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Simon Piesse Jun 2021
Bashing
Crashing
Smashing
Clotted-cream tongues
Lashing
Cathedral hulls
October’s chop
Out to get
Lifejacketless him
Cityboy him
Neither’d gone beyond
His breezy smiled
Awrigh’ my lover
Up to their eyeballs they’d got now
No chance now to break
The awkward ice
Outside the breakwater
Never ought’er  
Hunker down
Turkeyland yelled
Ride the swell
Cradle orphaned beef
And if you don’t  
Incubate the rough
Earthed nests of wine-drowned potato
And proper job swede
And if you don’t
You won’t make it


*


Oggies  
Never take’em to sea
St Anthony’d decreed


But Master Herd, he hadn’t heard
And he’s too emmet to question.
This is a poem from my next collection, focused on Cornwall
Clive Blake Jun 2021
Cornwall is my homeland
And it will always be,
A large part of it surrounded,
Surrounded by the sea.

Cornwall is my homeland,
It’s where my roots are deep,
And this connection with my forbears,
I feel a strong desire to keep.

Cornwall is my homeland,
Of me it is a part,
For it resides within my soul
And is branded in my heart.

Cornwall is my homeland,
It’s where I will always stay,
And when my days are over,
It’s where I will surely lay.
Clive Blake May 2021
The Cornish shore …
Where golden sand lies next
To dappled grey granite rock,
Where the sea breeze sweeps
And the mussels flock,
Where the rock pools gather
And the small ***** patrol,
Where the white foam curls
And the breakers roll,
Where the sea birds call
And the salt spray stings,
Where the seaweed sunbathes
And the limpet clings,
Where a stream’s course meanders,
And reflects the azure sky,
Where a starfish gazes skywards
And white clouds go scudding by.

By all means take treasured memories,
But please take nothing more,
And leave nothing but your footprints
On this sacred Cornish shore …
Cornwall is my homeland and l lies on the South Western most tip of the UK and is largely surrounded by the sea and its beautiful coastline.  Anything which comes from Cornwall, including its people, is/are described as Cornish. Cornish.  Cornwall is 'Kernow' in the Cornish language.
Michael R Burch Mar 2020
Isolde’s Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night’s deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring’s urgency, midsummer’s heat, fall’s lash,
wild winter’s ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life’s great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

According to legend, Isolde/Iseult/Yseult and Tristram/Tristan were lovers who died, were buried close to each other, then reunited in the form of plants growing out of their graves. A rose emerged from Isolde's grave, a vine or briar from Tristram's, then the two became one. Tristram was the Celtic Orpheus, a minstrel whose songs set women and even nature a-flutter.

Originally published by The Raintown Review and nominated for the Pushcart Prize; since published by Ancient Heart Magazine (England), The Eclectic Muse (Canada), Boston Poetry Magazine, The Orchards, Strange Road, Complete Classics, FreeXpression (Australia), Better Than Starbucks, Fullosia Press, Glass Facets of Poetry, Sonnetto Poesia (Canada), The New Formalist, Trinacria

Keywords/Tags: Tristram, Tristan, Isolde, Iseult, Yseult, Arthurian, legend, myth, romance, Ireland, Cornwall, King Mark, love potion, spell, charm, magic, adultery, harp, minstrel, troubadour, white sails, white hands, betrayal, death, grave, briar, bramble, branches, rose, hazel, honeysuckle, intertwined
Owain Nov 2018
Trezūnger, last house along the esplanade
Stares out towards Polruan Point. In the growing storm
I feel Atlantic.
St Catherine stands
Over the harbour, laying her claim to the sea
Under the watchful gaze of the eye of Neptune. All the while
The trees whisper to the waves in the wind and release
Leaves and autumnal fragrance. Clustered cottages shoal
Whitewashed in the lee by the ford-over-the-stones-by-the-beach.
The tide and the air pressure low as nature ***** a deep breath ready for the storm
'Ford-over-the-stones-by-the-beach'  refers to a local beach, Anglicised from the Cornish language to 'Readymoney Beach' (Res an Mena) I thought making the long-winded literal translation would be interesting.
Clive Blake Jun 2017
Coastline, rocky, rugged, proud,
Crumbling cliffs in ozone shroud,
Sun-kissed drifts of desert sand,
Golden frame of a sea cradled land.

Fishing village, atmospheric hub,
Brass band playing, outside quaint old pub,
Boats, all sizes, rest near harbour wall,
Wading birds sift through tide-filled pool.

Foliage explosion of a Cornish hedge,
Country lanes snake, and young birds fledge,
Ruminants, punctuating, quilted hill,
Buzzards soar and wise hares are still.

Tin mine engine house, towering stack,
Roof caved in, gorse and bracken’s back,
White clay peak, geometrical and sleek,
Earth’s riches gouged, canyon deep.

Moor-land, open, untamed, granite strewn,
Wild ponies dance to a skylark’s tune,
Tor and beacon, barrow and mound,
You’re in God’s own country, when you walk this ground.
Clive Blake Aug 2017
There was an old wreck-marker from Fowey,
Who had been at sea since he was a buoy,
But when his mooring wore through,
He went where the wind blew,
Ending his days on the beach - as a toy.
Fowey is pronounced Foy; as in boy
Clive Blake Jul 2017
LICHEN laden, granite cross,
Reminder of a celtic culture’s loss,
An icon to placate a harsh deity,
A religious symbol, an outward plea.

LADEN cross, granite lichen,
Not a mere whim, but a deliberate decision,
Ley-line power, here to focus,
Awaiting another mid-summer solstice.

GRANITE cross, lichen laden,
Sculptured for a dark-haired maiden,
Elaborate and ultimate statement of love,
A prayer for a union to be blessed from above.

CROSS, lichen laden, granite
Manufactured on a far off planet,
Crafted and left to become immortal,
Marker of a time traveller’s portal.
Clive Blake Jun 2017
Coastline, rocky, rugged, proud,
Crumbling cliffs in ozone shroud,
Sun-kissed drifts of desert sand,
Golden frame of a sea cradled land.

Fishing village, atmospheric hub,
Brass band playing, outside quaint old pub,
Boats, all sizes, rest near harbour wall,
Wading birds sift through tide-filled pool.

Foliage explosion of a Cornish hedge,
Country lanes snake, and young birds fledge,
Ruminants, punctuating, quilted hill,
Buzzards soar and wise hares are still.

Tin mine engine house, towering stack,
Roof caved in, gorse and bracken’s back,
White clay peak, geometrical and sleek,
Earth’s riches gouged, canyon deep.

Moor-land, open, untamed, granite strewn,
Wild ponies dance to a skylark’s tune,
Tor and beacon, barrow and mound,
You’re in God’s own country, when you walk this ground.
This poem describes the beautiful Duchy of Cornwall.  Cornwall is on the South Western tip of the UK.  The land of the Cornish.
Clive Blake Jun 2017
This flower cut,
Whilst in full bloom,
Now rests in peace,
Within this tomb.
Charlotte Dymond was a young girl who was muredered on Bodmin Moor in Cornwall UK in 1844.  You can read more in my poem Charlotte Dymond.  She was originally buried without a headstone, this is my idea of a possible epitaph for her.  In recent years, she has been given a headstone with basic details on.
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