Submit your work, meet writers and drop the ads. Become a member
Kara Rose Trojan May 2012
There's a private, invisible flock of comedians chanting soapbox knock-knocks in my parking lot
            Noisy, clang, boom thingy aloft and clipping the air around the slimy snow
And why does ajax keep butting its nose into everything I’ve got?
They’re all just boom-lost facades in a canonical, sly-faced rant.
So slanted, frankly, and poised toward a milder pace that the clang clipped the frosty branches beneath a drunken frat-house party.

Ah, the dandy-clang : native to the sandy graves and morose olive branches.
            But only on the night of the dandy-clang, candy dances
for the branches are not partial to missed solid caches
            of want and woe
            of tongue and toe
and seldom shaken beneath the overbearing heat of a white-faced predator
for times it was that here and now, because
the wind had bitten harder
What am I saying?
That if the dandy-clang came. And if it produced the branches of the dancing eve fame...
with but not together. The clouds up in the ether
that lake and earth should wither
Kara Rose Trojan Jan 2013
In the caste of what the fir trees denoted what should be or what should not be,
I clasped the fig twigs and watched them split as if to say that all must come to an end.
And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn  
                               across the forest's floor?

After totaling the costs of what should not be,
the last mast of yesterday's trade boat could skiff along the shore,
with flag flailing like the playground children's hands.

Irrationality piquing: birds dip and dive like a boxer's fists made of shadow
from one powerline to the next.
Training for the changing, biting winds, watching the unconscious cars staring.

And the skiff oozing through the unmentionables littered in the creek : what will
become of him?

Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m.
Metamorphic scarabs stolen from the gusts and pants of too much play.
Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                            
        the skiff.

Cross here with two pennies.

Goaded by the solitary abandonment of the 1930's, the used ******'s mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air

Birds measured up along the powerlines, moving mindlessly along with the flock
Bird drones, feathery spines
Birds perched along the playground.
Bird play so far as to say
        does this not look familiar?

Bobbing, weaving, slathered in cadence and involuntary muscle jerks.

First we were here
Then we were not.
Kara Rose Trojan May 2015
Au(Or)al Tune
When (O)ppo(u)rtun(e)ity knocks –
            Ah, pour that tune into me
               n(O)t
just write or speak
            but
                        /zIg:zAg/
            gut--
                        --teral mut--
            --ter yarns
                        With
Mouth-churn--
--ing-beat-lick--          
                        --ings.


Half-grown seedling ([her]bal:e(X)ssen(10)ces)
                                    into sm(O)ke
adolescent (O)re worn from being p(o)(o)r—
                      it was nE(X)CESSary for:
battles
birds
beats
b(O)(O)ks
bottles
bucks
b(O)nes
boys
bei­ng(bad)


sm(O)ke-rings w(ear)y with surr(end)er      
      stripped
            v(O)wel
                    for
                       v(O)wel
thr(OU)gh the yawn: (O)nly
            “(O)h.”

             (O)h
              … foll(O)ws

                        the
You’re w(or)th-knowing-ONLY-(O)nce
            type of l(i)ke.
VERSE/VERSUS: the
You’re-w(or)th-knowing-AT:LEAST-(O)nce
            type of l(i)ke
VERSE/VERSUS:
                        for (u)s

it’s the worst type of verse
                        when it’s
            them:VERSUS:us
                     (verses)

likewise -- (O)r worse --
it should really be about//
      a bad in (u)s: Y(O)U:ME


(O)h after a
                        kn(O)ck
(O)h after a
                        t(u)ne:://
(end)-verse
for worse – it’s an
(end)-versus-us
                        type of verse.


(O)ppo(u)rtun(e)ity
            pouring
            ringing e(X)cesses
like
                     ear-worms to
                     hear words to
                     heat hearts.

Ah::rest that mouth-verse onto me.
            (restful//fluster)
Ah::rest that mouth
            (silent//listen)
soulless gall(O)w r(u)ng
lipless v(O)wel sl(u)ng
            like
ARTS::between::STARS
            then
VOICES RANT ON::into::CONVERSATION
            then
PAYMENT RECEIVED::yet::EVERY CENT       PAID ME

worst-verse:
           Y(O)u//like hanging
                        your dipTH(O)NGS
on (O)pportun(e)ity’s d(O)(O)r
            like
                        sm(O)ke-rings
            like
                        being(bad)
            like
                        Y(O)U:ME
            like
                        (O)h. n(O).

(end)-verse:
worst-verse:
            L(I)ttle.Kn(O)wn.V(O)wel::
            n(O)(O)se big for (u)s

            ALL.

— The End —