PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

The yellow aura
spiraled my night elf hunter avatar
as the DUN-DUMM
of false accommplishment
incited my addiction to
instant gratification.

I had just Leveled up.

The quest giver
gave me a choice

****** boots
Or
a less ****** Dagger

I took the ****** boots
because
**** the system
they looked cooler.

I was going to stomp cave spiders anyway,
what's the point of relinquishing
looking **** fine.
for an extra Attack Point?

****** Boots.

****** boots ALL Day long.

A naked human avatar
dances
facing a naked gnome
Named: "Buzz Lightyear"
He is Also dancing,
at crotch height.

This is Typical starting zone
foolery

I stayed up
watching Toonami all night
Naruto, Bleech, Inuyasha.
I could tell the sun came up
not because there was a window in my Kitchen,
there wasn't.

Tom and Jerry came on.
everyone knows
when Tom and Jerry came on
you were no longer pulling an
"all nighter."
You're pulling a
"Drink enough Soda
to get through the rest
of the day-er"

My entire diet
these past two days
has consisted of Gushers & Vault
because
Clearly Coca-Cola is superior
to Pepsi.

Therefore, Vault
was superior to Mountain Dew.
Which is the typical choice drink
of my internet brethren.

I don't know why I dyed my hair black nobody online could see it
But it made me feel
more
like my Night Elf Avatar

I wanted long white hair
I realized that's impossible
in 6th grade
So I Bought & Settled for Black
At least I could be like
"L" from death note,
Long sleeve white shirt, jeans
with no shoes.

I could also be
any other black-haired charecter
From any other angsty Anime
Because of course I loved angsty Anime
Because I held my cell phone like "L"
From Death Note.

I always dreamed
of this singing venus fly trap.

A Fuzzy Memory with a lost Origin
I realized seven years later
the Singing venus flytrap in my head
was AUDREY 2
from Little Shop Of Horrors.

Netflix reunited us in College
Audrey 2 finally Serenaded Me.
I listened with Voyeuristic Intentions
As memory saprilings grew
into the full songs
relieving the void in my soul
Lingering for a Man to be attacked
by a singing venus fly trap
in his own kitchen.

But only once,
Because I firmly beleived
movies should only be seen once
until I stopped
dyeing my hair black.
Despite watching Space jam
more times than any kid born in 1995 Should have
but still
all the kids born in 1995
watched space jam
more than any of them should have
because they were born in 1995.

Apparently
when I first saw little shop of horrors
it aired just before osmosis jones.

I love osmosis jones
almost as much as I love
Buzz lightyear, of Star Command

Buzz lightyears robot companion XR
reminded me of Cyberchase
and to this day Cyberchase
is the best show to watch
when you have no idea
who Gilbert Godfrey is.

Zoombinis is better
than oregon trail.
and also better
than Tom and Jerry.
but not better
than leveling my night elf Hunter.
Named:
"FEED ME A PIZZA!"

I think I spent more time
getting my Zoombinis
to look just right
then I Spent deciding
what outfit to wear

Routine
Black striped Hoodie
Unwashed and worn every day
Grey skulls all over it, because
of course it had grey skulls all over it.
Black pants.
Black socks
No actually, THESE black socks.
Okay, got gushers
and my Coca-Cola.

I now take as much time
to choose my outfit as
designing the perfect Zoombini.
however I have yet to replace
my legs
With
a skateboard.

I think that every grade before sixth grade is fourth grade
and 6th grade is basically 7th grade
which is to say my memory skips them both
to remember ending eighth grade

I miss being cool on the Internet
Whilst lame and forgotten in real life.

like black sock
wasn't quite as good
as that other Black sock.

I wanna go back.
To the seperation
Of who we pretend to be
Vs. who we actually are.
To be dramatic again.
incomparable.

An ideal self on the internet
Who is obviouslly not the real you
is decades more comforting
than Some Characatureized
Facebook Profile.

Today I was offered a choice

Work A minimum wage job
or
continue my useless college degree.

I decided to write a poem, because
**** the system.
If I am to Decide where to respawn from
Let it be poetry.

There is no spiraling Yellow aura
or DUN-DUMM

Sometimes there is snapping though.
Or a lost memory
of A singing venus Fly Trap.

I am a pretend person.
An avatar
just now, I have skin.
You can touch me
I breath without a Macro
or even pressing any keys.

I cannot bring myself to
Watch Space Jam again.
I can Identify Gilbert Godfrey's voice.
I will buy my children zoombinis
And it will collect dust
When all they want
Is to watch the fifth Toy Story movie
Way more than any kid born in 2020 should.
And all the kids born in 2020
Will Watch the fifth Toy Story Movie
Way more than they should
because they
will have been born
in 2020.

And I will rant
about the Missing LGM
and Warp Darkmatter
betraying Buzz Lightyear
By joining Evil Emperor Zurg
So Buzz was forced
to get three new Partners
Princess Mira Nova
Audrey 2
and Osmosis Jones.
because I will have Forgotten
Booster & XR.
Because Booster and XR
Never made a ******* Facebook Profile.

Nobody exists anymore.
We are all represented by our avatars
holding ourselfs up to the standards
of our photoshopped reflections

Being disappointed and overwhelmed

I Take pills to forget that I am
Acting Like myself
but can't find any evidence of Existing.
Besides these memories
of who i used to be.

I want my internet persona
to be nothing like me
So that I may focus on myself
in the real world coherently.

I want thick black lines
dividing mental Venn diagrams

I want Tom and Jerry
To signal me
That it is morning, again.

lessons in graffiti, or the Pinocchio giraffe;
and was the H absolutely necessary
when otherwise asking of a cappuccino
or at your local caf? evidently there was distinction
with the mocha too, but that won't matter,
otherwise the language isn't used... but abused.

lessons in graffiti, or other confectionary products,
while you ooze the shopping experience
on your daily commute,
       *skittels on brickwork with the origins
of the #, cut short by simply the graffiti tag,
      you wrote tag, without the collective hash,
  not so much noughts and crosses gaming,
or remembering your phone number,
                  here graffiti: or the rekindling of
trademarks in the urban scenic bypass,
or: truly under the bridge.
             writing on money does very little:
but writing on newspapers? that say a lot,
the odd day i write something on a newspaper
review section and feel almighty -
        which is much more than the rage against
the machine instructions are about:
   write a message on a penny, it's still a penny,
write a message on a dollar, it's still a dollar,
but write a message on a newspaper:
you's basically encapsulating shouting at a protest!
() hence the picture.
             r.s. (receptui scriptum):
         i never knew whether the dot belonged in
the ). or the .) part of encapsulation, if that's to be
worded or acutely pill-sized embryo,
that bypasses the oesophagus workout before
the hydrochloric gym acidity.
   how is one to make science human again?
how is one to make science lessened in the Frankenstein
myth and the ostracized ostrich citizens
that scientists very much so, actually are?
       my notes on the matter?
non-existent: i see the feminist movement
i.e. there are more women than men as such
as not a case of **** culture, but as a case of "i'm not
getting any!" call in the Vikings,
mind you, even the supermarket cashier looked
astounded in between Friday and Saturday,
  on Friday a litre of whiskey
    on Saturday a litre of whiskey...
and some men climb the Everest or walk the moon...
while some envision their liver
as a Klitschko - the tetragrammaton exists only
because people made aesthetic suggestions / blunders,
it's a suggestion in the sur- or what's otherwise a surd /
a silent nonetheless inserted atom of sprechen:
like Nietzsche and Klitschko: you say less than you
write... out pops the tetragrammaton -
        if ever Caesar Octavian needed a teacher
my vanity suggests i'd done better teaching him
than Aristotle teaching Alexander, or Seneca teaching
Nero...
                  it's all down to excessive spelling, or
the keeping up of appearances, or simply looking
bizarre, and like in mathematics, there's a remainder,
what yhwh represents is in linguistic terms
as in mathematical terms: what's left over, scraps...
see it differently and it becomes gold:
five fish, two loaves of bread sort of scenario.
                           it's a remainder -
it cannot be eradicated, denied or be left into a limbo
of diminished responsibility
      it's man concern with how language should
look and how painting should feel:
               the fact that we created art from letters
and forgot our concern for art representing forms
is not postmodernism, it's post-Platonism; finally!
of course the s and the z are the crude and the refined
versions of each other via the transition of
being modulated by the chirality enzyme,
          but they're still called zigzag twins -
there's no delta involved akin to one face of a pyramid.
how grand then, to be living in a time
when a single phonetic encoding of sound
transcends into complex meaning:
akin to s and sigma and what's mathematically
the sum / total of constipated matter...
                    strange how the Cartesian model
falters thus,
           the fact that i think is never the ending
causality of my being's summation:
           it's but a summary, but never the summation /
sum - it's never the arithmetically sound answer:
hence the god-implant, or as i said:
the remainder, which i can't erase from the realm
of thought.
                 by the way? no Jew could have wrote as
much about their god as i have:
as said: the crucifixion was worthwhile,
      but there was no question that Latin had
to remain -
                     what was saved was the Latin encoding,
not some puny redemption from doing ****...
**** no! you couldn't create robotics or write
software without Latin: no other encoding has as
many "blank" hula hoops as already provided:
Q, R, o, P, p, A, a, D, d, g, b, B...
        26 x 2? 52 - and of those how many are spies
that we are descended from the gods and can
create our slowly-ascending replicas in robotics?
as the list suggests: 12.
     should i call up St. Peter and the rest to work
out the ******* numbers of correlation in
the framework of mirror / anti?
                      ah, the eagerly waiting public:
speak of the devil... and he shall appear.
      that ****'s been going on since the death of a man
in the year 1900...
           and oh my, the search has been gruelling,
you have Western Europe remembering the 1st
and Eastern Europe trying to not remember the 2nd...
   the name's Mars... while i say: try Moby **** first:
because god knows what's lurking in the depth.
or maybe i got my bearings wrong? maybe language
truly is a statement of Bermuda magnetics
that makes all compasses into twirling ballerinas?
to me? what comes with authenticity is a good joke,
nothing remotely suggesting a seriousness:
or as Wittgenstein said: have a joke, make a joke,
compose everything with a joke in mind -
        oh the fringe minority still have a bargain on
identity in this field, they're brewing their next cup
of tea brown-nosing and fidgeting over how to
answer... oh i'm mad enough to turn on the Mr. Bombastic
attitude, 1L of whiskey in a single night goes a long
way in terms of unwinding and making vocab verbiage,
or counter to that: something worthy of an antique status.
still, a reminder, the yhwh is the Jews' great
present, expressed dutifully in English as equivalent
of the mathematical remainder:
                      only because the diacritical bargain
wasn't met with much approval:
what with the elites wanting to push a global rather than
a solely Mediterranean twist on the plot of how:
a revival?          well... combing back to the ulterior
motive for graffiti, an elitist sport, your handwriting
over printed press rather than Coca Cola sorta similar
on a brick wall: i'm telling you, handwriting is
a bit like wanking these days...
         but isn't it true that when we write we are
sorta becoming radiologists? aren't poems essential
x-rays? am i not simply showing you my bones?
these isn't skeletal? you sure?
and there's me thinking that America is on
the threshold of romanticising the French Revolution,
with the former concern? to reinstate a Polish
state, i.e. the Duchy of Warsaw...
              but it's not really a first world war reparations
injustice while the Germans used money instead
of wood to warm themselves in winter...
no, nothing can be said that would ever appeal
to the fact that the Third ***** was milked:
not even Indiana Jones had a ******* of that horror;
me? i took the best of the ****** affair,
the fully bewildered insurance broker of the zeitgeist:
Heidegger, and yes, i made more apologetics with
him than philosophy: as with an fatal attraction:
be it the bazar flute charmer of the cobra -
this one is bound to sting in the ***.
then another thing hit me, usually an internet
variance off state media... you ever wonder why
very claustrophobic pronoun usage (frequent interchange)
is almost equivalent of brawling with someone?
dreams of Angelique:
                     imagine a scene at a protest (two people):
- i doesn't matter what you think! your opinions are not relevant!
- true, as is the case of: you don't matter with regards
                 to what i think.
anyone spot this concentrated pronoun use
for the purpose of aversed violence via a degradation
emphasis, concerned with defending sported violence
but not social injustice : turned into justified violence?
   (yes, colon as ratio, variant of fractions,
meaning? less comparative literature of the fraction,
   and more divergence of authority within the Libra
of what's necessarily unfair: the whole is no authority
to distribute fairness);
  it's just that i feel the relentless overuse of pronouns
in a confrontation symbolises a need to use the body
rather than the tongue -
when too many pronouns are interchanged
and the repugnant pronoun collectivisation begins
the paranoid "they" and the sane "we" -
            well... Rη-oh! Rη-oh! Rη-oh!     (sheen sheen Mecca
       ism)
                             well hardly ref. to Brazil: rhy ate!
rhy ate!
                see how that tetragrammaton remainder just,
like, plops up like a baby gazelle from the mama
gazelle's ******? plop! and no diapers either.
ah: the cruelty. or as someone said:
  few letters are given geometric status, or at least
something remotely symbolising twins,
but still there are a few:
   m - sine (trigonometry)
   w - cosine (     "              )
  Δ - Pythagoras for short
      LΓ - the right hand
                  and the left hand in the non-superimposable
          categorisation of things
   ψ - the devil's barrister / i.e. a fork
     also 8008135 upside-down on a calculator screen
(insert a weird face) -
   χ - compass convergence, i.e. the point b
        you need to get to from your starting point oh,
and i guess H       for a rugby goal...
             oh hell, only a few phonetic encodings make
it out of blah blah land -
                       and without really wanting
to orientate myself on the origins of things:
i'm getting a suntan basking in all of this
in the immediate sense: actually using it.
                             and to think: we actually think
about what we talk about using only 26 symbols?
that's ****** effective,
                             which is why we were so keen
to spread out encoding system to think / say things.
and why the Chinese felt the greatest pull of gravity
in all of mankind and due to their ideograms
got pulled way way down and just say there:
which enabled them to reproduce on a scale such as
is apparent to us exporting our manual labour to
them: who the hell would want to learn
unit wording when it can be wording units?
       they have words we treat as onomatopoeia
shrapnel -
                   which is why we have enshrined ourselves
to sit on laurel leaves with Mozart:
     if ever us, then never us: linguistic atomists
                                            who perversely dissect
words into, what i can only call: a Lingua Table of
the 26 elements. it's there, it's naked, compared
with the diacritical approach: English is all
and Adam & Eve ready for a voyeuristic spelling
out of realities - hence the plural:
    there was never one intentional crowd-surfer out
there to make people form cults, plagiarise
and sooner than later: get lost.

Xeroxed vitals on paperplanes
Crashing into window panes
Broken-heart blisters and voyeuristic veins
Appear and create transparent glass stains
Blue-Green grass on the other side
Laying there, our fathers died
Dreams and streams of alcohol
Run from their mouths with no control.
Shaking, breaking, no where to decompose
Skin peeling off of worn down toes.
Tell me where their love goes
Tell me where their love goes
Everything turned into gun-shy eyes
Blue-lipped Sunday surprise
Bodies breaking into waiting
This is nothing but carbon dating
Bottles breaking of ***** that's so clear
That I won't see until they're near
God and Jesus in picture frames
Suburban families with jungle brains
Broken homes and replacement Brad's
401 k's and missing ads
Finding our homes that aren't so black and white
Let us sleep in our dreams tonight
Validation through our existence
Is dead but still our resistance

1.
Inhaling poison like it’s a sweet spring breeze,
an antidote to the pounding heart and aching stomach empty of comfort or substance
Meeting with pavement in a tiger’s crouch
fingers float toward parted lips
awaiting the taste of relief in the form of smouldering leaves.

2.
One tentative epidermis approaches another
tendons and ligaments straining, aching for contact
attempting nonchalance in the lamplight privacy of early morning,
cocking ears to detect voyeuristic insomniacs
who would disturb the disorderly expressions of early experimentation.

3.
White lady dusting the concrete path, sterile and unconfined
laid new before careful feet making their way to shiny metal boxes
bundled in seasonal expectations they trudge through stardust
on their way to blood borne obligations,
leaving behind careless tracks in ****** flesh

4.
Blazing sun presses down on shoulders hunched behind compact table tops
peddling penny prologues to unabashed strangers
bartering unwanted pocket change for rejected trinkets
haggling over half-dried finger paints and unfinished chess sets
rescuing garish afghans from dusty closeted life.

i should be handling a champagne flute by now,
i don't know, maybe it's the laughter
that's curbing me from doing so... oh the fizzling
of my shizzle: or whatever's the trend in Campton.

now i'm watching videos on the pros and cons
and i'm thinking: it's really out of my hands -
i can do what Pontius Pilate did, back when
everything political required things to be hygiene prone
- and when there were literate fishermen who
miraculously broke from physical toils
       and wrote anti-Pharisee booklets.
forget Socrates defiling the youth:
it's me and a few old men -
will i become martyred because of it,
am i deluded with an invasion of
Shoreditch coolio across the depth and breadth
of London: who cares?!
       i like a good film, and this one is
always going to be good -
it only takes one word (well, two): the queen;
mainly the logic stuck true to the end
result: it would have been too good to be true...
take that logic and make it into a motto -
        wholeheartedly honestly,
      i have not an inch of my own wet *****
dipped into your ear: that's what
being independent means -
it also means that Copernicus ruined
   all things nautical, sunrise, sunset,
                  and thank **** the earth is
3D, now the problem, what shape is the universe?
   as it goes we're in a fudge swamp -
we aren't going anywhere, we think we are,
but people forgot to twin thought and doubt together,
   instead we have thinking and denial twinned,
which means: no matter how many facts are
spewed and later picked up as golden nuggets
we're not going anywhere.
       that's the beauty of a niche armchair,
      you get to bypass the comforts of crowd and airing concerns -
i'd never miss those emotional reactions
of people slyly: for the world!
    i love how they think that spying is masquerading
and not stating the obvious: which it usually is,
spying is stating that: the opposite has a tradition
built upon using sharpened knives:
                    me and my blunt knives:
i'm tearing into the meat like a vulcher -
what the hell can you do?
   sell the truth for 30 quid, buy it back for 20.
  that's a Homeric certainty -
    no, not the jokey Springfield variety:
the serious Grecian 2000 year old (if not more)
one - and i already asked:
what are you here for?
  me? i'm into writing a 2000 year old chapter
ranging from monkey, neanderthal and man -
     given the obvious disparities
and image issues and ****** favours considering
the pale anorexic Parisian modelling skeletors.
     you know what i found distinct in that story:
Slavs among the Germanic tribalism?
i concentrated on the eyes, rather than admit
a less pronounced *occipital bone: yeah,
that's almost a tail in evolutionary sprechen.
       all thanks to a girl in school who noted
that "defect".
     i just looked at the eyes and found they were
more ****, and subsequently quasi-Mongolian
and less Germanic fish-eyed fixative of ogling
out as if about to be gouged out, or simply
popping out with a reference to helium.
    once again: a stick has two ends.
         it's the historiological (why the iota in that
i'll never know) demand:
the pendulum simply said: too good to be true -
and it was:
  i'll go one better, better than black and female?
how about native?
   now that would be a game-changer -
      anything less than a native american is
as about as revolutionary or a status quo disciple
or a hamburger for breakfast:
hence the reason why sarcasm and apathy mingle
        and look down at the doormat:
  oh right, only wiping my shoes does it? hell,
i'll wipe my shoes: come in and take a ****.
     thus the misrepresentation of writing on
pixel-paper (or what's called:
       drunk, but still in want of having a chance to
revise, because we're all sloppy when
      staging what the original transgression was);
   i never write with a want to say the things i write,
i just think the misrepresentation comes
when i treat the internet as a punching-bag to think
things through: a voyeuristic-reversal,
        as such a great medium to think things out:
the new ****.
   nonetheless, it's hard not to laugh within
the framework of defending the freedom to sprechen
and leave the defence of the freedom to denken
  within a socialism that never manufactures
    anything: apart from protest marches -
the F. Gumps amid broken vocal chords.
                  you get suspicious about deaf people
hearing more than those able...
                                 to hear a crackpot mantra
and subsequently diffuse it.
                     i wish we lived in world summarised
by the words: all eyes on Mongolia...
            but that's what happens when you popularise
**** and industrialise it:
    a. China and India beat you in terms of industrialising
             it (over a billion buggers by my count, each!)
and b. it's a litmus test of youngsters in the future
              suffering from depression -
now that's really obscure - i don't really have a b.
     point to make... pornographic industrialisation
got me...            come to think of it:
if america didn't industrialise *** i'd be in a transgender
clinic trying to figure out whether i had
    any ego in my phallus - completely bewildered
whether i should accept my ******* as if a dog
accepting its canine extension...
        given women these days
and the fact that i had to pay for the pleasure tells me
a lot...
            i either pay for it and play the genteel role
or i go mad from ****** frustration and ****:
at least we're talking a contract,
like that bubbly Puerto Rican woman in Amsterdam:
                                         **** it... Freud!
so we solved the whole "earth is not flat" debate,
           even though we still require the n.e.w.s.
to go about our daily business... tragic: we now have
to encapsulate the universe as having a shape -
  milestones have been conquered,
  from a 2D earth into a 3D earth
      we now have an infinitely 1D universe -
                because it couldn't have been: a box
within a box, within a box: without an actual box,
or as the people said: hence we having the sport of boxing /
dentistry.
            the Russians put a man and a dog into
space: fair enough...
      we go a step further and end all fairytales
  and turn our children into ambitious astronauts
breakdancing on the moon -
                              then comes Mars...
if we're going with that sort of escapist route then we're done:
   these traditional capitalistic endeavours for
mere competition have turned into a variation of
simple escapism - as i was taught in a catholic school -
imagine yourself in a world, then leaving it -
always imagining the earth from afar, from the moon, say;
all that really was said was the Taoist motto
about not engaging with the world on terms of
rounding up, rabble talking and ******* whatever needed
******* (pervert, i know the slang in the engagement
     of the cultish excesses of skin; rough ***?).
   but that's what it is: escapism -
                         as they said: a message from former
communist countries -
                           a sprouting vogue in western
           societies: with their beards, and chequered shirts,
social conforming hippies know as hipsters:
i don a beard because it's cold around here:
plus i look less of a fat person -
alcohol fat ain't cutie pie fat: it's called being bloated.
       only among an obese population would you
get anorexia - again: historiological logic (the pendulum,
or the Newtonian impression) -
         once Newton was told he was less than accurate
people decided everything was relative:
the Greeks abhorred moral relativism -
   it's not that god died - cause & effect died
in what's modern, and reliably crescendo.          
sure, humanity will go on in any other argumentative suite,
      it's the one thing humanity can't be, i.e.: undermined.
*** is (after all), an existential variant of ******* -
you'd be daft to think that it was or could / would be
  otherwise.

He peeps through the looking glass of life.
Emotionally detached, a social recluse.
Avoid eye contact.
Avoid eye contact.
Don't dare look at me!
That's right you've seen him!
But.... Have you actually seen him?
Or is he just a figment of your imagination?
For he's the stalker.
Lurking about in the shadows.
Spying on you from afar through those holes in the wall.
A human CCTV system looking you up and down when you least expect it.
Recording your every move in the memory bank.
Voyeuristic tendencies with the inability to openly admit he's one step away from the psychiatric ward.

I would  kiss you
under cherry blossoms,
pink petals drifting down
like parachutes of desire
covering us with beauty.

I would kiss you
in the rain, drenched to
the bones not noticing
the fat raindrops
kissing us both back.

I would kiss you
in the wildest woods
surrounded by rustling leaves
beneath the jealous eyes
of voyeuristic birds.

But I have no idea
when I will kiss you
or where or even what
will happen when I do.

Still, in my imagination
it will be the right time,
the right place and
the right circumstance.

And it will be exactly
like kissing lightening.
   ~mce

At night we were a fresco 
painted by an astronaut, our 
messy bed the chapel of a
voyeuristic God, where glory 
worked with hurried hands
in frenzied fellowship and
hallelujah was a sigh that
quivered on my lips, then we
nodded off like angels of our
own apocalypse; it was made-up
love, when we woke up,
the dreamed up stuff of kids.

a google-whack for the ultimate news reel: #jigo'hudami.

and not another Shakespeare to come, #blues,
and not another Milton to come, #blues,
and not another Beckett to come, #blues,
an not another unforced Bukowski to come, #blues,
and not another papa Ginsberg to come, #blues,
and not another fusion of poetry and jazz, #blues -
not another, the lost interest in jazz,
the it's been done, and only in America, #blues -
and not another Dostoyevsky to come, #blues,
and no one is digging digital trenches like at Ypres
             capitalising on the gambling of
giving it all, even if it means giving it for nothing
imagining daymares of homelessness, #blues -
and no more fusion worked from the stale juggernauts
of voice in the wilderness, or voice among aghast silence -
and no one is writing intoxicated odes in a Dionysian
woodland shade naked or at least half naked - #blues,
and no one new knows how having voyeuristic eyes
not looking at your poetry on the internet feels like,
before the broadband hyper super hyper mega tron
optic wires before the ancient tee p p **** dial to
connect - rotary dial telephones and aesthetic patience -
dial-a-meaning now, collect, appropriate, discard -
super-communicative efficiency like the Chinese
but in lesser number - lesser number - a moment to
unwind - choose a graphic for the front-cover -
Dali? really? quote: morbid and dark and a surrealist?
surrealists wrote their poetry at the beginning of the
20th century - again, what a treat, cook up a 21st century
manifesto - overshoot the mark - the macabre non-Gothic,
and so no angel with a sword near the chapel entrance
but a gargoyle - a gargantuan bore - agreed...
and not another william blake to come, #blues,
and not another richard brautigan to come, #blues,
dual citizen of the world - from one underworld to another,
Morse code typescript, or telegram poetry -
poetry telegramic - the reinvention of the cut-up technique,
but less paper clippings of single words shoved in
a hat like someone about to wear latex gloves and write
a ransom letter - telegramic poetry - the cut up is more
linear, less word from newspapers cut and then picked
at random, hoping for the big winner - conscious of
the river course - telegram! - opening page from
l'Étranger (e.g.):
mother died - - - - - - - telegram - - - - - - - at Marengo - - -
2 days leave - - - - - absurd already, apologies for death -
- - - - - (yes, a reader, not the narrator, and not - - - - - - - -
explicitly like a telegram) - - - - (self-explanatory auto-) -
- exactly, at every turn some excuse, but what a grand
excuse, god's turn, excuses after the fashionable 15 minutes -
nothing prior - - - - lunch at Céleste’s restaurant - - - - -
starting to look anti-autobigraphical (i.e. written much too
late, not day-by-day, *Kronos Witold Gombrowicz) - - -
calls Emmanuel to be lent a black tie - - - joke, karate - -
not so funny - - - d'uh, belt - - - mourning band - - - - - - -
with a white ******* rotated 45° from that famous
re-interpretation - - - - - - - - - - - - - - - - - - good something -
running for the bus - - - soldier's shoulder, sleep - - - - -
warden absent, waiting with a chatty doorman - - - - - - - -.
well it could work -this telegram style, it's the easiest style
to read, the Nova Express proves it, the Soft Machine
proves it, Naked Lunch proves it - the incoherent distraction,
well, coherently incoherent - sometimes you want to
see a tornado rather than an open stretch of road in a desert -
a ****** tornado - whirling and whirling with Loki
playing a flute - and something about the great milkman
being choked by a marshmallow monster in the sky -
or, of course, with the sensible people - an Ikea assembly
manual for a chair - with one but the most crucial ***** missing:
metaphor for the 10% books, that's 10% in, 20% up on sales
of audiobooks - hyper-readers, ages: 18-24 - 24-35 (21%) -
and then thick mud ahead, an opera of yawns and a gym
membership one tier above the no-fun zone of sometimes
an index wet and a judo flick of the page - or any other
comparison - but on the plus - and not another Walt Whitman
to come - #bangersandmash, and not another Pound
to come - #blues - in with the pretentious you say out
with the feral? maybe... maybe not - but all of this for only
one sentence: to be nervous over ethnicity and vocabulary -
shouldn't exist - to pursue active censorship of a person's
vocabulary is to undermine them completely -
when corporations copyright words because they're logos
i can understand - but people copyright words something's
obviously wrong, somehow i imagine corporate influence
at having taught this lesson - it should exist - or... in what tone?
but already, people what inoffensive and frail - they
want cushions but don't want stones - and it's every single
time - where once words flowed freely no words stumble
against everyone being politicised - it's hard to do your job
these days, whatever it might be - some would say once
the figurehead a throng of courtesans and you knew of importance,
you were so far away from the seat of power you enjoyed
one sq. mile rather than daydreaming about if you ruled
the world - cost-effective inefficiency of politics -
life? unaffected - and it's not even some glorious technique
behind it - the same children that lied have simply
learned to evolve lying into negation - ah, whatever, #blues,
#Rakı.

Need some binoculars for you to see?
Please it's not cause you're blind to me
Jeez it's just cause it's far as **** away from this tree
I'm no peeping tom, voyeuristic sightsee
Looks like you're sleeping, boy you're quite the catch
wait I mean girl, actually honestly I have no idea ***** snack

Deconstructing a Kafkaesque
amphitheatre of the absurd,
Easy wallows she in their hypocrisy,
Son of a gun grabbed on
to the gold that fed his infant
self, doesn't dare let go, won't ever,
Dev breaks the bottle he hits,
scrounges, discards the last scrap,
the rat scurries in, devours, heads
back into the smoked corridor,
the auction goes on, so does he
showering petals and pity upon the
middle road more travelled, bumpy,
potholes full of acid and bile,
the stupidity of the tyrannical majority
and an underwater civilisation consumed
by mind-numbing, mildly shocking TV,
undercurrents of power drowned under.
Uppercase Him, uppercase He,
they hoist a red flag, set it afire,
stomp out the flames, wave a black
rag till the ashes turn to naught,
the Dionysian petit bourgeoisie proceed,
spew, *****, spew, repeat.
The voyeuristic rat has front row seats
gaze fixed, piercing centrestage
auction-house by day, amphitheatre by night,
the bids shall resume when
the morning bells toll, till then,
Dev's hungry for more,
the rat enjoys the show.

She ran from me
in her voyeuristic
tendencies.
Bespectacled in the night,
she shed away her divinity
this girl with a penchant for tragedy.

A dramatic prelude to her kiss
would be the fixations of the poet
to her eyes and lips and skin.
Those which he can only recall
in music--

the slow andante of violin strings
entangled in the coasts
of her body.

Come morning you wake
to the tune of silence.

You could never tell her
those three words she longed to hear.

G'day from prison!*
(before I knew he lives on):

I see you there, My Maple.

Your little skirts; your peroxide hair.  Sweet, quiet Maple... I see your fishnet, maroon, little sweater. How I loved that thrift-store garment; it gave purpose to us both. For you, an excuse to see, without being seen. A voyeuristic excuse, for myself, to see without being seen.

If it weren’t for you, I wouldn’t be here. If it weren’t for you, I wouldn’t know this.

I picture your starkness. Dark, ten year old Maple. Listening with wide eyes - as I validated you.

As no one else had before.

I nurtured that Goth infatuation that no one wanted, fed you music: your Evanescence covet. Your black fingernails... Even then, I understood what no one else could.

Yummy, tasty, Maple.

How good you smelled; how fresh you smelled. Clean, and sad. Searching for reassurance. Searching eye's, searching for me.

Searching for someone. Anyone. A real person; content to SEE you, and love you anyways. Not like the rest; all of them - who'd only ever cast you aside - pick you last - call you names, spit in your face, lock you out and alienate you; who’d kick and shove you.
The *someones behind why you, at age ten, began to wish you were dead.
I was there, and I was your best friend.

Me.

I was the best friend you'll  ever have. Someone who loved an anomaly, and understood, and loved you best; over your mother - your sister - I told you I had a crush; a crush for only you.

10 years have lived and died between us.

10 years without me.

And the weight of time has yet to alleviate.

You still wish you were dead.

I still feel your warmth; the little bundle of you.

You.

You in your cozy, blue bed, with your
curious eyes and porcelain face. I would slip five dollar bills under your pillow; tell you, “I’ve hidden something secret.”  

I adorned you with money, pampered you with special trinkets, allowed rare privileges disproved by your mother... A mother who hadn’t a clue you’d worshipped angry rap since the age of eight. She didn’t know. You idolized Eminem. She’d yet to learn his name. You wanted to see 8 Mile; your mother said no – Rated R – so it was our little secret.

But you betrayed our secrets, didn't you?

We have no secrets anymore.



I see you there.

The soft, supple skin of your back . . . of your stomach . . . and of what lay below.

“What’s down there?” I’d inquired.

So enamored, exploring the secrets of your little body.

My demure, sad Maple.

I was your one and only true companion.

I was your one, and only friend.

Yet, here, in this cell, you will never see your best friend again.

You will never have a best friend again.

For in this cell, I have nothing left, but to remember.

I have nothing left but to write.

All my love, my presents, my company. All to end up here.

Here, behind bars.

And the weight of time has yet to alleviate.

You still wish you were dead.

But you and I - we've become synonymous.

Together, forever.

Just as I said, ten years ago. For, no matter what, my existence will always define you; and yours - you will define mine.

Forever.

You'll never be rid of me, and you can never leave me.

For I'll never leave you.

Our bond is solidified.

Perpetually.

Together forever.

Ten years. Eleven, twelve. The calendars change, but you and I? We’re right where we left each other.

So you'll never be anything. Anything at all. Anything else but mine.

The weight of time won't ever alleviate.

And you STILL wish you were dead.

- Thomas Gregory Brown, G'day from prison

A voyeuristic view through the windows of happy friends
is not nourishment enough for this poet's heart
and does not sate this dreamer's hungry soul

before this spirit journeys on
i'd like to know what it is like
to be loved from the inside out

those delicate strings,
that haunting duet,
of love not bound by fear

i'd like to know love
from the inside out
and not from the outside in

that stuff of dreams,
(yet real i've seen)
that one true union of souls

it's honeyed nectar taste
would be sweet upon my lips
and those delicate strings,
tender music to my soul.


oh muse, you take me too far
i must leave off
before i break this tender heart
and having been turned inside out
i fly completely

apart



--bruised orange

you learn it the hard way, you actually can drink warm shots of *****,  provided,  you have a brisk, Icelandic chaser, notably white European Bison *****, and apple juice infused with mint...

pije, pali, konia wali...

it has been agreed, a drunk man is half
the miserable sight of a woman...
no wonder a woman *******
is more appealing than a man,
who shines.., like Louis XIV,
******* in a lightbulb...
            ha ha... ******* want *******...
and there I was, thinking that
bottle of alcohol also ought to have
warnings about any *******,
other than oral with a pregnant woman...
wonder... does alcohol really harm
foetuses, or does the constant banging
of a cockrel do more harm than
awaiting sunrise good?

hence the question, i don't know.

pije, pali, konia wali...

as a drinker, in company?
i can have a social drink,
my grandmother had a nostalgic
hallucination of a taste that
provoke memory, so I bought her
a porter beer...
and we drank it together...
książęce: aromas of honey,
coffee, rührkuchen und
bitterschokolade...

grandfather simply replied:

koniec świata;

now the IVF part quest for ****** chills...
citation granny, is no citation
worthy of the urban lawyer,
frozen egg + spe4m donor factory...
the part where I'm cited as "******"...
urban mongrels contra
                  rural pedigrees.

pije, pali, konia wali...

there are but three ways to clear the head
before the excavation of a blank
page... rarely it involves addressing a delayed
slightly constipated dump...
but sometimes it does...

pije, pali, konia wali...

           then it also takes doing no.
1, no. 2 (as mentioned above)...
and no. 3...
                 i have no idea where ****
additiction comes from...
i'm more of a claccisist in this field...
moving pictures do not really
stimulate the mind to work off
a stattic picture...
    if you never did no. 3 i. e.
****** off on the toilet...
                 because you never bought
a ***** mag with your casual take
on the metaphor of smithfield market...
or you've never been,
driving to it at 1am in the morning...
coming back with half a porky corpse...

pije, pali, konia wali...

I think people are confusing objectivity
with ***** subjectivity...
like any clean cut of a scalpel...
or like eating a soft boiled egg...
you crack the shell, leaving the papist
yolk, intact...

pije, pali, konia wali...  

at leat objectifying a woman
does not subject her to the cring worthy
labyrinths of emotional men,
or whatever the hell cheating is...
   or juggling...
        ****** off at fine art,
only once did I bother to explore
the ****** extension of latex...
a kinda of bedroom niqab fetish...
but most of the time...
static images, blood down below,
paths of imagination in the head...
not to mention that ***-mad mongrel
that **** my leg...
luckily I didn't kick him,
but politely asked... are you finished,
and ready, to hunt a mare?

pije, pali, konia wali...

******* what?!
   classical *******...
whatever happened to the tabloid
page 3?
   apparently men with recoding hairlines
have more testosterone...
apparently watching a woman's breast
releases, whether dopamine
serotonin, or... as the cigarette quote
goes... Oscar Wilde?
    the most pristine five minutes,
that leaves one (mm  hmm...
a royal pronoun,  both singular,
and plural, for a pleb that's minus
the entourage of leeches...
mind you... why not the common
slang of sycophancy in syco...
that Y... not tree not serpent splits...
hollowed out... to differentiate
from the other,  crude grafitti of
******pathy, shortening)
    most disatisfied...

pije, pali, konia wali...

perhaps j. c. is the king of kings,
but i sit on the, throne of thrones...
no. 1, 2 and 3...
    no scented candles,
no... god... cursed the theistic joke...
a woman has to *** squatting...
a man just stands...
than again: bigger bladders?
*******, easing analysis muscles,
jerking off to static nudes...
how is it on the other side?
moods, scented candles, lying back...
literature that ought to be
read with one hand?
        d'uh and the *****...
sure... g. i. Joe of a boy aged 8
when Barbie burned in th stash...
out comes Ken 2.0...

pije, pali, konia wali...

easier for a man to stomach a hand
as if it were done ****...
than explore beyond the floral pouch...
than... getting a manicure...
and... not using the Vizzz...
the Vizier... hardly a comparison to
encapsulating... snoring...

i always ask the intrigued relic of
dating... so... you want to hold
my hand, or is male maturation
so grotesque that it has no...
voyeuristic appeal?
   well... thank **** for that!
with my little finger I served
poached, a former hydra behemoth...

the knowledge of, good and evil...
                                                X
which isn't exactly a mistery of +...
   the conjunction translates as X,
cross-eyed... not +...

pije, pali, konia wali...

                      it's easier calling it
the no. 3, considering how...
sitting on the throne, apparently
masages the prostate...
hence the stigma it would seem...
no scented candles...
no grand whizz of faking headache
and snoring of excavating dodos...

pije, pali, konia wali...
    
ah... back into the syco contra
****** and the hollowed out
Y question...
                         σý-co...

         'sigh-co...

hence not so much the hollowed-out
Y... but rather, akin to gnome gnostics...
the particular instance of
surd letters,
not being clothed in surd attire...
     elsewhere diagnostic...
otherwise in the already given example:
   'nome...         'nostics...

yes, i know, the borderline 'sigh-co...
psst... as happens, when letters
ignoring greco-semite
        stubbornness,
remain syllable amputees looking
for torsos of words....
magnetised limbs mechanic...
letters primitive, bound to syllables...
not the greco-semitic
construct of names...
       shortcuts with the NATO
alphabet is the curse of 15...
   a ******* worth of a telephone
conversation will not craft
an originality of either Aleph,
Omicron, Ayin, or Omega...

       may i remin you the greco-semitic
stubborn ram... ploughing
constants in science?
aha! ****** music thought...
no one really heard of
rotting christ or
         mícháel greilsammer...
last of the Roman sons...
sang arias of castratos!

pije, pali, konia wali...

     finally! ad the title implies...
what's the diffrence between
a man buying shoes,
and a woman buying shoes?
probably the packaging,
or more to the point...
a man walks into a shoe shop
wearing old shoes...
he buys a new pair,
buys them, puts them on,
packs his old pair into
the newly bought pair's shoebox...
and walks out with
his new: economic sketch
and the concept of recycling...
primarily because i've never seen
a woman buy a pair of shoes,
and walk out of a shop
wearing them...
   not once....
      and thank **** it rained hail
and razor rain today,
after post-noon greenhouse
suffocating toffee sun...
and the sky was painted a continental
grey & plum as the earth gave
its first, authentic breath of spring...
not once, have i seen a woman
buy shoes... and walk out
in them, putting the ones she
wore walking into the shop,
among the moosehead trophies,
skinned furrs,
and her, other,
      hunting expedition catches...
into the insomnia and iron
forest, of foraging for sales.

thank **** i had an existential
****** looking at me,
as I put the newly purchased shoes
onto my feet, and the old shoes
into a carrier bag...
    in those rare instances,
as true as: mould the iron while
it's lukewarm...
          come to think of it...
this is french existentialism
in the open... unable to encompass
a voyeurism with a guilt
of a peepingtom or Cambridge Analitica...
pure existential voyeurism...
guised Edenic...
     out in the open...
       bound to the habits of
man shopping, for shoes...
                 rather than a woman...

hell, hades and the high-water mark
of a tide...
      
     (he) drinks, (he) smokes,
   (he) smacks the monkey...

     if you didn't know, already.

(in life)

who am i to warm a cave of darkness with my lust?
or assume your darkness mine to dissipate?
as if a sacred candle burned behind the windows of my heart
and ****** its light through tip of flame beyond
,above the piercing point to spark our confirmation in a universal eye

invisible, but seen as heat you flail about
and cause to quake the melting, sliding crust i am

you have wandered by to rupture me from my serene espy.
to quarrel with mycenterself i turned into myself i am a fool,
how can a taint intention claim essential gravity to good?
encumbered with a blinding zeal
i almost rage amid to satisfy
irrupt, and only drape with words i barely see defined

to justify the greed
in unknown passions gathered out to sun,
eyes aglint of golden maxims worn
by public distorts, magisters of lies
spilling over paths..the voyeuristic farce of virtuosity and virtue mating there
commodities of ****** pride and shame
that cater to ambition's lurid lure:

massively conjoined our worlds, aswirl
transform the pulsar-vortex at the base of me
from threaten-fount to million-twiching node
it sears the face from all our superficial doubts,
gluts us writhing mercy in oblivion.

...transparency collects an inner soot
as we devour red-tip wicks in wax we puddle with our sport--
the outer glass respires steam into the winter nights
--hot against the skin
in flesh embarking in that window *** at last,
we smudge our bodies over every icy pane
--entwined, concupiscent flames
to blacken out the world we claim as only there for us




.

In our voyeuristic ambivalence
In our savage pacifism
With bureaucratic diarrhea

We **** on Lady Liberty
And wipe our *****
With the Constitution

She, betrayed, in histrionic flow,
Heart akimbo, flailing at the sky,
Fired with voyeuristic need-to-know,
Rages at the outing of a lie.

He, defensive, understanding, sure,
Accommodates the outburst in his stride.
Lassoes her with a practiced sinecure;
Instinctive gesture, expertly applied.

She, bewildered, aimless and morose –
(He, distracted by the barmaid’s hips) –
Casts aside the guilt-effacing rose;
Repealed devotion scrawled upon her lips.

the internet wasn't originally intended as the playground for the young, who have no reason to convince themselves of a need to either dogmatise proper spelling, or proper diacritical-punctuation... hálo humpty-dumpty! utter that hark like a dragon!

i have something more volatile than atoms
to construct an atom bomb and
cite Oppenheimer -
i have letters as atoms, words as minor
twitches, and language as Samael:
the death-breathing harvesting resurrector...
  i call the film *a beautiful mind
a perfect case of a beautiful propaganda
machine that backfired...
  if that mathematician who died "tragically"
in car-crash was anything to go by
with having his negation of ease hijacked,
exemplified, magnified to scare the public,
then Gabriel must have been a really sweet
soothsayer in Muhammad's ear...
   because someone with that kind of imagination
to conjure up people should have never
worked for the emerging C.I.A. or F.B.I.:
but Walt ******* Disney... to be sure of it:
Bukowski run parallels with the story:
staying drunk: to keep up with the sober-imaginative
collective: i would have done the same...
can you believe i've passed the 50h mark
on not sleeping under a self-imposed
example of what's barely a scratch of the
siberian gulags?
                   can you imagine that i...
simply had a fetish for it? imagine being awake for
over 50 hours... and having a nearing-****
audacity to not fall asleep for a minute?
can you imagine the military rigour of such
an endeavour?
   must have been self-taught and therefore, very
much indie: selling to the highest bidder.
oh please don't take my literal Monday's worth
of vocabulary truthfulness on it:
i'll play truant on it:
   i don't have people-friendly devices to keep
up with gossip, the rule is:
you can only go mad once,
you can play double jeopardy with madness...
    talk going mad a second time...
        i'll talk about recreating carnage park
in essex... you know what's scary about
that horror movie? it happens at high-noon...
there's nothing eerie about the night...
with the night i think the solace of death
and the never-ending and the never-shifting queue
of names, dates, and the ultra sensitive invocations
of faking epitaphs, i mean, inscribing things
on graves the people who "own" the graves
never had the capacity to say, in the first place.
but you know what scared me about
the film carnage park? the first horror movie
based upon Hitchcock "resurrected" -
but it was never about it... there's no close-proximity,
you actually see the culprits face...
   the idea being: humanising the man executing
moral justification by tugging the guillotine
or pushing the switch on the electric chair...
it's all about moral ambiguity,
hence the horror is all about daylight,
daylight representing the quasi-assurance of your
own judgement: and could you do the justice
by bypassing all jurisprudence paperwork?
  daylight is important in this movie...
                 nothing is hidden, nothing is romantic,
because the man in question is a ******,
he's not a torturer... the invocation of agoraphobia
is seminal! no... subliminal! Greeks invented little
fears and allowed them to be wedded for magnification
given that theatre is extinct... little phobias
create big budget exploits...
   but this is a first of exploiting agoraphobia...
       and agoraphobia could only be exploited in
high-noon... when i think of night these days
i think of the j. r. r. tolkien romance novels of
what man once had... adventure...
these days? plain talk? tourism.
                            i never could think it could be done:
but apparently is has been done...
           the ever distant voyeurism is also gone...
how can anyone be voyeuristic in an agoraphobic space?
   you're basically knitting and deforming
a large space into a pixel... there's no sadism either,
no loch ness barrage of torture methods,
only what man employes to capture animals...
   it's militarism: solo...
        the true essence of a renegade:
   antidote to indoctrination...
             exemplified by the fact that no matter what
mask you give the horror, the mundaneness of it
doesn't go away: because it's not hidden,
  the placebo horror scenario -
          we fake hiding from it... horror these days
is medicinised by fantasy... which is the abhorrent
quality of our times: over-assurance...
    our times are too self-servient, too self-assured...
too comfortable... we're championing
arrogance, calling our predecessors incompetent
*******... oil on the flames? maybe...
                       we prefer to imagine dragons than
see actual dragons among us...
                       that's why we seem to begin with
congratulating dinosaurs into having begun
   as abstract spines that the serpents of our times are...
us? to our inheritors? brains in pickle jars.
we have already started the process of pickling ourselves
by extracting as much as we could from our being
and encoding it into artificiality...
        anyone with a global invasion tactic can easily
tap into this "economy"... it's not an encyclopedia...
it's an economised unitary model readied for
exploitation for invasion...
       do i share the film's culprit paranoia?
well... i share his defence of environmental study...
but having provided the most adequate striking-point
             with the utmost drama of cyber-warfare debate
and all counters against ourselves...
            would i choose this maniac over a wall st. yuppy?
          what's that... vomito ***** vs. huey & the news?
if only i was paranoid after having watched this
movie... i'd see it spread akin to the bubonic plague...
but it's apathy that's the bubonic plague:
since it's the most effective safety-mechanism virus...
you get that docile look and try to suddenly say huh?
with surprise, but you get a choking sensation
as if you just swallowed a hazelnut.
      people get these fantasies about other evolutionary
lifeforms... it's not ******* c.i.a. crap about
      everyone working for them being called mr. &
mrs. smith... just so they can dodge bullets
   and buy milk at their local supermarket...
                      without being asked for autographs and
selfies... and have you ever seen a film critique engaging
with a character that says very little, and then
hysterically laugh, with a sense of music akin to
playing front 242's album 06:21:03:11 up evil?
      the true test of horror is music... the visuals can
be Marquis de Sade in Disneyland... and no number
of groans will do it... if the music has
         transylvania's chant of the chastity of anti-sodomites
written all over it... you're in for a knee-jerker...
the diabolical thing about this film is that it
has the double-effect whether it's watched at night
or during the day... the first horror movie that
doesn't invoke close contact between predator and
the prey, along with not even making the night
as something orthodoxically necessary to craft
                                      horror thematism.
well... plus it's a testament to existentialism
in the case of the hostage being "unrightfully"
attested in a crime... the existentialist would
simply conjure up: possible bait / excuse and
unwillful thinking necessary for his own
             victimised self-reflecting-counter-via
the reflex-of-against-self-discriminatory-collective-input...
radical­ised into a reflex puritanism:
   abiding by cohort norms was not enough
                for the cohort minimum:
                    pyramidal elevation was necessary,
               and there was no human explanation
beyond certain matters, all else was justified
in the three digressions: diabolical, angelic or genius:
the madness only came when one claimed to
hear instructions from the devil, or from god,
                        or claimed to be a geniusº.
  disregarding the two fabrics of a self,
the one prior and the one post collective-input
    regarding a doctrine needing a "self", an "individual",
nevertheless: but a pawn.

      ºthere's no articulation of god, which is why
we have no article ascribing a definite or an indefinite
nature toward him, which is why paupers reduce this
argument, debase it to the level of pronouns -
the reason why we cite a genius and the devil...
is because only angels have names...
                              even the fallen ones...
           for they have a misnomer of god, as we have
a misnomer for many a good things.

let's just say i didn't like the voyeuristic aspect,
of being bang in the middle
of people's living rooms -
people's lives however glamorous or
atypical - best comparison is that
internet traffic is like a street -
passersby everywhere - but being an estate
agent bothered me - new mantle places emerged,
like in the days when one lucky person
on the street owned a television, and people
came round to watch the football match,
or when some pivotal speech was made...
but it just got to me... i started to think:
shouldn't privacy be more and more understood,
in a new (Kant was accused, imagine,
he was accused of being a spy) way we approach
intelligence? other people's lives are just
passable... including my own - plus the website in
mention got too much bad press,
in most cases the night of long knives was
done at random, at other times? proximity,
one person on the list i can walk to a pub with,
he walks his miles from one side, i walk the miles
from my side... we head bang in the middle
to the Eva Hart in Chadwell Heath...
he says Desboys, i says De-boi - parle(z)-vou(s)...
parle(z)-vou(s) Anglai(s)?
                                                linguistics uses the
complex symbols... i use the plain and simple ear
and optometry trick: enclosed in bracket
letters  ( ) aren't optional, they're dropped...
also called the Merovingian ß-shearing:
but nonetheless written for aesthetic reasons...
and for aesthetic reasons dropped from pronunciation.
so i said... let's choose 24 randoms and keep
them poetry junkies... at least they're not
showing me their living rooms and their mantle
pieces of family life in extremes that i know of...
plus they're the only ones that might appreciate
Gregory Corso's poem Marriage... or i just don't
know anything at all... but what the hell
is going on in that poem? constellations?
he's going to show a girl constellations?
there are only about 3 in the night sky i see...
the scorpion constellation, the big wheelbarrow
and the small wheelbarrow, and something resembling
a rhombus - so that's a maximum of four:
the theory is the universe is expanding...
i don't even want a Hubble telescope to agree with
that... better than colonising mars, i'd expand
by building a permanent telescope on the moon
like the idea behind the international space station...
the moment when science fiction overtook
actual science... people just keep imagining things...
i actually think the French are worse than
the English, even though the diacritical marks
are applied, at least the letters aren't dropped...
well, we have the town of Re(a)ding,
we have reeds and reading, re(a)d and red -
past participles applaud.

I want to
      Kiss you
    ...in the morning
...after bringing you coffee
               ...with loud laughter
   ...and uncontrollable smiles

I want to
      Kiss you
     ...in the sunlight
...with waves crashing at our ankles
            ...or amidst the clouds on mountaintops
    ...sharing adventure
  
I want to
      Kiss you
     ...surrounded by trees
               ...to the delight of the wild
   ...and the serennade of birds chirping
                         ...with excitement

I want to
      Kiss you
     ...in crowds of people
  ...with raindrops falling on our heads
                 ...to the musical harmony of life
...and feel your heartbeat

I want to
      Kiss you
     ...alone, beneath the stars
                   ...caressed by the moolight
  ...filled with passion
...giving voyeuristic opportunity to the nocturnal


I want to Kiss you when you least expect it
And perfectly timed for when you need it most


I want to
    
       Kiss you

                            Goodnight
        
Every Night

     Simply
               And
                       Softly

For all time

          And

                    Forever

Then again

                              The next morning

I want to
      
      Kiss you

There is a longing,
a deep-seated human instinct
that pushes us in to meet
strange people.

Strangely,
technology
has turned me
into a peeper,
legally voyeuristic
with strangers
I have never visited.

I have the delusion
of a connection
because of some
social media intrusion;
Which means
I don’t have to
have a friend
introduce me to them.

I can just chat them up
or watch them
from a cyber distance
with a binary connection
of ones and zeros.

So, this human need
to interact and meet
strangers who are
similar and unique
is satisfied
without any risk
of rejection.

But this is an illusion,
despite my intrusion
I do not know them,

and as this
tacky techiness
evolves
we will
stay secluded in
our sic soft shadows
without actually connecting…
to….to…
User----Offline.

amid pentagrams

satelliting my mind

an outward location

of an ostentation

that lids a voyeuristic eye

to Da Vinci’ fingers in a jar

waiting anxiously for them

to move, perform an ******

panache of evocative art

but they are congealed

in a stalactite shiver

that lacks transmitted urgency

but contact with these

enigmatic digits causes

a correspondingly delayed

then urgently convulsive frenzy

that somewhere in time

bring frictional contact

with a canvas or a ceiling

Da Vinci’ fingers in a jar

an outward location

of unclasped curiosity

Showering, peeping through the curtain
Waiting for ghosts in striped camp clothing
Waiting for gas
Terror

Back to reality
Me in the rose tiled tub
Music playing
Hot water

Driving, staring at tall trees in the forest
Waiting for smoke to billow above
Waiting for the smell
Eerie

Reality
Three children strapped in
Husband holding leather covered steering wheel
Air Conditioning

This isn't my chosen voyeuristic retreat
Drenched in the ease of today
Still seeing what lurks in the shadows

fear holds you captive, immured in darkness
rejection pokes at your timid soul
neglect watches with voyeuristic pleasure
and your torture continues until...

hope finds you
happiness arrives with salvation
and love embraces you with a warming light
they are here, to keep your torment at bay

two sudokus down, one pending, and the drinking is insatiable, peering into the stack of books, there's a copy of seven years in tibet and in start to wonder: what sort of interesting life should ever produce a book? the majority of me is asking: really? 7 years in 7 sittings of reading this?! who imagines writing a book, having "completed" an interesting life, does not imagine the majority of the readership, discarding the actual book, and being tibet bound... jealousy is such a cheap emotion, to be honest jealousy is the cheapest of all emotions, cheaper to pay a ******* for an hour's service, than take a fine girl to dinner; what, was someone expecting an "oops" with that?

i sometimes can't imagine the quality of pop,
it's not a pedantic "observation" -
it's just: well, could have done better,
but then again: you clearly couldn't have.
    i like rereading shakespeare and thinking
than minor additions would make the works
stand in greater clarification,
notably in shrapnel -
- 1st witch: why, how now, hecate?
you look angerly.
- hecate: have i not reason, beldams as you are,
saucy, and overbold? how did you dare to trade
and traffic with macbeth, in riddles,
and affairs of death,
  and i, then mistress of your charms,
   the close contriver of all harms,
  was never called to bear my part,
   or show the glory of our art?
such minor revisions, pedantic, of course...
i.e. - how did you dare to *trade and
make trivia with macbeth -
      better still: trade & trivialise -
         and
   - in riddles, and in the affairs of death;
suppose we don't live in times
of man's "omniscience" etc.?
                but we do, and categorising ourselves
as such, we can only seem to test
knowledge via answering trivia question -
the triviality of knowledge oozes out
of game shows: where enough to be
knowledgeable is enough to known the most
encyclopedic set of facts...
    having to encompass all of man's
endeavours seems rather mundane...
             heidegger's aphorism 91 ponderings VI...
and the arrogance of writings maxims /
aphorisms...
        you read them as if they are basically true,
but then again: they're written as
propositions, rather than as presuppositions...
there's not a single word in the works
of nietzsche or la rochefoucauld
that supposes an observation to be true:
        a bit like the legal system dichotomy of
the english vs. the european courts:
  a. innocent until proven guilty, vs.
b. guilty until proven innocent...
                it's the ****** bombast of writing
maxims as propositions,
   there's no room for "error":
said content is: necessarily true,
                         but unnecessarily observed;
most of the time maxim notation is
an erosion of common sense, and subsequently
the killer proteins of alzheimer eating
away at the fatty tissue of the brain...
          mental exercise?
      who the hell wants a schwarzenegger's worth
of brain, i.e. exercise what?
           i don't like nietzsche's style precisely
because i don't like aphorisms or maxims...
          they're bombastic in assuming they're
true,
   i.e. once observed: forever replicated
to the same summa summarum...
  i think it's unsavoury to presume that one's
observations are fit for purpose of replica
observations taking hold of the reader...
if, perhaps, these aphorisms were written with
an overtone of presupposition,
             and left in the la la land of: supposing so -
they would be guarded by an element
of surprise...
                      an encroachment moment,
with an element of surprise...
         if only the loss of propositional bombast,
and the mediation of supposing-so,
   with an undertone of prepositional discretion...
stating the obvious in that stating
the obvious is stating an: unchallenged truth,
an unchallenged observation shared between
to people, well, aren't we talking about
  simply observing the perpetuated plagiarism
of what is "observed", without ever
deviating back into the "unobservable"?
       i believe that aphorisms (as a medium)
are plagued by a certainty inversion -
             sure, they're true, but they are also
true without a guarantee of replica -
                 for the most part they are placebo
ridden...
                and the only aspect of philosophy
that is unscientific...
                for the most part the style of writing
that's aphoristic is placebo,
        and not res replica...
           unless offensively forced - stereotyped.
if only the writing of an aphorism was
plagued by presupposing rather than proposing
a conclusive play on a voyeuristic act -
             the presuppositional attention to detail
would be tactful - and part of the cartesian
continuum...
             but propositional observations,
akin to making stereotypes, have no element
of founding one's thought in the cartesian dynamism
of doubt... there either is, or there isn't -
existentialism akin to the genesis in nietzsche
was born with the cartesian roller-coaster
of fusing an emotional regard for feeling,
i.e. doubt... negation being the prime ingredient
in existentialism, is oh so boring...
         ego negare, ego quasi cogito - ergo..
      i deny, i sort of think -
                                             therefore;
pretty obvious, we had to change the song -
we know so much already, in the current times,
that doubting would be pointless -
    doubting used to have a thrill of purpose
never being finalised,
   existentialism replaced doubt with denial...
so few things can be doubted,
   and when so few things can be doubted,
  we purposively lie, deny, lie, deny, to somehow
muster an origination of awe in emotive
experiences, which only bring failure -
  awe does not coexist with denial -
           you can't be in awe via purposively lying
to yourself...
  you can only seek awe by being forced
  into an emotional system of doubt...
but since existentialism eradicated doubt and replaced
it with denial...
     as already mentioned:
we deny, therefore, we sort-of think -
      we deny, therefore, we "think";
as the zeitgeist suggests - robotics, and other
forms of automation are taking over.
the argument still stands:
  if only the medium of writing aphorisms,
or succinct "truths" could be universally tested,
or at least universally observed as being true...
     if only there was a lost propositional(!) bombast
behind these pieces of writing,
or rather: a presupposition(?),
     since both approaches still converge in the realm
of supposes;
   a position is taken and one is for it -
while a supposing is given and one predates
it with a spontaneous unearthing of unnecessarily
having an opinion about it -
to presuppose is to not suppose -
since presuppositions are more archaic in always
being unforced observations,
  whereas propositions are enforced results
of having forced oneself to think: about something
with the end result of: a maxim,
or the extended maxim, i.e. an aphorism.
          - so who would actually want to make
language, and easy, and accessible, to the majority
of man?
          did not the power reside among
the priesthood who spoke latin, while the general
populace didn't?
   so why would anyone not decide upon:
speaking an english, within english,
   that the common englishman could not understand?