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showman is marksmanship
showman is a higher mark of a marksmanship
a higher mark is a higher marksmanship
a higher mark is a higher showman
showmanship is marksmanship
science is a marksmanship
science is a showman

science is a documentation
documentation is science showmanship
the universe is a documentation of a showmanship
the universe is a documentation of science
the universe is a higher mark of a documentation
the universe is a higher mark of a showman
science is a showmanship of a documentation

showmanship is showmanship of science
showmanship is showmanship of a documentation
the universe is a universe showmanship
a showman is a showmanship of a marksmanship
a showman is a showman of science
a showman is a showman of a universe
a showman is a higher mark of a showman
my writing is called philosophical writing. i only uses middle ages words,words from the renaissance for instance words liked gracious,extravaganza,etc... this poem is about the universe is a mark of a higher mark. i don’t add capitalization’s on my writing.
Steve Page Jul 2019
The Statesman and the Showman
were nervous, but unbowed.
The Statesman spoke of pride
while the Showman played the crowd.

The Statesman and the Showman:
'a can-do revolution,'
but the Statesman was a feint,
the Showman a distraction.

The Statesman and the Showman
both soon ran out of steam.
The Statesman was a fraud,
the Showman a bad dream.
23 July 2019.  And then there was Boris.
Bob B Dec 2022
(This poem could be sung to the melody of "Frosty the Snowman" by Jack Rollins and Steve Nelson.)

Donald the showman
Is a miracle they say,
For it always seems that despite his schemes,
He always gets away.

Donald the showman
Is a grifter and a con.
Though a real nutcase, if you ask his base,
He's their "father"; he's their don.

His recent big announcement was
New digital trading cards.
Supporters bought them up and then
They all sent him their regards.

Yes, Donald the showman
Has been conning all his life.
People shout out "Wow!" and they wonder how
He could ever keep a wife.

Donald the showman
Wants to win a second term,
But as walls close in and as ice grows thin,
You can watch the con man squirm.

His picture's on his trading cards;
His ego knows no bounds.
The more he speaks, the more he rants,
The crazier he sounds.

Donald the showman
Will invite you to his pad
If you make the news with extremist views.
That will surely make him glad.

Donald the showman
Looks for folks to string along.
He thinks he'll stay free with impunity,
But let's hope that he is wrong.

Trumpity-Trump-Trump,
Trumpity-Trump-Trump…
Will he ever see…
Trumpity-Trump-Trump,
Trumpity-Trump-Trump…
Accountability?
­
-by Bob B (12-18-22)
ConnectHook Sep 2015
†           †           †    

A quorum of biblical scholars
turned their doubts into thousands of dollars.
Armed with Document Q
they revealed nothing new
but the dirt neath’ the white of their collars.

A proud “health & wealth” Oklahoman
was renowned as a gospel-tent showman.
While the scriptures he twisted,
their tithing assisted
his rise from poor hick to rich Roman.

A sexually diverse professor
(assured he was not a transgressor)
spoke only of openness
glossing sin’s brokenness;
rainbows and tolerance—yes sir.

A Mormon, who lost his own ephod
Realized he was running quite slipshod
and invoked Joseph Smith.
(Yes, it may be a myth—
but it’s not like misplacing your I-pod…)

A Christian whose faith was prophetic
held to views that were truly pathetic.
This crazed Pentecostal,
not quite an apostle,
had taken an End-Times emetic.

A sober and staid Presbyterian
was distrustful of thoughts millenarian.
After smoking some bud,
he awoke with a thud;
in his sleep he’d become Rastafarian.

A preacher who fleeced his disciples
overdrew his own balance of scruples.
He was finally captured
(defrocked and un-raptured)
and rent by his destitute pupils.

A sister who waxed Pentecostal,
mistook herself for an apostle.
Speaking pure glossolalia
she sure could regale ya’
with prophecy; crazy—but docile.
What's wrong? Too hard to LIKE me ?
ha ha ha ha ha ha ha ha  

         †           †           †
Realeboga M Apr 2020
You’re the one the I need.
You’re the one that I wanted.
You’re the one I get hurt for
You’re the one that I lean on.

I sit outside contemplating if I’ll ever have the right words to fully orchestrate the greatest love song.
Pondering on the ideology behind each symphony and melody.
Trying to figure out if I can truly compensate for each octave. After all I’m no singer.

I stand before a very large crowd. All eyes on me. I hear each murmur from the background. It would seem they are all waiting on me.
Dressed and draped in black, my hands begin to shiver, sweat trickling down my forehead.
I don’t have the voice for this. How on earth do I put on the greatest show.

Deep breath, inhale, exhale. I tell myself. If it’s all for a love like no other.
Surely I can make this work. Somehow I can. Because if it’s for her. Then I need to become the greatest showman to date.

I want to say things like “I’ve never believed in fate and that every fibre in me believes there’s no destiny. That I always sought love to be superficial or more of a fantasy.”
However I’ve always been a sucker for romance.
And I always believed that love could enhance every bit of our surrounding. And in saying so. I am stating to you that you’re my comfort in ending. And I hope that having a knowledge of this is profound. Because at the end of the day, you’re the only love I need and have found.

I stare in awe at the crowd. At first lost for words. But to the thought of you, I’ve found inspiration. At the sight of you, my confidence sky rockets. I don’t know if you know but you’re my motivation. And for as long as I can imagine, all that I want and need is within you.

I’m a victim of love.
I have stood before Cupid and allowed for him to take a mugshot of me love drunk.
I’ve been in a position whereby I fought love and thought it was love.
But my reality always pulled me out of this dream. Dragged by gravity. I realised it was all idealised, conceptualised misunderstandings of what I thought was what my heart needed.
Because at the end of the day. The love I had given out was never reciprocated. It made me feel as if I was doomed.
As if I was to be consumed by the world and to be hastily chewed up and spit by the people that took my heart only to decide that it wasn’t good enough.

Feeling like you’re not good enough and being put in that situation is painful. I remember fully telling myself that I cannot be that again. I need love that is not only healthy but will help me grow and become better and be in a case of “Finally, I feel at home”

When you walked and came into my life. I never expected that.
I know I was wholly curious about you.
I know I wanted to know more, I wanted to know what makes you smile, what makes you laugh, what makes you happy, sad, confused, confident, what ticks you off, what angers you, what makes you. So you.
And how can I be apart of your life. How can I see that smile everyday and make you laugh and make you see the world the way I see it in your eyes.

And it’s weird. I know.
But when i heard your name for the first time.
It felt like my heart finally found its other half.
I love you.
Paul Butters Mar 2017
They’ll be rockin’ in Heaven
Down St. Peter’s Gate Way.
Chuck Berry passed over,
But he still can play.

True King of Rock,
He’ll live for evermore.
And he’ll keep duck walking,
Along that golden shore.

His guitar keeps twanging,
Wah wah tlang tang tang.
Ya want a Showman?
Chuck’s still yer man.

He died at ninety.
It was very sad.
But now he’s up there,
I’m sure that God is glad.

He’ll love that Rock N Roll Music,
Chuck’s sense of humour too.
A touch of Devil also,
When he sings the blues.

So all you Saints and Angels,
You better move and hurry,
For they all want to dance with
That amazing Chuck Berry.

Paul Butters
For my greatest musical Hero. With echoes of "Sweet Little Sixteen"......
For me, the naked and the ****
(By lexicographers construed
As synonyms that should express
The same deficiency of dress
Or shelter) stand as wide apart
As love from lies, or truth from art.

Lovers without reproach will gaze
On bodies naked and ablaze;
The Hippocratic eye will see
In nakedness, anatomy;
And naked shines the Goddess when
She mounts her lion among men.

The **** are bold, the **** are sly
To hold each treasonable eye.
While draping by a showman's trick
Their dishabille in rhetoric,
They grin a mock-religious grin
Of scorn at those of naked skin.

The naked, therefore, who compete
Against the **** may know defeat;
Yet when they both together tread
The briary pastures of the dead,
By Gorgons with long whips pursued,
How naked go the sometime ****!
Lost for words Dec 2009
At a Parisean restaurant
In a quarter undisclosed
Unaware of everything
The diners sat exposed

As Clara and the Prince sat down
And prepared to eat their meal
Backstage the musician equipped himself
The theft who had yet to steal

As menus and music case opened
The scene was set for all
And as Rigo Jancsi took the stage
The crowd fell quiet, enthralled

The gyspy was a showman
His weapon a violin
A tune danced out across the room
As the strings began to sing

Playing notes of tales untold
His melody charmed her soul
The music pulled her heart to his
Over her husband's buttered roll

Captivated, entranced and mesmerised
Seduced by another life
And when the gypsy left that night
He took the Prince's wife

They ran away and married
A scandalous affair
Society was most surprised
But our story does not end there...

Hungarian tales tell of the man
Whose music stole a heart
Remembered in a chocolate cake
And puppets, songs and art

One hundred long years later
The guitar boy from the band
Strummed his notes and stole the girl
Heartstrings were played by hand

Two stories a century apart
What makes these stories the same?
Because the boy's band of musicians
Used the Hungarian gypsy's name
Tamara Fraser Oct 2016
Tensions high,
like broken kite strings,
reaching further away,
escaping the empty earth
in your arms.

Creeping chatter,
pouring inky letters,
in runny messes
all over my hands,
feeling bruised by you;
the sting, the slap
as leaking words
drip drip drip
from your mouth,
the broken tap.

I’m tired.
I’m so tired of hearing
soft
whispered yearnings
scratching the back of your throat.
Desperation, loneliness?
You beg with the croon in your tone,
you play along like the gentle little
sweetling,
a songful, humming love,
all warm in cupped hands.

In all this time,
this achingly long time
I’ve played as your neat little trick;
the showman’s trusty pet,
small dove flying
as soon and only when you release me.
String caught up around my waist,
I’ll never fly too far.

As I walked away,
that night with the moon trailing my form,
and pooling in pillows cradled in my soft footsteps,
you watched my back
stretch lean and tall and
stand
away from you.
You looked back,
it was the moon shifting through my hair,
when I turned to notice
a head shake,
a blink in the empty settling air you left behind.

….Drip….drip….drip,
you leak all those notions I wished you
would one day say,
those heart-melting flatteries,
desirable admissions,
I’m the only one you want,
to keep you satisfied,
keep you going and touching and loving
and exploring and breaking,
until your other girl comes home.
You ask and plead and return,
lapping and licking in my arms,
wanting my form so bad again;
you cry for all the fun in the world,
but this time, it just can’t.

You’re just my broken tap.
You’d need to stop dripping ***** water one day.
You’d need to stop echoing around me at night,
cradling myself to keep my strength enough
to say no to what I wanted and got for so long.

But you’re just my delicate and lovely broken tap.
I’ll always love you somehow, and feel so dangerous,
intoxicating and breathtaking
as you made me so.
You showed me so.
But I can’t wait for you to cease on your own.
Pull me round with you, wait for you,
tossed like an empty drink because of you.

Maybe
I just need to let you
let me go.
Like I cried to let you go first.
Shawn Oct 2011
i never pegged you for someone
swept up by razzle dazzle,
infatuated with muscle men,
acrobats, and stars.
your view on animal rights,
seemingly discarded,
for an elephant's tricks,
the lion tamer's whip,
the tent apparently blocking out
harsh judging light.

i viewed you as critical,
skeptical of spectacle,
squinting unsure,
behind those black wayfarers,
the image constructed in my mind,
supported by that vintage dress,
the style of your hair,
the music you listened to
on the car ride over,
how can you be satisfied
with this carnival fare?

frivolous displays favoured
over subtle gestures,
superficial appearances favoured
over chemistry,
hollow showman dialogue
echoing over loudspeakers
favoured over a conversation,

perhaps i'm a hypocrite,
your attributes simply skewed,
by my being swept up in the
razzle dazzle spectacle
of you.

(i'll be in the hall of mirrors)
Nick Jun 2016
"Oh how wonderful it is
                                     to wake up
                                      everyday
                                         and
                                           be
                                     someone
                                        else?"
phil roberts Jun 2016
She was our first grandchild
And naturally
We loved her dearly
And I adored her
As only grand-dads can
And she latched onto me

She used to come to us every Tuesday
At a time when kids are most interesting
She was fully conversational
(Didn't we all know it)
Her personality was emerging
And she was still young enough
To have her originality and imagination
My little gold mine of joy

And this is how it would go

"Grand-dad, you be the shop keeper
And I'll bring my dollies in for clothes."
So she would lay out her doll's outfits
And bring her dolls forward to buy clothes
She would haggle over the price (and win)
And pay me in cardboard coins

"Let's watch a video, Grand-dad!
Let's watch Barny!" (Again)
I hate that ****** purple dinosaur
And Katie thinks he's wonderful
That smarmy voice of his
"I love you and you love me,"
I bleeding don't you know
I wouldn't let him within a hundred miles
Of any kids of mine.

In the course of the day
I would be called upon
To play multiple parts in
Everything from The Three Bears
To Little Red Riding Hood
In which I memorably became
Big Bad Wolf and Grandma
And presumably ate myself

But the highlight of the day
Was the last thing before she went home
The weekly show
"Introduce me, Grand-dad!"
In my best showman's voice
"Ladies and gentlemen...!"
To my wife and dog
"...The moment you've been waiting for.
Fresh from her recent tour
Of our back garden.....
Miss Katie......."
"Katie Spice, Grand-dad."
"Miss Katie SPICE!"

Into some popular ditty of the day
Issuing from her at full volume
Then she would stop mid-line
While she did a little dance step
All greeted by thunderous applause
In her head it was Carnegie Hall
Rather than my wife, my dog and me
So, a happy end to a happy day
Then Katie went home
And I slipped into an exhausted coma

                                           By Phil Roberts
628

They called me to the Window, for
” ’Twas Sunset”—Some one said—
I only saw a Sapphire Farm—
And just a Single Herd—

Of Opal Cattle—feeding far
Upon so vain a Hill—
As even while I looked—dissolved—
Nor Cattle were—nor Soil—

But in their stead—a Sea—displayed—
And Ships—of such a size
As Crew of Mountains—could afford—
And Decks—to seat the skies—

This—too—the Showman rubbed away—
And when I looked again—
Nor Farm—nor Opal Herd—was there—
Nor Mediterranean—
ioan pearce Mar 2010
babbling bard's borrowed blabberpolished performers jibber jabberpinching published stolen cultureverse of a cuckoo, parrot, or vulture thespian thrush corally crowspilfered produce of past masters proseperfect posture, prancing croondotty damsels sigh and swoon shakespearian showman strutting stagesobtaining material from dead poets pagesstudious stealer's theatrical thirstrapturous robber, magpie of verse wisely walter mundane mittypoetical poacher prancing prettyempty shallow pretentious crookcrafty criminal compiling book robber of rhyme from archival shelfcopy-cat crooner can't do it himselfrouted teeth spout from mouth like a troutaudience wonder, what is he on  about any question's? the laurete quizzedyes said one,...do you know where the bog is? this is a true story, i was there. and the **** concerned is the editor of poetry wales magazine. who told me that i should study other peoples work for at least five years before i put pen to paper. i promptly answered, .... too late butty, i've already published 3 books, and sold the lot (only locally mind, but did'nt tell him that). he read other peoples poems that night, that were converted from english to welsh, and no one round here speaks or understands welsh.  
GrayeB Mar 2019
Come as you are
You are my bright, shining star
Am I really up to par?
Do you want to take this far?

He’s as cute as a button
Always dresses in blue cotton
Love how he is funny and sarcastic
Gets a kick out of my being dramatic
Voice like an angel, body like the devil
You really get me.  Want to take it to the next level?

He calms my panic
Makes my heart feel gigantic
He points me left or right
when I lose direction
He is my dreamy knight
and always showers me with affection

Sweet puppy dog eyes
An adorably perfect smile
You can easily melt me and hypnotize
While  sipping your chamomile
It was kind of love at first sight
Didn’t really know what was wrong and how to feel right
Until I met you and now I finally know what to do
You are my absolute dream come true

You are my best friend and lover
You make me feel like no other
You are certainly nobody’s pushover
That conflict with Ronnie should blow over
The truth is that you mean the world to me
You are the showman and the Cabaret’s Emcee
And for your next role as future husband to me
Oh how very happy we will be!
If Schitt’s Creek’s David’s longing gazes could talk.
Got Guanxi Nov 2015
a quart of tequila,
still no feelings,
spinning ceilings beneath me,

in my venomous state,
we went to comedy night at the viper room.

torn to shreds in the front row,
of a gung ** americanised show.

i came because the river still flows,
with depp and the stageshows from the whiskey a go go,
directly opposite the pavement.

the boulevard was full of cars,
and homeless superstars,
that made it far,
but not past the stars on the walk of fame,
Holly would never be the same again.
*******, *******.

we walked past the cast of a bottomless flask,
cast in the shadows of the sorrows of rodeo drive,
staying alive is easy,
follow,
the yellow brick road and wish for a dollar.

tomorrow is another day.

i seen a man of my same age,
he was a traveller,
vocabular immaculate,
hair cut ******, dindn’t shave much,
one of the same touch.
grubby hands and unfinished plans.

his sign said, were ******.
i teared up,
he looked up and stood up and we hugged.
i could see me in his weird look.
just another rhyme in my page book.

i gave him a bag of survival necessities,
i hunted him down after 24 hours.
i was worried to go back,
and finish what i started.

i consider the concept as an artist,
but the truth is this,
the humanist within,
could never miss that appointment.

he sat there in the same spot,
and if i didn’t come,
he could of lost faith in the promise of a circumstance.

i took a certain stance,
he said he was a traveller,
a poet with grubby hands,
i held him with open arms.

i don’t worry about him,
i worry about you,
a ***** and the truth,
trumps and mansion and no use.

i’ve read between the lines,
and wrote this motion on tightropes and suspended emotion.
they want a showman,
but when we show them the ocean,
the don’t want to know the deepest minds inclined.

absolutley,
mutiny in the ranks,
my heart sank when you decided to revamp,
your opinion of me implicitly.

minor to me,
skeleton key to multiple routes.
i never gave a **** about your opinions then,
and I certainly don't give a **** now,

nor have i ever,
stared the gift horse in the mouth.
sheila sharpe Mar 2021
it was when we first met that I realised
that life could be joyous and free
but although I now know that what you gain on
the swings you lose on the roundabouts
still I relish every moment of Life's carnival
knowing that you, my Showman, share it with me
Dominic Mason Nov 2019
Shalimar

Turquoise, luminescent
The waves pound tirelessly in
A coated fossil / gleams
from just beneath
And/ as the firs bend in the steady breeze
The light skewers the clouds, boldly.

Your laugh has a razor edge today
And your eyes are marbles, too
Reflecting the embers of the fire
Now growing cold
You light another match
it blazes gold!

...then blue hue returns
as if undisturbed
I watch closely
as the sands are submerged
Laughing still...
You always were a showman

It was then that you leaned toward me
and pronounced your love
Coral meets coral
I await a bountiful coronation
Doused in Shalimar and kisses
Silk transgressions/Cotton-made roses

This brings forth another memory
Equally jarring, though sweet all the same
Magnolias lined the walls of our house
Where Ivy once tried to climb
A glacial winter saw them off
Leaving our fragile home unbound

Your thin, tragic heart
Weighs heavy in my supple hands
But I cannot muster for long...
Enshrouded by moribund fingers
Time slips on, falling deeper, again
Velocity/pulls against my bones

You call against the hammering wind
Noiseless words halt like statues
My wordless adversaries hunker down
In my delirium they offer no solace
I reach for the glass/blindly
Seeing only sun and rain  

This is where I tread backwards
Fearing the mantle you now bestow
And as I do my love rages
For it knows I must relent
The (multitudinous) seas have consumed me
The waves took me in, gladly

Yet another memory -vivid this time
- Is fired into my sleeping mind
Diving deep into the cosy bay
You said fortune favours the ‘old’
But in these trees you are lucent
In my tears you are bold

My haunted love was your epiphany
Between the luminaries we shared
Impervious to any real pain
False soirées and canapés
Ignite the reverence swelling within me
Delight me again before I can remember

Your arms obstruct the light
A new day calls me/A harbour is prepared
The firs are swaying again
Do I take the Royal Path?
Or follow your cardinal ways?
Reflections are not always this real

I shifted out of the sun
And as I rose my feet left the earth
I spoke but my words hung in the air
Fashioned from the depths
Waiting to be emboldened
Then, they traversed the oceans between us

Reaching you as you turned to stone
Some lay dormant, forming a quiet valley of death
Your ghostly eyes looked at me, earnestly
And though my words were still ice
several burst through the void / and
even to my own surprise, said - "I love you too"


This poem is one of the poems to feature in my upcoming release 'Recollections Vol.2'. It will also be included within a fictitious story that I am publishing.  Thank you, Dom.
Why do my eyes want to see you?
When there are there are constellations and mountains and sunsets to look at
Yet my eyes are not satisfied until they find you
With your tired eyes that shut slowly behind the steam from your coffee mug
While the flowers are blooming and valleys are forming and cherry blossom petals are fluttering to the ground
I'm gazing over at you
My back turned to any other sight that could be more fulfilling
What more is there to see after I've spent hours facing you?
Why do my eyes tear when they can't find your face?
I have already found every freckle on your cheeks
Smile and make them dance for me
Let those hidden creases below your cheek bones bend and breath when you let your laugh out
Throw your head back and let those curls take flight
Just be you doing what humans do
Reacting to things as a human being should
As I'm reminded that most things are more worth seeing
Than a basic normal average human being
My eyes widen and whisper to me
"This is the show we came to see"
It's in the eye of the beholder
Miguel Diaz May 2016
I hide in the dark
Where I shed light on the walls,
The showman performs behind me and I only see a silhouette
I'm fighting with shadows.
Shadow boxing with shadow puppets,
The candle that light that fire will fall and the puppetry will disappear.
My hands still tied to the chair.
Jeremy Betts Feb 7
It's a long shot but I have to hold out hope
That someone, somewhere out there is rooting for the loser 'cause I'm running out of rope
And at the end of that rope is no place to find a future
Spoiler
You'll only ever find the end there
I know I'm not going to win, will never be of note
There's never been anyone at the end cause I'm not worth sticking around for through thick and thin...
...I know
I'm the one making that almost impossible
My minds a riddle, my past is a hurtle
Im the worst one man show showman
I don't choose to be alone
I try to build a home
But I can't afford land that's not sand
So my foundation can never be as strong as I hope I am
As competent as I need to be to be the man I want to be
It's sad to know that man will never be seen...
...fade to black...
...end scene.

©2024
Isla Apr 2018
She is unfinished stories and dog-eared adventure books. She is adorned with string lights and stray cat toys, an overflowing junk drawer and a perfectly loud laugh. She is kind brown eyes and witty comments. She is first.

He is pastel tears and bird feathers. He is Twenty One Pilots' lyrics and faded polaroids. He speaks in hushed tones and drinks mint tea. He will hold and let himself be held. He is empathy.

She is firey spirit and winged eyeliner. Glitter and badassery. She is scarred and beautiful. She protects and yells. Cries and laughs. She is ***** jokes and black clothes. She is who I am too timid to be.

He is a lone flame and endless darkness all at once. He is a sharp blade and subdued smile. Strong coffee, pop-tarts, and ripped jeans. Tae kwon do and boy scouts. He is too often forgotten.

She is buck teeth and Greatest Showman lyrics. Stubbornness and freckles. Conceals her self-consciousness with mock confidence. Funny faces and the best dance moves. She hides my things and steals my clothes. She stirs up trouble in the best way.

He is soft smiles and lego armies. He loves cats and make-believe (though video games are his first love). Creates pillow forts and mysteries, art and movie magic. He wears glowstick necklaces and no shirt proudly, as he should. He loves my heart.

She is willow trees and afternoon tea. Gentle rain and improv games. Quirky and polite, she is decorated with her gap-toothed smile and childish style. She hands out stickers and strums her ukelele with affection. She inspires me.

He. Oh God, he. He is summer skies and skateboards. Braces and freckles. He is a shell-collector and songwriter. He loves the stage. Compassion and hand-holding, cheek kisses and free smiles. He is devotion.

They hold me, and I hold them. We cry, we laugh, we hate. We sing and we dance, we talk about our dreams. We depend on each other. We love one another. Many would not be here without me.

And I couldn't be here without them.
This is my longest poem on HelloPoetry, dedicated to my wonderful, wonderful friends, those described in this poem and otherwise. I love you so much, don't ever forget that. ( also, kudos to you if you actually read all that!)
Turoa Feb 2019
Night Circus

A black tent stands in front of you
red flags, chilling wind
welcome to my night circus
you found my red curtain door
I’ve been waiting for you
so step right in

Put this mask on, bizarre but
soon it’ll be clear
there are no faces,
no faces,
no faces down here,
No faces no light,
your mind misty, unclear,
and you don’t know it yet
but you need to be here

I hear whispers in your head
they are sounding
your heart’s beat in your ears
it’s pounding
warped mirrors, evil seen
is your reflection shattering
the person you knew
is gone, curtains drawn
my wicked dream
it’s magnetic, riveting,
astounding

Cold blood will course through your veins
look away
but all around you, look, see
you’ll reel from their stains
you say you’ll leave
but where
how did you lose the way
you came here, you entered
there’s a price you’ll pay
there are no refunds
no second chances
..and oh the games
we will play

You knew it hurt, but went back
every time
through a once white skin door
until your own skin matched mine
the colors of pain,
my black, red decor
until now
you’ve always asked to endure,
to taste just one more
you did this to yourself
bought the ticket
now settle your score

Bring the reflection of yourself
behind your mask in the crowd
my curtain’s pulled back for you
step through
not a sound

No one here will see you
cry as before
no one here will silence you
or muzzle your roar
as you end the life
of the person you knew
of the self that was you
who you were before

So welcome to the show
you arrived just on time
The Rules
don’t lie, don’t touch,
and don’t waste my time
You came to my circus
my tent,
you entered my mind
now you’ll hear and you’ll suffer
the ringleader’s rhyme

You feel strange down here,
yes, at first
thinking you’re alone
Ha ha guess again
check the stands
every second
look and see how they’ve grown
faces you can’t see
but there’s an army within
wondering
why did they come
you see, there’s few ways out
endless ways in
held by nothing but curtain
in this place created by pen

I hold a lighter
to this cigarette and
I can show you the way
you've found my hell, child
so come take my hand
fangs glistening, lets watch,
watch your own show begin

Join the legion here,
seeking belonging, refuge
lost and alone, savages
behind masks
here we all are people
monsters
creatures like you
but this is your trail
you’ll see it through to completion
don’t fall to the side
perhaps you can grant to me,
grant an end to my own story
my own obsoletion

I live this circus
every act, done them all
the show of the ******
my kingdom written
in red, every seat
in black, every wall
this is my world  
my guest
you're welcome to know
a little about me
take in the sights
with my ember in darkness
the hope I have
as you go

I was born here
somehow caught and strung up,
the first exhibit
the freak show,
a forcibly twisted, stiff contortionist,
a broken puppet's
head hung low,
clowns hammer to the head
that drum-roll cadence you hear
thumping, ringing,
a bearded lady singing
my art's crescendo,
each act slowly, chipping away
each step bringing us, closer, today
I’m the no-net trapeze artist
who wildly swings
while mad jugglers toss
swords across delicate strings,
the magician who saws
his woman in half,
the strong man crushed
beneath the weight on his back,
the tamer pray to his lions
bones not whips crack,
the disfigured clown who hopelessly fails
every attempt to make you laugh,
I'm the fire-breather choking
hearing cheers for his burn,
the acrobats diving into a cement empty pool
each gracefully standing waiting their turn
I was the tigers
who brought
the elephant down
and the helpless escape artist
chained, humiliated,
destined to drown
And now here I stand
your host
Ringleader
your showman
maitre d'
you're welcome to join
mais j'espere, tu ne reviens jamais
jusqu'au port de mon coeur
Le Cirque de la Nuit

-A bow without applause-

You’ve hosted your show
feel free to do more
but this tent will be bigger
each time you perform
I belong, some are trapped here
but you, you are not
the choice is still yours
so when you decide
you are free
to the world
I’ll release you
but let you be warned
wherever you go
the key you carry within
your night circus
your shadow behind you
is waiting
hungry
I plead
..don’t fall back in
Ryan P Kinney Jan 2020
The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”
David Sollis Oct 2014
There was a young man named John Bowman
Who was renowned as a bit of a showman
He practiced Yoga
Dressed in a toga
Convinced that he was a real Roman
I've also written a rude version of this...
Sia Harms Sep 24
Look at the time,
Its right on your wrist--
How could you have missed
That one little moment?
It seemed so very big
But to you,
I’m only a showman--
With nothing but lists
Of commands
And tired jazz hands
Zachary William Sep 2017
My father was always
a bit of a showman
but I'll never know
if he was aware of that
fact
as he would stand up a little
straighter and puff out his
chest and his slight
Ohio/Texas twang would
become a full on
Sam Elliot drawl
but three octaves lower
like he was a real life cowboy
only to be outdone
by his favorite president
Ol' Papa Reagan
and I guess I found it strange
that he could never really
get into the role
of being a caring, kind, and sweet
parent
Apachi Ram Fatal Oct 2017
zen manipulate electrons in various states\
migrate matter within range negate radiation\
indicate particles  of ambiguous qualities heart\
rate acceding mean mug gimmickry deflower\
showman stalemate minute of the meeting\
bonsai tree focus attention on mental desertion\
of a post without permission leaving duty\
unconcerned possess contrite phase clout\
initiate conduction butterfly effect\
unconditional require dissertation variation
in the future scale systems of education\
consume clones dogmatic zone emphatic\
wormhole between widely abused encompass\
those sadly disturbing amused separate connect\
ions space time continuum chromium address\
headless tune ⍏ chyme  divine combine celestial\
sign ⍏ bodies pine guide ⍏ shrine unleash\  

out zipper little dipper stick
love without pain set my soul free
Mitchell Jun 2011
Impending rain through the gut rut strain
A letter stamped and ready to gain
Impending media menaces straight on through
A touch of pepper was what she wanted to know

A listen of the booth towards the man's moon lit
Whistle for the sinister because we all got sisters
Either you hear me
Or you ain't got nothing to say

Good night to the morning because I ain't trying to see you
We used to be something but things got boring
Bent post cards meant everything she meant to lie
Cut another piece of that fibbing apple pie

A showman knows when the audience is rolling
They breathe it in and know when it stinks
Thanks for the lot but smother me another time
I got some reasons I ain't feeling fine

Puking out the nonsense so I don't walk it off
Curb stump near me so I can start to bear it
A silly **** bump near the ever clear rear
Wishing for the fear to leave me every night dear

Dawn break sticks near my window right about now
Eye rubbing madness for the cook that boils sadness
Cash for me with my woman far away
Round this corner I think I might have my stay
Ankita Gupta Nov 2018
Let this one stay
Don't take it away
Maybe I got swayed
But it's part of the play
For to keep people astray
Your magical spells awaits
Showman walks another way
The audience is left to sit amazed
Go home, the show has to terminate
Take all with you, feelings and your case
When I sit spell bounded, thinking of the magician who just ran away.
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Dr. Benjamin Anthony, and Ayla Atash

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“Come in and be amongst our broken people (pieces).
Mingle with our shards.
See which cut is the deepest”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You are a good worker.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The woman swarm, Mama Evil, pushes her way to the front to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”
The Man explains,
“We are a beautiful blasphemy to God’s word because we question.”

Let me start with a parable,
“Once upon a time…
There lived a shy little boy and a chatty little girl. Though the two lived really close they never knew each other. That was until one day, the girl entered high school. They met for the first time on the school bus. The boy eavesdropped on her and for the first time spoke to her. Although she was especially irritated, the boy responded. It was with those words that a lifelong love blossomed…
‘You love me, you just don’t know it yet.’

Through the many trials and errors of high school life they grew together. And so, They lived happily ever after.”
“…Except, she didn’t. In this reality, she ran off with a rich older man while taking care of his dying wife, 5 years after those high school sweethearts were married.”
Years later, he would lament,
“It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.
Who am I?”

“What can we learn from this,” asks the Man.

The first interrupter states matter-of-factly, “You are fire. You are love.”
A tie-dyed burnout rants, “Love is fire, Man. It burns. But it also warms and protects… Praise Allah.”
“Amen.”
“Bless you my son.”
“Hail Satan.”

“The last time I hear my heart…” says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.
Now with ignition to her words, she quotes, “The last time I hear my heart was like a galactic ******. The ****** that made you and touches everything you made. Faith is attempting to live as though we are loved.”

A Drag King high fives her and says, “I liked the galactic ******.”

A torn up, steel-studded, leather clad punk continues, “Promise me you will live…
For nothing…
But the next moment.
No forgiveness, no damnation, only the match I strike on the heel of my boot.”

And then the automaton asks, “What of the devil: the original corruptor, the source of all evil?”

A gym rat, wearing a holey muscle shirt, extends an arm to point as he half sings, “The devil is a wicked man and wears a suit and tie. The devil checked in at noon and asked us, ‘What is the sleep of reason?’ You woke the devil I thought you left behind.”

“The Devil is due; the Devils do,” coos his boyfriend, the semanticist-*******.

The Man answers, “Is not the source of evil the same as the source of creation. Is it not evil to be so selfish as to create, with no concern for how creation will change everything.”

The Wiccan Princess retorts,
“Creation can be bought and sold.
Motherhood is a commodity.
Venus is for sale.
The nativity is shrouded in black.

We've streamlined your desire.
She was only offering an apple anyways.
And filled in that hole in her heart.

Here, we give her to you totally domesticated.
This one is costly, but so worth it.

You never will be worth it.
Earn enough
Be enough

Taste the salt of her tears on your tongue;
the salt of the earth.
She refuses to wear this crown of thorns.

In the eyes of your maker.
You should be ashamed.
To look your Maker in the eyes.”

Mama Evil attempts to chill her blaze, “Dear, the Anger is caged. It is the custom to call children who go to war, men…children of war die like men.”

Their daughter, the littlest girl in the world, coughed. A runny nose explained it, she had the sniffles. Nothing to worry about normally, but here, now? Right now the end of the world was in front of her. Flying saucers were floating down to slaughter the entire world with burning laser jelly. She coughed and picked up a remote with a wheel shaped dial.
“i drank too much pop and i gotta ***.” She said to no one in particular.
She turned the wheel shaped dial and a chorus of voices sounded. The chorus formed itself into an immense wall of sound made of bureaucrats, lawyers and politicians from another dimension. The littlest girl in the world kept turning the dial and saw the bureaucrats wash over the saucers, sending them back into space. The earth was safe, the littlest girl in the world smiled in relief.
And coughed.  

“It seems where demons fail and monsters falter, angels may prevail,” her mothers laughed.

Still incinerated, a goddess queen shouts, “We are the granddaughters of the witches you failed to burn.”

The crowd jostles and pulses like a living being. They are moved by the words they have heard. A chatter rises from them, much like the midnight sounds of the forest. "Who does she think she is?" "She said it. She sure said it." "I'm going to tell Moira all about it." An old woman near the back takes a swig from a bottle of wine she carries under her coat before passing it to a young woman in front of her.
"From fire, new life is born, too," she smiles, a crooked twist of the lips.

Rendered speechless and impotent, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
ATL Aug 2019
a lone showman amidst a crowd
stands raised on a pedestal;
he wears a hat,
its brim is lined with bells,
and on the top rests a newly bursting lily-fibrous stalks of nescient life
intertwining with felt and chime alike.  

raising high his flowered cap
he remorsefully disclaims
“you once ate the sun!”
but these words are ignored.
the crude ringing of the chimes
is the only sound that brings applause.
Ryan P Kinney Jan 2020
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, Cat Russell, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Mitch James, Ellie St. Cyr, and Evan Spooner

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“But when your empty heart is weighed”
"What are you really worth?
These people call this Faith,
bring them to my table
the next bit of gospel
I wrote on a napkin”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You will be used to the treatments.”
“I am not sure that you are.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Princess Mommy steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. This Faith makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“As the recovering Catholic Kevin Smith wrote, It’s not important which faith you are, just that you have faith.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

“I am the mask wearing the man of eternity. In me, you see the face of history. A history we make up as we go.
The God of fallen leaves, leaves us... waiting for eternity to begin.
The Prophet Vonnegut says, ‘The question echoes back through time and disappears.
History. Read it and weep.
Tonight is a verb.”

From the crowd come the First voice, reading from his screenplay, "I was the table of contents, a footnote... running away from the beginning of the book. Perhaps no one knew we were living happily ever after until the book was over."

The Mallrat replies,
“Of all the words of Mice and Men the saddest words are ‘It Might’ve been.’
No need to despair
It was
It has
Somewhere else
Your soul is saved
All that Might’ve has already happened. ‘

“We are charming little liars,” retorts The Man, “We are a beautiful blasphemy to God’s word.”

The comic nerd slowly whispers, “All is truth, but every man is a liar. Sell me another artificially-derived slow suicide.”

A scientist cleans his glasses as he recites, “A world full of smoke and mirror nonsense -
It’s a religion of smoke and mirror nonsense
Only The Word is true and we make it up as we go.
In Nonsense is strength”

“So it is spoken, so it is true,” The Man energetically agrees.

An alien voice asks choppily, “Touch me
if you want to
believe in me
and the nothing I know”

“Sing the praises of the Holy Unknowing,” croons The Man, “We know nothing, therefore, we know all.”

And then, he drops into a haiku,


A bi-gender beauty asks no one (for permission), “Let me sling a little freestyle verse,

I'm steeple chased because some animal church wants to make me foxtrot in tempo with the braying boy
Pinnochio wants to make me hog its slops like Pigpen McSomething grateful and dead.
A fountain of youthful talent chemically imbalanced.
...with a grey skull full of He-man."

"Look at him!" they say.
"Give him a gun!" says another.
"A bomb!" a third spurts.
"Shows us your trigger finger!" they yell.

"My little boy," Princess Mommy whispers below the rush of gruff voices, her words staccato.

They answer her, "So I CAN taste the infernal darkness,” as the crowd falls silent

Princess Mommy chides them, “We know there is a sweetness in that which we cannot see. We know there is danger in that which we cannot hear.
Our bodies shake, our minds quake in anticipation of his words. It is almost time.”

The Man speaks again.
"Surely it is known, my brethren, that we are the Third Coming, the Breaking of the Seventh Seal that will signal the end of our oppressors. When we emerge victorious from the fires of battle, there will be no value left in the binary. No twos, only two or more. The Old Ways shall perish. We will shake off the chains, pull out the nails from our hands and feet, and the world which rejected us will rise anew under our leadership. Surely, it is known. Surely, it has been spoken. Jesus themself is at our back, and therefore we shall not fail."

“What a wealthy country, but no one’s coming to pay my bail,” sings the rainbow man, “They’re bragging they own my soul.”

"I don't want to bother anyone with my prayers,” prays the bi-gender person, secretly proud of leading the riot.

Sensing it is time to take to the streets, The Man closes the meeting with the same send off,
“The Word has evolved, my friends.”
T R S Feb 2018
Dermible detritus set with us
tarps and oil
Soil set with toil
Boiled in bags of tripe
Chips and chicks who titter
Gave me pick of the litter
Loyalty has soiled me
and sent me unto hither

I ask you for a question
Lessen layman make me walk
Make me milk my maiden
Make me cut my stalk

Showy showman dyin'
I felt a lot like cryin'
Cause cousins cause the answer
I call it family cancer
Dancing with my girly
Surely felt so good
But death is still a dealin'
And it's dealin' good.
Paul Butters Jul 2020
You say that all poetry is gobbledygook:
That Art's a waste of time
Elvis was just a Showman
And Freddie Mercury…
(Yes the same first name as you!)
…I’d better not say.

Where is your soul, Philistine Fred?
So many like you around.
Your mind cluttered with clinical facts,
Everything measured
And boxed –
Fastidious and precise.
Emotion killed
By setsquares
Set by Pythagoras
On a geometrical day.

You hate historical dramas
And all things learned.
Admitting any Education
Loses any street cred earned.
Yet you watch hours and hours
Of soaps.

You love supporting football teams
From places you’ve never been near.
But at least you like your pubs
For a lovely pint of beer.

I guess I’ll have to keep trying
To get through to you and your kind.
Yet I know some things ain’t possible
And you may never change your mind.

But yes I’ll keep on trying:
Keep banging out my poems –
Knowing that my pockets
Will never be lined with coins.

I know that you won’t read this,
But I will carry on.
For there are people out there
Who will listen to my song.

Paul Butters

© PB 3\7\2020.
(Partly Inspired by “How Do You Sleep” (1971) song by John Lennon. Education, education, education. Soul, soul, soul.

— The End —