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(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
From pent-up aching rivers,
From that of myself without which I were nothing,
From what I am determin’d to make illustrious, even if I stand sole
   among men,
From my own voice resonant, singing the phallus,
Singing the song of procreation,
Singing the need of superb children and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each the body correlative attracting!
O for you whoever you are your correlative body! O it, more than all
   else, you delighting!)
From the hungry gnaw that eats me night and day,
From native moments, from bashful pains, singing them,
Seeking something yet unfound though I have diligently sought it
   many a long year,
Singing the true song of the soul fitful at random,
Renascent with grossest Nature or among animals,
Of that, of them and what goes with them my poems informing,
Of the smell of apples and lemons, of the pairing of birds,
Of the wet of woods, of the lapping of waves,
Of the mad pushes of waves upon the land, I them chanting,
The overture lightly sounding, the strain anticipating,
The welcome nearness, the sight of the perfect body,
The swimmer swimming naked in the bath, or motionless on his back
   lying and floating,
The female form approaching, I pensive, love-flesh tremulous aching,
The divine list for myself or you or for any one making,
The face, the limbs, the index from head to foot, and what it
   arouses,
The mystic deliria, the madness amorous, the utter abandonment,
(Hark close and still what I now whisper to you,
I love you, O you entirely possess me,
O that you and I escape from the rest and go utterly off, free and
   lawless,
Two hawks in the air, two fishes swimming in the sea not more
   lawless than we;)
The furious storm through me careering, I passionately trembling.
The oath of the inseparableness of two together, of the woman that
   loves me and whom I love more than my life, that oath swearing,
(O I willingly stake all for you,
O let me be lost if it must be so!
O you and I! what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other and exhaust
   each other if it must be so;)
From the master, the pilot I yield the vessel to,
The general commanding me, commanding all, from him permission
   taking,
From time the programme hastening, (I have loiter’d too long as it
   is,)
From ***, from the warp and from the woof,
From privacy, from frequent repinings alone,
From plenty of persons near and yet the right person not near,
From the soft sliding of hands over me and thrusting of fingers
   through my hair and beard,
From the long sustain’d kiss upon the mouth or *****,
From the close pressure that makes me or any man drunk, fainting
   with excess,
From what the divine husband knows, from the work of fatherhood,
From exultation, victory and relief, from the bedfellow’s embrace in
   the night,
From the act-poems of eyes, hands, hips and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side the pliant coverlet off-throwing,
From the one so unwilling to have me leave, and me just as unwilling
   to leave,
(Yet a moment O tender waiter, and I return,)
From the hour of shining stars and dropping dews,
From the night a moment I emerging flitting out,
Celebrate you act divine and you children prepared for,
And you stalwart *****.
Megitta Ignacia Jun 2019
my mind is a simultaneous contradictions
never a clear black and white
wrong and right
passed the daylight my mental agony is back
vicious cycle of fight
who will win
unnecessary anxiety or liberation of heart
back and forth
filled with guilt, doubt, confussion
motive: platonic intimacy restoring my balance

is it though?
is it platonic?
feels downright impossible to argue if I do not feel anything
these rush of joy everytime you're near
how I don't want anyone else to ever touch you

tonight when the moon is up
we'd escape with eachother again
310519 | 23:01 AM coffee shop Samakami, "ya terserah kamu kalau kamu ga percaya, kamu yang milih buat ga percaya."
Carlo C Gomez Nov 2021
~
Blue and red make purple
Red and green make yellow
What a bride hides
Makes one strange bedfellow

~
Emme Apr 2013
Ooh, the sweetness that is hidden
Under the pocket that holds the pen protectors
And the baggy jeans of the shambling man.

The unsociable quiet one,
Who unexpectedly turns out to be
A ***** tom, a happy bedfellow,

Cerebral and awkward,
Lovely sensuality,
Hidden treasure,
A complete surprise.

When I see him,
I want to rub against him and purr and tease.
Want him to scoop me up as if I were a fluffy white angora cat,
And pet me.

Biscuit boy
Makes me want to
Melt all over him
like butter
using the ink of experience means
leaning on what is known
building on what has been done before-
but what of those things
that move in the realms of the unknown?

The Inuit’s tongue speaks
A hundred words for snow
as in the midst of it
they live and grow

if that is true
for the words we speak
wouldn’t it also flow
that for the passions we most feel
our inner vocabulary is more?

for sure I’ve known
loss and pain
with morbidity had
a mild flirtation
sadness has been a bedfellow
I’ve played with jealousy
and envied greed
with vanity I often meet
I’ve been intimate with fear
fought with guilt
and broken up with anger

with love I’m best friends
happiness smiles at me
in solitude i am at my best
with mirth and joy
i search for peace
abundance and acceptance
are welcome guests
and enthusiasm brings me
the gift of zest

and so on and so forth
i’ve known them all
for better or for worse
but what of those
i know not yet
far away on some distant shore

i do not even know their names
so clueless as to their identity
can’t put a face to any of them
unaware of their personalities
strangers they are
and so will they be
until someday they find me

the only question that is left to be answered -

will I know them when we meet?

- Vijayalakshmi Harish
01.01.2013
Copyright © Vijayalakshmi Harish
JR Rhine Feb 2016
St. Mary's, I obligatorily board the biding vessel,
I drift from your shores in the midnight hour,
I sail home where I must lay my weary head;

but little do they know,
you are my bedfellow,
St. Mary's.
To the commuters who disperse their being between two different worlds.
annh Jan 2019
I taste sweet nectar
each night I sleep without you
clawing at the fabric of my dreams
seeding my subconscious with self-doubt

Mr Resentment and Mrs Regret
my erstwhile lovers
one, cajoling and seductive
the other, spooning and insistent
together, sleep-deprived and unsated
we made for a corrupt ménage à trois

I taste sweet nectar
every night I spend with you
my new bedfellow
Ms Forgiveness
Yes - this is a rewrite of 'The Flavour of Forgiveness' and shares some identical lines. The message is similar but less about 'sharing' forgiveness with another and more about the addictive nature of negative self-/talk and spirals of discontent.
SiouxF Mar 2021
Oh that devil is a ******,
“Don’t give him a seat at your table” I was told,
Yet he sneaks in by the back door
And before you know it
Lying back in the chair with his feet on the table
And a big fat greasy grin on his face
Surveying the carnage and pain
And all the good work
Unfurling around him
Lying in tatters on the floor.
Oh the gruesome glee emitting from that odious unwelcome bedfellow
As I’m left wretched and in pain and alone once more
On the cold stone floor
Eliza Jane Oct 2013
If I could, I would take all your worries as my own
It wouldn't be too large a task
Worry is my bedfellow, the cold sweat keeping me awake at night
So, a little more cannot make much difference
If I could, I would have you hand over your worries like armfuls of melting snow
They would fall out of your arms and melt along mine, becoming sweet, vaporous, spirits
Place these heaping piles of worry into a small place in my heart
Create an eternal snowman within me
Not out of wild obsession or ulterior incentives
But because I would never wish worry on anyone,
*Least of all you.
non-fiction... I couldn't sleep last night and a friend was worried about things, so I wrote this.
Yenson Aug 2018
Is there a place somewhere known and yet unknown
where humans keep or lose their guilts
Is there a dumping hole or a snug
or a fierce incinerator blazing
That destroys or obliterates
human guilts

Is it a known some guilts carry comfortably and alone
just another thing for the holdall satchel bag or arm
Someday its worryingly heavy on the shoulders
other times it's just small and weightless
An accessory as any others
imperceptibly light

Is the heavy guilt or tons heavy ones like granite stone
a weary toil left in a storage or thrown over a cliff
What ever done guilts come with a personal receipt
bearing owners name time and number
Attached to owner and carried 24/7
marked as 'Non-Transferable'

Is your guilt or guilts  bearable or carry-able like your phone
have you stored, hidden it or pushed down a crevice
What about the indelible receipt on your person
that which is there and rests on you
Does it flare like an incindaries
or just simmer quietly

Is your guilt a bedfellow that clings to your chest in a zone
whispering in tone foreboding and chills persistent
Or one that wades in and recedes like shore waves
perhaps it's a type like a central rigid statue
An unmovable edifice of horror
coated in fear and alarm

Is your guilt light and niggly, a Bonsai with no tall grown
did you amend paying a due and penanced did leave
And though the attached receipt still haunts you
least you know it will gradually fade away
Leaving truly tutoring imprints
Never to be repeated

Is your guilt a stranger yet unmet and your spirit happy flown
do you walk in salient steps with no recourse to remorse
And greet each morn with pleasantries to I, me and self
enthralled no rent paid for secret storage or a crevice
Just the one that stands before man and Creation
Held aloof by a Conscience unstained



Copyright@Laurence14th Aug2018.all rights reserved.
betterdays Apr 2014
i am a sheep of the blackest
shade.
and my sisters,
wooly white angels
in bleached mohair.
me i could do no good.
me bad through to the core.
them angelic, pure.
at least that's what, everybody,
thought they saw

girl, i am a member of the black sheep clan

my feet have always had,
a need to be elsewhere.
Dad called it my infernal wanderlust...
so, i have heeded their call.
travelled far and wide,
finding love in ports everywhere,
but none for to be my bride.

girl, i am a member of the black sheep clan.

always moving forward,
so i don't have to...
look behind.
but still,
self recrimination
is a constant bedfellow
of mine.
you know, it takes years,
of dedicated time and headspace.
to become a man,
beyond, his prime.

girl, i am a member of the black sheep clan.

a merry, meticullous ****-up.
who can laugh, at hisself,
yet, still continue to commit  his biggest crime,
daily i **** myself....
daily i survive....
just a one man crime wave,
not worth trying to save.
but you do, you do.

girl, i am a member of the black sheep clan.

motley me,
with a jester's soul.
trying for laughter,
but just getting more old.
lived a life, bought,
purely on fool's gold.
now close to the hereafter and still breaking the mold.

girl, i am a member of the black sheep clan.

the Crue knew who i am.
i am just one of this world's many misunderstood.

*girl i am just one member of the black sheep clan.
napo wrimo day20
prompt; write a poem in the voice of a family member.

for this i chose my uncle dan
now past, he was the adventurer of my mothers generation, and misunderstood by some in his family.
but a beautiful soul and sorely missed.
in the poem there is reference to Motley Crue's
song "Misunderstood"
Jayne E Apr 2019
With fickle Freddy Frosts first showing
and the rising of ******* and
limbs fine tactile hairs, laguna,
filaments of sensation *****
quivering and striving
stretching toward a now absent warmth,

she always did have her sunny side showing, bare legs tucked under her
buttocks, leaning back on her hands
under that big Totara tree, face tilting
skyward and sandals kicked aside,

searching out her brighter sunny day
even now, with leaves falling down
the autumnal mix of ambers
Loamy greens and wooded browns
the earth cool and damp underfoot
her naked legs, arms defiant, barely crying for freedom!

Shivered morn's and eve's descend quickly
winters first indicators bringing
a refusal to employ blankets
hope tightly clinging to summers
silk sheets from Portugal,
feather light, soft as air,
just how she likes her thread count
high and expensive, sumptous,
(her pedantic obsession with fine linens)
totally ineffectual as calefactor,
so, she shivers on stubborn as ever,
Stay summer! Stay!

Even her loyal steadfast cicadas
have fallen silent now, summers last guard fallen to shortened days
and longer lonelier cool nights,
it is now she starts to miss a warm body
companionship, a worthy bedfellow
one who will not protest her cold toes
vicious advances on their warmer flesh

The sacrifice well worth the reward
of her warmest, ardent affections
tender embraces and softly spoken
murmurings of love and passion,
her full surrender to your body
with hers, she gives good, good love,
both body and mined soul deep too.

The countdown to clocks pushed onwards
pulls a wustful sigh from blueish lips
she is underdressed, flimsy chiffon
on a day made for heavier cloths
persists with summer daydreaming
of warm strong hands restoring her joy
under cold nights cloaked bed covers,
hot stolen kisses from a winter lover.

J.C. "littlebird" 05/04/2019.
Jodie LindaMae Mar 2017
I can hear them now,
"Get off me, get off me,
Poor creature, poor creature,"
I have arrived at an impasse.
In what kind of world
Will justice be served
Based on the hem of my skirt;
In what world be it served,
Based on the drink in my cup?
I speak not on the forked tongue
Of a miserly bedfellow,
But on the wings of a **** moth,
Gorgeous and pale
And fragile and small.

I may be a **** moth,
But they named a war plane after me
For a **** good reason.
Austin Heath Jul 2015
Entering the room, you'd notice
the faces are young hopefuls,
or old amateurs.
Each know a handful of material,
and are desperate to play
the entirety of it.

Eager to play jazz.

Frantic cacophony
in sweet harmony,
confidence and innocence
as common bedfellow.
What they lack in form,
meter, and style

they fill with a pain
hidden under confidence.
Innocence.
Irene S Feb 2010
You may be the subject
today.
You be the cause of the effect
today.

"What do you read, my lord?"
"Words, words, words."

They sound together,
fall trippingly [off] the tongue
but not for you
tomorrow.
When I my laptop collapse,
when I this file save
you are not required.
Dear muse,
she'll tease you and haunt you
and fill your bed a while
Don't think I'd leave my muse for you
Don't think a single poet would
Don't think these words haven't been played,written, written
written to Death
And they'll be wrote
(again, again)
till He is our
Bedfellow.
ns ezra Feb 2013
1
i carry with me at all times a single fond memory of you ******* out venom from under my skin, right where you forgot you put it a very long time ago, —and beneath my eyes, as the vitreous shrinks and contracts, every sweep of your tongue becomes another dilution of the pigment of my iris, and every stem or stalk taken from the roof of your mouth, here is where hell begins—and i carry in me at all times your own discarded cells, and the stalactites of your bones beneath. here is where

2
you let me drown, which i will not blame you for, but i will blame you for the tears of my lovers all shed over not having a body to bury, or to dig back up, or to hold, simply because you couldn’t swim—but i couldn’t either and did i let that stop me? at least we know now which one of us is more so the coward, or i guess was

3
(…which was my worst fear if i am being honest, if i had ever told you: they say there are two deaths but i know there are three. the first is when you are buried; the second is when your name is said for the last time; and the third is when the worms give up because there is not enough left of you to bother their mouths with)

4
nothing i say makes any sense today
you took my tongue; give it back, give it back

5
it all comes back to an oral fixation, i know that, just wish i could tell you why

6
—no, i remember why now, it’s because
you kissed the soil of my grave when you thought i wasn’t looking but the joke is finally on you because decomposition had begun early—sickness is the only bedfellow we’ll ever have—and after that comes

7
return to start?
thomas gabriel Feb 2012
Afternoon wanes,
only morning exists in this sun's
perverse mind, blackening.

Disdains bedfellow,
it’s in darkness I wake -
Only afternoons exist.
Austin Heath May 2015
It's late enough already.
Scrubbing your gamepad, salty at A.I.,
thinking of cleaning metaphorically;
Scrubbing behind your ears.
Scrubbing behind the skull.

Contemporary 80's synth-rock in both ears,
I wish I knew what you were singing about.
I wish I knew who you longed for,
I wish I knew what you did, where you were,
on evenings like this when you can only

think

of the people you wish you were closer to.
Skin and talk out of touch. Imagine;
Conversations imagined aren't enough.
Words you wish were out loud
will eat your sorry *** alive.

16-bit racial stereotypes onscreen
pummel each other to mush faced
ground meat caricatures.

Groove like a shark trapped in a box,
make yourself sharp to the touch,
then make yourself tangible.
Absence lets the shoulder grow colder,
but this?

Things imagined and wished for.
Fantasies a child would seek,
pulling the words off of your tongue
An apology, a love letter, a eulogy
/vulgarities and praise as bedfellow.


Words you wish were spoken
will eat your sorry *** alive.
Ian Beckett Jul 2014
When you go past the end
Of your comfort zone the
Experience will be electric
In a surreal world where all
Certainties vanish and the
Strangest things happen.

When fear is mixed with passion
Hope is combined with opportunity
Love becomes a bedfellow with hate
Complexity is a companion of challenge
On this light-speed rollercoaster where
Desire drives you over the edge
To where you start to live your
Monochrome life in Technicolor.
Irene S Feb 2010
Come, lie down with me.
Kiss me softly
hold my self
then you enter me
(and I in you)
but quickly, please
the dance, the dance
it frightens me
I'll stave you off
for fear of it.
but when you enter in...
you stay a while with me
and while you stay
I chance upon another world
the world i do love best.
but you are
the worst bedfellow
for in the morn
I'll always find you gone.
Vicious Circle Jul 2017
I view it blank unforgiving a monster once I beat like some dog now it only mocks what once was.

I never dreamed I would be on the outside looking in .
A begger to my own banquet.

I was the stud now I'm simply the joke the forgotten bedfellow to the nights when they thought passion could be consumed .

Now im a after thought to them a old soul and mistaken detour I knew them in ways they only regret and I just exist all the same.

Where did it leave like some drunken passenger who missed the train I sit unsure of the road I paved .

The page never needed you .
She will find passion in the depths of a strangers embrace .

Should I pull the trigger?
Why when she did so for me so long ago.

I breathe in the past it smells of decay and bad choices.

There's no road map to success
But there's a million ***** waiting For you to fail.

Life is a tragic comedy one where the punchlines stale as the air in this room


We will all be replaced sooner or later .
M G Hsieh Nov 2016
it was winter when i wrote you ;
crags, rocks, trees, were all black
on white and ice --

ice,
it beat on my door --
slivered on the mattress,
sheets of it --
a bedfellow, willing,
eager.

when did the scorpion bring
warm coals to temper the night?
the howl of the moon,
the scorch of the sun --

inside was fire, gurgling.
it was froth and magma.

i heard the tempest, both sea and sky --

faith,
they called
it a rock.
a deep,
black,
rock


in ice.
Ellie Stelter Oct 2013
o how difficult the years
that weigh on
without you,
the endless nights
with emptiness
my solemn
singular
bedfellow.
what a treachery
is every sunrise
what a regret
is every breath.
and i am sure
you don't feel
this way.
i am sure you
are far away,
in some paradise,
and have found
someone better,
someone new,
someone to
not be alone with.

o how impossible
to explain
the pain of the left
to those who are
leaving.
i would trade
a thousand worlds
that i could
go back in time
and beg you,
don't go.
JR Rhine Feb 2016
To Poems Lost,

To you who sat on paper drenched
behind the shower curtain,
for I could not get the shampoo
and the soap out fast enough--
dry towels lingering in their mocking silence.

To Poems Lost,

To you who sat unbuckled
in the passenger seat
with the window rolled down,

your flowery head
sticking out catching the cool breeze
in the evening sky,

I, suddenly aware of dangers imminent,
reached with one hand to
hastily buckle you in

and alas--
I lunged,
hoping to pin you
to the upholstery;

you leaned farther and farther
out the window, 'til the current
grasped you by the throat
and ****** you into the night air--
away into oblivion.

I cursed and moan'd,
jabbing and grasping hopelessly at the space
that once entertained your angelic presence.

To Poems Lost,**

Peeking slowly into my consciousness
mistaken for silly dreams,
I awoke in bed--dripping a cold sweat,
breathing heavily.

I laughed abruptly, lightly,
trusting my mind to remember your fleeting ghosts,
moments of serendipitous ecstasy,
a mild epiphany;

so I dared myself not to reach for my pencil
sitting eagerly atop my bedside dresser,
where the concerned blank page pleaded  
with my muddied conscience.

Tired eyes had just as soon closed shut,
and I awaited you as my bedfellow yet again
to wake me up timely in dawn's breach of night.

And alas--
I woke up,
finding the covers next to me ruffled,
but the body that had authored such vexations
appearing to have slipped into the void.

Had you followed my childhood fears under the bed?
Did you fall with a thud to the stifling carpet,
where protruding claws raked you into the hungry abyss?
I squelch'd the urge to hang my head over the bedside and seek you.

In light's breach of slumber,
before the lids of my eyes peel'd back,
did you leap out into the Lovely
to be whisked away into the brisk morning air?

Either way, you are gone,
so I curse and moan,
clutching the lonely bed-sheets
that once wrapt your transient spirit.

I still wait, eagerly,
for your return,
my lovelies.
The places where inspiration finds us and loses us, simultaneously.
Lowercase Feb 2016
I write poems for no one to read,
and that’s how I know they’re true.
Here’s sadness for no one’s benefit
a determination to continue that
does not ring hollow in these empty halls.
Genuineness is the bedfellow of solitude.
Brittany Leigh Dec 2012
Everyone is sleeping
No prying eyes or jealous minds
About to crack wise
About why you wait
Til the midnight hour approaches
To drop in with a line
Check up on an ex
Too far away to pose any real threat
Too good to let go and get on with forgetting
She's still here, still not sleeping through the night
Still sure what's a good time and what must be done
Are poor bedfellows indeed
And a bedfellow is all you seek
Though your precious new light of your life
Might wonder why she's still second on your mind
If she knew the words you send to the former her
Around midnight, when everyone's sleeping.
Scramble Suit Jul 2015
Who are our fathers and what have they done with our trust?
Each time we reach through the root our catch is fruit we've been denied.

A shadow is a strange but welcome bedfellow for a
Recluse here in the silicon boneyard,
End of line for the scavenging harbingers.

At night the freaks come out to work crafting
New and fleeting marks on an arcane slate
Over wires the naked emperor built.
Now the host succumbs to the flames it fed;
Sore eyes for ciphered sites.
Commuter Poet Feb 2016
The beast of
Self destruction
Relentlessly scrapes at my soul
Straining
Lunging
To awaken me
In the dawn hours

A psychotic
Furious
Raging bedfellow
Wraps around my neck
Pumps chemicals of panic
Through my body

Quaffing my energy
Leaving me pale
Weakened and empty

The beast stirs
As thoughts keep me awake
At 4.30am

I try to soothe its howls
With a sweeter song
Lull it back to sleep
Lest I be drawn
Into the skin of the beast
To rage with its fury
Ripping to shreds
Everything I have ever made
To furiously tear, bite, scratch, seethe
Hurt
Hurt
Hurt myself

Hurt others

Energy drains from my body
Into the scraps of what is left behind

Scraps
Of things
I once carefully built
Now, scattered on the floor

I ,weakened by outbursts
Have shrunk

But the beast
Grows larger
9th February 2016
Joe Wilson May 2015
Why does Man so burden man
By treating man so badly
Does Man just sit and shake his head
And watch those vulnerable, sadly.
Man should rise and take the strain
To ease the suffering of man
For Man has power within his grasp
To do all that he can.

Those Men may hold the power
Those Men do have the wealth
But every five long years or so
The man moves you round with stealth.
For man is the real Puppet-master
Man just a mean Punchinello
And when it gets right down to the point
Man is corruption’s bedfellow.

As Man feasts at the table
Another man goes broke
Uncaring Man pollutes the air
While another man must choke.
Despite the wealth that Man has though
Man creates austerity
Yet man becomes a greater man
Than Man can ever be.

©Joe Wilson – Man v man…2015
Salmabanu Hatim Feb 2019
My grandma's hands,
My mum's lap,
My dad's chest,
Were ideal pillows,
But, my pillow,
My bedfellow,
My partner of crimes,
In all my emotional times,
Has a story to tell.
Night is when she lets go,
I, the pillow bear the blow.
I get tossed, thumped and battered when she is angry,
And when she is full of joy,
I am smooched with hugs,kisses
and cuddles,
When she is sad,
I witness her pain,
She can fool anybody but not me,
Her tears pour out on me ,
I am drenched,
At last she falls asleep,
Curled into a ball, hugging me tightly.
I smell of her, I love her,
I understand the pain of her tears,
The ecstasy of her laughter,
And all her secrets I hold within me.
She and I, forever together.
11/2/2019
I pretend you’re still here,

By keeping the sock drawer half-open

With one tongue slipping out



When I leave your favorite wool shirt laid out on bed,

Casually, almost

As a remainder of your whoosh washing movement around our bedroom

That always leaves me drenched in your rain



I pretend you’re still here

When I place your comfy Jesus sandals erratically,

Naturally,

By the side of the bed, although I stumble upon them

Occasionally

Although I seldom ask you to put them away

As an emblem of the chaos your storm creates



I silently call your name when I walk in

Babe, I’m home under my bitten tongue

The silence calls me back coyly

Too afraid to hurt my feelings one more time



I pretend you’re still here

But cannot carry it forever



The heat has already wilted away the roses you got me last

****** the air from the baby breathes that resemble my hair

And the dance from my curls

Dry washed your last worn button-down from your odor

On what do I lean now?

My books have shut down their ears to me,

They no longer allow me to be their bedfellow

They no longer welcome my sunken head in their laps

They shoo me away, with kind words nonetheless



The heat has given me his last notice

I will have to remove your coffee cup from the bed stand

I have to slip your book back into the shelf

We both know you won’t be reading it anymore…
To know me is to love me
empires vast in times gone by
never to be lost
it's just another chapter when I die

I wear the masks to hide myself
cloak myself in a veil of darkness
my voice muffled
in this vacuum in space

Time makes a good bedfellow
it cradles me
it bathes me
it renews me

The masks I wear are many
some will smile on you
some will frown
some I wear are just to clown around


By Christos Andreas Kourtis aka NeonSolaris
Andreas Simic Dec 2017
My Modern Age Reality©

The daily commute a daily grind
Bumper to bumper you will find
Asking “are you out of your mind”
Hoping to spot someone that is kind

Road rage is now the new adage
To get where you’re going at this stage
Maybe this can be forestalled with courage
Though that is wishful thinking at this age

My child in the back seat
She’s my daily joy when I do pick her up and we meet
Her arms outstretched as if to greet
Though the morning drop off isn’t so neat

A woman in a job no less
That a man used to do my guess
Why does it feel so thankless
Although that paycheck is a bliss

At the end of a long day I just want to rest
But hubby dear has announced a guest
Shopping, cooking, cleaning is now my quest
After all we want to show our best

The closing of the door and a big sigh
Tells me that bedtime is nigh
But first tidy up both low and high
Maybe it’s worth a hug from my big guy

My head comes to rest on the pillow
A last glance out the window at the willow
And a snuggle with mine bedfellow
Leads to a day’s afterglow

That’s all I have for today’s sideshow

Andreas Simic©
gleck Mar 2019
your hubris, your naked, your touch
how wonderful that I get to see you like this
behind my eyelids anywhere we go

those nights where your nails dig into my neck
how wonderful that I get to feel you like this
without anyone really needing to know

those days where I count your every freckle
how wonderful that I get to keep you like this
secure that every time this isn’t all for show

your sweet, your delicate, your kiss
how wonderful that I get to adore you like this
always devoted to you, my permanent bedfellow.
Stay, at least long enough for the bed to remember your shape
Arlene Corwin Oct 2016
Bedfellows

One’s had friends in bed and foes in bed.
How do you tell the difference?
A friend can wait, showing no heat,
No urgency.
The friend acts with simplicity,
Intuitively taking in each movement:
Packing it away as knowledge.

Enemies may never learn.
Don’t know the game.
Full of sexuality,
But ***** if encouraged.  
Something’s missing in this bedfellow,
This fellow is a foe.
Soft, rough,
His bit of fluff will never feel enough.
In some way he’s the enemy.

The friend will stop when he intuits.
Never grouchy, even-tempered, ever civil,
Showing love in darling ways,  -
Almost asking for permission,
*** not the priority –
Except when it is, really.  
It is sweet and turns one on.

Friends in bed, and foes in bed -
The difference subtle.
Friends produce a long-term trust,
Long-term acceptance;
Enmity defined by just
Its opposite:
Relation that starts out with love
And loses it.

Bedfellows 11.6.2012/ discovered on a scrap 6.4.2014 and re-worked.
Love Relationships II; Circling Round Eros II;
Arlene Corwin

— The End —