THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights
and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise
(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.
germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

A Verse In Time: A Trickster’s Alchemical Approach to Memory in Three Waves

(Warning: The following collection contains depictions of three waves
of the psychedelic experience—particularly with God’s allies, Los Aliados, the mushrooms—and like the psychedelic experience each wave possesses its own waves within itself.  Ride with discretion.)

.

Wave I: The Allies’ Nursery Rhyme

The Allies
came to visit
and take me
on a trip.
No need for boat
or bus
or plane
or even rocket ship.
The galaxy, as they explained
resides inside your mind,
The portals to the universe
are windows you call eyes.
Instead of always looking out
you should try to look within.
The ending you have always feared
is exactly where you begin.

Yes, all the spans of time and space
exist in you behind your face
and yet you cannot understand
that nothing is a race.

Oh wait, please be careful with that mirror
when we are here and you draw nearer.
Don’t let the face of everyone replace your face with fear.
You are Horus, Mary, Jesus Christ, Cervantes, and Shakespeare,
and all the men from beast to mice, from oceans down to tears.

And so they pried behind my face
and pushed me on through outer space
and soon enough I understood
there never was a race.

It all exists right here, right now—
the past, the future, the grass, the cow,
the vast, the nature, the cash, the house,
the king and the savior
the beast and the mouse
are all your creation,
your relation,
your spouse,
your Path,
your Bible,
your ‘Gita,
your Tao.

It is all
of your moment,
It is all
of your now.

For you are the mystery
of that which you seek.
You invented the minutes, the hours, the weeks,
the deserts, the rivers, the valleys, and peaks,
your digits, extremities, elbows, and knees.
You created the cure, you invent the disease.
The labyrinth is you and
You defeat it with ease.
To master the Minotaur just follow the string
Discover the dinosaur, discover the king,
discover this grandiose song that you sing,
and uncover the truth of the message you bring
when you ring bells or

Stroke piano keys
and make the doctor sweat.
The pranksters shifting shapes again,
it’s time to make a bet.
With silly laws of threes and fives, this riddle I repeat, replies
that by the time the rhyme is over, the trickster will arrive.
Gliding up in cycles by, the prankster grins and winks his eye.
He fabricates a fluffy fix with fuzzy snow white lies
to bring the doctor to a six then down to four inside
and bring the tempest to a wave
on which the four can ride.

Do we glide?
Do we slide?
Do we fly really high?
Do we bobble and sink
with the rise of the tide?

I remember the brink
the cellular stride, the following leap,
the primitive mind
I remember the dirt, the water, the fire,
the wind and the ether,
the passion, desire.
I remember that art
can never expire.

Do we depart?
Do we retire?

The answer is yes,
The answer is no,
The answer’s the same wherever you go.
It’s never too fast,
it’s never too slow
and you are never the last to not really know.
For the sun always shines,
the moon always glows,
the old always die,
the young always grow,
The seeds that you plant
are the trees that you sow,
from the bees and the ants
to the bulls and
black holes.

It is all
in your stance.
It is all
in your
soul,

When you follow your dance
the bliss
takes control.
Take your place
in the play
and master
your role.
The Aum
is your home
it’s inside
of your dome,
Whatever
you wonder,
Wherever
you roam.

And so it flows behind my face
the universe of time and space
Now I understand that time
is invented as the race

Yes, you are Borges, and Buddha, and Krishna,
and Lorca, and Vishnu, Dickinson, Lennon,
Eliot, Gandhi, Marley, McKenna,
Campbell, Picasso, Alpha, Omega.
You are your enemy,
your stranger,
your neighbor.
You are the peasant,
the king,
and the savior,
the mandala man,
the cosmic *******.
You are the taste
You are the flavor
and you are
the wave
the unwavering
Creator

Even us
as they explained
merely extend from you
A mirror to the macrocosm
for you to gaze into.




So when you get lost
within your lies
and cannot find
your rhyme,
Gather inside with your
Allies
and master
the maze
of
time.


Wave II: Contemplating The Allies’ Advice

Thunderbolts of cackling giggles
shutter through your vitals, shaking shoulders
and squirting tears from squinting eyes.
Exciting when dimensions hidden creep into your line of vision,
morphing mapping iridescence with a fleeting fuzzy phosphorescent
undulating elfin presence following your every contemplation.

Concentrating on a caterpillar crawling up the wall
how curious, this furry beast has fingers not to fall.
He folds into his fuzzy form, a sleeping bag to keep him warm,
a little home as still as lead.  He hibernates and contemplates,
waits and waits and transmutates into a gilded butterfly
that flutters through my head.

Violet translucent landscapes bleed through grass and trees,
focus on a precise place of time and space and witness the birth of the human race.  Projections made in fuzzy fourth dimensions quickly fade
if your gaze should wander.  Positioned to ponder,
you plunge into prepubescent wonder as a shooting star splits the sky wide open revealing heaven and everything under the sun is tune and the sun is eclipsed by the moon.  And once again, the music comments chronologically on your moments, as if all these notes and lyrics were cataloged to sync with the scenes of your epic voyage.

Destroying contemplation again, the sea ***** the wind through the trees
and blows a blue marine breeze through your hair.
Do you dare take the time to recognize the punctuality of the gale?
Should your frail and fragile mind be dangled from a line
to flap and fluff and figure out the nature of the rhyme of our mother?
You are your brother, your keeper, and your lover.

All the lines align and oscillate in cadenced flow,
the more you see with your mind the more your mind will know.  
A ****** brain may strain and throw a fit
if faced with the tricky truth of the third eye
Surprise! Who knew that Jesus Christ could sprout from cow ****?
Can you believe it?  Wow, Bob, wow.
Where do you think we got: ******* and holy cow?
Heaven is the here and now
and every time you try to leave
you lose what you have found.

(* All words in italics come from    
   various songs, films, works of        
   literature, etc. and are not the words    
  of the author.)


Wave III: Los Aliados Wake

An apple carries a story deeper than the tree,
More nourishing than the luscious skin,
More central than the seed.
for the apple gave original sin
and knowledge from within
and fell upon the head, announcing gravity.
Have you ever heard the tale of Johnny Melon seed?
(The apple is global, so I wonder why,
what could be patriotic of pie?
Is it not just a strudel,
a pastry disguised?)

The colors we create
distort. manipulate.
The fools who follow fear
are doomed to find their fate
between their ears
where the colors seem
to blend and stream
and almost disappear.
To wonder why we’re here
all colors must appear
and merge into the blinding light
that obliterates our fear.

All your dreams, your fantasies, your symbols, and beliefs,
all a compass pointing you to endless mystery.
The treasure that you seek
resides inside the Self,
A jewel within the rock,
A book upon the shelf.


I bought the ticket,
I’m taking the ride.
I’m spiraling miles through the bowels of time.
I’m spinning and laughing
and losing my mind
and finding
it always returns
just in time.
It’s right where it left me,
so I’ll leave it behind
and return when
I’m ready
to relish the ride
with a bite
from the apple
of my
holy
third
eye.

poetry is photography:
the photography of your soul

it begins as an observation captured in stuttering syntax:
the lens of your soul pointing towards a subject, a metaphor, a line
within you, within the world, within the two.

if vague and smudgy this image at first,
the lines rearrange themselves, the grammar settles,
and the image comes into focus - sharp and still.

as you would a camera, approach things at angles,
you flood your poetry with perspective, with self, with distance,
stamp yourself onto it, and you know it belongs as yours.

and you know you have captured that pearl in an oyster,
those millions of dying stars exploding within you,
an image of yourself.

yet, sometimes, you're out of film and however you click the shutter,
your words fall off the lines, burst into dissonance, or finds itself unwritten.
like photography, you do not expect a stable yield of inspiration.

then, with the years, you lay your poetry on a wall -
chronologically, alphabetically, thematically, or anything -
and you will step back to see a montage of your life in eloquent snapshots.

if poetry should ever be photography - then -
it would be the photography of one's soul.

having applied myself to two languages with different parameters of execution: writing in primarily in English, reading fiction and poetry primarily in English enabled me to gain strength in reading philosophy and conjuring up white-rabbits from a top-hat in Polnisch - i can't read philosophy in English - which explains why few interests in philosophy exist - the English have undermined the worth of philosophy, oh sure, David Hume is the rave in Scotland, because he's Scottish - but the English took to solely understanding the world via Darwinism - image deciphering accounts of how the natural order of things is attached to inanimate materials propelled by falling apples - the continental procedure is less concerning Darwinism and more akin to a mental fashion statement, as in: what's vogue these days? what's the cognitive vogue? the English "philosophers" with their rigid Darwinism are like priests - which is why they attracted biblical literal interpretation - the creationists - there's no other explanation why the creationists emerged - it was because of militant atheism, atheism without individual originality - invoked by a sense of herding the sheep to the grazing hills of nihilism - the pillar that became the crutch - of course i admire and know it's true - no Genesis story that's merely a p.s. in history is ever going to undermine the naturalist's fascination with the world in every minute detail - i'm not against that... but at this moment i was thinking of a cult idea for a naturalist - take a pornographic movie, and give it to a naturalist to assess - after all... we're just mammals - i think this could turn out to be a real daytrip for a naturalist - oh sure, it must be ease with organism that apparently do not derive any pleasure from procreation... give two beings that apparently do derive pleasure from procreation... to later debase it with the malignant forces at work in the Encyclopedia that's 120 days of *****... the naturalist narrating a pornographic scene would be bewildered as to why these highly evolved creatures are exponentially higher-up the tiers of evolution, needing so many complex adaptive techniques - boredom for one, people have created more distractions than they have created tools of necessity - but perhaps they're equal - our evolutionary drive? the thing that makes us tick is not necessarily physical discomfort - we exercise for the pleasure of physical discomfort - the drive is boredom, the fear of it drives us mad with constant ingenuity taking form - like a ballerina in a salsa bar... sadism in the aura of hot-sweat-and-coconut-***-shaking as if playing dice in Las Vegas... Don Quixote (the ballet on three days away)... we're done with the empirical satisfaction of Darwinism, we know it, we need a humanistic approach to it, something that goes against the English priesthood - Darwinism will never be vogue in continent Europe, continent Europeans just say: Egyptology is as far back as is necessary to go... our lives are more important and more complex than those of primates... our lives are more important and more complex than those of primates... we want to write history, not look at history as a burden and therefore try to erase it, placing ourselves in a garden of awe and glass; honestly? Darwinism is a bit like creationism - it all starts with a garden, awe, and the grand spectacle - only the other includes a need to procrastinate by doing some ritualistic mumble and Hosanna Hallelujah in the highest - and the other tries not to yawn.

so onto my favourite topic... rich boy's slang -
do you really think a *prince of Egypt would speak
slave tongue Hebraic?
do you think **** & 'arry could speak Bulgarian
or Romanian? let me think... no.
they might speak French... maybe German...
but certainly not the eastern tongues -
now, whoever wrote that book wrote it in ancient
Egyptian, the chronologically speaking
yes, female genital mutilation was practised first
in Africa, notably Egypt, prior to male genital
mutilation being instigated by frustrated Abraham -
the collision was bound to happen -
see how pretty prince slang looks?
it's poetic - the rich boys call it poetry, the poor
boys call slang - which is why poor boy raps
and over uses rhyme - or perhaps rhyme is easier
to remember than free verse poetry -
rich boy brings a page on stage and recites because
he's too lazy or not bothered to memorise,
poor boy says yeah a lot in between his lyrics
without a page so he can the the bowling aisle
movement as if he's rolling in a convertible Cadillac -
sing ***! yo! ***! yo! so the chronology matches,
Eve first, Adam second - but not as in: they did it first -
later down the line they cut off the precious skin
and hence felt naked, they fell, they revised was not
to be revised - sure, the man got the favour right -
he was the winner - but at the same time, the loser -
hence the good & evil bit - we don't really know -
is it really necessary to have good *** to later have
a fickle partner and laws being in her favour via what's
called the missed prenup thought? to me it's just a literal
reading of the text - looking for laurel leaves to cover
the revision of the genitalia - not the actual genitalia per se,
just the revised versions - so if the female variation is
whatever it is - less pleasure from *** and what not,
for man that also means counting the stars and weeks
and having no pleasure from ******* when her period
arrives and you have to try a diet of **** or something -
well of course it's slightly uncomfortable with it -
but at the same time you increase your endurance with it -
a slight sadomasochism, no whips no ******* women,
no leather, no adventure, just raw meat and raw meat -
no fantasy no role play - just a little bit of skin making all
the difference - can you imagine Marquis de Sade writing
as frankly as this? well... every time i revise my thought
on the book of genesis, i obviously become a covert literal
reader of it, deciphering the eloquent slang of a prince of
Egypt would use on such "delicate" matters -
but with that being said: it becomes all the less fascinating
a myth-making engine, and given he was forced out of
his comfort zone (and i mean a comfort zone) he would
cite God as the word (reason), but by word alone and
the word only - the reasoning behind what entered the land
of Egypt as being the same as what entered the Garden
of Eden... and tempted... the temptation came with the pyramids -
oddly enough only the Eiffel Tower was higher than
the pyramids - look at the time it took man to become so bold again!
look at it! massive - and in some weird quantum physics
interpretation of the mythological past becoming the actual
future - the tower of Babel... and... yep, you guessed it:
the Burj Khalifa (or the Khalifa Tower) is its equivalent;
but ****, only the Eiffel Tower overshadowed the pyramids -
something must have happened back then then,
if man was so shy in rising his structures too far up into
the sky - but i guess the Enlightenment spurred him on...
later to crash back down with the atom phobia of the second
part of the 20th century, which in the 21st century morphed into:
well, how will wars be profitable if we drop a nuke?
e'oh! no, sorry, one nuke will make us bankrupt -
we need tanks, guns, bullets... huge bulks of them!
stockpiling nukes ended up a bit like stockpiling too much...
ah crap... don't have a good analogy - just started thinking
of a desert of sugar - sugar dunes... imagining a desert
like that... well, partially true - with the Arabs not drinking
alcohol and eating too many sweets, diabetic amputees throughout
the desert land.

artifacts arranged
chronologically -

flint and wood
allied with cordage -

sharp-edged bronze and iron
- a skull with cut marks
beside a copper
-tipped alloy bullet

on the shelf between
war and peace
and anthropology -
an anthology

- details emerge
in the painting
- killing is our nature
and dying

- a still life.

r ~ 10/26/14

Brains constantly devoured,
Forged as the unknown.
Intellect decieving creative diction
Pardon errors and revise.

The hours you spent
Absorbing anything but sleep,
Piles up to the layers
Of stars and air.

Stop being the person
You thought you were.
Brush off values you knew,
Learn to teach something old.

Tear ducts flood out
Sodium enhanced contracts,
That binded you to affliction
Yesterday, and all hours that remain.

It doesn't have to stop,
And it doesn't have to start.
Sit through the releasing
Of depressing minds.

Cope with the contract
That you desperately signed.
Let them hear you weep
And see your pathetic eyes.

Stars shine with hope,
You shine with sadness.
Thirsting for more oppertunities
That allow you to feel something.

Now that there is nothing left
To feel, and nothing left
To hate, forgetting them
Is chronologically ensuing.

I would sit in a cave if, I could sit,
I would stand into the wind if, I could stand,
I would lie beside you if, I had you.

My logic is so, so pitiful,
I place expectation upon expectation upon demand,
My illogical answer is, I don't even know you.

If I could dance it would be for joy
If I could fly it would be into the sky so very high,
Then so low along the nap of the Earth.

See?
This how I try to impress thee,
For I am not joyful, therefore I cannot dance,
I am unable to fly so I don't stand a chance.

But these words, an intimate dialog, 'tween ye
And me, I take the time and chronologically
Realize already I am the one unhealthy...

Wait, don't go, let me start again, and when,
wait, why are you crying, I am unhealthy not dying,
I am unhealthy for us...

I will take you this one time to places where,
where are you going, how will we be together,
if you leave, I think your telling me I failed the test

That okay
that is alright,
I will wait till your
outasight
then move
onto my next
conquest.

Kiss me
and you’ll remember just how beautiful it can be
when our lips touched
it’s almost as though it were some oral obligation
that our lips should meet
our tongues, the tongues of dragons
should touch so delicately.

Hold me
and I’ll you recall just how wonderful it is
when our arms locked
I feel the power of ten hundred Herculean lovers
supporting the temple of passion
our fingers, the fingers of surgeons
should entwine so gently.

Teach me
and recount the magic we have found this weekend
when our lives exploded
your words are the knowledge of  one ‘chronologically advantaged'
and the years, years of study
your words, words of uncertainty
should engage my perception

Love me
and reveal to yourself the years of ******* oppression
when our hearts meet
we will know what it is to be as one
as two can become
while in the deep of the deepest of all raptures
our bodies, our bodies of sensitivity
should meet so gently.

Kiss me…
  Hold me…
    Teach me…
      Love me ….
         Kiss me….

to write in Latin these days, is to write the Vulgate, i am inclined to this graffiti for i abide by no cherishing of the tongue, Nietzsche said that Christianity is Platonism for the people... indeed the morphing of his maxim (God is dead) is likewise a Platonism, in that the populist reinterpretation is: Latin is dead; - so that the Vulgate might live.

we all heard it when *Dominique de Villepin spoke
against any sort of invasion - in uncertain times we
called for uncertain measures - and all we got was
more uncertainty with a failed intelligence -
populist poetry, as you like it - keep Shakespeare on
a peddle-stool long enough and Marlowe will
join the circus - the pseudonym for one of Lady Macbeth's
lovers - i have seen the marches of protest,
common sense overruled democracy, democracy failed,
common sense suffers - Mr. Milošević (sheer as former
diacritic, and itch as the latter) is handcuffed
while the western war criminals are
patted on the shoulder while *******
their pants with excess grey of gorillas' aged backing
for the entitlement of silverback and hip-replacement -
bred by children, we are governed by children,
in the end we end up punishing children,
the Disney shadow is never far away
from western politics - populist i я fox - desert?
(if ever a rune, it'd be this AT: Ѧ - post-Babylonian
AM to consider), alter:
do i look like a ******* camel herder to you?
that's whiplash with a blink given those
camel niqabs you did arson to with Jarred Jeff Chaucer -
suits you well... je suis Jarry, et je suis Papa ****...
get your ******* pokers out
you Algerian rapists? *** zee policé! (acute e,
missing hatch) - get a breather - minus the olives
at the street-market - shingaloong - na na na na (h multiplier),
meaning there's a supposed person itemising tribal secrets -
like this Amazonian Turk sourcing out an insomnia cure
with a cross-dressing Chilean Aztec with a
postcard from Azerbaijan stitched in -
while a white boy towed a burden no admiral cared
to whisper on the frothing encapsulation
of a destroyer and the cold cod look with mermaids -
and that literally was a minded fact - meaning?
generals on first dates with goats - horned eyed they were
bashing atoms about like the Hadron Mr. Switz.
(almost wrote Hydron, alias Hydrogen, gateway
to mind, ratio 1:1, as Rodin sculpted the kiss from Dante,
Francesca and Paolo - a paperaeroplane with
the following note attached via ultra-digression
and as poet's know, no paragraph rubric or break
for afternoon tea:
they were critical of communism to perfection
with what's happening in Turkey - an Army coup d'état -
i've never seen so many politicians anorexic on a diet
of fingernails - never in my life - prior... i have the tongue,
the rhetoric of bullets aimed at your head...
a storm-trooper with a gun: i have about 1000 100m sprinters
aimed at your head... bang bang and indeed you might be dead...
bang bang bang... you're dead, and Cinderella goes
to her ballroom gown event completely solipsistic.
what the Solidarity movement criticised wasn't
Communism, they were critical of the coup d'état -
communism and automated spying,
communism's Darth Vader voice-over is matched
with automated spying - why was social media invented
if we didn't want to be informed? i can tell you
how long it takes me to ******* - and are you to beg to
differ with me? capitalism never automated spying,
it automated freedom, a sorta-post-humanism when
people were allowed to perform the ultra-perverse acts
of freedom and later told: well, you can't really write a book
after all you've done, can you? and why would a book
like that... the European convention of authority wanted
straightened Brazilian bananas anyway...
Darwin laughed with words: they got over the skew!
modern phraseology? a smiley: or?
banana's tummy to peel and topple t'eh d'oh Cherokee chop chop
awaiting a garçon for the perfumed-airs of cold espresso
served awaiting a tip nonetheless with gusto! ah, die gusto...
when it comes to printing press it came down to
the salt mines being safer than the print genesis -
meaning that with printing companies asbestos was used -
the Chinese are famous when over-shadowing cockroaches,
prime with fireworks, last with gunpowder -
prime with prints, last with... whatever writing freely
meant for democracy when freedom was to be undermined
and democracy embraced - and autocracy (mono-republicanism)
rugby tackled - i can actually see mono-republicanism,
a Saddam Hoot-Sane - and i can actually see
mono-democracy - bring in James Cameron and a dozen
start-up app. geeks... we'll debate for ~15 minutes
(as in, fashionably the doors are closed, and we closed them
because we could hardly articulate what would be the forecast
with the weather prophets about the safety mechanism
of an orange thrown up into the air, levitating
or  being brought back down in the form of orange juice at
whatever Newton assemblage was obvious) -
and so we decided it was necessary to treat each individual
mention of event non-chronologically,
but as historian supermen would, with hindsight,
quantum June , a month of the highest rekindling of the sun
to shine supreme - to not dwell in chronology,
but as heroes of hindsight, to write post-eventum as if
glorified in numbering mentions akin to Achilles, heroes
anti-prophetic and endearing the whispering of
bookworms for their agitated mention of others' glory.

There were
Words upon a page
Written chronologically.
Chronically illogical
Logically impossible
Possibly an anomaly
And that would be
Phenominal

"The fate of failures, is perfection"

Attempts at great
Aren't practical
Without practice
Wrong turns had to be made
To find a new world
Order a new atlas
Errors addressed
At last
We find where to go
Because of someone's
Shortcomings

Trials
I err
Human is what I prefer
It's a blessing
My preference
For learning my life lessons
Is by living
Yes, I listen
But I'm missing the point
I have perfect vision
But Im def-
Finitely trying to zero in
Do you hear me?
Or at least see
Where I'm coming from
Nothing
The only option is more

If I plunder then fall
I'll spring
Before summer
Without having cold feet
Cowardice
Never climbed mountains
But a wise guy
Kept his toes
And still walks
The open road

Success
Is but a mile a way
My failures
Are just footprints
It's easy
To see
Where I tripped
But know
I never tripped
About it
When I reach
What seems to be
Overnight success
Just know
How you see me
Is the night before
And it took me
Ten thousand miles
To get to this
Opened door

I made a friend that no one can see. Not imaginative, he's quite real like you and me.

He's not the nicest person but I tolerate his presence. Then again...he's the only one who remains present.

He's been chained to my ankles since my infancy. Dragging him has grown tiresome for his weight is congruent to my own.

My days of sharing a cup of tea with him have risen. Sometimes I think he leaves when I'm with you.

But I wake up the next day to see him sitting at the edge of my bed. I sit in solitude knowing he's right next to me.

He holds the memories of my rejections in his backpack, chronologically organized for me to mourn over repeatedly.

Sweet sips of bitter beverages I endure as much as I can, the only substance that drives away this being.

Curling vapors caressing my lungs throw a curtain over my grieving.

As long as I'm alone, he will never free me from these chains. As long as I'm alone, Loneliness will remain.

Dancing by,
A dead eyed darling,
As passersby cry out her praises:
"Such energy!
Such passion!"
She shrugs out a smile
As her shoulders start
Collapsing in on themselves.
Wear long sleeves
To disguise decaying flesh
And frankincense and myrrh
To disguise inevitable death,
Shaking hands with toothy monsters
And hand-made paperweight professionals
Who enter the threshold of accidentally
Pulling off a frail finger.
Pinned to a board of ages,
Chronically captured chronologically wrong:
"You seem so much older! You are so mature!"
Placing, onto fifth-grade-science-project bones,
A corset of expectations and
A garter of gold,
The tiny bird of a girl
Can't hear her songs over the
Sound of her body giving up.

Bury your wishes for me next to my corpse.

It may necessarily be so,
It may necessarily be so,
The things that you're liable
To read in the Bible,
May necessarily be so.
Moses was found in a stream,
True for the times, it seems,
They foundered kids in fields and streams,
For the crocodiles to take them,
Yes, Moses was found in a stream..
It may necessarily be so,
It may necessarily be so,
The things that your preacher,
Is liable to teach you,
Read it all in context, you know,
It may necessarily be so,
Jonah could have lived in a whale,
Yes, Jonah could have lived in a whale,
Not in the abdomen,
The gastric juices would have taken over,
But it could have been the mouth of the whale,
People were much smaller,
The whales were much larger,
May  necessarily be  so,
May  necessarily be so.
Then there's the parting of the Red Sea,
Chronologically sound, you see,
Thera erupted,
The Red Sea parted,
The Tsunami swept away the Egyptians and the Pharaoh,
May necessarily be so, don't you know,
We may be small plebs,
But oh my,.
We have a powerful God, don't you know,
The things that your preacher
is liable to teach you,
May necessarily be so....
May necessarily be so....
Yes, the things that you're liable
To read in the Bible,
May necessarily be so......

We all have our demons
That we attempt to bury
In the depths of purgatory
But like these sins
The path to cleanliness
Of the soul
Requires us to confront
Each individual devil
On that sanctimonious ground
Where every decision
Is laid out in well ordered
Pews
Both chronologically
And systematically
Arranged
So that each ghoul
Sits and stares at you
Silently reminiscent
As we ponder their ghosts

Ordinary day, lonesome happening
Quiet as can be, here I sit
In this uneasy office chair, daydreaming
Of what can be, pretending to be
What all I really am, Imagination set aside
Desire catches my eye, Endearment blessing me
On terms anyone could really conceive
What is in a thought, a process which can be deepened
A simple second can change anyone’s life
Whether it be for the better or the worst
Life is what we make of it, use of the proper tool
A lesson to be taught or learnt
Determination of one pure decision
Decisive declaration over biorhythms of allotment
Chronologically prepared to make right
Stepping one foot in front of the other
Tend the watchful eye as it shows you
A golden path through the toughest resolution
Building brick by brick along pastures of purview
Now come to your senses, strike a pose
Propound on this glorious insight
A betterment for which you will carry on forth
Entering the approachable endeavor of life’s greatest mystery
Setting sight upon goals to live by
Be free to understand the lesser of evils
As your mind yearns for enrichment
That of which comes from the power of virtue

While I myself do live myself simply,
I am not simply living for myself.




Living is my most ambitious art-piece to date;
to be the author of my life's story
takes a tedious amount of charging
buffalo stamina & alligator patience.
I'm making sure you've not heard a story like mine
because
countless friends, family, misfits and strangers
have lost the passion for their stories,  
instead turning over
their heartbeat
blood spilled pens
& mind jazz
slamdance typewriters
to some schmuck to write their story
in a vacuumed & pristine chronologically ordered
paint-by-numbers cookie-cutter drivel.  


I live
because
my mother ended
the chapter of her burgeoning artistic career prematurely
thanks to her parents telling her
what can you do with art therapy?

I live
because
there's something about that jazz,
& a candlelight bath.

I live
because
far as I know, my father is learning
lasting relationships of which his charming self
struggled to maintain with an in-absentia momma
that moved around to a new school each year
and father who vamoosed shortly after birth.

I live
because
when the mouth of my love
splits into a smile, her eyes
flash pink lemonade and rosemary bebop
in a way which synchronizes to my heartbeat.

I live
because
clouds, especially at dawn,
soothe and dissolve any anxieties
of the day or weeks or months or whatever.

I live
because
I didn't know the smell of cypress,
let alone cassia or frankincense
until I arrived in Toronto which has me curious
as to what other scents I have yet to experience.

I live
because
I'm not yet finished
laughing.

I live
because
words won't stop wafting and wading
around my being until I swallow then sing
their messages aloud,
on paper,  
on a park bench,
in someone's eyes.

I live
because
I live.

I live because,
I live.

I met you when we both were in recovery, sitting in a waiting room,
while Dr. Limbo shuffled our papers and told us it'd be awhile.

You were in with a heart defect. It has a hole, you said,
that nothing so far can close up, and you're not getting any younger.

I suffered from chronic chills, the kind that make people cold to the touch,
hugs are like a trip to the morgue, I said, and you nodded thoughtfully.

We discussed the articles in every dogeared magazine they had laying out,
folding back the pages and pointing at the pictures.

You explained to me the inner-workings of the common espresso machine,
and I named all my favorite cathedrals in Europe, chronologically.

When we finished with that, we checked for the doctor, but he was busy.
You nursed the weak part of your chest as I ran my hands over my arms

You know, I think the hole is getting wider as I get older, and someday it'll eat
me away like cancer. As you speak, I see the slight depression near your sternum.

Well I fear that I'll never touch a living person, I'll only touch rocks.
And my capillaries will forget how to fill, and I'll freeze from the inside out.

We looked at each other, and I thought you might try to kiss me, but instead
you wonder if the doctor is a good one; and if they'll call our names soon;

and you turned to face the door.

The colours of life all seem bleached out now.
At the edge of euphoria, we deepen our curiousity.
Our need for fresh evidence and knowledge is the river from which the liqour of drive is fetched
And the sands of time are the canvas on which our deeds are etched.
Life births curiousity which in turn births passion, then purpose, drive and accomplishment chronologically
Adam must, however, remember not to forget to keep his feet grounded and not get swayed by the swift tides of this river of knowledge for it is a never ending one that flows into an ocean only swam by the dead and supernatural.
For the ones that matter the most at death are given at births.
It is then, when we've circumvented life and must leave it behind, when we boomerang to the dusty point where it all started, that we have a full palette of rainbow colours where our *** of golden knowledge is found
And not a single shade shall be missing from the crayon box.  
This is fulfillment.
This is Legacy

Chronologically, the life force of upward momentum
Eratus, irrigated field leaves at the backdoor
Leaves in the mailbox
Always upward, from below, the deepest place
This may have been out of my frame of reference though
Did you see the half-mast falsehood
Up the pole, down the hole
Listen to the secret word
Monitor of the algorithm

dear next boyfriend-
you better hold her tighter than hands grip the wheel of a nascar vehicle as they approach the final turn and that checkered flag.
and hope that I'm not waiting for her at the finish line with a Sprint Cup trophy containing champagne that tastes like
a house,
4 kids,
and a life filled with a love that would make Shakespeare put his pen down.
it wouldn't fit on the page.
in a book.
in a library.
in a poem.
in a song.
in an album.

you need to hug her like you are trying to prevent her body from exploding into a vast constellation of a million stars.
Nova bright.
Nova? Right.
a light her bright can shine without it being night.

cherish her noise.
her laugh is an anthem.
her breath is enough music to lullaby you to sleep and get you through the night.
her cry..
her cry...
her cry.
watercolor tears, they will stain your soul.
pick your battles.
and remember that she is on your team and not your opponent.
her heartbeat sounds like thunder.
because it's ten sizes too big,
in a world that models their own after the Grinch.
she's Cindy Lou in her impact.
she will change you.

cherish her touch.
it's a gateway to a whole new world.
it's like meditation and the most violent storm happening all at once when she kisses.
I hope you like the rain.
her hands are long,
slender,
with fingers like piano keys.
I can still remember the songs she played on my skin.

Love is my most convincing proof of God,
and Dear Father;
you tell us not to covet thy neighbor.
but lord have you seen her smile?

Dear distant love,
geographically and chronologically.. distant.
if you ever find yourself alone at the Verizon center.
with sad eyes and a heavy heart.
and a craving for breakfast food for dinner.
whisper my name into the wind and know that a voice that sweet would never miss my ears.
not even from roughly 1,053 miles away.
not a chance.
send me a letter.
addressed to the boy with a love for panda bears and the way of the samurai.
and a you shaped space in his heart that is still waiting for you.

skoro tak, to powiem: sometimes i wish to unlearn the english tongue, it's not a case of questioning reality, it's a case of questioning the placebo of what would otherwise encapsulate you, my bilingual nature states i've learnt the language well enough to integrate and bypass assimilation, if only i could assimilate somewhere, but i've become a jew in my attempts; thankfully i'm not ready to start a family and a perpetuated question that seeks trans-generational answers from a kaleidoscope; i've learnt the nomadic way among civilisations rather than being nomadic among natural frontiers, which was already inherent in me, but civilisations came after the frontiers of seas and mountains... i've learnt to integrate but never assimilate, which is why i am doubtful to have found assimilation in only one place, whether god-given or whatever that might suggest... as a nomad i am not the one to build pyramids or temples, the constantly homeless ontological structuring of my being - as god constantly digressing from point of concern - i've tasted the nomadic, although the nomadic in an enclosure that's also israel; so crude the talents to come.

why are we, who have no inheritance
in the colonial past
to inherit the squabbles of former
colonial master and the colonised subjects?
who will speak of the smooth
transitions of the failed Soviet empire
into a bloodless Gorbachev lineage of
break-away states, who needed no nanny?
why are we, who recently learned the english
tongue exposed to these squabbles,
why are we in no-man's land camped
as if a Robinson Crusoe - indeed no man
is an island, and doubly indeed no nation
is a continent - why are we caught up
in the exchanges of the two firing squads -
the pawns in addition to the reliquary crowns
of queens in kindred to the Octobers upon Octobers
further east -
                       a queen a pauper among
the sainthood clergy of capitalism? what a profanity!
who cares for a pauper with idolised insignia -
who? the elocutionist? the rhapsodic rhetorician?
who then? a minded gap wide as a yawn
coupled to a warning that warned of the first step -
why am i cursed with this tongue learned,
why am i cursed with this tongue learned
and as my highest form of expression,
and why no Slavic first? i'm abhorrent with these days,
toward them doubly abhorred -
sure the escalators and other innovations -
tease and please the civilised world -
but learning this tongue is a burden on my soul,
while i see my fellow genetically composed twins
stand tall on construction sites as if Viking ships -
that i became a placebo impasse of originating
in these islands of lore chronologically asserting
a tie with Arthur and Lancelot -
but not me - *ultimatum extraneus,
i should not have allowed the foetus of the english
tongue to become incubated in me for a child to speak -
so eloquently some might add -
i sometimes wish i had no knowledge of either this
tongue, or my mother's, and knew a celestial
tongue where certain phonetics emerged once the
symbols were peered at long enough, as in runes
the V a shortening of woo - and left there,
to no care for applauding a successful institutionalisation
of the teenager for the time being,
before all became a Jenga pyramid game.

Yeah so *******….

Im tired of your space bound *******

alienate yourself or get a grip

I dont wanna hear your irrate comments

they pass by like comets

unnoticed and unmentioned

pushing harder for the dig

digging harder for that trigger

im not gunna flinch

cuz i got that vigor

You trying to get that dose of jealousy

but let me give you this dose of irony

Your dig’s like a rig

trying to pull me like a pully

im unattached

so when you pull as hard as you do

your gunna crash

in a flash, your smashed, patched and stuck with a past

Speaking of which, ive got a word for you too..

I think you owe me an apology.

This shift in your etymology,

has shifted my idealology.  

Chronologically,

that hasnt worked out well for me.

Spitting **** about philosophy..

questioning my theology.

pretending it was all for me…

Im not some experiment

to understand psychology…

Man, **** your methodology.

Optimism
The dogma that is oh so self-assured of the contingency
proclaiming the prevalence of good over infamy
as though it is incontrovertibly concordant with factual certainty
'tis merely a fallacy or an element of a fantasy in which people live in harmony

Life
But really, in this cruel realm, the mistakes of our forefathers
manifest themselves as demons hollering at us to notify us of the need to be better in this endeavour
or we'd get slaughtered with the blade of a knife comprised of their defeats altogether
forged into a skin piercing crystal reminiscent of their congealed sweat that perspired from the extreme pressure
stimulated from bottling up anger and restraining themselves from speaking up against transgressors
nevertheless, we make the same mistakes to pass it on to the next generation deeming them the successors of displeasure tolerators

Death
What are the benefits of labouring through a 9 to 5 job if its eventuality
is the same as that of lying on the ground all day? It will all come to a finality
the universe is indifferent towards our actuality. It will continue expanding until it reaches the point of totality
emotions are nothing but particular sequences of electric pulses in wads of matter, faulty physicality
any memory held by any entity will eventually be lost at the end of this simulation played out chronologically

A time traveler's going in opposite directions.
Sometimes for the future, sometimes for the past.

Desperately trying to find a way to stop.
To live normal, as everyone should.

To go through-out life chronologically.
To see each moment as it is.
Not what could be or should've been.

To realize no matter what you do in every second,
you are you.

Humans as a self-identifying and somewhat egotistical species are especially bad at this.

We think in terms of "im this, im that, i can correlate to these people"
and sometimes we're right.

But a lot of the times a much simpler answer is needed.

"I am me.
I am not you,
I am not a thought,
I am not a theme nor a palette.

I only exist within this moment."

I used too think the word was stupid
That you should only show it instead
And people only said it to get each other in bed.
Meaningless and absence of it causing stress
But now it's obvious
That the word's stronger than a bus
It stays the same but never weakens or rusts
And it's not just a product of lust
Because it's liberating
To be feeling and be stating
The status of your soul
Defining the connection as a whole
Giving it strength
And extending it out to great lengths
Chronologically
it doesn't actually produce melancholy
The word itself is lovely
Now I see why I love the word
And I'm forever grateful to the person who showed me

The company had told the
Little soldier where to go,
Jut down the street,
Not far at all...
Turned out to be an adventure,
All its own,
It took on its own breath,
its own face,
its own figure,
its own voice,
its own life!
You know those days when,
After it all transpires,
You look back,
And it's its own thing...

This entailed,
Most likely chronologically,
But with the arrival,
back to where I started,
Twas the same thought as,
The chariot approacheth,
O'er the Horizon,
In the deadlands,
On the line,
Lulling her to sleep,
Then along it came,
Not the vessel,
But the urn,
Of Being!
All dressed in hats; except one,
they wandered into,
the frequently adjacent pub,
They were striving,
Starving,
Well worth a sonder,
As I commented,
One responded curtly,
They all did in their own way,
But the Black-Fedora-ed,
Burgundy-Suited man,
Cigaro in hand,
Said he liked my backpack,
(It isn't even mine!)
The last bus approaches, The bus driver calls me back,
Wrong transfer,
I have a feeling,
That he was the most,
Diligent guy they had,
And that I was me,
And I mistook one thing,
That me being able to be there,
would be a first for him,
The john Wayne of Pain,
What's more painful than being,
The maniac bus driver,
Honked at almost every stop,
Some kids got on the wrong way,
Told 'em it was the other way,
Cantankerous old bebop behind the wheel,
Notches another disappointment,
In his leather sides.
As the bus made the,
bewildering turn to everyone else,
I was used to it,
Better for me,
Confusion rose like hot air,
But I thanked the mad,    mad
                                   mad,  mad,
                                       mad,
                                              MAD!
Driver of,
The crazed,
City Night,
I walked,
With my music playing,
crossed paths with the only,
homeless guy I ever see.
Thinking back I should've
Given him the pass,
To get somewhere,
actually I tried one time,
He told me he didn't like,
the bus,
On that nightly traveler,
He went Cold.

The mist bestowed a great story,
As it flew.
Quietly.

Archaic stories,
Chronologically written.
For research to find.
To discover.

Within the mist,
The ruins of the Gods stand.
Where an ancient Demi.
Was awakened..