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Mark Toney Oct 2022
Met a physics major at university
I was into her, and she was into me
We hit it off so well we agreed to a date
the beginning was so nice but
the ending not so great!

She was so cheery
talkin' 'bout
String theory, it
left me weary
cuz I didn't want
to talk about
science

She was so cheery
talkin' 'bout
String theory, it
left me weary
cuz I didn't want
to talk about
science

After our meal, she said
"let's go for a walk"
When I asked what for
she said, "I just want to talk"
While holding hands, walking
and gazing at the sky, my
romantic mood was ruined
and here's the reason why

She was so cheery
talkin' 'bout
String theory, it
left me weary
cuz I didn't want
to talk about
science

She was so cheery
talkin' 'bout
String theory, it
left me weary
cuz I didn't want
to talk about
science

Handwriting on the wall,
it didn't look too good
She asked me to rethink
my position if I could
I considered pros and cons
and I almost acquiesced
But then I realized why
our breakup would be best

She was so cheery
talkin' 'bout
String theory, it
left me weary
cuz I didn't want
to talk about
science

She was so cheery
talkin' 'bout
String theory, it
left me weary
cuz I didn't want
to talk about
science

String theory, left me weary, string theory
Sigh, sigh, sigh, sigh
science
String theory, left me weary, string theory
Sigh, sigh, sigh, sigh
science
     (repeat and fade)




Mark Toney © 2022
Poetry form: Lyric - Mark Toney © 2022. All rights reserved.
Come down the tree, Molly, sweet Molly, sweet Molly,
Come down the tree, Molly and dine ye with me.
And though ye be weary, I’ll make your day cheery
To welcome you, Molly, so young, wild and free.

We’ll live for the season, we’ll love for the reason,
We’ll run o’er the valley, o’er meadow, o’er glen;
We’ll fall in our laughter, and roll morning after,
When things went all awry for now, dear, and then.

Come down the tree, Molly, sweet Molly, sweet Molly,
Come down the tree, Molly and dine ye with me.
And though ye be weary, I’ll make your day cheery
To welcome you, Molly, so young, wild and free.

And ye shall live freely with kitten-girls dearly,
While counting the stars on this summertime’s night
And deep be our need of the champagne and mead
To drink to Contessa, and her kittens tonight.

Come down the tree, Molly, sweet Molly, sweet Molly,
Come down the tree, Molly and dine ye with me.
And though ye be weary, I’ll make your day cheery
To welcome you, Molly, so young, wild and free.

If ought you will tease me, assure you can please me
And that we must merry be, joyous and gay;
Then we’ll live together, both now and forever
While our love prevails each moment a day.

Come down the tree, Molly, sweet Molly, sweet Molly,
Come down the tree, Molly and dine ye with me.
And though ye be weary, I’ll make your day cheery
To welcome you, Molly, so young, wild and free.
The finalized version of the original.
LexiSully Jan 2016
He** is there for you, He will always win, He will help you, He will stop the spin

He is our brother, He is always caring, He will comfort you, His love is always sharing

Though times are dark, and life seems weary, through His never-ending tenderness, we will be cheery.
Lunar Oct 2014
"but why me?"
i asked him.
"out of all the girls
who are the elegant roses
or bright sunflowers,
graceful tulips,
or lovely orchids,
why pick me,
a lone, little daisy?"

he laughed,
"well then:
oopsy daisy,
then you must be
the best mistake
i have ever made.
for through
your white petals
and cheery yellow center,
innocence and beauty
is portrayed."
p.s. daisies are my favorite flowers
i dreamed a rattlesnake was loose in the closet i heard it rattling i was afraid to open the door



a man suffering a toothache goes to see his dentist the dentist administers laughing gas when the man comes to his numb tongue swooshes around his mouth he asks how long was i under the dentist answers hours i needed to pull them all out



he imagines when he grows old there will be a pencil grown into one hand and a paintbrush grown into the other they will look like extra fingers grown out from the palms extensions of his personal evolution little children will be horrified when they see mommy mommy look at that man’s hands!



what if we are each presented with a complete picture of a puzzle from the very start then as our lives proceed the pieces begin showing up out of context sometimes recognizable other times a mystery some people are smarter more intuitive than others and are able to piece together the bigger picture some people never figure it out



i wasn’t thinking i didn’t know to think nobody taught me to think maybe my teachers tried but i didn’t get it i wasn’t thinking i was running reacting doing whatever i needed to survive when you’re trying to survive you move fast by instinct you don’t think you just act



many children are relieved when their parents die then they no longer need to explain prove themselves live up to their parent’s expectations yet all children need parents to approve foster mentor teach love



she was missing especially when her children needed her most she was busy lunching with girlfriends dinner dates beauty shop manicure masseuse appointments shopping seamstress fittings constant telephone gossiping criticizing she was too busy to notice she was missing more than anything she wanted to party show off her beauty to be the adored one the hostess with the mostest



i dreamed i was condemned to die by guillotine the executioner wore black and wielded an axe just in case the device failed in the dream the guillotine sliced shallow then the executioner went to work but he kept chopping unsuccessfully severing my head this went on for a long time



1954 Max Schwartzpilgrim sits at table in coffee shop on 5th floor of Maller’s Building elevated train loudly passes as he glances out window it is typical gloomy gray Chicago day he worries how he will find the money to pay off all his mounting debts he is over his head in debit thinks about taking out a hefty life insurance policy then cleverly killing himself but he cherishes his lovely wife Jenny his young children and social life sitting across table Ernie Cohen cracks crass joke Max laughs politely yet is in no mood to encourage his fingers work nervously mutely drumming on Formica table then stubbing out cigarette in glass ashtray lighting another with gold Dunhill lighter bitter tastes of coffee and cigarettes turns his stomach sour he raises his hand calling over Millie the waitress he flirtatiously smiles orders bowl of matzo ball soup with extra matzo ball Ernie says you can’t have enough big ***** for this world Max thinks about his son Odysseus



when Odysseus is very young Dad occasionally brings him to Schwartzpilgrim’s Jewelers Store on Saturday mornings Dad shows off his firstborn son like a prize possession lifting Odysseus in the air Dad takes him to golf range golf is not an interest for Odysseus Dad pushes him to learn proper swing Odysseus fumbles golf club and ***** he loves going anyway because he appreciates spending time with Dad once Dad and Odysseus take shower together Dad is so life-size muscular hairy Odysseus is so little Dad reaches touches Odysseus’s ******* feeling lone ******* Dad says we’ll correct that make it right Odysseus does not understand what Dad is talking about at finish Dad turns up cold water and shields Odysseus with his body he watches Dad dressing in mornings Dad is persnickety to last details of French cuff links silk handkerchief in breast pocket even Dad’s fingernails toenails are manicured buffed shiny clear



Odysseus’s left ******* does not descend into his ******* the adults in extended family routinely want to inspect the abnormality Mom shows them sometimes Dad grows agitated and leaves room it is embarrassing for Odysseus Daddy Lou’s brother Uncle Maury wants to check it out too often like he thinks he is a doctor Uncle Maury is an optometrist the pediatrician theorizes the tangled ******* is possibly the result of a hormone fertility drug Mom took to get pregnant the doctor injects Odysseus with a hormone shot then prescribes several medications to induce the ****** to drop nothing works eventually an inguinal hernia is diagnosed around the age of 9 Odysseus is operated on for a hernia and the ******* surgically moved down into his ******* the doctor says ******* is dead warning of propensity to cancer later in life his left ball is smaller than his right but it is more sensitive and needy he does not understand what the doctor means by “dead” Odysseus fears he will be made fun of he is self-conscious in locker room he does not comprehend for the rest of his life he will carry a diminutive *****



spokin alloud by readar in caulkknee axescent ello we’re Biggie an Smally tha 2 testicles whoooh liv in tha ******* of this felloh Odys Biggie is the soyze of a elthy chicken aegg and Smally is the size of a modest Bing cheery



one breast ****** points northeast the other smaller breast ****** points southwest she is frightened to reveal them to any man frightened to be exposed in woman’s locker room she is the most beautiful girl/woman he will ever know



Bayli Moutray is French/Irish 5’8” lean elongated with bowed legs knobby knees runner’s calves slim hips boy’s shoulders sleepy blue eyes light brown hair a barely discernable freckled birthmark on back of neck and small unequal ******* with puffy ******* pointing in different directions Laura an ex-girlfriend of Odysseus’s describes Bayli’s appearance as “a gangly bird screeching to be fed” Laura can be mean Odysseus thinks Bayli is the coolest girl in the world he is genuinely in love with her they have been sleeping together for nearly a year it is March 11 1974 Bayli’s birthday she turns 22 today Bayli is away with her family in Southeast Asia Odysseus understands what a great opportunity this is for her to learn about another culture he knows Bayli plans to meet up again with him in late summer or autumn in Chicago Dad wants Odysseus to follow in his footsteps and become a successful jewelry salesman he offers Odysseus a well-paying job driving leased Camaro across the Midwest servicing Dad’s established costume jewelry accounts Odysseus reasons it is a chance to squirrel away some cash until Bayli returns it is lonely on the road and awkward adjustment to be back in Chicago Odysseus made other plans after graduating from Hartford Art School he is going to be an important painter after numerous months and many Midwestern cities he begins to feel depressed he questions how Bayli can stay away for so long when he needs her so bad the Moutray’s send Mom and Dad a gift of elegant pewter candleholders made in Indonesia Mom accustomed to silver and gold excludes pewter to be put on display she instructs Teresa to place the candleholders away in a cabinet Mom also neglects to write a thank you note which is quite out of character for Mom Bayli’s father is a Navy Captain in the Pacific he is summoned to Norfolk Naval Station in Virginia the Moutray’s flight has a stopover in Chicago Bayli writes her parents want to meet Odysseus and his family Odysseus asks Dad to arrange his traveling itinerary around the Moutray’s visit Dad schedules Odysseus to service the Detroit and Michigan territory against Odysseus’s pleas Odysseus is living with his sister Penelope on Briar Street it is the only address Bayli’s parents know Odysseus has no way to reach them when the Moutray’s arrive at the door Penelope does not know what to tell them Mom and Dad are not interested in meeting Bayli’s parents it is not the first sign of dissatisfaction or disinterest Mom and Dad convey regarding Bayli Odysseus does not understand why his parents do not like her is it because Bayli is not Jewish is that the sole reason Mom and Dad do not approve of her Odysseus believes he needs his parent’s support he knows he is not like them and will likely never adopt their standards yet he values their consent they are his parents and he honors Mom and Dad let’s take a step back for a moment to get a different perspective a more serious matter is Odysseus’s financial dependency on his parents does a commitment to Bayli threaten the sheltered world his parent’s provide him is it merely money binding him to them why else is he so powerless to his parent’s control outwardly he appears a wild child yet inwardly he is somewhat timid is he cowardly is he unsure of Bayli’s strength and sustainability is that why he let’s Bayli go whatever the reason Dad’s and Mom’s pressure and influence are strong enough to sway his judgment he goes along with their authority losing Bayli is the greatest mistake of Odysseus’s life



he dreams Bayli and he are at a Bob Dylan concert they are hidden in the back of the theater in a dark hall they can hear the band playing Dylan’s voice singing and the echoes of the mesmerized audience Odysseus is ******* Bayli’s body against a wall she is quietly moaning his hand is inside her jeans feeling her wetness rubbing fingers between her legs after the show they hang around an empty lot filled with broken bottles loose bricks they run into Dylan all 3 are laughing and dancing down the sidewalk Dylan is incredibly playful and engaging he says he needs to run an errand not wanting to leave his company Odysseus and Bayli follow along they arrive at an old hospital building it is dark and dingy inside there is a large room filled with medical beds and water tanks housing unspeakably disfigured people swarming intravenous tubes attach the patients to oxygen equipment feed bags and monitoring machines Dylan moves between each victim like a compassionate ambassador Odysseus is freaking out the infirmary is too horrible to imagine he shields his eyes wanders away losing Bayli searching running frantically for a way out he wakes shivering and sweating the pillow is wet sheets twisted he gets up from the bed stares out window into the dark night he wonders where he lost Bayli



these winds of change let them come sailor home from sea hunter home from hill he who can create the worst terror is the greatest warrior
Nat Lipstadt Jan 2018
based on the essay in the notes below
which was forwarded to me by Liz Balise
<>
all poems and their accompaniment sauces commence with onions,
that start by fouling the air, bringing forth only unrestricted tearings,
but then...

the slow cooking elicits the sugars hid within,
the unpleasant odor, refined into something
minted new sweet and savory.

so too, the poem must simmer, slow cooked,
harmonizing the caramelizing,
even if some ingredients
claim the first born birthright of the eldest first essential,
despite the collective harmonizing.

the ripened color of the blood red tomatoes,
the ruddy cheery sanguinity of
certain words in each poem,
are the coloration of its entirety -
the ones your never forgive for never letting you forget them!

what matters not but how, the daring to substitute the new how,
how you chef see it and color it with the crazy way how
you beckon us over one by one to the big *** for a tasting
accepting critiques and suggestions, a thousand pinches
of your salty sweet essences.

and the recipe is dog stained and pointy corner ear-edged,
cause you cannot exactly write it down, and you bend the corner
for every substitution and variation,
cause every poem
made to taste the how of us,
each one a subtle different.

everyone understands metaphor,
even the society of the reticent ones in the back row,
just say the “trapdoor of depression” and they’ll nod knowingly,
so say to them a poem is a metaphor for you,
and spaghetti sauce is how you see, recreate in words,
how you need to add an ingredient of yourself
to this one,
a word, a phrase, becomes you,
becoming you in it,
in you,
you in it are both poet and poem,

a simmering new and different

————————————————————————-


A Well Written Essay— The Spaghetti Sauce Method

As a teacher and a learner, I have always wanted to see the "nuts and bolts" of everything. Yes, it slows the process down, but the learning is more complete, and a person becomes capable of making endless connections of understanding, branching to other  creative possibilities. Writing like dancing, and all that is worth learning, deserves all of the pieces and steps of the process.
I remember telling my students every year that grammar could indeed be a dry bone, but necessary in the process of good communication. Told them that I would teach writing by the "spaghetti sauce method" (Visualize their perplexed faces here.). "A well-written essay should be like a really good sauce-- smooth, fine textured, with a complete harmony of meat, sweet, tomato, and seasonings-- not one overpowering the others, but all in marvelous union of great flavor and aroma."
I continued, giving the example of my mother's
(God rest 'er) Irish spaghetti sauce" as a contrast. "Mama would throw in onions, peppers (if she had ‘em), hamburger, salt and pepper, fry it all in corn oil, and mix with two cans of plain tomato sauce. This was all okay with me," I went on,“ till I experienced the epiphany of garlic, basil, oregano, pork neck bones and a cup of wine; in the kitchen of an Italian neighbor, who walked me through the process and ingredients of real Italian sauce that was simmered for hours."
I continued to nudge them with the comparison: "Excellent writing is more than talent and passion, otherwise a tirade of curses, knotted ideas, and copied paragraphs of someone else would always do.” "No," I went on, "It is clear thought, captured, slow-cooked in the labor of mind and understanding— and in good time, expressed, in a way that others can comprehend -- with great attention to the cardinal rule: It is not as much WHAT you say-- but HOW you say it."
Through the year I focused on one or two aspects of better writing at a time for each paper. It was an uphill battle, often teaching against the mediocrity of the expectations in the PA State Standards of Assessment. It would add ten hours to my work week to grade and comment on a set of a 115 papers.
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
orangangkasa Sep 2015
With gentle cheeky smiles and cheery cheers,
You endeared yourself to your deary dears,
My jealousy rose up like the towering tiers,
of classic wedding cake infused with beers,
Drunk even more in love without you here,
Us becoming strangers made me shed tears,
Somehow your babbling is a delight to hear,
But you're getting far away, not even near.
Lizz Baughn Jan 2014
I dream of a day
When "coming out of the closet"
Isn't even a thing anymore.

When "straight" is just a direction,
"Gay" just means cheery,
And "bisexual"
Isn't even a word anymore.

When people look at someone
And see a human,
Instead of a stigmatized word
Defining that person's way
Of loving other people.

I dream of a day
When a man
Can hold another man's hand,
Without the people around them
Whispering "Oh my god, is he gay?"

When a girl can kiss another girl
Without being called *****
Or attention ******
Or "barsexuals."

I dream of a day
When love is simply that,
LOVE.
Not something political,
Or religious,  or controversial,

But just something beautiful
Between two beautiful
Human hearts.
I feeleth so anxious as the fleshy winds outside,
Invisible as their turquoise screams, I feeleth like everything is just not right;
Ah, but how if even all later suns shan't be fair,
And t'is passivity shan't ever be bound to fade?
For my soul declares-t'at he, it wants not any more to care;
And about thee only, it wants to be quiet, yet witty still-like yon pale lovesick summer glade;
I want to attach myself to our captivated hours right now;
With thee in my lap, and thy gentle whispers-as today shall be replaced by tomorrow.
I want to dream of thee once more tonight, o sweet Nikolaas;
My darling at present and from the future, whilst my only dearest, from the past.
Ah, sweetheart, why are but our subsequent hours-and perhaps paths, to suffer;
If thou art not by my side, and maketh not all t'is terseness better?
Ah, and wouldst it ever make sense any longer;
To live by him-but without thee, wouldst it but make my wild heart easier?
For censure is to which my answer, and is hatred-for I cannot help loving thee more;
I wanteth to love, and age-by thee, and by thee only, within my most passionate core,
And I wanteth not to understand anything-for comprehension shall but renew our last sorrow;
I wanteth instead-to renew t'is despaired wholeness, and its proven compassion-our love has once made nature show.

I still wanteth to remain quiet; to cherish and glitter within my wholesome devotion;
But which duly keepest me sober, and maketh my doubled heart tremble not;
Calmeth me, calmeth me with thy kisses-so enormous and tasty, like a quiet can of little soda;
Maketh me accursed, petty, and corny-maketh me thy lands' most dreaded infanta.
Tease me like I am a quivering little darling, who cannot but tries shyly still-to sing;
With a coarse voice descended from sunlight, where the worst are joy, and lovingly mean everything.
Maketh me honest, and tempteth me deeper and more;
Until I sighest and flittest myself away, with agility like never before.
Consumeth my greed-and with it, drinkest away its all befallen vitality;
For I knoweth thou shalt restore me, and reneweth all my endeavoured weaponry.
Ah, Nikolaas, how sweet doth feel t'ese blessings, by thy very side!
Nikolaas, Nikolaas, my lover-my sweet husband, from whom my hungry soul canst never hide!
Oh, and darling, Amsterdam might be cold, and plastered with one slippery tantrum;
But thou art still too comely to me-with those familiar eyes like a poem;
A poem t'at my very heart owns, and is graciously fat'd to be thine;
And thine only-for as I danceth later-in my princess' frock, I knoweth t'at thou art mine.
Ah, but fear thou not-for shall I protect thee like t'is;
I shall slander thy rival west and east, I shall degrade t'em all to'a yawning beast!
And upon my victory be I at ease-and finely grateful;
On which truth shall spring, and maketh our love venerated-and more fruitful!
Ah, just like I had b'fore-how canst kissing thee be extremely pleasant,
Even whenst he be t'ere, or perhaps-be the one concerned?
I hath to admit, t'at 'tis thee-and not him, I so dearly want;
Thee who hath painted my love, and made everything cross but all fun;
Thee whose disguise is my airs, and who hath ceaselessly promised to be fair,
Thee whom I'th dreamt of t' be my lifelong prince, with whom I wish to be paired,
Thee whose recitations lift my heart upwards, and my delight proud;
Thee whose poems hath I crafted, and oftentimes recited sensibly, out loud.

Ah, t'at devil-who told us t'at our joys cannot be real;
For they are not at all virtuous-nor by any chance, vigorous?
Ah, fear not those human serpents, darling, whose mouths are moth-like-bloodless but who canst ****;
For to God they are mortal still, and to His eyes whose jokes are not fun, nor humorous;
And thus we shall be together, as we indeed already are;
For our delight is not to be altered-no longer, as dwells already, in our heart;
We shall come back to it soon, as tonight's full moon smilingly starts;
And exalt it as wint'r comes-dear winter, as perhaps only be it, one few months' far;
Ah, and be I then, crush all t'is impatient longing, and sorely missed affection;
And vanquish all the way, t'is all omnipotent sin-of having loved only, a severe affliction;
Oh, but under whose guidance, Amsterdam shall embark again, and smile upon us;
And lift our tosses of joys, into the lapses of its sweet thunders, fast!
Ah, Nikolaas, shall we thus be together, under the wings of Amsterdam's rainbow;
To which endings shan't even once appear; as guilt be then dead-and is not to show;
The only left opus of love be ours to sing, as heaven is-so benevolent;
Betray us not, with fruits of indifference-much less once of one malice, and gay impediment;
And our happiness shall be pure-and entangled, like a pair of newborn twins;
To which our fantasies are finally correct, and thus its affixed lust-shall no more be a sin.

Such love and lust-whose fidelities shall be our abode;
But by whose words-delusions shall never arrive, and thus be put aside;
Novelties shall be fine, and their definitions shall be lovely;
They shall twitch not-for a simple moment of starched felicity!
Oh my darling, I needst to come and visit my wealthy Amsterdam;
With authenticity now I entreat: myself, myself, ah, run there-whenst stop doth time!
For as we embarketh, no more worrisome medleys shall they come again, to bring;
And to no more sonata, shall they retort-nor so adversely, and dishonestly, sing.
Ah, Nikolaas, the stars are now obediently looking down at us;
Jealous of our shimmering love, which is the lush garden's yonder, giddy beaut;
Ah, who is shy to its own mirror, and oft' looks away so fast;
But needst not to swerve, factually, for 'tis, on its really own-has but very much truth!
But still, whose hastiness maketh it succumb-and even more bashful then the sky;
Ah, as if those pastimes of its ****** soul are always about-and be termed but as a single lie!
For it shall never happen, to it-who owns our midnight hours-with one promise to be skirted away too fast;
With not even a single pause, nor a second of rest-while it passes?
Ah love, our very love; its circular stains, nevertheless, as left hurriedly-too massive to resist;
For they giveth taste to our plain moonlight-and thick'ning flavours to our kiss;
So at our first night of gaiety thereof-we won't be hunger for earning too much bliss!
Ah, Nikolaas, all shall be perfect-for felicity is no longer on our part-to miss,
And t'is part of our earthly journey shall feel, defiantly like heaven!
I shall be thine-and claim no more my thine self as his;
In thee doth I find my salvation, my fancy dome-and my most studious cavern!
All which, certainly-is his not; all which shall be ripe, and thus fragrant-like a rose perfume;
And by whose spell-we shall be love itself, and even be loved-within the walls of our private haven;
And even then, we shall love each other more-as be cradled in each other's arms; and lost like this, in such a league of harmonious poems.

Amsterdam shan't be rigorous, it shall be all fair,
Its notions are curious, like these but entrancing summer days;
Thinking of which is but a sweat-but a bead of sweat for which I most care,
Which is neither dreadful nor boastful, as I devour it avidly, amongst t'is poem I'm 'bout to say!
And t' mindfulness of which, I shall no more hastily rid of;
I was too dreary back then, crudely foreshadowed by a crippled love!
'Twas my mistake-my supposedly most punished, punished mistake;
For faking a love I ought not t've ever made, and one I ought not t' ever take!
A mere dream I hath now fiercely pushed away;
And from which I hath now returned, to my most precious loyalty,
As thou knoweth-thou hath never wholly, and so freely-left me,
Thou art all too genuine, and pristine, like yon silvery river-as I oft' picture thee.
Ah, so t'at is all true; t'at thou art my most gracious, and unswept loving angel,
A prince of royalty, and my very, very own nighttime spell.
Just like thou hath done hundreds of time, thou maketh me but delight and mischief;
And notions t'at bubble within my most, giving me charms and comfort-for me to continue to live!
Together, our lips shall be warm-and no more joy shall be left naked;
Soon as there are more tears, we shall throttle and fairly feast on it;
Making it all but remotely conscious, and forcibly-but sensibly, deluded;
Making it writhe away impaired, and its all possible soul awesomely flattened!
Ah, Nikolaas, thou shalt be the mere charm t'at leaves my odes too fabulous-by thy wit,
Oh, my darling, for thou art so sweet; o, Nikolaas, I really hath only my words, to play with!

And guess what, my darling, heaven shall but gift us nobly, all too soon;
An heir shall we claim; as descendeth one day beneath the excited full moon.
For he shall be born into our naughtiest perusal;
And demand our affection excitedly, as time is long, as arrives winter-from last fall!
Soft is his hair, clutched in his skin-so bare and naive;
He shall be our triumph, and a farther everyday desire, to continue to live!
And we shall consider him our undefined, yet a priceless fortune;
Light as the night, at times singular but cheery-like the sketch of a fine moon.
And portray in us both the loveliness of a million words;
He shall be handsome, just like our love-which is damp but funny, in whose two brilliant worlds!
Oh, my darling, I now looketh forward to my heavenly Amsterdam;
Whose prettiness shall be thoughtful, as I thinketh of it-from time to time.
Ah, thus-when all finally happeneth, I shall know thou art worth the whole entity of my thousand longings;
Thou art the miracle t'at I hath decently prayed for-and thus fathomably, the very sweet soul-of my everything.
oceansandforest Jul 2014
Heaven and Hell,
I taste when i'm with you.

Heart as cold as ice,
yet warm like the grassy fields of the spring meadows.

You were the hurricane, chaotic and unforgiving.
But with every storm, lies a rainbow radiating every inch of beauty within.

Your mind beautifully balanced,
a mysterious blend of dark and cheery.

Your existence, like the gleaming rays of the sunrise.
Bringing new hope after a dark and cold night.

You are the bitter sweet of life.
a poem inspired by my sunrise.
soft spoken intro

The tree,
With its lights,
***** and tinsel,
Garland, excitement,
Of these nights,
The mistletoe and a star…
Ornaments,
See the candy canes,
Icicles,
And a door wreath,
On a cold,
Snowy Christmas Eve!  

Toys of Elvin-creation gleam, faces of the children they smile and beam, pitter-patter sounds of feet stomp -ing; it’s a cold snowy Christmas Eve!

A night of magic you won’t believe; it’s a cold snowy Christmas Eve!

Santa Claus and Christmas-time, sing a-long with our cheery rhyme, nothing ever feels so fine; it’s a cold snowy Christmas Eve!

A night of magic you won’t believe; it’s a cold snowy Christmas Eve!

Spicy scent of pumpkin pies, hear the reindeer when his sleigh arrives, toting presents that jolly guy; it’s a cold snowy Christmas Eve!

A night of magic you won’t believe; it’s a cold snowy Christmas Eve!

Santa, St. Nick, Sinterklaas, around the whole world in one night -no pause, and a childhood feeling that’ll never be lost; it’s a cold snowy Christmas Eve!

A night of magic you won’t believe; it’s a cold snowy Christmas Eve!
Tally-**! Jolly-fun! The night ain’t over till Santa’s done; a night of magic you won’t believe, it’s a cold snowy Christmas Eve!

It’s a cold snowy Christmas Eve!

A cold snowy Christmas Eve!
Druzzayne Rika Mar 2017
The smiling face often lies ,
No one knows , what it hides .
It is easier to curve your mouth ,
Then to let the pain come out .

The smiling face ,my mirror shows
Hides every stories which I know
I deceive others with my cheery facade
As they do the same , they too are flawed .

There are few true smiles ,
Hardly seen much awhile.
But they fade away fast ,
Because happiness do not last .
Jordan Rowan Sep 2015
My humanity's in jeopardy every single day
Do I have the right clothes?
Do I have the right nose?
Did I say what I should say?

I'm constantly worried and in such a hurry
Did I make my own meal?
Did I work or did I steal?
Should I open up or conceal?

I'm always tired from pent up desire
I'm listening to the hum
From the people and their guns
Trying to ruin all my fun

I'm being told that love won't grow old
But it's stifled and stopped
These floating heads talk
About it around the clock

I'm just weary from always being cheery
I want to be alone
Not chained to a phone
Or hearing the public groan

If I'm 21 now then I'm too dumb anyhow
To fall in love or work
I'm just a coffee clerk
Spit on my college shirt

My self-worth isn't tied to this earth
It's tied to a wire
That leaves cities on fire
I can't get any higher

I feel like a little boy playing with little toys
Why do I have a voice,
If I don't have a choice?
Am I just radioactive noise?
zebra Mar 2018
my step mom comes over to my office intermittently
turns on the computer and opens the emails
in the dark of night
making all cheery bright and lighted for my mourning arrival

so kind of her
making sure things are ready to go
she always the epitome of efficiency

did i mention
she's been dead now for over 20 years

did i mention we are lovers
sadly never in the flesh
always an unspoken ache during the living years
when we where near
a relentless unrequited love still burning
like fire licks and scorching lips
trussed thighs spread wide
twisting swarms of wet tongues lapping
in each others bellies
and lungs
her feet in my mouth

so now free from others
the dead do what they **** well please
and on the slippery side of life
so do i
its about time!

did i mention her soft kisses
her dancimg *******
and soft round belly

didn't mean to get carried away again
or
the scent of her **** that veiled wet jewel
as she walked passed me
demon smiling innocence
sending me into a swoon
as she floated across a foot worn floor
with her beautiful pink angular toe
**** ticklers

am i repeating myself?

how sad i am that i never got on my knees
to brush my lips against her drool
to see her widen her haunches
inviting me; glaring madness
out the sides of her eyes

to work my way up
to her lurid dark fruit
hot ****  butter

your dead mom
but your here now
turning on the computer
and watching **** with me
dressed up for a hot blood
star spangled glitter ****
staring into my soul like only the dead can
taking positions the living could never imagine
oh my pretzel girl

we kiss reckless raw naked
all furious *** toys smushing raw mouths
and eat each other like hot apple bend over

yes mom so dark the things we do
that the living dare not ever think
blood suckers
yes my beloved
even die for each other sweetly
over and over again
lat minute kisses for the thin air road

dead and dead
in love in bed

that's how the breathless ****
all tender kisses
till hell breaks lose
till bloods **** pulse eschews
till all is lucid comatose ****
we enter heaven
stooping to hell for pleasures sake
letting go to
******'s purge
like waves from the cities of our guts
the sacred sin of the flesh

no taboos for ******* ghouls

and you once again turn hollow
a transparency
falling through my embrace like dust

will you come back tomorrow
turn on the computer
or better yet
maybe visit in a night dream of tangled caresses?

or
a day haunt
dancing leg show
in a smooth white pearl bath tub
stained with spider webs of coos
wild naked mouth
brooding slippery dark *******
and feral tongued kisses
red as wild cherry  blood
mouth to **** to **** to *** to *****
to cries and silver whispers
to be possessed?

sometimes love
never dies.
R Apr 2013
Let me tell you a story about a busy steet in a busy city in a busy country in a busy world.

Somewhere near the end of this busy street in a busy city in a busy country in a busy world, there was a flowershop.

It was a lovely old place; an elegant building surrounded by beautiful gardens with daisies and daffodils and roses. It had bird baths where the cheery cardinals and bluejays stopped by for an afternoon splash, and even a sprinkler for the young children to run around in while their mommy's and daddy's were picking out pretty flowers.

Now, inside this flowershop, there were rows upon rows of pots filled with any type of plant you could imagine: dragonsnaps, lilies, zinnias, tulips, the whole lot. Baskets of flowers hung from the ceiling, overflowing with bright colours. Every once in a while, petals would rain down and the entire shop would look magical.

Everyday, people of all ages would dash into this flowershop. Men in suits, looking to find the perfect gift for their dates. Ladies in dresses, picking out just a little something to look nice in a vase on their dinner table. And of course, the gardeners, with their overalls and ***** fingers.

So, as I said, busy people on a busy street in a busy city in a busy country in a busy world would dash into this busy flowershop, then dash back out and get on with their busy lives. Always looking for the most ravishing type of flower, the ones that could catch your eye as soon as you entered the shop. Never focusing on anything else.

What no one realized was that there was a small flower placed near the back wall of the shop. It was never moved; always been in the same exact place ever since it arrived at the flowershop years and years ago. The owners had stopped watering it, so the flower was beginning to shrivel up. Most of the petals had fallen off and were now laying in a sad little pile on the ground, and the few that remained had turned the colour of black.

The little flower got sicker and sicker every day, but it never lost hope. Every time the suited man stopped in, or the lady with the dress, or the ***** gardener; the flower would use its last bit of strength to make itself noticed. It stood on its tippy toes, perking up and spreading its wilted petals and frail stem as much as it could.

No one saw.

Then, one day, when the owner was sweeping the floor of the flowershop, he saw something near the back wall. Something broken. Crumpled. Blackened. Ugly. Dead. Something that once was beautiful until it stopped being noticed; stopped being loved.

You see, in a busy flowershop on a busy street in a busy city in a busy country in a busy world, no one's ever going to notice a wallflower until it wilts.
Yes, I'm aware that this isn't a poem.
Javaria Waseem Jun 2015
They say women are like flowers
delicate and beautiful, cheery and colorful.
Put them in a vase and care for them daily
And they will make everything look better
with their aura. You'll fall in love.
Believe me.

But
She was not a flower from the gardens
She was more like a wildflower growing between
the cracks of a rock. Almost like rebelling against
the nature's rule.
She was alluring in her own ways yet no one
would ever dare to pluck her.

No one could ever love a wildflower in front of a rose
But
No rose could ever be free like a young fiery soul.
Jack D Serna Sep 2016
Pizza--the only I want to poor my feelings onto
Because when I think of its filling capacity--
Its carb-heavy, fat drenched, and sugary-savory goodness--
I honor the people who continue the artisinal craft.

Pizza--it's the food for all hungers.
It fills you with energy when you're high,
Just after a win with a cheery, rowdy gang of five.
It's the traditional topping on the pie.

Pizza--All and everything, when the time calls.
When the emptiness cannot be filled,
Let it be filled with years of associations.
All in good company, Pizza, my best friend.

So I met a new person today--quiet and resourceful,
She was counting her inventory,
Solving a problem set or learning a new trick.
I barged in while she put aside her life for mine.

She said, "What may you have, sir?"
"A medium with pepperoni," I said, "and linguica, please".
That was all that's said  as she carried on her fees.
"That'll be $18.05," and a shot of guilt charged me.

Pizza, though poor my feelings how expensive the taste!
When, just then, she collected the money
The pizza was all too simply done and I was on my way.
I was the one left, saying, " Well, enjoy your weekend!"

But as I drove and the pizza aromatized,
Neither she nor I were free from capitalized.
A self-disciplined pizza artist, stripped of her dough,
Like the boy who made chocolate with a molinillo.
There the merry hologram glowing blue purple blue
Cactus human cherry on a stool
Beyond the window he would not look
Inside the sky made of wood.

The barber talks to his ferns
The flowers he understood
The living they earn
Sparkling its rough nails of your barber.
The breath and life he will spruce with apple-pie order.
He listens to
Each one story
Always about a time
A time which was cheery.

He looks piercingly to all their prickly
What he touches intently
To turn the time that latches onto your head which started feeling heavy.
Lifted into glee so jolly and carefree.

A man
Or the boys
They finally stand up easily.
Capes dusted
Top hat powdered
Their voice of fears collected as tips
For pricking up his ears.

The door that opens in the end
The swirling light that beckons
Hair became a way to lighten ---
When times get rough and belligerent
Cut it off, rugged and ruffian.

The barber hears him and all
The others like soldiers
They share their laughs
Troubles leaving shoulders
Leaving like a waterfall.
The barber knows everything
The barber knows all.
© Teri Darlene Basallote Yeo
Rhymes are better heard than seen.
I feel like that is what makes poetry...
Paul F Clayton Jul 2012
Born in nineteen thirty five
To reside at "Tick Tock park"
A whole life marred by damaged lungs
Yet, gracious was his heart

Known to his friends as Ginger
This man of arduous health
He possessed an ever-cheery smile
Wit and intellect his wealth

Passionate was he for art
Racehorses, jazz, the Goons
And chrysanthemum had more value
Than mankind racing for the moon

With his water colour paintings
He tried to leave his mark
But alas his dreams were halted
For no mercy has the dark

Of the protagonist of this ode
I shall say only this
My father was a brilliant man
Who I shall always miss
The child alone a poet is:
Spring and Fairyland are his.
Truth and Reason show but dim,
And all’s poetry with him.
Rhyme and music flow in plenty
For the lad of one-and-twenty,
But Spring for him is no more now
Than daisies to a munching cow;
Just a cheery pleasant season,
Daisy buds to live at ease on.
He’s forgotten how he smiled
And shrieked at snowdrops when a child,
Or wept one evening secretly
For April’s glorious misery.
Wisdom made him old and wary
Banishing the Lords of Faery.
Wisdom made a breach and battered
Babylon to bits: she scattered
To the hedges and ditches
All our nursery gnomes and witches.
Lob and Puck, poor frantic elves,
Drag their treasures from the shelves.
Jack the Giant-killer’s gone,
Mother Goose and Oberon,
Bluebeard and King Solomon.
Robin, and Red Riding Hood
Take together to the wood,
And Sir Galahad lies hid
In a cave with Captain Kidd.
None of all the magic hosts,
None remain but a few ghosts
Of timorous heart, to linger on
Weeping for lost Babylon.
Nigel Morgan Dec 2012
There was this time before the going home. The supers bowled off with cheery parents or elder brothers a good fortnight before the big day. There were lessons, but despite the best efforts of the staff who remained nobody could take this between time seriously. Mr Gayford for maths was hardly a substitute for Alfie's lively lessons. But Alfie we knew was climbing in the Alps this Christmas and would return with photos and tales that kept us enthralled despite the sums he invented - calculate the air pressure at 4107 metres on the Jungfrau. We all loved him with his self-raising Citroen Safari that smelt enticingly of Gitanes and that scent Claudia his girlfriend favoured. Oh Claudia, so wonderfully and exotically dressed, who seemed a world away from any boy's mother or sister.
 
Mornings were quite different. A later breakfast and then a two-hour practice with Dr. B . Hard work, with new music to learn. But the carols! Oh those sounds, and so different from what we sang all year. Boris Ord's Adam lay y bonden, Praetorius A Great and Mighty Wonder, Torches, In Dulce Jubilo. and as Advent progressed that magical verse anthem by Orlando Gibbons This is  the Record of John.
 
I was just eleven when Dr. B said, as we opened the music folder for the morning rehearsal, 'St Clair, Can you do this for us please?' Not so much a question as a command; you didn't say no to Dr. B. The introduction was well underway before I grasped it was to be me. How I stumbled through it that first time I don't know. I could never hear this piece without tears welling or indeed falling. ' Look Mog is getting tearful' said Richards the head chorister, and the little boys would snigger. And I would blush:  through my freckles to the roots of my auburn gold hair. Did nobody understand what this music did to me, what it said and expressed? At eleven I think I had began to know, and later when I heard it in Kings Chapel, and then conducted it variously to those bemused American students, listened to my gramophone recording, its affect always, always the same. I was experiencing truly what Vikram Seth has called an equal music, something so entirely right, a true conjunction of words and music, a coming together beyond anything as a composer I could ever imagine, a yardstick life-long; it became an acid test of sensitivity to my love of music and has been passed only four times by serious friends and lovers. To know me you must know and feel this music . . .
 
And so on the second Sunday of Advent at Evensong I sang this jewel, this precious flower of music's art. The candles flickered in Her Majesty's chapel and we stood for the anthem. The chamber ***** began its short introduction already weaving together the four-part texture - and then the first solo statement. This is the record of John when the Jews sent priest and Levites from Jerusalem . . . and then the tears fell and the music swam in front of me as though glazed in the candlelight.
 
Who art thou then? And he confessed and denied not, and said plainly, 'I am not the Christ'.
 
Oh that melisma on the 'I', that written out ornament, so emphatic, and expressing this truth with innocent authority. I sang it then as I hear it now. Nobody had to demonstrate and say 'Don't let it flow, let each note be separate, exact, purposeful'. So it was and ever shall be, Amen.
 
And they asked him, What art thou then? (Art thou Elias? x 2). And he said I am not. ( Art thou the prophet? x 2) And he said I am not.
 
The verse anthem is such a peculiar phenomenon of the English Reformation. Devised it is said to allow the hard-pressed choirmaster to train the main body of his singers in a short response, the soloist singing the hardest and most expressive music on his own: the verse. It is also so well suited to the English choral tradition with its Cantores and Decani ordering of voices. I was always a ‘Can’, even later when I joined the back row as a tenor.
 
Then they said unto him, What art thou? That we may give an answer unto them that sent us. What sayest thou of thyself? And he said I am the voice of him that cryeth in the wilderness. Make straight the way if the Lord.
 
And so I wonder still about the place of this text in the liturgy of Advent and why, cloaked in Gibbons’ music, it has remained affecting and necessary. And who is John? a prophet of the desert, the son of Elizabeth to whom Mary went to share the news of her pregnancy and whose own son quickened in her womb as she heard of her cousin Elizabeth's own miracle - a childless woman beyond childbearing age unexpectedly blessed and whose partner struck dumb for the duration of her confinement. Is it just another piece in the jigsaw of the Christmas story in which prophecy takes its part?
 
When I was eleven I thought to 'cry in the wilderness' meant exactly that - tears in a desert place. I learnt later that this was a man who stood apart, was different, a hippie dressed in the untreated skins of wild beasts, who lived amongst those who sought the wild places to mourn, to place themselves in a kind of quarantine after illness or bereavement, who then became wise, and who cried.
 
Such meditations seem appropriate to the season when there is so often the necessity of travel, much waiting about, the bearing down of the bleakness of winter time, though strung about with moments of delicious warmth when coming in from the cold as with the chair by the library fire I craved as a chorister to escape blissfully into fictioned lives and exotic places.
 
How these things touch us vividly throughout our lives; as we watch and wait and listen.
Feliciano Naredo Oct 2012
The third moon brought forth from the shadow dark.
Gentle breeze freewheeled across the lakeshore.
Windswept was the air, in peace night was marked-
Unyielding stillness, blooming fairness more.

Silky pastel cloth, gushing curtain soft.
The window let in hushed waft soothing cool.
Fixed firmly on shore with poles planted stiff,
A pavilion meek light heartened the pool.

By the portico was a tree bent down
Whose white flowers bloomed lovely as a nymph.
Its jagged branches, lumped of golden-brown,
Delicately grown each emerald leaf.

Underneath its shades were cheery plantlets;
Pebbles hard and cold; red earth spongy ground;
Flying whirly bugs, glittering bead lets.
Fair maiden deferred, there then can be found.

Pleasing to the eye, that dignified dress
In white noble silk with fine needlecraft.
Regal as she stood, just for a mistress.
Mystic was her eyes, a soul was grafted.

Filled with potent life in her burning stare.
Profound as the deep, tranquil as it surge.
One may glimpse straight to, utmost one can't bare.
To its mysteries, one gave in and urged.

Verdant her hair was, hearty as it shone.
Longer than she was, white as the moonlight.
In her neck are chains, beads and shells she owned.
Varies in sizes, things that make her bright.
I really don't have any formal refinement in poetry making but I did my best. I hope that readers will like it.
Stacie Lynn May 2014
i saw a beautiful red rose that sat in a field of wilted weeds
and as time went on
and the weeds grew more and more plentiful
the rose remained the same
just as cheery and red as before

and i was brought to the realization
that it's possible for a something so beautiful to be surrounded by
such insignificance
something with so much life
can exist in the middle of emptiness
although it may seem like everything is dead,
there's always a little hope
always
Monica,
she said her name was.
Of course I didn't believe her,
but it wasn't important.

What was important,
when she met me
with a cheery professional
smile
at the window
in the waiting room
of Anfu Massage,
was that she was
willing
to take me by the hand
and lead me
down the very dim corridor
into a dimly lit room
with a bed
where she and I shared
an hour of
******
pleasure.

She made me feel
like a great lover
and gave me her best
imitation of passion
so skillfully
that I believed,
because I wanted to,
for that hour
that I was
making love
to my lover.

I used to agonize
and feel guilty about it,
but in this solitary
autumnal season
of my life,
haunted
by the ghosts
of loves lost,
I am grateful
for even this
sweet counterfeit.

And, yes
I revel
in her gentle feminine
warmth,
her softness,
and in the primal
connection
we make.

Somehow, it
feels like
it is keeping my heart
alive.
Copyright 2011, by Michael S. Simpson. All rights reserved.
Ramin Ara Dec 2016
Pink cheery blossoms
Cast shimmering reflections
On seas
Of beauty
The Sun is eclipsed, for how long? I do not know
It used to be warm, cheery and a source of energy
Now, just blackness, bitterness, and an ugly taste in my mouth

The darkness has been my enemy for most of my life
Unable to share the reasons this is for fear of it taking over
My dreams try to clean my mind as the inky black eats away at me

Praise, compliments, hope, prayers, and well wishes work against the eclipse
Honestly they just don't break through that evil and vile black
You might wonder why, but it is something that must be felt not told

It is soo dark the ring around the outside is blinding but it lights up nothing
Self-doubt, Self-worth, Self-esteem, feelings of being ****, desireable, all being slurped up with the thick dark energy
Words, words, words, and more words they don't begin to help

The glimmer of hope is squashed with one word from him
I have become a married girlfriend as she becomes a girlfriend wife
How ****** up is that?  Do you not see?  I cannot breathe as it suffocates me

The eclipse is not an eclipse at all it is him cuttting off all light that makes me thrive
He makes sure I am helpless to fight by making sure I am numb
It is a mind **** for sure that I cannot see

I work hard to push the thick indigo away
It is brought back with one word, or one look
Offering help with one hand as the other stabs my heart

I pray and show strength for our child
Needless to say she knows the truth and says I am not hiding it well
What the hell am I supposed to say when he leaves to go out with friends?

Her tears feed the beast that burdens me
The fears make it stronger and more overwhelming each day
It is winning can't you see?  Taking over with each passing hour

The nights I turn and reach out for him
Night after night the rock always there
Now it feels like quicksand ******* me down

I am numb, why can't I fight?  What is stopping me?
Tell him to get out they say, Make him leave
If I do that the murkiness will turn to something worse

The cimmerian shade looms day by day
His words are from a serpant's tongue trying to have it both ways
I am being consumed by something worse than incurable cancer
It is taking all of my independence and ****** self confidence away

SMACK
Yes that would sound good, as my hand met her face
I ask myself what has this world come to when a young woman's parents think it is ok for her to break up a solid family

You ******* ***** Jennifer
STOP
Tell Him to go to her and learn that the grass is always greener when all you do is play, no responsibility, no bills to pay
He is the idiot not you
He is the one breaking the vow said before God and all
Let the darkness consume him and chase it away from me*

If only I could say all of that but I love far to much
Crazy I know, as I watch the concealing darkness consume me*

Don't let this happen to you, hold on tightly and keep faith in your heart

_______________

I realize this poem does not make a lot of sense.  It is very cathartic for me.  I don't expect anyone to like it or say it is any good.  It was just something I needed to write and get out of my mind.  Thank you everyone.
Written by Jennifer Humphrey 11-23-10
Nora Mar 2016
Is it acting
or adapting?
smiling for the show
of customers:
bright, dapper,
cheery and proud -
pushing product
with a knowing smile,
words animated,
confident and collected.
once they leave i sit and
ponder, I see the stars
in their films and admire
from afar, lamenting that I
cannot act - but can I?
written on a receipt at work
Amanda Fawcett Mar 2013
You asked me how I am doing
and I said “Good”
You asked me to be honest
and I said “I’m fine”
You told me to expand.
I replied,
"I'm not good at all.
And I want that to be simple enough.
I'm not being exaggerative
or selfish
or birthing drama for drama's sake.
It's just that I am here.
Here on silly earth,
And I feel alone at crossroads in my life.
I am under no illusion
of my incredibly blessed
or undeserving existence.
But that's just the problem.
LIFE is starting now.
And for the first time,
I have had to make choices
choices on my own
choices
that
(according to mother)
will shape who I fundamentally
become as a human.
So that's a bit distracting.
‘You need to remember not to let people down.’
‘You should consider how you love someone, not just when to.’
‘You ought to be more assertive or it'll all come crashing down.’
She reminds me of my
uncontrollable imperfection
on a daily basis
Not necessarily through her words
I doubt she wants to inflict this on me.
But the way way she stares at me sometimes
from across the room.
Silently.
Like she’s trying to admire a painting
that secretly
no one quite appreciates
or understands
but everyone seems to find profound meaning in it
so you go along
with the show.
Which I wouldn't have a problem with
if I could wake up refreshed in the
morning.
And not tired
like I am.
All the time.
I’m tired of being fifteen.
Because inside,
I don’t feel fifteen.
My mind turns on fifty year old gears
churning up one hundred year old
philosophies.
But
The age in which I currently must suffer through
is misunderstood
and incorrectly represented.
Teenager is a word parents
shudder to hear.
A word elders instantly accuse.
A word authorities doubt without reasonable basis.
The drum pumping my soul
is in fact a solo ensemble.
But
I am naturally clumped in with the lot
of marching bands
that clash and crash,
stomp and slam their drums
as they parade the flag
of fickle rebellion
into the air they barely know.
Don’t get me wrong,
the stereotypes of my age and time
are drawn up
from some truth,
but one truth shouldn’t result
in one outlook.
You don’t roll dice with
only threes on the faces
or only ones.
So it is hard to watch as
everywhere I go,
titles and labels
are being stuck into me
like toothpicks in a fruit salad.
And first of all,
just because society cuts me up
and breaks me down like a pineapple
you can buy with leftover quarters
doesn’t mean that I’m up for grabs.
And secondly,
No one should be branded
simply because
it is easier to ignore them
than to know them.
Don’t hear this as a “oh she’s a teenage girl” moment
hear this as a “she’s a human and wants to be heard without your filter over her words” moment
So, I’m having a hard time with that.
Not to mention the rest.”

“The rest?” You asked.

“You know,”
I said,
“How I have to decide what school
I am going to commit to
which is slightly like choosing
between your two parents.
You can’t pick one happily
and freely
without knowing what could’ve been
if you lived with dad instead.
It’s tricky to wake up in the morning.
It’s tricky to get out of bed
because I know that sooner than later
I will either be moving
that bed into the basement
or into a dorm
which won’t be on the campus I really desire
because God knows I didn’t
save enough pennies for that.
My whole future is before me.
Almost literally
considering the number of pamphlets stapled
over the dreams I carved so meticulously
out of my ‘mind wood’
with my ‘What do you want to be when you grow up’ knife.
So that’s intimidating.
And all those “it’ll work itself out” speeches
that surround me
don’t make the choices
suddenly blare across the radio
or start blinking from neon signs
telling me what to do
what to chose
what to be.
In the end,
all those “don’t worry about it”
and “you’ll figure it out”
do nothing but put a knot in my gut
that no amount of research
or interviews
or Friday night pig outs
can untie.
Because this stuff,
these moments as I build my foundation
for my single LIFE with little slippery Lego blocks
are not made with cheery hand-outs
or inspiring quotes.
LIFE is formed by me
choosing which Lego brick color
choosing which Lego brick shape
and of course
choosing which people will
help me to construct it.
It’s tricky
It’s messy
It’s loud
and it makes other things
hard to focus on.”

“Other things?”
You said.

“Other things.”
I reply.
“You know,
those books I have to read
those graphs I have to draw
those tests I have to study for
those miles I have to run
those words I have to memorize
those labs I have to finish
those annotations I have to complete
those poems I have to parse.
Just THOSE.
Don’t get me wrong.
I don’t mind school
Unlike the kids who complain
that they are forced to educate themselves.
I have no problem learning.
In fact, I want to
long to.
TEACH ME, WORLD!
TEACH ME HOW TO UNDERSTAND YOU IN EVERY LANGUAGE I CAN!
It’s not the books
or the deadlines.
It’s the people.
Bleh.
The people.
The cowardly childish people
with their smug clothes
and horrendous attitudes
that you can smell just over
the stink of their pomp.
Truthfully,
I feel for them
because they don’t feel for themselves.
and because there is little way to prove to these kids
that they can be them
not doctored them
or decorated them
the “them” they thrive to be
not the “them” they try to be.
So I’m surrounded by people
icky people
whose glares and stares
and whispers like cold ghosts
leave me too feeling torn between
being myself
(whatever that even means)
and being accepted.
I want to be free
to try new things,
but new things are poison here at school
new things are demeaning
because they’re demanding.
So,
I have moments where I say
‘Be you. What does it matter?’
But then when I am alone
at the table
at the only open table
with the last chair
the one that squeaks if you
rock to the left
when I am
listening to the music no one knows
and reading the book no one chose
thinking about the movie even no theater shows
that’s when moments of guilt ridden
loneliness bring me to say
‘Put yourself away for now.
Put in a pin in it.
Come back to what you want
after you’re done being what
society thinks you need.’
Because
it is hard to be loved
by one sided people
it is hard to be loved
when the world wants you to say
what it wants to hear.
Us teenagers think we wear invincibility cloaks
So we never have to see those under the invisibility cloaks
‘Don’t question it!’
seems to be the motto of most I meet here.
Because who wants to learn,
who wants to try
if it makes them question their comfort?
And of course that all just touches the surface
of that other thing.
The thing I don’t want to really talk about.”

You pushed me to tell you.

So I did.
“I’m afraid
of God.
I’m afraid
of Death.
I can’t go off of blind faith
like I did when I was young.
I can’t accept ‘Jesus loves you
this I know’
because this I don’t know.
And no one
Not my parent
Not my mentor
Not even my Bible
can give me enough hope in this regard
to bring me to accept not knowing.
This amount of stress is me
Sits as a damp frog
Pestering me to choose
Croaking up unformed opinions
in the form of tar
that I get trapped in.
How can I believe in something
How can I devote my life to something
How can I pray to someone
that I am not even convinced has cared
for a thousand years?
I want to think God knows my name
that he is above me as
those shiny, divine painting portray.
But they’re lies.
And people expect me to believe
that he is smiling down on me like
a new daddy over a crib.
He isn’t a father to me.
So, I feel lost
and confused
and scared that I’m wrong
and even more terrified that I am right.
I’m scared of
God.
And I’m scared
to die.
I don’t quite think I even know
how to live yet.”

“Oh,”
You said.

“Yeah,”
I whispered.
“I know.”

We both paused.
Remember?
My arms rested
at my sides.
Heavy.
Yours swung across
your chest.
Nervous.

“So you’re doing great then?”
You managed to slide through a smile.
“That’s good to hear.”
CA Guilfoyle Mar 2014
When I return to Hope
it will be the height of summer's warm July
I'll stroll the gravel road to take the cutoff path
gathering lupine wildflowers, breezy among the dewy grass
make my morning way along heaven's labrynthine trail
with chirping cheery bird, sweet songs or distant calls of loon
where blue of sky is woven wild with magenta all abloom
and I will lose myself most complete
immersed in nature's room
memories of a most magical place where I once spent a lot of time in the summer months, a small hamlet known as Hope, Alaska
Once more-I am condemned to t'is unmentionable solitude;
And so is my grief-my grief t'at hath been passionately seducing me-of late;
And neither clear dusks, nor vivid twilight, hath helped ease out my mind's servitude;
Even strokes of civil light-to whom I submitteth my visions; on whom I may rest my fate.

Ah, he who was once immortal-and still is,
His suffering is mine-and thus as reeking of malice,
He, who hath the tenderest of charms, and lips;
He, whom my heart abides by, and chooses to keep.

But his whereabouts hath been unknown, and a lie to my whole passage;
Still whenever I roamed yon outside region, he was nowhere within my sight;
He who hath been both sincerity and a malice in his own timeless age;
He who hath been indulged by my morns, and cooed to, by my night's impatient moonlight.

Ah, how canst he be but so unfair?
He left my poetry to myself, within t'is mistaken five-wheeled chair;
I am now anxious, strangely; about my own wealth of poetic torrents;
My mind feels humid, but itself hath been ferociously abused-like the mind of a fiend.

And to him my suffering is dear-for to its shrieks he showeth but contempt;
He laughs at it and locks it away in its misery-with not one drop of shame;
Ah, he is too impulsive to think of farther, and far too lame;
He is too wild-and darkly scented like night; but as well evil, and too slippery, to blame.

Thus I am but pain, and the whole world next to me is fear;
I knoweth I should drifteth away, but my ears, and insides-insisteth on staying here;
As if the crude, lying love were truthful-and easefully sitting near;
And couldst promise to cause me no more tears.

And thinking of thee sheds only more unwanted blood;
And t'is indeed, remains something I wanteth not;
For of which hath been spilled too much, and which hath torn away my heart;
For I shall not any more saint thee; and removeth thee from any further crafted story plot.

And so thou art not to be any farther painted;
For thou hath left any beauty abandoned, and too simperingly hesitated;
Thou made me feel betrayed, and teased my whole, productive solitudes;
Thou sent my glittering heart still; thou faltered my dignity-and more severely, more glorious youth.

Thou tampered with me like thou shalt doth an old proverb;
For thou detestest any poetry; and cursest any defining melodies, or verbs;
Thou tantalized my verses, but mercilessly flew and ran away;
Thou vanished my glimmering worlds; and harmed my cheery authorial days.

And thy accusations of me hath but been too vehement;
Like thou thyself owneth over me a verdurous tyranny;
Thou hath been too proud, whenst thou hath only but a grievous impediment;
And her, who was darkly born as a devil; and in whom there is neither desire, nor humanity.

And like her yesterday, thou art now too proud, and befalleth my private senses of humanity;
As she desired, thou hath now grown selfish, and tender not like before;
Sadly all t'is thou realiseth not, and instead taketh easily as mere profound felicity;
And thy passion hath likewise gone, 'till t'is saddened world ends, and existeth no more.

I am here all madness-madness t'at to its impertinent soul-is brilliant;
Brilliant to t'ose who are blind to feelings, just like his deaf soul perhaps is;
But madness, still I regard-as although infamy, deeply pleasant;
For it shall lead t'is ignored poetry to satisfaction, and widening secret bliss.

But either there is love or not love, shall I respect and be loyal to poetry;
Even though thou chooseth to follow her and forget our whole, significant glory;
I shall keepeth silent, and still be thankful for my taste-and untainted virginity;
I shall be proud of my true doings, and my equanimious love, for thee.

And my love shan't ever be bought at any price, nor even priceless syllable;
As well my triumphant words-for to them, aside from loyalty, nothing more is desirable;
For I believeth rewards are only for them who reserveth, and professeth, loyalty;
And for in every endurance there are charms, and even more agreeable, royalty.

And shalt never ever thou findeth my purity, and love, be tiresomely divided;
For my love is secure, and shall love its beloved all devotedly, and unaided;
My love, as reflected by poetry, is abundant, though sometimes childish-and even soundless;
But still terrific as rainbow, though more silent and tuneless; as one symbol of my loyalty, and truthfulness.

And accordingly, somehow, amongst thy invisibility-I senseth thee still, amongst yon verified air;
Of whose whims I am not afraid; of whose ill threats I was not once scared.
For t'is solitude, and its due poetry I hath undergone-hath deeply had my finest self purified;
For it hath been my friend-and indeed not thee; sadly not thee, for thou thyself hath chosen to be far, and left unspecified.

Like all of those beings, perhaps thou art the one also too silly;
For to love thou stayeth idle, and bothereth not to ever look at-for fear of purifying thy glory;
Thou art still one 'mongst 'em, who claimeth love is no higher than gold;
And thus deserving of me not-for as thou saith-love is trivial, and its seclusion canst be sold.
¸.•°”˜ƸӜƷ˜”°•.•.

I have this place where I go
when I need to be all alone.
I call it my place,
a place where the hurts of the world
quiet down and fade away.


I have this place
no one knows about
between a field and a willow tree
along a pastures edge.


A place of beauty, where my fingertips
can paint over all the wrong
and all the pain I feel
in colors bright and cheery.


A creek down around the corner
I go to when
things get oppressive
dark and hard.


It’s a place of peace, where the fears
of my heart slow and still…
A place of calm, where the oceans
of emotions lay at my feet
and weep no more.


And I sit there
I don't know if I meditate
there in this place hidden
but I get peace
I see love I hug this earth.


It’s a place where I can breathe,
where I feel sheltered, protected
from the coldness outside
of my canopy of shade… It’s my place.


They go to their place…..
……they visit very often...


¸.•°”˜ƸӜƷ˜”°•.•.
Sarah Khan Aug 2015
Annabelle does sit at play,
In her usual, cheery way.
She does not worry, nor does she fret,
She hasn’t reason to be scared yet.
Then, the seizure overtakes her,
Perhaps caused by a noise, an innocent whir.
“Mom, it’s happening”, she cries,
With her hands she covers her eyes.
“Annabelle, Annabelle, ‘twill all be fine,”
We calmly say, with deep fear inside.
We knew that this was epilepsy,
I wished it wasn’t her, but me.
But she endured the pain and strife,
Now a part of her daily life.
She was strong of heart and head,
Even in her hospital bed.
After a minute, the nausea stops,
And our level of fear gradually drops.
Annabelle returns to her lovely self,
But we know that more seizures will take this sweet, young elf.
I wrote this poem for my younger sister, who is living with epilepsy. She has been so strong and brave, and has inspired me and all of her friends and family.
weaver Nov 2013
Today is Tuesday, November 19th, 2013. And I want to talk about you. I want to talk about the clenching and fizzing in my stomach right now as I imagine wrapping you up in my arms and having you close again. I want to talk about the ache in my chest when I think about how it's been ninety days since I last kissed you, since the day I saw you cry as I let you slowly drop from my arms, then hands, then fingertips, and drove away, looking out the window to see you let your head fall into your hands. It's been ninety days since I sat on the floor of the airport and felt my entire being rebelling against getting on that plane and recrossing the thousands of miles that separate us. I want to talk about how I tuck those thoughts away and instead smile as I think of giving you piggyback rides through the park, and kissing in front of churches, and diving into cold pools, and touching you softly as we lay unclothed in your bed, and laughing so hard at your jokes that I'm sure I'm making a fool of myself.

I want to talk about you. I want to talk about you and me. I want to talk about you with me. I want to talk about how you say things that stop me in my tracks and make me reevaluate the truth. I know you, but I can never quite predict your opinions or reactions. You surprise me in this really heart stopping, sometimes refreshing, sometimes eerie way.

I want to talk about how beautiful you are, god, let me please talk about this. Your mind is an intricate, thrumming place that I love to get inside and peek in its dusty corners. I'll try not to leave fingerprints, but I hope you'll forgive me if I do. I think I'm the first person to see some of these places, and I respect them with a reverence. And your heart, your heart... it's an open space that fluctuates and adjusts around me. I know it's learning how to make me fit, but considering that, I'm very comfortable here. It's not a maze, not a grand palace, but not run down either. It's warm in here, slightly musty in the back rooms but in a nice way, while the front is breezy. It's cryptic at first, it's easy to question where one is when first entering. But it has an essence so very you that it's impossible to lose your way completely. I've wandered enough to memorize some of the walls and walk around with a timid freedom. I don't think I would ever dare stride through with arrogance, but I hope to gain confidence the more I explore. Your outside is just as breathtaking. Sometimes I look at the pictures of us together and I stare at your face like it's a puzzle I can solve, because you are indeed the prettiest girl I have ever seen and it astonishes me that yes - you are real. You have this smile that I try to coax out as much as possible, and eyes that are pleasant and warm. Have I told you how much I've always loved brown eyes? It's a colour that suits your irises, that suits you. The image I get when I imagine looking into your eyes is that of wrapped up in soft blankets in a field at dusk. You have beautiful hair that you love to complain about, but I am forever adoring of how it sticks every which way and makes you look - yeah, I'm going to say it - pretty **** cool. Your body is fit and perfect and I'll tell you again, I am so, so jealous. Shadows reach around you to try and feel your shape, rain trickles across your smooth skin to try and kiss as much as it can reach. And when your body tangles with mine, it's magic. You are warm and soft and my fingertips can't help but want to trace a map over you, pressing into their favorite places and trailing across your frame as lightly as a sigh. Your voice, if I had to pick, is the thing that best represents you. Its most frequent setting is this strong, hardy tone that gets your point across with as much bluntness as the words you choose. When you're sleepy it becomes soft and drawling and muffled. When you have to act professional, it heightens and becomes cheery and sweet. When you're touched, it turns lovely and breathy and exquisitely feminine. You are embodied by these sides of you, and there's more I'm yet to hear and learn from it. All of it is beautiful in a way so uniquely you that I smile just in Knowing.

I want to talk about knowing you. I've always wanted just to know you, from the day we met. That was the prevailing thought: How to Know You. Now every day I am given glimpses into you, and every day I'll know a little more, and I couldn't be happier.

I want to talk about you. I want to talk about how much I love you. I love you the way lights love to pool on the sidewalk. I love you the way ink loves the abstract. I love you the way sand loves seashells. I love you the way trees love sunlight. I love you the way airplanes love the sky. I love you with a ferocity and a tenderness and an affection it halts the motion of the world for moments at a time. You bring words and metaphors to mind in a way no inspiration could, and the next second you stop all thought dead and leave my head buzzing pleasantly empty. I used to refuse to write of love; now my hands know of little else. You've changed me, profoundly, intensely. What did I spend my thoughts on before? Now, I just want to talk about you.
i know this is prose, not a poem, but i wanted to share it here anyway. it's freshly written and minimally edited, and i was so happy writing it i could melt. hope some of you like it enough to get through all of it.

twitter.com/cunningweaver
Julia Aubrey May 2015
crystal water, silky skies, sun kissed skin,and bright blue eyes. deposits of sand across burning skin changes a person from dark and weary to bright and cheery. the waves move like the words passed between each, crashing against every thought pondered on the beach. barely able to move after the fun, body aching red from the blazing sun.

at least it was worth the while.

(j.a.r.)
Nicholas C Feb 2014
Arduous late Winter
woes amplify in February
false hope

We’re all sick
of constrictive clothes
and cold climes conducive to staying in

Cabin fever running rampant
45° t-shirts & sunglasses
everyone driving with their windows down  

Hoping Vernal rituals
performed early will
hasten Spring’s arrival

I’m done
fed up
ready to move on

Going crazy in the cold
writhing to get moving unimpeded
by frigidness and snow

I’m ready for Spring
for Summer
for Fall

I’m ready for the scent
of thawing soil in the air
biking in the Sun, verdance, and flowers in bloom

I’m ready for grass between my toes
Fireflies, crickets, peepers
and warm night stars


I’m sick of frost reddened runny raw noses
sick of numb fingers and toes
and having precious few daylight hours

I’m sick of combatting glacial winds with layers,
of treacherous icy apathy,
and dreary bleak boredom

I’m sick of not being able to sit on the ground
sick of long pants, long socks, long sleeves,
and silent stagnant long nights

So, despite the fact
that I’ll pine for January
every day over 90°

Despite the fact
that when mosquitoes swarm
I’ll wish a frost would **** the little *******

and despite the fact
I’ll get just as fed up
with temperate seasons

I still want Spring
and then Summer
and then Fall

But February brings false hope
and despite the lengthening cheery sun
months still stand

between us and t-shirt weather
mild nights, grassy hills,
  and emancipation from an inclement icebox atmosphere
Isabella Oct 2014
There was no knight to rescue me
that night - just a gentle breeze, whispering the secrets of the earth
The cheering of cheery companions taunt me -
Go and join in, have some fun
The night is sweet, the night is young
Empty glass bottles fill the house,
Not yet shattered, but waiting to be
The clinking of alcoholic beverages between each merry soul
Good to see you again my friend,
Good to see you again
Somehow, some thing is missing
Something isn't right
The gentle hum of the party's vibes as it swings into life
distracts me from my sole intention:
Keep a low cover, don't make any noise
Keep a low cover, stay away from the boys.

— The End —