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"attentiveness" poems
<> for the early morning teach <> she's young, beautiful and thinks her life is cursed, in the past, subject of some of my poems, her health to nurse, yet, as is normative, you fall into & out of a well of touch, until you accidentally once again path cross, she provides a precision mathematical status update "i'm fairly certain things are like at least 38% worse." it is 1:38AM for you, the not unnoticed ironic minute and hour when the night ether has prematurely worn off, rising time close but not nearly close enough, a dark dose of a sleeping nurse's aide seems inappropriate, and TV reruns seem like an insult to your brain instead you turn on some belle string musique, a Grande Messe des Morts, a chorus, singing a high mass for the dead, while opening all your various email luggage and baggage, smiling as you read a poetess's message of laughter behind tears "i'm fairly certain things are like at least 38% worse." and Mississippi ****** your uncontrollable mixed drink of her emotional Grenada grenade cocktail, flavored with musique, paintings, and words and a nearby beloved's gentling sleep sounds, has you writing your own protest poem, your very own, oy vey, grande messe, about lives that were supposed to be pictures of perfect artistry and for but a word or two, instead, a painting of a life that got hung upside down, and indeed, leaving a grand mess and no one to help clean up alternatively weeping, laughing as you are thinking, smiling recall Laurel and Hardy's summary definition of living a life's of ill begotten, misventured adventures: "Well, here's another nice mess you've gotten me into !" but 38% worse? not an even-steven rounded up 40%, should I write you only 38% of a poem, teach? or more accurately, more mathematically, 138% of what was writ before? and you recall your older, prior words about the love hate affair between you poet, and the beauty of written brevity (her style) and you give her this then, this rambling, scrambled, attention paid notification, word attentiveness, a summary of your readings of her cheddar sharp and honey mustard sweet retorts of pained poetry, it is insufficiently but perfectly sufficient, a summarizing phrase that opens and yet briefly encapsulates all that you are feeling for her "thinking of you" or the 38% larger version thereof - ***"Well, here's another 38% more nice poetic mess you've gotten me into!"***
0
Jul 20, 2016
Jul 20, 2016 at 5:01 PM UTC
"i'm fairly certain things are like at least 38% worse"
<> for the early morning teach <> she's young, beautiful and thinks her life is cursed, in the past, subject of some of my poems, her health to nurse, yet, as is normative, you fall into & out of a well of touch, until you accidentally once again path cross, she provides a precision mathematical status update "i'm fairly certain things are like at least 38% worse." it is 1:38AM for you, the not unnoticed ironic minute and hour when the night ether has prematurely worn off, rising time close but not nearly close enough, a dark dose of a sleeping nurse's aide seems inappropriate, and TV reruns seem like an insult to your brain instead you turn on some belle string musique, a Grande Messe des Morts, a chorus, singing a high mass for the dead, while opening all your various email luggage and baggage, smiling as you read a poetess's message of laughter behind tears "i'm fairly certain things are like at least 38% worse." and Mississippi ****** your uncontrollable mixed drink of her emotional Grenada grenade cocktail, flavored with musique, paintings, and words and a nearby beloved's gentling sleep sounds, has you writing your own protest poem, your very own, oy vey, grande messe, about lives that were supposed to be pictures of perfect artistry and for but a word or two, instead, a painting of a life that got hung upside down, and indeed, leaving a grand mess and no one to help clean up alternatively weeping, laughing as you are thinking, smiling recall Laurel and Hardy's summary definition of living a life's of ill begotten, misventured adventures: "Well, here's another nice mess you've gotten me into !" but 38% worse? not an even-steven rounded up 40%, should I write you only 38% of a poem, teach? or more accurately, more mathematically, 138% of what was writ before? and you recall your older, prior words about the love hate affair between you poet, and the beauty of written brevity (her style) and you give her this then, this rambling, scrambled, attention paid notification, word attentiveness, a summary of your readings of her cheddar sharp and honey mustard sweet retorts of pained poetry, it is insufficiently but perfectly sufficient, a summarizing phrase that opens and yet briefly encapsulates all that you are feeling for her "thinking of you" or the 38% larger version thereof - ***"Well, here's another 38% more nice poetic mess you've gotten me into!"***
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67
i swore to myself that a flick of the tongue would never shelter self-hatred so deeply embedded into the patchwork of my being. contagion is a sad **** thing and cycles seem to be an endlessly contributing factor those who hurt cannot become hurt and so we place our self-pity at the top of our priorities disregarding emotion so carefully hidden in the fragile mind of others. however there are few who's torment is only self-projected i am one an anathema that exists in silence my past has been placed in a box full of secrets along with the evidence of my self-mutilation is there a way to keep my eyes shut and my dignity revealed? this world is numb, and the apathy must be getting to me because i would rather not feel a **** thing than to be plagued by misery from myself and the ones i love however, emotions are not choices and humans cannot be reprogrammed it seems the pleas and slurs i leave in place of words are what my familiars take to heart bodies speak such complex languages and not everyone has the patience or the attentiveness to listen to anything other than a cry and although i warn and beg for warmth i receive only glaciers and memories of faces overwritten with impassivity what i would give to reach into the darkest parts of my soul and rip out this sorrow that has clung itself to the shadows of my psyche in the depths of my worst memories there is a wish a want a need to take this heart of mine and throw it to wolves to be destroyed but desensitized in my heart is all my pity my lust my anger my sadness and sunshine darkened and gutted so very long ago
0
Nov 21, 2013
Nov 21, 2013 at 11:53 PM UTC
regards
i swore to myself that a flick of the tongue would never shelter self-hatred so deeply embedded into the patchwork of my being. contagion is a sad **** thing and cycles seem to be an endlessly contributing factor those who hurt cannot become hurt and so we place our self-pity at the top of our priorities disregarding emotion so carefully hidden in the fragile mind of others. however there are few who's torment is only self-projected i am one an anathema that exists in silence my past has been placed in a box full of secrets along with the evidence of my self-mutilation is there a way to keep my eyes shut and my dignity revealed? this world is numb, and the apathy must be getting to me because i would rather not feel a **** thing than to be plagued by misery from myself and the ones i love however, emotions are not choices and humans cannot be reprogrammed it seems the pleas and slurs i leave in place of words are what my familiars take to heart bodies speak such complex languages and not everyone has the patience or the attentiveness to listen to anything other than a cry and although i warn and beg for warmth i receive only glaciers and memories of faces overwritten with impassivity what i would give to reach into the darkest parts of my soul and rip out this sorrow that has clung itself to the shadows of my psyche in the depths of my worst memories there is a wish a want a need to take this heart of mine and throw it to wolves to be destroyed but desensitized in my heart is all my pity my lust my anger my sadness and sunshine darkened and gutted so very long ago
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50
Sensual Spaces the slightly parted lips, beseech your entrance, plead for a soft gracing, a closing grazing, a memory of {entice consummate consume}, complete, fulfill, long remembered far long, far more, than the interminable sea voyage of the ordinary, pressing drowning locking, rinse repeat... half an inch, less even, much less, separates two dancers, a gulf, so much more arousing than a can't-breathe grasping embrace, an exercise to wondering where the real pleasure kept... be in no hurry tarry, slowly, seek out the spaces between each finger, all an invitation, all a question mark, awaiting filling, answering... yours in mine, mine in yours, lock down this connection, valley spaces tween peaks needy for the rain of touch, the sun-skin heated insertions, does not the curvatures of her neckline, cry out for hands and lips attentiveness, a space continuum {~} [^] <|> +-+ % t'is the almost, the last step, to the first kiss, the closing connection, of that first hand-holding, crossing over the last span of the bridge, the lowering of the final descent to the shock of first insertion, the wooing nearness of a n'ere forgot scent, the last step to the first step, that first closure, that is the final entrance to sensual spaces, hallmark passage gateway found and instantaneous lost, that is ever-treasured as that door just opening and as fast closing to love ever after...
0
Feb 21, 2015
Feb 21, 2015 at 2:21 AM UTC
sensual spaces
you have entered the realm of life after separation. gone are the daisies she tucked behind your ears. it’s autumn now. you are getting older. your boots are heavy and your chest is heavier. you were given something gleaming, but it isn’t yours, anymore. you seethe in your own ache. this is your first silver october. the blushing leaves have gone greyscale, like an i love lucy rerun. they evoke a stab of grief between your lungs. you have to rewrite the story of your life now, go forward knowing that everything after will be somehow lesser than her. no person will reach into you the way she did. you are a lost girl. resignation is all you have left, resignation and streets bitter with dead leaves, streets where you run and shout a silent prayer of loss. but then: but then. you are reciting a poem for a room of people and your words belong to your body now. a deep glow has fallen over everything, right onto a girl you’ve only seen once before. front row. face open. taking in what you are saying, your retrospective sorrow, with a particular kind of attentiveness you have needed all along. everyone is listening, but she is hearing you. in that moment, when you are raw and earnest, you think that perhaps there’s something different about this one. how even when you are done, she still seems to be hearing all the words you cannot say. and then: and then. spring is thrusting its way out of cold dirt and you are twisting and breathing and this girl, this girl, she is one million ******* shades of red. all you can do is look at her without turning away, as if you could do such a thing even if you tried. maybe this is how rembrandt felt when painting night watch. full of thick, rich burning too immense for language to hold. this girl, this girl in the midst of life after. this girl so good she’s put meaning back into the messy coming of spring. you have learned not to trust. not to believe. to love with a window open, a hand on the door, in case of incineration, ready to run. but this girl, says your heart, says the peachy light bleeding onto her lips and nose, this girl is not like those who came before her. you’ve been a stranger to yourself for so long, but this girl is reintroducing the two of you, rubbing you raw with longing. do you understand, you want to say to her, how stunning you are. standing there like that. in your sincerity and laughter, as it weren’t breath snatching to witness. as if it were commonplace, unexceptional. as if you weren’t the tenderest work of art. do you.
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Jun 9, 2017
Jun 9, 2017 at 12:43 AM UTC
when spring comes
you have entered the realm of life after separation. gone are the daisies she tucked behind your ears. it’s autumn now. you are getting older. your boots are heavy and your chest is heavier. you were given something gleaming, but it isn’t yours, anymore. you seethe in your own ache. this is your first silver october. the blushing leaves have gone greyscale, like an i love lucy rerun. they evoke a stab of grief between your lungs. you have to rewrite the story of your life now, go forward knowing that everything after will be somehow lesser than her. no person will reach into you the way she did. you are a lost girl. resignation is all you have left, resignation and streets bitter with dead leaves, streets where you run and shout a silent prayer of loss. but then: but then. you are reciting a poem for a room of people and your words belong to your body now. a deep glow has fallen over everything, right onto a girl you’ve only seen once before. front row. face open. taking in what you are saying, your retrospective sorrow, with a particular kind of attentiveness you have needed all along. everyone is listening, but she is hearing you. in that moment, when you are raw and earnest, you think that perhaps there’s something different about this one. how even when you are done, she still seems to be hearing all the words you cannot say. and then: and then. spring is thrusting its way out of cold dirt and you are twisting and breathing and this girl, this girl, she is one million ******* shades of red. all you can do is look at her without turning away, as if you could do such a thing even if you tried. maybe this is how rembrandt felt when painting night watch. full of thick, rich burning too immense for language to hold. this girl, this girl in the midst of life after. this girl so good she’s put meaning back into the messy coming of spring. you have learned not to trust. not to believe. to love with a window open, a hand on the door, in case of incineration, ready to run. but this girl, says your heart, says the peachy light bleeding onto her lips and nose, this girl is not like those who came before her. you’ve been a stranger to yourself for so long, but this girl is reintroducing the two of you, rubbing you raw with longing. do you understand, you want to say to her, how stunning you are. standing there like that. in your sincerity and laughter, as it weren’t breath snatching to witness. as if it were commonplace, unexceptional. as if you weren’t the tenderest work of art. do you.
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51
Darkness. He settles on my skin like an absent touch; His hands the hands of a past love tracing my outline and raising my skin. He whispers to me in dreams. What was once, and what could be, he lingers in the thoughts I can't control. He breathes silence in the space between us, enclosing every inch of my body in his icy exhalation. He is the coldest of comforts. He is fearful, but I do not fear him. His chasm of understanding and attentiveness is an infinite book of blank pages to be filled. He hears me. He listens. He Is the giver of time that nobody wants. He provides. When I am at war with my thoughts at 3 AM, he is on my side. He does not lie, unless it is along side of me. On top of me. All around me. He is consuming. He is untrustworthy, but I have given him mine. He is the quietest of melodies. His song cradles me into sleep, and I feel him beside me as I drift away. When I awake in the morning he has always left, but is never really gone. In the brightest of rays, I can still see him. He controls me like an illness, but only with my consent. Darkness. If ever I wanted to leave him, would he let me? Could I cleanse my soul after his touch? If I ignored his approach in the eve, would he still be kind to me when the daylight faded? I'm afraid to find out.
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Sep 21, 2014
Sep 21, 2014 at 4:59 AM UTC
Darkness.
Below Orion’s belt He will fly. Sailing in on the evening breeze, Through a clustered cloud of E’s. To the timbre of a stammer, Above the cedar trees. A wish for lips to seize the soul is filled, Without tongue, or a love-stoned kiss. No, this moonlight drifter need not sneak To steal your attentiveness. Raspy cool, birthed on a cool train, a Coltrane, Flickering inside a steel blue horizon. A stray bolt of lightning in a darkening jar. Did you see it? Condensed droplets of jive crystallize As sight spreads with a cock-crow sunrise. Shadows yield to spots of sunshine, and The hum knifes through atoms of air, Awakening the Early Ears. A fulfillment, furnished. A drip, a drop, A drip and a drop, Arranged in pairs of sinking threes - The details of an ensemble’s dream Infuse the day’s reality. And with one last vertical dance, Time slips back to a simpered trance, As basso continuo leads you home, Through a lonely mountain pass. A zephyr is crowned, Sitting atop a morning cloud, To culminate, an unfettered kite, A lazy bird in flight.
0
Feb 16, 2011
Feb 16, 2011 at 3:58 PM UTC
Lazy Bird (Blue Train)
for every tear I shed that you didn't cause but helped to wipe away. for every laugh I had that you made happen because you know it'd make my day. for every apology you've given when you did nothing wrong. for every time you've kissed my face, my neck, my lips to make me weak. for every promise you've made and never broken. for every wise word you've said to help me with my problems. for every time you swore you'd **** anyone that ever hurt me. for every time you've listened to my annoying and random stories with attentiveness. for every song you've ever sung to me to melt my heart. for every smile you gave and made to brighten my day. for every hug and every time you held me close to make this love last. for every time you've ever said the words I love you to me because I know you meant them.. for you, I am grateful. to you, I am indebted. for you, I don't mind. and so to you, I love you. [r.r.r.w]
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Jun 2, 2015
Jun 2, 2015 at 6:29 PM UTC
r&r.
I will not take from you. I will receive what you freely give, Your time, with attentiveness; Your opinion, with deliberation; Your wisdom, with appreciation; Your care, with contentment; Your trust, with meekness; Your happiness, with joy; Your sorrow, with comfort; Your compassion, with relief; Your humanness, with understanding; Your adoration, with commitment; Your passion, with fidelity; Your heart, with sacrifice; Your soul, with reverence; Your love, with devotion. ©1998 Michael S. Davis
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Feb 13, 2013
Feb 13, 2013 at 12:00 PM UTC
Receiving
I heard of a man who never owned a television. Instead he bought a set of solid oak bookshelves stained like mahogany. With the money he saved on cable, he filled them with classics like Plato, Aristotle, and Dostoyevsky. He studied Darwin and Descartes, and memorized poems by Whyte and O'Donohue Because he never made the switch to high definition, he could afford trips to Rome and Tuscany. Walking those ancient streets and resting in those heavenly fields, he learned the art of attentiveness, minding the genius loci of a place, and setting one's cadence to the breath of the wind. And in the end, he had a few books of his own, but they taught nothing new other than how to truly live.
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Jan 16, 2017
Jan 16, 2017 at 10:16 PM UTC
The Man with No Television
Total shock, I say, what occurred At our local aquarium in recent years. Some call it the type of scandal That violently shakes two hemispheres. Henry and Roxy had been an item. Much older than she, Henry was bound To guard and protect his little lady. A more loyal penguin was hard to be found. How they loved to sing together! He would belt out and she would intone. The happy couple frolicked and preened-- Happy not to be alone. Molting season came and Roxy Experienced her catastrophic molt. Henry stood by and guarded his sweetheart. Of attentiveness he lacked not a jolt. Roxy's feathers soon returned And there she was in all her glory. Then poor Henry started his molt. That's when Floyd entered the story. While Henry hid from penguin view, Floyd caught Roxy's eyes. His feathers were back in abundance. What happened next? You can surmise. When Henry's feathers finally returned, Floyd had become Roxy's new mate. They did what penguin couples do While Henry sadly accepted his fate. The new family soon multiplied, And Henry eventually found a new friend. What started out as an outrageous scandal Wasn't so horrible in the end. Scandals come and scandals go. Some of them are hard to avoid. Aren't you glad that you don't molt Like our friends Henry and Roxy and Floyd? - by Bob B
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Oct 27, 2016
Oct 27, 2016 at 8:24 AM UTC
Scandal at the Aquarium
stillness requires, patience requires, consciouness requires, awareness requires, attentiveness requires, calmness requires, stillness ~~~~~~~ ~~~~~ ~~~ ~
0
Apr 12, 2014
Apr 12, 2014 at 7:57 AM UTC
still water
I am motherless. She sits on the hutch in our dining room, in a ceramic urn. Watching her fall has made me rise I will be her polar opposite. Her failure is my success. I was numb to her death, Like watching through one-way glass, My heart feeling no pain, no loss. Just relief. I am safe now. I am a muzzle. I keep my feelings and frustrations to myself, Bottled like colored sand and shells. They rest on the tip of my tongue sometimes, Rehearsed words to finally say what I mean. But every time I talk myself down, And push the words back down, Fingers thrusting cork underwater. From time to time I wish to shed a skin of attentiveness, To take the words for what they are, rather than how they’re said. I am a dream drawer With broad strokes of man-made nostalgia I paint A colonial home, On a tree lined street, A square front yard, A big oak tree, Green grass and a wraparound porch. Inside, There are varnished floors, Built-in bookcases, An Ikea kitchen, And a Pottery Barn living room. The kids wear Abercrombie, The school bus stops at our front door, and I am a mother for my children and for myself. I am a street photographer. Windows are my viewfinders, showing a moment of life inside of a house. Click. I am fascinated by the insides of a home. I wish I could stop time and walk inside, To see what’s behind that glass photograph. I am a poet. My dreams and desires, My feelings and frustrations, Are not spoken, but written. I cannot just “turn on” my poetry, I need something to speak to me, Like my toes in a backyard pool during twilight, Or a restless night. They whisper at me, Cast me meaningful glances. I am a miner, Searching for diamonds in a harmony, Where I just have to close my eyes, Smile, and be swallowed by the whale of melody and drums. I am Jonah, Wrapped in a musical hurricane, I am surrounded and forced to forget Everything but what I’m hearing.
0
Jun 26, 2010
Jun 26, 2010 at 10:43 PM UTC
Puzzle Pieces.
I am motherless. She sits on the hutch in our dining room, in a ceramic urn. Watching her fall has made me rise I will be her polar opposite. Her failure is my success. I was numb to her death, Like watching through one-way glass, My heart feeling no pain, no loss. Just relief. I am safe now. I am a muzzle. I keep my feelings and frustrations to myself, Bottled like colored sand and shells. They rest on the tip of my tongue sometimes, Rehearsed words to finally say what I mean. But every time I talk myself down, And push the words back down, Fingers thrusting cork underwater. From time to time I wish to shed a skin of attentiveness, To take the words for what they are, rather than how they’re said. I am a dream drawer With broad strokes of man-made nostalgia I paint A colonial home, On a tree lined street, A square front yard, A big oak tree, Green grass and a wraparound porch. Inside, There are varnished floors, Built-in bookcases, An Ikea kitchen, And a Pottery Barn living room. The kids wear Abercrombie, The school bus stops at our front door, and I am a mother for my children and for myself. I am a street photographer. Windows are my viewfinders, showing a moment of life inside of a house. Click. I am fascinated by the insides of a home. I wish I could stop time and walk inside, To see what’s behind that glass photograph. I am a poet. My dreams and desires, My feelings and frustrations, Are not spoken, but written. I cannot just “turn on” my poetry, I need something to speak to me, Like my toes in a backyard pool during twilight, Or a restless night. They whisper at me, Cast me meaningful glances. I am a miner, Searching for diamonds in a harmony, Where I just have to close my eyes, Smile, and be swallowed by the whale of melody and drums. I am Jonah, Wrapped in a musical hurricane, I am surrounded and forced to forget Everything but what I’m hearing.
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59
Sing to your daughters read Sonnets out aloud encourage love and laugher so they stand out from the crowd Instil a sense of fun tempered with the wisest words let them free to run and appreciate the birds Give them the building blocks to aspire to great heights teach the importance of learning from hindsight A woman's intuition has a very special power involving attentiveness to every single hour Melting the hearts of everyone around educated ladies cleverly astound Give them a guiding hand light their journey along the way be their solid rock and by your side they'll always stay
0
Jun 7, 2015
Jun 7, 2015 at 3:58 PM UTC
Sing To Your Daughters
Sullen stares lighting the way Passing through this great abyss Dreaming away Losing control Gaining doubt My mind has gone Leaving me here: Stranded I see the end I do not stop; desperate for closing This is not what the world has done to me But rather, what i have accepted from it Do not follow me: Off this cliff Take the other way: Reverse See the hope, The chance All that awaits you Live your life Don't look back I have not seen hope Much too long I am done, finished and incomplete Emptiness is looming above Haunting me with the hunger for more My attentiveness, I have lost I no longer see where my hope is It must be out there But who knows Not I Ability to trust: The key to faith, friendship, and success, has failed me now Completely and fully going against itself Untrustworthy trust Pure irony Full truth Nothing is as it seems I no longer beg for justice I have found I'm scared of the meaning Let alone, what it truly amounts to
0
Jun 21, 2010
Jun 21, 2010 at 10:37 AM UTC
Entering Unwantedness
when you run your fingers along the lengths of mine like that, you always almost have me a fool for you but no. because it's already happened that you looked at me with so much attentiveness in your eyes, so much intent in your gestures actions, i believed you were listening but you weren't. you were simply just looking looking at "something too good for me," you said i have never wanted you to be one of the likes i despise most in this world the selfish. but it was then that i've come to the conclusion; selfishness is because of sometimes beautiful and reasons worth being selfish over, sometimes not. i know this because i decided to be selfish myself and not to tell you to act on your feelings for i was scared and i allowed myself to be selfish on account of that fear, keeping my love for you to myself.
0
Jul 10, 2015
Jul 10, 2015 at 12:26 AM UTC
selfish
"You need not worry about the silence." He used to say. Though most nights I lay awake hoping I'll never end up a rose or a daisy. morbidly brittle with their lack of water and attentiveness whatever hope I ever had of forever youth drains through my soil petals of swaying promises overexposed wishful colors depicting temporarily as happiness in death
0
Aug 29, 2014
Aug 29, 2014 at 3:27 PM UTC
Depicting Temporality
Blank pages haunt me so. I want nothing more than my words to flow freely from my fingertips. I crave expression worthy of her attentiveness. I want to grant her a repose from the mediocrity of my anemically feeble prose. But my words no longer shock and stop her heart, her knees are stronger and harder to make weak. And I know my words no longer impress her because they no longer impress me.
0
Apr 12, 2015
Apr 12, 2015 at 6:21 PM UTC
No longer
Human wisdom is nothing more than time paired with our natural ability for quizzical attentiveness.
0
May 30, 2016
May 30, 2016 at 11:42 AM UTC
Wisdom
upon the thick chill of modern life she reflects, drawing over the body, a thin blanket of cashmere, how it miraculously denies the chilling, its darkening physicality I, I listen in non-responsive, full attentiveness, thinking perhaps a poem she is demanding, “we all need more miracle blankets in our lives”
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May 21, 2019
May 21, 2019 at 8:36 AM UTC
the thin miracle blanket
You are for me In times like these I cry In distress Exasperation I press Myself against you In time like these I long for your warmth The ache in my empty pain Comfort seeking Selfishly Greedy For your love And your care Your attentiveness towards me
0
Jan 7, 2019
Jan 7, 2019 at 10:27 PM UTC
Needy Me
I think you disgust me (most likely) because I do not wish to enjoy you. I chastise myself and my poor judgement every time you cause that dreaded ***** smile on my lips. And yet it continues. I think you instigate my anxiety because your manners and unnecessary attentiveness make my stomach squirm in a most grotesque way and I feel that I do not deserve such respect from such a sweet soul. Oh, if I could, I would hate you. I would say terrible things to others, but it'd be all lies because you are all anyone could ever desire , a tragic example of how every male should behave. I feel so inadequate, so vulnerable, so terribly close and alone with you that I must shove a barrier between us and lust for a boy who's as distant and hurtful as me.
0
May 3, 2012
May 3, 2012 at 9:46 PM UTC
Rhiminney-Rhyminey
Is it Those dreamy eyes of yours that I can't stop staring into Those orbs that led me to your soul in heaven Those receptacles that can elicit a myriad of emotions with a look Or Could it be Those sumptuous lips of yours that I can't stop kissing Those heavenly gates to your river of nectar that tastes ever so divine Those sensuous portals to scathing remarks and honeyed words Or Is it Your beautiful, wonderful mind that I cannot stop delving into Your attentiveness to every detail when I tell you things about me and my life Your appetency for knowledge of the universe and every single thing about me Or Could it be The way your body merges with mine so perfectly like puzzle pieces The way we understand each other so intimately like Siamese twins The way you smile when you look at me, full of love and hope I don't know what it is but I do know this I love you baby
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May 7, 2016
May 7, 2016 at 12:33 PM UTC
What is it?
The kittens were being devoured by coyotes. Brought the last four to safety and love. The neighbors wild duck Hatched thirteen precious ducklings. The kittens hunted them, endlessly. God created them all. They are  each precious in His sight. Can one be sacred, the other profane? God loves all aspects of each of their behaviors. Gives me confidence, He can love mine. "Creation is the primary and most perfect revelation of the divine." ~Thomas Aquinas "God remains in immediate sustaining attentiveness to everything that exists, precisely in its 'thisness'." ~John Duns Scotos
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May 20, 2015
May 20, 2015 at 10:06 AM UTC
Preditors
Wow What a day You’re such a beautiful force My hands froze but they’re so warm I’m nervous and you know it I’m willing to go for it But I can’t I’m struck By the feeling of your touch I tried but was skiddish You call me out on my intentions You try to make me feel okay We laugh and smoked the night away. I rather not tell The reasons why I’m glossed The reason my head is all fog I’d rather not pour my heart out again I’d rather much reside in a friend But I did what I came to do And that’s be with you Your next level sense of awareness Is something new . But it’s also your downfall, Your blunt approach Surprisingly effective You’re just like me But more collected You’re attentiveness More selected. I was shy You have me shook You sat there and read me Like a book
0
Oct 22, 2018
Oct 22, 2018 at 11:41 AM UTC
Missing pages