Submit your work, meet writers and drop the ads. Become a member
Krysel Anson Sep 2018
Dito sa Lungsod ng mga siksikang tren
sa umaga at sa gabi ng paglubog sa mga makinarya,
Ang sentro ng  pabrikang papel at usok, na buong bilis
sa inaliping katapatan at tapang
ay naninirahan palagi sa piling
ng mga madaming mga ipis at daga.

May nalilimutan na mahalaga tungkol
Sa tahimik na hele ng mga flourescent na ilaw, kaalwanan
ng mga matatayog na pangako ng condo't bagong mga kainan, magagarang mga pabuya.
Mga panibagong mga tagisan ng lakas
sa mga makabagong Coliseum ng Roma,
sa bawat amoy ng dugo at bagong silang.

May tipo ng sukal na wala sa mga gubat, at tunog ng mga
malalakas na putok ng baril na wala sa digmaan.
Tila sa kahit anong panahon, mag-alsa man mismo ang Kalikasan
at magpadala ng Tsunami,
magpalindol at magpaputok ng bulkan
sa panahon ng kakaibang asul at pula na buwan
sa pagkakabuwal ng bagong bilang
ng mga magsasakang sa mga mass-suicide
mula India, Korea, at Pilipinas dahil sa di-pantay
na mga batas kalakalan:

Ipadala man ng mga makata't hukbong
gerilya ang kanilang pinakamatikas at
pinakamatatapat na mga bilang sa mga pagsubok
ng panibagong mga pag-aaral at pagsasapraktika,
maaaring Puting Elepante din ang
hindi sasapat ang kabayaran para sa mga utang
na dapat matagal nang nabura at naigpawan.

Mula sa lakas at pwersa hindi lang ng mga diyos
ng mga sari-saring pampulitikang mga pormasyong nagdidirehe
sa mga kilos ng mga taong kapit na sa patalim,
Kung hindi mula din sa lakas ng mga nangahas mabuhay
at lumikha ng mga paraan para makapagpatuloy na
makapagaral ng sariling pagkamulat:

Ang kaaway na papel na salapi o papel na tigre
ay nilikha din ng tao para din lamang
maunawaan ang mga sariling kahinaan,
mamulat sa mga repleksyon ng mga nagbabagong
sarili sa gitna ng unos, upang matiyak ang yapak at
mabuo ang mga hanay at kahandaan ng mga
unang hawan, at huling mga walis.
Ang mga kalabisan ay para lamang mapatingkad
ang kahinaang dala ng kasaysayang nagluwal,
ang kawalan ng pagpapahalaga sa binubuhay na mga palitan.#
English Translation to follow.
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
IN SEARCH OF THE PRESENT

I begin with two words that all men have uttered since the dawn of humanity: thank you. The word gratitude has equivalents in every language and in each tongue the range of meanings is abundant. In the Romance languages this breadth spans the spiritual and the physical, from the divine grace conceded to men to save them from error and death, to the ****** grace of the dancing girl or the feline leaping through the undergrowth. Grace means pardon, forgiveness, favour, benefice, inspiration; it is a form of address, a pleasing style of speaking or painting, a gesture expressing politeness, and, in short, an act that reveals spiritual goodness. Grace is gratuitous; it is a gift. The person who receives it, the favoured one, is grateful for it; if he is not base, he expresses gratitude. That is what I am doing at this very moment with these weightless words. I hope my emotion compensates their weightlessness. If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement. And also an indefinable mixture of fear, respect and surprise at finding myself here before you, in this place which is the home of both Swedish learning and world literature.

Languages are vast realities that transcend those political and historical entities we call nations. The European languages we speak in the Americas illustrate this. The special position of our literatures when compared to those of England, Spain, Portugal and France depends precisely on this fundamental fact: they are literatures written in transplanted tongues. Languages are born and grow from the native soil, nourished by a common history. The European languages were rooted out from their native soil and their own tradition, and then planted in an unknown and unnamed world: they took root in the new lands and, as they grew within the societies of America, they were transformed. They are the same plant yet also a different plant. Our literatures did not passively accept the changing fortunes of the transplanted languages: they participated in the process and even accelerated it. They very soon ceased to be mere transatlantic reflections: at times they have been the negation of the literatures of Europe; more often, they have been a reply.

In spite of these oscillations the link has never been broken. My classics are those of my language and I consider myself to be a descendant of Lope and Quevedo, as any Spanish writer would ... yet I am not a Spaniard. I think that most writers of Spanish America, as well as those from the United States, Brazil and Canada, would say the same as regards the English, Portuguese and French traditions. To understand more clearly the special position of writers in the Americas, we should think of the dialogue maintained by Japanese, Chinese or Arabic writers with the different literatures of Europe. It is a dialogue that cuts across multiple languages and civilizations. Our dialogue, on the other hand, takes place within the same language. We are Europeans yet we are not Europeans. What are we then? It is difficult to define what we are, but our works speak for us.

In the field of literature, the great novelty of the present century has been the appearance of the American literatures. The first to appear was that of the English-speaking part and then, in the second half of the 20th Century, that of Latin America in its two great branches: Spanish America and Brazil. Although they are very different, these three literatures have one common feature: the conflict, which is more ideological than literary, between the cosmopolitan and nativist tendencies, between Europeanism and Americanism. What is the legacy of this dispute? The polemics have disappeared; what remain are the works. Apart from this general resemblance, the differences between the three literatures are multiple and profound. One of them belongs more to history than to literature: the development of Anglo-American literature coincides with the rise of the United States as a world power whereas the rise of our literature coincides with the political and social misfortunes and upheavals of our nations. This proves once more the limitations of social and historical determinism: the decline of empires and social disturbances sometimes coincide with moments of artistic and literary splendour. Li-Po and Tu Fu witnessed the fall of the Tang dynasty; Velázquez painted for Felipe IV; Seneca and Lucan were contemporaries and also victims of Nero. Other differences are of a literary nature and apply more to particular works than to the character of each literature. But can we say that literatures have a character? Do they possess a set of shared features that distinguish them from other literatures? I doubt it. A literature is not defined by some fanciful, intangible character; it is a society of unique works united by relations of opposition and affinity.

The first basic difference between Latin-American and Anglo-American literature lies in the diversity of their origins. Both begin as projections of Europe. The projection of an island in the case of North America; that of a peninsula in our case. Two regions that are geographically, historically and culturally eccentric. The origins of North America are in England and the Reformation; ours are in Spain, Portugal and the Counter-Reformation. For the case of Spanish America I should briefly mention what distinguishes Spain from other European countries, giving it a particularly original historical identity. Spain is no less eccentric than England but its eccentricity is of a different kind. The eccentricity of the English is insular and is characterized by isolation: an eccentricity that excludes. Hispanic eccentricity is peninsular and consists of the coexistence of different civilizations and different pasts: an inclusive eccentricity. In what would later be Catholic Spain, the Visigoths professed the heresy of Arianism, and we could also speak about the centuries of ******* by Arabic civilization, the influence of Jewish thought, the Reconquest, and other characteristic features.

Hispanic eccentricity is reproduced and multiplied in America, especially in those countries such as Mexico and Peru, where ancient and splendid civilizations had existed. In Mexico, the Spaniards encountered history as well as geography. That history is still alive: it is a present rather than a past. The temples and gods of pre-Columbian Mexico are a pile of ruins, but the spirit that breathed life into that world has not disappeared; it speaks to us in the hermetic language of myth, legend, forms of social coexistence, popular art, customs. Being a Mexican writer means listening to the voice of that present, that presence. Listening to it, speaking with it, deciphering it: expressing it ... After this brief digression we may be able to perceive the peculiar relation that simultaneously binds us to and separates us from the European tradition.

This consciousness of being separate is a constant feature of our spiritual history. Separation is sometimes experienced as a wound that marks an internal division, an anguished awareness that invites self-examination; at other times it appears as a challenge, a spur that incites us to action, to go forth and encounter others and the outside world. It is true that the feeling of separation is universal and not peculiar to Spanish Americans. It is born at the very moment of our birth: as we are wrenched from the Whole we fall into an alien land. This experience becomes a wound that never heals. It is the unfathomable depth of every man; all our ventures and exploits, all our acts and dreams, are bridges designed to overcome the separation and reunite us with the world and our fellow-beings. Each man's life and the collective history of mankind can thus be seen as attempts to reconstruct the original situation. An unfinished and endless cure for our divided condition. But it is not my intention to provide yet another description of this feeling. I am simply stressing the fact that for us this existential condition expresses itself in historical terms. It thus becomes an awareness of our history. How and when does this feeling appear and how is it transformed into consciousness? The reply to this double-edged question can be given in the form of a theory or a personal testimony. I prefer the latter: there are many theories and none is entirely convincing.

The feeling of separation is bound up with the oldest and vaguest of my memories: the first cry, the first scare. Like every child I built emotional bridges in the imagination to link me to the world and to other people. I lived in a town on the outskirts of Mexico City, in an old dilapidated house that had a jungle-like garden and a great room full of books. First games and first lessons. The garden soon became the centre of my world; the library, an enchanted cave. I used to read and play with my cousins and schoolmates. There was a fig tree, temple of vegetation, four pine trees, three ash trees, a nightshade, a pomegranate tree, wild grass and prickly plants that produced purple grazes. Adobe walls. Time was elastic; space was a spinning wheel. All time, past or future, real or imaginary, was pure presence. Space transformed itself ceaselessly. The beyond was here, all was here: a valley, a mountain, a distant country, the neighbours' patio. Books with pictures, especially history books, eagerly leafed through, supplied images of deserts and jungles, palaces and hovels, warriors and princesses, beggars and kings. We were shipwrecked with Sinbad and with Robinson, we fought with d'Artagnan, we took Valencia with the Cid. How I would have liked to stay forever on the Isle of Calypso! In summer the green branches of the fig tree would sway like the sails of a caravel or a pirate ship. High up on the mast, swept by the wind, I could make out islands and continents, lands that vanished as soon as they became tangible. The world was limitless yet it was always within reach; time was a pliable substance that weaved an unbroken present.

When was the spell broken? Gradually rather than suddenly. It is hard to accept being betrayed by a friend, deceived by the woman we love, or that the idea of freedom is the mask of a tyrant. What we call "finding out" is a slow and tricky process because we ourselves are the accomplices of our errors and deceptions. Nevertheless, I can remember fairly clearly an incident that was the first sign, although it was quickly forgotten. I must have been about six when one of my cousins who was a little older showed me a North American magazine with a photograph of soldiers marching along a huge avenue, probably in New York. "They've returned from the war" she said. This handful of words disturbed me, as if they foreshadowed the end of the world or the Second Coming of Christ. I vaguely knew that somewhere far away a war had ended a few years earlier and that the soldiers were marching to celebrate their victory. For me, that war had taken place in another time, not here and now. The photo refuted me. I felt literally dislodged from the present.

From that moment time began to fracture more and more. And there was a plurality of spaces. The experience repeated itself more and more frequently. Any piece of news, a harmless phrase, the headline in a newspaper: everything proved the outside world's existence and my own unreality. I felt that the world was splitting and that I did not inhabit the present. My present was disintegrating: real time was somewhere else. My time, the time of the garden, the fig tree, the games with friends, the drowsiness among the plants at three in the afternoon under the sun, a fig torn open (black and red like a live coal but one that is sweet and fresh): this was a fictitious time. In spite of what my senses told me, the time from over there, belonging to the others, was the real one, the time of the real present. I accepted the inevitable: I became an adult. That was how my expulsion from the present began.

It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality. For us, as Spanish Americans, the real present was not in our own countries: it was the time lived by others, by the English, the French and the Germans. It was the time of New York, Paris, London. We had to go and look for it and bring it back home. These years were also the years of my discovery of literature. I began writing poems. I did not know what made me write them: I was moved by an inner need that is difficult to define. Only now have I understood that there was a secret relationship between what I have called my expulsion from the present and the writing of poetry. Poetry is in love with the instant and seeks to relive it in the poem, thus separating it from sequential time and turning it into a fixed present. But at that time I wrote without wondering why I was doing it. I was searching for the gateway to the present: I wanted to belong to my time and to my century. A little later this obsession became a fixed idea: I wanted to be a modern poet. My search for modernity had begun.

What is modernity? First of all it is an ambiguous term: there are as many types of modernity as there are societies. Each has its own. The word's meaning is uncertain and arbitrary, like the name of the period that precedes it, the Middle Ages. If we are modern when compared to medieval times, are we perhaps the Middle Ages of a future modernity? Is a name that changes with time a real name? Modernity is a word in search of its meaning. Is it an idea, a mirage or a moment of history? Are we the children of modernity or its creators? Nobody knows for sure. It doesn't matter much: we follow it, we pursue it. For me at that time modernity was fused with the present or rather produced it: the present was its last supreme flower. My case is neither unique nor exceptional: from the Symbolist period, all modern poets have chased after that magnetic and elusive figure that fascinates them. Baudelaire was the first. He was also the first to touch her and discover that she is nothing but time that crumbles in one's hands. I am not going to relate my adventures in pursuit of modernity: they are not very different from those of other 20th-Century poets. Modernity has been a universal passion. Since 1850 she has been our goddess and our demoness. In recent years, there has been an attempt to exorcise her and there has been much talk of "postmodernism". But what is postmodernism if not an even more modern modernity?

For us, as Latin Americans, the search for poetic modernity runs historically parallel to the repeated attempts to modernize our countries. This tendency begins at the end of the 18th Century and includes Spain herself. The United States was born into modernity and by 1830 was already, as de Tocqueville observed, the womb of the future; we were born at a moment when Spain and Portugal were moving away from modernity. This is why there was frequent talk of "Europeanizing" our countries: the modern was outside and had to be imported. In Mexican history this process begins just before the War of Independence. Later it became a great ideological and political debate that passionately divided Mexican society during the 19th Century. One event was to call into question not the legitimacy of the reform movement but the way in which it had been implemented: the Mexican Revolution. Unlike its 20th-Century counterparts, the Mexican Revolution was not really the expression of a vaguely utopian ideology but rather the explosion of a reality that had been historically and psychologically repressed. It was not the work of a group of ideologists intent on introducing principles derived from a political theory; it was a popular uprising that unmasked what was hidden. For this very reason it was more of a revelation than a revolution. Mexico was searching for the present outside only to find it within, buried but alive. The search for modernity led
I am the ******.
Singer of songs,
Dancer...
Softer than fluff of cotton...
Harder than dark earth
Roads beaten in the sun
By the bare feet of slaves...
Foam of teeth... breaking crash of laughter...
Red love of the blood of woman,
White love of the tumbling pickaninnies...
Lazy love of the banjo thrum...
Sweated and driven for the harvest-wage,
Loud laughter with hands like hams,
Fists toughened on the handles,
Smiling the slumber dreams of old jungles,
Crazy as the sun and dew and dripping, heaving life
     of the jungle,
Brooding and muttering with memories of shackles:
               I am the ******.
               Look at me.
               I am the ******.
Cyril Blythe Nov 2012
I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin
Ders Jul 2018
They say deja vu is a glitch in the matrix
Repeating numbers is a sign from the universe
Angels scream my name from upside down on the ceiling telling me to quit looking at the clock maybe demons maybe I should pay the **** attention
222333444555666777whaaaaaat
That’s not a time
Time ain’t it
Time heals don’t it
But what is stagnant
Sometimes we’re dead
But we move fast
Together
In time
Travel
Through space
Through a line meet your soul face to mine
Hearts beat faster time moves with it that’s the reality so what are you doing
Taking it slow or fast it’s you or pass
Illuminati my life with your eye-seed to the sky can’t remember my thoughts don’t know why I even try
Try to finish a creation pieces of art are never finished close to what I think
Is completion I think I forget how to breathe I’ve got a blemish I cannot see I’m not sure what’s on my lenses sometimes i don’t speak please tell me what the bens is
Keep saying I’m haunted aight
Keep tellling em I’m doing fine
Life’s chaotic but that’s what it’s about
The blends of of the **** around
The hint hang ying yang huh
The freak shows births golds of stone (gh) yeah
But do you even know what the sheets is what if we really going to do da business man **** this **** I don’t know it I already told you I don’t know how to complete this I have no solutions I feel soulless and too much negative too much negative shitnitz my focus my pictures too big I don’t know how to control this I kept saying that I want to relinquish self but what I really need to do is help make a squeal tell em truly how I feel Queen lions roar from the jungles to the shores sideways animals judging their **** from the sidelines
Wasn’t the point making them feel the fire burning in mountain veins but what animals can you truly tame
Cavemen mocking snakes forming fires for the first time killing em with their own tricks man we keep repeating history with our imperialisthe ******* stupidest **** ever
Please excuse my individual
I’ve not much experience with taking over but with my experience we’ll have an experience we’ve never had before and from there our experience will be something to learn from we learn from experiences
I’m opening my mind and my forgiveness forget to forgive I’m all in forgetfulness can we speed to the completion of wishes I beg this from the bottom of my ***** soles to the top of my buzzed head I hear sobriety is the path to success but I can’t create in loneliness I bring pain and sorrow to the art party drown me out with ***** and bring me to my knees in grass prairies in heaven Reaching out for angels bind me in confusion it’s raining in my heart tea parties never breed working brains did they never tell you that in school? Keep teaching myself everyday yeah in the backs of tiny rooms on mountain peaks I breathe in tropical trees blurring all the lines that form all sorts of definition communication of my mind to yours, the shore at the end of the telephone game I lost the rhythm that goes to the flow I dropped the wand that brings flying wings I smacked the lips of the devil I kreeped in hell I’ve been told I’ve always been addicted to pain repeats repeats 444
JR Rhine Nov 2015
The concrete jungle.
Home of the dreaded concrete beasts
Who lie in plain sight for the world to see

Crouched in marble ledges, twisted in metal beams
Wrapped around handrails, perched in their cemented trees
They laugh at those who cannot perceive
Because they don’t believe.

And who am I,
Yes possibly me
To find my identity
In removing my wooden sword from its sheath

Placing it beneath my two shuffled feet
To answer the alluring call of the beasts beckoning
To my hero’s heart, for my eyes to blink
To suddenly see them as they were meant to be.

In a world between
Real and imaginary.

For it is I,
Yes I believe it to be
Chosen to find my destiny
In a single push

That propels me
Into the path of the snarling beasts
Approaching their stairs and rails, ledges and beams
Gaps and bumps and ramps with speed

And as they stare at me hungrily
Opening their mouths expecting me
I will stand strong on my wooden sword
As the wheels of fire erupt beneath

And the scenery blurs in the flash of the rapidity
I bend my knees and grit my teeth
My eyes narrow and the drum in my chest crescendos its beat
A shout explodes from my chest, a primal scream

As I press on
In the concrete jungle.

Home of the dreaded concrete beasts
Who quiver in plain sight for the world to see
And whimper at the sight of who they now perceive
Because I do believe.

And it is I,
Yes undoubtedly me
Who will find my destiny
Conquering the concrete jungles of the world unseen

Surfing the concrete waves of the world between
With my loyal vessel being the wooden sword from the sheath,
That remains steady in the face of danger beneath my feet.

I am alive
In the concrete jungle.
I love skateboarding.
TB Dentz Jul 2018
Reinaldo was the name they gave the great white elephant
Who came to clear the jungles around Sao Paulo
A clever notion that because Reinaldo was born in the jungle
Any jungle would do just fine, Brazilian or Siamese made no difference
Just as clever was the notion that because I was a black man, educated
I would do just fine directing other black men to do work, English or Portuguese made no difference
Was I truly so much a fool, twice over?

Reinaldo occasionally was afflicted with slothfulness
Some of the men thought it was from lack of **** and whip
I was of a mind that it was due to lack of companionship
It was costly enough to ship one giant beast across a great sea
I left a wife, in Maryland, whom I never loved and who never loved me
I admit before the plan was in motion I never considered that Reinaldo could have a family
Sometimes, I wonder, did he have a wife who never loved him?

Loneliness became a common theme in our new home away from home
And Reinaldo and I became friends, at least I thought of him fondly
As far as I could say, of all the men he responded best to me
At times it seemed a load of lumber was hauled as a personal favor
For the handler too soft to handle with fear and anger
But as much as loneliness was a theme, so was change, and death

The lifespan of an elephant compares to the lifespan of men
Were this scheme of mine to have worked as desired
I could have sent for a cow, and made Reinaldo a sire
Soon it was revealed that slothfulness was a symptom of an elephant young, healthy and wise
Who sensed not his own, but a friend's imminent demise
Now I am left to wonder how Reinaldo will fare in a world stranger than I could have known
His softest handler and only friend bedridden, waiting for my disease to take its final toll
This poem is not about me
Rustle McBride May 2016
I am Guatemala
I am its mountains and its shore
I am its black sand beaches. I am its artists and its poor

I am the mist from its volcanoes
I am its limestone richly carved
I am the Mayan, and the Latin. I am the hungry and the starved

I am its folklore and its future
I am its markets and its clothes
I am the abandoned and forgotten. I am its children no one knows

I am its colorful conventions
I am its jungles and its fare
I am its colonial traditions. I am the pilas in the square

I am Guatemala
I am its living and its dead
One is always Guatemala, no matter how far we are spread
my heritage
Adam Childs Jul 2014
Living freely in this world
My vulnerability, feels so lost
As it seeks the skies to escape all
Perched high away and hiding
My heart forsaken
For my vulnerability
Has left

The little bird has flown

My retreating heart lives behind
Many layers of frozen ice
The warm waters of my heart
Have all frozen over

Come back, come back little bird

A teardrop falls
For I see the loss of potential
In this frozen pond
Where waters should be warm
My heart should sing
Great rich jungles, it should bring

My pride wounded by this world
I stare into my murky depths
My standing in this world falling
As my legs are taken
By the jaws of a giant beast

Far away a bird twitches

My stomach twists and turns
Absorbed I am into the belly
Of a great giant crocodile
I begin to feel my vulnerability
In these dangerous warm acidic waters
As I merge into a crocodile
And high above a bird leaves his perch
As the ice layers break
With the force of my tail

New eyes see the self importance in people
Of this earth, with all their arrogance
I will bring you back to earth
For I am the last living dinosaur
Born from a time when T.rex reigned
And even the birds had teeth
For I still live in waters
Where Piranha's seek to
Frenzy on living flesh
And I am to be scared of you

I warn all of those who wish to disturb
My open and most precious heart
That rests in silence over my pond
For your flesh will quiver
With the sound of my ancient growl
And your eyes will panic
With the sight of my jaw

A quiet bird flutters closer

Bring your bitterness and all your sourness
For I am hungry and love rotten meat
And your disregard feeds my fury
Circle my pond
Where my heart rests softly
With rich and green waters
Bursting and growing in love
For I am not scared to feel

And I will lounge and grab
As a tonne of me, slaps itself
Bang, ******* this earth
For I am here to feel it
And not escape it
But you will be blind
And lost in my depths
I will turn you over and
Your arrogance will feed me
As I grow stronger
You will be ripped limb from limb  

A little bird comes closer

My heart free from noise
A silence nestles in me
And all innocence is seen
Beautiful souls float freely
Butterflies dance and play
And my beautiful vulnerability
returns in sweet song
And rests softly in my jaw

A strange paradox becomes so very clear
With a little bird we hold so dear
Trying to answer a questions of how do we remain sensitive but also strong ,
I just thought i would chuck it up , I think the middle needs more work
Cné Feb 2018
Much has been said
against me
however,
I will not be spiteful
or allow hatred,
the beast of darkness
that resides
in the black jungles
of arrogance
and ignorance,
to infect me;
for that is no reason
to give way to anger.
So I refuse to let anger
ugly my heart;
for anger
is the scorpion’s poison
of peace
and love, it’s sunlight.
I choose light
contentment and happiness,
as poetry’s not a contest
of winners or losers;
it is the essence
of a poet’s soul.
Peace, love
and harmony
reigns over
anger, hate
and contention
Ophelia has
flower petals
growing beneath
her tongue, and
I can taste
honeysuckle
when I kiss her.

There are highways
in the grooves
of her hips.
I like to trace them,
and get lost
somewhere between
intimate whispers and
an unsteady heartbeat.

Ophelia has a
mocking jay stuck
in her throat, and
it sings to me
when she finds
herself stuck in
tangled vines and
dwindling
self-confidence.

She weeps at least
an ocean a day,
and that's more
than my diminutive
hands can catch.
I think I'd like to
spend a few eternities
exploring the peculiar
jungles of Ophelia.
MKF Jul 2017
I am from New Jersey.
From the paradise of small towns
And the inferno of concrete jungles.
I am from truck tire playgrounds,
Porch Clubs, and the whistle
Of the Riverline.
I am from divorce.
From alcoholism and denial,
From broken doors and hearts.
I am from next to hell.
From pouring out full forties
For one's homies passed away.
From too many candlelight vigils
And sidewalks littered with fourth grade pictures.
I am from the garden state.
From cows, corn, and Clinton,
And tractors in the parking lot.
I am from tradition.
From pasta and seven fishes,
From "Mafiosa!" screamed in the streets
And "No WHOPs" pasted on storefronts.
I am from love.
From three parents and four siblings,
From six dogs and duplicate holidays,
And the smell of tulips and holly.
Adam Childs Aug 2014
Living freely in this world
My vulnerability, feels so lost
As it seeks the skies to escape all
Perched high away and hiding
My heart forsaken
For her vulnerability
Has left her

The little bird has flown

My warm retreating heart lives behind
Many layers of frozen ice
A teardrop falls
As I see the loss potential
Where here my heart should sing
Great jungles it should bring

Come back, come back little bird

I stare into my murky depths
My legs are taken by giant jaws
I twist and turn as he swallows me whole
My standing in the world taken
I merge with this crocodile

Far away a bird twitches

I look out into the outside world
And see the disregard and arrogance
Which fuels my anger like oil on a fire
As they disturb the peace on my pond
May their flesh quiver
With my ancient growl

high above a bird leaves her perch

I am the last living dinosaur
Born from a time when, T.rex ruled
And birds with teeth reigned overhead
And I still live in waters
Where Piranhas seek to
Frenzy on living flesh
Am I to be scared of you

A quiet bird flutters closer

Bring me your contempt
For I am hungry and love rotten meat
And your disregard feeds my fury
so please circle my pond
Where my heart rests softly
With rich and green waters
Bursting and growing in love

A little bird tweets overhead

I will lounge and grab
And you will be blind
And lost in my depths
I will turn you over and
Your arrogance will feed me
Yummy yummy
I slip away from the beast

A little bird perches on his head
Still mistrusting him
For he carries a triumphant smile
As though injected with poison
The little bird says
You know I love you crocodile
But I am still not safe

Disgruntled he returns to his depths
On the inner side of the pond
Faraway he finds me again
Staring into dark waters
As though it could speak
Many times has he watched
Arrogant mammals reach and fall
Coming back consumed with
Pain, rejection and failure
Both looking and hiding from the truth

A bird tweets I LOVE YOU

With both a ferocity and compassion
He pulls me down as a tonne of flesh
Slaps itself ******* this earth
I twist and turn as I struggle
With my own truth
As he rips my pride off the bone
Be aware of my tongue for it is
Possessed by a crocodile's lashing tail

I really Love you the bird cries

The beast feasts on my bitter truth
And sour reality, I am not
Strong enough to take
And spits out the sweet lies
That keep me from myself
As he pulls me down into my own depths
Such a beautiful beast
For he feels no need to evolve
Perfect as I am he says
As it fills me with his power
To be exactly who I am
How I love this Crocodile

A bird approaches

My heart free from noise
Inside and out
A silence nestles in me
And all innocence is seen
Beautiful souls float freely
Butterflies dance and play
As all is gentle around me
And especially in me

And my beautiful vulnerability
Now returns in sweet song
As the bird rests softly in my jaw
A strange paradox becomes so very clear
With a little bird we hold so dear
This is my second effort as soon as I wrote the first one I was not happy with it as it was not clear enough what was dealing with the subjective and the objective hopefully there is greater balance in this attempt . Let me know if it works
Lilyy Sep 2013
Your green eyes
look teal,
and the water
is rushing.
I think
it might be
the reflection of ocean
or maybe
it's the tears
that I know
you keep welled up
in those dark jungles of vision.
I knew you kept tigers,
but they always seemed tame.
I thought
they were caged.
I thought
they were leashed.
I thought you told me
everything was
okay.
Did I open the doors?
Did I open the doors?
If I were ever to chance upon, a real life Genie
and being ever so kind, he granted me wishes freely
I wouldn't waste any time, and ask him quite loudly
'Give me a Flying Carpet, and make the sky cloudy!'

Astride my bed with wings, I would swiftly reach the sky
and dive through the clouds like through butter a hot knife
feeling the wind in my hair, laughing with unbridled glee
as a soaring eagle feels in the air, light, and free

Next I'd become a Lion, to roar and roam the jungles deep
Growling and tearing into poachers, and savoring the meat
I would rule all the mighty creatures, as their rightful king
and all the forest's denizens would my praises sing

Soon after I would ask for a ship, and a crew of souls brave
I would visit all lands afar, upon my Master of waves
without a single glance behind and not a spot of bother
I would see and feel and taste all the world has to offer

From above I'd go beneath, diving as a blue whale
The murky depths of the oceans whistling past my tail
All the wondrous sea dwellers, and all the buried wonders
would become a part of my enchanting under sea tale

Last of all I'd ask the genie, to build with his hand
a nation built for all the poor orphans of every land
where they eat and drink and make much merriment
and also study, play, and sleep with gladness in them
Magic, as alluring as it is impossible
Terry O'Leary Nov 2013
Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.
Maggie evans Apr 2019
Plastic plates bowls and cups
loaded on recycling trucks.
You've had your party thrown it away,
Less to wash up at the end of the day.
But few fall out they blow in winds,
Escape the grasp of the recycling bin.
Not all bags are renewable plastic,
Less strong now not so fantastic.
So write a note for a new tote,
Handles far stronger less likely broke.

It's not our problem it's goods we buy,
There wrapped and packaged to the shoppers eye.
But when the seas are less serene
Choked on plastics and polystyrene.
Death tolls rise numbers of sea life plummet,
Dont ya think its time we do summit?
To a turtle or whale a tasty dish,
To dine upon the jellyfish.
Not a bag for life that passes by,
That binds them to starvation before they die.

So the seas bob in colour of plastic pollution.
Times running out what to be a solution?
Its high time we started a clean up revolution!
To use less packaging to educate all.
Before the tides continue to rise and we loose them all.

The ice caps are melting at an alarming rate,
How long before for all it's too late.
Eco systems absorb UV,
cool the world for nature to be.
Polar life need ice to remain,
In cooler climates to sustain.
But as they melt and tides continue to rise,
Am losing hope for their demise.

Leave the jungles and forrests for self restoration,
Less fossil fuels and deforestation.
The trees keep falling from constant felling,
With palm oil growing; plantations swelling.
Our orange ancestors the orangutan,
Has been their homes since the jungles began.
To break life cycles whole eco systems,
It's time to change the world with our wit and wisdom.

Else what do we leave to the future generations,
Man on earth just viral abominations.
Just a glimpse at climate change, it's high time we change our habits not their habitats!
Taylor Jayne Jun 2016
You speak of concrete jungles full of unknown
You speak of the last time and darkness that did unfold.

How you’d nearly lost yourself there. In the city lights and noise.  

How you can be surrounded by people and feel so alone
How a house doesn’t make a home


I know your tiring of the road
Wish I could soothe your worries
All I can offer is what I know

I won’t hurt you like she did
Wandering the streets without hope
Black notebook full of black tears made with black pens





I wont hurt you like she did.
Two weeks, a whirlwind.
Grasping hands and locking lips,
love sneaks in.
Why do I never see this coming?
Perhaps it's never happened before, really.
Who am I to judge?

Rivers and jungles and foreign thoughts...
So far from here yet,
I have faith.
In you.
In love.
In that life will go on, either way.

And that another strong wind is coming.
Muggle Ginger Oct 2012
I’m not good at being forward
I have this habit of becoming disordered
I let my emotions change the color of my sleeve
In my aspirations I hope to find belief
I walk through jungles and rainforests
Once in a while I see through the canopy
Into the skies of my memories
And request that stars dance to the rhythm of us
I keep them alive to avoid the gathering of dust
My memories, caught in the Pensieve of your eyes
Have ignored all the times I told myself lies
I may not be your ideal Superman
But I’d accept Peter Pan if you’ll go with me to Neverland
I’ve rarely been so captivated by a girl
Sure, Zooey Deschanel is quirky in New Girl
And Emma Watson bewitched me from the start
Anna Kendrick was perfect in Pitch Perfect
Alex Morgan is the luckiest 13 I’ve ever seen
But I choose you! To fill my canteen
You quench my thirst when the loneliness dries me
I was not made to walk in a desert
My heart is an amphibian
Living like a Floridian in the ice-cold tundra we call Rexburg
You still need the sun, no matter how much it snows
I’ll trudge on in the jungle; dormant in the night
I’ll carry on with you in mind, until the time is right
Once I’ve faced death, or even a spider
Then, I think I’ll top the greats; George of the Jungle, Aslan, Mogly, Tarzan, Batman, Peter Pan, Harry Potter, Genghis Kahn, Michael… Jackson or Jordan
They’re all kings and I’ll be in their league
As I shake off the fatigue and find courage in you
To make it through the awkward moment of simply saying
“You’re a real kind of gorgeous”
In that chorus, played on my rhythm of heartbeats
I found my way out of the back streets
From deep in the jungle I’ve come to know as Fear
A jungle that disappears when your presence is near
Sometimes I have to stop walking, stop thinking
I feel like I’m on the verge of something spectacular
Anything normal might ruin that
Terry O'Leary Feb 2014
NOW

Well, GI Jack is welcome back, he left his legs in 'Nam.
He wakes at night in sweat and fright, then drinks another dram.
He doesn't know quite where to go, so seeks his uncle, Sam.


                           BEFORE

One can't ignore - his ma was poor, and seasons sometimes cruel,
yet Jack was brave and well behaved and surely no one's fool
so joined the ranks that man the tanks, as soon as he left school

He learned to **** our foes at will (ordained a sacred rite)
then packed his bag, unfurled his flag, when sent away to fight.
And yes, the tide was on our side (for, clearly, might makes right)

Through tangled days in jungles' maze, he sought the enemy
behind the trees where, ill at ease, he fought the Yellow sea -
upon the waves of gravelled graves he sailed a killing spree

The ****** dropped and cooked the crops, charred huts along the way
and tanks, with zest, erased the rest, their villages of clay.
(Yes, turret guns are loads of fun with roaring roundelay.)

While on the hunt with other grunts, he burned some babes alive
and wondered why frail things must die, while evil's phantoms thrive -
<When folly ends, he'll make amends if only he'll survive>

With ***** traps (sticks smeared with crap), yes, Charlie fought unfair.
He hid in holes with snakes and voles and snuck up everywhere
and like a mite within the night, caught Jackie unaware

At battle's end, Jack sought his friends - their souls were washed away
and only he and destiny were left in disarray -
with bed and pan, just half a man, the man of yesterday

When Jack awoke beyond the smoke, his frame no longer whole,
he found instead some suture thread neath wraps to hide the hole,
and realized a further prize: a chair on wheels to roll

His head felt light, as well it might, at Victory Day Parade
(across his chest, you've surely guessed, his medals shone, arrayed)
for when he rolled, while others strolled, his boots no longer weighed


                           AFTER

Well, Jack stayed home (no roads to Rome) to start his life anew
receiving dole which took its toll as largess went askew
for sure enough, when times got tough, his uncle, Sam, withdrew

To walk the streets with fine elites (or else some *** who begs)
or find a job (or even rob) requires both your legs.
And those who can't, are viewed askant like those we call the dregs.

For getting by he tried to ply and mine his medals' worth -
a wooden cup, a mangy pup, a smirk when miming mirth,
and best of all, at midnight’s call, beneath a bridge, a ‘berth’

He clutched a sign 'A dime to dine?', if anybody cared,
but soon he found, as time unwound, that victors seldom shared.
And Jackie's pride was slowly fried by vacant eyes that stared


                           ENLIGHTENMENT

He took to drink to break the link with thoughts of what he'd done
and threads of doubt began to flout the yarns Big Brother spun
of freedom's ring and other things, like what it was we'd won

His vague unease arrayed a breeze with words that chilled the air
and like the fogs above the bogs, they floated through the square
where people sat at tea to chat, and shrieked 'How could he dare?'

Yes, freedom's price is never nice: like storms before the flood
the Daily Rag was on a jag, was looking out for blood,
deemed Jackie's thoughts untamed and fraught, then dragged him through the mud

By hacking clues, they plucked his views like grapes upon the vine.
Big Brother came, blamed Jackie's name for thinking out of line,
shut Jack away from light of day, eclipsing freedom’s shine

The Junto Brass, with eyes of glass, were robed in fine array
to hear the words (though slightly slurred) the witness gasped to say,
while Justice snored (the waterboard awash with Perrier)

Well, Jack was charged with laws enlarged in secret dossiers
within the guise of spreading lies and leading thoughts astray -
The Jury's out... the rabble shout “well someone's gotta pay”

The Judge (who fears the mind’s frontiers) inclined his head to yawn
while making haste through courtroom waste, though slightly pale and wan.
(A voodoo Loon withdraws as soon as Night condemns the Dawn.)


                           ETERNITY

While in his cell, the verdict fell - the sighs of Silence, rife
While in his cell, the verdict fell - the Reaper played a fife
While in his cell, the verdict fell - the price was Jackie's life


                           EPILOGUE

Well Jackie's ghost, unlike the most, still mused upon the praise
for misdeeds done in victories won when cruising in a craze,
and once again upon the sin of thinking, nowadays
where, cunningly, humanity’s served lies, and trust betrays.
Then, reconciled, it simply smiled at fortune's wanton ways.


                           EPITAPH

A mind was caught while thinking thoughts neath Sammy’s prying gaze
and forced to stop by concept cops, else join the castaways.
For now it's law to hold in awe the brave new world's malaise
and cerebrate with programmed pate, adorned with thorned bouquets,
then mimic mimes in troubled times - and no one disobeys.
With freedom’s death, truth holds its breath awaiting better days.
Tamara Fraser Aug 2016
There are demons
on my boat.
Shhh
You’ll wake them and then I
won’t be able to look away from them.
It is an all too simple
contract; our deals
sealed in tears and thickened, old blood;
silences coating emotions,
covering sounds and words, and smiles and secret screams.
Shhh
You’ll wake them if you come near me.

There are demons
on my boat.
I steer my lonely ship onwards,
beneath the hesitant moon, and restless stars.
Bright, dark, bright, dark.
It’s still, a smooth mirror reflecting an endless sky;
I don’t disturb the empty ocean, unsettling in all its quiet rage.
Its hidden heart.
I am willed to follow my aimless line, as far as I can travel
on the
numbing breeze.

There are demons
on my boat.
I promised them I’d behave.
I am not allowed to wander, not allowed to explore without
a rambling mind;
I am not to follow the course of other ships I see,
or meet the deserted spits of land I’ve let float by,
or travel with company that stills me,
or make my own speed that goes against the tide.
They scrawled words along the wooden boards,
scored crude nail marks one evening while I slept,
hovered over and drooled on me with teeth I could feel
the ****** and beads of blood.
They scrawled words that told me they would leave me be,
if I left them be.

There are demons
on my boat.
And now I see a ship, with bright red sails,
drift to land not too far away;
a flaming banner across the surface of my shadowed sea.
I move my wheel, aimed at land-
assailed.
Onslaught of teeth and scales and spidery limbs,
pointed daggers and sabres of nail,
breathing hot spit and foul stench,
musty rot and all
rushed at me.
Blackened ooze of shapes and
distorted beasts;
I can’t take in any air that isn’t
toxic, ash making my eyes water.
Too gruesome to stare at them, intensely black,
yellow eyes and a multitude of ravenous, slick tongues.
I right the wheel,
and they creep back,
to rest in the shallows of my boat,
biting nails and shedding skin,
keeping guard on me.
Watching.
Restless flashes in the shadows hunted by the sun,
and drawn out under the moon.
Waiting.

There are demons
on my boat.
And it has been like this
for lengthy years.
Hopelessly blind and painfully aware,
at once,
of frozen breaths down my neck,
and bubbling fear inside,
of feelings.
Anything that leave me open to onslaught.
Anything that opens windows and lets their darkness
trail in,
tumble around and entangle innards,
I’m left speechless and sore inside,
nursing wounds I suppress.

There are demons
on my boat.
And the scary thing.
Is that I’ve made peace with them, and their scrutiny.
Yet I see birds above and blue trembles beneath me,
green jungles to the left and empty sands to the right.
And I refuse to hide and cower in peace.
Now.
I once again move my hands and face the
glimmer of land I see-
and they come rising from their graves of slumber.

There are demons
on my boat.
But they aren’t that terrifying under the sunlight.
They hurl abuse in my face,
spitting and writhing and screeching;
But their scales are actually just drifting smoke,
their nails just scraps of tattered fabric,
eyes just glinting stones and teeth just blunted stumps.
They scream and bleed before me,
because I’m focused on the distance behind them.
After hours, they retire,
like burnt out candles, the smoke dissipates.

There aren’t any demons
on my boat.
David Zito Oct 2011
Some say He is soft,
Others say He is evil.
Some say He is not visible,
Others say He has forsaken us.
Some say He no longer cares,
And some even dare to say that He doesn’t exist.
Many people say things about my God;
The creator of everything and anything since the beginning of time,
The Almighty who was, and is, and is to come.
The truth is though,
That not many people know my God.
I do not even understand fully who He is,
And I can only hope that the words written below do not insult him,
But rather, are pleasing to His ear,
Because this is my understanding of my God;
The maker of the heavens and the earth…

My God is omniscient,
Omnipotent,
Omnipresent,
And omniparent.
My God should not be underestimated,
And cannot be overestimated,
Because for any man to comprehend the power of my God,
Is impossible.
My God humbles the prideful,
And my God deserves all praise.
My God is the same God that created;
The great white shark that reigns in the water,
The grizzly bear whose one swipe can **** a man,
The tiger that haunts the jungles,
And the lion whose roar sends fear through mans bones…
And then said, “It is good.”
My God owns the thunder that shakes your house,
And my God shows the lightning where to strike.
My God can move mountains,
Divide a sea,
And wipe out the earth with a flood.
My God builds up ferocious volcanoes,
And my God carved out the mystifying caverns in the earth.
My God points out the path of raging rivers,
And my God delights in the crashing waves of the Bering Sea,
And finds joy in the force of Niagara Falls.
My God is the light so bright that,
You cannot look at Him without being blinded,
And the darkness trembles in fear at the mention of His name.
My God lodged the stone into Goliaths head.
My God sent Jael’s stake through Sisera’s skull.
My God transformed Moses’ staff into the snake,
Sent the locusts,
And promises fire.

Are you getting the idea yet?
But that’s only half of it,
Because my God has a whole other side.

My God wrote the premier poetry that is in the best selling book of all time,
That oh, by the way,
He wrote.
My God made the snow you sled on,
And the flowers you pick to put in a vase.
My God made the stars you lay out under,
And the planets and galaxies you can only dream about.
My God made the sunrise that is reason enough to wake up two hours early,
And the romantic sunsets you watch with your beloved.
My God painted the skies with the Northern Lights,
And breathed life into the wildflowers for extra decoration on the mountainsides.
My God carved out the Grand Canyon,
And my God sharpened the peak of Mount Everest.
My God put the tropical island paradises in the oceans,
And my God produced the crystal blue waters of Greece.
My God rendered the landscapes of Tuscany,
And my God created the vibrant birds of the jungles.
My God made the athletes you aspire to be like,
And the voices you listen to over the radio.
My God gave Shakespeare his imagination,
And Da Vinci the vision to paint the Mona Lisa.
My God made man and all his features,
And my God made a woman;
Who in all her luster and beauty is the pinnacle of my God’s creations.
My God brings a man and a woman together,
And puts in them a love like no other,
But still that extraordinary love doesn’t compare to His own love for us.
My God gives life to every pristine baby,
And then witnesses every moment of their lives.
My God made the water that quenches our thirst,
And my God fills the void in our heart.

There you have it:
My God is both ferocious and gentle,
Dangerous and loving,
Strong and merciful,
Powerful and overwhelming,
Mysterious and mystical,
Everlasting and present,
A guardian and a giver,
A warrior and a romantic,
A designer and an author.
My God is the lover of the rejected,
The judge of the high court,
The strength for the weak,
The defender of the defenseless,
The shepherd of the flock,
The general of the most opulent armies,
The savior of the broken,
And the redeemer of the lost.
My God will not leave,
But instead will always be by your side.
My God is devoted,
Dedicated,
Unwavering,
And unchanging.
My God is not threatened by your god,
And my God is supreme.
My God created the heavens and the earth,
And my God created you.
This is my God,
The God; Father, Son and Spirit.
I hope that everybody can see my God and find a relationship with Him through our Savior Jesus Christ.
Kill me slowly Sep 2015
something wild has been eating at me
because now i'm all torn apart..
so if I may
can i slide into your bones and become you..?
escape
what i can't control
and be something new..?
i tire of this skin, and i tire of yours
i can never find something to sustain my hunger long enough
because you're all the same really
you all leave the same taste on my tongue
petty little people
hiding in your generic houses
somewhere amidst the concrete jungles you call organized cities,
pretending to mean something

when we both know
deep down
inbetween our non existent hearts

you're nothing more than just an animal.
i hate that i'm so filled with hate.


i just want one valid reason
why i shouldn't hate everything?
Butch Decatoria May 2016
Within this jungle, which is ours
I ride the back of Thunder-cloud, my friend

Around and through the thickets
thick banyan trees & palm fruit fallen leaves

Down muddy earthen paths
until everything is green and shadows

until inside its heart, the rain forest
trees of this jungle are city buildings - tall

and choir of fauna high and low
do not fear to sing beneath our cathedral's shade

In this kingdom of flora and ruby rich dirt
belongs to thunder-cloud and dirt-poor me

A Mowgli on his elephant,
hollars ahead to any that hear "We are free!"

Here, far from the whips' lashing, guns,
away from the loud business of murderous money

They who say that I am nothing
in their eyes who abacus my worth with looks

with upraising lust of wolves
but I a free man, a simpleton for beloved (Earth)

I am dark skinned
Krishna on my steed of thunder-clouds

A native son of brown & green wilderness
caterwauling to the beyonds unknown

Within our jungle, brother thunder,
my elephant of deep clouds gray

we are Mammoth and as wild as wide
as open as free... with every step forward

on this living journey
we will take

a peaceful kind of smile
will only be what is written
                                                       upon each lovely lovely face




*(Within our jungles...we live simply
without the Man's hate
not today will I hunger, nor will I thirst
fed on real wonder, drank clouds of Himalayan rain
without a rupee to my name... on the back of thunder
my gentle Ganesh - I have no one to blame.)
The Dedpoet Feb 2016
My name is stolen like a Spaniard
Inquisition,
My heritage barely a patch of fog,
What is the truth of myself unwritten?
   " Your name is....You shall be called"
My father once said,
But I sign this name at the end of no poem,
Are you sure this is my name?
Have you navigated the flows
Of lava in my bloodstreams,
My geographical mind that beckons
A deep bitter valley,
Dark beautiful mountains that have
Reclaimed by nature what my people
Claimed her?
Can you see my subterranean pyramids,
My great moist jungles,
Gutting out advanced mathematical models,
Bleeding precise positions of stars,
I can cry the Winter Solstice,
Oh my proud heart pounds
Through my chest with dreams of then,
When the Coyote was sacred and the
Nature of all things was balanced
Even in the darkest days.
Am I Gonzales from the old Spaniard name?
Does my brown skin and hairless
Arms not cry for the Aztec of my ancient
Fathers?
The root of my root,
The flesh of my flesh,
The veiny branches of a family tree
Where wild flowers grow in
The words of the Aztec bark,
Bleeding its sap through me,
Is this Spaniard to you?
(I know the difference)

Let me ask my blood:
Do you not see the fire in my eyes?
Don't you see the fire raining tears
Of embers onto paper,
Every word a burnt offering?
Maybe one does not know of my
Great grandfather in the valley
Of Mixcoatl, there he lived as the last
Nocturne, his great scar along his back,
The last of a warrior
Where he died among the stars of his fathers,
The scar from a knife, a knife that
Stole his true name!
Has Olin and Ehecatl taken it
With a breath of wind?
I will take the Sun Stone with you Octavio!
Take me home.....

And I can see it!
The noble people forgotten
As time forgets all,
My voice of the Warrior grateful
And speaking like a shiny tip of
Spear piercing the night wolf!
I am no longer a riddle in the water,
But a pure flow of immenseness,
A profound respected beast,
I feel the purity of ancient things,
I dissolve into memory's ink,
My combatant blood boils,
The land flames of my fire,
The people of the Sun!
My ancestral blood with calloused feet,
My ancient jungles,
Tamers of beasts,
Oh the Aztec Dream,
Yes, I am what my blood says I am,
What's in a name?
The identity misidentified.
My last name being Gonzales has Spaniard roots,
My blood and heritage is far more on the Aztec side.
Dedicated to an ancient people lost, but not dead.
Ashwin Kumar May 2022
We humans have messed around
With Mother Nature and her eco-system
For years and years
Decades and decades
Centuries and centuries
Felling gazillions of trees
Turning forests into concrete jungles
Filling ponds, lakes, rivers and seas
With tons and tons of toxic waste
Releasing enough carbon monoxide into the air
To wreck the entire troposphere
The list of sins against Nature goes on and on
With no end in sight
Given all this, who are we to complain
When Mother Nature has had enough
And unleashes her fury on us
Through earthquakes and tsunamis
Avalanches and volcanoes
Hurricanes and tornadoes
Floods and droughts
And so on
Remember, Mother Nature has blessed us
With oodles of riches
In the form of plants and trees
Mountains and forests
Ponds, lakes, rivers, seas and oceans
And last but not the least, oxygen!
It is time we show her some gratitude
And more importantly, respect and compassion
And stop messing around with the eco-system
Remember the famous old saying
Live and let live
It doesn't mean infrastructure shouldn't be developed
We can build roads
We can build a railway network
We can build houses
We can build schools and colleges
We can build hospitals
We can build libraries
However, as my grandfather used to say
There is a limit to everything
And we should also plant trees
Build gardens and parks
Switch to renewable sources of energy
And cut down severely on emissions
A balance should be maintained
After all, messing around with Mother Nature
Will only bring about our own downfall
There have been enough natural disasters
Caused by human negligence
Let's not add to the list
Which is already longer than the river Nile!
Self-explanatory!!
RMatheson Sep 2014
Backslide, the tongue, tracing the stitches on the
Toltec pyramid I've erected to you.
I've begged permission,
let me walk into it's depths,
desecrate it,
splatter this *****
across the inner walls in hieroglyphics
that spell out the simple joy of our shared muscular spasms.

The hair on your
arms,
back of neck,
belly,
is standing *****.

I can feel it.
Ivy Robi Apr 2016
If the sounds of gun play are foreign noise to you
And the words cease and desist don't make any sense to you
And if handcuffs weren't the first metallic cuffs you ever so on your father's wrists then step away from the sound of my voice
This might mess you up.

I have walked into these streets in the light of day and I have crawled back into them during nights when the darkness was so thick you felt it caress your skin
Yet these concrete jungles have fed me with the green of the earth
Tell me, aren't I blessed?

And they could write a million stories about the few of us who made it out of here
But I don't want to gain the world and lose my soul.
I stand true to the struggle
Power to the people

These streets have taught me not to sweat with my palms nor to feel with my heart
These streets have taught me that emotion is liability and that laughter is a sign of weakness for you who can't stifle pain  
These streets have taught me that the only way to react to a man's smile was by the  clench of my fist

So shame on you for trying to assimilate me
Tell me can an alarm clock wake you up better than a gun shot
There's a certain therapy that comes from pulling the trigger
That cannot be matched from puffing no dope
That right there
That's the real adrenaline
**** a gun and you'll know

And in the fullness of my element I urge you to cease and desist in your quest to try and change me
These streets are everywhere so no you won't break me
Chain me
Cuff me
I have been in systems better than your prison cells they call it night time where I'm from
Freedom reigns where ever we are
It's the reason our warriors fight
Upon their return, show them support
So they know what they fought for was right

From Montezuma to Bataan
and the shores off of Japan
Show each woman, show each man
They were there for us at home

From the jungles of Vietnam
to Iraq and Afghanistan
Show each woman, show each man
they were not out there alone

When they come on home
Show them what is in your heart
Show the pride you have in them
the pride you had right from the start

Welcome them as heroes
To the land they left to fight
Let them sleep in freedoms home
A peaceful rest in the dark night

No matter where they battled
Show them exactly how you feel
Support them in their troubles
Let them know your love is real

Be there to share their stories
Say thanks to them with pride
Welcome them as heroes
They'll feel ten feet tall inside

From Montezuma to Bataan
And the shores off of Japan
Show each woman, show each man
They were there for us at home

From the jungles of Vietnam
To Iraq and Afghanistan
Show each woman, show each man
They were not out there alone.
Erin Suurkoivu Sep 2016
The honey in the lion sounds like a delicious thing––
a gentle balm capable of subduing
the cruellest of monsters.

According to the stars and tattooed,
you fancied yourself king of the jungle––
lazy in hot African afternoons.

Golden and tawn with sleepy sun-gold eyes,
shaggy mane, muzzle red with
the blood of a gazelle.

Did you think me such easy prey?
Or was I so much fermented honey,
only a sweet intoxicant.

Sun warmth seeps from jungles of cold concrete.
I mistook your gargoyle wings
for those of a guardian angel’s.

I overlooked your rough skin, your
crooked hawk nose and your skinny ribs,
and assigned fine things in you that didn’t exist.

So duped, I acquiesced to your slimy kiss.
Your mouth a neglected cemetery,
teeth a row of mossy tombstones.

Vampire. Incubus. Your seduction like grotesque death.
You named me tempest in a teacup,
but I was the eye of the storm.

Until the night the eye was eradicated,
and the storm blew in,
striking me dumb with your sound and fury.

But no spattered blood and no spreading bruise
to be found in the pattern of the kaleidoscope.
No cause for alarm.

Today I am lost in a picture show,
a beautiful world coloured by nostalgic past.
Women’s lips the vivid red print of a velvet valentine.

Head in the Clouds, I fantasize about a certain scene.
Because you think violence is ****––
retaliation – ******* in my dream.

Give me an eye for my eye,
for all the eyes you plucked, from women and breadwinners.
Give me blood running down your back, sweet as honey.
The Honey in the Lion, available on Amazon.
Geno Cattouse Feb 2013
Sprang forth with no branches or leaves. Small roots.
Bore mangoes, papayas,guava and bananas. Hybrid, mid limb grafting.
The trunk is a figment but it stands non less. You see
my family tree never was and always will be.
A roadside shade with low hanging fruit.

Was never planted.It was a deposit from the bowels of an exotic bird
of the jungles that sampled at leisure the offerings of the rain forests.
The Hardtack and marmalade came on ships with the kings business
Mixed with the Nigerian Fu-Fu  ,the Aztec maize the Mayan legumes.
and all points of the compass.

Old Joe Denegri, The Blancaneaux , The Cattouse, The Melado, The Pinks
The Flowers,The Orozco and more. And boundless from the ***** of opportunity.
Piecemeal and untethered. But it is the tree that I must cling to.
However rough the bark.

The sap runs heavy and slow in the humid Belizean heat.To meet the earth.
Cool breezes blow a haunting disharmony. A sweet unity in chaos.
The soil is rich,pungent and forgiving.  Soon, A bell tolls  in the distance.
The Sea mists my dreams.

A stairway of coconut fronds to azure skies.
Nighttime smells like creation.
The still slackened pace.
The small rat race.
Tempest in a teapot.
Urban-rural.

Coolie gal.
Creole boy.
New Chinese.
Old African.
Ubiquitous Espania.
Garinagu. Mosquito coast.
Children of Mennon.
Old Basque faces.
Things we call races left with small traces
of what?

My tree, her tree, histree.
I am you and you are me.
I see me in your face and you see me.
We are  and will continue to be.
Blended.
a hybrid. An orchid wild.
1
We're not in darkest Africa
and jungles don't adorn,
this little bit of overgrown
that wraps around our lawn,

2
Plants of pretty colors
sit comfortable in there bed,
and about two dozen footsteps
find us at the potting shed.

3
Our potting shed has seen better days,
some parts have been rebuilt
and it's suffering from subsidence
for it's slightly on a tilt.

4
The walls desperately need painting
because the wood has got some rot
but a boring place to come and sit
it definitely is not.

5
Odds and ends adorn the shelves
and the places spiders tread
where the dust has piled on the weight
and the woodworm may have spread.

6
Smells that we first come across
carry the scent of damp,
foul stinks from half empty sacks,
paint tins that have gone rank.

7
An old oil lamp expel the rust
like dandruff from my head
reigning down golden crumbs
that looks like toasted bread.

8
We think that we have found some proof
of what might linger around
footprints so large and evident
that a Tigers walked upon this ground.

9
So while we have been sleeping
and resting through the night
there's been a Tiger in our shed
but he keeps out of sight.

10
We've sorted through many boxes
we've moved some things aside,
looked into shadows with a torch
but we can't find where he hides.

11
Perhaps he's gone out hunting
for an evening meal,
eyeing up the neighbors dog
with energetic zeal.

12
Perhaps he's out sunbathing,
sitting somewhere in a tree
camouflaged with all those stripes,
that's the reason we can't see.

13
I don't know if he's Sumatran,
Siberian or Bengal
and he doesn't ever show himself
or come to me when I call.

14
I believe he stays outside all day
and only hides in here at night
but I won't come down here when its dark
only in the light.

15
He is a wild animal so
one must take the some care
for he could be stalking us as prey
he could spring from anywhere.

16
But we leave the door unlocked for him
and we've made a comfy bed,
and a sign that just reads "WELCOME"
to the Tiger in our shed
19th December 2014

edited on 04/01/17
Batool Feb 2016
His eyes ...
The most beautiful
shade of emeralds
deep as jungle
holding many secrets
reflecting his emotions
his smile lighting up
the golden flecks
in his iris
like the sunlight dancing
in the lush green meadows
his demons turning
gold flecks into black streaks
like shadows ready to
take over the jungle
but
the moment her hazel eyes
looked into his emerald ones
she knew
she was lost in the deep
jungles
never to be found again !!
Prabhu Iyer Aug 2013
Wondrous, wondrous is the sight:
from the front, from behind, from the top, from beneath, all around,
fulminating planes, universes, formed, bubbling out forming,
events, from all times existing as one,
beings, of all kinds, everywhere,
gods, angels, daemons, beasts, life from many systems,
including men, of this small speckle of a world,
known, unknown, and the beholder included
unfold, in this being vast, that knows no end,
that prompts awe and gestures of remorse
for having called It the friend and the other and the like,
who can tell what it is, it is inside, outside and everywhere,
our limited vision itself is not enough to grasp it.
It must grant a boon to allow the mortal man to gain a glimpse.

Such is the sight, encountered assuring fearlessness,
amid the din and the clamour of the ferocious war about to begin.

Yet, a realm exists, eternal, where joy is a term unworthy,
where bliss is a term unworthy, where ecstasy flows
out of every pore of the very fiber of existence,
to prompt the poet to say, ah, suffering I can take, but
this my receptacle is too weak to take in your bliss:
where delight takes the form of a radiant blue and plays the flute
having heard which once, all other joy pales in experience known
here a hundred thousand coloured plumes flower out of darkness,
here the ardent souls,  sit numbed by the bliss of love,
not winking once, so not to interrupt the moment.

The portal to which is guarded by a simple faith.
Even a passing desire and a glimpse pours forth, of the river of love
dancing away to the flute, in the depth our being.

Oh, to be a mother, and glimpse universes
in the mouth of one's babe, calling it forth exasperated
to open up and throw out the eaten mud.
Or be the Creator, befuddled that
his proud creation is but one puddle among the millions
this magician conjures up, who smiles innocent as a five year old.
Or be the simpletons guarded in awe by the mountain held up
as an umbrella to the deluge ordered by the rain gods.
Oh, the bewitching smile, that rended the hearts of the maidens,
to which sworn enemies cast their bows and arrows
and fall down in obeisance.

That the lord of all existence, can be a prankster
delighting in butter and frolic, who knew, who knew?

He is the unseen charioteer:
steering the ignorant soul, seated in the heart; Aeons pass
and we know not, even as He carries us in his arms across.
Oh, we can work, and approach him by work.
Meditate! Yes, sunder the knots in the heart.
Sacrifice too, is acceptable as offering, and renunciation ascetic.
See Him in any form, or in no form at all,
offer Him anything, even a leaf, a blade of grass,
He submits but to the ardent soul, this lord of love,
this eternal teacher of the ways of union.

And yet, it all began on a rainy day, on a day
when evil reigned and the rivers were in spate,
in a prison, where righteousness was consigned.

Yes, Truth, the weapon to put the guards of delusion to sleep,
and He slips out, when the rain goes mellow in her hymn,
when the river parts to the babe guarded by the snake,
when the jungles sing to the ecstasy unfolding,
when the world is asleep, ignorant and lost,
assured in its uncertain knowledge
and rival claims and fearsome philosophies
and numberless rituals and lifeless creeds,
unknown to the wicked kings, here He arrives,
to the muffled joys of a pastoral village erupting in celebration.
Krishna is the most popular hero of Indic civilization, whose life and message wove together in a brilliant fusion, the ascetic message of the Buddha and the Upanishad with the flowering genius of the orthodox Vedic system. If Buddhism could be called the 'first wave' of Indic civilization, the message of Krishna is still permeating the world with its bold proposition of emancipation through inaction in action and renunciation in life...
John Oct 2015
She'll never know
how I truly feel.
Because I go
about my business
swiftly and silently.
My heart feels
locked up like
it's been sentenced
to 25 to life.
And there's nothing
I can do to end this strife.
It's like a burning Hell
inside of my head.
She rings my bell
and I feel dead.
But I'm not.
I'm still breathing.
Feeling kind of hot.
Bobbing and weaving
through the jungles
of my love.
Wednesday Aug 2015
It's late summer, too humid and hot to really do much of anything
without having your t shirt sticking to your back
like an extra layer of skin.
that time of year when the air makes the city turn still-
just for a second.
if you don't freeze the frame, it'll be like it never happened.

I'm lurking like a ghost in the woods,
my blue hair glinting through the trees.
I'm finding abandoned concrete jungles, broken skateboard decks
and graffiti scattered like memories from when everything was okay.

Sometimes, if I'm too sad, the universe lets me find a house.
One that makes me gasp; one that turns the air get a little colder.
I go alone, others tend to rush in,
spray paint in hand, loud footsteps and rough voices
echoing through the deserted hallways.
I am always quiet, always still,
i make sure to blend into the walls like i am breathing
with the creeping ivy.  

My heart is still searching for the place it will call home.
I've seen a lot of dilapidated houses and i'm still searching,
unable to find what I'm looking for.
My heart found an apartment in yours.
I never realized I was subleasing until someone better came along.

Its late summer,
and once a girl told me that it will get far worse before it gets better.
Well, its getting bad again but I'm still breathing,
so i guess that counts for something.

— The End —