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Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Deceive me
Lie to me
**** with my head

On the edge of the cliff
Then you pull me to bed

Your love is a drug
*** with you gets me high
I’m a full blown ******
Makes no sense; don’t know why

You're an ever present torment
The fission laser splitting my mind
A jig-saw puzzle that was completed
Slowly each piece from each piece you unbind

Seductively you tear me down
Like the clothing you disrobe
A deer staring into headlights
I am frozen on the road

The weight of the world bearing down on me
As those focused beams get closer
Gladly I welcome them
Even though I’m not supposed to

Every rational thought I have
tells me how wrong you are for me
But they are drowned and muffled out
No more thoughts; keep your pennies

No sensible way to explain
Why I ******* love you so much
You’re a psychotic crazy *****
that I don’t want anyone else to touch
A blowtorch ignites a flame
A fire fierce and burning bright
Even though I know it will burn me
With all my gathered strength and might

All it takes from you is that look
You cast that Vampire’s gaze and grin
Instantaneously my defenses lowered
and you know you’ve ****** me in
Immerse myself into the flame
Intense pain; you melt my skin
Until pain I feel no more
I’m enveloped in your sin

And like a ****** choosing dope
Everyday, your sin I’ll take
I will gladly sell my soul
The most egregious of mistakes

A preying succubus appears
like a dreamy demoness
A world of dreams are turned to nightmares
Fills her needs for human flesh
Written: February 19, 2018

All rights reserved.
anastasiad Nov 2016
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Nick Durbin Nov 2012
Light rain washes the red from my soul,
I close my eyes to see the darkness -
My own personal escape from the world...
The crisp air trickling its way to my chapped lips,
Invading my mouth and crawling into my lungs,
A brief discovery -
I exhale,
S    L    O    W    L    Y  
Thoughts are relinquished almost instantaneously,
Quietly in my solitude; nothingness -
Extraneous Relief.
hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
This was written free-hand; excuse my grammar if it may sound weird but I felt it might be wrong to change it too much since the following is how it flowed inside my head:

Everything is predominantly dark: brown, black, blue, and a sliver of gold paint the scene afore my eyes. An elderly man sits atop a rocking chair. Below the inch of illuminated dust, I see an array of stratified wrinkles... they cover the cheek I once knew to be always a warm, pastel pink...they trace a lip I once knew to be long and quivering, coupled with an anticipating, yet welcoming happy gaze. The endearing purity - that childlike exhilaration and consequent sparkle-- it was a wonder to see that never left his eyes... The wrinkles around them now mimicked those that used to decorate his face when he laughed out of sheer excitement. I remember that in those moments of laughter he’d be able to embody that one noun in a wholesome glory, seemingly no other feelings lending themselves to the elation. I had never encountered anyone else with the ability to do that -- it is one of my only favorite expressions I have found deeply ingrained somewhere within the sand of my mind. It used to remind me of the free spirit I recall to have had as a child... and he coupled it- in what seemed to me a mirror-like manner.
His freedom was a breath of fresh air -- it swept me off my feet and I couldn’t help but breathe it and continue to breathe it..to crave it. I held onto it like it was the last piece of toffee chocolate I would ever eat in my lifetime... But no -- his face was now at peace. It made for an interesting paradox - made evident only to those who’d remembered the appearances of his expressions. His calm was contagious. I felt my heart give a familiar beat: two fast, one slow...that was the rhythm I had met 70 years ago.
His hair had now receded; it was as white as shadowed porcelain. He looked like his father, who I remember held that same potential for his son’s smile. Suddenly, his face turned towards me, quitting its reverie. He held a quizzical expression on his face and although he did not yet move from his seat, I knew that he soon realized who I was...He studied me just the same, drinking in all the information he could possibly gather, still taken aback. I cautiously came closer...three inches away, I knelt before him.
To look at him now felt like an ethereal experience. I momentarily lifted my hand and let out a smile. It felt more of a sigh -- half from happiness, half from awe. Without further thought, I this time bravely lifted my left hand high and in answer to his waiting face, asked: “May I?” Upon a second’s ponder, he gave a slight, yet prominent nod of his head. I brought my hand closer, fifteen degrees from his line of sight, and placed it on his right cheek. To my dismay, he closed his eyes and let his head fall into it, my palm serving as a buttress to his cup. I let out a more excited smile and instantaneously felt trickles of salt fall down my weathered rosy cheeks. His response mirrored mine -- he smiled a full smile against my wrist...his eyes were now closed- elated, that he was. Upon opening his eyes, he anticipated what I might do next: I drew a circle with my eyes around his face, and without a moment’s worth of trepidation, uttered the phrase he once beckoned me before first touching his nose to mine. “May I kiss you?”, I asked. He smiled deeper this time, his wrinkles even more pronounced...It was perhaps to this day the most brilliant sight to ever present itself before me.
Without further adieu I touched my lips to his. It was as chaste, as lovely and full of promise as our first and last.
In the fierce hug we embraced ourselves with to follow, my head once more against his chest, my frame covered with the wonderful arms that I have missed so much, I felt our breaths dwindle away into the rest of forever.
...So I kept my promise: I found life in this man’s arms, and I died in his arms.

Three moments later and 68 years rewinded, I find myself wondering: Is this what our reunion will be like?
Anderson M Sep 2013
I look me in the eye
Then look around me
I instantaneously heave
A loud silent sigh of relief
It’s a heartwarming realization
That mine insecurities
Are a mere drop in the ocean
in the expanse dichotomy of
inconveniencing cicumstance
That most people willingly or unwillingly
Find themselves in
A silent inward prayer is all
That I hurriedly mumble
To He the perfect engineer
of life itself.
Lily Espy Oct 2014
there's seven steps to the making and drinking hot cocoa process.

prepping: grab the mug, make sure you use tap water, grab the hot chocolate and spoon and begin the process down below

step one: pour the tap water into your mug, nearing to the top of the mug and place it in the microwave

STEP ONE: you're scrolling on facebook and you see the most handsome man you've ever seen and you automatically hit the friend button and start messaging him. he responds back, almost as quickly.

step two: press the general two minutes into your microwave and "patiently" wait for your hot chocolate

STEP TWO: you've been talking to her for a good month online now, you both mutually decide to meet up and instantaneously become very close. you start dating him.

step three: take out the flaming hot mug of water and proceed to put it on the counter. grabbing the spoon, put two to four spoonfuls of hot chocolate mix into the mug. begin to stir until there are not any "chocolate dust bunnies" floating around, dissolved.

STEP THREE: a month into the relationship, you're both very much in love. you've had your fourth kiss recently-but who's counting?

step four: immediately go to a comfy spot near you, pull up YouTube and watch people sexually assault women on the street and pass it off as a prank. as you are giggling along, take a sip of your dri-gasp! ouch, that really hurt.

STEP FOUR: three months in. he takes your virginity. it really hurt. you weren't ready but you didn't want to disappoint him.

step five: continue slowly drinking your hot chocolate, it's good to savor it. you notice it starts to get cold. you swish it around in your mouth and let it rest for a minute... it doesn't taste like hot chocolate anymore. it's cold, bitter and the mix from the bottom is floating around giving it the taste of dirt.

STEP FIVE: five months in. he started hitting you two weeks and three days ago. you said you wanted to stop having *** so often because it hurt and you weren't having a good time anymore. he said, "you're asking for it, looking so **** hot all of the time" and proceeds to force himself on you for the first time.

step six: you decide, **** this, im done with my hot chocolate and begin to wash it out in your sink.

STEP SIX: seven months in. you break up with him, he tells you he's sorry and you get back together with him. this has been a reoccurring pattern for a month now. but this time, you're done, for good. and turns out, you are.

step seven: you finish off cleaning the mug and spoon that was used to mix the powder and the weight on your shoulders is free. no more ******, cold hot chocolate for you.

STEP SEVEN: you are free, out of a treacherous relationship. "you were too good for him" your friends tell you, "he's disgusting and wasn't even that attractive". you feel unwanted, until one day you see someone staring at you while you're walking into a coffee shop. you begin to get creeped out after an hour and go to talk to him. you exchange numbers with this older man.

step one on: the process of making and drinking apple cider.
·currently drinking hot cocoa while writing this· slam poem· BY LILY ESPY·
Ayad Gharbawi Dec 2009
THE STORY OF SARA


AYAD GHARBAWI


CHAPTER 3: BEING AN ACTIVIST

  
Gradually, we become ever more radical in our burning quest to uproot every conceivable element of the corrupting culture of the oppressors.
  We soon started to call these oppressors 'Pigs', because that is exactly what they were: overweight, bloated, filthy animals who live simply eat and consume all day, and who love to live in their own excrement.
  The Pigs had to be removed, because you cannot negotiate with a pig.
  It was so obvious to me!
  Some people did, indeed, argue that diplomacy and negotiations were the way to achieve our blessed equality-based society, but that was pure idiocy to me; because, for Heaven's sake, a pig will remain a pig and cannot become an 'enlightened' pig! These criminals, who are creating poverty, and who are killing people, because they do not allow them decent health services, must be completely eradicated, or else, ordinary people will continue to suffer.
  One day I heard Tony give a speech in front of a huge audience: "There's no point in cutting the tail of the snake. No, you must go straight for the head, and that's how you **** it!" And there ensued roars and cheers, from the mainly young crowd. "And, if someone is trying to **** you, what do you do? Negotiate? Talk to them? No, you **** them first, that's what you do! That's who the Pigs are, my friends. They are out there killing you, and so many of you tonight are simply not even remotely aware that you are dying slowly – so, you must, first of all wake up, and realize that someone, somewhere, is draining out the blood of your life, and next you must identify the cancer that is killing you. So, who's the cancer?" Tony screamed, and the by now delirious crowds immediately responded with a thunderous and hate-filled, "Pigs! Pigs! Pigs!"
  "The Pigs talk and teach us about 'morality' and 'respect' and 'decency', and other subjects like that. That's laughable now, isn't it?! I mean, the blood stained mass murderer is teaching us etiquette here?!"
  "No! No!" roared back the audience. "**** the pigs! **** the pigs!" they suddenly and somehow instantaneously started to chant. So, I must correct what many people think about Tony, and that is, he 'invented' and popularized that phrase, '**** the pigs". No, he didn't; it was the audience that night who spontaneously came up with that really exciting and vibrant phrase!
  From then on, violence became more common along with the never ending chants – if not screams – of '**** the pigs!' Every day, and all over the country, the movement had flourished, and there were the most refreshing and gloriously destructive riots in almost every major city.

  It was at this time that I first heard a speech from Omar.
We waited for the man to appear, but he seemed nowhere to be found.
  My God, I heard from so many people that he was the most radical in the deepest sense of the word!
  Apparently, he made Tony sound like a child!
  He also had a well disciplined party – unlike Tony.
  Here was a place that I can find the ‘cause of my life’!
  I could work for Omar and that would be the point of my life!
  The thought thrilled me – because I was already a convert to their ideas, but with Omar, there was a real party that was actively fighting the government, whereas Tony and other leaders like him were independent activists, but with no party behind them.
    Then, Omar suddenly appeared.
  He was of medium height, average looks - but it wasn’t long before you noticed his inexpressibly burning, fanatical eyes!
  I was about a few metres from him, and I could feel the sheer intensity of passion and rage within those eyeballs!
  This man must have absolutely the words of truth, for no Man could look like that and be a liar!
And then he gently spoke:
  "**** the pigs, I hear you say. Well, that's not good enough for me. People like that make me yawn. And, I'm bored of yawning every day. We need more. We need to move on faster. I need speed. It's not just '**** the pigs', it's '**** the cops!', because the cops defend the Pigs and attack us every day; '**** the teachers!' because every teacher does nothing except to teach us with pointless information'. And, '**** every human being' who sides or serves the establishment!”.
  Omar’s eyes were literally able to stab right through your heart and soul simply by staring at you!
  I can well imagine that my reader will not believe me and will say it was because I was a convert to Omar’s ideas that I found his eyes to be so abnormally powerful – but, what do you say to all those people who did not like him, and who met him, and yet, they, too, all said that his eyes were profoundly piercing?!
  So, you see, reader, do believe me – it’s not because I was emotionally enthralled by Omar, that I am describing him to you the way I do!
  He had beautifully framed fingers – I don’t know why I noticed that!
  He had a rather longish nose – maybe, that was one defect in his face, but you hardly noticed that, given the other attractions in this man.
  And then he possessed the deepest, most guttural, and yet so sweetly melodic voice, that I had ever heard, and when he spoke, he simply entranced me – not to mention the thousands of others.
  Omar continued, beginning to raise his ragged voice:
“And, so I order you, tonight, and tomorrow, and every day, to fanatically and ruthlessly exterminate every visible sign, agent, artist, writer, philosopher, painter, sculptor, journalist, teacher, professor, lawyer, doctor, surgeon, banker, engineer, everyone who works in the mass media like the television, every film maker, every scientist, and every single employer and employee of the Pigs."
  The audience now simply shrieked the verb, '****! ****! ****!’ while Omar went silent, amidst this wild orchestra of hate being played out.


  I noticed, that unlike Tony, Omar wouldn't gesticulate or move his hands at all.
  Actually, he just stood there, rock solid, like a statue while only eyes and mouth spoke!
  The man, I swear, looked like a 'human rock'!
  He was the absolute epitome of boundless hatred; of unrestrained defiance against the rulers ruling us!
  Yes, I do admit, and I hesitate to say so, but, yes, he almost did like completely maniacal – were it not for his self control and the beauty of his words!
  The audience relaxed.
  Omar waited until there was silence, and he continued:
  "Do you see the difference between what I am saying and what brothers like Tony say? People like Tony demand from us to uproot the pigs. But what Pigs does he, in fact, mean? Who does he mean, when he says 'Pigs'? He means the rich. That's it.”


  Now, Omar abruptly went silent.
  Tension.
  He was staring at us.
  I could feel that the audience felt nervous precisely because Omar was staring at them.
  Finally, he continued:
  “Can you imagine the limits of his intellect?! To Tony and his misguided followers, the solution facing the problem before us is simple enough: you simply wipe out the rich, and suddenly we have the beautiful society!"
  Omar was sneering, being utterly sarcastic in his voice and tone.
  "So is that it, Brother Tony? Is that all we need to do?”
  There, he stopped again, with a sarcastic, wicked smile on his face.
  The man’s body simply had no motion in it!
  I was waiting to see, if Omar would, at some point, move his body or his arms, but so far nothing!
  He continued:
“My goodness, I never knew that the gigantic problem facing us was to be solved in such a simple manner! But, no, you're being fools. Or, maybe you're fooling your selves. Either way, I don't know, and more importantly, I don't care, because, as I told you all out there listening to me,” suddenly, he began to scream with his rasping voice:
  “I'm a serious man, with a serious mission, and above all, I'm a man in a hurry!"
  Again, Omar went suddenly silent.
  I could sense, that he was deliberately teasing the audience, because they were obviously desperate for him to continue speaking, while he, would every so often stop speaking, thus adding to the tension in the atmosphere!
  The audience laughed, loving the biting sarcasm; obviously there were lots of rivalry and jealousies between the two camps, and so Omar's followers just loved to hear the buckets of insults being poured upon the followers of Tony.
  The mocking tone continued:
  "These fools are retarding our own path to victory! These followers of Brother Tony, are doing the dumbest acts that I have ever seen. I mean, what do you mean and what are you trying to achieve, when you have his followers going to restaurants and disrupting the place? I mean, is this what the definition of 'stupidity' is, or what?!"
  The crowd cheered: "Yes! Yes! Idiots!"
  "Listen here Brother Tony; I would like to say, 'it's all right, you're still young and you'll soon grow up'. But I can't say that. You know why?"
  The audience waited as Omar paused.
  He was staring at his audience.
  Suddenly, he erupted with his deafening scream:
  "I can't wait. Didn't I already tell you that? Didn't I tell you I'm a man IN A HURRY AND I'VE GOT TO DO MY WORK! DON'T YOU PEOPLE OUT THERE GET IT?"
  He roared, and the masses applauded furiously.
  "I don't have time, for children like Tony, and for his own little children, to stand in my way, and wait for them to grow up! I don't have the time, because I have an enemy out there, that needs to be completely, ruthless and fanatically exterminated, root and branch, do you now follow me?"
  "Yes! Yes! We follow!" screamed the masses.
  Silence.
  And then, Omar continued:
  "So, we know who Tony defines as the Pigs. What about myself? We must talk the talk of the brave. If you're scared, then get out of here. Why do I say this? Because this struggle requires the most ruthless behaviour on our part, and to be ruthless, you need to be brave, and to be rave means you have no fear."
  It sounded almost as if he were singing.
  Or maybe it was my imagination.


"So, who are the Pigs, you ask me? Simple. The Pig is a man, woman and child who has any Pig Attributes. What do I mean by 'Pig Attributes'? Very simple. Any human, who has in his brain, any idea, concept, believe and acceptance of any value from the rulers who rule us all. And, what are these 'values' that come from our dear rulers? They are ideas and values such as: there are the simple ones, like the belief in the right to profit, belief in the right of property, inheritance and so on. Then, there are the other beliefs, such as, belief in compassion for the rich, or cooperating with the rich or socialising with the rich. You follow?"
  The audience was silent.
  "That means, any human in our sick society, poor or not, who in any way, not only physically interacts with the rulers is a Pig himself, but also any human, poor or not, who has in his heart and mind, any empathy for the rich is a Pig himself, and so therefore, it follows – and I hope you people out there are listening to me – it means, therefore, that a poor human being who has any Pig Attributes, is a Pig himself, just like the rulers themselves. Do you understand?"
  Silence.
  And then he walked out.


  It was so sudden, because I expect a really screaming end from Omar, but to the surprise of everyone, he ended and simply walked out!
  But, I, understood what he meant.
  Basically, he was enlarging the definition of what it meant to be the 'enemy'.
  This struggle was now going to be infinitely more difficult. With Tony, the war was simple enough.
  We were 'right' while anyone belonging to the ruling class was 'evil' and that was it.
  Obviously, no member in the ruling class can deny that he's in the ruling class! They can even change their accents and their clothes, pretending to be poor, but there are computers and archives, such as birth certificates, school records, and it doesn't take long, to find out a person's origins.
  But now what Omar was proposing, that a Pig is any human being who interacts with the ruling class is evil.
  Also, anyone who has any thoughts that have any Pig Attributes (for example, being pro-ruling class), are also evil, and therefore, had to be eliminated.
  In other words, the poor can be Pigs as well.
  I loved that, because, I was never comfortable with most other left leaders, including Tony, who only focused their ire against the rich.
  To them all the poor were ‘blessed’ and ‘sinless’, and I knew, from my own background, that they simply romanticised the poor, probably because they themselves were all rich people who had never lived one day of their lives in poverty.
  With Omar, being impure, or sinful could be anyone in society – and, your background or class didn’t matter.
  That was far more logical to me!

But with joining Omar’s party, came other problems for me.
How were we supposed to ‘find’ a Pig, or an impure person?
  How can we be sure if a person has the Pig Attributes in his mind?
  It seemed ludicrous to me!
  I had doubts because as attractive an orator that Omar was, once you went home and thought about what he actually said, a lot did not make sense.
  I had so many ideas that contradicted what Omar had to say.
  For example, can’t we achieve our goals by peaceful means – rather than choosing the path of violence?
  And if we must use violence, then why don’t we attack military targets and not civilians?
  Wasn’t it wrong to target civilians and civilian places – like factories, farms, and shops?

  
  There he stood; eyes blazing as ever.
  What makes eyes 'blaze' I wondered.
  They don't actually emit any light, do they?
  So how can one man have such penetrating, piercing eyes that go right to your innermost heart?
  Omar seemed to be made of steel.
  Or, maybe it was all in my imagination, as Sanji would always be telling me.
  It was his personality and also his body language: that stern, stiff way of standing, that seemed to be the epitome of defiance against the evil in the world!
  His whole body seemed to be chiselled from the purest marble; there he stood, this heroic rock, against the tyranny of the storms and the oceans that were crashing on him; and still, there he stood, not only in supreme piety, but also, there he stood, waging a struggle against these very dark forces of evil.
  He will rid our society and our nation from evil, and one day, we shall live in a truly happy country.
  This nation and its sad people, this nation that has so many miserable, poor and unhappy people, will soon be able to live free, happy lives, without the burdens and the shackles imposed on them by the ruling elites.
  He spoke:
"They need to be utterly, and without a shred of human mercy, be exterminated, or else, it is us, who will be exterminated! It is either them or us! We need to cleanse our entire body from these cancerous cockroaches. Don't you people understand? Call it '******', call it 'exterminate', call it 'butchering them' – I do not care; what I do care and what I need in order to breathe uncontaminated, fresh air,  is to surgically and methodically and blindly eliminate the very existence of every Pigs on our land! That is why we have no choice but to fight. The criminals leave us with no choice. If they surrender their corrupting ways agai
JaQuise Caldwell Nov 2014
Diminutive in frame and stature
defines him not, but instead enhances the
brilliance of his smile’s shine.
The golden flakes of honesty in his warm brown eyes
covey one vice that is captivation.
They hold hostage your most destructive thoughts
to instantaneously
replace them with the best; of
joy, contentment, and love-the best of him.

His high cheek bones define a mouth
so perfectly constructed.
They rise and fall like oceans’ waves with
every gentle gesture.

He thinks of love as a pool of chances
and illogically
he dives into the hurt he’s found himself in once
twice, no wait, three times.
But still, he never falters to give “chance”
just one more chance to prove he’s done what’s right.

Secondary comes his needs, in light of someone else’s.
The thoughts, “too tired” or “too busy” does nothing for him because
if someone needs help, you help them undoubtedly.
I  have seen the coat that once
cascaded on his back give warmth to one
who had no coat
or smile
or joy
or light.

And for that one he lowered his head
to ask God for a favor.
I met this guy, this “perfect” guy when innocence consumed me
and since that day we’ve been each other’s confidant and comforter.
My love towards him supersedes that of a friend or
the best of that.

The truest thing I know is that when everyone one else
disappears to the mundane norms of life,
he will be there with me to cut through
the silence with rolls of laughter.
At what? It does not matter.
Because when I’m with him and he’s with me
there is a “we” that is formed and that “we” is captivates me

An infinite truth is that I will never stop
loving this young man.
He keeps my heartbeat steady so I
must exclaim the best of
joy, contentment, and love-the best of him.
Moriah Harrod Aug 2012
Today I wrote to you. I haven’t seen you in seven months and sixteen days, as of 10 AM this morning. Only two weeks left. It seems unreal… It also seems that to write to you is all I have. So this morning I sat at my desk, and I opened my mind to all the things I could have said to you, but never thought to.

Do you remember the first day we met? It was in the café on Franklin Blvd. You were wearing your grey Fedora, a Hurley shirt, and those burnt sienna penny loafers we’d make so much fun of later.

I was at the table by the window, and I couldn’t help but notice you. Three of your fingernails were painted yellow, and you wore a bunch of beaded hemp bracelets on your right wrist. They looked Bohemian to me, but one day you explained the difference in that and Jamaican. You were singing a little tune while waiting in line. Later, you’d call it your “little ditty,” and you’d sing it all the time. You always said things like that, & I always fell in love with you more.

You ordered a vanilla cappuccino and a plain English muffin. I looked down at the same half-eaten muffin and cold cappuccino in front of me. I wondered why it seemed that I knew you already.

You sat down at a table a few feet away from me. You took off your penny loafers and took a handheld game of Yahtzee out of your pocket to accompany your breakfast. I was perplexed that you hadn’t noticed me staring yet.

Ah, there it was. You looked over at me. You must have sensed me by then. Immediately you smiled that half-smile you would always do, a mix between a condescending smirk and a boyishly cute pride. It was altogether endearing. You raised your eyebrows and nodded, as if we’d known each other for years. I admired your charmingly playful introduction. I would soon call you sweet pea.

………………

It was eight months ago today that you told me you were leaving. Your large brown eyes were full of promise and sorrow. I dropped my half-full coffee mug, and it spilled all over the carpet. The cat ran to lick it up, and was disappointed when the taste was utterly bitter. In other circumstances, I would have laughed and pointed it out to you, and we’d admire the cat’s zealous naïveté.

However, the cat had but a split-second of my stolid attention before my eyes met yours again, and I felt paralyzed. I asked what you meant, and you repeated yourself.

You told me of Jacob and all he meant to you. I cried when you told me how God and all his goodness took a sixteen year-old boy and his giant heart away from this world, away from his brother. You also told me how you’d avoided him for over three years before his death.

I was in disbelief that you’d never told me of him. You just looked down and said you’d had no room in your selfish green world for his coal-black sickness. Then you told me of his letter before he passed, asking one thing from each person he cared about. To help the world in a way they never would have done before, to somehow leave a legacy in his name.

My stomach felt sick. My baked-apple oatmeal felt at the tip of my tongue. How could this be happening to you? I instantaneously let go of any would-be grudge against you for being kept from the cruelly and sickeningly beautiful reality attacking your heart.

For I could see in your eyes that you were tearing your soul to shreds. You explained how in your peaceful aura had been a mask, a denial of the sickness slowly claiming your brother, waiting it out. For he couldn’t die. He would simply be better one day, and you were waiting for that. But, he did die. And you already knew what your mission would be.

You were leaving in two weeks from that day. You were flying to Africa with the church your brother had been devoted to since the diagnosis four years before this day. You’d spend eight months with the church members in Africa, working with children in a third-world country. Anything you donated would be in the name of Jacob Meyers.

You had talked about this with your family, and they agreed it would please Jacob and the legacy he had asked for. I at once stated that I was going too. My belittled heart broke cleanly in two when you told me how you had to go alone, that Jacob wanted a noble mission.

He had explained that he wanted someone to do selfless work in his name. How in order to give truly, you must give all. I knew you felt that you had to give the largest part, for you’d been the most selfish to avoid him. I let you keep your dignity and, broken, I accepted what you were doing. If anything, I loved you so much more for it.

Sorrowfully and dutifully we packed bags to attend his funeral. I never told you this, but I read four novels on sibling death. I wanted to take your hand in mine and feel what you were going to feel when you saw him laying there.

………………

In two weeks I will see you again. I will travel to the airport and pick you up and time will move once again. I often wonder how spectacularly, or marginally, you will have changed.

I have your loafers, your fedora, and your faded Hurley shirt ready to wear to the café where we met when you come back.




To my faux Jamaican sweet pea,
I miss you.
Though I have personally experienced the emotions in this poem, the setting, characters, content are actually fiction. I really appreciate the feedback though.

Like I have explained in my biography, I am not a creator of stories; they are floating all around us. I'm just the messenger to share them.
InJensMind Dec 2010
From the moment I saw you
I was in love.
Gazing deeply in your eyes
I saw your soul
so pure.
I was addicted
I could not look away.
It took but a moment
and instantaneously
my heart melted.
The frozen gates
that sheathed my soul
unthawed.
The guard that had enslaved
my life
dropped his weapon.
He withdrew
from his post
leaving me open
to new possibilities.
I knew from that very first glance
that I would eternally
be in love.
Maggie Lane Nov 2012
Looking back, I think I knew she wasn’t going to wake up that night. Maybe I thought she wouldn’t wake up ever.
CHAPTER 1: ENDLESS SLEEP
It seemed to me that the fact that movies and stories make it appear as if sad things can only and will only occur during rain and thunder was just stupid. The weather has no affect on the events, right? But I was wrong. On Tuesday, April 18th, I began to realize this apparently idiotic movie ploy might have an inkling of truth buried in it.
That day, the kids had teased me again, but to be totally honest, I didn’t mind it then and I don’t mind it now. It had begun to rain when I was halfway down 17th street. I had immediately removed my shoes and socks, and stuffed them into my bag, which was already overflowing with scraps of paper and books. Most of the books had been for free time reading, and are currently lying in a heap in my room at Dad's, where they will remain unread until I decide to forget that awful, horrible, tragic day.
I ran all the way to our apartment, but went the long way and danced and twirled as my un-zippered jacked flapped uselessly behind me. My lungs burned white-hot, but my body was freezing, a feeling I still to this day enjoy. By the time I had reached the alleyway behind the crumbling yet comforting building, I was soaked through, and I loved it. I decided to go around back so Martin would have no excuse to yell at me in that foul, ill-tempered way that made the skin underneath his chin jiggle. I had started towards the rusted door when I saw her. Of course, it hadn't been her. She had been inside, where she alway waited for me to get home. But I had felt on that day as protective of her as she always insisted upon being with me.
I grasped the icy handle and slipped inside, the warmth of the building suffocating rather than comforting me. To this day, I prefer being cold, because it clears the mind, and warmth clouds it, like the foul demon that lures you into the endless sleep that tried to take my mother that day. I climbed the steps; the sudden noise of my feet on the stairs was like a rock sliding under the water, breaking the calm.
I remember how the climb up the stairs that day had seemed especially long. But mostly, I remember how the apartment smelled when I finally reached the top and slid the key into the lock, turning it noisily. I remember the smell, and how the instant it hit my nose I knew that I wasn’t to expect the warm, gentle mother I came to expect most days, but that I was going to get the harsh, drunken version, when she had been smoking and on drugs.
Resignedly, I called, “MOM! I'm home from school!” only then I hadn't known that I would never get an answer. I dumped my soaking bag unceremoniously in the hall, and it hit the floor with a wet thump, splattering mud on the tiles. When she didn't respond, I had frowned; a face Andrew tells me makes me look somehow more mysterious.
The trip I had then taken to her room revealed only that she had passed out on the bed, and that she smelt of sadness. But at that time, sadness wasn't uncommon. I don't remember how long I stood there, but I know that when I finally awoke from my thoughts, I showered and got into my softest pajamas. I settled down to do my homework, but I hadn't been trying hard, so when the time had come to make dinner, I had only made the smallest of dents.
Simply because I had been tired and hadn't been up to making anything more complicated, I made tomato soup. Mom always used to make my soup with milk rather than water, so that was how I made it too. I poured the soup into mugs, because we always liked to drink it rather than eat it. I remember sipping from my mug, and I remember how the warmth burned the roof of my mouth. The heat of it brought tears to my eyes, which were every bit as salty as the soup. I walked to her room, and knocked on the door, the sound echoing through the apartment. She hadn’t answered though, so I entered with the intention of waking her up.
“Mom!” I had said. “Wake up, I made dinner!” and I set the mugs down on her bedside table. With my freed hands, I had shaken her shoulder softly. She didn't wake though, which had surprised me, for she always woke instantly as if her dreams were frail and easy to shatter.
“Mom!” I had raised my voice, and I shook her more vigorously. “MOM!” I think it was on the third time that I finally began to realize, but I still shook her.
On the fifth try I had begun to cry, and on the sixth the calm part of me told the hysterical part: *She is fine. She will wake in the morning, I promise. She will wake.
That was the first time I ever lied to myself.
I remember pulling the covers on the bed over her, and then gingerly lying down next to her. Mom. I kept thinking to myself, as if my mere thoughts might wake her. But I had known she wasn't gone, for I felt her breath next to me, soft, shallow, and hardly discernible from my own, yet still breathing. I had drunk the rest of my soup, but left hers, telling myself she would drink it when she woke. Now, looking back, I realize how stupid it was of me to have thought that she would wake up.
I don't even remember falling asleep that night, but I must have, for in the morning when I woke I looked quickly over at her, hoping, wishing that she might have risen. I remember shaking her again, pleading, “Mom, it's the morning, and you missed dinner but it's okay, I will make you more if you please wake up, please momma. Please,” But she didn't heed me. I remember sitting in bed with her all morning, watching the clock. I didn't get ready for school. My mom was more important, I told myself. When the clock had ticked from 8:29 to 8:30, I knew the bell had rung, and I was late. I guess to me that had been a signal: The rest of the world has continued without us. I remember standing up and padding to the kitchen, and grabbing the wireless phone. I remember how icy cold it had felt, as opposed to the warmth and comfort of the bed in Mom's room. For once I simply craved the innocent warmth from my mother's inert body. I walked back in and sat on the edge of the bed. I dialed 9-1-1 and hit the 'call' button.
“This is 9-1-1 what is your emergency?” a rough male voice had said.
“I-” I had to clear my throat from lack of use. “My mom was passed out last night when I got home from school. I thought she would wake up, like she always does, but she hasn't. She is still breathing. Please come,” I had said all that with a flat voice, refusing the awful feeling in my throat that warned of tears.
“What is your location?” he asked, his voice softer now.
“913 Alvarado,” I whisper. “Fourth floor, number 413. My name is Sierra Banks.”
“Paramedics are on their way, ok?”
“Ok,” I recall how loud the click was when he hung up, and I felt the cold, empty silence press down and around me until I couldn't stand it anymore. I wanted to talk to someone, anyone, except the police officers who sounded way too casual. My mom's life might be on the line, and all they do is talk in monotone. Like they don’t care about all those lives. I knew then that I was being unfair, and that they were simply used to losing lives, but...
I looked up at the soup mugs on the table and next to them...her cell. The last person she talked to. I scooped it up, went to last calls, and hit redial.
Ring...Ring...Ring... “Hello, Clemens residence.”
“Dad.” The pain of hearing his voice then was the same as when I hear it every day now. Regret had instatly clouded my heart with the cold wall I built four years ago. Tears began to pour down my cheeks, but I can't recall now if they were hot and scalding, or cold.
“Sierra?” his voice too had become thick, and I hated him for crying. He left us.
“Yes,” I had been unable to force any other meaningless words at him. I hadn't seen him in four years, when we visited him, his beautiful new wife, and worst of all, his new baby girl. He replaced me! My throat burns to think of it. I hadn't thought of Lila, my step sister, and my replacement since she was born. Fury built up inside me. Why did mom call them last? Why does she still hold his number in her phone even after he left? And most importantly, what did they talk about? I still haven't forgotten these questions, but I most certainly haven't got any answers.
“Dad, mom is in trouble. She hasn't woken up since yesterday. I thought she would wake up but she hasn't. The ambulance is on its way,” Instantaneously, I hated myself for telling him, pouring out how scared I was. He didn't deserve to know, to pretend to feel sorry.
“Oh Sierra. Oh my beautiful daug-” he began, but I had already ended the call. How dare he call me beautiful? He hadn't seen me in so many years. He didn't deserve to pretend he care. Maybe I loved him once, but not anymore. I didn’t, and still don’t, want his sympathy, his false words, dripping in I-told-you-so. But most importantly, I didn’t want him to hear me cry.
Now I find myself having to live with him, and have to be constantly aware of him walking in on me. Like the other day when he walked into my room to see how I was doing with homework and found me rocking and bawling on the bed. Gasps had escaped from me in rapid succession; my sobs had shaken the bed so that it creaked softly. My lips curled apart from my teeth as I convulsed. I sniffed loudly and, gradually, my sobs had died down. Eventually too, my ears had regained their sense, and their voices had drifted to me from outside my bubble of silence.
Most days I had control enough to save my tears for the night or not cry at all. A week ago my English teacher had made us write letters to our parents. I had asked if I could write mine to someone else, because I was still furious at my dad, and mom left me. I know that she was in a coma, and she can't help it now, but I remember all the times that I was strong through her rampages. It didn't matter anyways, because Mr. Steiner blatantly refused. I decided to write it to mom, since I refused those days to even to acknowledge that I had a father.
And to this day I remember every word, for I read that letter a hundred times that day, until I had it committed to memory, so that I could have it with me, where ever I might be.
The ambulance arrived about five minutes after I hung up on Richard. The memory of crying, and rocking endlessly in pitch blackness made me refuse even to call him my father. What I kind of father, I asked myself, leaves his daughter crying, without comforting her, when the only person who ever loved her, is a million miles away? 'Mine,' I had answered myself, bitterly.
Eryck May 2018
Who knew that getting a Starbucks gift card would turn out so harmful and mean.
When pleasant, harmless, innocent me fell for the spell of treacherous caffeine.

Like a hype with a spike
doing harm to his arm
I  was hooked.
Leaped before I looked,
goose was cooked.

Now I'm here to play the blame game.
Innocent me, walking in free, joyfully,
just getting a coffee.
Then wham!
or should I say bam!
It hit me.
I walked out a quivering, craving, slobbering creature...
maybe not literally but like I said it was done treacherously, maliciously, instantaneously, I was a caffeine *****!

So here are some of the reasons why I'm  unhappy with Starbucks:
--- Starbucks caffeine influenced my body by elevating my heart rate (I'm not sure why I expected anything different).
--- Starbucks crafty, subtley and slyly habitualized me ( Oh god, I'm  a creature of habit!)
--- Starbucks (If possible) is too friendly
--- Starbucks manipulated my accommodating nature (I just wanted to be friends, but now they feel more like, dare I  say it... family).
--- Starbucks slandered me ( by assuming I'm lazy. "Sit, relax, make yourself at home, stay as long as you like").
--- Starbucks  exposed my weaknesses ( l feel naked to coffees influence).
--- Starbucks made coffee hip and cool (I'm  going to go ahead and count that as a bad thing).
--- Starbucks crippled my will power (my will power walks with a limp now).
--- Starbucks  blew up the sun!  
--- And the final reason I'm  unhappy with Starbucks...because they're probably going to sue my *** for writing this!
Just kidding Starbucks. No, really!
Ryan Bowdish Feb 2011
You sad fool. My dear, old friend
How I find myself waiting for you again.

Your eyes drive into mine, with brights on,
and you leave palpable words hanging in the air with the writings by your teeth,
without a mouth to open, just jaw clenched, no recognition of existence,
And your hands are soldering irons cooled clenched until clashing into my air
Touching time, and instantaneously heating space, as an element
Reaching Avogadro's number, ten to twenty-third
Holes appear between us.

I remember when we used to laugh
And mostly at each other,
but not as we do now.

There was no malice.
One day maybe there will be solace.

"You act as though I'm a nice guy"
So it's true you like to objectify
The object (oh, the irony) of your affection
Which is anything that cares to mention
How creative was your invention
It was not my intention to
Organize a fluidity to the scrutiny
And the staged mutiny of what was a foundation.
For it's not representative to your thumbprint.

I feel no organization here. You have ordered chaos.

Francisco,
Bring up your lights.
Just remember that you look best at night, when the moon is carved into the sky
and your real intentions revealed.
Where you sit upon that pale desk
And wrap your knuckles against the floor,
Stab with a quill the pools you leave behind,
to write your ***** recollection,
Just remember you look best when your tears catch this starlight.

Francisco, bring up your ****** lights.
The only other man I ever loved.
Venturing out
Into the woods.
Everything behind her
Is in Black and white -
Grey, but with a hope-filled
Blue sky.

Her red butterfly
Carries her transformed ideals
Within - it's always hovering close-by.

With every forward step,
Away from this manipulated
painful reality,

The scenery is painted,
Bringing it all to life -
A rainforest green;
Her sacred canopy.

Vivid,
Ever so bright,
Be it, by day,
Or, be it, by night.

Black and white do not exist
On this side of her world -
There's no grey!
Here, even shadows embrace
The blessed, illuminated,
Brilliant, pure light.

Doom,
Gloom,
And dullness,
Instantaneously banished!

Momentously replaced by
An addictive, elated state of vitality -
A miraculous invisible substance;
She embraces her newfound sanity!
Insanity just vanished!

Her aura
Paints her surroundings,
They are so alive -
In high definition, in full colour.
There are no toxins here,
No sorrow,

Nothing is needed,
Time stands still -
No need to borrow.

All of the brokenness
Is left behind,

She wanders off! -
Her soul
Free to unwind.

Here, she has no fear of heights -
There is a sacred comfort
In all that is phenomenally high,  
And so,
In all that grows,
From deep down
Below.

She inhales purity
Into her lungs,
She exhales
All of her noxious emotions,
She sighs with relief,
As she lets them all go.

Sinking her feet
Into the rich ground,

Each footstep brings her closer
To the edge of her world;
This is where she is often found.

Here, she is free...
She asks herself  "To stay, or to go?" 
The answer, she already knows,

The soft breeze carries
This wanderlust decision away,
As the free-spirited wind
Gently blows.

By Lady R.F ©2016
This poem was written to describe, and to help explain, the cover of my book.
"The Edge of My World"
(soon to be released.)
It explains why I chose the cover, and what I was feeling and thinking.
It explains my book's contents.
Her nails digging into the tree,
her legs opened wide.
He sunk deep within,
filling ever inch inside.
Mating calls meshing,
moans and grunts rent the air.
He begins to move faster,
while pulling on her hair.

I can't believe he's this deep inside me,
It's so **** heavenly,
I burst out with a primal scream.
It's like a fantasy, I'm living out my dream,
All those ****** novels I read,
Pictured through my mind,
He pulled my hair even harder,
I came almost instantaneously


Her essence flowed freely,
Surrounding him in liquid heat.
His thrusting became faster,
and the pleasure was Oh so sweet.
Hard as a rock,
one more pounding ******.
He sank into her deeply,
and explodes in a rush.

I could feel his hot seed,
Filling up inside me.
The exquisite pleasure almost
made me come once more,
He leaned his entire weight into me,
His breath on my neck
was felt to my core,
I realized I never asked his name
Yet, he'd pleasured me like never before.


"I have seen you from afar, to shy to say a word.
Still, I know your name not and feel kind of absurd."
"I have seen you looking
and have noticed you too,
I wanted you for awhile,
and didn't know what to do."
He kissed her then,
softly upon her lips.
Holding her against the tree,
still joined at the hips.

I drip as I grip onto your hips,
while I nurture your nectar and sip
Your ****** has me going crazy,
'cause I'm craving to be lazy
and lay on my back while you ride
me, but I think I might have died
This pleasure makes me feel like Heaven,
and I won the jackpot like 7-7-7
Your depths are coming down upon me,
while I sew some of my sticky seed
right into your box, with me begging,
"Baby, I swear I'm gonna make you mine,
'cause you have me feeling so sublime."



            *~To Be Continued~
Ah, Coventry, thou art but dead now-to me;
Thy life is not alive, and thy winds are too cold
Thou art as filthy as dust can be, and eyes might see;
Thy hearts are too bold, and to greed-your soul hath been sold.
And I want not, to be pictured by thy odd art;
For than oddness itself, 'tis even paler, and more odd;
And 'tis not honest, and full of disputing fragments;
Gratuitous in its earnest, talkative in each of its sort.
Ah, Coventry, I shall go, and catch up-with the strings of my story,
Which thou hath destroyed for the sake of thy fake harmony;
And in my tears lie thy most fragrant joys, and delightful sleep,
Which thou findeth tantalising, but idyllic-and satisfactory.
Ah, Coventry, go away-from my sight, as I solve my misery;
T'is misery thou hath assigned to, and dissolved over me,
I bid thee now fluently blow away from my face;
With a spitefulness so rare, and not to anyone's care nor taste;
And doth not thou question me, no more, about my tasks-or simply, my serenity;
For thou hath fooled me, and testified not-to my littlest serendipity,
You who claimed then, to be one of my dearest friends;
And now whom I detest-cannot believe I trusted thee back then.
And my soul! My soul-hath been a tangled ball-in thy feeble hands;
Colourless like a stultified falsehood, blundering like a normal fiend.

For on thy stilted dreadfulness at night, I hath stepped;
For in front of thy heterogeneous eves, I hath bluntly slept.
I had tasted thy water, and still my tongue is not satisfied;
I had swum in thy pages, but still my blood is not glorified.
Among thy boughs-then I dared, to solidify my fingers;
But still I couldst not bring thee alive, nor comprehend thy winters.
Instead I was left teased, and as confused as I had used to be;
I couldst find not peace, nor any saluted vehemence, in thee.
Ah, I am exhausted; I am brilliantly, and sufficiently, exhausted!
I am like torture itself-and if I was a plant, I wouldst have no bough,
For my branches wouldst be sore and demented,
For my foliage wouldst be tentative and rough.
I hath been ratified only by thy rage and dishonour;
I hath been flirted only, with thy rude hours.
And my poems thou hath insolently rejected,
And my honest lies thou hath instantaneously abused.
Thou consoled me not, and instead went furtive by my wishes;
Thou returned not my casual affection, and crushed my hope for sincere kisses.
I hath solemnly ratified thee, and praised thy music by my ears,
Yet still I twitch-as my sober heart then grows filled with tears.
Ah, thou hath betrayed, betrayed me!
Thy grief is even enhanced now-look at the way thou glareth by my knee!
O, Coventry, how couldst thou betray me-just whenst my time shivered and stopped in thine,
Thou defiled me so firmly; and disgraced the ****** poetry bitterly in thy mind,
As though it wouldst be the sole nightmare thou couldst 'ver find!
Ah, Coventry! Thou art cruel, cruel, and forever cruel!
Thou hath disliked me-like I am a whole scoundrel;
Whenst I but wanted to show thee t'at my poetry was safe, and kept no fever at all;
But no other than an endorsement of thy merriment, and funny disguises for thy reposes.
Ah, how couldst be thou be so remorseful-how couldst thou cheat me, and pray fervently-for my fall!
And to thee, only greed is true-and its satisfaction is thy due virtue,
For in my subsequent poetry, still thou shalt turn away-and scorn me once more;
With menace and retorts simply too immune, and perhaps irksome loath-like never before.

Ah, but how far shall thy distaste for me ever go?
Thou who hath blurred me-'fore even seeing my dawn,
'Fore even lurching forward, to merely glance at my town.
Thou art but afar, and now shall never enter my heaven,
For victory is no longer my shadow, 'tis to which I shall return.
I am like a shame behind thy glossy red curtain,
I am a pit whom thou couldst only befall, and joylessly spurn.
But ah! Still I am blessed, within my imperfection-thou knoweth it not?
I am blessed by the airs-and wealthy Edens of the Almighty, thou seeth t'is not?
He who hath the care, and pride anew-to cut thy story short,
He who hath listened to my cores, and shall deliver me from thy resort.
T'us I shall be afraid not, of thy wobbly tunes-and thy greedy notes!
For humility is in my heart, though probably thou hath cursed me;
And bidden me to let my soul detach, and run astray,
Still I shall find my fertile love, and go away;
I shall bring him away-away from thy abrupt coldness-and headless dismay;
I shall nurse and love him again-like I hath done yesterday, and even today;
And in t'is, I shall carest not for what thou might say to me later-day after day.
For as far as I shall go, my poetry t'an shall entail me;
And thus follow the liveliness, and scrutiny-of my merritorious paths only,
And in the name of Him, shall love thee and rejoice in thee not;
But within my soul, it shall recklessly, but patiently-do them both;
'Tis my very goal it shall accomplish,
And for my very romance, shall it sketch up altogether-such a mature bliss.
I should dance, thereof-just like a reborn female swan;
And forget everything life might contain-including my birth, as though life wouldst just be a lot of fun.

But I shall be alive like my tenderness,
So is my love-he t'at hath brought forth my happiness,
I shall be dressed only in the finest clothes-and he my prince,
As the gem of my soul hath desired our holiness to be, ever since.
Yet still I hope thou wouldst be freed, and granted my virtue,
Though still I doubt about which-for thy fruits are weightless, and to forever remain untrue.
Such be the case, art thou entitled to my current screams,
And blanketed only by my most fearful dreams.
T'is is my curse-in which thou shalt be in danger, but must be obedient,
For curses canst be real-and mine considers thee not, as a faithful friend.
And obedience be not in thee-then thou shalt all be death,
Just like thou hath imprisoned my love, and deceived my breath!
Still-my honesty leads me away, and shall let me receive my triumph;
As so cravingly I hath endured-and tried to reach, in my poems!
Ah, Coventry, unlike the stars-indulged in their tasteful domes,
Even when I am free, in thee I shall never be as joyful-and thus thou, shalt never be my home.
berry Dec 2013
You are the type of boy whose got saltwater in his bloodstream, bones like coral, and a heart made of driftwood – and at this point I’m just hoping someday you’ll wash up on my shore. I have seen the broken glass and beer bottle caps tucked in the folds of your sandy skin. I know how you left cuts on the feet of those who walked all over you. They were never sorry and you always were. Everyone else was too busy molding you into mangled and misshapen castles, only to stomp on them. Your soul was tangled in a mess of seaweeds and deep-sea debris. No one ever saw the brilliance of the sun's reflection in your smile that made you more dazzling than a million diamonds. But I noticed from the beginning that you were more than a temporary vacation spot or a convenient photo-op. and the shark-infested waters in your head shrank to puddles when you spoke to me in words like waves. To this day I can’t figure out what I did to deserve to be the only one you’ve ever allowed to explore your ocean floors, but I am grateful. I pressed my ear to your chest like it was the mouth of a conch shell, and heard the entirety of your ache without you saying a single thing. Violent storms churned in your belly at the hand of faceless puppeteers; made seasick by countless careless captains. But the sky cleared instantaneously the moment I came aboard. The same sun whose rays you’d always been wary of, now kiss your face the same way i wish to, taking utmost care not to burn. Your laughter is a school of fish filled with more colors than I can count and the sound of your sleeping breath is an ocean breeze. I am in love with the perfect shoreline curve of your mouth. Every day I find various buried treasures in your hidden coves and sunken ships, and I don’t think I’ll ever tire of discovering you.

- m.f.
the name as well as general inspiration for writing this poem was drawn from the song Beach Baby, by Bon Iver.
Sometimes I watch
the man in the benign pastel shirt
and the drab khakis
with the receding hairline
and the thick glasses
cross the street
with a package in his arms;

And I think to myself,
"There goes a good dad,
mild mannered, loving -
trying to make his way
in this savage world."

Then, almost instantaneously,
the doubt creeps in:
"Or, he could be a monster,
who beats his kids,
or his wife,
or sets fire to homes,
or has adolescent prisoners in his basement."

From then on I question everyone I see.

That lovable looking old lady
with her sun hat
and disabled parking pass
might shout racist obscenities
from her balcony
at poor black kids
playing in the park across the street.

The clean-cut young man
in the shirt and tie
with the papers in his hands
may spend his weekends
filling envelopes with anthrax spores -
one for each name on his list.

I can no longer see
the father whose arrival from work
is anticipated by a loving family,
or the grandmother who delights in
handing out the most Halloween candy
to every kid in the neighborhood,
or the industrious young professional
striving to make a meaningful contribution
to society.

I wonder if the darkness I see in them
is a magnified reflection
of the darkness I know
that lurks inside of me.
aniket nikhade Nov 2015
If not now, then after sometime
If not in the present, then somewhere along in the future
Things will change
Something good will happen
Something better might follow
Don't give up
Keep on going.

Success was never achieved instantaneously
Success never came spontaneously
Success came when hardwork was done, efforts were made.

Don't give up, keep on going
Definitely something good will happen,
something better might follow
Till then it’s all watch and wait
Always remember, keep it in mind
A bird in hand is better than two in the bush.

Have belief and faith in what you are doing
Believe in yourself
Never give up, just because you are facing an odd
A time will come when everything will fall in it’s place
A time will come when you will achieve your aim
Till that point in time, don’t give up, keep on going.
ghost queen Jun 2019
i look out into dark, savoring the quiet, the stillness of new dawn, wondering who die today, whose life will end and whose will change forever, sending a shock of wave of pain and grief from an epicenter of a dead soldier

who will die today, whose mother wife daughter will cry today, whose father son brother will fall today

the sun has risen, reality has set in, its time to ride, its time for some to die, we roll the dice, who will land snake eyes

to sit in the humvee, knowing you are playing russian roulette, you can’t  have hope, no inkling of a dream, lose the desire, it is the only way to survive, knowing you may die, give up all hope, consider yourself dead, be grateful at the end of the day when you are not. the drive down suicide alley, like the walk up gallow’s stairs. now i know how they felt. you surrender to fate. you stop thinking, you stop feeling, you go numb.

no longer in control, my life is no longer mine to live or die

i don’t believe in You, not since i was a boy, but i pray, that if we hit an IED, that i die instantaneously. i don’t want to lay on the ground, feeling the horror of dying, crying that i want to live, screaming out for my mother like i’ve seen happen to other guys

there are things worse than death, the living hell of coming home in pieces, physically damaged, emotionally traumatized, spiritually disillusioned, which slowly erodes and destroys your life. a new war, another battle, this time at home, fought in your head. the cycle of trauma 6-9-12, addiction, depression, how long do you let yourself free fall till you hit rock bottom

i am a man, i am not suppose to be afraid, but i am, i can’t show or say, not to them, especially not to you. i am not allowed to show fear, be vulnerable, you will lose respect, stop loving me, tell me to man up, in some subtle way

when everyone has left, everything lost, when the pain is greater than the fear. you must, you will, reach out, or die in combat, killed in action, in the war fought in your mind.
Baylee Nov 2014
And in that moment
I fell for you like a bullet to the chest;
You took my breath away
As I had fallen
So deeply in love with you.
There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads ***** and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a ***** hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!--
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped ****** red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.
NeroameeAlucard Dec 2014
what's crazy
is that when you look at me
my mind goes into overdrive
and I imagine every single fantasy

us on the beach together,
Me and you laid out on the sand
I grab your waist and kiss you
while you guide my wandering hand

I slowly kiss and caress your neck
biting softly and holding you close
I feel you running your hands up my back
assisting me in getting out of my clothes

the bonfire we had has long since died out
but another one starts within
our passion and lust blazing bright
as you command me inside, within.

We both ****** simultaneously
almost as if instantaneously
we knew when our bodies could take no more
it's like my mind is an open door
when you look at me with those deep eyes
I become lustfully hypnotized
Anderson M Oct 2013
I see you
And my heart instantaneously
Somersaults in delight.
But you don't see me
you seemingly have on imaginary sunglasses
that hinder your sight of me
your sense of feel is inconvenienced too
cause you don't feel me.
cassie sky Jan 2013
Sing me a lullaby
Put these thoughts to rest
With the best high
The warmth in your chest
I knew you before
But not like this
Did I open a new door?
What did I miss?

I've seen another galaxy
It's just for you and me

It could not have happened
If this were another day
Wouldn't, couldn't, but did
Work out this strange way
It was perfect, you see

Led down the same path
We stumbled blindly into each other
Our galaxy was born, alas
Calm, crazy, hot and happy
How could just one night
Make me feel so right?
Ah, tread swiftly, softly
For our galaxy is just that:
Ours.
And they will not understand
They will pull back their hands
And curl them into fists
Or damage their wrists

We are their light
They are our shadows
Crouching tiger, hidden dragon
We lie awake til’ our sun shines on

The curtain will draw once more
Never to be closed again
And sun will pour over our bodies
Like an orange being squeezed
Fresh from the trees
It will weaken our knees

It will engulf us instantaneously
And we will be swallowed
By the humbled body of serenity
Left lounging on cloud mounds
Left with each others'
Complementary company
You are my most beautiful muse <3
katewinslet Dec 2015
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Eudora Nov 2014
As the moon glows and the stars twinkle brighter
Our souls merged into one instantaneously
As we indulge in the night's sweet surrender
I could feel butterflies flutter in me aimlessly

It is crystal clear it is a beautiful connection
And that we are sharing an intimate affection
It is true that your comforting words soothe my emotion
And your touch left me a tingling sensation

Your passionate kisses, they make my knees feel weak
With every heartbeat of my chest, you endlessly caress my skin
I feel the shivers whenever your gaze meets mine and then you stroke my cheek
You warm my heart when you wipe my tears and lift up my chin

Needless to wait for another sunrise, you are the light in my darkness
With much honesty, you readily bare your beautiful heart and soul
For the uncountable smiles you put on my face , you are the joy in my sadness
Without a doubt, you create an indescribable feeling I am unable to control

It could be destined that we cross our path like this
For I believe everything happens for a reason
While you think I am an angel, I think you are an extraordinary blessing from above I truly miss
Though we are miles apart, something precious could befall us this season.
Nat Lipstadt Feb 2016
A Woman's Reflection on Her Reflection (Valence and Value)

one poem, written by two authors


~~~

Ever the analyst,
A mirror functions as surface to
Parse the fleeting constant
Of youth's beauty.

From genetic gift
Of symmetry and bone,
To technological tampering,
Until the equation is solved,
As experience and character
Models and maps the result.

The answer, a reflection,
Of individual valence and value

(written by S.D., a woman)

~~~

(written by N.L., a man)

unbidden and unannounced, a
"not fully formed poem,
but a simple reflection"
inbound missile arrives inbox,
armed with silent power,
the lethality of the
Holy Unexpected

the man reflects
on her mirror-on-the-wall's
fulsome reply,
parsing the words of a
woman's reflection,
while gazing on her own

every human's momentary glass notation,
but an instance of summation,
a human poem, whose editing,
unceasing

a comma here,
a period inserted,
an eye shadowed, an eyebrow tweezed,
a eye dark circle line added,
to tree-mark time's authorship

all  these
but a person's
excerpted extraction,
notarized,
then auto-erased and revised,
as out of date,  
instantaneously compromised

but,

it is upon  the conceptual,
valence and value,
more that the man reflects perpetual,
less on transitory morphing changes of
exterior mortality

while overlooking her
glassine realization from behind,
he concludes:

every reflection,
no matter how oft the snapshot,
the unfleeting constancy
of the combining of the

princes of principles,
valence and value

that he witnesses,
in the calming pool
of her eyes,
(those borrowed windows into her soul's well,)
so well reflect
her unchanging greater finery,

her character

this reflection,
metamorphosis transformed.
into a planetary permanency poem,
high placed in his the firmament
of their conjoined sky
Valence,
as used in psychology, especially in discussing emotions, means the intrinsic attractiveness (positive valence) of an event, object, or situation.

In chemistry, the valence or valency of an element is a measure of its combining power with other atoms when it forms chemical compounds or molecules.

you decide.

hers, two six sixteen,
his, two seven sixteen,
in the wee hours
Nat Lipstadt Jul 2019
I get her, she writes me,
so eloquently,
”the nub of me; gist, manifested poetic”

one of the many poets I have never met,
one of the many poets, by whom,
I have been suchly, justly, richly and correctly
accused

this mesmerizing judgement,
her-over-easy, mini-essay so succinctly
assaying an accidental ability mine

explodes
a happy passageway to my brain,
a new aperture, the neurons firing at will,
the tormented inquisitor’s unasked question,
how did this happen to me?

rocking the Sunday morn cradle’s calm,
ok, ok, write me, write me,
demands my no longer free will,
utilize the free wi-fi of we fidelty

the bay, surgically barely treading water,
its surface of multitude of small waves
but now an entire ****** expression bidding welcome

the breezeways genteel,
smilingly
invites and push us into its
directionless & tideless soothful embrace,
to the shoreline we goeth,
to watch the occasional crossing vessel intruder,
woking the waters gentle

its white path residual wake foam-formed,
then almost instantaneously absorbed, bubbly bursting,
a history of a million moments awakened,
then, instantly returned to restful sleep,
akin to a newborn’s gurgling happy dreaming,
wiped clean away off to
Peter Pan’s it-never-happened-land

this carnival trick sideline of deep tissue knowingness,
sensing the essence of the who and the whom within,
with no data to go on other than their poetic collection,
the hidden meanings of the spaces and places between
the gene sequencing of their wondrous word-fullness
DNA poetic children, freely given,
and well taken
by me

I cannot explain it well enough, but then
a strayer thought breakaway,
a prehensile comprehension insertion
proffers itself as an explanation
intruded,
and here,
extruded

the perfect world exterior before me observable
thrusts itself through picture windows onto my demeanor,
a ****** addiction of mine, my soul enslaved,
cannot bear to be taken away from

this vista,

which begs me,
bring all those you know!
here, to share, this precious precise nook
where eye insightful incisions elicit poems-by-command

but I cannot, bring you here,

so I see~imagine it better through
your eyes, then
your
gist
is in my stubbed pencil nub, it is
your
poem’s destiny manifesting,
penciled through my scruff edged fingertips,
which-when-then transcribed to paper, to history,
‘tis all you
who writes,
not I

for now
you
are the solitary vessel waterborne,
you,
you
are the captain and I

but a
Samson-nite, burdened, baggaged and blinded stowaway,
hopeless, yet still see-worthy,
with your guiding eyes,  
keeping me to keep
your copyright righted,
onto its course true



7-14-19 9:43am
in shelter, on the isle
she’ll ken her authorship by the title
They could not bring my body back,
They tried so diligently and then and that,
I soared about myself to know and see,
That I was gone now, gone so  physically.

In all the struggles, the doctors, to save my life,
In all the crazy moments, my daughter and my wife,
Knew I was gone, dead so they say in science clinically,
But they could not know I'm here and now I still see.

A minute, maybe more minutes on a cosmic clock,
Began to tick so loudly, how could I make it stop?
Then tears from those who waited in the room nearby,
And how they would begin to be disillusioned and cry.

With that all gone, so instantaneously I began to be,
Inside a world, so lovely, and so beauteous to see,
Where peace so sweet surrounded my soaring soul,
With peoples of all nations, both young and old.

I knew now, God loved all, regardless of their beliefs,
I felt the love, engulfed the peace, in my new relief,
Began to hug those both near me and so very far,
I made the journey to Heaven, where we now are.

But such sweet joy and contentment was not to be,
I heard an angel tell me so kindly and gingerly,
That I must return to continue my Earthly life,
To share the word and love my daughter and wife.
They could not bring my body back,
They tried so diligently and then and that,
I soared about myself to know and see,
That I was gone now, gone so  physically.

In all the struggles, the doctors, to save my life,
In all the crazy moments, my daughter and my wife,
Knew I was gone, dead so they say in science clinically,
But they could not know I'm here and now I still see.

A minute, maybe more minutes on a cosmic clock,
Began to tick so loudly, how could I make it stop?
Then tears from those who waited in the room nearby,
And how they would begin to be disillusioned and cry.

With that all gone, so instantaneously I began to be,
Inside a world, so lovely, and so beauteous to see,
Where peace so sweet surrounded my soaring soul,
With peoples of all nations, both young and old.

I knew now, God loved all, regardless of their beliefs,
I felt the love, engulfed the peace, in my new relief,
Began to hug those both near me and so very far,
I made the journey to Heaven, where we now are.

But such sweet joy and contentment was not to be,
I heard an angel tell me so kindly and gingerly,
That I must return to continue my Earthly life,
To share the word and love my daughter and wife.
rachel g Sep 2014
yesterday my feet rested comfortably on the bar of someone else's chair
and my eyelids slid heavy and the world seemed slow
a graph of survivorship curves glowing blurry on the whiteboard
and then words slid from behind a neatly trimmed white beard
". . . .as our bodies are programmed to die."

as our bodies are programmed to die.

thousands of miles away
one gleaming thought against a murky sky
(that's how i imagine it anyway--murky, cold,
stagnant air)
a frantic explosion of lean muscle power
and a body launching into the lake.

he was 17 and in that moment gears somewhere in this world shifted,
numbers were crunched and
some profound device processed the seconds, linking and unlinking them with an automatic, well-oiled certainty

he was 17 and the number on his football jersey suited him like wool socks on winter feet
his stride under the lights a weekly prize to all hungry, bleacher-ed, washed-up life-hunters bundled against october-night chill-streaked skies
they drank hot cocoa and he took three sips of gatorade

he was 17 and his smile
and his curls

and we all hear about hospitals but
this feels different because
he was 17 and suddenly,
instantaneously
his body was just a beep
and his skin turned the color of the walls

first the ICU painted quick brushstrokes across his wrists
then it stopped giving a **** at all

and the water rushed endlessly, heartlessly.

when I shift through memories and
find his seven-year old face in my mind, i remember a gap
where he'd lost a front tooth and i remember sunlight streaming behind his hair
it was valentine's day and he gave me a small smile and a silver charm bracelet in a powder blue box.


i shifted my feet
heard the snap of a binder closing
and all i could think about was
the oversimplification of words
and survivorship curves
and 17 years


and
and

piles of numbers spurting from a computer

and an echo of a splash.
this felt strange for me but for some reason i needed to write it. and though i don't like dedicating or even offering any explanation of my poems, this one's different, so i'd like to say that
this one's for MC.  he was a boy that glowed--so bright that even elementary-school me, who didn't know a ******* thing about glowing, figured it out.

they're right, man. they aren't bullshitting anyone when they say you were a selfless hero--you were the minute you entered this world, and even though you moved away years ago i remember you with this strange pang somewhere inside. i wonder if you'd remember me too.
Nat Lipstadt Sep 2013
Expect miracles every minute
Not.

Go away children if you want
Uplifting,
This is a dark adventure
Composition.

Gloomy the mood,
Gorgeous the day,
You have received my disclaimer,
Scurry away.

I scribe smoke that is uncontainable,
Smoke that suffocates, not for decoration.

You are the unrighteousness, not on the list,
Peekaboo voyeurs who read and dismiss.
Why I pen this or this.
Lost in the shuffling cards,
Luck is not inexhaustible,
Mine, bottled in the bin labelled,
The last recycling.

Dark is the blue sky,
White clouds just clothing to disguise
Morose is the vision,
Of eyes that have not seen a miracle
In decades of waiting.

Let us divorce today,
Find good cheer and company elsewhere.
From my finger these words fall freely,
No waiting, from me to you instantaneously.

What ails thee smoke scribe?
I have given and been taken, leeched and bled
and now wasted the last of my
Nine lives.

This is where I stand, edged and ledged,
Miracles are not shown to me anymore.
My quota, used, I'm not us-confused,
Cause I wrote the disclaimer,
The warnings, the risks, well understood.

Write of the good, the bad, of the
Beautiful that does not last,
Wonder if this is the poem  
shall be my Epitaph?

Poetry craft, was the sword I breathed thru,
Unlike you, my motet is completed,
The music, the canon smoke, here, come, then
Gone.
JAMIL HUSSAIN Apr 2022
tire ishq kī intihā chāhtā huuñ
mirī sādgī dekh kyā chāhtā huuñ

Your infinite love, I desire
Look at my humility what I desire

sitam ** ki ** vada-e-be-hijābī
koī baat sabr-āzmā chāhtā huuñ

Fury or your audacious-unveiling
Something fortitude-testing I desire

ye jannat mubārak rahe zāhidoñ ko
ki maiñ aap kā sāmnā chāhtā huuñ

Heavens be favourable for the religious
But us ever-so close, facing each other is what I desire

zarā sā to dil huuñ magar shoḳh itnā
vahī lan-tarānī sunā chāhtā huuñ

A tiny heart but so spirited I am
To hear those words ‘’By no means canst thou see Me’’ I desire

koī dam kā mehmāñ huuñ ai ahl-e-mahfil
charāġh-e-sahar huuñ bujhā chāhtā huuñ

Determined guest I am O’ people of assembly
Morning lamp I am, quenching I desire

bharī bazm meñ raaz kī baat kah dī
baḌā be-adab huuñ sazā chāhtā huuñ

Within a full gathering I have disclosed the secret
So impolite I am, your punishment I desire

Note:

Moses prays to God for guidance and begs God to reveal himself to him. It is narrated in the Quran that God tells him that it would not be possible for Moses to perceive God, but that He would reveal himself to the mountain, stating: "By no means canst thou see Me (direct); But look upon the mount; if it abide in its place, then shalt thou see Me." When God reveals himself to the mountain, it instantaneously turns into ashes, and Moses loses consciousness. When he recovers, he goes down in total submission and asks forgiveness of God.

✒ Translated by ℐamil Hussain
Words of Muhammad Iqbal
eve Jul 2018
When upset, it’s relieving to hear the voices in my head,
The whispers guide my deranged mind to the intentions of never fixing situations,
Instead, it takes me to the land of make believe,
Where I live and continue to repeat,
The cycle of excuses to conceal the history of reality.
Battle wounds and scars pierce right through me,
Viewing the ghost within,
I keep my distance from those attempting to come in.
Time and patience will help me heal from the internal pain they say,
However, I confide in ghosting, while disregarding the feeling of void in my heart.
I remain blind to the difference of things,
Self expression, communication and social integrity make it difficult for me to see,
The truth in where liars lie.
But still, I persist,
Despite the fact that in all forms of reality, I’m struggling.
I attempt to pretend like life is going good and my mentality is okay,
This guilt only allows my body to relapse yet again.
Unintentionally and subconsciously, I’m hurting,
The people who “care” for me.
Instantaneously, the late hours control my eyes to remain wide awake,
Oftentimes, I go numb enough to not speak,
I stray away from the support team behind me,
In order to, stay away from the demon externally taking a hold of me.
Soul is too open to close,
Bones and touch are too cold to take,
It’s true, our ends were never meant to mend,
Due to my expectations of plans never set in place.
onlylovepoetry Jul 2016
"unconditional love dinner-dance"

so names the advert for an evening of a
big shot, posh charitable event,
which the glossy Gatsby East Egg magazine implies,
if you fail to attend said soirée, you nobody, will have no way to claim truly understanding the composition of an
unconditional love dinner dance

laugh internally, swirling,
riffing on eat love pray,
this ditty is what I instantaneously say...

what do these swells,
with their self-appointed importance,
know to probe/defame my claim,
to this poem's title?

these are the factors,
the stepping stones from
my minute to the minute next

love

am I not oathed, bound
unconditionally
by my very own name,
which life bestowed upon me at birth,
to compose of this love
in every etching lineage, signed verse kissed upon our faces,
then, as well, oh so well, so swell,
to kiss our babies
whose smooth skin has no familiarity with
time and all my love
all my love,
uncritically makes no distinction

dinner

she loves me through the silence
of my oohing and ahhing,
these sounds,
escaping willingly,
unconditionally,
as delight unconstrained at the delicate deliciousness her love
has implanted in the dishes she preps,
with which she
preserves us

dance

she love to dine upon
her laughter at
my akimbo'd imitation of
'so idiot, you think you can dance'
hip hop
begging me between crinkling boisterous hardy laughter,
please, not to hurt myself

she, a Martha Graham educated,
Argentine Tango ballet mistress,
a life long dancer whose genes forbid her
to pass by the sound of music
without breaking out, breaking into dance,
in perfect synchronicity
to whatever the composer calls upon her,
to present the music, to inform us,
in body graphic form,
unconditionally
what they intended us to
see within and between each note

I need no tuxedo,
no fancy dress,
no permissions to comprehend
the meaning, the actuality,
the unconditionally of

unconditional love dinner dance


I dine and dance with love daily,
and yes, to be very sure,
unconditionally
for is there any other kind?
Meredith Oct 2013
lips like magnets
hands like puzzle pieces
eye contact unshakable  
I lean forward
bite your bottom lip
looking for solace in your kisses,
but you pull away.
I am wrapped around you
my  bare thighs embracing your **** hips
our stomachs pressed together
yours strong against my hills and valleys
our hearts talking to one another
through synchronized heartbeats.
my elbows are perched upon your shoulders
hands tickling your hair as your nose
presses against mine
causing a ripple of shivers down my spine
at the realization of something starting.
once again you pull away
and I push my face towards yours
begging to be kissed.
you touch your lips my cheek
and then my jaw
you connect the dots from the scar under my chin
to the winged curve of my collar bone.
I lean back as you trace my neck
moving down the lines of my muscle
you kiss me across my chest
and with every peck my longing for your lips on mine
becomes stronger.
you return to your starting point
and pull away
leaving me whining and pulling at your hair
asking for that taste
that your lips allow
you sit back against the pillows and look at me
tuck my hair behind my ears
and sit up fast
pulling my face to yours again.
our lips make contacts with full force
mine mold into the long memorized shape of yours
fitting perfectly in the nooks and crannies.
almost instantaneously
our tongues shake hands
and I wrap both my arms around the back of your head
fingers lost in your tangle of hair
I kiss you harder
squeezing tighter
the space between smaller
urging our lips closer
love and passion mixing in the fiery heat between us
and I’m wishing more than anything to never stop.
on we go
with this dance our lips have memorized.
when we finally finish
our lips are chapped
tired from this exercise
I fall back onto your chest
and there I lay
exhausted but
satisfied.

— The End —