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"yarns" poems
The ghost of you lingers on my mind The echo of your words tangos across my heart The feeling of excitement of falling in love in cyberspace Sexting without remorse or grace A friendship that hits below the waist Intelligent conversations that strokes your passion and ignites your fire I wonder if I'll have anything left to offer Or would the sight of you take me higher up the ladder of my sinful desire Your words drive my imagination wild The touch on my skin, your fingers, lightly caressing my spine This image in my head is so divine Seriously hoping that one day, this feeling will be mine. Pictures and thoughts exchanged on a whim Something strange grows from within Intellectually stimulating every part of me Zeros and ones creates a digital reality Here I am, imagining being in your arms The sweetest words you whisper in my ear My soul yarns for you to be here Feelings your warm body against mines under the cover I long for you, my WhatsApp lover                          ©La Vida Love
0
Sep 30, 2016
Sep 30, 2016 at 4:08 PM UTC
Whatsapp lover
Let me tell you about something I saw the other day, when I was out walking through a field of hay. The night was quite pretty, the air crisp and clear, when I suddenly encountered a cat who was drinking a beer! I walked a little farther and encountered some mice, sitting around a card table, all playing dice. The mice looked quite serious, they all dressed like thugs, I was dumbfounded, and simply stared down from above. Then I saw something that completely blew my mind, it was a variety of animals, dancing in a conga line. For hours and hours and hours they danced, more animals joined in, even deer came to prance. This party was larger than any I’d seen, a couple of badgers were even smoking something green. “Innocent” deer were snorting lines off of snakes, and a couple drunk farm dogs were fighting with rakes. A cat and a mouse were sitting in a barn, entirely too drunk, they took turn telling yarns. From across the field, you could hear an owl retch, while a gaggle of geese slurred “Benny and the Jets.” Sheep laughed, “Bahaha!” while dancing on tables, the horses were getting it on in the stables. This party was crazier than any I’d attended, a pig even ended up losing an appendage. As the sun came up, things started winding down, all the cows went home, and the "Keg King" took off his crown. I took this as my cue, it was time to depart, so a couple mice and I hitched a ride on a farmer’s cart. "Sayonara!" I yelled, "It's been lots of fun! Everybody get home safe, try not to hurt anyone!" But enough about me, let's talk about you. That was my weekend, what did you do?
0
Nov 2, 2012
Nov 2, 2012 at 11:55 PM UTC
Party Animals
Let me tell you about something I saw the other day, when I was out walking through a field of hay. The night was quite pretty, the air crisp and clear, when I suddenly encountered a cat who was drinking a beer! I walked a little farther and encountered some mice, sitting around a card table, all playing dice. The mice looked quite serious, they all dressed like thugs, I was dumbfounded, and simply stared down from above. Then I saw something that completely blew my mind, it was a variety of animals, dancing in a conga line. For hours and hours and hours they danced, more animals joined in, even deer came to prance. This party was larger than any I’d seen, a couple of badgers were even smoking something green. “Innocent” deer were snorting lines off of snakes, and a couple drunk farm dogs were fighting with rakes. A cat and a mouse were sitting in a barn, entirely too drunk, they took turn telling yarns. From across the field, you could hear an owl retch, while a gaggle of geese slurred “Benny and the Jets.” Sheep laughed, “Bahaha!” while dancing on tables, the horses were getting it on in the stables. This party was crazier than any I’d attended, a pig even ended up losing an appendage. As the sun came up, things started winding down, all the cows went home, and the "Keg King" took off his crown. I took this as my cue, it was time to depart, so a couple mice and I hitched a ride on a farmer’s cart. "Sayonara!" I yelled, "It's been lots of fun! Everybody get home safe, try not to hurt anyone!" But enough about me, let's talk about you. That was my weekend, what did you do?
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32
Gemini in seasonable  evening, serenely swirling in Septemberous ferris wheels reeling in the vast domain of lonesome leviathans and witch-fires; nowhere bound in the boundless fecundity [ the feral joys of creation... ] twins meander in gravity's well of souls, swollen with unknowns and proteins; golden rods in pointless foam brewing the elixir vitae in the Dippers cup. the Milky Way, a wayward gush from an ancient Mother Goddess, plump and shameless, pumping teats to nurse worlds infused with divine rays of gamma and x... why set dark apart from firmament burning spheres? dragons must clutch eggs in the void as much as fork tongue white dwarfs. of course, the Source unfolds as  Love does. it's purpose, in thrall of fearless veracity, spinning yarns for glad garments to clothe the naked dread of such fearful symmetries as roam the wild delights of the infinite meringue. the Pi on the window sill, tempting the circular frame of reference to square with the sublime Will. another Fibonacci in your bedpost, to better hobnob with broomsticks. everything annihilates hatred. from within, we sojourn to sovereign super-continents of opulent peace. profound realities surge serpentine with Meaning. we are outdone on the inside by small minds and farcical hearts. so at night look up. Love's Tongue Is Love's Word.
0
Apr 11, 2013
Apr 11, 2013 at 1:31 PM UTC
Love's Tongue Is Love's Word
Au(Or)al Tune When (O)ppo(u)rtun(e)ity knocks – Ah, pour that tune into me n(O)t just write or speak but /zIg:zAg/ gut-- --teral mut-- --ter yarns With Mouth-churn-- --ing-beat-lick-- --ings. Half-grown seedling ([her]bal:e(X)ssen(10)ces) into sm(O)ke adolescent (O)re worn from being p(o)(o)r— it was nE(X)CESSary for: battles birds beats b(O)(O)ks bottles bucks b(O)nes boys being(bad) sm(O)ke-rings w(ear)y with surr(end)er stripped v(O)wel for v(O)wel thr(OU)gh the yawn: (O)nly “(O)h.” (O)h … foll(O)ws the You’re w(or)th-knowing-ONLY-(O)nce type of l(i)ke. VERSE/VERSUS: the You’re-w(or)th-knowing-AT:LEAST-(O)nce type of l(i)ke VERSE/VERSUS: for (u)s it’s the worst type of verse when it’s them:VERSUS:us (verses) likewise -- (O)r worse -- it should really be about// a bad in (u)s: Y(O)U:ME (O)h after a kn(O)ck (O)h after a t(u)ne::// (end)-verse for worse – it’s an (end)-versus-us type of verse. (O)ppo(u)rtun(e)ity pouring ringing e(X)cesses like ear-worms to hear words to heat hearts. Ah::rest that mouth-verse onto me. (restful//fluster) Ah::rest that mouth (silent//listen) soulless gall(O)w r(u)ng lipless v(O)wel sl(u)ng like ARTS::between::STARS then VOICES RANT ON::into::CONVERSATION then PAYMENT RECEIVED::yet::EVERY CENT PAID ME worst-verse: Y(O)u//like hanging your dipTH(O)NGS on (O)pportun(e)ity’s d(O)(O)r like sm(O)ke-rings like being(bad) like Y(O)U:ME like (O)h. n(O). (end)-verse: worst-verse: L(I)ttle.Kn(O)wn.V(O)wel:: n(O)(O)se big for (u)s ALL.
0
May 21, 2015
May 21, 2015 at 1:32 AM UTC
Au(O)ral and in-tune
Au(Or)al Tune When (O)ppo(u)rtun(e)ity knocks – Ah, pour that tune into me n(O)t just write or speak but /zIg:zAg/ gut-- --teral mut-- --ter yarns With Mouth-churn-- --ing-beat-lick-- --ings. Half-grown seedling ([her]bal:e(X)ssen(10)ces) into sm(O)ke adolescent (O)re worn from being p(o)(o)r— it was nE(X)CESSary for: battles birds beats b(O)(O)ks bottles bucks b(O)nes boys being(bad) sm(O)ke-rings w(ear)y with surr(end)er stripped v(O)wel for v(O)wel thr(OU)gh the yawn: (O)nly “(O)h.” (O)h … foll(O)ws the You’re w(or)th-knowing-ONLY-(O)nce type of l(i)ke. VERSE/VERSUS: the You’re-w(or)th-knowing-AT:LEAST-(O)nce type of l(i)ke VERSE/VERSUS: for (u)s it’s the worst type of verse when it’s them:VERSUS:us (verses) likewise -- (O)r worse -- it should really be about// a bad in (u)s: Y(O)U:ME (O)h after a kn(O)ck (O)h after a t(u)ne::// (end)-verse for worse – it’s an (end)-versus-us type of verse. (O)ppo(u)rtun(e)ity pouring ringing e(X)cesses like ear-worms to hear words to heat hearts. Ah::rest that mouth-verse onto me. (restful//fluster) Ah::rest that mouth (silent//listen) soulless gall(O)w r(u)ng lipless v(O)wel sl(u)ng like ARTS::between::STARS then VOICES RANT ON::into::CONVERSATION then PAYMENT RECEIVED::yet::EVERY CENT PAID ME worst-verse: Y(O)u//like hanging your dipTH(O)NGS on (O)pportun(e)ity’s d(O)(O)r like sm(O)ke-rings like being(bad) like Y(O)U:ME like (O)h. n(O). (end)-verse: worst-verse: L(I)ttle.Kn(O)wn.V(O)wel:: n(O)(O)se big for (u)s ALL.
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95
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
0
Jan 27, 2013
Jan 27, 2013 at 12:41 PM UTC
Heartstone
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
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112
It’s dusk Lustful grapevines curl around my ankles And I’m thankful it’s wine season, the pickers should be around shortly to save me And bathe me in last year’s crop to scare the grape vines into submission It’s a decision they have to make Do they care about a perfect stranger enough to waste Roads of trucks of crates of bottles of red velvet Or white sunshine Or do they allow this ensnarement and turn a blind eye whilst I sink While thinking; pondering the fertility of the soil under my feet I’ll wait for the pickers, just to see how they view me And in the meantime the vines are spinning yarns around me Crawling up my skin, holding me tight while telling me bed time stories Once upon a time there was a vineyard struck by a drought Caused by unrelenting calm, and clear blue skies with no clouds And they resisted, rationed their water between them, And it seemed then that everything was fine The crop was harvested and won best wine, but failed to mention how many vines Died in the making of their own blood Morbid and dry, a pinot noir fashioned out of pain and scars And tears in flesh, not human flesh, but the flesh of the landscape I didn't smile But it did make me sleepy I couldn't fight their grasp Addicted to their emotions I let them take me down into their fertile ocean And when the pickers came to discern the source of the screaming A new grape vine had sprouted and was teething
0
Oct 16, 2012
Oct 16, 2012 at 2:19 PM UTC
Grapes and Wandering
I made those paper boats to sail Folded by hands eagerly   Then floated them in streams of rain Now, they come to float in memories A splash of toes in puddles of mud As heaven's water washed the eyes A song on lips of clouds and rain As I raised my arms to hug the skies So free and wild those days of yore Such innocence in  breath of dawn Laughter lingered through the  night Oh, how quickly have those days all gone And stories that grandmother told Weaves and yarns that life unmasked Now come back to me in dreams that drift Like paper boats of the past
0
Sep 6, 2016
Sep 6, 2016 at 10:20 AM UTC
Paper Boats of The Past
Sadness loomed over me spread loving yarns around me hiding my flesh below warp and woof Needles from on high ***** my stingy pocket feeling all Shanghai Hang um up Consequential bannners for Count Ceramic Time
0
Feb 16, 2010
Feb 16, 2010 at 7:20 PM UTC
Ceramic Time
Swan songs gently glide over pools of stardust Their necks rubbing lightly on each other’s feathered melodies I excitedly compare such yarns to the velvet passions that elate us Such a kitten smile, I sink into your light, enveloping in you spiritually
0
Jul 26, 2018
Jul 26, 2018 at 2:38 PM UTC
Decadent Warmth
*Once Upon a Time There was a little Wooden Spool of Yarn Covered in Layers of Coats Of Soft Protective Yarn Protecting its insides Everyone kept telling The special Ball of Yarn How pretty its layers were How its yarn was prettier than Any other color on the shelf And if it fell from the shelf Its pretty coats would protect it Except one day it fell from the shelf Hitting other shelves along the way And the rest of ***** of Yarn spectating Stared in disbelief Because the coats of the Pretty Ball of Yarn Weren't protecting the It like they had anticipated In fact It had begun unravelling Becoming Undone It unwound and unwound Across the concrete Floor Yarn stretched like Lines of a ruined and strewn apart coat Until all that was left of it Was a little wooden heart At the center The other Yarns of Wool Stared in disbelief How could this Yarn of Wool Survive without his coats of Yarn "He's broken" They said But slowly Over days His wooden heart began to grow So strong that he didn't need a coat He looked up and said "This whole time I was wrapped in Cotton Wool Layers of protection and defense I couldn't touch the rest of the world And now the excess is gone All that is left is my heart And it might be broken Because I Broke from the Fall But now I realize I didn't need The capes and coats and excess The wool wasn't me What is me, is what remains And now I can touch the rest of the universe Because "The heart that breaks open is the heart that  can contain the universe" (Melton) The world broke me open And it hurt But I don't want to go back To being sealed shut from the universe Even if it hurts at first Its worth breaking to rebuild So now I my heart is big enough To contain the universe"* ~JLH
0
Mar 28, 2017
Mar 28, 2017 at 12:45 PM UTC
Breaking and Unravelling
*Once Upon a Time There was a little Wooden Spool of Yarn Covered in Layers of Coats Of Soft Protective Yarn Protecting its insides Everyone kept telling The special Ball of Yarn How pretty its layers were How its yarn was prettier than Any other color on the shelf And if it fell from the shelf Its pretty coats would protect it Except one day it fell from the shelf Hitting other shelves along the way And the rest of ***** of Yarn spectating Stared in disbelief Because the coats of the Pretty Ball of Yarn Weren't protecting the It like they had anticipated In fact It had begun unravelling Becoming Undone It unwound and unwound Across the concrete Floor Yarn stretched like Lines of a ruined and strewn apart coat Until all that was left of it Was a little wooden heart At the center The other Yarns of Wool Stared in disbelief How could this Yarn of Wool Survive without his coats of Yarn "He's broken" They said But slowly Over days His wooden heart began to grow So strong that he didn't need a coat He looked up and said "This whole time I was wrapped in Cotton Wool Layers of protection and defense I couldn't touch the rest of the world And now the excess is gone All that is left is my heart And it might be broken Because I Broke from the Fall But now I realize I didn't need The capes and coats and excess The wool wasn't me What is me, is what remains And now I can touch the rest of the universe Because "The heart that breaks open is the heart that  can contain the universe" (Melton) The world broke me open And it hurt But I don't want to go back To being sealed shut from the universe Even if it hurts at first Its worth breaking to rebuild So now I my heart is big enough To contain the universe"* ~JLH
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63
Not every man is gentle in his life but you remained a gentleman Through all your pain and strife My childhood years when you stood strong and tall Sparkling eyes with love entwined the ivy on the wall within your garden, hedged around a paradise of fruitful ground and I in childhood flushed transfixed I stand awed at the gardeners magic hand Here for you there was no wretched bottled smell An alcohol free paradise An alcohol free hell How you loved to hear the wild birds sweetly sing And see your world re-live again in Spring "How calm" you said to hear the rippling stream A beauty unaware to me You thought me how to dream In all your yarns attention held me mute but if my heart allowed I wouldn't dare dispute With flitting years your speech you tried to goad But you my aged friend could still my thoughts behold Your every limb that moved so gracefully before by life's uneven cobbles were battered , warped and sore You fought a loosing battle with your bottle eager hand and I watched your spirit slip away like a fist of dried out sand The tears rolled down my face as I kissed my cherished friend I thanked your god for your friendship and your dignity to the end.
0
Oct 31, 2010
Oct 31, 2010 at 4:56 PM UTC
my mothers brother
If a tale need be tattled, the snawky Snawk would arise. With its snickley tongue of arsenic blue, and loathsome gamboge eyes. To the King of the stickley Snicklers, the Snawk would spill his talk. But scuttlebutt was all t'was, for he was but a snawky Snawk. Might you ask who am I be? I am a jawky Jawk who talks incessantly of the snawky Snawk, with his snickley tongue, and his breath of kyarn, and Beelzebub dung. You see I knows of him all too well and well he knows of me. Invidious brothers, one of the other, same Mother both have we. Now the snawky Snawk spins yarns so dark and thick and odious. One might find his fatuous canards to be though flatulent, commodious. But If ye be a gawky Gawk of the snawky Snawk beware, For his loathsome camboge eyes can squinny a ribald stare. To your knees his gaze will bring you, you'll tell all the tales you know. Then he'll tattle them to the Snickler King and off to the headsman you will go. That is, unless, you know the ballad the Snawk is most offended by. 'bout the frowzy blowzy stable boy with only just one eye. He lost his eye in a snickering match twixt The Snickley King and he. But got the best of the old nabob, for he could cachinnate you see. He did cachinnate and aggravate, till the old King did concede. The stable boy was the better of the two, his tongue cut like a snickersnee. For the frowzy blowzy stable boy was not able to tell a lie, nor could he mince his words with honey, of the truth he could not hide. And if one day you find yourself in the land of the quidnunc kith. Shun the snickley Snicklers, and their sniggering King forthwith. But if ye meet up with the stable boy though untidy he may be. Dare not tattle of a soul, he'll let fly his snickersnee. And remember well, the ballad he sings, of the King he did do down. Drink in its waspy strain and keep it nigh, lest the snawky Snawk cometh 'round.
0
Jan 26, 2013
Jan 26, 2013 at 8:33 PM UTC
A Tattle Tale
If a tale need be tattled, the snawky Snawk would arise. With its snickley tongue of arsenic blue, and loathsome gamboge eyes. To the King of the stickley Snicklers, the Snawk would spill his talk. But scuttlebutt was all t'was, for he was but a snawky Snawk. Might you ask who am I be? I am a jawky Jawk who talks incessantly of the snawky Snawk, with his snickley tongue, and his breath of kyarn, and Beelzebub dung. You see I knows of him all too well and well he knows of me. Invidious brothers, one of the other, same Mother both have we. Now the snawky Snawk spins yarns so dark and thick and odious. One might find his fatuous canards to be though flatulent, commodious. But If ye be a gawky Gawk of the snawky Snawk beware, For his loathsome camboge eyes can squinny a ribald stare. To your knees his gaze will bring you, you'll tell all the tales you know. Then he'll tattle them to the Snickler King and off to the headsman you will go. That is, unless, you know the ballad the Snawk is most offended by. 'bout the frowzy blowzy stable boy with only just one eye. He lost his eye in a snickering match twixt The Snickley King and he. But got the best of the old nabob, for he could cachinnate you see. He did cachinnate and aggravate, till the old King did concede. The stable boy was the better of the two, his tongue cut like a snickersnee. For the frowzy blowzy stable boy was not able to tell a lie, nor could he mince his words with honey, of the truth he could not hide. And if one day you find yourself in the land of the quidnunc kith. Shun the snickley Snicklers, and their sniggering King forthwith. But if ye meet up with the stable boy though untidy he may be. Dare not tattle of a soul, he'll let fly his snickersnee. And remember well, the ballad he sings, of the King he did do down. Drink in its waspy strain and keep it nigh, lest the snawky Snawk cometh 'round.
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60
Of a night on a battered red leather sofa It's moved with us three times It sits in a room with a broken bay window And we sit on it too And we sit on it too Drinking yellow anise from mismatched glasses With ice, not warm water Singing stories, spinning yarns with broken bottles Of girls with leopard-print hands And the straw man in the moon The straw man in the moon. The cord hangs on the wall: A symbol, but not symbolic As chords rise, break off and fall All a sham, but not shambolic A sham, but not shambolic. Swapping tales and anecdotes of cars parked between cake stalls And days with names that don't suit them People dying for causes they don't understand And war is an island; a land hyperbolic A Green land, a war land; unplanned hyperbolic. Linguistics are twisted and brass tales are dropped A cork is unwrapped from the web where it popped But the darkness is rising, the hours are ticking The side is hitched up so we all know we're doomed. We hear children singing in the guitar strings, Their screeches rising as they fall, Our speeches diving as they fall. And speaking of speeches, he says, a performance is mine But in France, man... in France the markets are open And the fields of Provence roll down to the menhirs of Carnac And Brocéliande lies to us all, And Brocéliande lies to us all.
0
Jun 23, 2015
Jun 23, 2015 at 10:50 AM UTC
Bohemia, Bohemia
My dear Father... The **** do I say? Such a way with words, as those cracked records claim. You thought so too though, you always did say, but how are there words for a heart torn away? A soul ripped in half and this gut wrenching pain? How you were a hero - I've heard so many say, You taught, you motivated, You wiped tears away. You existed to spread love - yet felt unworthy to claim. The demons you fought your silence so dark, They'd never let you see, Just how loved you are... True. Deep. Unique love. Each one of us precious, In the Michaelest ways. You suffered so deeply, And what scares me the most, That though we all suffer, you were my stone. Our heads have such darkness, a uniqueness WE shared. Though all heads have shadows, Ours was a PAIR You've helped me through so much, I couldn't describe. Your wisdom, a sculptur, has guided my life. My biggest regret, you'd never accept, that you were a catalyst, that helped me to live. You taught me so much, you've held me in strife, Sitting right with me, endless yarns about life. Or virtually advising, from far distance lands. But the space never mattered. Your love had no span. I wish you could've seen, and accepted inside, You were so special, cherished, and kind - My Godlike of a guide, and when the world caved in, I sought YOU for advice. No one will ever understand me like you. What peace I can find comes from the Truth - that our yarns WILL continue, sometime I know soon. Your wisdom and beauty, your insights to life, you've gifted me so much, I'll cherish inside. Our bond can't be altered, I know that, not ever, for good or for bad, I am you - forever.
0
May 28, 2022
May 28, 2022 at 10:22 PM UTC
Dad
My dear Father... The **** do I say? Such a way with words, as those cracked records claim. You thought so too though, you always did say, but how are there words for a heart torn away? A soul ripped in half and this gut wrenching pain? How you were a hero - I've heard so many say, You taught, you motivated, You wiped tears away. You existed to spread love - yet felt unworthy to claim. The demons you fought your silence so dark, They'd never let you see, Just how loved you are... True. Deep. Unique love. Each one of us precious, In the Michaelest ways. You suffered so deeply, And what scares me the most, That though we all suffer, you were my stone. Our heads have such darkness, a uniqueness WE shared. Though all heads have shadows, Ours was a PAIR You've helped me through so much, I couldn't describe. Your wisdom, a sculptur, has guided my life. My biggest regret, you'd never accept, that you were a catalyst, that helped me to live. You taught me so much, you've held me in strife, Sitting right with me, endless yarns about life. Or virtually advising, from far distance lands. But the space never mattered. Your love had no span. I wish you could've seen, and accepted inside, You were so special, cherished, and kind - My Godlike of a guide, and when the world caved in, I sought YOU for advice. No one will ever understand me like you. What peace I can find comes from the Truth - that our yarns WILL continue, sometime I know soon. Your wisdom and beauty, your insights to life, you've gifted me so much, I'll cherish inside. Our bond can't be altered, I know that, not ever, for good or for bad, I am you - forever.
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30
A weaver loves weaving silky blankets. A spider's home a web is stitched by threads With many rooms; in them are tiny heads. Their bodies preserved eaten like crumpets. The weaver weaves it's net from yarns of steel, So testify the insects, the flies and bees; It laid like a trap spun from trees to trees; Whosoever passes suffers you feel. There lives in darkest dreary room so dour With hairy legs alert on each it's thread Awaits; sometimes a windy storm would roar, When webs like battered sails are torned to shred. But back it comes to weave within the hour A place to ply for preys flying ahead.
0
Sep 6, 2018
Sep 6, 2018 at 8:01 PM UTC
A Weaver Loves Weaving Silky Blankets; Sonnet # 14
Once upon a time There was a girl who dared to dream In the cold, air conditioned room of reality she sat For hours on end Suddenly, her rescuer appeared Golden yarns of sunshine leaked through the windows, Wrapping themselves around her, Pulling her away In the blink of an eye She was no longer in the place of gloom But in a magnificent garden Where flowers of every kind, like her, Dared to bloom She tarried there For hours, days, weeks Sitting amongst the blossoms Admiring them and befriending The other children who would arrive from their own prisons Each backstory unique, Some grotesque, some disheartening But that mattered not For the children would wrap their fingers Around each other's cold hands And begin again In this new, dreamlike place
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Nov 23, 2014
Nov 23, 2014 at 10:00 AM UTC
Daydreaming
My vessels My veins My vessels My fiend My pen I never strayed My lungs I do disdained My legs not rightly placed My hands, beyond tangled This is just some words about The ethereal wandering spine: Made of hard candled wood To be laid cold on the lane The ghost of it, I dare say, wandered around Spoken of shame and of the nomads And in silence, it sew the raging sea Into yarns of distraught constellation All in this ill world, not above The spine was of rage and of distress Wished forever to stop standing still And forever more, laid to rest As broken bones, as thousand glasses To be unnoticed and blend as well Fifteen years of shame Haven’t eaten Fifteen years of shame Haven’t beaten But bathe in dirt To blend means to fade away And to fade means to accept Annihilation and memories that may Dangle from the tip of your bones Why would you Or the spine Take it for granted, wish it to be true? Truth be told; a spine helps you to stand still Aside from your legs and your partial heart Imagine; if it wander aimlessly Where would you belong, and where would you stand? But still the spine wanders around To reign upright on its own Then decorate beauty of its own Oh, and perhaps, again Blend in as well as to fade away Away Away Away From you From: Fifteen years of shame Haven’t eaten Fifteen years of shame Haven’t beaten But bathe in dirt— And could not stay Look at your spine Which you can’t see, why are you so sure That it is there? Look at the spines On your surrounding: Lampposts Broomsticks Electric poles Candles Pillars Look at the spines That stand on their own Just a single stick And nothing more. Believed to be incapable Wished to be broken shards Ended up standing still For eternity, for darkness beyond And what are you Without them? Just a lump of flesh A fabricated skin An empty will And nothing more Living in Fifteen years of shame Haven’t eaten, haven’t beaten But bathe in dirt. And what are we, without them? Just dark vessels And distraught veins. My vessels My veins My vessels My fiend.
0
Mar 25, 2015
Mar 25, 2015 at 10:31 AM UTC
The Wandering Spine of Humilius
My vessels My veins My vessels My fiend My pen I never strayed My lungs I do disdained My legs not rightly placed My hands, beyond tangled This is just some words about The ethereal wandering spine: Made of hard candled wood To be laid cold on the lane The ghost of it, I dare say, wandered around Spoken of shame and of the nomads And in silence, it sew the raging sea Into yarns of distraught constellation All in this ill world, not above The spine was of rage and of distress Wished forever to stop standing still And forever more, laid to rest As broken bones, as thousand glasses To be unnoticed and blend as well Fifteen years of shame Haven’t eaten Fifteen years of shame Haven’t beaten But bathe in dirt To blend means to fade away And to fade means to accept Annihilation and memories that may Dangle from the tip of your bones Why would you Or the spine Take it for granted, wish it to be true? Truth be told; a spine helps you to stand still Aside from your legs and your partial heart Imagine; if it wander aimlessly Where would you belong, and where would you stand? But still the spine wanders around To reign upright on its own Then decorate beauty of its own Oh, and perhaps, again Blend in as well as to fade away Away Away Away From you From: Fifteen years of shame Haven’t eaten Fifteen years of shame Haven’t beaten But bathe in dirt— And could not stay Look at your spine Which you can’t see, why are you so sure That it is there? Look at the spines On your surrounding: Lampposts Broomsticks Electric poles Candles Pillars Look at the spines That stand on their own Just a single stick And nothing more. Believed to be incapable Wished to be broken shards Ended up standing still For eternity, for darkness beyond And what are you Without them? Just a lump of flesh A fabricated skin An empty will And nothing more Living in Fifteen years of shame Haven’t eaten, haven’t beaten But bathe in dirt. And what are we, without them? Just dark vessels And distraught veins. My vessels My veins My vessels My fiend.
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96
In texts so normal we find Unraveled yarns they left behind To swallow a dry pill that bruises a dream It tends to be the easiest of things I’ve left my yarn in tranquil holes Dug so deep and filled with snow Underneath lie the bodies of old I tell myself Who could have known? Mended with gauze and fixed with scraps The vessel caves in and the flies come back The whither and tremble of a soft human hand Which quivers so lightly through weakened grasps I ask this old woman now barely stable Did your yarn precede the marvel Of a young child, bold and able? Did it graze him and make him wiser? Powdered bone you hid under covers How the leaves and meadows of your memories Reach for both ankles, pushing you gently Towards a beckoning boney finger that urges you closer Will such saccharine visions bury six feet under? So it goes The yarns unravel now, as they always have   From birth to the backwards prance of descent She holds me, whispering me her loves, her life And my tears unfurl with hers as I ache, hearing such words Who could have known?
0
Oct 8, 2018
Oct 8, 2018 at 8:58 PM UTC
thanatophobia
I cannot speak for desire's fiery touch, nor can I speak against it for who listens to a hypocrite's tale and feels anything other than tired annoyance. I will not offer any advice aside from the weary words of the twice, thrice, ofttimes fallen, yet who cares to hear the yarns of those that tried and failed. All I can do is spout sad knowledge disguised as nonsense with the practiced ease in which Dylan spouts poetry and hope that you glean some semblance of the message therein and take not this crooked path of mine.
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Jul 18, 2014
Jul 18, 2014 at 3:12 AM UTC
Choose Another Path
"Her other name must be Peace"' Doubted  it was writ large too, on that face, Yarns of tranquility waved her dress In it's tight drapes her shape does express More than expected within that gentle grace. For a moment he held the reigns, took stock, Deeply inhaled the scent of musk, she exudes Sensed a turbulence, an effect opposite, yet sweet "Need to initiate a change, a bend in the flow, quick Amble to her and shake hands"his other murmured "Otherwise you wouldn't forgive yourself,for the lapse Letting slip a rare glowing moment, from your hand" Alter ego's prompt, was carried out with such ardor, She briskly met him halfway and gracefully asked: "We sure met before once, didn't we some time?" "Certainly, but in some other life time, it was"he says She smiles as if his was a seductive move, she liked it. But these waves that reach him has an intense warmth "Will you give me a hug?" emboldened he ventures further She did more than what he could expect, tight was the embrace. Yes, that's right, appearances are deceptive,pleasant surprise! One needs to expect the unexpected,make serendipity work. It was too fast, he couldn't see what really was  happening, She perhaps leads him to a timeless space , he imagined That volcano camouflaged as a green  island of tranquility!
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Aug 4, 2017
Aug 4, 2017 at 5:17 PM UTC
A turn in the flow
(For any family gathering during the holiday season) My father had two brothers and four sisters, which meant  there were numerous cousins. At least once a year, sometimes more, we would gather at our grandparents house in Joshua, Texas. Come Sunday morning, the ritual of preparing the Sunday dinner would begin. Now, back then, in the 40's and 50's, it was "old school." The women went to the kitchen(led by grandmom), and the men would go outside, brace themselves against the fenders and hoods of their vehicles, conveniently parked beneath a large Texas Pecan Tree; lightup their cigars, cigarettes, or pipes, and start telling lies and yarns(much the same thing), each trying to outdo the other. The children running around the open yard, or going a hundred yards to the railroad tracks to place coins, mostly pennies, dimes, nickles(maybe a quarter,if you got an allowance), on the track rails, then wait for the afternoon/evening train. A lot of coins got flattened on those tracks. And while the men waited.......a manisfestation began to occur........................ Aromas that would make a king cry..... "Salivating" Becoming impatient Fried chicken Baked chicken Becoming more impatient Laughter.... Coming from the kitchen Roast Beef Mashed potatoes Lord, don't let'em forget the gravy! Lightly braised stringbeans w/buttersauce Fresh baked Acorn Squash Okra All prepared with, the 'secret ingredient'....... " Love! " copyright: January 16, 2016
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Jan 16, 2016
Jan 16, 2016 at 4:52 PM UTC
The Secret Ingredient
~~~ A gentle breeze was drifting soft cooling sands beside the sea The shoreline cast with countless lore a bounty shared for free An essence smiled upon the wind with pleasant times gone by and spoke of treasured times he shared as visions blurred his eye ~ A tingle on his lonesome lips a tear mixed with a sigh The cadence of a crashing wave co-mingle with a cry The pangs of love grew stronger still with every passing thought They'd be together soon he promised on a ship that sails aloft ~ He slowly walked the tides of time a cane gripped in his hand The footprints ... if you looked behind showed more sets in the sand A loyal friend stayed at his side and ran to fetch a stick To fetch a smile from ones he loved he'd do most any trick ~ At dawn's first light he met a boy with fishing pole and bait They reminisced and spun some yarns he talked about his fate His heart was fading ... borrowed time he spoke of home with sacred grace The boy had been there many times a gorgeous cliff above this place ~ His legs were failing heart too frail the boy packed up his gear Arm in arm they slowly climbed a path to yesteryear His little dog was first atop a stick still clutched to play The rising sun on golden dew sent mist to greet the day ~ Near the edge 'neath shaded tree they stopped to catch their breath His finger traced its' trunk in trance the boy and dog played fetch The crash of surf and seabird's song were echoed through the years The freshest air from heaven's sigh inhaled ... he shed his fears ~ A rolling mist rose up from sea and hovered on the brink A loving voice called out to him ... the boy knew not what to think ... When fingers touched he stepped aboard a ship of floating cloud He turned and raised his hand and smiled "Please love our little dog" ~ The ship rose up on gentle breeze they waved it passed so frail They'll be together always now on a ship with heaven's sail ~ I was that boy so long ago it seems like reverie But if so ... then where'd I get the dog and whose initials are in this tree? ~~~
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Feb 14, 2015
Feb 14, 2015 at 7:51 AM UTC
Heaven's Sail
~~~ A gentle breeze was drifting soft cooling sands beside the sea The shoreline cast with countless lore a bounty shared for free An essence smiled upon the wind with pleasant times gone by and spoke of treasured times he shared as visions blurred his eye ~ A tingle on his lonesome lips a tear mixed with a sigh The cadence of a crashing wave co-mingle with a cry The pangs of love grew stronger still with every passing thought They'd be together soon he promised on a ship that sails aloft ~ He slowly walked the tides of time a cane gripped in his hand The footprints ... if you looked behind showed more sets in the sand A loyal friend stayed at his side and ran to fetch a stick To fetch a smile from ones he loved he'd do most any trick ~ At dawn's first light he met a boy with fishing pole and bait They reminisced and spun some yarns he talked about his fate His heart was fading ... borrowed time he spoke of home with sacred grace The boy had been there many times a gorgeous cliff above this place ~ His legs were failing heart too frail the boy packed up his gear Arm in arm they slowly climbed a path to yesteryear His little dog was first atop a stick still clutched to play The rising sun on golden dew sent mist to greet the day ~ Near the edge 'neath shaded tree they stopped to catch their breath His finger traced its' trunk in trance the boy and dog played fetch The crash of surf and seabird's song were echoed through the years The freshest air from heaven's sigh inhaled ... he shed his fears ~ A rolling mist rose up from sea and hovered on the brink A loving voice called out to him ... the boy knew not what to think ... When fingers touched he stepped aboard a ship of floating cloud He turned and raised his hand and smiled "Please love our little dog" ~ The ship rose up on gentle breeze they waved it passed so frail They'll be together always now on a ship with heaven's sail ~ I was that boy so long ago it seems like reverie But if so ... then where'd I get the dog and whose initials are in this tree? ~~~
Continue reading...
98
Allow me to project my insides Beside your ear. Certainly you can Determine how the Emptiness within my body Forgoes the exuberance Gathered on the surface. Haphazardly phrased fragments I speak Just to be heard, even faintly. Knowing my words Level worlds, Monopolize hearts, Negate negativity, Omitted from the explicit. Perfectly formed fractures Qualm me as they Reverberate through my body Slithering their way Through Timothy's Universe. Viciously assaulting Where they fit best. Xenobiotic and almost parasitic Yarns about a Zealous life not yet lived
0
Jun 21, 2013
Jun 21, 2013 at 6:43 PM UTC
ABC
*embers drew to a shaded face, fragmented lips wept; storms, feral and unabated, loitering in the combe of fires. the ethereal visions of honey amber lights, faint and narrow; ebony of my pupils dead, alike of shriveled meadow. violence thrusted into yellow mouths of daffodils, like tapestries like yarns of blue saccharine sorrows. brimming with viscid liquids of blackeries and vains, like silver mackerels, sleeping out of the abyss, on a train; like subtle, maladroit shorthands and dewy black inks, who lilts the fawnish plateaus and quaint alleys. the depths of my shallow sleeps, glowing under the burnt foliage, mellifluous sonatas gently play; strawberries occur under bare walls of throat, vanish on the morrow, like a dalliance— so frantic and hollow.*
0
Jan 3, 2014
Jan 3, 2014 at 10:13 AM UTC
burnt solitude