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Karijinbba Jul 2018
The night under the mirror
went through a revolving door.
~~~~
Eventually I did put a face
to  your loving cues your emails
It had been so long since your destiny had asked you my King
to marry her
that hunting jealous day that began much earlier under a 1975 degree celcious and did burn us to a crisp
Nothing would have given me more assurance more pleasure  such a gracious challenge to a  mysterious
proposition to dig my heart
for the final blow
one queen for his other
prior queen bee me
Karijinbba
and a winner I would have been
all night with my King
under the mirror!
to obliterate her wedding band
from his hand
how loving of you cupid of mine
always digging at my heart
for my heart of gold
then came cause and effect of karma blowing up our plans
another King Brad appeared with roses and diamond ring
in hand he had no mask just an hidden agenda
he took my children to his Mom
to make his other queenjealous and I took the bate
for just one hour both my King and Brad
had chosen he same photo E-mailed among several
to both single men seeking bride at Kiss com.
my lovely picture was the same summer dress I wore with the king I loved
as someone something from above and beyond
mirrored the scene in my life a kind of cause and effect
it showed my
old beloved a simple approach to a woman's heart
and me that the woman he married giving her a diamond ring taking her and son to his Mom was more to make
me jealous too fight for his love
an invisible revolving door had opened up
both to win my lover back
or to lose both Knights
fate life karma G**
had bid the greatest game
of love and twin souls
remained split bleeding
both men found a way to another
woman playing their game  

I was sent to worship my Lord Jesus Christ mocking me
beware of Karma
or THINK and get rich and happy
to catch a true king FOCUS
don't take bates, don't settle for new when the heart is taken 
by a true love not followed.

My king was found by his mate
and I returned Brads diamond
lesson played leasson learned

Then came the clock ticking
tax collector King Mr Time
he took my hand
paper INK and pen
to script a new
poem
its Winter he said,
HOW DO YOU
WANT ME TO KISS YOU?
and a new revolving door
appeared here at H.P.
~~~~~~
By: Karijinbba
Copy Rights
ASG/BBA -revised 6/2020.
How do you think a and how do we feel about the one we truly love a nail can't take another out its the heart that will break and the loss is an unsurmountable abyss beware open your eyes FOCUS one single thought two hearts that beat as one cannot distract nor settle and never take a new lover if our heart loves another
CK Baker Apr 2017
Sunday sermons are spilling on the inner city streets
through the green heaps and brown bags
through the downtown whisperers
and sage solitude souls

Army bands prepare for march
(their trench members filling packs with canister and cane)
the high command and tricked militia head pinned
quick on the look for splinter, lorry and skuttle

Traffic patterns change at the COP connect
camouflage bearers break formal stride
battle men slip between colorful floats
unsuspecting slumlords (vein pricked and weary)
grin in their second suite dying rooms

Twitching men and rubbernecks
sit discreetly on the corner wall
JJ and the chief revere a 21 gun salute
holy rollers raise cheer (in a moment of silence)
chess men hold steady
with ivory cues

Flames belt from the distant foundry
streets come alive with crackle and dust
members of the attic group glance down from their perch
an elderly man in a straight jacket (happy in the now)
sits solemnly with a cold reflective stare

It’s not far from the steely mud holes
from the flying fragments and sharp broken dreams
from the arsenal digs and madmen (who quietly turned the *****)
the ivy trellis
and flowing white gown
are a nocturne fit
for this elevated rolling highland
Rosie Owen Apr 2015
Marriage is changing, from who can get married (37 states now allow gay marriage!) to who actually ends up doing it. Only 26% of millennials are married, a sharp decrease from 36% of Generation X and 48% of baby boomers, according to the Pew Research Center. But marriage isn't obsolete — in fact, in many ways it's thriving as we re-evaluate what the institution really means to us.

And with re-evaluating marriage comes re-evaluating weddings. The Knot's "2014 Real Weddings Study" found that couples are foregoing traditional wedding customs to modernize their nuptials through their choice of rings, dresses and officiants.

That includes — perhaps most importantly — the vows. Couples today are taking cues from badass brides like Amelia Earhart, who banned the word "obey" from her 1931 wedding vows, and reciting promises to one another that reflect the partnerships they strive for. Here are 12 real-life couples who vowed...

1. "To split the difference on the thermostat."

Why it's awesome: When Brad Pitt and Jennifer Aniston got married, Pitt pledged to "split the difference on the thermostat." While that partnership didn't last, as we all know, it was a lighthearted vow that highlights a crucial element of modern marriage: compromise. The key to a happy marriage is learning how to meet halfway.

2. "To be a true and loyal friend to you."

Why it's awesome: Marriages weren't always about intimate, caring partnerships between equals. But we know well enough now that the happiest, most long-lasting marriages are those in which partners see each other as friends (even studies have proven it true). Jevan's vows to Alithea, shared by the Knot, are a reminder that the bedrock of friendship is what makes a modern marriage stand.

3. "To communicate fully and fearlessly."

Why it's awesome: Among the traditional promise of partnership and faith, real-life couple Anne and Gabrielle told the Knot they vowed "to communicate fully and fearlessly" as spouses. In our modern world, we have seemingly endless ways to communicate — text, email, Skype, Snapchat — and yet still have to work to connect. Sitting down face-to-face, making eye contact and being vulnerable with one another is still crucial, as is being honest without fear of judgment from your partner. Emojis aside, that's what really sustains a lasting relationship.

4. "To grab your **** even when we're old and wrinkly."

Why it's awesome: As we become more open about sexuality (thank goodness), it's only natural that a wink and a nudge find their way into the wedding vows. In an open thread on A Practical Wedding, Zach and Kate shared their vows, which included the promise "to hit on you in awesome accents and grab your **** even when we're old and wrinkly." This promise to keep the spark alive even years down the line is no small thing. After all, studies have shown that all it can take is a simple touch to maintain a ****** connection.

5. "To value our differences as much as our common ground."

Why it's awesome: Love is a powerful force to bring people together, even when they're divided by cultural background, religion and, increasingly, politics. As society grows more divisive and we hold tight to our views, it's valuable to remember that our differences don't have to actually divide us, as these vows from real-life couple Greta Christina and Ingrid, told to Patheos, show.

6. "To continue to love your children, as if they were my own."

Why it's awesome: A marriage isn't just a vow to one person, it's a vow to an entire family — future and present. In 2011, Pew Research found that more than 4 in 10 American adults have at least one "step relative" in their family, including a stepparent, a stepchild or a step or half sibling. These adults are just as likely as others to say that family is the most important element of their lives. So it's no surprise that people have been adapting their weddings to encompass the commitment to an entire family, as Sara M. did in her vows, shared on Offbeat Bride.

7. "To comfort you when the Falcons lose and drink beer with you when they win."

Why it's awesome: As Mallory summed up so perfectly to Eddie in their vows, shared by the Knot, appreciating each other's distinct interests and actively sharing in them together makes a huge difference. It goes beyond just putting on the Falcons jersey: Sitting down for the game and sharing a beer is what researchers would call "shared leisure," and it makes a big difference for marital satisfaction. That football game is more than just a football game.

8. "To never try to hurt you just because I'm angry or tired."

Why it's awesome: The chaos of our lives means lots of stress, lots of late nights and lots of exhaustion. (Unsurprisingly, Gallup found that 40% of American adults get less than the recommended amount of sleep.) That can actually wreak havoc on a relationship, which is why it's all the more important to anticipate the challenge. Sarah's vows to her husband, which she shared on A Practical Wedding, are a promise not to take out her stress and exhaustion on him. Instead, she vows to trust him throughout the chaos, "even when we veer from GPS directions, schedules, itineraries and to-do lists."

9. "I have called you my life partner, my significant other, my longtime companion, my lover. ... Now I vow to love you always as my lawfully wedded husband."

Why it's awesome: The vows said by George Takei and longtime partner Brad Altman at their wedding, after the passage of marriage equality in California, were unsurprisingly moving, given they were 21 years in the making. As couples, straight and gay, wait longer to get married (and cohabit in the meantime), labels like "husband" or "wife" are less crucial for defining the relationship than the moments a couple has shared. Takei and Altman's wedding was not proof of their commitment, but rather a tribute to the commitment they had already demonstrated — a truth echoed clearly in their vows.

10. "To be your partner in all things, not possessing you, but working with you as a part of the whole."

Why it's awesome: If we're really striving for egalitarian marriages, then recognizing the equal amounts of work required by each half, as partners, is crucial, especially as women's participation in the workforce keeps growing (57.2% compared to 69.7% for men in 2013). In order for both careers to receive equal focus, a promise not to "possess" but to work to support each other is key. Much like Amelia Earhart refused to use the word "obey," real-life couple Alex and Michelle promised to be each other's "equal in all things" in the vows they shared with the Knot.

11. "I will love you no matter what makes my blood circulate, or even no matter what provides my body with oxygen."

Why it's awesome: Traditional weddings tend to be religious occasions, but with increasing rates of atheism and marriages across faiths, religion is taking a back seat to a more personalized expression of commitment. As of 2013, only one third of couples opted to get married in a church, and even more are removing religion from their vows. But that doesn't mean the vows don't appeal to a higher sense of faith — in the other person or in the world, as these scientific, "atheistic" vows, translated from Swedish and shared on Reddit, prove.

12. "I see these vows not as promises but as privileges."

Why it's awesome: Marriage might have been necessary decades ago, but these days it's more of a choice. So it's only natural that the vows we recite — traditionally a list of duties and obligations — actually reflect the happy choice that marriage now is for so many.

Yuval and Dina chose to frame their vows as honors, as they shared with the Knot: "I see these vows not as promises but as privileges: I get to laugh with you and cry with you; care for you and share with you. I get to run with you and walk with you; build with you and live with you." With between 40% to 50% of marriages in the U.S. ending in divorce, it's more important than ever that couples remind themselves that being with their partner is a privilege in itself, and one to never take for granted.

Source: http://www.graziadressau.com
WS Warner Mar 2012
Secretly bending glimpses,  
When pine and survey align
In tortuous accord –
Reflections of you,
Are not enough
Drew Barrie;
To insulate my heart
From the cleft between us.
Perennials, the color of
Periwinkle,
The smell of rain
And crayons
Return you to me,
Lend presence, vestiges,
Invoke
The gift of you,
Fortify my resolve
To one day reunite.

Numbness and ache,
Lavish tears set
Against the
Unimpeachable light,
Held in the glint in your eyes
Unequivocally green,
Each blink evokes allure,
Found in
A blushing smile -
Little one,
I observe in quiet
Adoration, amid
Our segregation,
Ardor undiminished,
Prayers give permanence
Uttered in a pause
Each
Breath drawn;
Ephemeral visions, alive,
Ballads and rhyme
Memories aflame, occupy
A sacred canopy,
Internal; profoundly
Savored
Never to erase.

Searching for treasure,
Collecting prized sand
And stone,
Your pockets, heavy
With plunder.

Somber tones fill
Gaps in our history,
Find new contrast,
Certain hues
Oscillating shades of gray
Stirring cues
Dearth of winter blue.
Trees bare, secluded,
Known in the bones,
This crisp boreal air —
February.
Moisture absent,
Like a father's words
Laconic;
Your irreducible gaze,
In the
Opaque imagination.

Oddly arid season,
Aloof precipitation,
The will of the wind
Indefatigable,
Sonnets of euphony, leave me
Undone,
Permit me to grieve,
Another year - gone.
Nervous Squirrels, sedentary
And quiet,
As if to mourn with me,
I miss my daughter.

The spring equinox,
Poised pavilion blended
Unfolds in bloom,
Elucidating
The approaching day
Of your birth.

Stunning you were,
Your prominent
Entry into creation,
Tiny noises,
Nestled and snug.
Reach
My effusive heart.
You are here,
Equipped with an
Absorbing mind
Wrapped,  
Perfectly  
Designed, in a petite
Fashioned frame.

Emotions, elastic -
Diffuse and Compress,
In distance friction
Attenuates,
Time and eternity
Extend to the periphery,
Agony
Absorbed into Zoe.
Grace and peace wash
Ashore, rinsing
Poetry pure;
Cleansing, with surprise
And vigor
Recall the loftiest
Of tokens.

I too
Encountered
An esteemed rock,
Smooth and orbed,
Summoning  
Long thoughts,
My citadel made
Of three,
Uniquely ensconced
Inside -
Priceless gems,  
Sustain me.

Enclaves of privilege
Gratified each vacant
Mirror,
Until notes and
Words gather to form
Your story,
Emergent,
The world shifts,
Altered anew.
Resurrection,
Simile to
Our reconciliation
Visceral and singular,
Exuberant teardrops
Flood, fall deeply
Approximating mercy,
Severe, sudden as
The April freshet.

In the lavender garden.

©2012 & 2016 W.S. Warner
Wandisa Zwane Oct 2015
Written by

Wandisa Zwane  


April 16, 2015



INT.  APT 3101 - THE BEDROOM  

It's 02:31 am and I find myself laying silently on my bed scrolling through Instagram...Twitter...Tumblr....and Snapchat. I find myself struggling to go to sleep.  I wasn't even able to sleep for an hour or two. It's not normal as its way past my curfew. I receive a text message. I'm confused because it's
still too early for anyone to be texting me, and I know everyone nearby is fast asleep because we have school. So who could be texting me?

CUT TO: PHONE SCREEN

HER ( via text )

I'm struggling with the math homework, help ? Are you up ?

ME ( via text )

I am actually. FaceTime, call or text?

20 minutes later my phone starts ringing. She was FaceTiming me. I stare at her name for about 5 seconds trying to put myself together.

ME

Hello, Ellie

I wasn't focused on the math. I was hoping that we could forget about the math and just talk about us and the futility of life. For some stupid reason I really thought you were gonna say something cheesy like I can't get you out of my head but can we just talk until we fall in love? But no it never happened as we had an hour long conversation about math.

CUE " MATH CONVERSATION"

The futility in that conversation was cosmic to the point where I began questioning existence. But when the call finally ended I was disappointed.

CUT TO: VARSITY

It's 8am and I'm at sitting in English tired and drained. Still contemplating about the futility of life.

HER

Hey, Tyler thanks for helping me with the math homework.

ME

Uhm Ellie do you want to come over too my apartment over the weekend and chill ?

CUT TO: APARTMENT 3101

It's 12am and the apartment is really untidy. I jump out of bed and clean the entire apartment in a record time of 12 minutes and 44 seconds. I'm going crazy over here as I'm trying to remember if I gave her the correct directions. Thank god I gave her the correct directions as I see the uber pulling up in front of the apartment complex. I start sweating and shaking and I'm fearful that I'm going to have a nervous breakdown. I start cringing.
I open the door the door and it's her standing directly in front of me. I can't breathe. I'm overwhelmed by an awe of emotions. Literally - she's beautiful

ME

I mumbled - Hey Ellie it's so good to see you ( the hug was very awkward because I was nervous - it was one of those hugs where both people don't know how to hug each which makes things really awkward)

HER

Hi


ME

So glad you could make it. How was the drive ( note to self: I should stop making things awkward ) I'm so irritated at myself.

CUT TO:  APARTMENT 3101 - LIVING ROOM

She's sitting on the couch. And I'm sitting right next to her. Okay let's just say there was a 30cm gap between the both of us. I was really nervous. I found myself drinking gallons of water. I forgot to offer her anything. I was nervous to the point where I couldn't even make eye contact. I just stared at her forehead and her lips.

ME

Aren't you exhausted I mean that drive was really long ( she lived like 3 blocks away from me )

HER

Not really , I'm just really stressed about varsity and stuff I guess.

We actually start conversing with one another for 5 hours straight.We smoke about 3 cigarettes and have the most fruitful conversation ever about female energy and the power of the the heart. She's really enlightened - I thought she was really basic. We both can't go to sleep because we're actually  enjoying the presence of one another. It was cathartic and refreshing actually.

ME

Want go up to the roof and look at the universe?

HER

I'd love too.

CUT TO : COMPLEX ROOF

I brought a blanket up to the roof cause I thought it was cold. It wasn't but we just layed down underneath the open night sky and gazed into the stars. We connected with the universe/ourselves/each other. It was bliss. We ended up falling asleep on top of the roof. To my amazement we were silently wrapped around each other.

CUT TO: APARTMENT 3101 - THE KITCHEN

HER

( chuckling )
How'd you sleep

ME

( Smiling )
I slept pretty well.

ME

Do you have any plans for today?

HER

YES actually...

SEVERAL HOURS LATER: APARTMENT 3101 - KITCHEN/BEDROOM AND LIVING ROOM

The sun is setting and she still hasn't packed her bags.

ME

When are you leaving?

She said she was leaving on Sunday

HER

In 30.

ME

(I tried to not crack in front of her)
Cool.


APARTMENT 3101

About 2 weeks later she surprisingly pitches at my door with her luggage.

HER
I'm moving in with you!

I was excited at the fact that she was moving in with me but I obviously tried acting cool and composed.

CUT TO: WOLVES CAFE

As they're sitting there talking to each other about their families, Osho and meditation over a cup of tea.

ME

I was adopted.

HER

WOW - That's a huge plot twist.

She sat there speechless for about 2 minutes trying to fathom the knowledge I just presented to her.

HER

So do you ever think about your real parents?

ME

All the time - they both died in a car accident when I was 3.

HER

I'm so sorry.

ME

It's okay - I mean I know they're somewhere out there in the universe checking up on me. I speak to them when I feel lonely.

Enough about my tragic past..How are your parents?

I've never told any other soul about my parents before. She was the first person I ever told .

HER

I never knew my dad but my mom has been living with a brain tumour for like 2 years now.

ME

Wow. That's must've been so tough for you when you found out about it.

HER

It was. I went through the most vicious cycle of depression for an entire year. But I'm trying to make most of the time I have left with her.

ME

How much time do you have left to see her her and stuff ?

HER

(She starts tearing up)
3 months

CUT TO: APARTMENT 3101 - LIVING ROOM

I'm still fascinated by the fact that she's into Osho, existentialism, metaphysics and epistemology. But I also felt like our relationship had escalated so quickly. We're we rushing things? The relationship felt like it was moving at the speed of light.

ME

Do you feel like we're moving too fast ?

HER

There's no such thing, if it's meant to be it will be, whether fast or slow as long as it's true, it will last as long as you want it to.

I was momentarily tongue-tied as I was trying to digest the words she just said.

ME

......

(Still voiceless)

She still had a lot more to say after that

CUES : "rants"

But in that entire rant she said something that echoed within me.

HER

YOU KNOW I MAKE YOU HAPPY

After she said this I felt like fainting. So not only did she make me voiceless I was overwhelmed by an ocean of indescribable emotions- wow

DAYS LATER: APARTMENT 3101 - KITCHEN

I'd finally recovered from those powerful words she preached to me. So I found myself sitting in the kitchen trying to write a letter to her about how I really felt. I wasn't the best at expressing my emotions through writing but I gave it a shot.

ME

Love is the unforetold explanation for creation. Love is life. It's the merger of minds. The marriage of minds. It transcends through time, it's timeless. It takes you into a dimension filled with possibilities and opportunities. It helps you understand you are that you are not worthless. Every time I am with you I understand we are here for a reason. And every time I stare into your eyes. I realise that you are mine.  

I sealed it an envelope and put it on the kitchen counter.

LATER ON THAT DAY:

She opens the letter and starts crying.

CUT TO: THE TREEHOUSE

I introduce her to some of the guys in the treehouse. They welcomed her to the treehouse with open arms.

HER

So what do you guys do in the treehouse?

PAUL : (one of the guys part of the treehouse)

Well in the treehouse we just try to expand. We write, make music, poetry, nothing much really.

MCDONALDS DRIVE- THRU

She was to lazy to go home and cook supper she was s bit hypocritical cause she said we should stop buying junk food. So we decided to go to McDonald's. We were down to our last packet of 2 minute noodles anyway.


CUT TO: HOSPITAL

We went to visit her mother. She introduced me but there was no warmth in the hug we shared. I could feel her shrill body disintegrating. She was really cold. You could see she was dying.

HER

How've you been mom ?

MOM

She couldn't even speak properly. It was sad but when she eventually managed to responded to Ellie's question.

MOM

I'm still fighting but I don't know if I can do this for much longer.

HER

No mum you can't leave me.

MOM

I don't want to make you empty promises my child.

Who's this handsome young man Ellie?

HER

(Smiling heavily)
It's Tyler, my boyfriend

She just called me her boyfriend in front of her mom. She just put a label on our relationship. I thought it was completely platonic.

ME

Afternoon Mam. It's a pleasure to finally meet you.

I knew her name ( Stacy )  but in that moment I felt like a child in primary school - so I decided to be respectful and call her mam. I wasn't sure whether or not I should call her "Ellie's mom" or Stacy. It was just a tricky situation. So I opted for mam.

MOM

( smiling )
The pleasure is all mine Tyler.

She told me to come closer to her cause she wanted to whisper something into my ear.

MOM

Tyler I'm clearly dying as you can see. So I'm leaving with you an important task of ensuring that's my daughter remains happy at all times.Take care of her for me - please

ME

I'll take care of her - she's in safe hands.

MOM

That's the spirit Tyler. Can you give us a moment please Tyler.

HER

Just go down to the kiosk and get me a bottle of distilled water. Please.

(Tyler leaves the room)

MOM

I remember the first time you wrapped your tiny hand around my index finger , you had my soul laying on 3 cms of palm.

( Ellie interrupts )

HER

Mom don't do this , prolonging life is pure idiocy.

(she smiles as a tear rolls down her cheek )

Die so your soul can have its summer ,don't worry about my pain cause I'm really happy for you, your soul can finally taste true liberation, see my tears as autumn leaves falling from trees , I'm naked and all I can show you is the truest forms of love.

MOM

You're so beautiful because you're so true. Our connection has no equation my daughter, as I leave my body just know that my time with you transcends forever.

HER

Mother it's time for you to leave. Take a piece of my happiness, it's futile anyway and I have it in abundance but I shall be lost without you in body, I shall be found when I'm with you in soul.

MOM

Clarity comes with the last breath, as hatred and love become nothing, you are nothing and everything all at once, I'm happy for you have given it to me, tomorrow and yesterday no longer matter

(her heart stops beating and her souls goes home - heart rate monitor indicates her mom has just flat lined)

Ellie starts screaming. The nurses and doctors come sprinting in.


DOCTOR

NUURSE HAND ME THE DEFIBRILLATOR !!

HER

(in agonising pain and disbelief that her mother is dead she starts screaming)

SAVE MY MUM, PLEASE SHE CANT LEAVE ME !! YOU CANT LET HER DIE.

DOCTOR

Nurse get her out of here.

She's kicking and shoving the other nurses as she is being escorted out the room.

NURSE

Don't worry the doctors are doing all they can to save her.

Tyler comes back from the kiosk with the distilled water to find Ellie on the floor crying.

ME

What's wrong?

HER

( Her face goes pale )
She's gone ....

2 DAYS LATER: BACK AT 3101

Ellie has locked herself in my/our room. We haven't spoken to each other for like 2 weeks.

She finally decides to come out of the room.

HER

(Breaks down, again  )
It's her birthday today.

I've never seen her so broken and disfigured before. She's in pieces - distorted.

NARRATOR

Death is the door between two lives; one is left behind, one is waiting ahead. Death is the ultimate experience of this life - Osho

“Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha – misery. This life is death"

HER

I WONT CRUMBLE - IM A BIG GIRL NOW. MOMMA RAISED ME TO BE A STRONG WOMAN SO IM GONNA DO THAT.

She put up this facade as if nothing ever happened. She didn't allow herself to mourn the death of her mother. She was apathetic for the next 2 weeks.

This  was a tricky phase because she either woke up angry or sad. She just rampaged through the house, didn't attend lectures - she just left a trail of destruction wherever she went. I even have the scars to prove it.

A FEW WEEKS LATER: THE DEATH ORDEAL IS FINALLY OVER

She gained about 5 kilograms in that entire period. She just kept on stuffing her face with ice cream and chocolates

HER

Tyler thanks for being there in my moment of absolute depression.

ME

I thought you were never going to be able to get yourself out of that dark abyss you were trapped in.

AT THE BEACH

The sun is setting and the couple is walking along the sand enjoying each other's company.

ME

I've got something for you Ellie

( I hope she likes it )

HER

Yes?

ME

Close your eyes

(Takes out a heart shaped pediment from back pocket  and places it around her neck )

You can open your eyes now.

HER

(Smiling)
It's lovely, thank you

ME

(Smiling back)
I'm giving you my heart but not my soul.

HER

(Blushes)

ME

(In my head)
I'm giving her my heart she better not break it.

Have you ever had that feeling before in a relationship where you think you love the other person more than they love you. To the point where you'd even get their names tattooed onto your chest. Cause that's how I feel right now.

IN THE CAR:


I'm driving Ellie to the airport. OR Tambo in fact. I'm playing some Jamie ** but I quickly change it and play my favourite song Female Energy.

CUE "FEMALE ENERGY"

ME

You excited?

HER

Yes I'm really really excited for this.

ME

I'm really gonna miss you

HER

Me too.

Ellie was completing her mothers bucket list - so she had had to travel all the way to Tibet and learn Buddhism. Nothing much really she was leaving  for 2 months.


But little did Tyler know that this was going to be the last time he sees Ellie because her plane never landed in Tibet - the plane crashed and it sunk with no no one  surviving.

STILL IN THE CAR:

Ellie hands Tyler a letter

HER

Tyler please don't open this until you get home.

ME

(Smiling)
I'll try my best.


Car parks at drop and go zone at the airport. Tyler takes out Ellie's bag from the boot.

They hug and kiss

Ellie cries.

CUT TO : "APT 3101 - LIVING ROOM "

Tyler opens the letter.

CUE "ELLIES VOICE AND ON OUR SWEATERS "


It's funny how for someone who has been so used to being lonely, the second I grip onto something that seems real, my biggest fear is losing that grip - even though for the longest time ever I've become immune to the feeling of loneliness. The same way people become dependent on other beings, people can become dependent on loneliness too - you become immune to self reassurance, your insecurities, your vulnerability and after a while it seems ideal and okay, but only because it's all you've got. You allow yourself to be consumed by this self indulgent energy making you think you don't need anybody because how else do you get by when you know that you have nobody. So when someone comes creeping in through the front door, with nothing but good intentions - you shut them out because you've lost sight of the difference in the realness of someone coming through the front door and the fakeness of someone coming through the backdoor. I struggle to fathom your presence because I didn't see you coming, through any door, you were just always there in plain sight. I don't know how to describe what I feel when I'm around you because I have never felt anything like it. All I know is that it leaves me in a place
An incomplete screenplay.
Nobody May 2014
What is there to do when your mind's a mess?
The worlds a farce and everything is just too much.
I hide my face in worlds hardly seen, where reality is thin
and gods and demons roam in-between.

For me peace is only found in dreams, or when
there's a disconnect between myself and the world
usually found in a dose or ten of my favorite pill.

Solitude has been my best friend since I entered
this world, and much hasn't changed, I see the roles
know the cues, but I've never felt like I belong

Often times when I'm feeling blue, I can even lose myself
in my favorite tunes. Eventually I have to face it
you know', the one thing that never ceases.

“Reality is that which when you stop believing in it doesn't go away.”

And there it is, the thing we all must face, in differing ways
and in changing paces, eventually we all must face our inner demons
and I must say they have many faces.
Mateuš Conrad Apr 2017
.how does philosophy and psychology differ? well. psychology was spawned from having to focus on the "need" of a "learning" for writing: speak comes easy, writing, not so much. psychology is so easily spoken, philosophy isn't, philosophy is like a child talking to an adult when psychology / sophistry comes into play /
    refrain... how do i rephrase this statement?
      ah! philosophy is like a child talking to a child...
psychology is like an adult talking to a child...
psychology is a supertition of knowledge...
philosophy? a fear of knowledge.
  knowledge does not make happy people,
or gullible talkative types, either.

... the birth of psychology contra philosophy... the when sophia over-powered the philosophers with too many observation cues... maxims and aphorisms... la rochefoucauld & nietzsche... it began with a dialogue, it maintained itself in a solipsistic monologue... it ended up as advertisement slogans: maxims and aphorisms.... cute observations: seen, "seen" but never tested... i've seen the ugly side of psychology... it's psychiatry... the big pharma carousel and slurred sedative spreschen... try getting a slurred sedative spreschen out of me... i'll sock you... i'm this: )( close to the itch of throwing a punch, i almost forgot what implies: peace... me dancing on old college's (edinburgh) roof while listening to: the shins, new slang... that was peace...
  that was me: rooftop, night, moon,
and the lingo of limbs floating freely off my torso
and at the same attached to it...

       i once cared about a "double" chin...
i grew a beard,
stopped worrying about: when will i learn
the violin... fiddled with my beard
for a while and figured: not now,
not ever...
                much much more gracious
than fiddling with ***** hair...
after all: a beard is very much akin
to ***** hair...

          jordan peterson and the old testament...
right...
       if ever a cain...
  siberia looks like the ideal prison...
after all god said, or "said": let him walk off his sins...
hard to walk off your sins when caged...
siberia? perfect training ground...
all that ******* being sold, cain? a vegetarian...
abel? sacrificed animal flesh...
paradox... so... god... expected us...
to remain hunter gatherers?!
  cain was thinking ahead!
he sacrificed fruits and veg. and...
cain was like: we better start thinking about
morphing into an agricultural society!
god praised abel, the neanderthal hunter gatherer...
cain was like: but look! look! wheat! bread!
we can feed more people!
god said: hunter gatherer! abel! win win!
cain paid homage to god
via fruit & veg...
abel... via kosher blood sacrifices...
now... either i'm just plain stupid...
or god is a really bad fiction....
written up by circumcised men
who never learned to *******:
since: the obvious impediment restriction...

cain was a veggie... abel sacrificed animals...
mea culpa somnum... send this whole
died on the cross
          ergo saved ergo ergo
my fault ******* to sleep... i'm tired of this mantra
like an eskimo is bored of ice...
i'm bored of listening to semitic proverbs...
   i'm bored of their rubrics...
their: "fate-warnings",
their superstitions... a semite will forever remain
a semite for me: kippah-***-tonsure...
or a camel-jockey brigade... lucky them they settled
on a once grand mountain range
of Sahara that was the bed for oil...

oh look! wow! i can think for myself!
wonderful...
               which is what i always thought
would become reality...
i'd watch a video...
not comment,
                 and write a rebuttal...
                  which would fall on deaf ears...
or that sacred minority report...
i'll face it if you face it:
the monotheistic god of the semites...
is as ridiculous
as the poloytheism of the pagans...
      the monotheistic god of the semites
is just too... pristine...
     give too many omni- prefixes
to a being and he becomes, boring...
like superman...
                  and to still preserve intellectual
integrity within the ontological omni-
zoo?
                              hey! feel free!
       i much prefer to believe in a "god"
of a limited circumstance...
                  as the will of creation? sure: omni- etc.,
but as a spectator in the back of the minds
of the "created"? cameo presence...
hence not omni- etc.,
                  after all: free will is free will...
and it requires no divine intervention
in order for it to be proved...
  however bad it happens to be upon
embodiment...
    god was never a source of intervention...
the jews begged prayed lampooned for
that sort of god...
did it fare them well? i don't think so...
god was always a cameo for me...
   something i could rely on...
in terms of finding my grand jurisprudence
libra... when the human sense of justice
would disintegrate...
and i'd be met with the west saxon mantra
of: innocent until proven guilty...
or a jimmy saville...
  i was wronged,
no one will believe me,
fair enough...
                     at least i've found some source
of compensation,
for the time being,
before i believe: not to be reunited
with the dead loved ones...
but before i believe to stand
in the grand court of judgement...
with king Solomon as the prosecutor
.


do what the english language does, it uses
hyphens to create compounds...  just do this:
            object-object...
   would i **** it?                depends on the follow-ups
that constrict the two-way "system"
of re-appropriation
            with the german language...
it really is the new: north south east west
"copernican" discussion...
    the **** am i supposed to do
(as a male) with an object
     that's not object=object... because it isn't...
      or object≠object: well? because it
clearly isn't...
                      ****, bro?
                       can i get a hotdog instead?
yeah yeah, extra onions on top...
                            but write it out in
that natural **** schizoi fashion
    as post-german compounds... hyphenated,
but instead include the following variations...
      and put them up for a narcissus inspection
and ask: are they chiral?
               stress-free is a compound word...
           but it's easier with an object-object
compound... 'cos' then you can **** around with
object-object... object=object...
             object≠object...
                                object~object...­
                       object≈object...
                           and   object≡object...
it's close proximity, i gather, so it's hard to
orientate yourself as you might with 1 + 1 = 2...
                      but it's in english, and english is
prone to try and forget the norman conquest
and rekindle itself as: with a germanic origin,
and all that custard that modern german
looks like: i'd be sooner wearing sun-glasses than
actual optic magnifiers if i was found
reading german krupahunddoughchew...
                               or the likes of this fake example.
true transgender? it happens in the ≡ category...
the binary...
       it means: even though you're male
   and can't fulfil the female role of a reproductive
****** capacity... i'd still *******...
    joke's on me...
                 but otherwise? apart from the starting point
in the english language...
      the hyphen and compounding words
as is the "vogue" standard...
               so working from object-object...
and then including the stated variations
                       of a dualistic **** by dichotomy...
         ah man... i'm just talking about
how english is trying to resurrect its saxon
ancestors... what with creating these hyphenated
words... you're going to shove some
      other mathematical symbol in between
the two stated words and think of
                                  some grander schematics...
the death of the university coincided with
the death of the asylum...
                               evidently 2 + 2 does equal 4...
         but it's still a case of working
from object-object...
                            object/subject-subject/object?
north, east, west, south...
                      what the ****?!
                        we have modern neanderthals
roaming this place, and they're faking
  the status **** sapiens... that the hell can
evolve from that?
                    clear and bite-sized truth acknowledgement:
we're **** schizoi... split brained...
                     we've reached a stage where
we're not modelled by a multiplication impetus,
but an obelus impetus (÷)...
                       western society figured...
as **** similis: we have a billion chinese and
a billion blue indians of the raj...
                                why should we be bothered?
                isn't that the case of what's happening?
unearthing the nag hammadi library
                               and the whole transgender movement?
oi! where's the vatican! get those cardinals off their *****!
                                 white, red, purple, black.
pope, cardinal, bishop... priest...
           sure sure... brown....                          monks.
but we're losing a fight against neanderthal islam...
                   come your hungry, your oppressed...
your first cousin ******* retards.
                                         i know i'm taunting,
i'm taunting with a reason: neanderthal islam....
                 so much for history and gloating about it
citing the ottomans; thing is... i have lost the ability
to fear death... i'm actually teasing it, more and more,
day after day, after yet another day...
                          it's a bit like the reverse process of
castration... i'm feeling up pigs' genitals, saying:
      oh look! this porky can sign in #A!
                               quick! to the castrato oink corp!
yep... etymology... the alternative to reading
history.
Victoria G Aug 2014
I'm tired of tricking myself into thinking
that what I'm doing will result in anything other than
crushing defeat shattering disappointment failure
Fool me once shame on you, fool me twice, three times, every time
Perhaps I should consider a different approach a different hobby
besides misplacing my affections and misreading social cues
ryn Sep 2014
Destination home...
Making my way
Sleepy heads leaning
End of the day

Different people
Diverse ethnic races
Same endpoints
For us nameless faces

Where we're headed
Timeless cues
Rain-stained windows offer
Only blurred views

Beautiful display
Droplets colliding
Like liquid missiles
Crashing and merging

Yellow street lamps
Neons on buildings
Vehicular signals
Intermittent flashings

Reds, greens and ambers
Fighting for attention
Blues, whites and their hues
Feast for perception

Myriad colours
Refracted and broken
Prism induced dispersal
Little light show haven

Quite the spectacle
This dance and flight
Kaleidoscopic effect
Between water and light

Rain didn't abate
Unleashing full fury
All of us still safe
Capsule of tranquillity

Watching the chaos
Still silently looking
Overwhelming wonder
Heart is choking

Found myself tearing
At the sight of this view
Realised for certain
That I'm missing you...
Bus ride home in a rainstorm. Beautiful...
JDK Dec 2015
Social cues are common,
and should be hard to miss.
I find that social cues are oft -
hang on a second, I gotta take a ****.
* * *
What was I saying? Oh, right.
Social cues are awkward,
but I grew up in a weird environment.
I think that was his subtle way of asking me to leave . . .
Nico Julleza Jul 2017
∙∙∙◦◦•◎•◦◦∙∙∙
Caribbean blue sail's a galaxy
rivers gushing, mumbling for an eternity
reflections of Love forms to thee

Suddenly silence adumbrate
aesthete, A lustful tint of Peruvian trees
petrichor whiffs of earth's virginity

A syzygy that I can't apprehend
but, can fully appreciate its denouement
rebirth of once I fell in love been

Listen to its sotto voce ruffling
preterlabent streams, resplendent hymns
humming grasses cues to sing

Upon the mountain tops hidden
rocks of geos sighting a treasure within
only to discover lore’s of forbidden

Cascading trees whispered a cold
a journey I never knew how to go as told
trap between floras along the road

Propinquity of my eyes closing thin
soul reserved for death, till breath hops in
trodden a land ****** for me to begin

A minstrel with hands like marbles
strung a fiddle of tessellated symphonies
open wonders the eyes never seen

A bouquet of amaranth revealed
the longing heart found someone of new
sighs my feelings and away I strew
#Love #Wonders #Colors # Nature

(NCJ)POETRYProductions. ©2017
Theresa M Rose Oct 2015
The Midnight Dawn: The ship begins to dock.
A woman stands, looking down, silently. Black waters swirl salty white foam; Icy waters move through flapping rudders; The sounds of shifting motors pound; This is a beckoning scene for one in feelings of immersing self-isolation; And, Lora stands at this very edge. Lora stands completely unaware of the true beauty that surrounds her at this very moment.
         The ship’s docking, at Dearing's port, in the Kotzebue Sound... Alaska's pre-dawn dark blue skies with it’s tawny orangey gray clouds; A  panoramic view of white snowy peak mountains surrounds the port. And yet, the only thing Lora has on her mind … is a small Inuit village that will soon make her isolation complete.

    Out onto the deck Jeff calls, "Lora!"

Lora turns towards her husband's voice; But then, turns her eyes back to the whirling water over the stern.
  
    "Sweetheart?" Jeff places his hand on Lora’s arm, "I called the shore; The transport will be waiting… as soon as we're finished docking."
Jeff's voice becomes serene.
“ Wow. Lora, I can’t believe it. It’s been eight years since I been home last."
Jeff places his hand on Lora's.
“ It’ll be good for us to be with family. We'll leave the ship before the sunrise and we’ll arrive in the village just in time to see the final day of Tribal Awareness Week. Lora, I wish we were here a couple of weeks ago. I think my mother would have been happier meeting you when she wasn't so busy...."
  
Lora turns…, "You know, Jeff; I do wish you would just shut the hell up!”
Lora pulls her hand away.
“ Please, just keep still until we get up there.”
Her teeth clench.
“ It's another four and a half-hours, to get to  where we need to go. And, quite frankly, I think it's going to be hard enough for me to what needs to be done; And, I’d much rather get through this without having to listen to your mouth all the way up there."

"Alright.", Jeff says in a somber voice.  He turns to walk back inside but then he sees a new flicker of hope.
"Lora, I see the biplane. It's pulling in..; See it? See it, down there, at slip four, on the pier?!” Jeff smile’s pointing to the small transporter; As he does he grabs Lora kissing her cheek. “ I'm go get the porter to help me with our bags and we'll meet you down at the clearing, All right?”
"Fine.” Lora,…with a strain in her throat.
"Fine, let's just get this over with..."

    Lora stands at the clearing;… She watches the ships crew set-up for a day of helping  passengers board and depart the ship.  Jeff arranged for the two of them to leave the ship two hours earlier than everyone else so they could meet up with their connection.
As Jeff and the porter comes down the ramp a man comes down the dock waiving.
“ Jeff!”

    Jeff calls out. "Lora, here comes Gabe!"
“ Gabe! Gabe!”
"Gabe?"
"Honey!? This is my cousin, Gabriel." Jeff says to Lora as they started down the pier to the biplane. “ He runs our local transport."
    Gabe turns towards Lora.
" Yeah, I run everyone from our village up and down the river; Sometimes, I think this little craft here thinks she's just another boat! She so seldom has a chance to be airborne.”
The luggage is placed on board, Jeff and Lora settle into their seats and Gabe starts moving up the sound; Then, after about fifteen moments the little plane begins to lift, up and out, off the water.
  
    Lora becomes startled, "I thought the plane wasn't going to leave… I thought we were not going to be airborne?! I thought we were riding up the river?"
  
"Yes, Lora." Gabe states with a giggle,
"Yes, the Koyukuk River! I'm sorry, I thought Jeff would have told you?! We'll be airborne for just over an hour then we’ll reach the Koyukuk River and then, from that point, we’ll be riding the river for another three hours till we reach the village."

"Oh."
Lora sits back… and begins to stare out at the enormity of the Alaskan skyline. For her, it seems to have no end; And yet, for Lora there seems to be, nothing, nothing at all but endings on her horizon.

    The procession begins...
The parade comes down the main road in the small Inuit village. The local people are all playing drums, jingles and bones and they’re all wearing traditional ceremonial attire.

    Lora starts looking around to find her husband but Jeff is gone. Lora thinks, angrily.
‘ This is so senseless!? Why did Jeff ******* up here? I can't believe this; Here I am at The Koyukon Festival to tell his mother we're divorcing!? His mother never wanted me in his life. He was just suppose to finish his studies and come back home. I'm sure she'll be relieved to see me gone from his life.’

    Jeff comes up behind her, smiling.
"Honey, Honey isn't this wonderful?! I remember my parents and I participating all together in these events when I was small.”
Jeff points down the road. “ Hey Hon, look!" He places his arm on Lora's waistline.

    Lora turns to him with a grimace," Remove that…!"
    Jeff moved his hand and Lora turns to see where Jeff is pointing.
Lora sees, her mother-in-law, PaKaSuk; PaKa begins down the road dressed in her traditional Inuit tribal clothing.
    She has on a headdress made from the skin and skull of a coyote, and there’s a pair of small antlers imbedded on it. And, she has on tall boots made of polar-bear fur that are adorned at the rims with dangling teeth from the hunts of the past.
PaKa sings long mournful notes as she plays a soft singular beat over and over again on a drum-snare of  sealskin and whalebone.
    Jeff waves to his mother; As she sees her son, she begins to call out,


” Come fellow me one and all…;

Come fellow me to the place of the great hall;

Come to hear a tale that must be told;

Come hear the words from the time of old.”

As PaKa reaches the doorway she gestures to Jeff and Lora.
"Please come, sit here near the fireplace."
    As everyone-else  finds seat’s; PaKa kneels down, she looks deep into Lora‘s eyes; She smiles and then hands Lora a small long rectangular box.
Speaking softly, "Lora, please, hold this… But, do not open it right now; Wait until I’m done with my story. I'll return and we will talk."
  
    Lora stares at PaKa thinking…
‘She is an odd woman. To give me a gift? Looking down at the small rectangular box. She makes a huff, ‘ It's probably a brand new pen to sign the divorce papers with. She's probably…; But wait!’
Lora remembers, ‘ Jeff hasn't told her anything about the divorce yet. ‘
Lora places the box on her lap.

    The show begins...
    PaKa hushes the assembly; Cues the drums to play.
    The drums start. It is a slow, low singular beat  beating over and over…; Over and over. beating  slow low beats; Over and over... Again.

    Jeff bends down; He whispers, "Lora, the crowd is so much larger then I ever remembered it being before."
    Just then, a woman comes and sits right next to Lora and the woman has a baby sleeping in her arms.
Lora closes her eye and thinks,…
‘ Oh God… Why couldn’t this woman find somewhere else to sit; Anyplace other than here?’

    "Welcome! I am PaKaSuk...I am the Coyote-woman for my people…, now! But my story is of a Coyote-woman of long ago. Her name,… GaTraRa; The Coyote-woman Who Lost Her Tears.
Come one and all close your eyes. We shall breath deep the air and hear the drums beat…; And, we shall go… into the past.

            GaTraRa became a coyote woman when she was young. Much younger than the old custom....The old Coyote-woman would chose a young girl to replace her and she would teach the girl all of the knowledge  needed to help her people; She would learn all the wisdom of the herbs that cure and when ready she would take place. GaTraRa was chosen… And with great pride and joy of all the tribe.
She had learned much in a small time working at the side of the old Coyote-woman. But, a great sickness came to the people; Nearly half the tribe were lost...
The old coyote woman was lost…  GaTraRa was now The Coyote woman; …without knowing all the wisdom  the old coyote woman needed to give…

    Lora, sits there listening to her mother-in-law; She starts feeling cold beads of sweat against her skin. She starts feeling a slow low ache in the pit of her stomach.
    Jeff looks at Lora, "Are you alright?"
    "Leave me alone!” She swats at him. "Just go away! I'm fine. Leave me to hear this..."

    PaKaSuk continues "By our old traditions the Coyote-woman is not to join with any man; It was said… She’s to care for all the people of the tribe; But…, for GaTraRa;  GaTraRa was highly favored in the eyes of the council, And, especially by the chief elder's son, NeKraRa.
NeKraRa, who wanted the tribes very young new Coyote-woman to be his spoke a plea to the elders; GaTraRa wanted to be his as well. But she knew a Coyote-women was not allowed to join.  GaTraRa was surprised and overjoyed when the elders told her that she and NeKraRa being allowed to be joined...She felt the spirits were pleased.  And, soon after their joining they were blessed...They had conceived a child.
  
    The drums begin sounding faint and far away to Lora. The scent from  the smoke seems to be making her feel hazy.

Lora feels a low dark ache in the pit of her belly; It begins to grow; Her head lowers and her breath begins to labor. The pain is so deep Lora's eyes feel full of heat and she holds-back a feeling to cry out...
  
    PaKaSuk continues…, "It was the time of the hunt!”
  
    Eyes tighten. The pain becomes overwhelming to Lora; From a deep place within … A howling cry cries out!
"AAAAIIIIEEEEE"


    GaTraRa pushes; A baby’s cry fills the room. Her beaming sweaty body falls back onto the bedding.
    "It is a boy! You have a son!” mother-in-law smiles while wiping off the tiny crying new born.
"My child, he is a, strong, healthy boy! And, look, look see how his face shines like dawning light. NeKraRa will be pleased when he returns."

    As her husband's mother places the new born into her waiting arms, GaTraRa thinks ‘ No woman could ever be this happy.’
She looks up and says, "This day is the day of my greatest joy,"
  
Several weeks come and go. It will soon be  time for the men to return

Several weeks come and go without the young men.
The sound of drums call out from the distance; The time  for the return has come at last.
Many come to the Great Hall to greet the men when they arrive. The young Coyote-woman lefts her baby and runs happily to show her husband, NeKraRa, his fine new son.
Looking out, beyond the path, the men could be seen; They look weary of their hunt; Not all who left seems to be coming… The elder  hunters  may be a day or two behind bringing the treasures of their travels ;All the trades made with the outsiders.  The younger men come with the new pelts to cure and with the fresh meat and fish for the smoke.  As the men come closer the young women gain sight of their man; They run to walk with them to the Great Hall. But, but GaTraRa could not find her man. Her husband, NeKraRa, was nowhere among the men.
“ NeKraRa; NeKraRa !“ The young Coyote-woman begins thinking…’ He may be with the elder hunters; But why?’ She calls out several more times “ NeKraRa!”
Grabing at the men as they pass she asks,
"Where is my husband?"
    None of the men would speak to her or even look up at GaTraRa They’d just keep pass by her and enter the tribal council. Leaving her standing there holding her small baby.

    NeKraRa's father comes out of the council hall; He walks to GaTraRa and places his hand upon her arm.
"My child, our NeKraRa met his death over the ice on the very first night of the hunt."
  
    She looks down into the face of her small child.
"That was the night his son was born..."
Softly, sadly she speaks to her sleeping child cradling him in her arms,
"You will hold your father's name, my sweet boy...and his spirit.“
She walks home.

    Her mother-in-law meets her at the door, crying.
In a deep mournful tone, "My child!"
    GaTraRa just stands there with a void look on her face. Then, she looks at her baby. She lifts him up and hands him to her mother-in-law,
"Here mother," in an increasingly laboring tone,
"Here, here is our NeKraRa."

    The next day, mother-in-law waits for the baby to wake. She waits, long…, but there is no cry. She goes to lift him up and to wake him but as she pulls the blanket back she sees the baby's body is still, motionless. The baby is cold, blue and silent,
She lifts him and lets out a long wailing cry, "No...!"
  
GaTraRa runs…, only to see her baby in her mother-in-law's arms; A face full of tears and crying out over and over again, "He's gone...He is gone!"
GaTraRa falls to the floor; She begins to rock, repeating
"No…! No…! No…!"
But yet, now, not a single tear falls from her eyes.
  
Weeks pass since the death of her baby. Her duties as coyote woman become harder for her. Whenever others seek out her help she becomes angry. She says, "The spirits curse me; I went against them with family and now I have nothing; They will allow me no peace!"
All she does is watch the doorways; it is as she is waiting for someone or something...

    The council watches GaTraRa closely. Mother-in-law brings her worries to the elders.
“GaTraRa‘s sadness grows. “
Mother-in-law tells them, “She must be watched. Our Coyote-woman has felt the brush of the Raven’s feathers; Her tears are stuck within… No tears fall.”
Mother-in-law pleas to them, “ Her sorrow grows, silently! I fear, if we do nothing, she will be taken from us as well.”

    The women of the council gather together; They decide to have the grieving ritual for GaTraRa. But, none them has ever done this ritual. This was something the Coyote-woman would do.

    Days pass, the men are preparing to leave for the last hunt of the season. And, the women begin to prepare the council hall. They gather up all the things they could remember from having watched the ritual done times before.
    The chief elder sees the woman; And he asks, “What are you women doing?”
Mother-in-law tells him of what she and the other women have plan.
Shaking his head, “For as far as back as my memory takes me I have never seen a Grieving-Ritual done during this season before; And, without the young men being around. Do you really know what you are doing?”
All the women said, “ We must!”

    The men are gone…

    The women take GaTraRa to the council hall. They place her near the fire. GaTraRa watches as women gather herbs and place them in bowls.
She speaks out, “You don’t know what you are doing!?” Then, her voice saddens.
” …or maybe you do.”

    The women do not listen; Without a word, they begin to place the bowls in all the places they have remembered seeing them before…Recalling, all the men would play drums all night, during the vigil, they each pick up a drum. They gather around the fire. They stand and surround  the fire with their drums; The woman slowly begin to play.
GaTraRa, motionless, looks to the women thinks to herself, ‘Why are they doing this…I did this…to myself. They should not care
As always, I enjoy any and all  feedback you could give me.
Jacky Xiang Aug 2010
Fare thee well by islets of time,
Beauteous blooms of fragrance; of thyme.
Gliding symphonies beckons thine eye,
Gentle minds float toward sky high.

O cues sung by the siren, allure!
Once, fusion of reason borne pillar.
Twice ponder, may our paths entwine,
Thrice to act, unlike the tranquil Seine.

Like angelic enigmas par Euler,
Soar upon the painted auric frontier.
Air fresh: an ebullient morning dew,
Wisdom: moisture for the thirsty few.

By spring fountain, if thou art inclined,
Bright sparrow among the bovine herd.
Lo, argent quarry of dust- liquid guile,
Behold, product beyond thunder- gale.

Scents of lavender assail thy sleep,
Euphoric dreams, we welcome with glee!
Sleepy horizons, a glorious dawn,
Morning filled with a trillion suns.

Some time, some day: travel the stars,
Mortal shackles unchain my awful maw.
Pupil of Aristotle, Darwin, and Vinci,
There lies truth; a transient hierarchy...
Mayank Ricky Apr 2015
Throughout my life I met
one person who is unlike any other.
We continuously  talk to each other
for hours and never get bored.
Used to tell her weirdest thing
and I know she won't judge me ..
She's my Friend soul mate,
My Best Friend. I'll never let her go .. !! ..
Yup .. its you Birthday Girl ..
Happy Birthday .. !!




He is the guy who crossed my path many a times
Starting with a hi and Ending the evenings in byes
Soon i came to realise he was different , Atleast for me
With him I could see
I could see a world colored in all hues
Every wink and chuckle became our cues
Cues to react cues to laugh
Mkn fun of kids and of college staff
Me shaaping U laughing
This is our friendship's ring
Zetolgam Aug 2020
Got the kids and stopped *******
Four times a year you get *******
Forcing yourself for my pleasing
Truth is that you **** at *******
Leaving me always for fapping
So many years still not knowing
At least do a bit of upskilling
Go online and get on reading
Use videos if you prefer watching
My cues are also worth listening:
- Comment as you're tasting
- Time to time pause for starring
- Be generous with licking
- Also do a bit of *******
- Do not finish up spitting
- Kiss me if not swallowing
If you can't handle the praising
Let's instead do some facesitting
Head slotted onto your opening
A lesson on oral I'll be teaching
Devouring until you let go shacking
Anyway, in parallel, *******
Get those pleasure juices flowing
To see you orgamiscaly smiling
Set of rhymes for my wife
RCraig David Apr 2013
Whining dog...we just went outside.
Wading through internet DATs and cogs and bandwidth hogs, outside still raining cats and dogs.
double-click trawling pics and blogs searching for remedies and laws that inhibit logs to saw.
Wide-eyed, face down I sprawl still awake, redefining  my character flaws,
fearing my falling into the trappings of urban sprawl or
investing your mind then hitting the wall.
Lose or draw,
a new artistic affair or creative outlet dares you daily to fall.
"Late" is now "Early"
Dawn's illuminating looming, night to be soon consumed.
Insomnia vacuums,
drama typhoons,
crooning tunes....
It'll be June soon.
Feeling marooned waiting for the opportune...well, I'm still waiting,
Whining dog...we just went outside...Fine!
Rain drains backlogged in the AM black...****** dog. Decide! He takes his time.
Three nights of showers,
cowering under this street corner lighted power tower,
unrequited efforts to stay dry.
Moon still high, clouded bright behind the wetness...
Wait, what if I see "her"?
Should I dare bare my soul, take control, or say simply "Hello?" just to know?
Do I want to know "yes" or "no"?
Grandmother always said "The truth is the most powerful force you'll ever face, trace, disgrace or embrace"
I remember my last pursuance of the truth.
You remember college...
The ubiquitous responsibility of apologies for the skewed knowledge sleuth colleges preclude.
A four, no five year matterless smattering reviewing the hows, whys and whos who of Impressionist imbued hues;
the politics of subdued Katmandu coups,
Homer's muses; many a Siren sank the boats I crewed;
news crews that flew the bird flu news coop and recouped,
skewed suing over Golden Arch morning brew,
tragedies, sonnets, and nothing adieus,
spewed formulas and equations notecard ques,
standing in long line registration cues every time we change Major views,
all fueled by a boozing, smokey ballyhoo of Tullamore Dew, hopped brews, tattoos, crude food, music muses and quoted virtues.
What’s even true and what would you do if you knew, ****** logic class…
And alas, you're through! “Here’s your paper, now choose.”
The ****** inequity of iniquity dams me so I can't break free.
Such an abrupt disruption could erupt great corruption,
the self-destruction is tempting, but doesn't pay rent.
Not today, but maybe soon.
June's coming...dryer and higher noon.

R.Craig David- copyright 2008
Redux Edition April 1st, 2013
Inspired by rain, blame shame, the game and a cute girl just 3 doors down that still remains a stranger in my old college town.
b for short Mar 2016
Hushed, like a morning before sunrise, 
grace floods in without threat.
A sudden flutter of piano keys cues
a story to unravel onto something
so much more interesting
than pages of paper.
To eerie tunes and haunting hums,
she brushes, feather-like, across my eyes—
a pinnacle of innocence
that humbles me to the warmest tears.
She does not speak but tells me everything.
So beautifully, with pointed toes
and arms as weightless as summer clouds,
my imagination falls to her tiny mercy.
The little girl in the light blue dress,
who became
my favorite storyteller.
© Bitsy Sanders, March 2016

For Madeline Jane
Àŧùl Dec 2016
Preventing contamination,
A constant challenge in cell culture.
Contamination not only affects,
The culture in question and,
Costs time and money,
But also endangers the reproducibility of results.

No cell culture problem,
Is as universal as that of culture loss
Due to contamination.

Generally, contamination may be separated,
Into categories of microbial,
And eukaryotic contamination.

Examples of microbial contamination include:
Bacteria (including Mycoplasma),
Fungi and yeast;
Eukaryotic contamination includes:
Cross-contamination with other cell lines.

Bacteria, yeast and fungi,
The three more common types of contamination,
But luckily these forms are often detectable,
Under the microscope and,
By visual cues,
Like colour or turbidity changes in the medium.

Mycoplasma is a small genus of bacteria,
That lack a cell wall and for this reason,
They remain unaffected by common antibiotics.
They are also difficult to detect,
With standard microscopes,
Due to their size, about 0.1 μm in diameter,
And the fact that they often attach to host cells.


To prevent contamination,
Use 70% ethanol for disinfecting,
Equipment & surfaces,
Related to cell culture.
Sterile filter the media first,
Before bringing to the lab.

Fetal Bovine Serum,
A potential source of contamination,
Contains mycoplasma.
Filter it at 0.1 μm, or,
Gamma irradiate it.
Aseptic technique,
Necessary.

The laboratory workers be the last,
But not the least source of contamination.
Teach them the ideal laboratory practices,
To ensure asepticity in a laboratory.
Source: American Laboratory

For revising an important topic from Animal Cell Culture.

HP Poem #1299
©Atul Kaushal
judy smith Dec 2015
Leave it to 2015 to transform the slip dress into, well, something other than a slip dress. No longer was the slinky, curve-skimming frock the evening-only pinnacle of sensuality; instead, it found its footing as a functional layering piece. It was worn on top of T-shirts, under sweatshirts, and over pants. And it wasn’t just the runway that inspired the nouveau way of wearing the piece: Everyone from Orthodox Jewish women to Rihanna put their spin on it. Here, see the best ways the slip dress was worn in 2015—and the cues to take when you sport it post–New Year.

Try an Orthodox Line of Thought

Turns out it was a Brooklyn enclave who managed to make the sexiest trend of the year—the slip dress—the chicest. And no, it wasn’t Williamsburg hipsters. So how to master modest layering like the Orthodox? Try a men’s blazer over the silk number, adding sleeves, or extending the neckline.

When in Doubt: What Would Kate Moss Do?

Feeling cold this winter? Make like Moss and combine the best of two worlds: The cozy turtleneck and the body-clinging slip dress. The simple pairing is the peak of insouciance—while keeping you warm.

Grunge Goddesses Still Rock

With the addition of a stoner-style hoodie, the slip dress got a major dose of grunge-forward flair. On the Vetements Spring 2016 runway, a hunter green hoodie thrown over a lavender slip dress gave an instant too-cool-for-school effect, while Ursina Gysi turned heads in an orange lace–trimmed swath of silk and a blue oversize pullover on the street during Fashion Week.

Rihanna Put a Bad Gal Spin on Hers

First, she took the hoodie and slip dress trend and gave it a go on the street. Next, she threw on a pair of sky-high cuissardes to pair with a short, baby-pink number. Then Ri-Ri topped a shimmering bronze slip with a baseball hat! Whatever the move, the singer deserves major credit for giving the ’90s throwback a modern bite.

And About the ’90s . . .

The revamp of the ’90s on the runway also brought back memories of a very throwback way to wear the slip dress: Seen on Spring 2016 runways fromCourrèges to Emilio Pucci, the boudoir staple was layered over a long-sleeved shirt or a simple tee to counter the sexiness of the slip and cut the sweetness.

read more:www.marieaustralia.com/short-formal-dresses

www.marieaustralia.com/formal-dresses-sydney
Aparna Aug 2020
I
keep
leaving
cues
that
no-one
picks
up;
like
autumn
leaves
in
the
wind;
lost
inarticulate,
more than anything;

ฅ'ω'ฅ
Brent Kincaid Sep 2015
Pusillanimous polecats
Practicing perfidy
Plan parties and
Parse probabilities proudly
Partially putting past
The paltry populace
Pornographic postulations
And potboilers
Pointing poisonous
Proclamations publically
Pitting proper people
To pathetic programs
Promising the penurious
More poverty.
Often posthumously.

Pitiful people plead
Putting need over posture
Putting parents out to pasture
Promising, but passing on
Proper placement of
Propriety and parity
Planting nothing for posterity,
Prizing prosperity
Politicizing with polemics
Post-mortems on politeness
Placing pandering
Higher in practice
By perpetrating
Practical party politics.
Talarah Shepherd May 2014
I've been paying attention more to the airwaves of ether we weave
And also the air around town or wherever else
I feel somewhat inclined to sit in a half crossed and dead legged pose
Clicking the keys of letters in hackneyed prose

You notice a noise and you look up to see
You hear the voice that you wanted to be
Calling for you from the opposite wall of the room
That smiles and laughs despite those people who
Scout out the cues like Jr. Detectives
CK Baker Mar 2019
Pilsner cap switch blade
tie dye and piccolo
greasers and freaks
with platform feet
muscling in
on the bow legged hoofer
tapping
Bursey Hill Tram

Diamond tuft console
mullets n' ****
angels and saints
(unrestrained)
appropriately trimmed
as 3 mile wreaks havoc
on the nickers and
fighters of penn

Bangers and home boys
hookahs and sheiks
hostile geeks
breaking knuckles and jaws
on the caners and skinners
who are locked
and grinding the root

Desert boot foothills
boardwalk jeans
rainbows and sea fairs
and psychedelic dreams
(the platinum queens
jamming it hard
on the jade room floor)

8 tracks
and fender packs
the hottest summer days
psychedelic haze
center hall, graffiti scrawl
(sinister yet refined!)
covering the subtle
yet striking third ****

Brunswick cues
and red man chew
350 blocks
(on a solid Chevy - stock)
monkeys and beatles
and laugh in scenes
pastel dreams
from the long and coveted
velvet scroll
Anya Sep 2018
Come one, come all!
And welcome
To the shield shop!

Here, we supply anything
And everything
You need
For a custom made
Shield

Now, this isn’t your typical
Iron or bronze,
No,
the shields here are much
Sturdier
And not for physical
Affronts

We could provide you
A block of wood
For dense ness
Thoroughly not
Understanding
Social cues
Good,
For keeping away
Verbal bullies
Or,
Romantic attention

A shard of ice for coolness
Unaffected
Untouched
Abve the crowd
Keeping your cool to the point
That no one approaches you
No one reads you
Makes you seem impenetrable

A flame for blazing confidence
Attracts people
But also scares them away
So they,
Maintain a distance
From your
Vulnerabilities
Whose existence
They may not be aware of

A kitten for innocence
Either,
Giving others the desire
To protect you
Or they just pass you by

We have all these
And so much more!
So why don’t you come and
See
Which one works for
You!
This is an idea I’m playing with, I’m not completely sure if it’s true. Feel free to comment or message if you have an opinion.
Paul Butters Oct 2019
Hello, Autistic Adam here again.
When I was a student
They taught me
That Autistic kids live
In a weird world of their own:
A place of mystery
Too strange to describe:
A bubble universe
Cut off from “normal” folk.

I couldn’t picture what Autism was
Until, to my surprise
I learnt that I myself
Am Autistic.

So hard to describe,
But I can’t read those social cues
Or innuendo.
Do you really like or love me?
Or are you being polite
Even two faced?
I cannot tell.
Does a coffee mean coffee?

Tell me to jump
And I probably will.
For I take things literally.
You say, “I’m in trouble!”
And I think you really are!
Be careful what you say.

I’m so full of fear, anxiety and anger
Yet cannot tell what words of mine
Might anger you.

I cannot understand women…
But oh, that’s normal!
Haha.
But seriously,
People are baffling.

I have no girlfriend
Because I cannot tell
Between (them showing) interest and “being polite”.
The Dating Game is way beyond
My comprehension.

I’ve never asked anyone out
As I wouldn’t know where to take them
Or how to behave whilst we’re there.
Relationships are way beyond me.
What on Earth is that about?
I need a Rule Book…
If she kisses me
Should I propose?
Just don’t get it.
Better get a dog
Or cat.

I am a fictional character
As you know.
But I’m sure I’m a typical “case”.
Even my creator
Has his own Autistic traits.
There’s much of him in me.
And no I’m not referring to God here,
But who knows?
Maybe S\He is Autistic too
To some extent.

Paul Butters

© PB 18\10\2019.
Hello Again!
judy smith Feb 2017
In this age of global uncertainty, clothes have become a kind of panacea for a growing number of consumers. Designers are responding to the political upheavals of the past year by injecting some much-needed humour into women’s wardrobes. Browns CEO Holli Rogers is already predicting that spring’s sartorial hit will be Rosie Assoulin’s smiley-face T-shirt. This cheery number, which reads "Thank you! Have a Nice Day!’" neatly sums up the jubilant mood of the coming season.

The logic goes that turning up the dial on the fun, the colourful and the crazy is the sartorial equivalent of Michelle Obama’s "when they go low, we go high" mantra. We may not be able to control the chaos of world events, but we still rule our own style.

It’s no coincidence that a cartoonish aesthetic, of the sort you’d find if you rifled through an eccentric child’s dressing-up box, was in plentiful supply on the spring/summer 2017 runways. Alessandro Michele’s army of Gucci geeks displayed growing swagger in garish get-ups that ran from fuzzy crayon-coloured furs featuring zebras to tiered, tinsel-y coats that rivalled Grandma’s Christmas tree.

It was a similar story at Dolce & Gabbana, where sumptuous eveningwear was loaded with pasta and pizza motifs, and drums became bags, while Marc Jacobs tore a page from a psychedelic colouring book, covering clothes with the childlike scrawl of the London illustrator Julie Verhoeven. Even ardent minimalists would have to admit that these playful looks have potent pick-me-up power.

For Anya Hindmarch – whose empire is built on feel-good fashion – all this frivolity is nothing new. "An ironic, lighter and more irreverent approach has always been my thing. People love beautiful objects and increasingly, they want to show their character – that’s the point of fashion," she says. "Customers today are more confident with their style. There aren’t so many rules. It’s about putting a sticker on a beautiful handbag and not being too precious about it."

What’s surprising is who is consuming this cartoonish style. Though there’s no real rhyme or reason, says Hindmarch, often it’s older clients who are investing in the maddest pieces – like her cuddly, googly-eyed Ghost backpack that has also been spotted on Gigi Hadid and Kendall Jenner.

The same is true of the customer for the Lebanese designer Mira Mikati’s emoji-embellished styles. Though her fans run from twenty to fiftysomethings, at a recent London pop-up one of Mikati’s most ardent buyers was an 87-year-old. "She tells me that whenever she wears my clothes people stop her on the street. They smile. They start conversations. She literally makes friends through what she wears."

Mikati began her career as a buyer, co-founding the upscale Beirut boutique Plum, before launching her own line some four seasons ago – largely out of frustration at the sameness of the mainstream collections. "I wanted to create something fun and colourful but easy to wear – that you can add to jeans and a white T-shirt, but that’s also a conversation point."

Her clothes, worn by Beyoncé and Rihanna, are certainly that: pink parrot-appliquéd trench coats, scribble-print hooded tops and dresses clad with a family of monsters who spell out her Peter Pan ethos in scrawled speech bubbles that read "Never Grow Up’" The antithesis of normcore, these designs take their cue from her children’s toy trunk and the Japanese pop art of Takashi Murakami – who returned the compliment by donning one of her patched bombers.

Mikati is clearly onto something. According to Roberta Benteler, who founded online fashion emporium Avenue 32 in 2011, it’s the cartoon aesthetic that’s really piquing women’s desire right now.

"Anything that looks like a child’s drawing or a toy sells incredibly well," she says. "Brands like Mira Mikati, Vivetta and Les Petits Joueurs inspire the impulse to buy because they’re so eye-catching. You have to have it now because there’s a sense you won’t find it anywhere else."

The exponential rise of street-style stars and the social-media machine that now propels the fashion industry also plays a part in the popularity of these playful looks.

"Designers are creating for the online world and customer," continues Benteler, who cites the Middle Eastern consumer as a big investor in these niche eccentric designs. "People find escapism in fashion and more than ever they need something to cheer them up. These are clothes that stand out on Instagram, and for designers that translates into sales."

In practical terms, in an effort to beat the warp speed of high-street copying, designers are differentiating themselves with increasingly intricate and artisanal styles that are harder to mimic. Just because these pieces have a childlike sensibility doesn’t mean they’re not beautifully crafted.

"My aim is create a handbag that you can keep as a design piece," explains the accessories designer Paula Cademartori. One of her most successful designs – the Petite Faye bag, which comes in a whole rainbow of configurations – takes more than 32 hours to create at her Italian studio. "Even if the styles are colourful and speak loudly, they’re still sophisticated," says Cademartori, whose brand was recently snapped up by the luxury goods group OTB. It can pay to be playful.

One man with a unique insight into the feel-good phenomenon is Marco de Vincenzo, who combines his longstanding role as leather goods head designer at Fendi with creating his own collection. "When we first created the Fendi monster accessories for bags we were simply playing around," he says of the charms that still loom large some three years on. "The most successful designs are created without pressure, through play."

His own-line debut bag features an animalistic paw. ‘It’s about creating something new and different for women to discover,’ he explains. "You buy something because you love it, not because you need it. Fashion is like a game – it has to excite."

When it comes to distilling this childlike abandon into your wardrobe, take cues from super style blogger Leandra Medine, who balances madcap pieces, such as her first collection of colourful footwear under her MR By Man Repeller label, with plainer, simpler ones. "It’s all about wearing your clothes with joy, and having fun, but not looking ridiculous," says Cademartori. "You don’t want to look like an actual cartoon."

It’s advice that chimes with that of Anya Hindmarch. "I love the idea of wearing a super-simple Comme des Garçons jacket and a white shirt with a really fun bag to mess it all up a bit." It’s a failsafe formula for dressing your way to happiness.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Sjr1000 Aug 2014
Long Valley lay outside my bedroom window
high desert Northern Nevada,
each sunrise
rose
brilliant red
spirals
spires
exploding
in the passing dawn,
to
the petroglyphs
we were drawn.

The asphalt became a dirt road
then the dirt road ended.

Along Long Valley
like some drive through zoo,
herds of wild burros
cattle
sheep
grazing
separated by Pinion pines
the white sage
the dust devils
and the tumble weeds
and a 52 Studebaker body
perfectly preserved
in the high desert dry air
one could only wonder how it got there.

Long Valley had its own expanse
its own vibration to the air
distinct and unique
filled with wonder
way out there.

The petroglyphs
10,000 year old drawings
at once was
the shores of ancient
Lake Lahontan
you could feel it there.

Trying to decipher
the lines and curly cues
circles and swirls
stars and shapes
of
an alien consciousness
from another land
another time.

This was no one rock
but
acres and acres
of generations
communicating with one another
the rocks worn away
from thousands of years of sitting
forming perfect lounge chairs,
perhaps sitting alongside
some receding shore line.

There were  stone rock walls carefully stacked
mysteriously standing  scattered
in the desert
no one knows what it really means.

While lost in the tones
the scents and vision
of the millennium,
on the hillside
through the Tamarack
and Pinion
there emerged
four wild mustangs
at a distance
on the top of the ridge
not those that wandered
into our Virgina City yards

But wild animals
tied to the horses of the millennium.
Power and Strength
spirit gods
reminding us of where we were.
The winds blew
the black mane
of the male in front
wet from sweat
chest heaving in breath
and then they were gone
over the hill
from where they had come.

The petroglyphs were silent.
The sounds of the winds
the sounds of the small stream
less than a drop
in the once Great Lahontan Sea.

Before the sun went down
we needed to leave
driving along the sides
of dry river beds
up rocky hillsides
along the electrical lines
to the dirt road
to the asphalt
as the Long Valley
sunset shot
spires of red.
When the cowboys and silver miners left the Comstock, they abandoned their horses which became free and became the wild Mustangs often now considered a nuisance and often starving.  It's become another tragedy when civilization and nature meet.
The journey to the petroglyphs is a true story, my son James was there, father and son there's a whole other poem for another day.
The mustangs we encountered were healthy, free and truly wild animals, and the spirits of all animals that had once ran free.
I quite like the virginity of a fresh notebook
the way my wrists and palms drag across its leaves
breathing life between lines in pink magic marker or the severity of red ballpoint
I like the prickly practical meticulousness of a shopping list:
a dozen eggs
one pineapple
one bag of fresh spinach
one bag of English muffins
one bottle of dish soap
I like the tender impressions of curlie cues and firty cursive
communicating endearments placed on counters such as:
TAKE OUT THE RECYCLING YOU LAZY OAF ******* <3 XOXOXO <3
I enjoy the audacity of a wandering doodle
meandering
cartwheeling
hopskotching
between
and under and over
indices

and spaces
between shopping lists and death threats
i enjoy the lingering ghost of prose shaped caverns
carved onto seemingly empty sheets that carry on for pages
until they fade like whispers into an evanescence
I crave the obnoxiousness absurdity of a to do list
daring me to take a day off from procrastination
until tomorrow
call Gramma
rent due on the first of the muuuuuuuunth
take the GRE
update resume
be awesome. like a boss.
most of all
I love the pain and joy of a poem
the way it slowly leaks from heart to mind to hand to paper
staining
spaces
urgently
faster than muses whispers
barely escaping onto lines
prolific terrific poetry
sporadic spacious atrocious poetry
I croon over the denial of the last page of a beat up notebook
the way the paper hangs onto spirals haggard
littered with stringy remnants of lists and reminders and death threats and poems and goodbyes
Nobody Jul 2013
In the land of Temperature
I met Thermostat - Thermometer

What does thermometer do anyway?
A thermometer tells you the temperature whether it’s cold or hot
But it does nothing about the situation it identifies
It only measures and whether we like it or not
What about thermostat?
Thermostats function in a way that when it senses a room is cold,
it quickly and quietly starts the machinery necessary to bring the cold room to an acceptable temperature
If a room is hot, a thermostat cues the system to cool the room
It restores the balance, it assess the situation and make a difference.
I named her Thermostat – Thermometer
‘Cause she can be a thermostat to others
When she senses there’s something wrong around her
She always does something to make it right like a thermostat does
Sadly, she can only be a thermometer to herself
She knows there’s something wrong with her
Yet she can’t do something
‘Cause she also needs a thermostat
A thermostat to make it right for her

It makes me wonder how many people out there
Acting like thermostat to others
But they can only act as thermometer to theirselves
Hoping that someday
A thermostat changes the situation where they are in
Audrey Sep 2014
Even though your funeral was in the summer,
It felt like autumn the way the tears
Hung off Aunt Shelley's jawbone like cold raindrops
On the eaves of the old porch,
The way Grandpa's eyes were too red and wet and
A thousand years away,
The way Dad's sorrow poured out of folded arms and tight lips,
Soft like worn leather,
The way it rained too lightly to add any cliché dreariness.
I just couldn't think of that red granite box as you, even though I
Knew
It was the soft gray remains of your body.
Death is not like winter, cold and harsh
Death is autumn, life draining from bodies,
Life drip-dripping from stuttering lips and
Once-strong grips
Death is watching summers of laughter and hugs fade to
Hospital rooms and rain-grey skin and
Slow sad songs like wind in red-brown, dead-brown leaves
And feeling a slow, quiet loneliness invade your veins.
Your death was not cold, impersonal sterile white; it was the
Aching melancholy melody of removing
One shade of green
From a palette, not noticed in the painting at large
But felt  keenly in the way the artist's hand no longer
Cues that brushstroke.
Watching you die was watching all the green leach out of the leaves
And turn them briefly, painfully on fire,
Standing in a field of emerald grass and feeling it
Crinkle and turn yellow-orchre under cold fingers
Collapsing into mud.
Watching Death from the outside is the single
Most painful part of your painless process.
When you took your last breath, your features were a
Picture-perfect memory of peace, even as my face was a
Mask of confusion, my chest heaving with stale hospital air
The way yours would never again.
I wanted to run outside and imagine all the trees turning red-gold
In your honor, mimicking your final
Blaze of glory in that last smile.
Autumn came early that year, though no trees
Turned
Til October.
Even in the middle of spring I can smell the
Rain-woods-wind-wine scent of your autumn soul
And it makes me smile.
My poem may be yours indeed
In melody and tone,
If in its rhythm you can read
A music of your own;
If in its pale woof you can weave
Your lovelier design,
'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;
Crude cues are all I give.
In simple stanzas I suggest -
'Tis you who make them live.
My bit of rhyme is but a frame,
And if my lines you quote,
I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see
In any words I sing;
The magic and the melody
'Tis you, dear friend, who bring.
Yea, by the glory and the gleam,
The loveliness that lures
Your thought to starry heights of dream,
The poem's yours.
my friends said last night
I should write something light
something shiny and bright
to the readers’ delight

no fights and no terror
no soldiers no war
no suicide bombers
no refugees galore

after all   it’s the season
when altogether we sing
of the love that we bring
to each other
    within reason

so I am doing my best
NOT   to make a clean breast
    of the worries that plague me
cuddle deep in my nest
only welcome the guests
who brings me good news
and carefully wipes
all bad cues from their shoes
ere they enter my house

so  
to rouse our good feelings
we all listen to the chimes
of the church bells a-pealing

and to a poem that rhymes
Genesee Jul 2018
See I wanted to write about you and everything that I silently picked up on up
if you're wondering what I picked up on
Body language and cues
The way you tensed up when you were about to hear bad news
your anxiety
how it at times it came crashing down and you didn't know what to do
I reassured you the best way I could  
when you're concentrating or deep in thought about something
( I knew not to disturb you )
opening up to anyone was a task in itself
you hated doing that / I understood
The way you like to sing off key you think you sounded horrible singing wise
I disagreed
Personally, to me, I thought you sounded good
you told me a lot of info about yourself gradually over the months we got to know each other
I told you a lot of things as well
but one thing is for sure I picked up on several things you weren't aware of and I'd never tell you this
but you're easy to read just like a book
if you're annoyed, angry or upset
you might think oh no one cared or  noticed
I noticed
as it was written all over your face meaning you had the most readable ****** expressions
if you're wondering how I knew about your moods
it's simple really I could tell in the tone of your voice
if you were about to cry you had a certain tone of voice that suggested quivering in I'm about break down and cry tone of voice or how you were upset you had a certain way of behaving that let me know either to give you space or to comfort you
if you were mad ( depending on what the issue was / who the individual was and how long ago it was in addition to the details determined everything )
how you'd need space or you felt upset / still brought up the issue no matter how long ago said everything
and how could I forget your favorite songs the way you hummed them
favorite food and snacks
I still remember the details that you told me
the way we both know I'm fine or I'm okay
is a complete lie when either one of us
is upset mostly you though
when you're upset or down it's like I can sense that your energy is off / vibes are off some way or another
but one thing about our friendship is how we told each other several things
and because of that I still remember how you react
favorite snacks
your dreams and what your plans for the future were
how you handled relationships
Anthony Reid Mar 2012
This air is turnin’ thin,
Black clouds are rollin’ in,
Blendin’ from day to night,
Yet sun an’ moon in sight,
Cold winds pick up their pace,
Their howls consume this place,
The stars creep to the sky,
They’re lookin’ through all time,
The powers come aligned.
The prowess of his kind.

The presence now of something black,
That stalks and prowls but wont attack,
With the mighty claps of thunderous blows,
The skies split fast and monsoons flow,
With such a force I watch it bounce,
And feel a waiting for the pounce.

A flash, A lightning fawke,
Here at last. The soul reborn.

It comes to land, upon the roofs,
It comes as man. It comes like you,
An empty street. An’ there he stands,
Head fixed on feet, and eyes on hands,

As though turned off,
The weather stops,
And all is still,
It is his will….

The restaurant doors had long been closed, the staff had all now gone,
Just shiny floors and chairs in rows and napkins shaped like swans.
The shadow steps out of the dark and takes itself a seat,
The shadow sees a blindin' spark – the foes begin their meet.
And so they sit now face to face with minds to cut their chords,
And so they sit to score the age, The Devil and The Lord.

The figure that was made of light spoke first, and it spoke well,
He told the one that spoiled his sight how it deserved its Hell.
But then expressed with fallin' tears a heart too far from whole,
As he confessed that recent years bore less and less good souls.
The Devil smirked and leaned in close and said in quiet craze,
'My plans are working, every ghost will wind up in my chains'.
He cursed The Lord and slammed his fist and hissed that he was king,
“You lead an’ love and want an’ wish, but I don’t miss a thing.
Our infants and their ignorance are headin’ far from home…
They welcome all the wisdom I embedded in their bones.
That they needn’t serve in Heaven and they needed make a grade,
When they can come an’ work forever in the sanctuary I’ve made”

In rage The Lord jumped up with this and told a separate truth,
The page that you have seemed to miss is that which lets them choose,
Upon a death, if they should care, they’ll find the waiting sun,
'You're not a speck and never were and soon you'll be undone'

I’ve strung the poisoned arrow, and its flight has proved enough,
I call the son a shadow and I call the fathers bluff.
The seed that I have sown brings forth a forest of unrest,
That needs a single road but reaps a warren at its best,
The little ones not fallen – yet not lofty in their lures,
Forsaken in their garden – at a loss for wanting more,

They’ve all but torn it all apart, but burned the fruits they see
The creatures nearest to his heart - apples furthest from the tree.

These infants know not of your skill -, a boast so long obscured,
Your impotence has brought their will far closer to my cause.
To strike the throne not where it sits but on its founding stone,
I’ll overthrow - but not take risk and fall again alone,
I’ll creep my way into the midst – like the fumes he made me breathe,
And reap that day so long eclipsed – when swooms bow down at me.
To pull the threads from all you’ve weaved – that fabric taking form,
Annul the ‘best’ and all his seed go scattered to the storm.
To tear the pages one by one – each letter from each word,
Undo the age in which you shone and better make the world.

How will he fall, and you so with? How will my plan come made?
You’ve heard that calling in the rifts – the call from but a babe,
That tiny voice to chime the start and usher in the act,
The vary last in our great art – the act where villains pass.
The baby’s blood’s of neither cloth. The soldier stood alone.
In no-mans land, with no-mans cause. Abolish and atone.
The baby’s blood’s of neither cause, compelled to bridge both poles,
Meet all my good with all your flaw – your Hell amidst my home.

Each beat of blood to soar and shake the pillars of his house,
Each beat of blood so keenly traced to the will that I give out.
The baby born to end the wait – pass form into the ghost,
We each have spawned and each create - that baby born of both.

If age makes wise – then you’re aside. I tame you but with this:
You’re of the line that knows of time the way it really is…
And yet you talk of victories and valor ‘gainst the life…
That lets you breathe, and lets you scheme and shout what you devise.
Make no mistake the blood in me’s the blood that boils in you,
And all these creatures you have deemed accustomed to your cues.
It flows right from the very veins that shaped you as a son,
Though I don’t know his ending game, I know how it begun:
As all above and all below, and all we cannot see,
As all to come and all we’ve known – and all we find so free.
It comes as soul, an’ sight an’ sound, the depths of which elude…
The contempting cold that daily drown the fermenting of your feud.
It’s in the airs an’ in the soils an’ in the blinding suns,
It forms and fares and thrives an’ toils – in all of times triumphs.
It’s in our bliss, an’ in the blackness of your ravaged wastes,
It’s in that pit that beats, attacks and pounds you out of grace.
It’s all the minds of all mortals, an’ all the brains of beast,
And all those kinds that shuffle off the coils into me.

It’s all the fathers very form – along with that which walks,
It’s all the fathers very tongue – along with that which talks.
It’s all the makings of the man who sculpted shine and sin,
And still he takes you by the hand – indulges every whim.
Yet in the furnaces of pride you poise to make your place,
Your savagery one of a kind – your aim one of a wave.
And in the recess of your eye still I see his fallen son,
Who only wants to tell the skies that he can stand as one.
A sentiment so many like – ‘til sense sees it un-form,
A base intent so true and tried, but pales to better thought.
A noble note in a crazy chord – a plan that can’t prevail,
An honest hope so poorly formed you forewent seeing it fail.
And now this face you try to save – this front you fear to shed,
With all your age you’ve still no claim to the living or the dead.

Bar a myriad of martyrs made of mayhem gone a’mock,
And you show them as though starters of the safety in your flock,

Each drone diseased and misinformed – too blind and lame to know,
Though they don’t believe in he above – they still find his face below.
Though I can’t predict his plans I now the pieces that you play,
None that made it as a man and all too keenly sail astray.
But they still gather to his seed, aspire to confide in you,
They’re still climbing down his tree – and they will find his face on you.

I hear your words an’ watch your ways – as silk with poisoned spore,
I’ll win the Earth an’ win the day an’ win your masters court.
Who turned their gaze an’ turned their backs on the brother they’d see burn,
You speak of graze and noble acts - but I wonder where they were…
When that ‘mighty’ hand and his ‘precious’ plan had me torn from all I’d known,
To a barren land and desolate sound – and an endless fall alone,
When his regal rite cast away from sight but the brother they’d desert,
Who’s but of a mind to reveal such might’s in another of more worth.
Did a single soul rally ‘round their own? Did they simply stop and see...
That the full control they’d all let him hold needn’t be beyond our reach?
We’ve the right of birth to take bite of Earth – if we’ll only rile the will,
Why invite his curse and delight his purse, when I still live to make the ****?

My pity then for he that seeks to bite the hand that feeds,
My pity still for he that dreams some hope in crossing seas…
That crippled masses past your means before you took a breath,
An ancient class far more a fiend, an’ more a worthy threat…
Than anything you’ve ever been, an’ anything you could,
Those of a Kingdom we’ve not seen – those of a purer blood.
Those of a height I’m yet to know, beyond the place I’ve made,
Those with a sight I cannot show – and of a grace I crave.

Who understand the union of that father on the throne,
One hand to do the provin’ while hand keeps more unknown.
One hand to bring the fearsome and one hand to bring the tame,
One hand to do the healin’ and one hand to cause the pain,
One eye to see us sufferin’ and one eye to see survive,
One eye to see us love and yet an eye to see us die,
One mind to watch us fight but then a mind to see unite,
One mind to show the light and yet a mind to see it hide.

If all your words have any weight – I’m as clean as all your clan,
But I live in an arid waste with but dead men at hand,
If all you talk has any truth then I’d know love as well,
But while you walk on formin’ fruit - I get the ragged Hell,
So where’s this side to spare a son? Where is this sense to save?
Eons are done – a new one comes. I’m sentenced, or a slave.
His bleeding heart but goes so far, I’ll have my fate fulfilled,
His two great halves’ll shake an’ scar before I slay an’ still,
I’d sooner make my mark and make my mound into a hill…
Then mountainous scar right through the stars, than bow down to his will!

And still you see in black and white, in terms of some great tier,
Still haven’t heard a thing tonight – and still can’t lend an ear.
You ask why you’re left set aside, alone behind the veil,
You’re left to show the path arrai – a cautionary tale.
A marker for the men who seek a stature ‘bove all else,
And harbor then the weakness that sees strength a match for sense.
You’re there to sit where others wont. You’re there to play the fool.
You’re there to pitch your endless gloats – and fight the futile duel.
Somehow ‘under’ those in cradles, somehow ‘under’ those in graves,
But your number would be endless if you’d only join the game.

A misery all eyes can find. The maddest tale we share.
We watch you hate – and hate so blind – in sadness ‘cause we care,
But every day’s a way back home. A joke that you don’t get.
Just turn away, keep turnin’ clod, ‘til choked in your regret.
The picture - brother’s - such a scale your but a passing piece,
All us of life and later are but just a flashing leaf.
As somewhere else his other seeds stride knowing not of us…
Of angels blessed or saints revered or man or beast or brush.
And then again there’s others still, and more and more alike,
Past divine deaths, or life an’ limb – and all of such designs.

But here you sit, here one who sees time as it really is,
So I’ll let you sit an’ I’ll take my leave – still un-wavered in my wish,
That one time we meet you’ll walk with me, and leave your lonely night,
And we’ll put to sleep your darkened dreams and put our picture right.

Then the man of light moved to the door, an’ faded through the glass…
‘Til vanishing into the night. The meet had come to pass.
And all was still, it was his will. His foe sat lost in thought,
To unfulfil, to make his hill, to fashion up his Fort.

With a sodden frown – the forgotten found – the shadow left his seat,
As unhallowed ground came with hollow howls, he stepped back into the bleak.
The restaurant paused – so long since closed. And traffic moved beyond,
Past shiny floor and chairs in rows and napkins shaped like swans.
Julian Jul 2020
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor
Megan Milligan Aug 2011
“I know why the heart gets lonely
Every time you give your love away.” ()

Puts me in mind
Of a man who embodied our eternal, sometimes fruitless search
And why the heart is a lonely hunter.

John Singer, you silently sang,
Of heartbreak and devotion to someone
And the eternal search for those elusive qualities
Those missing puzzle pieces we all look for
Happiness
Acceptance
Love
Always seem out of our grasp
Like a puddle of water
On the sunbaked, summertime highway of our lives
Traveling
Always looking for something
Hunting for anything
To let us know we’re human
We’re loved
But still our lonely hearts search on

“I know why the heart gets lonely
Every time you give your love away.” (
)

The heart is a lonely hunter.
Staring out the window of the bus
Thinking about the ones I love
And wondering if it is all worth it.
I wish I could’ve sat down with you, Mr. Singer,
And compared notes through pantomimes
Written words of your struggles
Maybe I could’ve understood you better than others
Deaf and mute, you
Couldn't communicate with words,
Couldn't hear what other said,
Instead you communicated with looks of compassion
Serenity,
Composure
Masking a single-minded devotion to one person
And you let others who lean on you
Attaching what meaning they may
To the nonverbal cues you say to them.
When some of it wasn’t what you really intended.
Believe me, Mr. Singer.
I know all too well the misunderstandings
That come up in the name of simple love
Or the search for it.

“I know why the heart gets lonely
Every time you give your love away.”

You think you have something special
But does the other person really understand you?
And when others need you, and vice versa,
They fail to see behind the wall masking
Your true heart
What you’re really trying to tell them
And even with the powers of speech and hearing
Would you still have made yourself understood?
Misunderstanding, it’s so easy
Words are woefully inadequate
Because people will see what they want to anyway
They attach their own meanings to the words you say

Mister Singer, I can understand why you blew a hole in your chest
Sometimes that gaping hole is more preferable
To the gaping hole left by a broken, misunderstood heart

“I know why the heart gets lonely
Every time you give your love away.
And if you think that you are only
A shadow in the wind
Blowing around but when
You let somebody in
They might fade away.” (*)
© 6-26-2011

* lyric from "I Know Why" by Sheryl Crow
Paul Butters Oct 2018
Back in my teenage college years
I was told about “Autistic kids”
Who lived in worlds of their own,
Seeing things through weird and wonderful specs
In social isolation,
Frightening in its completeness.

At sixty six I since have learned about many
Of their “traits”:
Their obsessions, inflexible routines and
Panic
At all change.
Their inability to read
Emotions or social cues
Or innuendos
Or irony.

I have worked with those with Aspergers,
Colleagues, friends and clients –
Indeed with people all over
The Autistic Spectrum.

And the main thing I have learned
In all these years
Is that in my own way…
I am one of them.

Paul Butters

© PB 1\10\2018.
There, I'm Out.

— The End —