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Lyn-Purcell Sep 2018
EᔕᔕᕼI
~ ⚪♫⚪ ~
The kitchen's air is redolent with spices,
peppers and cinnamon, all-spice and star
anise, thyme and curry. The cooks are
shouting orders; taking rose-silver pots
and copper pans; each having the print
of the Lily of Aurelinaea; from the wooden
shelves, plates and bowls from the cup-
boards; some are stirring soups over
coal-fire stoves; others are dicing carrots,
potatoes, fresh poultry and more.

~ ⚪♫⚪ ~
Esshi, in a light-green off-the-shoulder
dress of rose-silk with a triple ruffle trim,
lined with yellow ribbon, a thigh high slit and
white lilies beadery, is speaking to the head-chef
who nods. "Certainly, Lady Esshi." he says
and turns to his busy staff. "Bring out
the paella pans! We have orders for the
Queen Mother!"
"Yes, chef!" a woman says as she pulls
out a rose-silver paella pan and places
it on the stove. The head-chef turns to
Esshi. "You need not worry, Lady Esshi,"
he smiles. "I will make the dishes with
care."

~ ⚪♫⚪ ~
"You always do, Bael," Esshi chuckles as
he washes his hands and she walks to
the corner, sighing. 'My Lady...'
she thinks worried.
"Lady Esshi?" her thoughts are broken
by a woman's voice. She turns to see a  
florist behind her. 'So lost in thought,
that I did not hear the door open.'

She thinks as her eyes fall on the flower
vase.

~ ⚪♫⚪ ~
The vase is art noveau style; a deep emerald
green with a maiden in flowing silks, her
hair bejewelled with lilies. Esshi's eyes then
rise to look at the flower arrangement - white
lilies with lilac kisses, purple roses and
several stems of lavender.
"Lady Ainhara said I should bring this to you."
"It's lovely," Esshi sniffs the fresh flowers.
"Very beautiful! You certainly outdid yourself.
It's for our young Queen, I take it?"
"Yes. And Lady Ainhara said I should bring
you this also."
She sees her place some paper, quill and ink down
and Esshi smiles.
Hard to believe that this is my 800th poem! ^^
Wow!
Anyway, enjoy part 4! ^^
Lyn ***
The *** Tum Tugger is a Curious Cat:
If you offer him pheasant he would rather have grouse.
If you put him in a house he would much prefer a flat,
If you put him in a flat then he’d rather have a house.
If you set him on a mouse then he only wants a rat,
If you set him on a rat then he’d rather chase a mouse.
Yes the *** Tum Tugger is a Curious Cat—
And there isn’t any call for me to shout it:
For he will do
As he do do
And there’s no doing anything about it!

The *** Tum Tugger is a terrible bore:
When you let him in, then he wants to be out;
He’s always on the wrong side of every door,
And as soon as he’s at home, then he’d like to get about.
He likes to lie in the bureau drawer,
But he makes such a fuss if he can’t get out.

Yes the *** Tum Tugger is a Curious Cat—
And there isn’t any use for you to doubt it:
For he will do
As he do do
And there’s no doing anything about it!

The *** Tum Tugger is a curious beast:
His disobliging ways are a matter of habit.
If you offer him fish then he always wants a feast;
When there isn’t any fish then he won’t eat rabbit.
If you offer him cream then he sniffs and sneers,
For he only likes what he finds for himself;

So you’ll catch him in it right up to the ears,
If you put it away on the larder shelf.
The *** Tum Tugger is artful and knowing,
The *** Tum Tugger doesn’t care for a cuddle;
But he’ll leap on your lap in the middle of your sewing,
For there’s nothing he enjoys like a horrible muddle.
Yes the *** Tum Tugger is a Curious Cat—
And there isn’t any need for me to spout it:
For he will do
As he do do
And theres no doing anything about it!
Don Moore Feb 2016
Part one – The Hedgerow watcher.

He is almost obscured by the Elder branch, which laden with fragrant summer flower heads, casts a shadow on his cloudy features. Nearby, small birds chatter in a hawthorn bush, completely unaware of the figure sitting in quiet deliberation; only his eyes move beneath his darken brows, as he ponders the small animal traffic in the verdant river valley below.

And were you to be hurried, or impatient, and not look too carefully, you would never perceive him at all, so well hidden is he. You would have more chance, if you caught a glimpse of him sideways through the corner of your eye, and even then there is the possibility, you would not believe what you had seen...

His eyes light with golden flecks, as the late evening summer sun, ensnares sparkles off the languid river surface and directs them upwards into the unhurriedly darkening duck egg blue sky. He watches intently as a young female Fern bear snouts her way through and across the lush emerald green grasses just inches away from the river bank, where water voles play, creating tiny V shaped furrows across the shallow stream surface as they cruise the nearly mirror like silver face.

He notices’ that he can see the smoothly pebbled bottom and the rainbow spotted  coloured sides of the almost motionless trout as they hang fins fluttering awaiting the last daytime midges to perhaps drop down and furnish them with one last gulp of dinner.

Native birds flit from branch to branch on the overhanging trees o’er softly trickling water, their tiny songs much muted by the distance, and up above a Buzzard floats on browned wing his eyes trained downwards to impale a darting field vole, which seeks his own dinner of scurrying iridescent Beetle.

A flurry, as a black and red Moorhen jumps onto a small sandy beach at the corner of a turn, long wide toes and even longer legs, carry it up under the curve of bank, as it returns to its night time roost in haste.
A flash of instant Kingfisher cobalt blue and a small fisherwoman arrives upon a twig, her anxious beady eyes blackly spearing the dashing minnows, which with silver sides, play amongst the reeds and gently waving flags.

Part Two - Reynard the sly.

A ripple runs across his hairy back, as upon the delicious breeze, he catches hint of reddish skulking, sulking trickster near, and then from edge of pupil gold, catches merest glimpse of tail held low, as Reynard makes his courtly bow. Neither twitch nor tremor, the watcher makes as deviously this prince appears, his fetid stench announcing him to creatures far and near.

Then slowly as he cowers, the Fox glides by and down the steepest sides, to hope of careless rodent or of bird on nest, that might bring him windfall of instant feast that he may carry for his cubs that play at home beneath the staunchest tree, a woodland Oak of stout and height. They chase their tails in this perfect evening light, but learn of fear and flight, as horn does play upon a Sunday Morn, and colours bright which chase and catch them with some baying dog, not far removed from their much scary plight.

And all along the bottom of the wall, as laid by hand, a hedge pig snuffles for a slug or snail, his attention close upon the leafy mould, and then a surprising squeak as rippling back with reddish fur and chest of white, a family of the weasel exit stone built home and hurry for their evening hunt of beetle, vole or mouse. They disappear amongst the tallest grasses as a damp mound of freshly risen earth ejects the black velvet mole, which sniffs the air before he enters home and tracks the juicy worm back to his lair.

Little by little, so slow in fact, that you would not suspect, the watcher turns his face and looks with wonder to wooded river far, where branches bent create a vault, for shining, winding river run, and there in this, the darkest greenest place he spies a glint of hope as Dragonfly darts its wings a blur, and Mayfly dances beneath its many cathedral branches.
And further still above the trees a line of deepest blue meets lighter blue as sea and sky become no more than one, and smell of salt in distant climes come hither across this idyllic vista...

Part Three – Watcher revealed.

Dog Rose crawls its way across the bushes of the hedge, mixed with twinning convolvulus of purple hue, light green stalked, white capped cow parsley, groups in fading sun, with ragged Robin and dark pink Campion standing proud along with other flowers. Behind the silent Watcher lies a different guise of manmade meadow topped with crop of corn, which yellow in the fading sun, has bread like smell, significant of fresh warm loaves, and Man the farmer, is carrying all his toil, for the harvest of his many labours.

And in amongst this very yield, wild life is binding shoot and ear, as weeds are flourishing with the golden head, but make a pretty sight instead, for walking couple, who do not fear to tread, where woman glides as though a cloud, and pulled along upon her path, a little man who wishes he, was all alone, but must follow in his mother’s stately wake.

Towards the hedge she makes her way, and life goes still and much less vivid, but Watcher never makes his move, whilst beyond the wall the light is dropping further still, he rests his hand on object dear, but still refrains from moving forth.

And just before the barrier itself, she turns her stride and looking north, then moves away along a path, which chosen now will pass all sight, of secret ancient valley. The little man he cannot see what lies beyond his ken, and worries if he misses this, which might be very grand and maybe just beyond this very land. He tugs and pulls his Mother’s calloused palm, and as she continues on her elected special way, for she is old and cannot see, this wonder all around.

The lady now cuts back towards the way she came, and like a ship with boat in tow, she cuts a swathe through sea of golden grasses, and when perchance the little man would look behind to see, if there were aught that he had missed, of life beyond the that wall.

And then, as if on cue, the watcher stands, for he is proud with legs astride upon that hedge, no longer still but raising up, as he does stretch towards the sky, and then with no delay but still with yearning, he lifts up to his lips his instrument of all his learning.

The boy’s eyes are all of shock, for he has seen the Watcher well, half man, half goat, with shortest curling horns upon his almost woolly head, and listens in near rapture as Pan the woodland God, plays a merry breathy tune upon his pipes of river ****. The song is fierce and strong and as the boy pulls hard to stop his mother's walk; he looks away, in hope that he may, in attracting her closer assessment of the apparition, which he has spied in gay abandon, will be more than just a fancy of his dream.
But when he turns his head to take a further glimpse of this sudden ghost, who would be dancing, playing away along a valleys edge, he catches nothing, but the song of bird but which whilst trilling strong, is nowhere near as long as tune in moment gone.

Then in the middle distance church bells as the practice for the Sunday first begins, with peeling clap and stinging ring, and then as if he fears, that he shall never ever see again this horned guise of natural thing. He peers more closely yet again, but all is gone, and though he will return on summer nights, when man not boy he seeks a God, he never ever meets again, the edge to freedom and a God glorious not but never ever vain.
2 condemned males serving life sentences in top-security prison inmates separated by wall and steel cell bars

INMATE 1 (burps loud coarse voice) i have this fantasy of being a hunted outlaw taking my 3 guns and ******* Ford truck driving north south east west robbing convenience stores bars banks people sharp-shooting car thieving running until my time is up like the old west firing pistols wearing a Stetson hat drunk smart-*** talking hanging with ***** bar girls forget about eating just burning a trail (holds metal reflective scrap in hand attempting to catch glimpses of inmate 2)

INMATE 2 (sits cross-legged on floor with palms up resting on knees) too many people are hurting and getting killed right now i imagine if there is a god i’ll bet he or she or it feels weary disappointed disgusted by human kind’s destructive nature

INMATE 1 so what

INMATE 2 i don’t know about you but i miss women their point of view play friendship tenderness nurturing intimacy physical beauty i long for love belonging a woman’s touch her attendance passion the hinge of her thighs licking ******* ****** crave its warm wetness taste smell texture even tongue dipping into **** in a way i’m a total gynephiliac or philogynist

INMATE 1 filojinist huh what are you a professor you ***** son-of-a ***** where did you learn to talk like that tell me professor ever **** on a perfect *****

INMATE 2 most women have some desirability i’ve known many but yeah there was one in particular i remember she was a beaut bulging pelvic bone cute floppy lips eager **** tangy gamey sweet salty flavor just the right amount of furriness lust response flow she’d reach for my ******* and i’d just keep working her getting her hotter taste her ***** taste her *** i was addicted to that woman’s ****** even though she treated me like trash perhaps it was simply an oral fixation or some subliminal need i don’t know our relationship lasted way longer then it should have guess i was kind of drunk on her downstairs

INMATE 1 i never was much of a cooch muncher (flexes arm muscles opens tightens fist) women are cows they give off too many odors plus they always want mommy control no matter how much or what you give them they always want more

INMATE 2 you don’t get it do you the connection between the moon oceans great mother earth fragrance of dirt aroma of rain female beauty you’re a misogynist gynophobe possibly misanthrope

INMATE 1 you use too many big words ******* i hear some women is like how you described yourself some women gets drunk on johnson and nuts

INMATE 2 what are you talking about

INMATE 1 i want to get hooked up with a ***** like that a ***** who’ll lick and **** my johnson and nuts all day long (hand goes to crotch squeezes)

INMATE 2 yes me too maybe we ought to ask ourselves why escapism into ****** fantasy and release is so profoundly vital to our existences

INMATE 1 what

INMATE 2 life sentence means no motive for rehabilitation no hope for redemption how much money does it cost to maintain each prisoner who pays the bills why keep us alive does society honestly believe we pace our confines haunted in regret yearning for inner salvation

INMATE 1 you think they should **** us

INMATE 2 i question the entire punitive system did you ever read Michel Foucault’s Punishment and Discipline the beginning will make you squirm or Franz  Kafka’s In The Penal Colony that horrific carving apparatus

INMATE 1 uuhhh what the **** are you talking about

INMATE 2 i don’t know i don’t understand why i’m locked up in here

INMATE 1 (runs fingers through hair) what crimes did they convict you of

INMATE 2 i tried killing myself so many times they put me on death row i should be free to roam or at worst case scenario sedated in an insane asylum instead they accused me of being a danger to myself and society they said i could injure other people while attempting to destroy myself i drove off a 6-story garage ledge onto a public street below

INMATE 1 is that why you’re in here you silly *** ***** driving off a 6-story garage ledge onto a public street below ain’t no crime hell just reckless driving

INMATE 2 the courts are ******* up judges think they’re celebrities silver-tongued thieving lawyers twist the truth the whole system is corrupted by bribes cover-ups secret deals concealed schemes personal gain collusion fear

INMATE 1 as for me i tortured ***** killed lots of people men women children you want to hear some tantalizing details like the time i ***** killed a mother and her 2 young daughters cut out their warm hearts and ate

INMATE 2 (interrupts) stop you sick animal please stop

INMATE 1 yeah you got a problem with that

INMATE 2 i couldn’t live with myself doing what you did i get skittish at the sight of blood

INMATE 1 you pathetic lightweight i want to stick my johnson up your tight hairy *** so bad (sniffs finger) i want to hear you squeal like a little girl

INMATE 2 sorry to disappoint you but i’ve got hemorrhoids

INMATE 1 French ticklers hell they just make ******* a more interesting sensation

INMATE 2 this is the rudest most repulsive conversation

INMATE 1 what you think you’re better than me just because you’re educated (finger picks nose flicks ****** at wall speckled with many ****** flicks)

INMATE 2 i didn’t say that perhaps morally more reserved why did you torture **** **** people

INMATE 1 it was fun made me feel powerful having control over another person’s existence hey i didn’t ask to be born blame it on my mom people are so ******* up life is a joke i was just trying to help rid the world of all its vermin

INMATE 2 there was a time when i would have considered you psychopathic but in this chaotic shifting flipped out world where reality mirrors fiction and when civilization is insanely vicious fraught with violence guns firing fires exploding extremism prevails criminals scoundrels lunatics govern gang lords rule the streets your murderous vices may serve as grounds for exoneration provided you conduct yourself intelligently you may qualify yourself as an ordinary survivor or possibly even reputable citizen

INMATE 1 what? you’re reasoning i’m normal maybe innocent you’re my main man tell me why you want to destroy yourself so bad

INMATE 2 i think human kind is a curse we annihilate everything and don’t seem to learn change instead we get worse our busy selfishness is a betrayal against earth all the creatures a betrayal against god as a kid the betrayal i felt i knew i could not reveal because it would be a deeper betrayal the neglect and punishment i endured i knew i could not make known because it would only add to the betrayal the rage i felt listening to lies i knew i could not challenge a million lies i did not know how to confront the frustration i now suffer pains me as long as i can remember in my mind i’ve always felt like a prisoner alone in a room no one is coming this twisted despair inside the body of person with suicidal tendencies found guilty sentenced to life incarceration in maximum-security prison doesn’t that sound like a double conviction

INMATE 1 wow interesting ok professor you’re putting me to sleep chat with you later

INMATE 2 you really ought to learn yoga

INMATE 1 voga? what’s that for

INMATE 2 an inner journey a light when other lights go out a way to stay grounded when gravity fails

INMATE 1 sounds like just another jail cell
Poetic T Mar 2015
I cuddled upon it since birth,
It was the friend that kept me
Calm,
Peaceful,
Friend
Of my sleepy times, always there,
But I awoke and Blanky wasn't there
"MUMMY"
"DADDY"
As both ran in,
"What is it our little one"
Tears streaming, words jumbled in emotions
Mummy stroked my hair
Daddy Sshhh....
Sshhh...
Sshhh...
Sshhh...
And all was calm in the world,
B, B, "Blanky"
Has gone away,
Mummy soft spoken voice speaks
"Lets check your bed"
No not there?
"***** trained detective looks around"
Sniffs the air,
Sorry mummy that was me,
Mmm... to the playroom
High,  Low
Here,  there
Places searched but no where found,
His thoughts of blanky and sweet sleep,
As he searches each room, doggy sniffs
Come on Hairy,
He checks his bed nothing but hair,
His baby mind thinks back to the other day
Blanky and me,
Me and Blanky,
To the garden Woof, little fingers can not reach
Woofs hind legs stretch up,
"Good boy Woof"
As the door opens to
The great outside,
Near the sandpit
"No"
Near the grass
"Neither"
Then he spots it
Then its seen,
"Blanky I have missed you"
Hanging just out of reach,
"Detective work is never as easy as it seems"
A baby has skills, as he takes his *****
Sticky patches take hold and on top
Of a head, smelling fresh,
Not that just thumb ****** sleepy smell
But we can change that,
Blanky wrapped around
***** dragging  behind, a  new one needed I think,
"Mummy"
"Daddy"
"Its solved"
The missing blanky case is solved
It was washed, ***** it was once,
But so soft and cuddly once more,
It needs that just slept smell,
A detective is off to get snuggles sleep
Till the next case awaits, till I awaken
Its sheep time for me, goodnight or day everyone sweet dreams.
Another case solved, Special guest appearance Woof as Woof :)
I am myself Feb 2012
Light of my life

Shining bright destroying darkness

Her laughter is healing

Smiles mischieviously

Or just full of happiness

Silly little girl

Ruler of my heart

Dances with flowers

Sniffs puppy dogs

Blue green eyes sparkle with laughter

Babbles until you understand

Dimples form

Mirth overflowing

My name always on her lips

Calling me even when apart

This princess

My treasure

An adorable Klingon

Runs around blowing kisses

Singing, talking always making noise

Sweetest sound in the world

Curious, afraid of nothing

Exploring everything

Climbing tables instead of trees

Someday the tallest trees will be yours to conquer

But for now

Rest peacefully in my arms
I'm the morning whisper that punches you in the gut
the winning lottery ticket that you didn't buy
an inconvenience with impeccable timing
the drinks you spill on nameless lovers
i'm the giggle when a dog sniffs your hand
i'm a naked water fight in January for no reason
i'm cold pillows shaped like a former lover
your favorite t-shirt when it's lost
and found
the drip drip in the sink when you wanna sleep
the creepy crawlers you can't shake
the colorful wrapper with nothing inside
a no vacancy sign at the end of the road
your vulnerability when you're most tender
i'll call you names when you're not looking
look at you funny when you're not listening
i'm the sense that doesn't make,
the only sense there is
i'm your senses when you want to shut me out
the wrong L-word at just the right time
i'm your second chance when you need a third
the maybe, when you really wanted a yes
i'm what feels your pain
the broken promise that brings you more-
pain
what turns the tide when you're not looking
i'm a moonlit midnight swim
i'm sometimes ****-naked
your favorite shade of lipstick
i am your guardian angel
the absence you hold
i'm the scenic route after a bump in the road
the sunset drive that saves your soul
i'm the texture of wet sand between your toes
the burn in every tear you've cried
i'm the vintage dresser you found on a rainy day
the song you hate, stuck on repeat
i count the palm trees when you're not looking
i forget lovers lost and found
i am the one who messes up your hair,
just to dry your tears
i am the vault of all your deepest darkest secrets
always inconvenient and never around
i'm laughter when you least expect it
the 4 am call you don't wanna take
i'm the mirror that sells you lies
the denim shorts that makes your **** look really cute
i'm the cherry (on your wedding dress)
a joyride and a swing-set all in one
i'm what turns you on
what turns you away
i'm your throne
your downfall
your ecstatic,
uplifting
wonderful
life.
Odysseus struggles needs to prove to himself world he is talented painter determined to achieve recognition goes from art dealer to art dealer seeking support one dealer says Schwartzpilgrim stop changing settle on 1 style you can be known for what you’re doing now is good stick with it call me in 6 months with 300 drawings just like these another dealer says Odys you must learn great art is a **** beneath bed sheets another dealer says Modigliani knew how to paint flesh paint like Modigliani you need to learn more about painting Schwartzpilgrim you’re too young inexperienced another dealer says thank you for your interest in our gallery we’re not taking on any new painters at this time Odysseus knows there are people so much more talented better looking than him he feels inadequate intimidated

thinks to himself sister Penny is right female wish list is curse Bayli haunts she alone always be my ideal until i met Reiko Lee now Reiko Lee Furshe holds me captive i long for her voice eyes shoulders wiry delicateness crazy outrageous humor fiery ****** appetite i need to tear apart wish list leave myself open need to learn to seek inner beauty let anatomy fall where it will need to cultivate new standards it’s difficult to see with different eyes i am so biased how do i do this?

Odysseus muses with Reiko’s ghost 6 months since separation lights candles burns incense opens bottle of red wine pours glass for her and himself sips watches her glass while he makes toasts speaks elaborately of her beauty charm cites reasons why each of them does not need the other why couldn’t you have been the one? what is it about me you didn’t like? what did i do wrong? pours another glass begins talking louder ending in rage why aren’t you here? why? what went so terribly wrong? i love you where are you? how come you’re not here with me tonight? looks at her glass sees she has not even taken sip feels slightly drunk fearful he has sunk too deep  gets up staggers to bed sniffs blanket for traces of her tonight is their anniversary his only excuse

telephone rings sometime in late july hi it’s me Reiko how’ve you been Odys? he questions Reiko Lee? uh yes Odys it’s meee your stray puppy Reiko’s voice sounds playful tender Odys are you there? what’s up? let me come over **** and ******* please he speaks into receiver Reiko Lee is dead hangs up wonders if he has done right thing paces room writes a woman like that you tell yourself you do not need  ignore her deny her let her pass because if you admit how much you want her you become fugitive in chains running from dogs men with guns a woman like that is all you need a woman like that is motive seed chance of a lifetime a woman like that takes chances at twice your speed a woman like that keeps you guessing hoping waiting a woman like that leaves you destitute you cannot have her because she possesses you a woman like that is a wanted woman

decides to move finds new place blocks away apartment on lill street changes telephone number in his heart he knows nothing more thrilling beautiful than joyous girl yet he attracts women who seek abuse because they see themselves in him because he lets them try to mend his abused mind because he misuses them so well reaching finding joyous girl looms impossible breakup feeds venting bitter fires

the most dangerous woman eludes meall other women are too attainable chinese green tea gestapo limousine it doesn’t matter that you don’t understand that is the line darling dangling darjeeling your lips bleeding your ***** on fire imagine i am running sprinting in relay race just up ahead i’m about to pass baton this is life expectancy of poet indonesian cigarettes made of clove leaves i held your wrists pinned your fragile body to floor strummed you like guitar while other men looked on i knew one of them would take you next

miranda comes out on verandah with lemonade on hot summer day hair blows free in breeze leans back against beam softly hums inside time bomb ticks somewhere fly caught in room knocking itself against window ricocheting off corners  buzzing crisscross ceiling floor miranda sips just enough so lips are wet eyelids flutter like butterfly wings ******* swell in heat of midday sun she calls to us with hand stirs more sugar in lemonade late afternoon when fly is caught entangled in spider’s web buzzing is muffled ice has melted lemonade watery we are dozing in hammocks rocking chairs miranda is changing dress perfuming thighs crafting character in mirror screen door slams she looks up recognizing it is only wind sun is sinking orange ball spider crawls fixing aim grabs thread swings in for **** we are passed out in grass at dusk lights around verandah beam on miranda appears wearing low-neck dress with one strap down breath heavy with anise invites us inside giggling shyly as we follow timeless newsreel vision men hard at work war room spins as fly ***** desperately spider opens legs miranda lies arched on bed eyes weaving

he gets drunk loudly sings she must be some kind of witch flying in the wind she must be some kind of ***** to dig this grave i’m in he rhymes it was just another **** stunt forgive me for speaking so blunt she was just being a lady no need to get crazy it was just another **** stunt he scribbles she gets ****** hair styled eyebrows plucked nails done walks out new woman miss fox Mrs. G. Fox madame de faux meeting the girls for lunch wearing her pearls writing her name in swirls talking up a storm pack of women is worse than pack of hungry wolves wolves stop at carrion women carve combs out of bones

Cal is driving Odysseus sits in passenger seat heading to pit & pendulum for cocktails it is raining down hard Odysseus looks out beyond sweeping windshield wipers sees red cowboy boots the ones they found together at flea market there she is Reiko Lee Furshe arisen from wasteland Odysseus tells Cal to stop car turns to see her she is running across street his hand reaches for car door handle what’s happening? Cal demands are you there? i can’t stop cars behind me! this is crazy Odys what’s going on? i’m not stopping! Odysseus stares through rear window frozen watching her disappear behind red brick wall in pouring rain

ghost girl it’s difficult to write in comatose passage apart i am in theater of mirrors with empty seat beside me black hole inside me itinerary of fears i’m seeing dancer but haunted by you look in your eyes smell on your fingers clonking up stairs of your wooden clog shoes feelings we dared plans we knew might never come true la laahh la lay la lay dee la lady of shady lagoon weeping willow pisces moon like India ink you’ve left indelible stain i fumble in dark of empress’s tomb like necrophiliac i grip onto memory stroke ashes of you lantern licorice amethyst bone you are gliding in your canoe cutting through mist swirling whirlpools that untangle themselves behind you dancing nearer to flame la shady lady does pirouettes in rain
Zywa Oct 2022
He sniffs and he *****

all air out of the bedroom --


Open the window!
Father on his deathbed

"Je leek met ieder" ("You seemed with every", 1990, Michel Bartosik)

Collection "Stall"
Ken Pepiton Dec 2020
Well, if my attention is all I own, and may
self generate, in return for
earning,
learning or reacting to mazing devices for
finding why I choose

if my will is surrendered to chemistry,
where is the code
hat keeps time
n chnce missing random keys in random lines?

WHY must I never forget how to ride a bike?
How can I ever forget U, U'

facing front from the first learned cross,
any color works, Mondriaan sub-'tility
be not decieved of the
more than 43 quintillion ways to scramble a Rubik's cube,
of all those,
there is only your definition for the right state to prove, if you wish
there is a perfect mix,
equally tricky,

beguiling, in fact, to watch a seven-year old on Adderall do this.
Glorying in seeing my grandson solve a three by three puzzle as his Daddy
silently -nearly, watches saying see, see, saying over and over see, ah shhh, seee -- neither are on Adderall... poetic licensee not biografee.
five minutes, by the cloud's clock.
Cné Sep 2017
The smallest microbes cause a fit,
in misery it dwells.
It starts with sniffs and then a sneeze
then sinus membranes swell.

My head begins to throb
and soon my eyes begin to water.
I feel the clammy chills but soon
I find I'm getting hotter.

I cannot rest my head because
I think that I might drown.
You'd think they'd have a cure by now
but colds are still around.
Ive been under the weather
but feeling much better
Jillian Jesser Oct 2018
Silly bunny burger boss,
hops through the flowers and the frost.
Sniffs a carrot,
maybe two,
Then makes up a gift for you!
A little song,
That goes like this,
"I am the bunny burger boss,
now, from me,
here is a kiss!
I do not always sing a song,
but now, I ask, you sing along!
I am the bunny burger boss
my heart is large and full!
My tail is small,
a ball of fluff!
On days like this, so cool,
I hop hop hop
up to your feet,
and sing and dance for you!"
Now and then
this burger boss
though gay and bright, it's true,
get's lonely and sits off on a stump
thinking of what to do.
On days like this
When bunny's sad
he hears a hum
from forest near
and turns and sees
a lark is perched
on a branch out in the clear
he hears the tune
a bunny song, it's true
about a bunny burger boss
who has a song for you!
So when you are so sad and low
and life's got you feeling blue,
Think of bunny burger boss
and the song he shares with you!
IF we were such and so, the same as these,
maybe we too would be slingers and sliders,
tumbling half over in the water mirrors,
tumbling half over at the horse heads of the sun,
tumbling our purple numbers.
  
Twirl on, you and your satin blue.
Be water birds, be air birds.
Be these purple tumblers you are.
  
  Dip and get away
From loops into slip-knots,
Write your own ciphers and figure eights.
It is your wooded island here in Lincoln park.
Everybody knows this belongs to you.
  
  Five fat geese
Eat grass on a sod bank
And never count your slinging ciphers,
    your sliding figure eights,
  
A man on a green paint iron bench,
Slouches his feet and sniffs in a book,
And looks at you and your loops and slip-knots,
And looks at you and your sheaths of satin blue,
And slouches again and sniffs in the book,
And mumbles: It is an idle and a doctrinaire exploit.
Go on tumbling half over in the water mirrors.
Go on tumbling half over at the horse heads of the sun.
  Be water birds, be air birds.
  Be these purple tumblers you are.
A A Feb 2018
Tell me,
How many sips does it take,
How many puffs does it take,
How many pills does it take,
How many sniffs does it take,
How many needles does it take,
To feel the way I do?
For Grace Bulmer Bowers


From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,

through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;

down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.

Goodbye to the elms,
to the farm, to the dog.
The bus starts.  The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.

Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;

the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.

One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.

A pale flickering.  Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.

On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.

A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night.  Yes, sir,
all the way to Boston."
She regards us amicably.

Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.

The passengers lie back.
Snores.  Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .

In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices

uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;

deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.

He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.

"Yes . . ." that peculiar
affirmative.  "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."

Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.

Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.

A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.

Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."

Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"

Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?

"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,

by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
BOX cars run by a mile long.
And I wonder what they say to each other
When they stop a mile long on a sidetrack.
  Maybe their chatter goes:
I came from Fargo with a load of wheat up to the danger line.
I came from Omaha with a load of shorthorns and they splintered my boards.
I came from Detroit heavy with a load of flivvers.
I carried apples from the Hood river last year and this year bunches of bananas from Florida; they look for me with watermelons from Mississippi next year.
  
Hammers and shovels of work gangs sleep in shop corners
when the dark stars come on the sky and the night watchmen walk and look.
  
Then the hammer heads talk to the handles,
then the scoops of the shovels talk,
how the day's work nicked and trimmed them,
how they swung and lifted all day,
how the hands of the work gangs smelled of hope.
In the night of the dark stars
when the curve of the sky is a work gang handle,
in the night on the mile long sidetracks,
in the night where the hammers and shovels sleep in corners,
the night watchmen stuff their pipes with dreams-
and sometimes they doze and don't care for nothin',
and sometimes they search their heads for meanings, stories, stars.
  The stuff of it runs like this:
A long way we come; a long way to go; long rests and long deep sniffs for our lungs on the way.
Sleep is a belonging of all; even if all songs are old songs and the singing heart is snuffed out like a switchman's lantern with the oil gone, even if we forget our names and houses in the finish, the secret of sleep is left us, sleep belongs to all, sleep is the first and last and best of all.
  
People singing; people with song mouths connecting with song hearts; people who must sing or die; people whose song hearts break if there is no song mouth; these are my people.
Tyler Zempel Dec 2018
The Abuser

Driving down a quiet road just leaving my job at the *******,
looking forward to going home and taking a relaxing hot bath, I’m in need of a good scrub
since perverted old men enjoy putting their hands all over my assets while providing them with a lap dance.
At least I don’t have to follow a script during my dance and am allowed to freelance.
I make great money and enjoy a relaxing life that didn’t come about due to circumstance.
It happened because I wasn’t afraid to step out of my own shadow and take a chance
on myself, that I’m sure through the eyes of judging others will be wrote off as melancholy happenstance.
**** them, my life is great besides missing a bit of romance,
and besides, these same judging ******* always come to me looking for a quick cash advance.
I’m financially set with a nice house and car all at the age of twenty-three.
Kiss my ***, kiss my feet, bow down and ******* worship me!

My attention is brought back to reality as red and blue lights begin to flash behind me.
A cop is right on my ***, I guess I must have been driving a little too carefree.
I quickly pull over hoping to get a quick ticket and get on with my night.
Hopefully he’s a nice cop and not one of them rude one’s who’s always pulling people over looking to start a fight.

The officer approaches my window; taps on it to indicate he wants me to roll it down.
I quickly roll it down and force a fake smile trying hard not to frown.
The officer asks me if I know why he has pulled me over.
I tell him I assume for speeding, apologize and tell him I should have been driving a bit slower.
The officer shines his flash light into my face and tells me speeding, and I crossed the center line some little ways back.
He tells me my eyes are red and my car has an odor that smells like I’ve been smoking crack.
I tell him I’ve just got off work and I’m not on any drugs or alcohol, that my eyes are red from being over tired.
He gives me a glare that tells me my answer came off as uninspired.
He asks me where do I work since I’m getting off very late.
I tell him I work at the ******* and that my shift was supposed to end at eight,
but a girl called in sick so I had to stay to cover for her.
I’m completely sober and just tired from a long day of work I reassure.

I officer asks to see my I.D.
He looks at it quickly then asks me to step out of the vehicle.
He leads me to the back of the car and has me lean against the trunk.
He asks me one more time if I’m on drugs or drunk,
then asks if he can search my car.
I have nothing to hide so I say yes trying not to act bizarre.

The officer begins searching my car starting in the front.
This is all a little bit extreme to be blunt.
He has no reason to suspect me of any wrong doing besides driving a little bit too fast.
Whatever, I’ll just play along with his stupid game and comply with every demand he asks.

A few minutes later the cop exits my car and approaches me carrying a bag filled with a white substance.
He tells me he found a bag of ******* in my car and that I’m busted.
“*******!”  I yell, “I have never done ******* in my life, you planted that bag in my car!
Hell, the only drug I’ve ever done was some **** in the bathroom of some run-down bar.”

The cop, now angry, grabs and twists my arm turning my body around so I’m facing the trunk of my car.
He forces my head down hard onto the trunk and whispers into my ear, “you’re lucky I don’t light up a cigar,
and place it against that pretty check of yours until it’s nice and burned.
So, here’s a lesson you need to learn,
never, and I repeat never, accuse a cop of planting drugs on you.
You are in a world of **** right now and your future is not looking good,
so, if you want to get out of this with your freedom intact, play along with my game and I’ll let you out of my neighborhood.”

The cop places one of his hands on my *** and begins to feel it up.
He tells me I have a fantastic body and can get out of this mess by exploiting my goods.
“I know a quiet place we can go to where you can use your ***** holes to pay off this debt you find yourself in.
You’re in for a treat yourself, I still have my *******,
and have a nice 8-inch mass that knows how to please you like a man and not like the little boys I’m sure you’re use to *******.
So how about we go to this quiet place I know and you can start this session off with some *******.”

I tell the officer I’ll do what he wants.
I just have to keep my cool and act nonchalance.
The cop laughs and smiles and says we are going to do this his way.
He tells me finding me tonight has really made his day.
He places his cuffs on me and leads me to his patrol car,
where he places me in the back seat next to an acoustic guitar.
He tells me the place he knows is just a few minutes away,
so, it will only be a short period of time before we can begin our play.
I tell him that’s great news, because between you and I, the sooner I’m out of this situation, the better,
then I can begin my own endeavor.
I’m going to go after him for what he’s doing to me here tonight.
Abusing your power, regardless of your positon is so not right.
He has way too much confidence that he will get away with this, that leads me to believe this is not the first time he has done this.
I’m sure most, if not every night while on patrol, he pulls over a young unsuspecting girl, sets her up and forces her legs to do the splits.
They are ***** and probably too terrified to ever speak up.
Well I’m not terrified; I will have my revenge.
Go ahead set me up with a bag of *******, use that advantage to **** me, but in the end, I will be the one laughing at your trail,
as I testify against you so you are locked away forever for your heinous crimes!
---------------------------------------------------------­----------------------------------------

The patrol car pulls up and parks in front of a dark, seemingly abandoned house.
The officer was right, it only took a few minutes, all the while he ran his mouth off about the *** I was about to experience with him while I remained as quiet as a mouse.
The officer gets out of the car and walks to the back of the car where I’m located.
He opens the door, guides me out still in cuffs and tells me not to be afraid.
I’m not afraid you *******, just upset a man of the law would do such a horrible thing to an innocent person.
I hope once exposed to the light of the world, the knowledge the world will have of your misdeeds will cause you a great burden.
I hope you suffer greatly for your perversions,
and suffer so dearly that not even the holiest of sermons
will be able to soothe your heart and end the hurting.
What you plan to do to me certainly leaves my heart burning.
One thing is certain,
contrary to what you believe, I’m not so inclined towards introversion.
And after I expose you, my actions will be viewed as a public service.

With the officer pushing me along, we make our way to the front of the house where I notice and house has been sealed off with police tape.
Wait…I know this place, it’s been on the news, the sick **** is taking me here to carry out his ****?

The officer takes out a key and opens the front door to let us in.
Once inside, I notice him supporting the largest of grins.

“I know whose house this is officer…I’m sorry I didn’t even get your name.”

“And my name you won’t get and if you think you’re so smart, then whose house is this?”

“This house belongs to Chris Morris, the man who took two young girls prisoner and ***** them repeatedly.
And you brought me to his house to carry out your own ****, do you always act so conceitedly?”

“I brought you here because the house is closed off and no one will discover us here.
It’s a good place to go to if you just want to disappear.”

“Speaking of this house, did you guys ever find Chris Morris?”

The officer walks into the kitchen intentionally ignoring my question.
He opens the refrigerator and cracks open a beer as I await his confession.
He walks up to me and stares into my eyes with a blank, soulless expression.
I’m not sure if he’s about to act calm or explode on me in a fit of aggression.
He’s staring into my soul and sipping on his beer like I’m his obsession.
This ***** sure decided on the wrong profession.
He should have gotten into **** and acted out some **** fantasies if this is his thing.
He does have a huge ego, likes to be in control and probably views himself as a king.
I wonder what he would enjoy more, pressing his lips against mine and kissing,
or by being a sick **** by placing me on my knees with my mouth open with him above me *******.

He finally speaks, “We will find Chris Morris, don’t you worry about that.”

“I don’t understand, how did you guys managed to find the two girls but lose the suspect?
You should have had someone tailing him constantly to make sure he didn’t go unchecked.”

“He wasn’t here when we discovered the girls and he hasn’t been seen since.
If you ask me, he probably fled and country and is now hanging out in some **** hole place like Port-au-Prince.
Enough of your questions, now we are going to start this session off with me snorting a line of ******* off of your ***.”

“So it was your *******?”

“Of course it’s mine, it’s my dark secret, besides taking advantage of hot young women.
Now let’s go see how good your ***** is since it is the way you make your living.”

“I’m not a prost…”

The officer slaps me and pushes me forward towards the master bedroom where I’m sure Chris had his share of fun.
How I wish I could make a break for it and run.
The officer forces me into the bedroom where he pushes me violently onto the bed.
He laughs and tells me I’m about to be bred.
He uncuffs me just long enough to turn me onto my stomach and re cuff me to the bed posts so I have no way to escape.
He pulls my leggings down and off of me and tells me my *** is in perfect shape.

He begins licking my *** checks while rubbing his fingers against my ***** before removing my thong with his teeth.
He moans softly to himself at the sight of my naked bottom and takes a deep breath.
He takes out his bag of ******* and lays out a line on my naked ***.
He at least could have provided me with some high-quality grass,
so we would both be on the same level for this encounter.
I guess he only cares about himself and having his way with my precious flower.

The officer places his nose on my *** and sniffs the line of ******* up as fast as he possibly can.
He shoots up quickly and yells “Whooooo!!!!!” Pleased that everything is going to plan.
He tells me he wants one more line so he places another on my *** and sniffs that one up as well as quickly as possible,
all the while I remain cuffed to the bed acting docile.

The officer gets behind me and begins licking my smooth ***** with his tongue.
He has to be in his mid to late 40’s, but he likes his women young.
He sticks his tongue all the way inside me and begins tongue ******* me over and over again.
He mumbles, “you taste so good I want to take you and get married to you in Spain.”

For what seems like 20 minutes he goes to town licking and tongue ******* me.
All I can think about is how I want to **** him and dispose of his body in the sea.
Now tiring of eating me, he pulls his tongue out of my ***** and puts yet another line of ******* on my ***.
This man truly has no class.
He snorts the third line just as quickly as the first two,
then climbs up onto the bed and whispers into my ear that he’s ready to turn my ***** black and blue.

The officer takes off all of his clothes then mounts me from behind.
I hope I don’t get pregnant, is all that’s going through my mind.
I’m not on birth control and he plans on finishing deep inside me.
If only there was a way to break myself free.

The officer now rock hard shoves his eight-inch **** violently inside me.
I let out a loud, pain filled moan as he lets out a laugh in glee.
He tells me I’m super tight and feel great as he begins to breed me harder and faster with each ******.
This is why police are so easy to mistrust.
They can’t follow the laws they are sworn to follow and protect.
Not all are bad but most are, I know I’m correct.

After a few minutes of increasingly violent thrusting, the officer stops ******* and tells me he’s in trouble.
Without warning, he falls off of the bed and lies motionless on the floor.
The ****** just overdosed and died on *******.
That’s what he gets for not using his brain,
however, I’m still cuffed to the bed with no way to break free.
No one is around to even hear my pleas.
Not a single living soul knows I’m trapped in this house.
No one at work will even know I’m missing until tomorrow night but will have no way of discovering my whereabouts.

HOW THE **** DO I GET OUT OF HERE!
I’M GOING TO ******* DIE HERE!
WHAT THE **** HAVE I DONE TO DESERVE THIS?
THIS IS THE ONLY ******* SCENARIO WORSE THAN BEING *****.
I’m stuck here…
I’m stuck here…
Sharina Saad Sep 2013
in between my eyes
my pointed nose
sniffs nothing but you...
alcoholic unpleasant breaths...

Alcoholic visions
sigh across screens
as language blurs
Talking nothing but nonsense

***** vision violently
soaks rough atmosphere,
heads explode, chaotic manners

Alcoholic dreams
travels around the globe
in similar destinations..
the filthy old bars...

The sweetest red wine
soon sours and rot
under an icy glare.

a shot of *****
allows sanity to sharpen
it's dainty claws
feasting on thoughts

How is alcohol good?
Tamera Pierce Apr 2016
Every sunrise brings a wave of hurt to wash over me like a typhoon.
Every sunset brings my regrets to come rest like bricks on my shoulders.
Threatening to snap  my spine in two.

Every doubt comes and shackles to my ankles.
I let the metallic taste melt into my blood stream and become part of me.

Every noise shatters my ear drums and sends shocks through my body.
They leave burns streaked across my body like tattoos.
Tattoos that won't wash off in the sink.
They won't fade with time.
Tattoos that remind me who I am.
...Or used to be.

Every blade of grass cuts my feet like words cut my back as you stuck each one in with precision.

Every car drives away with my hopes and dreams buckled in the back seat listening to the radio.
Singing every word like they can't hear me crying for them to return.

Every cloud rains on my mind like acid that pours from the bottle into his glass.
Like hatred onto the plate that she sniffs.

Every warmth I feel drowns in my sorrows like I drown in the typhoon that lays at my feet.
I will always have my tattoos.
a memory of myself.
...or used to be.
I don't want to be here.
I feel it in my mouth
Like a drink I can't
Bring myself to swallow.
An uneasy feeling
When I meet flashing eyes
And see lips curl in a sneer.
I don't like these people.
They don't much like me either.
Flat-screen televisions blare nonsense
Consumers bustle in
Sell sell sell
Buy buy buy.
Sniffs of disapproval
A burly manager with his finger in my face
This is how it is to be done
No personality
No individuality
Sell sell sell.
Welcome to retail.
What large, dark hands are those at the window
Lifted, grasping in the yellow light
Which makes its way through the curtain web
At my heart to-night?

Ah, only the leaves! So leave me at rest,
In the west I see a redness come
Over the evening's burning breast --
For now the pain is numb.

The woodbine creeps abroad
Calling low to her lover:
The sunlit flirt who all the day
Has poised above her lips in play
And stolen kisses, shallow and gay
Of dalliance, now has gone away
-- She woos the moth with her sweet, low word,
And when above her his broad wings hover
Then her bright breast she will uncover
And yeild her honey-drop to her lover.

Into the yellow, evening glow
Saunters a man from the farm below,
Leans, and looks in at the low-built shed
Where hangs the swallow's marriage bed.
The bird lies warm against the wall.
She glances quick her startled eyes
Towards him, then she turns away
Her small head, making warm display
Of red upon the throat. Her terrors sway
Her out of the nest's warm, busy ball,
Whose plaintive cries start up as she flies
In one blue stoop from out the sties
Into the evening's empty hall.

Oh, water-hen, beside the rushes
Hide your quaint, unfading blushes,
Still your quick tail, and lie as dead,
Till the distance covers his dangerous tread.

The rabbit presses back her ears,
Turns back her liquid, anguished eyes
And crouches low: then with wild spring
Spurts from the terror of the oncoming
To be choked back, the wire ring
Her frantic effort throttling:
Piteous brown ball of quivering fears!

Ah soon in his large, hard hands she dies,
And swings all loose to the swing of his walk.
Yet calm and kindly are his eyes
And ready to open in brown surprise
Should I not answer to his talk
Or should he my tears surmise.

I hear his hand on the latch, and rise from my chair
Watching the door open: he flashes bare
His strong teeth in a smile, and flashes his eyes
In a smile like triumph upon me; then careless-wise
He flihgs the rabbit soft on the table board
And comes towards me: ah, the uplifted sword
Of his hand against my *****, and oh, the broad
Blade of his hand that raises my face to applaud
His coming: he raises up my face to him
And caresses my mouth with his fingers, smelling grim
Of the rabbit's fur! God, I am caught in a snare!
I know not what fine wire is round my throat,
I only know I let him finger there
My pulse of life, letting him nose like a stoat
Who sniffs with joy before he drinks the blood:
And down his mouth comes to my mouth, and down
His dark bright eyes descend like a fiery hood
Upon my mind: his mouth meets mine, and a flood
Of sweet fire sweeps across me, so I drown
Within him, die, and find death good.
Andrew T Apr 2016
When Napoleon walks into my house, he doesn’t shake my hand
Instead he nods, clears his throat, and says my other name, “Thien.”

“Chu,” I say. He sniffs the air like a K-9 from Denmark,
presses his lips into a line, like one found on a blank page,

like one found on a mirror, and like one found in McDonalds.
He smells the smoke from the Marlboro lights on my black-Tee shirt.

I reach into the pocket of my trousers, searching for cologne:
Tommy; ocean; breeze. It’s lost. I mutter, “son-of-a-bi—”

Chu stares, tries to punish me. I want to laugh, want to shrug.
“Anh-Thien,” says a young voice. I close my eyes. And see my cousin.
Melissa Dec 2012
Warm sweet chai melts these frozen days.
Blankets and books-  smells of musky pages and spice invade my nostrils.
I am home.
Our cat sniffs the air and then sleeps, his paws pushed under the radiator,
he hums a deep contented purrr.

We feel the same.
Ashtyn Burk May 2014
She scars on her body,
scars on her heart.
They bleed for him,
But he was too blind to see.
While he picked the **** over her,
He breaks her even more.
Her love for him was rejected,
By his ignorance.
While she sits in her room heartbroken,
He's out partying with ****.
She's planning suicide,
He's  doing drugs and having a good time.
She swollows a bottle of pills,
While he sniffs a line of coke.
She's slowly dying,
He's  slowly feeling alive.
She's dead the next morning.
He went to school and find out about her suicide,
He  was starting to wishes was there for her last night but he was too stupid getting high
They found her note the day before her funeral,
She told him that she love him.
At her funeral, everyone came.
People who were never there for her, acted like they were.
Later on he realized his feelings for her,
You loved her.
But it's too late.
He now has scars on his heart too.
{~A.T.B~}
soul in torment Sep 2013
in Scotland fair you must beware
the weathered moor at night
For it is said a thing of dread
hunts neath it's pale moon light

It's small and stout and loves to shout
and scare the tiny mice
It kicks the trees to wake the bees
because it is not nice

it runs amok through herd and flock
and makes the chickens fly
Then opens gates and shakes lose slates
and takes pigs from the sty

It up roots crops and spills the hops
and dances in the flour
Though rarely seen its really mean
and turns the fresh milk sour

It squashes flat each butter pat
and mixers wheat with grain
then ups and screams to spoil your dreams
and runs away again

The Haggis see is wild and free
and likes to cause such fun
Breaks traps and snares and frees the hares
and helps them to their run

The hunting hound that sniffs the ground
Will never find his scent
because he sweats sweet Vi-o-lets
to cover where he went

The Heathered moor and rains that pour
wash away his tracks
and he's not scared he is prepared
for haggis run in packs

With teeth and claws and snapping jaws
they are a sight to see
So think before you seek that moor
where they run wild and free
Lotus Aug 2012
Posing squirrels
Legs crossed
Hands on hips
Chins held high
And a smile to drive
Your mind like
A merry-go-round!

Talking trees
Strong limbs
Thin and thick
******* for more space
Their high and low
Pitched voices
Sending thunders through
The ear-holes  
Of birds
Zigzagging
For escape
Through the branches

Dancing water
Taking form of the
Most beautiful treasures
The eye can behold
Then suddenly transforming
To a most frightening sight!
In one moment
A nymph strumming the
Horse gut strings
Of an oak guitar
An instant later
A giant serpent
All slim and
Venomous goo
With the head of
The death crone
The legs of a
Rooster
It's iguana tongue
Searching for
Your face!

You look at your own
Reflection in the mirror
You try to speak to
Yourself
Only you have
No mouth
No ears
No nose
No taste or voice
No ability to listen
No smell
But what's this!?
You ask...
My reflection has all these things!
And with the
Evil jest of a
Jealous twin
Your mirror self
Mocks you!
Poking out her tongue
Dancing to music
You can't hear
And making exaggerated
Sniffs of the
Perfume air...
All this
with only your
Eyes to see
What a nightmare!

Thank nature
Our imagination
Roams free in our head
Not physically in our world!
If that were the case...
What kind of world
Would we live in?
Skeletons wearing
Coconuts
Singing karaoke...
Hummingbirds
******* the juice
From our eyeballs...  
Again I say
Thank nature
Our imagination
Roams free in our head
Not freely
In our world!


*Inspired at a festival, while
I observed all the fun happening around.
Kara Rose Trojan Jul 2015
I don’t write about my Dad or God so
I will write about how
Moses told all the Jews to slay a lamb, take the blood, and paint its blood around the doors
so that the Angel of Death may Passover the marked houses.

The story goes that Dad (or God) was
Wobbling down the street with heavy breathing like a deflated walrus washed on shore,
kneaded jowls bouncing beneath his jaw with each bouncing step,
Because he had to order special shoes for his diabetic feet.  
When he stopped in the middle of the sidewalk and collapsed beneath
The L train and curious stares blurred against a man’s fight to live.
Fiddling with either his rosaries or toolkit or pants or
Phone or newspaper or lungs or shoes or inhaler
And I’m sure they’ve seen him before,
But I’m sure this time it was different –
They would have a story to tell to their co-workers and loved ones
About their walk on the sidewalk by the hospital
Where an old man collapsed
And they would echo the words, “Count your blessings,”
But have no idea what that means.
He was dead for two minutes and had bleeding on the brain.

This is about more than just myself
And him
And the way he made me feel.
This is also about the man next door to him
And how I came to learn to never talk about my Father or God.

It is a Saturday morning with snow on the ground
And there is guilt frosted on my back
I have not moved in a few hours (perhaps years)
And there are tubes like translucent octopus straddling his mouth and mounting
His chest
As it rises – and breaks – rises – and breaks (so romantically)
With each second beep of the heart monitor.

In the general waiting room, some men and women arched in their seats with gleeful excitement
And balloons and footies for newborn babies
to deposit
Something hopeful and crisp into the umbilical residue.
So as to mask the horrors of what human health really is.
Staring at what is truly written as if the “I” myself
Is too special to suffer.

And, then, there is the man (stranger) with a smile
Too transparent against the masks bouncing robotically in the foreground
The man (stranger) –
he asked me if he was ready to
Make count with his major failures and major contradictions,
Thereby ready to vacate (physical) body (earth)  
up to the Lord. He spoke to me about The Lord as if I never knew him,
never knew his stripped promises of salt statues
never knew the bent knees and heads during Mass
stripped away the infallible memories of people
of people
who knew no better
yet checked each other
to thank him for their
chosen suffering.
never knew the responsive sweat dotting HELP along new mother’s brows
never knew the elegance of bliss/love during *******  
never knew the muddy feet of a wretched child clambering between belts.
never knew the frantic swerve of hurried fury from a coat’s hem.

my brother said he was going to
time how sporadic, chaotic, hypnotic
My three-year-old haunches switched up the stairs –
Animal-like, on all-fours,
swiveling from one grimy patch of
cement-splotched carpet patch to
the frozen barbecue-sauce colored tile at the front door to
another grimy-cement colored carpet patch to

the tacky, stuck-together carpet-hairs hardened by dish-soap calligraphy –
combed the S.O.S. message I crafted one hot, sticky June evening
after slapping the ***** of my feet into mud
then tracking pawprints through the kitchen door,
transcribing my help-yelps as Dad’s belt cracked –


Climbing then freezing at rage’s zenith,
His face contorted like gargoyle-wrinkles deepened with sweat
broken peals of thunder-skin splitting like a river’s delta through the house
Flooding pockets of silence then bursting with a child’s sniffs
since crying never helped me, anyway;
undeniable red-shame pooling split skin after each crack-smack
doubled back then cooled its buckle on his thumb.

With comfort, Aunt Joan assured me: “Love is
the second most mispriced of human goals.”
What’s First? “Liberty.”
So I’d lie amongst the dishsoap-doodles
     like Alice in the daisies
Limbs outstretched --
          like DaVinci’s Millenial Man
     or
           Jesus on the cross  
     or
           hopeless girl losing her virginity
     or
          Ma reaching towards the door lock
     or
          McMurphy post-lobotomy
     or
          Santiago dreaming of Lions on an African beach
     or
          fireworks blossoming against an emptied sky --
And trace the cracks in the ceiling with the blue veins on my arm,
like
       roads on a map;
I'd mouth the names of places I'd never seen/heard of but
       I would go in my mind –
The mountains I’d climb steady on all-fours, switching my haunches
As if Escape was the warm, fuzzy world only children would dream of -- then linger with their eyes shut to return there -- hidden beyond the garden of Love and Liberty –

No, sir,
        No, man,
        No, stranger,
                I never knew there was such a way.
-- how could I go undone?
He hogged the conversation – I hogged the facts
Everything I’m leaning toward is a cut in the conversation, sir. How could I go undone?
He asks me what his name is and I tell him, Ken. His name was Ken.(Or God.)
He asks why he is here and I tell him
You don’t need to know that. I don’t know why I am here. Why are any of us here?

He then prays for him and invites me to as well.
I tell him,
When you come undone, I come undone
We’ll all come undone in the end
We were doomed to die the moment we are born
So who will pray for you in the waiting room, sir?
No thank you, sir, I’m just fine, since who
Knows the way or what somebody says
All I know is that I can put you away. But, I will not.
So why don’t you sit your excited *** down?
If only he could understand the joke.
May the man learn the dead man’s float and seek solace in the cadence of Charon’s poling of his ferry.

What valor. What courage. You all turned out so well.
The leading man is dying.

Escape is the erased movement where the sinewy lights and colors behind dark eyelids stand steady long
after the first disturbance, then usher those that were hurt
into Charon's ferry
because anything feels better than everything that was taken.
Creep Jan 2015
Chonny: -in car- Hey, dad?
Dad: What?
Chonny: Which way to the doctors again?
Dad: You have to turn left here and then go straight. Okay, hey what you do at doctor anyway? You sick? Eat some panadol then.
Chonny: Oh no no, I'm going there for a blood test 'cause I wanna find out what blood type I am.
Dad: Oh, ok. Is this what you do in your spare time?
Chonny: It's kinda for my work.
Dad: It's kinda... gay.
Dad: Hey boy. How's school?
Chonny: Oh, not that good... um... I get bullied at school...
Dad: Who cares? I just want to know the result from your report card!
Chonny: Oh uh uh they're pretty good, I got a A+ in math.
Dad: Mm. That's okay. 7 times 7!
Chonny: 49!
Dad: Mm. That's okay.
Chonny: I got a A+ in Chemistry.
Dad: Mm, that's good, make me the drug.
Chonny: A+ in Physics.
Dad: Mm. That's okay, you could have done better.
Dad: What about the English?
Chonny: Uh.. I got uh....
Dad: What about the ENGLISH?
Chonny: I got a... I got a...
Dad: WHAT ABOUT THE ENGLISH?!
Chonny: I got a... B, B+.
Dad: B+?! WHA, WHA, B PLUS?!?
Mom: B PLUS?!
Dad: B PLUS AGAIN?! That's it. Too late. No more chance. You die.
Chonny: WHAT?! Why?
Dad: You die, ok? When we get home, I'm gonna go to the backyard, okay, get my butcher knife, chop the branch, chop the stick from the tree, very long one, and I'm gonna have to whip a *****, I'm gonna have to whip you! I'm gonna have to whip you!
Chonny: NO! No, sorry dad! I'm sorry!
Dad: Sorry is not an excuse, okay. Just listen to my lecture, listen, listen carefully.
Chonny: -sniffs-
Dad: Ok. A, it stand for the good job. Ok. A stand for the good job, you have to get A. It stand for the good job. A stand for: A doctor. A lawyer. A dentist. Ok? All the good job.
Chonny: Then that means A can stand for a garbage man.
Dad: Garbage man? Ga- garbage man?! GARBAGE MAN START WITH A G! NO WONDER YOU FAIL THE ENGLISH! YOU CAN'T EVEN SPELL DA GARBAGE MAN! Just get out of my car, ok. We already at the doctor. Just get out.
Chonny: -gets out of car-
Dad: Garbage... ugh. Garbage man start with a G. Even I know that and I can't even spell garbage.

30 Minutes Later

Chonny: -gets back into car-
Dad: So how was it? Your blood all good?
Chonny: Yeah, yeah, it was all good.
Dad: So what the result? What blood type are you?
Chonny: Um, my blood type is B positive.
Dad: B positive? B PLUS?! B PLUS AGAIN?!?
https://www.youtube.com/watch?v=IN7o2Iy89WQ

watch the video, the accents r hilarious XD one of my favorite videos, yourchonny is the best, he's my favorite youtuber! :D

(no song, just the video for this one ^^)
Aurora Oct 2014
Sitting outside, she watches the rain fall down.
she closes her eyes and sniffs the air
Wet Cement... yum.
her thoughts bring her back to earth.
Shutting her eyes tightly, she tries to think about something else
anything else.
because mentally saying goodbye to an old lover/friend/partner,  takes a toll.
She looks are her beautiful garden being watered by mother nature.
She squints as she sees one of her beautiful plant begins to wilt.
running towards him, she tries to save the plant.
digging up the root, running home, and putting in in a ***.
Keeping it safe.
but it's already too late.
she was already too late.
too late to save the plant.
too late to realize her true feelings.
too late to save them.
water drips down her face, she doesn't know if its tears or the rain.
She decides to save the other plant from the rain, but this one, she carefully touched it, carefully places it in the ***.
The plant seems strong, healthy, beautiful.
Sitting in her kitchen,  on that beautiful island top, she stares at these two plants.
Its too late to save one of them, but she saved the other one before anything.  
Her heart turns ans twists that she allowed it to happen to this beautiful plant.
To that beautiful plant.
Too late to save them.
too late to save him.
too late to say im sorry.
friendship tainted,
plant dying,
she places the dying plant outside in the rain.
wiping her face she goes back to her kitchen and sees the healthy plant and smiles.  She had plenty of time to save this one. Her favorite.

A warm arm wraps around her waist and fingers caress her sides.
Heat engulfs her and she feels better.
Turning around,
she faces him.
the plant she saved early.
changes will bring them closer.
Save their root so they can grow healthy.
Love. They have love. The plant had plenty of love.
They hug and entwine like vines.  
She stares at the window and watches the rain continue to fall
but this time, with a smile.
Sam WG Jul 2015
Calm King Crimson
On a sweet slow saunter
Sibling whistles to his self
Hound sniffs and wolves whistle
Leaps and bounds
Across the cool green ground

Ambiance is here
Lying all around
Lingering there before we met her here
Eagerly waiting to be found

Take her to bed
Or let her lead the way
Tonight there's no debating
She's already had her say

What's greater,
The living or the unlovable?
The unmoveable or those who can't stay?
Who's to say we're not all equal?
Who's to say that they're great?

In the shadow of a leaning tree
Older than all of those I know
It says nothing but I speak for it
As a wood splinter in a forest
In this case
My whispering impact is up for debate
Started out as an observational poem, turned into full blown existential questioning when I started floating off
Sally A Bayan Sep 2021
Awake still...sipping coffee this
unholy hour...i wonder how buried
moments can easily gatecrash into
my sober flow of thoughts, flipping
like pages of a book, blown by a
strong wind...i could smell dried rose
petals pressed between the pages.

i could also smell mottled pages
holding mottled memories...they
should have crumbled, be forgot,
but, bravely, they flash back, clear
as the rustling of bamboo leaves
right outside my window.....ahh,
the devil never sleeps...he creates
a stir at the unholiest of hours,
drops it like a bomb, disturbing
my calm universe;

suddenly, it's 4:00 am
i blink a few times to dismiss what
should be forgot.....then, suddenly,
it's 5:00 am.....more coffee.

the eyes watching bubbles from
curling, crisping bacon, strayed,
far from the skillet, but, focused
back, before the pieces got burned.

6:00 am now...breakfast time
for online class attendees.

in my universe, mornings are a
mix of sniffs...of coffee, fried eggs,
fried bacon, sausages, fragrant
gardenia blooms...not to forget
whiffs of good and bad memories.
::::::::::::::::::
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Good morning everyone!

sally b

© Rosalia Rosario A. Bayan
July 13, 2021
Jade M Matelski Dec 2013
She thinks of nobody but herself
But still her bedrooms filled with nails she falls
And always seems to land on her wrist
Gashes a centimeter wide she needs stitches she needs to call an ambulance
She'll bleed out! God ****** she'll bleed out!

But she's not ready to die yet so she stitches herself back up
Hoping she hasn't drained too much
Because she loves the sting the reason she lives is for the sting
And the DRUGS
PILLS: Oxy, Percocet, Vicodin, Demerol
She sniffs them she snorts them she even ******* chews them!
She'll do anything as long as she can float

She won't admit it but she loves life she loves the drugs
And pain and abuse that come with life
She loves the pain, oh *******, she loves the pain
So she stitches herself back up she doesn't want to die
Repeat repeat she does it again
Dripping on the kitchen tile but this time is different

This time she's forgotten about the drugs and the pain
She's focused on her wrist and her wrist and her wrist and her blade
Too deep, she's gone too deep again
But she doesn't care  she's not stitching herself back up
She's ready to die with not enough drugs and
Too much pain
She's ready to leave this world behind
Ready to leave the pills

Don't leave me don't leave me
I love you I love you
Grab the needle, please get the thread
Please just stitch yourself back up stitch yourself back up
Powering whisker's tense, the unfurled orange;
teethed with nature's rosy armament.

Brother Tiger sniffs. burning nose
  whispers of passion
  with breaths of love.

More than two million years under human life
And she knows more than you, a white milliner
roses bloom
rose is a dove.

Brother Tiger gazes off into the East
Rose smiling, rose laughing,
Roses are searching for proud preys

Heaving breaths
dynamic, catlike stealth.

    Heartbeat’s thunder
****** shadows hide.

She sends him a fairy-white rosebud: 
“Hey Love, let’s off to search again for spring…"
"come home safe, Brother Tiger: Don't be feared"

Chant and roar along please
A kiss of desire on the lips.
Chant for Love,  a Tiger year's wish: a white milliner
roses bloom
rose is a dove.
Terry Collett Oct 2013
Matilda listens to make sure they’ve gone out knowing Mr Doozie the cat is licking his milk the slurping sound fills the now silent room but she has to be sure her aunt and uncle have gone she can’t allow Moses to come in by the backdoor until they’re long gone and in the town buying and selling their wares she places her hands on her head and closes her eyes to focus her listening to close out Mr Doozie’s sounds the saucer of milk being pushed across the floor the purring but she cannot hear them now cannot hear their voices can’t hear Auntie’s whines and Uncle’s bellows can’t smell Uncle’s pipe or the aroma of his farts or Auntie’s sour body odour and sniffs the air and puts one leg up on the chair and lets the skirt fall back revealing her fine thigh and underwear something for Moses to see and get excited about not that he needs any encouragement  especially after the last time he came around when her aunt and uncle had gone off for the day to market on the old bus and Moses had sneaked in the back door his eyes peering around the door and she saying They’ve gone out you can come in and he did and while Mr Doozie sat on the end of the bed watching disinterestedly Moses had kissed her all over her body and after games of foreplay he’d entered her with subtleness and moved in a slow motion so that the bed only moved and rattled slightly and did not disturbed Mr Doozie and they had only just dressed and was letting Moses out the back door when Auntie came in the front door followed by Uncle with his arms laden with shopping and moaning about the prices and the shop girls and how there is no manners anymore and she feeling Moses’ ***** easing down her thigh and stood there with her innocent stare but this time Moses would need to be quicker as they had only gone to town and wouldn’t be long and if they returned earlier and caught her and Moses undressed and ******* with Mr Doozie sitting watching she doesn’t know what they’d say or do although knowing Uncle he’d chase off Moses with his walking stick and tan her hide until she cried and cried but Moses hasn’t come and she listens out hushing Mr Doozie with a shush shush and scratches her thigh and strains her ears was that him? She sighs opening her eyes sitting up looking towards the door waiting anticipating feeling the body’s urge the body’s need wanting Moses to come through the door and hurry with her up the stairs followed no doubt by Mr Doozie and quickly ******* and into her bed and setting aside the kissing and messing get on with the ******* but the door remains closed the room is almost silent apart from Mr Doozie’s licking and purring and the soft tick tocking of the grandfather clock and her heart thumping boom boom boom boom like a small drum all around the room and inside her head and she disappointed frustrated with no *** with Moses just a small empty bed.
PROSE POEM. COMPOSED A FEW YEARS AGO.
Elle Dougherty Nov 2010
a small thing, aged 6, has small knees
braced in terror against the wall and one small hand
gripping the towel rack above its small head
and there is someone stronger about - he hears the noises of the small thing
from far away and
he is annoyed.
because the small thing is misbehaving.
making a scene. it has to shut up or the neighbors will hear.
small thing, aged 6, hears heavy footsteps of someone stronger stalking the hallway,
searching for it,
flexing his broad, dark hands so
small thing, aged 6, tries to choke down its screams and
tries to cram itself into the farthest corner or
cover itself with its fine, blonde hair, but
someone stronger sniffs out the small thing’s small hand on the towel bar and
brings it down from the wall with one heavy gesture.
small thing, aged 6, is crying for forgiveness with small hiccups
but someone stronger has no patience for small things.
someone stronger is moving quickly, back into the hallway,
a small thing thrashing in his grip.
someone stronger likes to make noises with his hands and sometimes,
small things get in the way.
sometimes,
small thing’s small body hangs from its small arm
hanging from someone stronger’s horrible hands
floating up, away from the carpet (or tile or bed).
someone stronger likes to throw his weight around but sometimes,
his own is not enough so he uses the weight of a small thing, too.
someone stronger likes the sounds of snaps and cracks.
small thing, aged 6, once had a mother who loved it
but this time, the small thing’s mother is
downstairs where someone stronger left her, and she is
angry with everything and
putting her shoes on to drive to the doctor.

— The End —