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unto thee i
burn incense
the bowl crackles
upon the gloom arise purple pencils

fluent spires of fragrance
the bowl
seethes
a flutter of stars

a turbulence of forms
delightful with indefinable flowering,
the air is
deep with desirable flowers

i think
thou lovest incense
for in the ambiguous faint aspirings
the indolent frail ascensions,

of thy smile rises the immaculate
sorrow
of thy low
hair flutter the level litanies

unto thee i burn
incense,over the dim smoke
straining my lips are vague with
ecstasy my palpitating ******* inhale the

slow
supple
flower
of thy beauty,my heart discovers thee

unto
whom i
burn
olbanum
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
K Balachandran Jan 2016
From the green hill, blows downwards
a wind, gently titillating the languid trees
of this dense forest,the rustling of the leaves create,
an impromptu tune, proving they are taut strings,
yielding willingly to the sensual fingers of the wind.

Super moon,while raising, listens keenly awhile
as if she had never heard one like this before.
The wise silver owl, sitting on the high branch
keeping account  of every stroke of night,with an imaginary wand,
as the conductor, catches the emerging mood that seethes
within the million pieces of orchestra that gently merge,
get exhilarated, finds a pause to punctuate it with a timely hoot,
the moment freezes, falls in to the repository of time for keeps.
sometime I feel so much
rage inside of me

deep seated anger seethes
usually lying dormant till
it's called out

no matter how spiritual I get
I haven't been able to befriend
my anger

anger boils to rage
and I want to take it out on
the people closest to me

the wheel of suffering turns
and I feel so powerless
Ellie Belanger Aug 2014
there is a buzzing
     it's coming from the walls
the tiny electrical snaps and synapses
the mindhive that seethes
the radios and beeping pulses
we have reached the
singularity.
read about it
Tessa Stogian Jul 2012
Lamp light
Dappled, it dances
Like my hands
Over skin.
Into dimples it soars
As I work to erase lost time.
His back seethes
It is the harbour
It is the well
It is the safe,
Where his darkness
Comes to lie.
I traverse
Slowly, gently
Fingers slide and grind
He sighs.
I see our worlds diverge and then
Collide.
Axion Prelude Dec 2014
planted seed; they let it grow
through much defeat, it’s never known
a smile's disguise seethes bated breath
my sole escape be only death
Ek Oct 2018
Sprinkling crystals dipped in glass
ray of prisms breeze my eye
sunshine rhythms hide in grass
floating sugar on the pie

Neon lights pass to scroll
while purple midnight breathes
jacket goosebumps stockings stole
four-wheeled lion grumbly seethes

Honey nectar slumbers my eyes
whitewashed lace tangle my face
gentle buzzings of pastel sky
as cotton candy sank with grace

Open heart box standing in the rain
cries diamonds for to call her name
the poetry train caught riding to Spain
set carnival dewdrops on red flames
beth fwoah dream Mar 2020
russia
the mother of the love was cindy. she lives as wari and has no longer power. her beauty is renowned and she should rule.

argentina was the land of dd but mexico was goal and it was dana's land. dana is alive but needs to take control.

germany was grand and elsa was their king. elizabeth will rule. william was leam and harry was star. charles was ruu.

venice

the leader of the wall must take the city down dunstable will rule but row must take command (paul p) just lift the iron up and drink the holy well. paul (row my) must lead the way and let the city fall like jerico to row.

sibelius was chief his love could control hell. his land was mexico. he will return in 100 years. for now his son razor must reign. razor reigns already he was always strong with his power.

anthony (anthony p) is still rome. druididous stole from anthony. italy will love his power. his father still lives. he was known as tora. he will always save his people every time. (anthony and cleopatra).

simon (simon d) was the bell of the dance. his land was the guard of the law, his saviour was the christ.

palastine was oscar's (livin christ) land. he loved the people first and then the chosen leader. china stole his heart but his mother's magic eye was always the greener for the dome of the bar which was his mother's land.

syria was kim's the turks obeyed her law and her partner simon rice was the lord of undeceived. (kim's favourite sword - immaculate) kim would only ever give land to someone who beat her in a sword fight.

pakistan was morrow. morrow still lives. i will give him pakistan tomorrow.

laura (y) was time of space. her land was always persia. she always controlled the south and gail (r) did not deceive.

gail was the haunted skull. her wind would launch the sail. her seas were ever brave and her love was always true. persia (north)
was her heart. never steal her heart.

spain was not my son he was never in my life but portugal was spain and gavin (p) was their king.

the catharsis will run and run. i will never be deceived the gate is always closed for love is in our hearts.

england

gina (p) was our queen her lands would always flow. china stole her heart but england was her throne. ( i would like gina to come back to china to bend for the corn) gina's mother was druella in the ancient times.

david (b) was the king, he was the lionheart. he was our favourite king and no man could deceive.

scotland

gavin (p) was the james and diamond was his jewel. diamond is his wife and he must now command for nothing could corrupt.

stuart scotten was a scotish noble.

michael never ruled but no man thought he should his love was always wine and wine should not be loved. (as usual we will give him the principality of lowe as a gift so he does not destroy everyone).

serbia was the good, the love that jesus saw. give my son his thone. the love will be believed. in ancient histories serbia was known as dela. (see note lower serbia is now held by lassa and tal as guardians of the land below mount denar.) serbia and palastine must live in peace now the jew is gone who wanted to hurt palastine so much her people were forced south.

ok important note. we believe serbia was originally dunne but he always wanted land so he was not allowed back to earth. his lands were south of mount denar. oscar/ the christ/ the livin held after dunne left the earth but it was eventually agreed serbia below mount denar would be loved by tal and lassa as guardians of the land.

iatilahhomanne is the blue sky is yugoslavia. his wife is doran. she was his love. his old name was swee. yugoslavia is west of tee and north of do or die generally it is where teem is now. (old dree) their language was hebrew their god was jesus. the jews wanted christ to be their god not their christ. it is easy to find yugoslavia of the old world it is next to dree (ethiopia) and west of door. we believe they were also palastinian descent in the old world.  

pakistan was blue, she gave it to her heart and lassa always rules. lassa is alive give him his power back. no man then will grieve for joshua is back.

australia is madam it must return her power she knows the paths of peace and lives as mary rose.

newzealand is (d) (not good) madam must take control or ruby (a place) will aspire.

america is (d) she seethes to take the land. her hatred scalds and scalds it was berire's land. berire was the chief his land was mule and strike the karaoke's scream i will protect his thone.

orinoco should control his mind is always lead he knows no dark of heart and all his love is treve.

treve is always beth but she was ian's soul. please leave me ian's heart and yours should be atol.

atol would not be right. orinoco always marries beth (yet again). gail will not marry jet.

jason (rye) was no fool his lands were israel's heart. he loved the soul of rule but simon (d) could command.

kirby was the goo, india his throne. he was the amicable man his love was always christ the taj mahal he built and that was his home.

ian

i only want to love one girl, her name is beth. her love is like a bird that listens to the sky and then listens to all my love for her.

denmark

denmark was lasa at the dawn of time demeter is the rule and she's the queen of time. demeter now is young she is the queen of time her land is do or die and masa must command.

esotonia

was the house built by the sea it was eric's house and he was the son of the man he was the love of the life and he lives these days as stan.

france was warren hall but i must now be true. please give my catherine (m) land for aragon must rule. she was also in the ancient history joan of arc.

venice
paul (p) row my (principality palace in tlau.) dunstable took paul's money.

laura y (south china) it was the bys that took laura's money.

mowh has saved the word in china but as usual she tried to take power and had to be destroyed..

in venice beth was cocyo (the giver of bliss)  ( row cocco)

stav in south china is oscar's principality. stav is where oscar (the livin) is always happy. tao (ian and my son) loves to live in lowe.

the emperor of berling (north west south china) should have been. martin j. his brother originally drim dra dro was originally the prince of lowe but when i gave martin his territory in berling nick j became the prince of toi with the principality of toi. this was true in ancient times. martin was known as jo.  

orinoco was the emperor of china. the world was the waiting because the love would always be good.  

skybird drew was ray son. drew were the rightful thone of japan. the drew meant the solace of the earth.

gina in venice was tray.

ian's mother was fred.

eusebius was the poet of the heart.

eri (y) sometimes marries the man of the water.

michael is the guardian of the keep. i will always love my true.

helen (v) was the lover of the vine. she was chinese but had no throne.

claire was jezibel.

david was dow and fun

dunstable was char the feather of the water. he stole row fun.

in venice
eri was elea
laura was dezibel
gavin was cla

i have accepted as a gift a principality province in tithale.

kim of indonisia was the man the people loved. kim of the creator. we used to call kim the good man of our lives and the gentle spirit. everything of his goodness is returned.

our love was the strength of the world.

solace was drew. drew was the noblest family of all.

laura (y) was the mwang the rulers of the town and they were always princes.

in 1288 beth said goodness is more powerful than evil.

watling, turner and maccarthy were forced.

i am the family of fwoah.

lauren fwoah meant lauren the beautiful.

it was the evil family foo who made everybody born (or moved) to england. i demand all their money returned.

trump was the man of the star. he wanted the world to be quiet but loved. his name was choo. his current wife is belle and she was always his queen. his throne is peru.

boris was the baron of the star. your wife is livia and your land was mexico and your name was boro. your son was stevio the prayer of the mind and bringer of peace.

blair was catcho, the man who spent the fun. his original land was japan and he was noble but not the throne. the throne is now skybird drew.

it was the swinster family who hurt diana.

the current emperor of china is loco. he will give the territories to beth. his wife was the queen of the north.

*** (orinoco) was the conqueror of time. his destiny was power. he always loved beth and his province was the south.

japan is dalta at the moment it should have been drew. he stole for power as the armies wouldn't work. he wanted peru but i will not give peru for his destiny is fire!

peru should be malta but malta should be fire the love was the love of the love was always peru and peru should be ruled by scotland.

india was palm of par he was death of silence he was a resiliant man and today he lives as par.

atlantis was my sky i'll always love her heart. her chimney burnt to flame when carthage stole my love. phonecia was the blue and blue as of the wave (m) does wish but it is oscar's soul.

ian wynn was wales his love was orinoco. his daughter still lives as simone.

anthony (rome) was cabra in italy and dree in china which meant love me love. he was also lieu which meant the loved. (anthony and cleopatra)

lean built pisa tower. he was best at food.

row meant delight the sky.

the agha khan was dal which meant the love. he believes his true throne tunisia. i believe this is correct. also iran and iraq.

tin is throne of india.

del was the true throne of sweden. he is in charge.

norway was lion's land. it belongs to strong. who lives as guy.

the shah of iran was simon rice's father. he was the true throne. he was known as tal, which meant the good leader. iraq was also his which was the flower of land, denmark was also tal's land because yassa pretended lassa, this meant the throne was wrong but tal is lawful throne and lassa agrees.

godolphin was the arabian throne.

gina's money was taken by tong and fau who was the imposter winner of gold. they are both dead.

beth's love was the strength of the world.

drua took beth's seal in the china parliament. he stole my money. i was the word of china. i will return and take my rightful seat. my friend the shah of iran has already bought me the principality of siam and principality stav for my livin/oscar/christ ( oscar was born 25/12/97 this is the truth) as a wedding present. my mother gail has bought blue principality province. lowe i have agreed purchase when fun returned for my tao and my michaels.

gina was croan in china.

laura (y) married fleep.

dree took beth's money by pretending royal blood.

dominic (b) was poland of the ancient worlds his charm was nina and she was the curl. nina was so beautiful no man could ever resist, deceit could not destroy them there would always be a whirl!
On the cold solstice
the velvet magnet
of Luna's magic
pulls

quietly urges

whispering
gentle spells
into dreamy ears

compelling
her lover
to rise
quixotically
coaxing
him from
the warm sleep
of winters
first night slumber

she summons
a willing lover
inviting him
to follow
her stark
alluring light
illuminating
the lonely blackness
of a bleak universe

her
seductive powers
transcends distances of
a thousand solstices

her
resounding light
a sure mark
braces any weakness
emboldens desire
guiding the bidden
to unforeseen
destinations

standing
in your presence
my face is flush
reflected by your
resplendent light

my heart
broiled
by your
vexing
radiance

the roiling tide
of a midnight reverie
ebbs
as my
earthen shadow
begins to pass
over your
indelible
whiteness

I witness
my dark countenance
eclipse your light

defiling you
fearing
to forever
mark your
effervescent silver
with the baseness of me

without shame
your smile
allays my fear

you understand
you anticipated
the expression
of my
coy reticence

a sweet chant
sings
unencumbered
reveries
gently
reassures
you've danced
through many
moonlit nights
with eager lovers
only to return again
in virginal whiteness
across the
endless cycles
of time

released
relieved
abandoning
all restraint
now
I
summon you

my blackness
your whiteness
breeds a
sensuous
orange
sweeter
then an
open mango

she rules the sky
a celestial monarch
forcing Mars into
a sheepish retreat
commanding
mighty Orion
to sheave his sword
while
Venus
seethes
with envy

my form
begins to swallow
your lines
and
soft curves

my blackness
disappears
into
inviting cracks

falling into
dark creases
the soft billows
sweet mounds
voluptuous craters
gay playgrounds
for my mouth
mysterious hillocks
eagerly explored
with hands and
limbered fingers

a quixotic Eros
the scent of spice
swells in my head

everything
enveloped
like a
holy ghost
playfully gaming
hide and seek
radiantly moving
through
darkened canopies
of a lush forest

nostrils fill
with
tang of spice
a scent
of Caribe

face buried
in thick tresses
of maddening blackness

becoming unhinged
by eyes speaking
a thousand languages
as lips whisper
joyous whimpers

a silent kiss
of an orange lit night
writhing bodies
splayed together

ravenous tendrils
shape sloping
cloud pillows

quivering lips
unveil smiles of
alabaster pearls

mocha darkness
sambas through
the night

she exhales
her lovers name

Luna bathes
her cinnamon curves
in delicious
mango light
offers generous
dollops
of ******

peeking
baying
drifting
I cast off
onto a sea
of lucid dreams

drinking from
a dark aureole
as the tresses
of her
sweetened nest
moistened my member
in a sacred communion
to a hungry lovers mouth

her dancers legs
slim, supple
unbounded
and open
sweet to taste
smooth
so soft
to touch

the fullness
of our rumba
se los tango
con cha cha cha

light steps
close caress
kinetic commotion
wild laughter
fills the sails
of bold schooners

Luna's smile
commands
the seas
to heave

un poco loco
ola de feliz
los hablamos
un contrara
la estas
la esta

the lavender sky
of the mornings
twilight
inspire
Meadowlarks
to herald
the emerging day

still
drunkenly swigging
loves nectar
sleep creeps closer

confessing
small regrets
she fell
victim
to passion again

Luna
comes back
to her lover
pets his chest
with delicate fingers

in a voice
as light as air
she sings
a poem
into his ear
of passionate nights
beauteous art
longing to express
heartfelt truths

The mango consumed
Luna's whiteness returns

my shadow recedes
into inconsequential
nothingness

naked
I stood
sadly witnessing
the dark horizon
overtaking
my fleeing lover
swallowing her
in tiny bits
as morning drops
a final veil
over the face
of a now
vanished love

Music Selection
Grant Green, Moon River

jbm
Oakland
1/19/11
vircapio gale Aug 2012
in ashes hidden, smoulders god of love
from matted dancer's focus conflagration purely come
continues still perhaps in empty homage
of a sa ta na ma
personage of ((Shiva))

white bones pierce the sky
in upward curtain-seethes of heat
beyond imagined burning hells...
the triad ventures into zero-zones of anti-life,
sands of absolute defeat.

shadow trust imparts
a silent teacher's mantras;
soothing psychic words,
"Bala" and "Adi-Bala"
carry over dunes of morbid thirst--
the gape of ancient serpent-maws
choking dust of frightened, elephantine skeletons
fissured by immobile sun--
their inner sound become cool water of a summer stream

in timeless desert, traverses strain of royal line:
god-fated tutelage of seedling savior,
lightning skill with bow and virtue sinew
shining arms horizon's arid form:
despite begrudging honor kings expect
when offspring given after years
in hard-earned sacrificial grace:
yet still obeisance ends in facing demonaic rage
to which is pitted youth to slay--
despite allay by symbol feminine,
as if to question her abode would conjure her
in dire storm and quake announce gigantic step and hairy gulf--
with arrow sprays destroy Thataka's trident, curdling throat
the slitting of, rejoicing pantheon proclaims heroic,
forever railing under epic breath of tacit page theodical:
"we gave you progeny, now grant us our theocracy;
before your son our asthras lay their weaponry"













.
ryn Jun 2016
.

Cloak of invisibility...
Render me unseen.
As I tremble with the fury of
a thousand downfalls
and untimely disappointments.
Let the complacent eye
merely skim the surface of my masquerade...
Without learning of what seethes underneath.


Cloak of invincibility...
Render me impervious...
To the callous digits that know only to point.
To the disastrous effect of heated words.
To the unforgiving nature of
my wayward thoughts and emotions.
Grant me strength and resilience
through hardened skin that promises not,
of betrayal.


Cloak of infallibility...
Render me trustworthy and honest.
So that I can rest with the knowledge
that what I feel is true...
What I feel is me.
That this isn't the result of the faint murmur
of errant gossip...
But instead the genuine exchanges
between the heart and mind.


Cloak of myth...
Render me a believer.
Aid me in finding my footing
in the blasted dark.
For...
I have been siphoned dry,
during these unsure times
that have drawn much...
Too much.


.
The Dybbuk Mar 2018
Night falls upon the sleepless one,
who stares deep into the void.
He cannot yet be overrun,
He shall not be destroyed.
On the precipice of the blank,
He has lost all hope.
The riverside with either bank,
But while on land he cannot cope,
And so the water engulfs him,
He is drowned but still he breathes.
Light without him is now fading,
But within him it still seethes.
Destruction lies upon the sleepless mind,
Until it pounces on the light, resigned.
Michael W Noland Sep 2012
Strumming the untuned strings, he stares drunkenly into the setting sun of yesteryears songs, sung of lost dreams and the birthed ambitions of the dark, dark days to be.

Happily,  he tears up in the fortunate tragedies, of the reclamation in his dreams, as he seethes out the damnation of his steeds, galloping gallantly through his being.

All seeing, in the finite fleeting when he sings, of strummed dreams to the rhythms of heart beats lost, embossed on the epitaphs of kings.

Sad songs of dreams once had.
Be glad for that, which does not **** you, only to bestow upon you, the gratitude of the weirding ways, in passionate display for us all to play nice.

Shake these dice and jump aboard this bus of wandering poetry, from the porches of poets singing to the sun.

From the morning Moet, to the afternoon beer run.

we sing of dreams

of better things

we blaspheme

and spin the scenes

of our murdered dreams

and just clean the guilt away

I am so awesome as to be devoid of fault.

I am a god that cracks the asphalt.

I am the angel signing the clause, of deserved harm.

I am the indentured servant sounding the alarm, with the charm of a Trojan horse, forced to adhere to the most righteous path.

The first

The last

Laugh of inevitability

Honing in on the ability to capture the longevity of dream warriors, in the lock of predators, in the employ of a senator, from the center of the heart, to impart on you the fear from thieves caught in the plight of those fraught with the graces of an exterminator, exterminating the pro-creators of your world. Soldiers unraveled in the lavished gavels of real criminals drowning in their own subliminal theories of the self imposed heresies of intention.

Free will

A fragile blessing

I cracked, all so long ago, as i gently bestow my  belligerence upon your innocence and **** it all away.

I'm the ******* son

Strumming for the only one.

Once.

Before the lore of the storm.

Born of the swoon of a gun.

More than one.

Once.

As the day faded into night, his strumming turned plucking, as he slightly eased from reprise to silence, in the whisper of nights words, easing him into the blur, of sleep.
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,--
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so--he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
Lora Lee Oct 2017
I miss
the forest of
        your magic
    as it winds its
                  tattooed way
through the
          serrated textures
                  of nightfall
all up inside
          my vertebrae
the soft wind
       rustling in your
elms,
outstretched to me
                   like arms
as stars burn through
       this brewing sky
in molten,
    fiery charms
They beckon to me
unexpected
          in quiet      
      apertures of subtle
they sneak upon me,
          unprotected,
when I'm sunken
in my tunnel
and sometimes
              in the
                   quiet stream
of the lonely, sacred night
I hear a whisper
whirring soft
as it permeates
            my spine
I let it take me over
                   as I sit,
slumped,
     in the bath
it creeps and seethes
over my wet skin
eats out my silent wrath
I let it
       fill my senses
as I walk inside
                 the deep
and on wooded paths
of solitude's carpet of leaves
when I feel
no soul is watching
     the deer start shyly peeking,
  and lynx resume their stalking
then long slashes
                  of ache
are reawakened
           from their lair
snaking through my ribcage
choking up my hollowed air
        yet, somehow
        in the longing
of bottomless, falling space
I see in distant, faded visions:
the precious contours
of your face
and so,
like an enchanted
          secret box
I open you,
inhale the confetti
of your floating stars
wave them over and through
my strands of vein,
my tripped out,
           healing scars
your essence
       penetrates
my presence
   like misty mountain rains
seeps inside my pores
opens up
       striations
of seismic,
      writhing pain
Your invisibility
            takes form
and then
            in sudden,
whipped-up heat
        it pours out in
honeyed rhythm
       to our own
             invisible beat
and just like that
I get taken.
Overcome
by slakes of love
rushing through my
arteries
like sweet
    manna
from
    above
https://www.youtube.com/watch?v=ViHiOopNTlc
there is a wrestle going on inside of me
an epic match
                                        
                                                                ­      nAch vs nAff
At one end “Duty”-the undefeated ruling champion
                                                        ­             And at the other end
                                                                ­                              “Desire”-a strong contender for the title

Come and watch this fight to the death!
get out the fizz and popcorn
join the fun!
see me oscillate-between one and the other
i’m like an old grandfather clock
can’t decide
this lunacy is felt
in my deepest self, my core
stretched so far I’m torn apart
every limb every pore seethes in the anticipation
of the win
my mind bounces off the walls
I wonder what the point is at all-
someday this will end in a drunken brawl.
- Vijayalakshmi Harish
         07.09.2012

Copyright © Vijayalakshmi Harish
“Love and work... work and love, that's all there is." - Sigmund Freud

Dharma : Duty
Kama : Desire.
nAch: In psychological terminology: Need for Achievement
nAff: In psychological terminology: Need for Affiliation
As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organist's head, in silhouette,
Leans to the lamplit music's orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next to the skies. . . .
The music comes upon us. . . it shakes the darkness,
It shakes the darkness in our minds. . . .
And brilliant figures suddenly fill the darkness,
Down the white shaft of light they run through darkness,
And in our hearts a dazzling dream unwinds . . .

Take my hand, then, walk with me
By the slow soundless crashings of a sea
Down miles on miles of glistening mirrorlike sand,--
Take my hand
And walk with me once more by crumbling walls;
Up mouldering stairs where grey-stemmed ivy clings,
To hear forgotten bells, as evening falls,
Rippling above us invisibly their slowly widening rings. . . .
Did you once love me?  Did you bear a name?
Did you once stand before me without shame? . . .
Take my hand: your face is one I know,
I loved you, long ago:
You are like music, long forgotten, suddenly come to mind;
You are like spring returned through snow.
Once, I know, I walked with you in starlight,
And many nights I slept and dreamed of you;
Come, let us climb once more these stairs of starlight,
This midnight stream of cloud-flung blue! . . .
Music murmurs beneath us like a sea,
And faints to a ghostly whisper . . . Come with me.

Are you still doubtful of me--hesitant still,
Fearful, perhaps, that I may yet remember
What you would gladly, if you could, forget?
You were unfaithful once, you met your lover;
Still in your heart you bear that red-eyed ember;
And I was silent,--you remember my silence yet . . .
You knew, as well as I, I could not **** him,
Nor touch him with hot hands, nor yet with hate.
No, and it was not you I saw with anger.
Instead, I rose and beat at steel-walled fate,
Cried till I lay exhausted, sick, unfriended,
That life, so seeming sure, and love, so certain,
Should loose such tricks, be so abruptly ended,
Ring down so suddenly an unlooked-for curtain.

How could I find it in my heart to hurt you,
You, whom this love could hurt much more than I?
No, you were pitiful, and I gave you pity;
And only hated you when I saw you cry.
We were two dupes; if I could give forgiveness,--
Had I the right,--I should forgive you now . . .
We were two dupes . . . Come, let us walk in starlight,
And feed our griefs: we do not break, but bow.

Take my hand, then, come with me
By the white shadowy crashings of a sea . . .
Look how the long volutes of foam unfold
To spread their mottled shimmer along the sand! . . .
Take my hand,
Do not remember how these depths are cold,
Nor how, when you are dead,
Green leagues of sea will glimmer above your head.
You lean your face upon your hands and cry,
The blown sand whispers about your feet,
Terrible seems it now to die,--
Terrible now, with life so incomplete,
To turn away from the balconies and the music,
The sunlit afternoons,
To hear behind you there a far-off laughter
Lost in a stirring of sand among dry dunes . . .
Die not sadly, you whom life has beaten!
Lift your face up, laughing, die like a queen!
Take cold flowers of foam in your warm white fingers!
Death's but a change of sky from blue to green . . .

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow . . . the music breathes upon us,
The rayed white shaft plays over our heads like magic,
And to and fro we move and lean and change . . .
You, in a world grown strange,
Laugh at a darkness, clench your hands despairing,
Smash your glass on a floor, no longer caring,
Sink suddenly down and cry . . .
You hear the applause that greets your latest rival,
You are forgotten: your rival--who knows?--is I . . .
I laugh in the warm bright light of answering laughter,
I am inspired and young . . . and though I see
You sitting alone there, dark, with shut eyes crying,
I bask in the light, and in your hate of me . . .
Failure . . . well, the time comes soon or later . . .
The night must come . . . and I'll be one who clings,
Desperately, to hold the applause, one instant,--
To keep some youngster waiting in the wings.

The music changes tone . . . a room is darkened,
Someone is moving . . . the crack of white light widens,
And all is dark again; till suddenly falls
A wandering disk of light on floor and walls,
Winks out, returns again, climbs and descends,
Gleams on a clock, a glass, shrinks back to darkness;
And then at last, in the chaos of that place,
Dazzles like frozen fire on your clear face.
Well, I have found you.  We have met at last.
Now you shall not escape me: in your eyes
I see the horrible huddlings of your past,--
All you remember blackens, utters cries,
Reaches far hands and faint.  I hold the light
Close to your cheek, watch the pained pupils shrink,--
Watch the vile ghosts of all you vilely think . . .
Now all the hatreds of my life have met
To hold high carnival . . . we do not speak,
My fingers find the well-loved throat they seek,
And press, and fling you down . . . and then forget.

Who plays for me?  What sudden drums keep time
To the ecstatic rhythm of my crime?
What flute shrills out as moonlight strikes the floor? . .
What violin so faintly cries
Seeing how strangely in the moon he lies? . . .
The room grows dark once more,
The crack of white light narrows around the door,
And all is silent, except a slow complaining
Of flutes and violins, like music waning.

Take my hand, then, walk with me
By the slow soundless crashings of a sea . . .
Look, how white these shells are, on this sand!
Take my hand,
And watch the waves run inward from the sky
Line upon foaming line to plunge and die.
The music that bound our lives is lost behind us,
Paltry it seems . . . here in this wind-swung place
Motionless under the sky's vast vault of azure
We stand in a terror of beauty, face to face.
The dry grass creaks in the wind, the blown sand whispers,

The soft sand seethes on the dunes, the clear grains glisten,
Once they were rock . . . a chaos of golden boulders . . .
Now they are blown by the wind . . . we stand and listen
To the sliding of grain upon timeless grain
And feel our lives go past like a whisper of pain.
Have I not seen you, have we not met before
Here on this sun-and-sea-wrecked shore?
You shade your sea-gray eyes with a sunlit hand
And peer at me . . . far sea-gulls, in your eyes,
Flash in the sun, go down . . . I hear slow sand,
And shrink to nothing beneath blue brilliant skies . . .

     *     *     *     *     *

The music ends.  The screen grows dark.  We hurry
To go our devious secret ways, forgetting
Those many lives . . .  We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.

Whose body have I found beside dark waters,
The cold white body, garlanded with sea-****?
Staring with wide eyes at the sky?
I bent my head above it, and cried in silence.
Only the things I dreamed of heard my cry.

Once I loved, and she I loved was darkened.
Again I loved, and love itself was darkened.
Vainly we follow the circle of shadowy days.
The screen at last grows dark, the flutes are silent.
The doors of night are closed.  We go our ways.
Now Ritacene had too, followers, who would go on and build Raxon around her and her fields
Lady of Order, she bore twins- Abreh and Esseneh, sons which would assist in making animals
Abreh thought of animals and how the would work- their cycles, families, species, and yields
Esseneh felt of them and how they run, gallop, breed-  all the fish, birds, reptiles and mammals
One day, while visiting their aunt Phalgacene in her realm Phaxon, she gave them a challenge
‘Work as one, and as one you may work- make me, your aunt, a perfect and splendid animal’

Abreh, who took the challenge with most seriousness, thought of perfection in the form of life
He thought of arms and hands that create like Palcion, yet can destroy like that of Retisbon
And so of legs, chest, and a mind that though like him- so much so, Abreh became a brain
Esseneh, who took the challenge with most seriousness, felt of perfection in the form of life
He thought of an animal who can love like Lady Abro and forget like King Chazan of the sky
And so of heart, emotion, lust, greed, and want- so much so, Esseneh would become a heart

Phalgacene looked unto his two nephews and was shocked, worried, disgusted, and scared.
Shocked to see the mind of Abreh in its truest form, and so the the heart of Esseneh as well
Worried that in this most vulnerable state, the two would be injured yet immortal, forever in pain
Disgusted for Abreh’s thoughts and ideas gained movement, and Esseneh bled all over her
And scared that if Ritacene where to see her sons, she would be forlorn and upset for them
When the Lady of Order feels forlorn and upset, her fields dry out- the Malzaphaiatan riot

When the Lady of Order weeps and is cast down- the Zapharagaz are startled and stampede
In these the earth quakes and shakes mountains, and the sea torrents and kills countless
For though Phalgacene is the Lady of Chaos, Ritacene is the Lady of Order- disorder is chaos
For when Ritacene is angered, her sister comes to calm her, and brings her chaos to her order
When Ritacene is sad, he sisters comes to console her, and brings her war to her peacefulness
When Ritacene is sad and refuses to eat, Phalgacene comes to feed her- which starves many

The Two Ladies’ sororal love for eachother sing a song of nature and its harmonies and rhythm
When the Lady of Chaos seethes, spears grow like grain from backs of Malzaphaiatan herds
And the Zapharagaz dock and sail her navy unto the walls of nations- beating their stone down
As Phalgacene seethes, Ritacene comes to reason with her- and brings diplomacy to her wars
When Phalgacene hunts down other spirits, her sister stops her, and saves slaves from hunters
When Phalgacene speaks of destruction, her sister eases her, and delivers men from calamity

And so as to not dip a world in its infancy still- so delicate, so new, and so innocent- in chaos
Phalagacene sought to save the brain of Abreh and heart of Esseneh from eternal anguish
In her forge in which she used to cast the molds of her spears, swords, maces, and dirks-
She waxed its walls, heated its molds, and poured blessed bronze into its cavities hollowed
The mold she made to the designs of Abreh and Esseneh- who spoke of them so frequently
That the words had carved themselves into the walls of her court like instructions to follow

She planned to take the brain of Abreh and set it on the perfect bronze head to save it and him
She planned the heart of Esseneh to go to the perfect bronze chest to save both it and him
The bronze lay liquid and she left for it to set. She took Abreh and Esseneh- brain and the heart
She put them within jars of jeweled glass filled with water from the stream of Palcion, the Infinite
The stream from which Palcion uses to moisten the clay from which he molds all things from-
This water from the stream protected the Brain of Abreh and the Heart of Esseneh from pain

Meanwhile, in Ayar, Da’raan- King of Demons, first of the Great Demons, was much debauched
Trapped within the realm of the nothing of nothings in their fortress in the acid lake of Mizharyan
Da’raan and his legionnaires, the Bahalzaryan- pass the centuries brewing wine from acid water
They brew the rust that is shaved from their spears and ferments it in the waters of Mizharyan
From this, a wine that can burn through ones entrails is made, and is strong enough for Da’raan
Forlorn with Phalgacene’s rejection, he throws all the spears in Mizharyan and brews them all

Old spears and new ones sink to the bottom of the acid lake- its acid rusting them all to nothing
And in the span of a day, lake Mizharyan has fermented completely into the strong acid wine
Da’raan, in his sadness, sings of his woes and worries and hearteach to Lady Phalgacene
‘You trusted me with your best men, o Lady of Chaos. And in war, your life was to me as mine.
Foolish of me to think you thought of me more- merely one below your command and sword
I desire not only for you- but for your pride in me. Foolish men rarely gladen without good wine’

And so Da’raan drank the entirety of lake Mizharyan, which at this point was no more than wine
As the banks and bottom revealed itself, a spear unrusted stuck from the ground below them
One of the Bahalzaryan descended to it and to retrieve the spear, which was Da’raan’s spear
When it was dislodged from the ground, it revealed a spring that sprung and refilled Mizharyan
Da’raan wanted to mine iron to rust and make more wine, but the Bahalzaryan stopped him.
‘My Lord, you are in drunken haze- walk off your stupor and allow Mizharyan to heal its banks’

Da’raan , with the fair Phalgacene in mind, wandered out of the realm of Ayar much aroused
His face reddened and his clothes grew tight- Palcion distracted and Retisbon who was blind
Did not notice the Demon King walk drunkenly out of Ayar and into Phaxon- chaos’ domain
He wandered into her court, unseen to her true legionnaires due to the stench of acid wine
There he found Phalgacene casting a body of bronze for her nephews, Abreh and Esseneh
She was unaware of da’raan’s presence, for she blessed the bronze that set in the molds

Da’raan called for her and expressed his love ‘Lay with me, Lady of Chaos! Bear me a son!’
‘Da’raan! Heresiarch and King of Demons! Do you remember not? You are exiled from Phaxon!’
‘Lady of Chaos, I desire your pride in me! Leave me barren, but I will leave thee not, o love!’
‘I shall **** thee, Da’raan!’ Da’raan, thoroughly drunk, mistook her threat for an invitation to lay
The drunken King of Demons disrobed, and Phalgacene who has not seen men, stepped back
It seemed Da’raan had unsheathed a monstrous spear. Defenseless, she thought to evade him

In her pursuit, Da’raan leaped and ******* into the liquid bronze as it set and hardened.
Still in drunken stupor, the Demon King could not pursue Phalgacene any longer and fell asleep
The bronze body hardened, and the sleeping Da’raan was escorted out of Phaxon, back to Ayar
Phalgacene, ignorant of the new addition, assembled the body and  put Abreh and Esseneh in
The new being was twice as immortal as Abreh and Esseneh as was known as Abresseneh
He returned to ritacene, who loved his new son more than her old twins, and thanked Chaos

Abresseneh then created a new animal- man and woman. He would create them all in sets.
He made them in sets, for as twins he was created, and in his image were these animals made
Though these sets were not bound by anything, not even by family, blood, or name- poor things
And so man and woman are cursed to find the other, wed them, and complete the divine set
Descendants of three gods- Ritacene, Phalgacene, and Da’raan- humanity has this ultimatum
Mighty like Phalgacene, humanity may use his might to serve Ritatcene or serve Da’raan

Though humans are true descendants of Ritacene, their bodies are of Da’raan’s tainted lineage
In this, man’s conscience and morality pulls him to the Lady of order, their true mother Ritacene
Also in this, man’s body, desires, and vices pulls him to the Demon King, corruptor Da’raan
And so my students- Barzan, Valkar, and Homet- behold the story of mankind and his origin
Our creator father Abresseneh, son of Ritacene, Phalgacene, and Da’raan- calls us all by name
Do we use the strength of Chaos within us to serve Order or Evil? Preach this as you write of it.
the third part of the book of eebrhu, this poem details the realm of hell ayran, the obssessive love of da'raan for phalgacene, and the creation of mankind.
Lyn-Purcell Oct 2018


~
I trust yet I'm suspicious
I love yet I'm hateful
I laugh loud but I cry
I observe, I'm not blind
I try so hard by confidence
shakes
Try harder, esteem breaks
I stand strong with laughter
aimed
Locked deep, my ferno rage
I clam up
Guards up
Shields up
Inside, the shards of my bones
break
Laughter to me is a sword
with two faces
I see the argent lighthearted face,
but my eye is locked on its
shadowed edge
Malicious, cruel, sharp and swift
Sheathed ever so deep into my heart
I can hear the echoes more than feeling the pain
I pick so blindly at an open wound
My mind is a riot, a murked brew
of emotions
Time will heal the wounds,
but it's a scar I'll always remember
Anger screams
Sadness cries
Frustation seethes
A joke, am I?
The sun is dead
Blocked out by echoes
Ink
So disoriented
Heart pulses
I cannot think...
~


Trying to calm a turbulent sea that currently is my mind...
Lyn x
Julian Sep 2020
DISCLAIMER: READ THE WHOLE THING IT IS MUCH MORE GENIUS TOWARDS THE END



Bypass the circumlocutions of elementary rhetoric and the obvious bulges into the ethereal realm of supersolid supercalendar emigrations of the wednongues of vogue emigrating into a new frontier of boundless awakening that blisters the sore solid metaphors of a crumbled bricolage of articulate history becoming a reiterative gabble of entropy that curdles the blood-boiling hatred of those envious of those that capitalize on the true girth rather than the flaccid otiose etymology of differential physics becoming a denatured figment of prideful imagination on a frolic with desuetude in the normalization of the wernaggles of ewnastique that defile the ridicule of even the most astute aspirations of those that despise history rather than reveling in its subtle ironies that swelter in connotation rather than suborn the cadged bridewells of those that are estranged by the Dousk Remix rather than the Voulez-Vouz Danser populism of true urbacity expanded upon a national stage as an anthem not for profligate saturnalia but rather an ode to the odium of the reckless titanism of titanic intellects clashing with the dudgeons of intermittent eye-rolling irreverence double-dealing a stacked deck of pleckigger on an intellectual stagecraft for bandwagon apostasy that leads to solidarity among tentative allegiance. We barnstorm for a grift in the grimace of an alpenglow winter to lead to the salvation of all people united under the banner of neat nexility rather than long-winded elocution reserved only for notched caliber against the nativist diatribe that serves the subservience of the engineer of the white chattel indoctrinated into turnstiles of professed irreverence for demarches of solidarity that is gainsay for gain rather than pittances for pitfall. Rhetoric should be duly curtailed against the overcomplication of hypertrophy and trimmed into the sweet success not of saccharine fads of foofaraw but engineered resistance that galvanizes albatross intellectualism into a revved engine without purpose that mobilizes because of estranged impotence in the revelry of the subtle rather than the cordial tethers of emergent entelechy of the esemplastic orthobiosis that we should all strive for not just as pioneers of the socially engineered harbingers of a remedial society but also for the trendsetters that communicate with the canvass and the celluloid rather than spelunking dormitage of drifted anomaly perceptible to everyone but heralded as prominent by the rigged ambeer of a toxicity of a plumage of city over state and country over planet. We need to provide the verdure of the verdant forest that survives the conflagrations of rage indoctrinated by systematic attempts at stilted ignorance that is engendered more by Leftism than Right-Wing thinkers because in general when observed in organic settings we notice that the Right-Wing escapes the sloganeered jaundice of limited bounds for otherwise boundless thought and provides more seminal pathways that reconcile normative virtues with entrenched inveterate harbingers of economic success. The faulty deadstocks that propel the retinoise of the anomaly among Leftism to disregard the girouettism of a world that is so piebald with dishonesty that it elects a patronage that seethes with passion but aimless in its curiosity for deeper embedded candor because the popular might count themselves among the aristocratic Left but the truly Promethean belong to a centrist tribe that borrows the ingenuity of spurned but never spurious interpretations of a sputtered history that remarks with revelry  rather than disdains with #CancelCulture irreverence that seeks to deracinate all context for insipid utopianism that is a shared prerogative of the delusional Left against their complaints of Sebastomania among right-wing zealots that are equally invalidated by the frogmarch of a dilettante history curbed in storms of a pure tempest rather than a banal reiteration of novelty phrased with participant intonation rather than blathers of whispered arbitrage ennobled by hypocrisy immune to criticism among those that crusade for economic justice without understanding formal flombricks of the true gnomic riddles of alchemy fundamental to global panoramic pleonasms becoming the aleatory vagary of admonished warning that spars against spartanism. Instead of pilfering from the exorbitant defalcation of immunized partisan bromides against the ratcheted warranty upon defective obsolescence we must coalesce around the imperious ****** of divinity bequeathing the living water of a fully-lived life that qualifies its felicity not by junctures but by an overall harmony that conforms to the finicky demands of an overly polarized complexion of dimpled conformity founded on girouettism that earns more traction than the deasil sundial emergence of brimstone rejection for alabaster limelight we must urge others to ditch the conformist utilitarian usucaption of the usufruct of manipulative sports for domineering talents suborned into inclement straits because of unwitting albatross that replicates into a fission of uniformity encapsulated in the half-assed witticisms of attempted belletrist succeeding only in alienating the noxious fumes of alveolate diminutive reduction rather than expansive detritus that scrapes the wreckage of a turmoil to build masterworks out of broken sculptures themselves indemnified from a categorical judgment by the panoramic oversight of proctored civilized ambition. We need to exhort self-education that hinges upon not a listless acquiescence to a second-exit impulsive barnacle to the urchins of brimstone because of an insipid blather of flapdoons of brittle banality because the hackencrude is an outmoded entity to the vast resources of the sizable capital of the growing power of the intelligentsia over the weakened grasp and wrangle of terminus meeting consuetude weakly enough with pleasantry to appease but ultimately a complete witwanton persiflage of sizzled destruction rather than the savory contemplation of the cotqueans of majesty derided but never derailed by terminal revivals because the generativity of the titanic original might not be a popular indoctrination but the liberated thought of the untethered is ultimately more decisive in world affairs than the synergistic hive of bees building an imperious defense against dynasty built only upon provincial hatred of hidebound illiteracy combustible into the brazen bravado of a reckless intrepid effrontery against civilized chains into the ******* of complicit interconnection rather than dissolved dissolutions that solve global problems more fundamentally rather than driving through avenues of wide pressures gilded with expansive growth but ultimately bereaved by the ultimate succor of the youthful exuberance of captive audiences rather than the wily connivance of genius unbounded. God is obviously a benevolent provider of all bounties and despite the conspiracies that predicate heterodoxy the uniform mannequin of a mascot Democracy ultimately becomes a fickle bandwagon allegiance to relationship rather than a true witness to authentic ******* to a subservient relationship to a creative God synergized with energies that should exceed all galloped windlass into demarche and expose rather than rundles of ridicule interminable because of the permanence of kitsch memorial rather than living sculpture that breathes a swiveled light that beckons preened self-accountable responsibility to a dutiful matriotic duty of optimism rather than a contrarian futility of those that despise the unequal suave crackjaw dementia of the temulentia of derangement among crowds that provide fewer bounties and more deprivations calculated to indenture need rather than motivate want. We must motivate want by fueling ambition rather than quelling dissent in defensive posture because that strategy of antinomian discord is a dead-end street against an inveterate enmity that can never be fully deposed but only opposed with nominal futility raging with violence rather than seething with the motivation to reform because reform is an efficacy mobilized. Novelty of wednongue propriety grown through the heirs of drastic impertinence gilded from the siphon of lavadero hypogeiody blasphemous in bletonism that guards a piebald scrivelo because the sought dementia of an overwrought alacrity is a purpose without a terminus but an ambition soaring through scraped ice cream stratosphere that marvels at the minutiae of the civilized anthill that becomes a beehive of industry when the rationale of moral reform becomes insuperable rather than suborned into effete recursive cycles of pittances of pitfalls obsessively pondered but never solved because the fustilugianation of a forever tampered travesty is the esemplastic rejection of a categorical aim that leans of windlasses of elegance that surpass the levy of hatred and achieve sizable filagersion to squirm above the squawk upon populace rather than the consternation of an urbane but cloistered metropolitan arrogance contravened by the historical emergence of happenstance locales fostering the most well-guarded treasures of bohemian pedigree rather than dimpled resolve faffling on ergasia in bromidrosis rather than cavorting with a skeptical indoctrination by default evaded by those that equate an improbable scenario with a definitive solution to acatalepsy quandary because by reckoning with indeterminacy we grow in historical lineaments and solve global detritus by recycling the rattled brevity of promontory preens of plumage into a recursive ostentation defalcating heavily from sturdy macroeconomic proofs of the trendsetter rather than the trend and therefore grapple with profound personalized disdain rather than cordial harmony. Essentially by the logical positivism of proof we remind ourselves that obviously a chattering blather swims in tentative irony as long as it is a penultimate relativity because the lack of capstone ensures that the relevant treads beneath the mountain of rapprochement in benign endeavors to survive and thrive in definitive conclusion rather than intermediary conclusions of amnesia in jaundice. By the gnomic apothegms that guard the fortress of the demassified we have quantulated that the preposition of continuance is in fact a guarantee of the fickle supremacy of the recent and even more preponderantly the supremacy of expectancy of latent junctures that never manifest becoming a dictatorial rule of driven alacrity of wastrels that should fast from conclusive opinion and rather favor the primordial fabric of the inveterate truths rounded by the conversion of alchemy solidified by calculated canon converging with esoteric apartheid against the simultagnosia of the simpleton drivel of primordial myths bowdlerized from history neither lewd nor depraved but moribund because of the conclusive ****** of a peremptory intermediary certainty predicating a more precise foresight. The lackluster luster of numinous foghorn subliminal graft is a nativist confusion of legionnaire mettle swaddled by the cosseted grasp of interminable boundaries that demarcate linear time even when supersolid filigrees of elemental confusion erratically swerve into oblivion that becomes a forestalled happenstance so hapless that the connivance of alveolate synergies necessarily precludes event from becoming indelible because the tentative judgment wallops the tributary incontinence of the warble of axiolative jaundice materialized by crystalline fabrication neutered by soundbyte sclerotic calculus inveterate in summations of conclusion only because of peremptory weights upon geometric certainties rather than logarithmic dampers of attenuation that spar against spartan priggish epithets upon the flamboyant grit of grisly specter of speculative sepulchral venal vanity. The timberlask cineaste irony of the partisan usucaption of sapwood is a pirated timber of startled alarm becoming a useful or useless cacophony of barnstorm for the deadstock of past cadasters of rigmarole in the docimasy of pretense in impartial circumstance in specialized oratory bounded by a hemmed bailiwick of verdure denatured by the flombricks of subtle persuasion that ignores minority fringes of opinion that occupy that majority that cowcatchers brush aside rather with cruel contemptuous unkempt slippery agenda for drivel that spawns ingeminated redoubled explosions in participle bias rather than conglomerate arraignment of arrayed brooked swamps turgid not with the pettier travesty but the charade of a brokered ceremonial calculation against the wrikpond spurious by degeneration into corruptible complicity that thrives in obscurantism but never obscurity when the omnified owns a capitalized swiftboat of never a temulentia but always an optimism in the curvature of lineaments into the self-educated shepherd of the ultimate autarky rather than insubordination in the scrappy schlep of demographic ripples of swift enrichment at great personal flops in the floppy disk of a Democratic enrichment rather than a parched rectiserial hidebound tome. A quirky time stanched by tomes of patricide against family ingratiated by parrots to anthem but lacking the lettered verve of ignoble but parsed parsecs of finite light captivated into prismatic conscience we launch the demerited ploys of foible into the heralded controversy rather than the unheralded mercenary hands behind dogmatic ripostes livid because of the suave prestidigitation of the sublime mastery of the syncopated irony of mismatch attuned to radical rhythm we become bloated slaves to a rich lineage decried widely in attempts of covert coup raxes of a largesse of continual primipara perversions of courted cotqueans of uxorious justice that by defalcating from tributary orthobiosis in specious conjecture esteemed by rattled martexts aspiring for fraternal solidarity with the ****** esteem masquerading as the auctioned flivver that the merchandise of fluminous optimism cannot be an effusive blanch of blarney bolstered by bumptious bromides of brunt blackmail but rather the artform of subterfuge needs the insidious and invidious traction of creepy Thriller subtlety to garner the vapid traction of immobilized discontent foster to malcontent rarely abridged by even the most polite courtesy of diplomacy because of inherently insatiable demand that it skulks in undetected quarters flexing in the shadowy penumbra of transparent crackjaw enigma becoming an obvious blister or a gabble of raw jaundice sweltering into thermolysis by the eventual convergence rather than the improbable divergence of fissile time beckoning its own flashy revolution while denaturing the very presence of delusion as a herald more of the authenticity of animadversion rather than the sclerotic carapace of ragged asphyxiation in the aplomb whisper entombed forever by milquetoast inefficacy in hypersensitivity rather than a flourished malfeasance of a predatory grip upon seizure among catatonic graves of incontinence braving tribulation for crucibles of the most prosodemic surgeries of the furtive froward recalcitrance of deliberation in ignominy that enables that transmogrified skyscraper of Titanic lies to become a sunken vessel of harbored prestige lost on penultimate dice rather than winning pokerish villiany. Essentially the jeer of Morel Under a Disco is a winning brandished authority to chug the capers of inscrutable difference in blandishment imposture to cavort with an elegant plot twist that enthralls abiding decay to revert into a primordial confidence of livelihood to deter the frogmarch of time into the despairing quagmires of a livid balkanization of a simultagnosia of ageotropic monoideism fomented on fervor that leads to the paralysis of privacy and the expedited furor of moribund depraved proclivity so that the offset of morale and rationale can outfit civilization to brave the tempests of cordial divisions cemented by courtesy in order to safeguard against the yeggs of paranoia seeking ultimately the craven caper of disillusioned subconsciously felt retraction of indelible deeds into evaporated constructs that vanish too quickly to spawn the vigor of a cadged and utilitarian expanse of reiterative generativity that sustains the spanned sapience of primordial alacrity to ensure that brevity in outlook becomes longevity in subsistence because without a logical positivism grounded in unshakable tenets of God the demoralization of the vast majority is ensured and entombed in aimless squalor that leads to sheepish temerity compounded by wistful latency in regretful regression rather than a spandex bluster of a bravado of obesity to weather the persnickety wednongues of perdurable badges of instinctual shame slandered into prima facie denatured transmogrified cultures seeking cosmogony out of ordinary bricolage because the eventful triage of the nimble eludes parochial sight while the vastly capable outfox and outpace with such frenetic verve that they fasten against accident and transcend against heterochrony in ridicule that the unseasonable but seminal sauce flavors better the partially indentured optimism of a curated matriotism better than it serves the obviously interminable cycle of listless demiurges of malcontent that fuel conflagration rather than reformation to their own remorseful peril. Thereby, it is obviously concluded that to micromanage a society you must exert the capacity of a selective magnetism obviously predicated on demassified capacities for oaths of gratitude to endear and endure in the humane heart for the majority that sway few but encounter many that they find proper scruple grounded on axiomatic God to sustain not a lifeless priggish inclination but a bounded felicity that is not a carapace of an indigenous and insidious decadence to the extent pursuits of happiness swelter among the marginalized majority bereaved in powerless squalor slave to temptation not to derelict fascination but to provide aim to aimlessness and predicate their worldviews not on Racial Identity Theory which postulates too many counterintuitive pessimisms that are essentially neutered fustilug predicates of a world that requires such drastic seismic reforms in societal dynamics that the earthquake capable of such a realignment would exceed a 10.5 on the Richter scale which is 32x more powerful than the biggest earthquake in recorded history that would be so catastrophic in its implicit implication of the pretense that the consummation of the theory achieves the traction necessary to jostle every crowd into alignment that the collateral damage would endanger the very integrity and vitality of the Republic itself while exerting a tremendous existential dread of radical permutation that enables many travesties that abnegate the prerogatives of a privileged society in search of a facetiously engineered impossible utopia that could only be achieved by a dictatorial authoritarianism working in concert with benumbed sloganeering to engineer pessimism and malcontent rather than nurture the fair-natured optimism of a society that flourishes because it assumes naturally that the universe conspires in the favor of prosperity. If any hint of casuistry is evident in these postulates I wouldn’t be surprised but for rhetorical sanctity it is necessary for a nation bereaved of national icons not to despise the captive imagination of tyrannical transparency but grow from the liberating and partially liberal parable of a life maximized in limber for romantic enthralled growth that heralds with due consideration the paragons of time with reverence rather than soundbyte enslavement of parochial interminable twinges of a newborn and widely shared collective guilt of a decisively antinomian and pessimistic view on the evolution of human societies beyond catchy kitsch verve nexilities of bravado mutilating thirsts for inclusive mandates that are Boa Constrictors prowling with serpentine vitriol to vastly over-represent extreme fringes to dissuade nuclear families in an overt ploy of depopulation because the truer pathway to liberation is one that feeds the hot hand in the casino and bets that the winners will always win by deregulating their ability to bet large sums because of a transcendent supersolid mastery of time that the march and demarche of a boundless prosperity gouged by the fair demands of egalitarianism enables the card counter to achieve such a decisive advantage that his indentured socially coerced eleemosynary inclination to feed the flock endures throughout all epochs because of the necessary and incumbent scruples of God-fearing men to distribute their winnings won by cheating time to conquer time itself.
K Balachandran Sep 2019
The spider, in many hues rules.
But I never could understand
The complete operational rules.
                                    Still I have
Unflinching  faith,like no other
On the spider, that it knows
The rules of transactions inside out.
I am in the web of a clan of
Spiders, day in and day out.

I just lie supine in comfort  
And let my song bird fly high
In the sky blue oblivion
Of my mind, listening to
The singing of the bard of
The absolute, transcending limits.
        I am more and more lured
in to his cave where light is present
By its physical absence.More and more
An innerbeing after substence
In the company of this siver luminous.

She comes alive, fire risen from smoke,
Her red hot eyes capture my truth quick!

The spider sitting on top of me
And working on me with
Her oceanic mind that seethes
Agile vaginal muscles, I picture
Is still reading "Every Women"1
From memory; I just feel it
as each of the steps to the
thousand petelled lotus is
left behind one by one.

My silver spider
who flies with me from
the conjoined base of
"Mooladhara"2 at the ****.
If she is the fire, I am the sky.
Hear the silver bell she rings,
In mind's eye I see how her
Silver strips gleam, wet with sweat.

As we step out to the garden path
The green spiders of thick foliages
Waved at us.Golden spider of the sky
Hanging low beamed at us.
1."Evcery Woman"(A gynacological guide for life by Derek Liewellyn-Jones)
2.Mooladhara means "the root and basis of existence" according to Tantra Yoga, located at the ***** one of the seven primary energy centres of human body.
it loomed like a ghost in the falling day.

an hour past the town on the way
the old man's eyes bore surprise

i wouldn't advise it, sir, not wise
waking them up is no sport

they who're sleeping in the dead men's fort.


All along i've been a phasmophobic
they ceased never to rule my head
lurking in nooks and under my bed.

it sounds nice to talk about spirits and souls
but at nights when hollows of burning coals
mistily appear and not in a dream
choke me out of scream
to that terror i fall an abject slave.

but my companion on that dusk was brave
looking at those eerily towering spires
he said let's try meeting a few vampires.

there was no door opening with a creak
but inside was a musty dark hole
where daylight made a quick retreat
as if to let the dead peacefully stroll.

we climbed up stairs strewn with dry leaves
amid sensing a storm brewing on the wing
for the awakened dead in anger seethes
to have their rest broken by the living.

soon swept us a gale of the squeaking dead
driving us out of that well occupied well
surely startled by the intruders' raid
the winged vampires were fleeing like hell.
a true story, my cover photo is the place where it happened.
Tree, Old Tree of the Triple Crook
And the rope of the Black Election,
'Tis the faith of the Fool that a race you rule
Can never achieve perfection:
So 'It's O, for the time of the new Sublime
And the better than human way,
When the Rat (poor beast) shall come to his own
And the Wolf shall have his day!'

For Tree, Old Tree of the Triple Beam
And the power of provocation,
You have cockered the Brute with your dreadful fruit
Till your fruit is mere stupration:
And 'It's how should we rise to be pure and wise,
And how can we choose but fall,
So long as the Hangman makes us dread,
And the Noose floats free for all?'

So Tree, Old Tree of the Triple Coign
And the trick there's no recalling,
They will haggle and hew till they hack you through
And at last they lay you sprawling:
When 'Hey! for the hour of the race in flower
And the long good-bye to sin!'
And for the lack the fires of Hell gone out
Of the fuel to keep them in!'

But Tree, Old Tree of the Triple Bough
And the ghastly Dreams that tend you,
Your growth began with the life of Man,
And only his death can end you.
They may tug in line at your hempen twine,
They may flourish with axe and saw;
But your taproot drinks of the Sacred Springs
In the living rock of Law.

And Tree, Old Tree of the Triple Fork,
When the spent sun reels and blunders
Down a welkin lit with the flare of the Pit
As it seethes in spate and thunders,
Stern on the glare of the tortured air
Your lines august shall gloom,
And your master-beam be the last thing whelmed
In the ruining roar of Doom.
There is no peace at all for the wicked.

Stinging, ruthless words that pierce through mind and heart
Swiftly, precisely, from lips of clay depart
Arrowheads dipped in green poison find their way
To an unwary target, without delay.

There is no peace at all for the wicked.

The tongue is a sinister, crushing weapon
Who dares resurrect one fatally bludgeoned?
“He deserves my verdict!” Rage seethes in defense.
“He smashed my fortress with the least reverence.”

He is without excuse.

Yet the comely victim-prince says, “Follow me…”
He with the sad, compelling eyes
And nail-scarred hands offered gently, steadily
To a soul vanquished by frantic, chaotic “I”

He whose dazzling raiments from the throne hang
unused
Willfully submits to slight, beating, abuse
As leather sandals cushion dusty, wounded feet
He weeps; Fallen creatures smite head and side–they bleed.

Still the comely victim-prince says, “Follow me…”
Now, therefore, beyond excuse,

Man is guilty.
Mark Toney Oct 2019
You say you love me but you’re not
You say you’re going to fight and give it all you got
You say you find it hard to breathe
You say you’re mad at me but I’m the one who seethes
You say you love me but you’re not (in love with me)

          ~ Tears falling, relationship flailing, love failing… ~


You say you need a place to stay
You say you’re asking me to find another way
You say you thought about the debt
You say you’re leaving but it hasn’t happened yet
You say you need a place to stay

          ~ The time, the hurt, the pain, the drain… ~


You say you overcame the jones
You say you’ve analyzed it to the bare bones
You say you finally found the cure
You say you’re righteous, clean, happy and secure
You say you overcame the jones

          ~ Familiar lies, thin disguise, love’s demise … ~


You say you love me but you’re not
You say you’re going to fight and give it all you got
You say you find it hard to breathe
You say you’re mad at me but I’m the one who seethes
You say you love me but you’re not (in love with me)

          ~ Tears fall, relationship flails, love fails…
             Familiar lies, thin disguise, love’s demise …
             This time, this hurt, this pain, this drain…
             Time runs out… no more to gain. ~
8/24/2018 - Poetry form: Lyric - Copyright © Mark Toney | Year Posted 2018
Jason Apr 2022

Worn photograph clutched
Tightly in the mind's eye
Faces faded, edges rough
Light preserved by hopes lie

Lush garden terrace
Woven through with thorns
Soft smile turned sharp grimace
Scarcely healed scars torn

Fairytale truths delude
Poison apple dreams
The really-real world
Seethes behind the seems

Dark mirrors reflection
Bends reality
Echoes of connection
Charm eternity
04/02/22
a voltage feeds my mind
like that of a brief rainfall
where there is an asterisks
of insignificant social commentary
whose reality pertains
to disproportionate events
whose commission
makes a profession out of trivia
which is no more ******* durable
than accumulated dispersion of adrenalin
that of a psychophysical explorative
exploitation of unrealized
perpetual fermentation
that seethes with the singeing smell
that accompanies its lie
those demanding untruths
that lock each and everyone
in a burning prison of panic
a prism of unfocused
visionary liberation perhaps to some
the realization of the cosmos
that lives within the poets interior
a mighty roar of space
waiting to be filled
with visions of future worlds
of future social commentary
Lyn Senz 2 Aug 2017
Death is dreadful
hides in shadows
seethes and battles
grim the night

Beth is bedful
rides in saddles
breathes and prattles
trim and tight


©2013 Lyn
Lvice Nov 2016
Red
Red is the color of anger
That burns and boils and bubbles
It seethes and seems to soak into beauty
It is cold and fierce and fiery
And ironically
*red is the color of love
Jade Jun 2018
The eye of the universe

bats its lashes at a

a single sliver of splintered light

blinking boastfully in the opaqueness–

a crescent m☽☽n is birthed,

carved by the Huntswoman’s

      ➳silver tipped arrows➳

on the night I–

a demi-goddess-

am born.



And this Hunstwomen,

my heavenly mother,

my celestial nurturer,

Artemis

plants antlers atop my

hairless skull in the hopes that I,

her daughter,

will grow wild

as the deer Her Greatness

has vowed to protect;

as the cypress whose limbs

swell with greenery;

as the moon who must wax

as surely as it must wane;

as Artemis herself,

whom they call

“Lady of Wild Things.”



And I too

am a Wild Thing,

for I am a women

of extremity.



How can I not be,

when I come from a long line

of deities,

whose veins palpitate

with the very atoms of chaos?



How else am to explain the fire

the seethes inside of my soul?

A fire kindled by Zeus,

the Lord of the Sky,

the God of all Gods.



Lightning bolts play hopscotch

across my collarbone,

crack against my ribcage

like Poprocks crack against tongue.



Some days,

these flames enable

the crusade of my passions,

accelerating me onwards,

like the wheels of

pegasus drawn chariot.



But there is such as thing

as being too passionate,

for with great passion comes

great emotion,

and with great emotion comes

the capacity for great heartbreak.



I love with the catastrophic magnitude

of a category five hurricane;

it ’s no wonder any other mortal man

is capable of reciprocating my musings,

for there is no emulating this storm,

there is no matching the desires

of Aphrodite’s offspring.





And you should see my heart

when it’s broken–

the way it snaps so eloquently

like the neck of a swan,

how it metamorphosizes,

scorching itself

to a point of  αγνώριστος

(unrecognizable)

blackness.



In the pit of my

cracked palms,

I hold the charred

f

                     r

         a

                         g

m

              e

n

                  t

s

of my heart–

kaleidoscopic shards

jagged enough to draw blood.



When the palpitating ache

in my chest proves to be unbearable,

I sprint to the riverside,

well aware that it is the closest

I will be able to get to the ocean

on such short notice.



I take off my socks and

my worn down Doc Martens

and wade into the water.

Entranced by its

refreshingly cruel coldness,

I baptize myself in its

precarious currents and beg

Poisedon to extinguish the fire in me.



He douses me in his spirit

in an attempt to console the embers

that lick at my heels.

But this attempt proves

to be unsuccessful;

for there is no way of curing

the daughter of Olympus.



Fire and water merge,

imposing on to my being

a molten existence.



I    l~i~q~u~e~f~y.



Tendrils of lava crawl

up my oesophagus,

sear the impression

of a laurel atop my head,

burn so violently,

they turn purple.



“Dear Gods,”

I plead

“Take away this body,

this mind,

this soul–”



“Child,”

a lyrical voice

echoes back to me.

“You must not forsake yourself

like this, ”

she declares.

“The mark of the Parthenon,

of I,

your third mother,

Athena

dwells among your fingertips–

There is

p

o

e

t

r

y

in your bones,

an emblem of my wisdom,

of Apollo’s bestowal of enlightenment.



And so you,

my demi-goddess,

must carry on the legacy

of your ancestors through

your wildness

your extremity

your chaos–

your poetry.



For you were made

in the image of the Gods.”
Marco Batista Nov 2013
I am the thoughts that you want, I am the vibes that you crave
I am the truth that you flaunt, I am the lies that you make
I am the death that you fear, I am life with it's fakes
I am the breath that you breathe, I am the visions you need.

She steeps deep in my eyes, my soul is lost in her
She tells me that's okay, baby just do what you can
You are the drive in my dreams, you are the wetness it brings
You are the pleasure I want, you are the life that I seek.

I am not your love, I am the darkness inside
I am the fight for your life, I am the truth you despise
I am the crackle that breaks, I am the scars on your face
I am the anger that seethes, I am the secrets you keep.

She shuts my eyes, her soul is lost in me
She tells me thats okay, baby do as you please
You are the love that I need,  You are the weakness in me
You are the past without pain, You are the curse in my veins.
There is a place I keep for me
where others cannot go
It's hidden deep within my heart
behind a soulless glow.

The skies are always cornflower blue
while all the trees in bloom
drop blossoms pink as candy floss
to chase away the gloom.

Beneath the sea of stolen cares
a darkness seethes and roars
a warning cry to he who dares
set foot upon it's shores.

There is a place I keep for me
a darkness deep and true
I keep it safe and hide it well
Beneath  it's pretty view.
bubbling, boiling, the ****** acid sizzles
my insides like water hissing as it turns to steam
helpless against the fury of a forest fire
it chars my throat,
tears springing to my eyes

i can taste the salt on my face
but all i see is red

mirthless laughter echoes
the way black coal smoke billows
from the smoke stacks of my
lungs

the searing heat of hatred
irritates the skin on my wrists
i scratch and scratch and scratch
until the skin is raw
until the skin is broken
until the skin hangs off the bone
i feel nothing but the rage

giving me strength
giving me focus
giving me calm

the lava rises, shrieking,
into my eyes,
pouring from my ears and nostrils,
seethes between my clenched teeth and sealed lips

my breathing
even, deep,
matches the rumble of the cracking earth

and from its core more fire comes
evaporating the tears on my cheeks
the blood on my arms
the rain from the very sky

— The End —