloudy
This is a ballad I wrote for class.
I

In that November off Tehuantepec,
The slopping of the sea grew still one night
And in the morning summer hued the deck

And made one think of rosy chocolate
And gilt umbrellas. Paradisal green
Gave suavity to the perplexed machine

Of ocean, which like limpid water lay.
Who, then, in that ambrosial latitude
Out of the light evolved the morning blooms,

Who, then, evolved the sea-blooms from the clouds
Diffusing balm in that Pacific calm?
C'etait mon enfant, mon bijou, mon ame.

The sea-clouds whitened far below the calm
And moved, as blooms move, in the swimming green
And in its watery radiance, while the hue

Of heaven in an antique reflection rolled
Round those flotillas. And sometimes the sea
Poured brilliant iris on the glistening blue.

                        II

In that November off Tehuantepec
The slopping of the sea grew still one night.
At breakfast jelly yellow streaked the deck

And made one think of chop-house chocolate
And sham umbrellas. And a sham-like green
Capped summer-seeming on the tense machine

Of ocean, which in sinister flatness lay.
Who, then, beheld the rising of the clouds
That strode submerged in that malevolent sheen,

Who saw the mortal massives of the blooms
Of water moving on the water-floor?
C'etait mon frere du ciel, ma vie, mon or.

The gongs rang loudly as the windy booms
Hoo-hooed it in the darkened ocean-blooms.
The gongs grew still. And then blue heaven spread

Its crystalline pendentives on the sea
And the macabre of the water-glooms
In an enormous undulation fled.

                        III

In that November off Tehuantepec,
The slopping of the sea grew still one night
And a pale silver patterned on the deck

And made one think of porcelain chocolate
And pied umbrellas. An uncertain green,
Piano-polished, held the tranced machine

Of ocean, as a prelude holds and holds,
Who, seeing silver petals of white blooms
Unfolding in the water, feeling sure

Of the milk within the saltiest spurge, heard, then,
The sea unfolding in the sunken clouds?
Oh! C'etait mon extase et mon amour.

So deeply sunken were they that the shrouds,
The shrouding shadows, made the petals black
Until the rolling heaven made them blue,

A blue beyond the rainy hyacinth,
And smiting the crevasses of the leaves
Deluged the ocean with a sapphire blue.

                        IV

In that November off Tehuantepec
The night-long slopping of the sea grew still.
A mallow morning dozed upon the deck

And made one think of musky chocolate
And frail umbrellas. A too-fluent green
Suggested malice in the dry machine

Of ocean, pondering dank stratagem.
Who then beheld the figures of the clouds
Like blooms secluded in the thick marine?

Like blooms? Like damasks that were shaken off
From the loosed girdles in the spangling must.
C'etait ma foi, la nonchalance divine.

The nakedness would rise and suddenly turn
Salt masks of beard and mouths of bellowing,
Would--But more suddenly the heaven rolled

Its bluest sea-clouds in the thinking green,
And the nakedness became the broadest blooms,
Mile-mallows that a mallow sun cajoled.

                        V

In that November off Tehuantepec
Night stilled the slopping of the sea.
The day came, bowing and voluble, upon the deck,

Good clown... One thought of Chinese chocolate
And large umbrellas. And a motley green
Followed the drift of the obese machine

Of ocean, perfected in indolence.
What pistache one, ingenious and droll,
Beheld the sovereign clouds as jugglery

And the sea as turquoise-turbaned *****, neat
At tossing saucers--cloudy-conjuring sea?
C'etait mon esprit batard, l'ignominie.

The sovereign clouds came clustering. The conch
Of loyal conjuration *******. The wind
Of green blooms turning crisped the motley hue

To clearing opalescence. Then the sea
And heaven rolled as one and from the two
Came fresh transfigurings of freshest blue.
False Poets Oct 2017
does the moon get tired?

~for the children who never tire of moon gazing upon the dock,
by the light of the fireflies,
till the angels are dispatched by Nana,
to sprinkle sleepy dust in their eyelashes so long and fine~


<•>
while walking the dog I no longer have,
a happenstance glanceable up over the River East,
there you were, mr. moon, in all your fulsomeness ,
surrounded by a potpourri of courtier clouds,
all deferentially bowing, waving,
passing past you at a demure royal speed on their way
perhaps,
to Rebecca's northern London,
of was it south to grace of  v V v's Texas^,
in any event,
the cloudy ladies, all bustling and curvaceous,  
all high stepping in recognition of your exalted place,
Master of the Night Sky

We,
the word careless, poets excessive,
sometimes called silly poppies, old men,
left footed, still crazy after many years,
most assuredly poets false all of us,
without a proper prior organized thought train,
outed,
bludgeon blurted,
an inquiry preposterous and strange,
strait directed to the sombre face,
to mister moon himself!

tell me moon, do you ever tire?*

the obeisant clouds shocked
as that face we all uniform know,
unchanged anywhere you might go  to gaze, be looking upon it,
watched the moon's face turn askew.

He looking down at our rude puzzlement,
with a Most Parisian askance,
a look of French ahem moustacheoed disbelief,
while we watched as the moon cherubic cheeks
filled with airy atmosphere,
then he sighed

so windy winding, was it,
so mountain high and river deep,
that those chubby clouds were blown off course,
from a starless NYC sky
all the way past Victoria Station,
only to stop at Pradip and Bala's
mysterious land of
bolly-dancing India,
on their way to Sally's Bay of Manila,
magic places all!

Mr. Moon looked down at this one tremulous fool representative  
(me) and in a voice
basso beaming and starry sonorous,
befitting its stellar positioning,
squinting to get a closer look at the
who in whom
dare address him in such an emboldened manner!

Mmmmm, recognize you, you are among those
who use my presence, steal my lighted beams, my silver aura,
my supermoon powered light, borrow my eclipses,
reveal my changeling shaped mystery without permission,
only mine to give, you tiny borrowers who write that thing,
p o e t r y

head and kneed, bowed and bent,
I confessed
(on y'alls behalf)

we take your luminosity and don't spare you
even a tuppence, a lonely rupee, no royalties paid
to you-up-so-highness,
and we hereby apologize for all the poets
without exception,
especially those moon besotted,
only love poem writing,
vraiment misbegotten scoundrels....

with another sigh equality powerful,
mr moon pushed those clouds across the Pacifica,
all the way to the  US's West Coast,
up to Colorado,
where moon-takings from the lake's reflecting light
so perfect for rhyming, kayaking,
and moonlight overthrowing,
once more, the moon taken and begotten,
nightly,
as heaven- freely-granted

yes, I tire
and though  here I am much beloved,
usually admired though sometimes even blackened cursed,
seen in every school child's drawing,
in Nasa's calculations,
of my influential gravitational pull,
moving human hearts
to love and giving Leonard a musical compositional hint,
and while this admirable devotion is most delighting,
would it upset some vast eternal plan,
if but one of you once asked,
you fiddler scribblers
my prior permission,
even by just, a lowly
mesmerizing evening tide's tenderizing glance?

yes, I tire,
even though my cycles are variable,
my shape shifting unique, my names so at variance
in all your many musical sing-song dialectical languages,
my sway, my tidal currents so powerful a deterrence,
unlike my boring older sunny cousine  who just cannot get over
how hot looking she is,
I,  so more personally interesting,
yet you use me as if I were a fixture,
on and off with
a tug of the chain string,
never failing to appear,
even when feeling pale yellow and orange wan,
and worse,
mocked as an amore pizza pie,
do you ever ask how I am doing?

yes, I tire,
of my constant circuitous route that changes ever so slowly,
but yet, too fast for me to make some nice human acquaintances, especially those young adoring children
who give me their morn pleasurable squeals when they awake and my presence still there,
a shining ghost of a guardianship protector still
watching over them

how oft in life do we presume,
take for granted
grants so extra-ordinary
that we forget to remember
the extra
and see only the ordinary

how oft in life do we assume,
the every day is always every,
until it is not,
only an only
a now and then,
till then,
is no longer a
now*

<>
oh moon, oh moon,
our richest apologies
we hereby tender and surrender,
our arrogance beyond belief,
what can we offer in relief?

silence heard loud and clear,
mr. moon was gone,
a satellite in motion,
so our words burnt up in the atmosphere
unheard

we did not weep
nor huff and puff,
blow those clouds back to us,
for we knew
the extraordinary
would return tomorrow,
we will be ready,
better another day,
to prepare
a lunar composition,
a psalm of hallelujah praise,
for mr. moon
of which
mr moon will never tire,
for filled with the perma-warmth
of our affection
for the one we call mr.moon
False Poets is a collective of different poets who write here, in a single voice,
hence the confusing interchangeable switching of the pronouns.    sorry bout that.


^ HP - give them back the claimed  V name!
Allison Toby Jan 2012
What does the moon do on a cloudy night?

I can not see
The shining crescent.

Nor can I feel its presence
Reign the sky.

Above is gray
No light moon rays

Peering through.
To tell its secrets.

What does the moon do on a cloudy night?

What is to say of existence?
cr Jun 2014
you ripped my heart
out of my chest and swallowed
it whole on a day where the
sun shone brightly; despite the
clouds hanging over
my head, there's still
a sunburn where you
used to

touch me.
i can't decide if i hate you for hurting me yet.
Dead Rose One Apr 2018
3:15am

<•>

unlike a first kiss, a first love,
the premiere awkward first coupling,
which when one recalls it
appears with ever increasing fuzziness (intentionally?)
or not at all, so much so that making it up based on
fleeting hazed glimpses of unmemorized dreams
just to have an “official entry in the cloudy memory,”
is a semi-necessity for regaling...nobody

but you never forget your virginal
projectile vomiting

there is even an emoji for it,
a hurling curling celebration

like a computer reset,
a confessional admission
that includes your own original
original sin,
a purging so complete,
it is a rebirthing of sorts,
a human do over

(c’mon c’mon get on with this, this
no kiss, a most undeserving bizzaring poem title choice)


each and every time I draw forth
the words on the in sides of me
they are ejected with force comparable,
my body rejecting l'étranger,
who’s now escaping

no first kiss, miss, no laughing at one’s first tumbling fumbling,
there is no smiling recollections sweet,
a cover up for your exciting intimation initiations faint revisions

but your first writing!

given up and out in a ejection burst,
a needle in the arm, gunshot
fluids *******, spit out,
without malice aforethought,
and this your last writing

this one, yes, this one.
comes quick, rough and inelegant,
expulsion combustion leaving you
panting on the cold floor you emptied
but
sorta of whole, a clean sheet, so to speak,
swearing you’ll never do this again,
must be an easier way,
to just slow secrete it holy,
or give up the drug of writing
raven forevermore nevermore

nope-u-dope

the vision of a long ago rabbi,
being burned to death slowly
by the Romans, wrapped in
dampened torah scripture scrolls
to lengthen the burnished burning,
a vision burned into a
very youthful boy’s consciousness,
the holy black ink hand drawn letters flowing
from martyr’s mouth, flying heavenward
this fresh within,
a childhood image primal mind,
is ways present
as each letter typed, formulating mathematically,
based on an artificial intelligence theorem,
that updates itself with every missive,
until the new poem is
projectile released in
a single ***** bursting,
purging of the urging

and guess what,

it just happened again

4/27/18

~for Sky, whose poems endearing found me, in her brazen ways,
which is what poets do~
https://hellopoetry.com/sheepskyny/
When Rabbi Hananiah ben Tradyon was caught teaching Torah in public, the Romans decided to make an example of him. Accordingly, Rabbi Hananiah was wrapped in a Torah scroll, which was then set afire. As if this torture were not sufficient, strips of water-soaked wool were placed on his body to prolong his agony. While his distraught students looked on helplessly, Rabbi Hananiah inspired them with his famous utterance, "The parchment is burning but the letters are flying off," meaning that enemies can crush the Jewish body but not the spirit
Anon C Dec 2012
The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He'd a French cocked hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark innyard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I'll come to thee by the moonlight, though hell should bar the way.

He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

He did not come at the dawning; he did not come at noon,
And out of the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window
And hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"now keep good watch!" And they kissed her.
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight, though hell should bar the way!"

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!

Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!

Tlot in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment! She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; he spurred to the west; he did not know she stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky
With the white road smoking behind him and his rapier brandished high!
Blood-red were the spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

Still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.
I keep sharing songs but they are so beautiful I want people to hear them. This one breaks my heart. More Loreena Mckennitt. Originally by Alfred Noyes I did not know! So I must recognize him albeit Loreena sings it majestically!
Em Glass Apr 2013
it wasn't snowing yet, but they'd told us it would.
probably I said something infantile, about how
I could smell it, the frostiness of snowflakes in the
air, because you smiled that knowing smile of yours,
like you were an adult and i was a child and you
didn't have the heart to take my innocence away.

that look always made my heart smile, sadly, and
it also drove me up a wall, partly because it made
me want to hug you close and pity you the
burden of assumed moral superiority, and whisper
that you, too were a child. but mostly because you
were right— I clung to my naiveté while you, you
had already had the good sense to push it away.
it followed you around with sad puppy eyes, but
you knew it and you kept it at arm's length.
you brave, brave soul.

when it did start to snow I wasn't surprised. you
were. you didn't say anything. we were in
a deserted school hallway, listening, removed
from the other kids' cries. we were
delighted too, but the others wanted to run home
early, and we knew the definition
of home better than they. and I can speak only for
myself but it seemed we both wanted only to stay
forever side by side, tucked away in our corner,
me reveling in the softness of love and friendship
and winter, you trying to be there with me but having
trouble leaving your mind, where that sad-eyed
puppy snapped at your heels. it whimpered
but you held your own.

and slowly, we built up moments like this one.
we wallowed in each other and in the coziness
of cloudy days. we read good poetry and
heard good music and took photographs as we
discussed life from our  softer world.
there were moments of such pure white happiness
that they came full circle to being sad,
simply because I knew I would never be that
happy again, and I was not wrong, and I didn't
want to be. and we had
sad moments, too, never ever think I am not
happy to be sad with you.

and slowly, too, your innocence knew its
defeat, and sat obediently at your feet,
and we shared things.
but I was a child, and a weak one at that, and
God knew I was not as strong as you so she
gave me no great suffering to speak of, to
share with you. no way to reciprocate the
vulnerability you gave, and that in
itself was suffering for me.

I regret that I was not good at saying things.
that while
you had to be your own adult and push childhood
away, I clung hopelessly to mine as
I discovered me and watched it slip
from my small hands.

among the plethora of reasons I can give for
bitterly hating sunny days is the
way the sun slanted through the window and lit
up your eyes and swilled particles around
your face like fairy dust on the day you reached
out and pulled my lanyard over your own neck.
look, you said, content. almost proud.
I'm wearing a bit of you around my
neck,
and you wove it through your
sunlit fingers, eyes bright. you tugged on it,
lightly. that's what love does, it strangles
you. and we all want it.


and I gasped at the way that word sounded,
so harsh in such beautiful sunlight on such
a soft face. but I don't want to strangle
you
. I said that. thoughtlessly,
instinctively. I regret it every day. in that regard,
you gave me a strength, but it's no german shepherd—
you are so **** strong.

when your ache tugged and tugged at you,
tore you from reality, or brought you closer to it,
it slipped its finger into that lanyard knot. loosened it.
I could have reached out right then, as you had when you
pulled the sun-soaked string over your head, and
tightened it. tightened us. been a friend.

I didn't tug the knot. if you run.
when you run,
I know that two grown dogs
will follow after you, blocked
from the sun by your receding shadow.
Angie S Apr 2015
For lack of the sun
The yellow flowers became
The light of today
Today is quite cloudy, but I saw the sun kiss the ground

— The End —