The patch of bare
skin below your
neck fascinates me,
smooth and pale beneath a
mint-colored shirt,
carelessly left unbuttoned at
the top of your breast.
I shy away from your
adolescent figure,
small and child-like in a
young man's arm,
but a
woman in mine.
I'm not meant to crave your
long hair and gloss-painted
lips, but the
freckles on your
cheeks mock me, your
hips intoxicate me.
I only imagine your
scent, your taste,
sweet and gentle like the
air inside me,
girl's perfume and
shampoo clung to you like
a veil.
You're nothing but
a little girl,
but,
in my arms,
you could be so
much more.

Forlorn sheets fluttering in the winds
splattered in smoke and ruination,
empty the streets where she'd played lost:

Haunting her now among
shadows in the cell she's chained
to slavery
of the religious kind.

Beast more than beast these men that
stare in hubris awaiting their turn
to partake of infidel flesh.

Behold! The holy empire of God is here.

That morning she'd grown up -
blood between her thighs had
stopped her play,
and her chastity was proclaimed.
Selima must learn to respect men
and the ways of God and His
rules of modesty.

Now, as he grunts and groans
in holy pleasure as he mounts
her by turns, ******* at the altar
to be an example of how ******
the lot of the pagan and faithless be.

Mother, is this the modesty that
God commands of infidel women?

How merciful indeed is He that
He creates in faithful men a beastly craving
and provides too for them
uncircumcised ***** in pillage.

He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.

I am no longer rusty
tunic driven like a alabaster skeleton through tongues of wine
hearts of misshaped happiness breathing beneath my tongue
aqua marine
risky
danger zones between close mouths and breath
long locks of dark brown trail against your back
like water paint fluid on your paper like skin
hold me here beautiful forever
I will rest in between your palms
as you open them to gather water from the
river of our sacred dreams
I will lay there like a small fairy
for you
at ease

I understand the viscousness the inexplicable vitality
with a woman next to a woman
I can teach you how to be comfortable with me
we might become black at times

we might burn
reminents built
torn and ashy

but here there is a beauty
a burgundy understanding of similar nature
rich with cause
suitable by death

night bound by the man who believed he was clever
driven insanity
crude hearts gestures
leave that castle
be my vampire
join my tower

touch the sent of the wicker
and dive into this feminine power
I set hot trembling
tender sighs let out
every hour

I will hunt those wild beasts within your breast
hold your hand and kiss your chest
stitch myself to your ivory neck
seek you
until my hearts a wreck

Let the bird of loudest lay
  On the sole Arabian tree,
  Herald sad and trumpet be,
To whose sound chaste wings obey.

But thou shrieking harbinger,
  Foul precurrer of the fiend,
  Augur of the fever’s end,
To this troop come thou not near.

From this session interdict
  Every fowl of tyrant wing
  Save the eagle, feather’d king:
Keep the obsequy so strict.

Let the priest in surplice white
  That defunctive music can,
  Be the death-divining swan,
Lest the requiem lack his right.

And thou, treble-dated crow,
  That thy sable gender mak’st
  With the breath thou giv’st and tak’st,
‘Mongst our mourners shalt thou go.

Here the anthem doth commence:—
  Love and constancy is dead;
  Phoenix and the turtle fled
In a mutual flame from hence.

So they loved, as love in twain
  Had the essence but in one;
  Two distincts, division none;
Number there in love was slain.

Hearts remote, yet not asunder;
  Distance, and no space was seen
  ‘Twixt the turtle and his queen:
But in them it were a wonder.

So between them love did shine,
  That the turtle saw his right
  Flaming in the phoenix’ sight;
Either was the other’s mine.

Property was thus appall’d,
  That the self was not the same;
  Single nature’s double name
Neither two nor one was call’d.

Reason, in itself confounded,
  Saw division grow together;
  To themselves yet either neither;
Simple were so well compounded,

That it cried, ‘How true a twain
  Seemeth this concordant one!
  Love hath reason, reason none
If what parts can so remain.’

Whereupon it made this threne
  To the phoenix and the dove,
  Co-supremes and stars of love,
As chorus to their tragic scene.

          THRENOS

Beauty, truth, and rarity,
Grace in all simplicity,
Here enclosed in cinders lie.

Death is now the phoenix’ nest;
And the turtle’s loyal breast
To eternity doth rest,

Leaving no posterity:
’Twas not their infirmity,
It was married chastity.

Truth may seem, but cannot be;
Beauty brag, but ’tis not she;
Truth and beauty buried be.

To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.

Señor Garcia Marquez
Whatever did you mean
When you wrote of life
And of death by family
I'm in love with
Prudencio Aguilar's ghost
Roaming about the Buendía household
Hole in his throat
Washing out the wound
But what did you mean?!
I'm in love with
Do it yourself chastity belts
And Ursula's fear of ***
But why is this even a theory
Your concept behind biracial inbreeding
And Señor do not get me started
On Melquíades and José Arcadio Buendía
Because that friendship was
Fated to be doomed
I mean no disrespect in all this
I just want to know
Why use Macondo as an allegory
For the Angel Gabriel
You're genius, really
But your run on paragraphs
Infuriate every ounce of my writing soul
You're a Columbian Tolstoy
I mean that as no insult
Your works are tremendous and outstanding
But what am I doing
You're now just an old dead man
"Under the ground"
So now I belong to figure out
Why Pilar needs to fill a void
Opened by a ******
And why Colonel Aureliano Buendía
Thinks of his fond memory of ice
Just before being killed
I've paid my respects to your work
Please pay respects to my search

O, the Horror! Halloween Poetry!

Halloween Poetry: Dark, Eerie, Haunting and Scary poems about Ghosts, Witches, Vampires, Werewolves, Reanimated Corpses and "Things that go Bump in the Night!"



Thin Kin
by Michael R. Burch

Skeleton!
Tell us what you lack...
the ability to love,
your flesh so slack?

Will we frighten you,
grown as pale & unsound,
when we also haunt
the unhallowed ground?



The Witch
by Michael R. Burch

her fingers draw into claws
she cackles through rotting teeth...
u ask "are there witches?"
… pshaw! …
(yet she has my belief)



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them...
sunlight, or a stake, or a cross ― such common things.

Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he earnestly prays to find us...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.



Styx
by Michael R. Burch

Black waters,
deep and dark and still...
all men have passed this way,
or will.

Charon, the ferrymen who carried the dead across the River Styx to their eternal destination, has been portrayed by artists and poets as a vampiric figure.



Revenge of the Halloween Monsters
by Michael R. Burch

The Halloween monsters, incensed,
keep howling, and may be UNFENCED!!!
They’re angry that children with treats
keep throwing their trash IN THE STREETS!!!

You can check it out on your computer:
Google says, “Please don’t be a POLLUTER!!!”
The Halloween monsters agree,
so if you’re a litterbug, FLEE!!!

Kids, if you’d like more treats this year
and don’t want to cower in FEAR,
please make all the mean monsters happy,
and they’ll hand out sweet treats like they’re sappy!

So if you eat treats on the drag
and don't want huge monsters to nag,
please put all loose trash in your BAG!!!

NOTE: If you recite the poem, get the kids to huddle up close, then yell the all-caps parts like you’re one of the unhappy monsters, and perhaps "goose" them as well. They'll get the message.



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;

if shadows fly
moon-sickled skies,
while children toss their heads

uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;

if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams

of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise

to plague nightmarish skies
one night without disguise,

while children toss about
uneasy, full of doubt,
beware the Devil's lies...

it's Halloween!



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



All Hallows Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term “banshee”) and, eventually, to the Druids? One might assume that with the passing of Merlyn, Morgan le Fay and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil’s
fen...

if nevermore again.



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs ― white ― baring,

revealing her lust,
and her eyes, pale, staring...



Like Angels, Winged
by Michael R. Burch

Like angels ― winged,
shimmering, misunderstood ―
they flit beyond our understanding
being neither evil, nor good.

They are as they are...
and we are their lovers, their prey;
they seek us out when the moon is full
and dream of us by day.

Their eyes ― hypnotic, alluring ―
trap ours with their strange appeal
till like flame-drawn moths, we gather...
to see, to touch, to feel.

Held in their arms, enchanted,
we feel their lips, so old!,
till with their gorging kisses
we warm them, growing cold.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on mine like a snake’s on a bird’s ―
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and while I hear everything,
he says nothing I understand.

The moon shines ― maniacal, queer ― as he takes my hand whispering

Our time has come... And so we stroll together creaking docks
where the sea sends sickening things
scurrying under rocks and boards.

Moonlight washes his ashen face as he stares unseeing into my eyes.
He sighs, and the sound crawls slithering down my spine;
my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard, his face bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes ―
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must...



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.

Published by The HyperTexts



Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her...

How can they resist
her faint voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



How Long the Night (anonymous Old English Lyric)
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast ―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore!
shall the haunts of the sea
― the swollen tide pools
and the dark, deserted shore ―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips,
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure...
She sleeps, forevermore!

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely smothered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way...
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea...

their skeletal love ― impossibility!



Dark Gothic
by Michael R. Burch

Her fingers are filed into talons;
she smiles with carnivorous teeth...
You ask, “Are there vampires?”
― Get real! ―
(Yet she has my belief.)



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.


Athenian Epitaphs (Gravestone Inscriptions of the Ancient Greeks)

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
― Michael R. Burch, after Plato


Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
― Michael R. Burch, after Glaucus



Passerby,
tell the Spartans we lie
lifeless at Thermopylae:
dead at their word,
obedient to their command.
Have they heard?
Do they understand?
― Michael R. Burch, after Simonides



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here―among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire―
What use, O things of erstwhile loveliness?


Reclamation
by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Duet
by Michael R. Burch

Oh, Wendy, by the firelight, how sad!
How worn and gray your auburn hair became!
You’re very silent, like an evening rain
that trembles on dark petals. Tears you’ve shed
for days we laughed together, glisten now;
your flesh became translucent; and your brow
knits, gathered loosely. By the well-made bed
three portraits hang with knowing eyes, beloved,
but mine is not among them. Time has proved
our hearts both strangely mortal. If I said
I loved you once, how is it that could change?
And yet I watch you fondly; love is strange . . .

Oh, Peter, by the firelight, how bright
my thought of you remains, and if I said
I loved you once, then took him to my bed,
I did it for the need of love, one night
when you were far away. My heart endured
transfigurement―in flaming ash inured
to heartbreak and the violence of sight:
I saw myself grow old and thin and frail
with thinning hair about me, like a veil . . .
And so I loved him for myself, despite
the love between us―our first startled kiss.
But then I loved him for his humanness.
And then we both grew old, and it was right . . .

Oh, Wendy, if I fly, I fly beyond
these human hearts, these cities walled and tiered
against the night, beyond this vale of tears,
for love, if it exists, dies with the years . . .

No, Peter, love is constant as the heart
that keeps till its last beat a measured pace
and sets the fixtures of its dreams in place
by beds at first well-used, at last well-made,
and counts each face a joy, each tear a grace . . .



Horror
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as a tormented wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?
As I moan
the moon finds me,
fangs goring the deer.



Strange Corps(e)
by Michael R. Burch

We are all dying, haunted by life―
dying, but the living will not let us go.
We are perishing zombies, haunted by the moonglow.

With what animation we, shuffling, return
nightly, to worry Love’s worm-eaten corpse,
till, living or dead, she is wholly ours.

We are the dying, enamored of “life”―
the palest of auras, the eeriest call.
We stagger to attention ... stumble ... fall.

We have only one thought―Love’s peculiar notion,
that our duty’s to “live,” though such “living” means
night’s horrific wild hungers, its stranger dreams.

We now “live” on the flesh of eroded dreams
and no longer recoil at the victims’ screams.



Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild,
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter ...
gone with her now, in the darkest of nights, the flame!

I lie, pallid vision of man―the same
wan ghost of her palpitations’ claim
on my heart
that I was before.

I love her beyond and despite even shame.



Eden
by Michael R. Burch

Then earth was heaven too, a perfect garden.
Apples burgeoned and shone―unplucked on sagging boughs.
What, then, would the children eat?
Fruit indecently sweet,
redolent as incense, with a tempting aroma ...



Outcasts
by Michael R. Burch

There was a rose, a prescient shade of crimson,
the very color of blood,
that bloomed in that garden.

The most dazzling of all the Earth’s flowers,
men have forgotten it now,
with their fanciful tales of apples and serpents.

Beasts with lips called the goreflower “Love.”

The scribes have the story all wrong: four were there,
four horrid dark creatures―chattering, bickering.
Aduhm placed one red petal in Ehve’s matted hair;

he was lost in her arms
till dawn sullen and golden
imperceptibly streaked the musk-fragrant air.

Two flared nostrils quivered, two eyes remained open.

Kahyn sought me that evening, his bloodless lips curled
in a grimacelike smile. Sunken-cheeked, he approached me
in the Caverns of Similitudes, eerie Barzakh.

“We are outcasts, my brother!, God quickly deserts us.”
As though his anguish conceived in insight’s first blush
might not pale next to mine in Sheol’s gray realm.

“Shining Creature!” he named me and called me divine
as he lavished damp kisses upon my bright scales.
“Help me find me one rare gift to put Love’s gift to shame.”

“There is a dark rose with a bittersweet fragrance
as pungent as cloves: only man knows its name.
Clinging and cloying, it destroys all it touches . . .”

“But red is Ehve’s preference; while Envy is green.”
He was downcast a moment, a moment, a moment . . .
“Ah, but red is the color of blood!”

Disagreeable child, far too clever for his own good.

Published in The Bible of Hell (anthology)



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he lies in grasses greenly lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s white eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise . . .
something lurks where the riptides sigh,
something old and pale and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and with tentacles about it squirming,
it feels the cloud above it rise
and shudders, settles with a sigh,
knowing man’s demise draws nigh.



Ceremony
by Michael R. Burch

Lost in the cavernous blue silence of spring,
heavy-lidded and drowsy with slumber, I see
the dark gnats leap; the black flies fling
their slow, engorged bulks into the air above me.

Shimmering hordes of blue-green bottleflies sing
their monotonous laments; as I listen, they near
with the strange droning hum of their murmurous wings.

Though you said you would leave me, I prop you up here
and brush back red ants from your fine, tangled hair,
whispering, “I do!” . . . as the gaunt vultures stare.



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her ...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



Dark Twin
by Michael R. Burch

You come to me
out of the sun―
my dark twin, unreal . . .

And you are always near
although I cannot touch you;
although I trample you, you cannot feel . . .

And we cannot be parted,
nor can we ever meet
except at the feet.



East End, 1888
by Michael R. Burch

Past darkened storefronts,
hunched and contorted, bent with need
through chilling rain, he walks alone
till down the glistening cobblestones
deliberate footsteps pause, resume.

He follows, by a pub confronts
a pasty face, an overbright smile,
lips intimating easy bliss,
a boisterous, over-eager tongue.

She barters what she has to sell;
her honeyed words seem cloying, stale―
pale, tainted things of sticky guile.



A rustle of her petticoats,
a flash of bulging milk-white breast
. . . the price is set: a crown. “A tip,
a shilling more is yours,” he quotes,
“to wash your privates.” She accepts.
Saliva glistens on his lips.



An alley. There, he lifts her gown,
in answer to her question, frowns,
says―“You can call me Jack, or Rip.”



East End, 1888 (II)
by Michael R. Burch

He slouched East
through a steady downpour,
a slovenly beast
befouling each puddle
with bright footprints of blood.

Outlined in a pub door,
lewdly, wantonly, she stood . . .
mocked and brazenly offered.

He took what he could
till she afforded no more.

Now a single bright copper
glints becrimsoned by the door
of the pub where he met her.

He holds to his breast the one part
of her body she was unable to *****,
grips her heart to his wildly stammering heart . . .
unable to forgive or forget her.

Originally published by Penny Dreadful



Evil, the Rat
by Michael R. Burch

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



Temptation
by Michael R. Burch

Jesus was always misunderstood . . .
we have that, at least, in common.
And it’s true that I found him,
shriveled with hunger,
shivering in the desert,
skeletal, emaciate,
not an ounce of fat
to warm his bones
once the bright sun set.

And it’s true, I believe,
that I offered him something to eat―
a fig, perhaps, a pomegranate, or a peach.

Hardly the great “temptation”
of which I’m accused.

He was a likeable chap, really,
and we spent a pleasant hour
discussing God―
how hard He is to know,
and impossible to please.

I left him there, the pale supplicant,
all skin and bone, at the mouth of his cave,
imploring his “Master” on callused knees.

Published in The Bible of Hell (anthology)



Role Reversal
by Michael R. Burch

The fluted lips of statues
mock the bronze gaze
of the dying sun . . .

We are nonplused, they say,
smacking their wet lips,
jubilant . . .

We are always refreshed, always undying,
always young, forever unapologetic,
forever gay, smiling,

and though it seems man has made us,
on his last day, we will see him unmade―
we will watch him decay
as if he were clay,
and we had assumed his flesh,
hissing our disappointment.



Excelsior
by Michael R. Burch

I lift my eyes and laugh, Excelsior . . .
Why do you come, wan spirit, heaven-gowned,
complaining that I am no longer “pure?”

I threw myself before you, and you frowned,
so full of noble chastity, renowned
for leaving maidens maidens. In the dark

I sought love’s bright enchantment, but your lips
were stone; my fiery metal drew no spark
to light the cold dominions of your heart.

What realms were ours? What leasehold? And what claim
upon these territories, cold and dark,
do you seek now, pale phantom? Would you light

my heart in death and leave me ashen-white,
as you are white, extinguished by the Night?



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes wilder than the crystal spray
of silver streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that endlessly rolls
to meet the shattered shore.

Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there
in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.

Originally published by The Lyric



Keywords/Tags: Halloween, dark, supernatural, skeleton, witch, ghost, vampire, monsters, ghoul, werewolf, goblins, occult, mrbhalloween, mrbhallow, mrbdark

Published as the collection "Halloween Poems"

My transcendent transition
Brought by my ****** ambition
Became my personal religion
When I gained a monk's chastity
All my pleas just came back to me
My prayers remain unanswered
Like someone dying of cancer
An inept bow-legged dancer
My skills are useless
My bites are toothless
My eyes are youthless
When my face has been strained
By the energy that was drained
On this ceaseless journey
To sate my ceaseless yearning

They don't look like the pictures they show
They only choose the photos that glow
They're so afraid of being alone
Willing to lie
To lure unsuspecting prey
And trap them in a spider web personality
But webs are useless against grander creatures
And become an annoyance
When all the wildlife
Can only see silk
And get itchy in the effected areas
In our minds we build barriers
In our hearts we grow wearier
Searching for someone to hold us tight at night
Someone that looks right in the light
Someone that helps fight all our plights
Someone to give that tranquil transition
Into that peaceful loving condition

Lying apart now, each in a separate bed,
He with a book, keeping the light on late,
She like a girl dreaming of childhood,
All men elsewhere - it is as if they wait
Some new event: the book he holds unread,
Her eyes fixed on the shadows overhead.

Tossed up like flotsam from a former passion,
How cool they lie. They hardly ever touch,
Or if they do, it is like a confession
Of having little feeling - or too much.
Chastity faces them, a destination
For which their whole lives were a preparation.

Strangely apart, yet strangely close together,
Silence between them like a thread to hold
And not wind in. And time itself's a feather
Touching them gently. Do they know they're old,
These two who are my father and my mother
Whose fire from which I came, has now grown cold?

Every person in this world has a name. Of course, the first thing in life that makes us all different is our name. Or names, perhaps. I know someone who has four names, Marie France Antoinette Anne. I’m friends with someone who has 3 names, Eivram Jan Heaven. Even though 3-4 names are probably hard to have, it’s kind of amazing because it adds a lot to your singularity. And the best example of them all are two names, my best friend’s name is Khelsy Gayle, my eldest sister’s: Christina Andrea, my other sister’s name is Francesca Julia and my name is Kelly Denise. And we all here, don’t even bother to deny it, has a nickname. My best friend’s name is Chellsie and everybody calls her Che. Both of my classmates are both Joshua, and they only have one name, so my teacher, in order for us to not be confused, decided to call the one who has a surname that starts with C, JC and the surname that starts with D, JD and until now we still call them by those names. And in some cases, we pick nicknames by different choices. My eldest sister’s nickname is Zoe and my other sister’s nickname is Franny because my mom loved JD Salinger so much that she named my sisters from her favourite fictional siblings. Maybe my mother wasn’t expecting me, so she didn’t name me from an iconic literary character, or a famous philosopher. Instead, she called me with a nickname that I will be known till the day that I die, it’s called ‘Keidy’. And, to be honest, I hate that nickname. But hey, I have no choice. Or we can all be known for the things that we did. Daenerys Targaryen has a lot of names, Mother of Dragons, Breaker of Chains, Protector of the realm and so on and so forth. Or you can be Arya Stark, who is  No One. An example of a name that people force to be known as but they will never achieve because she will always be Arya Stark of Winterfell.

You see, names are wonderful. It's a proof that everyone in this world, is different. And what a magical thing it is, living in the same world with different people who have different views. And to mention, same views. We all here share same views, and maybe, some of us here even share the same name.

But in every woman’s life, we share the same names. People call us with names that we don’t even have. Each of us have been called or will be called these names.


You will call us, doll. You told us we have so much cuteness in us and we are as beautiful as dolls, and we don’t have any problem with that. Little did we know that some of you don’t really admire our beauty but instead think of us as toys. Toys that you can control, toys that you think would do everything that you want. You will teach us what that we should do, you will teach us what to say and how we should act, you will teach us everything like you own us. And after we do everything that you told us to you will call us good girls.  Good girl,  continue following me.  Good girl,  get ready for more, like we are toys. But of course, you will not call us toys because girls and toys are the same for you, right?

We were taught to be clean, we were raised to be pure. That chastity is the most important thing that every woman should have. And for sure, you all want our purity, but when we disagree like we were taught to you will call us prudes. ***** for choosing who I open up to. ***** for not letting you inside my temple when I am the landlord making choices.  ***** for saying no, because your ego is far more important than my consent. And when we say yes, you will call us *****. Choosing what to do to your own body is a not a thing you should do. Expressing your sexuality is a sin to this world when you’re the one who does it. A woman’s pleasure, is not a real thing. Because we’re not allowed to have one, because we are known for giving one. We are known as ******, as women who are not clean and pure. Who spend their lives offering their bodies like they're the only thing that we can offer. You will shame us for being filthy and disgusting when you’re the reason why we are here in the first place. We are here to pleasure you, to give you what you want. But when we are the ones who would like to experience it, the world suddenly goes mad. We should not experience any pleasure but they can all the time. And when we finally speak for what’s right, our names will suddenly become *******. A ***** for speaking up, a ***** for doing the thing that I should have done ages ago, a ***** for fighting back. A ***** for being strong to be able to remove the tight grip of your hands to my mouth that has been keeping it shut, a ***** for removing the word ’silence’ in my vocabulary, a ***** for being brave to destroy the power that have kept me powerless for a long time.

Woman, I agree that we should be called names. We should be known as fire, a fire so powerful that can lit up the entire world, and burn you for playing with us the entire time. We are warriors fighting for the right thing, warriors that are strong enough to combat all the wrong doings. We are magic,we can do things that everyone never expected we could. Our mind, is the most beautiful place anyone will ever come across.
We are women, and that one word, is more than enough to make people know our value. Woman, the next time they will call you names you do not approve of, tell them. Woman, the next time they lecture you with the things you should do knowing you have your own decisions in life, **** them with your independence. Woman, make them tremble when they realise you are one. Woman, prove them all wrong. Woman, the next time they belittle you; do not let them.

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale ***,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of *******),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!

I'm the next act on stage.
Good.
It's about ******* time all that needed to be said
Finds a way to get out.

So here's the thing:
I've made mistakes
I've ****** up a lot, and I'm willing to admit that
Because every ******, I learn from it
Unfortunately sometimes it takes more than once.

So my first big ******:
I made love.
18 years old, questioning everything
ANGRY for the first time in my life
Really truly ANGRY
and REBELLIOUS
Like I've never been before.
So angry at a God that presumed
To ask everything of me and give nothing back
Who took and took and took and took
And let others take from me, from others
Especially women, a long long time ago
And maybe they were stupid
And maybe they were awful people
And maybe they deserved it but they were STILL PEOPLE
Still women
Still girls like me
Scared and lonely
Hungry for an outlet for all of the ****** passion
And anger DEAR GOD SUCH ANGER
That had built up inside.

So I was mad
And I felt alone
Except for one thing
Him
He who I now look back on and wonder what
My rational brain could have seen
In a hundred thousand eons of pain and suffering and loneliness
What it could have seen in a rat
In a **** like him
But he wasn't that bad
I'm just angry

We made love
We loved each other
And I had anger
So we made love.
As if loving each other made it alright
Because what they never tell you in Sunday school
What they never really get across with all the
"Shou shalt not's" and "Don't touch that's"
About chastity
What they do tell you is don't do it
But they never ******* tell you why
Because it isn't going to last.
It really just isn't
Even though you think it will
Put that stupidity aside and see for JUST A SECOND
It won't.
Just assume it wont.
And you'll be with someone else
And they'll be hurt
They will actually be ******* SHATTERED
That you didn't save anything special for them
That you have nothing to give them that you didn't first give to someone else.

So yeah, I left.
I'm usually the one that leaves.
Out of 10's or 20's of loves
I'm the one that usually loses it first
Except for twice...
Nah... Nah now it's thrice.
And I loved again
And left
And I loved again
And left.
And at one point I felt sorry for what I did
But nah, that was an illusion
Brought on by the tears he wept when I told him
I had nothing left to give only to him.

Then I met another Him
And I told him early because
I was SO SICK AND ******* TIRED
Of having to hide what I had done
Pretending to feel guilty about making love
To a little **** who I loved once
But no, he wasn't that bad
He didn't know any better
I'm the ****. I am.

So I told him
And he got scared
But then he came back...
Oh my god he came back, I thought he would leave.
And he held me tighter
And he loved me more
And he forgave me
He moved on
He trusted me
But back up a little.

And breathe.

His name was Hunter.
And when I met him, I was dating the guy I thought I would change for
And a week later I left.
And I immediately got googly-eyed over Hunter
But also someone else.
His name was Collin.
Collin got to me first, because,
Crazy thing
He seemed more mature
And like he could handle it better if I didn't want to be attached yet
So I told him I didn't want anything serious
And we made out.

And then I started falling more for Hunter
Because Collin was a one-upper.
And Hunter was sweet and interesting
Intelligent in speech
On our first date
We discussed Neitzche in a ****** local burger joint
And he was beautiful
In my life I don't think I will ever find Adonis in the flesh again
And eventually, after trying very hard
I got him to kiss me
God how he kisses is like tasting wine
And has the same affect on my mind
And excites my body beyond what I've felt before
And that lasted the whole time I was with him
It still hasn't gone away
To this day if he kissed me
I think my cells would fly apart with joy

Now here's where my shittiness comes back in
And makes everything confusing
So I was making out with Collin one night
And Hunter the next
And I told them both
I ******* TOLD HIM
"We are not dating."
I said that.
Exactly that.
Meaning there is NO commitment
NO expectations
YOU can do whatever you want with whoever
AND SO CAN I

Eventually Hunter persuaded me to be his girl.
So I basically just started ignoring Collin
Stopped making out
Stopped hanging out
Stopped talking pretty much
So I could be with just the one I had COMMITTED myself to.
And we were happy.
Until I told him.

Then he was hurt.
He felt betrayed
Even though I ******* TOLD HIM
WE ARE NOT DATING
During that time
He felt he had claim on me during that time
Just because he had kissed me
He said "I wish you had told me how little a kiss means to you
I would never have ******* kissed you."
And I got ANGRY
And then you know what?

I said I'm sorry
I said you're right
I said "I put his feelings before yours, that was wrong, and it will never happen again."
I should've never done that.
I didn't do anything wrong.
And I gave him power over me
That no one should ever have.

We spent the last month or two
In despairing bliss
Knowing that at the end of the college semester
Which had been so short
He would go home to Georgia
And I would return to the mountains
And I had played the long-distance game before
And would not do it again

I should have just taken what I could get

So the last day, we helped each other pack
We cried
So much
Into each other's shirts and shoulders
Hearts breaking but hopeful
For a promise
I promised him
AND THIS IS THE ONLY THING I PROMISED
That at the end of the summer
We would both be available
So that we could try again
THAT'S IT

So I cried my way home
And he took his plane
And we Skyped until 2 his time every night
After about another month
The usual sadness and loneliness hit
Being home is bad for me
I lose sense of up and down
As I feel my wheels spinning on the ice
In the freezing summer between springs
I missed him
So much that I felt empty
I ached and hungered and died every day
Though it was nice to see my old friends again
But the worst thing happened
I remembered that I like flirting
And I had already ****** up once

Why not do it again?
Three more times?

For two months I didn't make love
I ******
Mindlessly
Cuddled for a bit with a friend
Then he'd admit he liked me
I'd tell him I wasn't going to date this summer
And he'd get hard
And he'd get insistent
"We can just be friends with benefits"
He'd say
He genuinely liked me
They always did
One even said he loved me
I had no such emotion for them
I just wanted to not feel so alone

So we'd cuddle, talk, kiss, ****,
And I'd go home every time still empty
Still cold
Still alone
And sad
And guilty
And for two months I wandered around in that hell
Wondering why it wasn't getting any warmer
Wondering how the **** I was still alone
With all these men that wanted me so bad
And every night as I fell asleep I thought about Hunter
Oh God... I could never tell him
No, he would never understand

And he didn't.
When I finally told him
Not because it was any of his ******* business
BECAUSE IT WASN'T
We were not dating
There was no commitment
No promises except that I'd be there in the end
We kept admitting love for one another
Which was a mistake in retrospect
But he had no right to feel such claim on me

The worst part was that he had asked me over the summer
And I had lied and justified
And gotten angry
SO ******* ANGRY at him
Every time he got suspicious
HE HAD NO ******* RIGHT
And I got angry
Because I was guilty
Especially because it wasn't helping
And all I wanted was him

So I told him
Not because he had a right to know
But because I finally trusted him enough
And wanted no secrets between us
Wanted one SINGLE ******* PERSON
Who I could show my whole self to
Tell everything to
Just one
And I wanted it to be him
And he was angry

And oh god for days he was angry
And every night he made me cry
Because I told him to let it out
That it might help
So he called me *****
He called me ****
He called me cheater
He told me that nothing meant anything to me
That nothing was special to me
Nothing physical would ever be special or worth anything from me
But... But I still don't understand
Honesty
That was important to me
That was everything to me
And I had given it to him
I don't understand
Why he walked all over it
Why

That
That's enough
I can't talk about this anymore right now
Ask me again another day
Just not right now

Alright I guess I should anyway

So the last month of summer
I was with no one
I spent every night Skyping him
Every night either crying in the hurt of his angry words
Or singing my love and praises for him
And when he went on a trip and couldn't call me
I took pictures and screenshots every night
To show him I wasn't out again
I was at home
Safe
Alone
Waiting for him

A month it went on like that
Until it was finally one week before school
I drove down to the college, picked him up
He greeted me at the door and I lept into his arms
And he held me and we cried
And there was love
And I felt complete
And I could finally breathe again
And the gasps wracked my body with pleasure and pain

I took him and we spent a week of heaven
In my home in the mountain
He met my family
And they all loved him
And we talked
Once in a while there would be a sad moment
But he said he'd try
He said he loved me
And I had hope...

Why didn't he try?
He left me when we got back to school
Why didn't he stay
I don't understand
I've tried so hard
I've mended fences with God
Hoping he can help me
But it's taking time
And it doesn't mean anything to Hunter
Why?
I told him all of the truth
All of it
And laid myself at his feet
Just asking that when he was done abusing me
Done being angry
Done with his vengeance
That he would love me
And keep me
And stay
But he left
I don't understand
I tried. So hard.

And I can't let go of him
How can I?
I invested my whole self in the warm and golden dream
Of lying in his arms at night
I changed myself to be what he wanted
I changed my mind to match his
What more could I do?

Don't I deserve forgiveness?
Haven't I earned just one last chance?

When the King rode off to the old Crusades
He was leaving his Queen behind,
Safe in the hands of his former aids
He was coy, but he wasn’t blind.
He kept her locked in a chastity belt
And hid the key in his gaol,
Then swore the Gaoler to guard it well
Though the gaoler went quite pale.

How could he give a ‘No’ to a Queen,
Or ‘No’ to her favourite Earl,
So he perspired when the King retired
And travelled half round the world.
The Queen was troubled, she said it chafed
And demanded he give her the key,
‘But no, My Lady, I wouldn’t dare,
It would mean the end for me.’

‘Do you think he’ll even remember your face
By the time that he gets back home?
I’ll have you gutted, and then replaced
While he’s still out there to roam.
I’ll ask the headsman to bring his axe,
The hangman to bring his rope,
And six fine horses to tear you apart
If you think there’s a spark of hope.’

‘Your pardon, Lady, I gave my oath
And am bound by the King’s decree,
He swore I’d burn in a barrel of tar
If ever I give up the key.’
‘Then I shall boil you in oil,’ she said,
‘And strip the skin from your bones,
I’ll feed your fat to the pigs,’ she said,
‘And take delight in your moans.’

He sought protection from higher up,
The Earl had noticed his plight,
And said, ‘I’ll send you my personal guard
If you lend me the key one night.
I’ll guard it well, and you’ll get it back
When the sun comes up at dawn,
Not a word of this shall pass my lips
As I stand, an Earl has sworn.’

The gaoler gibbered in fear and grief
He could see his head on a spike,
‘I can’t conspire with your lord’s desire
No matter how much I’d like.
The key is hid in a secret place
That is only known to the King,
He hid it where there would be no trace,
It’s only a tiny thing.’

The Earl then sent his guards to the gaol
And they tore the place apart,
While searching for the chastity key
To settle his troubled heart.
The Queen sat in her apartments, on
A cushion of fine brocade,
It helped to ease where the belt had teased,
And hid where the Earl had played.

The key they found, hid under a slab
At the base of the dungeon door,
And soon the lovers were lain together
The chastity belt on the floor.
The months went by in a lovers sigh
Til the King and his knights rode back,
Their shields and helmets worn and dented
In Saladin’s fierce attack.

The Queen’s trim figure was rather big
When the key was put to the belt,
It’s hard to know what a King would show,
And harder to know what he felt.
But he burnt the Earl in a barrel of tar
And the gaoler did what he said,
He lowered the Queen in a barrel of oil
Til it bubbled up over her head.

David Lewis Paget

Luxuria (Lust)

Asmodeus demon of lust
carnal manipulator
****** captor

Castitas (Chastity)

Embracing virtue
honorable wholesomeness
not through one’s weakness

Gula (Gluttony)

The egocentricity
with which the Lord of the flies
upon us relies

Temperantia (Temperance)

practicing restraint
prudence to judge with regard
remaining on guard

Avaritia (Greed)

The Mammon demon
controlling the warmonger
with vows of power.

Caritas (Charity)

Crave unselfishness
give unreserved empathy
love and sympathy

Acedia (Sloth)

Deny grace and God
so evil shall become fact  
when we fail to act

Industria (Diligence)

Fortitude is a must
persistence in conviction
zealous for passion

Ira (Wrath)

In its purest form
presents violence and hate
Satan’s fate

Patientia (Patience)

mercy to haters
receiving the grace to forgive
rewards are massive

Superbia (Pride)

Lucifer’s downfall
for excessive vanity
destroys humility

Humanitas (Kindness)

Sympathy without bias
belief without bitterness
inspire kindness

Invidia (Envy)

resentful passion
an insatiable desire
potent cause of dire

Humilitas (Humility)

think of yourself less
and not think less of yourself
don’t exalt oneself

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale ***,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of *******),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!

If the Sacred Fire of Vesta went out, it meant one of two things:
             meant
1. Rome was in danger;
                                                  meant
2. A Vestal ******, a guardian of the flame, was having ***.  
Chastity                                      and                                       fire
are two attributes that are directly correlated.  If one is lost,
the other will follow.  Trust me.  This is fact:
                                                                ­                 only ****** women
                                                                ­                   can be celebrated.

The ****** Mary,
                                the ****** goddesses,
                                                      ­                 the way **** was seen as a crime
                                                           ­        against the father, not the daughter:
                            women
                     ­         must
                            remain
                ­              pure.  

Do not eat the pomegranate seeds,
do not touch the fruit of knowledge.  A
                                                   ­                    statue of a young boy
                                                             ­              holding an apple
                                               does not hold
                                        the same connotation
as a woman holding an apple.  Offering it to a man who
could have refused.  Getting blamed for the fall from Eden.  

                           A woman
with a snake draped around her body is not Eve,
is Lilith, but it’s close enough.  They are both to blame for
all the evils of the world, so what does it really matter anyway?  Women
are more susceptible to wavering in their faith in God,
to worshipping the devil, to practicing witchcraft—

            The flames are out.  Rome is not safe.  A “******” is buried
            alive for her sin.  Lilith is slaughtering women in childbirth.  
            Babies  are  dying.   A  man  is  celebrated  for  his  multiple
            lovers.   ****  shaming  in  79  AD.    The  beds   in   Pompeii
            brothels are made of stone.   St.  Cecilia  is  face  down in the
            dirt.   Women on the same level as slaves,  if not lower.  The
                                     goddess Vesta as a housewife.

It was never a crush.
Only strong admiration.

I imagined your lips soft and strong,
With a little tugging in between.
Not too much tongue,
but one long kiss of passion and a bite of lust.

Your neck seems like a good place to hide.
Warm and comforting.
Though your thumb would caress my cheek
And my hands lay on your shoulder.

When I stare at your lips,
they don't speak.
Not to me.
Reality eats infatuation
And watches the clips in my mind.

Your lips
Are no match for mine,
But have have died on me.

Anthony, Anthony, oh dear Anthony. His face is like a little darling's; with tumults of green and gray cheeks blended into one. I wish there had been no yesterday; for yesterday was when he appeared with his rain-soaked, but gay little cheeks; as he smiled at me by the twin moonbeams. Still he is not him; I care not how he wants to tease me in my dream.

My heart is gay no more; its walls are honed imperfectly, and with no goodwill. Its image and charity hath now gone; I am plain, I am like a shy spider grafting about the chattering winter walls. Oh, Anthony, yet how sweet thou wert under the bald rain; and its unleashed forms of cold clouds! Ah, I wish I could lend to you a wonted breadth of my story; but as I gaze, now, into the very soft metallic eyes of thee; I am afraid my words shall never be impossible. Thou hath that brilliant green gaze of nature, my sweet, but thou art not immortal; thou art vital, but thou art not of the same rainbow as he is. He hath, now, been dried and cornered in the unseen lungs of my heart, but his ghost is there. Ah, he, who hath betrayed me like a sparkle of dead candle! How should I treat this misdemeanour, you think? But to my strange suspicion, I cannot but forget of him, even a sliver of memory; for his memories are too elusive, too adequate for my hungry heart. Oh, Anthony, how bashful I am--for not daring to cope with thy questioning eyes!

Like those unanswered rains; which keep wetting the unyielding soil, damaging toiled crops into the limbs of quavering pits. My love was borne with death by him; within the death of his feelings, in which it was but a fossil of discarded flesh like any other corpse. But where is Immortal, Immortal, Immortal? I keep looking for him, in those scarlet hollows, but still I glimpse a sight of him not. I shall keep lulling him to sleep, at least in my dancing dreams; he is the sober prince and I am the guileless princess. Ah, Anthony, tell me how I cannot be guileless; I am honest and decent and carry no defilement of chastity. I am pure myself; with a garden of virginity and its terrific rivulets flowing beneath me. How can my charms be not charitable? Even when I walk, a thousand boughs of blossoms snigger not; they welcome my entry with another thousand wits; they reply to my living steps with a radiance that even heaven cannot forgive. My verbal words might not be delicate, but I am sure my poem is; regardless how hard t'is downfall might be. Ah, Anthony, thou art a miracle still, but thou art no more than an evening story, sadly! I cannot feel my heart become unleashed, as I looketh into thy eyes; I cannot feel grasped by thy cold hands--ah, thou hath grasped me not; but still thy apparition cometh less merited, and rather falsified, than that of his.

How can that be, how can that be, how can that be! Ah, this earth with its villainous glory might blame me once more. It shall toughen my hardship with a whole land of repulsion; it shall intend never again to make me a faithful alliance. It shall satisfy its own self, and metamorphose into a swamp of ungrateful hatred sweated by an edified mockery. Ah, what doth all t'is charm mean, then? I shall face a green apocalypse soon, thereof, before being burned within another blasphemous night. I feel cross, cross, cross, cross, and cross; I grit my teeth whenever I think of my stupidity. I feel as if I was an old dame so gratuitous to thee; I am a luminous fire, but instead I have no seeds and am just as dead as a soundless pumpkin. Ah, Anthony, can thou but restore that lost fire again? I want no speeds, I want to see no miracles, I feel dutiful; but undutiful at the same time. Your heart is right by the doors of Yorkshire--and sometimes grow into the doors themselves; it is funny to see how they are so tidily integrated by the eminence of each other. I shall craft for you a beautiful song; but perhaps a jest like that shall never be enough; it shall be tedious and not pertinacious enough to entertain thy young heart. Thou art in want of my poems, as far as I can see; but all I might do is withdraw my eye and even draw my steps back further, invariably like a rusted old church bell. I am insane; and far trapped in the insanity as I myself am; I am cold-blooded, my heart can, perhaps, be healed only by ease-like murders. I cannot ponder, I cannot think, I cannot consider; I paint the entrance to myself no more-oh, how I miss his laughs like never before! Ah, Anthony, my wintry sun, my autumn soliloquy, my snowy sob; perhaps I shall better be far from thee, for I want not to make thee sore! My heart is as rough as it is; incarcerated in its own heartless panoramic views, brutal like an unattended soil, for hath it just been left unattended for a time; it often wanders to breathe fresh air, but severed once more by the adored's filthy laugh. It comes home and sleeps weeping beside me.

My heart can no longer count; neither can it flinch. It cannot even see colours, including those which were once fabulous; it is far from enormity, but it claims to have one. Ah, Anthony, it is even a brighter scholar than myself! Look, look how hath it conquered my? I have jaws and it has not, I have a heart--ah, I do have it, but I knoweth not how to make it mine. Half of my heart hath been eaten away by a rotten love, even my blood now--as I hath been hearing it, is no longer flowing. I am hurried by the murmurs of the wind every day, ah, but shall I return again to my poetry? I guess, though, I can make time for this gay seriousness; I am poetry and shall always be, I am alarmed by the cries of my poems, and the joys of my sentences. I am mad, as how poets should just be; I am the pictures my poetry paints; and caress them often at night in my arms.

But as you may have seen it, my heart is now dead, plain, and black; my heart who has loved, and still does love, someone. Ah, Anthony, forgive me; forgive me for this solemn labour of my heart; forgive me for choosing to bear this alone. I might love again, someday; I am aware I should triumph over this self-inflicted martyrdom; I shall relieve myself in one blink of wonder, in a more reliable princedom by the sea. Still, I hope, like a gallery of paintings that is planted with a hall of constant transformations, God shall transform the very haven of his souls one day; and refine his atrocious soutane into one righteous and cordial. I might not be the crucial lady yet for thee; oh, how I wish I were! But vain this attempt may be, should we ever doubtfully try it. Ah, Anthony, but gratitude to thee--for once choosing to lay off the puzzle of my heart; for thy gentleness from the very start!

And hath I now finished my breathless narration; I doth miss thee, oh Immortal; I miss thee as I shall miss a piercing sun in these filths and greases winters may bring! Ah, and the clearer picture in my mind carries to me a voice that though thou art fine; thou art dainty no more; and this leaves to me a flavour of
precarious solitude. I loveth thee, Immortal, Immortal, Immortal; my love is as a sky that remains high; my love shall stay flowery until the day I die.

Oh yes,
The past can hurt.
But, you can either run
from it,
Or learn from it.

Spanish

    –Eros: acaso no sentiste nunca
Piedad de las estatuas?
Se dirían crisálidas de piedra
De yo no sé qué formidable raza
En una eterna espera inenarrable.
Los cráteres dormidos de sus bocas
Dan la ceniza negra del Silencio,
Mana de las columnas de sus hombros
La mortaja copiosa de la Calma
Y fluye de sus órbitas la noche;
Victimas del Futuro o del Misterio,
En capullos terribles y magníficos
Esperan a la Vida o a la Muerte.
Eros: acaso no sentiste nunca
Piedad de las estatuas?–
    Piedad para las vidas
Que no doran a fuego tus bonanzas
Ni riegan o desgajan tus tormentas;
Piedad para los cuerpos revestidos
Del armiño solemne de la Calma,
Y las frentes en luz que sobrellevan
Grandes lirios marmóreos de pureza,
Pesados y glaciales como témpanos;
Piedad para las manos enguantadas
De hielo, que no arrancan
Los frutos deleitosos de la Carne
Ni las flores fantásticas del alma;
Piedad para los ojos que aletean
Espirituales párpados:
Escamas de misterio,
Negros telones de visiones rosas…
Nunca ven nada por mirar tan lejos!
    Piedad para las pulcras cabelleras
–Misticas aureolas–
Peinadas como lagos
Que nunca airea el abanico *****,
***** y enorme de la tempestad;
Piedad para los ínclitos espiritus
Tallados en diamante,
Altos, claros, extáticos
Pararrayos de cúpulas morales;
Piedad para los labios como engarces
Celestes donde fulge
Invisible la perla de la Hostia;
–Labios que nunca fueron,
Que no apresaron nunca
Un vampiro de fuego
Con más sed y más hambre que un abismo.–
Piedad para los sexos sacrosantos
Que acoraza de una
Hoja de viña astral la Castidad;
Piedad para las plantas imantadas
De eternidad que arrastran
Por el eterno azur
Las sandalias quemantes de sus llagas;
Piedad, piedad, piedad
Para todas las vidas que defiende
De tus maravillosas intemperies
El mirador enhiesto del Orgullo;

Apuntales tus soles o tus rayos!

Eros: acaso no sentiste nunca
Piedad de las estatuas?…

              English

    –Eros: have you never felt
Piety for the statues?
These chrysalides of stone,
Some formidable race
In an eternal, unutterable hope.
The sleeping craters of their mouths
Utter the black ash of silence;
A copious shroud of Calm
Falls from the columns of their arms,
And night flows from their eyesockets;
Victims of Destiny or Mystery,
In magnificent and terrible cocoons,
They wait for Life or Death.
Eros: have you never perhaps felt
Piety for the statues?
    Piety for the lives
That will not strew nor rend your battles
Nor gild your fiery truces;
Piety for the bodies clothed
In the solemn ermine of Calm,
The luminous foreheads that endure
Their marble wreaths, grand and pure,
Weighty and glacial as icebergs;
Piety for the gloved hands of ice
That cannot uproot
The delicious fruits of the Flesh,
The fantastic flowers of the soul;
Piety for the eyes that flutter
Their spiritual eyelids:
Mysterious fish scales,
Dark curtains on rose visions…
For looking so far, they never see!
    Piety for the tidy heads of hair
–Mystical haloes–
Gently combed like lakes
Which the storm’s black fan,
Black and enormous, never thrashes;
Piety for the spirits, illustrious,
Carved of diamonds,
High, clear, ecstatic
Lightning rods on pious domes;
Piety for the lips like celestial settings
Where the invisible pearls of the Host gleam;
–Lips that never existed,
Never seized anything,
A fiery vampire
With more thirst and hunger than an abyss.
Piety for the sacrosanct sexes
That armor themselves with sheaths
From the astral vineyards of Chastity;
Piety for the magnetized footsoles
Who eternally drag
Sandals burning with sores
Through the eternal azure;
Piety, piety, pity
For all the lives defended
By the lighthouse of Pride
From your marvelous raw weathers:

Aim your suns and rays at them!

Eros: have you never perhaps felt
Pity for the statues?

I knew they'd be more sightings, it looks like I was right
The day has arrived once again, where things have come to light
Shinning armour is absent, and there is no gallant knight
Oh Annette, there's only Den, and your chastity's not tight

It seems Miss Tidy has returned, she's covered a long span
**** escapades displayed again, written by a big **** fan
***** heifers filled Cow Pies, diving in like Desperate Dan
I wouldn't mind a go myself, because I am a man

Bus stops and phone boxes, seem to be your mainstream media
Your depicted as a ****, and your appetite gets greedier
Every time that you appear, your antics are more seedier
Be careful of your infamy, you'll end up on Wikipedia

What the hell is going on, you've resurfaced once again
There's no accounting for good taste, with ******* different men
I don't know if it's better ***, than your getting from old Den
Oh Annette if you get judged, it'll be a Ten from ***

Bus shelters are the place, to read about your ***
Showing intimate parts of your life, like the local multiplex
Written words like **** and ****, are nothing to perplex
It's obvious what's going on, its hardly that complex

If **** *** is preferable, if it's not just a passing whim
You can lick my exposed ****, and I'll give yours a rim
A tight *** is just as good, as a nice warm ****
Oh Annette untidy your legs, and we'll go out on a limb

**** *** excites me, but there's just one small detail
Is your *** completely free, or is your **** for sale
If you use lubrication, then it never will get stale
Naked flesh I really like, that's probably cos I'm male

If telephone boxes we're obsolete, if bus stops did not exist
Where would Annette's news be then, from the *** obsessed artist
Would he try a public lavatory, would he have a different twist
Oh Annette If writings ceased, *** stories would be missed

George Formby leaned on lampposts, but I'm not sure I'm a strummer
Unless you count a *******, and you are a heavy ******
I'll wait until you come by, for one hell of a good ******
Outside in the night light, so much better in the summer

Could you be a lovely girl, or are you an ugly *****
**** ***** and ***** *****, are just the local lingo
Oh Annette if you want ***, don't wait too long in limbo
I can do it on all fours, as well as legs akimbo

Softer holes are better wet, **** positions don't much matter
Whether it is *******, or laying a bit flatter
Certain parties can be fun, if your naked on a platter
A very happy unbirthday treat, I'd share with the Mad Hatter

Do you bite as well as ****, be rough and rarely gentle
let passion take control of you, cos I'm not temperamental
You seem to be the kind of girl, to be experimental
It makes no difference if your a ****, it isn't accidental

There's nothing wrong with ***** *****, if they are never shut
Open all hours is quite fun, when you're an **** ****
I hope you have "**** Handles", that are looming round your ****
So Annette relight my fire, I don't want my long wick cut

Come on now be daring, because you seem like an old friend
I hope your ****** preferences, are not just a passing trend
So much is known about you, with all that has been penned
If your into *** ***, then give your **** a lend

Just how many blokes you've had, well I don't have a clue
There's Den of course but now and then, you try someone new
It doesn't really bother me, if you've had quite a few
You could be in fetish films, if your backdoor is blue

Perhaps I have misjudged you, and you are a teachers pet
And everything that has been said, is something you regret
But If the rumours are all true, then I would not forget
To stuff my ***** up your ****, and I'd say oh Annette !

J.
Ah, J.
A love I hath excitedly longed to find,
A love t'at previously had no name.
J.
A love too thrilling for my sights to feel,
and perhaps th' only love t'at couldst make me thrilled;
A love so genuine and benevolent,
A love so talented and intelligent.
Ah, J.
A love t'at just recently landed on my mind;
And made all my lyrical days far more splendid;
A love t'at briefed, and altered me more and more;
A love so chilly and important, with subt'leness like never before.
Ah, J.
My very, very own J.
Perhaps my future king, my precious, but at times villainous-darling.
Oh, J.
And perhaps I am just not as virtuous as I might be,
But t'is poem shall still be about thee;
For thou art-within my minds, still awkwardly th' best one,
With a pair of oceanic eyes too dear; and a civil charm so fine.
J.
J, o my love.
If only thou knew-how oceans sparkles within thy eyes,
And 'tis only in thy eyes, t'at any of t'ese complications might not become eerie,
And then t'is destiny is true, as well as how truth is our destiny;
So t'at any precarious delicacy is still faint-perhaps, but not a lie.
Oh, J.
A bubble of excitement t'at my heart feelest;
But if consented not, shall be the wound no blood couldst heal;
Ah, J, if the heavens' rainbow wert fallen, t'an thou'd be purer;
Born as a sin as us all humans, thou art cleaner to my heart still, and canst but love me much better.
Ah, J.
If only thou knew-how madness floweth and barketh and drinketh from our spheres,
But even th' devil cannot spill its curse on our strangled love;
At least until everything is deaf-and we duly cannot hear,
As skies descend onto th' sore earth; and our dumb sins are t' be sent above.

J.
How pivotal thou art to me-if only yon foliage couldst understand;
If only t'ose winds were not rivals, but one-or at least wanted to be friends.
Ah, J, even only thy words filled my comical ******* to th' brim;
And as far as heavens' angels canst hear, I am no more in love with him.
Ah, J.
'Tis cause my verses are seeking thy name, and his not;
I may create th' words, but thou deviseth my plots;
Ah, and him, the bulk of egotism, and whose frank misery;
Are but too disastrous to me, and in possession of too much agony.
Oh, J.
Thus thou art th' only one who remaineth solemn;
Th' one to remain ecstatic, and as less aggressive as calmness;
But of the broad thoughts I used to think of him, I feel shame;
He is just some unborn trepidation at night-though on fine mornings, he is tame.
Ah, J.
Let me disclose th' egress of thy journey, and tellest me now-is which towards mine?
Ah, thee, thou who art so bounty, and deliciously fine;
And t'ese thoughts of thee-are often tasty, and oft'times generous;
'Ven when thou'rt mad, and thy chanting is vigorously serious.
Ah, J.
Thee, a soul of painless blood;
Whose disgrace hath been buried;
Whose vanities hath been laid off;
Whose miracles hath been lavished on.
Ah, J.
Thou art one bright portrayal of my merit;
I fell'n love with thee in a single bit.
Thou bore my tears, and scorned away my guilt;
And in th' swaying summertime, thou wert my protective shield.
Thus my, my very own J.
My gale-like, and unutterably luscious poem;
About whom my thoughts are jolly, but mindful and insensible;
Ah, J, I wish I were more frail, paler, and gullible;
Ah, but if only being so couldst make me more compatible.
Oh, J.
And compatible, compatible with thee alone;
Fleshly be thine whenst all is borne on thy own;
Be thy only trusted companion, and thy eloquently verified wife;
Be thine, and thine in wifery only, throughout and for th' rest of thy life.
J.
All Let me then guess but the tranquility of thy thoughts-hath thou gone mad?
Behind us are rainbows, and thus thy songs should not be sad;
But even though they were sad, I wouldst lend thee my heart;
So t'at no summer sunshine couldst further tear us apart.
J.
Ah, J, why are th' blue skies far too impatient in thy eyes?
Just as how thy deep scent is febrile in my air;
Thy gushes of breath are thick in my young weather;
As buoyant as yon summer itself; as voluptuous as lingering daisies.
J.
And t'is ****** scream, within my heart, needs indeed-t' be fulfilled;
And its vulnerability t'ere always, to be killed;
Ah, J, t'ere is 'finitely no poem as beautiful as thee;
T'ere is no writing yet as such, as trivial and distant-as my eyes canst see.
J.
Ah, J, darling, and my very fine darling; is chastity to thee virtuous?
About which my soul is hungered-and t'ereby curious;
But if 'tis so, I shall be merry-and ever meekly laborious;
I shall make it tender, and maketh it a reliant gift, to thee.
J.
Ah, J, and thou came to me one aft'rnoon, with a sweet muteness;
For to thee, poems are far more pivotal to a young poetess;
Yes, and far prettier t'an a beastly bunch of words;
Whose curse is whose sweetness itself-and whose whole sweetness is curse.
J.
Ah, J, so shall I be thy pure lady t'en?
For purity is a curse-and related not within t'ese walls;
Walls of discomfort-irresolute and at certain times foreign still;
Walls t'at shun us-and be ours not, due to t'eir own reserved castigations.
J.
Oh, querida, my random rainbow-but still my dearest querida;
My poetry in th' morning, and th' baffling flute, for my evening sonata;
And as it is sounded, I shall be thy private lonely prelude;
But th' one who maketh thee singular, and nevertheless, handsomely proud.
Ah, J.
And thy perfect red lips are th' stillettos of the sun;
Critical but radiant-all too agonising in t'eir inevitable shape;
So t'at kissing might be just too much fun;
And from which, o my love, t'ere is no such a famous escape.

J.
Ah, J, thou knoweth not-I am asleep only within thy remembrance;
As how I am awake only in thy life, and partake of my justice, in thy glory.
Ah, J, but if satire were the only choice we had, shalt thou be with me?
Ah, my J, for be it so-I shall never regret anything, I shall never say sorry.

J.
Ah, wherefore art thou now, my love? I am now cursed. My dreams are mad.
I am now crawling out of whose realms; I wanteth but'a stay no more in my bed.
Ah, J, but in my dream thou wert too miles and miles away, and indolently anonymous;
I hatest sleep t'ereof, for t'ey piercest me so tiringly, with a harm they deemest as humorous.

J.
Ah, sweet darling, and in our dreams, t'ere is no strain, nor piety;
Even thou-in th' last one, despised my pyramids-and my chaste poetry;
Ah, querida, I am but afraid our loneliness shall be gone 'fore long;
For its temporariness is not sick, and canst work its way along, with a belief so strong.

J.
Ah, love, but t'is loveliness itself-is indeed tyrannous,
And its frigid poetry is randomly perilous,
As how th' daydreams it bringeth forth-which are luminous,
But as love is innocent, by one second canst all turn perilous!
J.
Ah, J, thus our story is brilliant, and in any volume real' magnificent,
With curves palatable, but with some greyness too fair-and too pleasant!
Ah, J, if passion dost exist, and thus maketh it all real;
And at once I shall understand thee; and listen only, to how we both feelest.

Ah, J.
My very, very own little J.
My dearest J.
The harbour of my ultimate love.
My most cordial, and serene spring of affection.
My most veritable nirvana, my vivid curiosity-and shades of frankness.
My dream at heart, and my sustainable ferocious haste.
Th' love in which my ever fear shall subside,
And be overwhelmed by its unfearing light.
J.
Oh, J, my glossy, exuberant darling.
And as more winds sway, and amongst the green grass outside,
I canst but feel thy eyes here watching;
Thy eyes t'at widely grinneth, and flirtest with my poetry itself;
Thy eyes t'at forever invitest, yet are all more daring than myself;
Ah, J, even though t'is love may be a secret scene,
But I hath felt, even vulnerably, not any provoking passion so keen-
For though they couldst my flowed veins hear,
They were still delicately unseen-with a serenity t'at was ne'er here.

Innocence Molested
Innocence has been molested, thrown in dust bin
Just without any sin and just without any crime
The only sin of little girl was to get education to win
The laurels in days to come to serve in her prime

Morality has gone to dogs and dogs are but stray
Their masters are trying hard to save them for brutality
Shameless creatures are hidden in their ***** way
But this time they will not be safe for but heir hostility

Zainab was ***** and killed in the age of just seven
While her parents were on holy journey to Makkah
So sweet a girl being a martyr she embraced heaven
Her chastity purity were converted by rascals to saga

Criminals must be hanged till death for their ***** sin
Little girl be given justice with exemplary punishment
No more little girls be molested ,thrown but in dust bin
Corrupt elements be annihilated as declared and meant

Col Muhammad Khalid Khan
Copyright 2018 Golden Glow

Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”

Whoe’er she be,
That not impossible she
That shall command my heart and me;

Where’er she lie,
Locked up from mortal eye
In shady leaves of destiny:

Till that ripe birth
Of studied fate stand forth,
And teach her fair steps to our earth;

Till that divine
Idea take a shrine
Of crystal flesh, through which to shine:

Meet you her, my wishes,
Bespeak her to my blisses,
And be ye called my absent kisses.

I wish her beauty,
That owes not all its duty
To gaudy tire, or glist’ring shoe-tie;

Something more than
Taffata or tissue can,
Or rampant feather, or rich fan;

More than the spoil
Of shop, or silkworm’s toil,
Or a bought blush, or a set smile.

A face that’s best
By its own beauty drest,
And can alone commend the rest:

A face made up
Out of no other shop
Than what nature’s white hand sets ope.

A cheek where youth
And blood with pen of truth
Write what the reader sweetly ru’th.

A cheek where grows
More than a morning rose,
Which to no box his being owes.

Lips, where all day
A lovers kiss may play,
Yet carry nothing thence away.

Looks that oppress
Their richest tires, but dress
And clothe their simplest nakedness.

Eyes, that displaces
The neighbour diamond, and outfaces
That sunshine by their own sweet graces.

Tresses, that wear
Jewels, but to declare
How much themselves more precious are;

Whose native ray
Can tame the wanton day
Of gems that in their bright shades play.

Each ruby there,
Or pearl that dare appear,
Be its own blush, be its own tear.

A well-tamed heart,
For whose more noble smart
Love may be long choosing a dart.

Eyes, that bestow
Full quivers on Love’s bow,
Yet pay less arrows than they owe.

Smiles, that can warm
The blood, yet teach a charm,
That chastity shall take no harm.

Blushes, that bin
The burnish of no sin,
Nor flames of aught too hot within.

Joyes, that confess
Virtue their mistress,
And have no other head to dress.

Fears, fond and flight
As the coy bride’s when night
First does the longing lover right.

Tears, quickly fled
And vain as those are shed
For a dying maidenhead.

Days, that need borrow
No part of their good morrow
From a forspent night of sorrow.

Days, that, in spite
Of darkness, by the light
Of a clear mind are day all night.

Nights, sweet as they,
Made short by lovers’ play,
Yet long by th’ absence of the day.

Life, that dares send
A challenge to its end,
And when it comes say Welcome Friend.

Sydneian showers
Of sweet discourse, whose powers
Can crown old winter’s head with flowers.

Soft silken hours,
Open suns, shady bowers
‘Bove all; nothing within that lours.

Whate’er delight
Can make day’s forehead bright,
Or give down to the wings of night.

In her whole frame
Have nature all the name,
Art and ornament the shame.

Her flattery
Picture and poesy,
Her counsel her own virtue be.

I wish her store
Of worth may leave her poor
Of wishes; and I wish—no more.

Now, if Time knows
That Her, whose radiant brows
Weave them a garland of my vows;

Her, whose just bays
My future hopes can raise,
A trophy to her present praise;

Her, that dares be
What these lines wish to see:
I seek no further, it is she.

’Tis she, and here
Lo! I unclothe and clear
My wishes’ cloudy character.

May she enjoy it,
Whose merit dare apply it,
But modesty dares still deny it!

Such worth as this is
Shall fix my flying wishes,
And determine them to kisses.

Let her full glory,
My fancies, fly before ye;
Be ye my fictions, but her story.

We all know the story of Romeo and Juliet
But this is the untold story of another fair, beautiful Capulet
Rosaline as you may come to know
Met her demise at the hands of a Montague

She was the first object of dear Romeo's affection
But for dainty Rosaline, Romeo was not her selection.

He desperately tried to win her gaze.
She would only give hints to her hearts twisting maze.
Faithful to her vows of chastity
Another Montague held her key.

Benvolio stole her heart and won her affection
From first glance she was swept away, a true connection
Like the gentle lullaby of a nightingale
Her soul composed a symphony on his instrument could play

Kissed like the petals of a rose by the morning dew
A simple touch of his hand created a overwhelming sensation only they knew
Secretly inseparable, hidden romance
Their houses would not understand, so they took a very risky chance.

Until the day of that faithful fray between Capulet and Montague
Rosaline was caught in the crossfire of the two
Trying to keep the peace she lunged ahead
And at the hand of her true love she was dead.

He had not even a heartbeat to react.
Blinded by hate, a moment he could never take back.
Plagued by loss and despair
As if his lungs had been drained of air.

As the life left her eyes
He died inside.
Tragedy washed over their houses.
And in the end,
Hate won the war,
Love was left mangled and destroyed.

Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.

Published by The HyperTexts and The Chained Muse



White Goddess
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles "Ghost, " "White Goddess" and "White in the Shadows."



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.

Originally published by The Lyric



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...

now that I have forgotten her face.

Published by Poetry Magazine, La luce che non muore (Italy), Kritya (India), The Eclectic Muse (Canada), Carnelian, Triplopia, Net Poetry and Art Competition, Strange Road, Inspirational Stories, and Centrifugal Eye



Villanelle: Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.

Published by Neovictorian/Cochlea, The Villanelle, The Eclectic Muse, Nietzsche Twilight, Nutty Stories (South Africa), Poetry Renewal Magazine and Other Voices International



Lucifer, to the Enola Gay
by Michael R. Burch

Go then,
and give them my meaning
so that their teeming
streets
become my city.

Bring back a pretty
flower—
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.

There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all
its pale forms sublime,
still
Death will never be holy again.

Published by Romantics Quarterly, Penny Dreadful and Poetry Life & Times



Absence
by Michael R. Burch

Christ, how I miss you!,
though your parting kiss is still warm on my lips.

Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.

You left me today ...
and each word left unspoken now whispers regrets.



Having Touched You
by Michael R. Burch

What I have lost
is not less
than what I have gained.

And for each moment passed
like the sun to the west,
another remained,

suspended in memory
like a flower in crystal
so that eternity

is but an hour, and fall
is no longer a season
but a state of mind.

I have no reason
to wait; the wind
does not pause for remembrance

or regret
because there is only fate and chance.
And so then, forget...

Forget we were utterly
happy a day.
That day was my lifetime.

Before that day I was empty
and the sky was grey.
You were the sunshine:

the sunshine that gave me life.
I took root and I grew.
Now the touch of death is like a terrible knife,

and yet I can bear it,
having touched you.

I wrote this poem as a teenager after watching "The Boy in the Plastic Bubble"



Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.
She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.
And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Originally published by Romantics Quarterly



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust ...
hearing the desiccate whispers of voices’
dry flutters,—
moths’ wings
brittle as cellophane ...
Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing . . .
through thin adhesive gloss
I caress your face.



Come!
by Michael R. Burch

Will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder,
when I have lain so long in the indifferent earth
that I have no girth?

When my womb has conformed to the chastity
your anemic Messiah envisioned for me,
will you finally be pleased that my *** was thus rendered
unpalatable, disengendered?

And when those strange loathsome organs that troubled you so
have been eaten by worms, will the heavens still glow
with the approval of God that I ended a maid—
thanks to a *****?

And will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder?



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow . . .
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill . . .
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee . . .
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore.



Every Man Has a Dream
by Michael R. Burch

Every man has a dream that he cannot quite touch ...
a dream of contentment, of soft, starlit rain,
of a breeze in the evening that, rising again,
reminds him of something that cannot have been,
and he calls this dream love.

And each man has a dream that he fears to let live,
for he knows: to succumb is to throw away all.
So he curses, denies it and locks it within
the cells of his heart and he calls it a sin,
this madness, this love.

But each man in his living falls prey to his dreams,
and he struggles, but so he ensures that he falls,
and he finds in the end that he cannot deny
the joy that he feels or the tears that he cries
in the darkness of night for this light he calls love.



Sea Dreams
by Michael R. Burch

I.
In timeless days
I've crossed the waves
of seaways seldom seen.
By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.
With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.
Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.
In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.
I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.
I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no man has sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.
And I've grown and grown and grown
till I thought myself the king
of every silver thing . . .
But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray . . .

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs that I used to climb
when the wind was **** with a taste of lime
and every dream was a sailor's dream.
Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright.
Christ, those nights were fine,
like a well-aged wine,
yet more scalding than fire
with the marrow’s desire.
Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam . . .
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!
It's almost nine
and I must be back home by ten,
and then . . . what then?
I have less than an hour to stroll this beach,
less than an hour old dreams to reach . . .
And then, what then?
Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.
When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.
Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.
The distant cooling clouds.
Then the sun shone bright
with a different light
over different lands,
and I was always a pirate in flight.
Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that rush into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams . . .
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” To the best of my recollection, I wrote “Sea Dreams” around age 18, circa 1976-1977.


He Lived: Excerpts from “Gilgamesh”
loose translation/interpretation by Michael R. Burch

I.
He who visited hell, his country’s foundation,
Was well-versed in mysteries’ unseemly dark places.
He deeply explored many underworld realms
Where he learned of the Deluge and why Death erases.

II.
He built the great ramparts of Uruk-the-Sheepfold
And of holy Eanna. Then weary, alone,
He recorded his thoughts in frail scratchings called “words”:
But words made immortal, once chiseled in stone.

III.
These walls he erected are ever-enduring:
Vast walls where the widows of dead warriors weep.
Stand by them. O, feel their immovable presence!
For no other walls are as strong as this keep’s.

IV.
Come, climb Uruk’s tower on a starless night—
Ascend its steep stairway to escape modern error.
Cross its ancient threshold. You are close to Ishtar,
The Goddess of Ecstasy and of Terror!

V.
Find the cedar box with its hinges of bronze;
Lift the lid of its secrets; remove its dark slate;
Read of the travails of our friend Gilgamesh—
Of his descent into hell and man’s terrible fate!

VI.
Surpassing all kings, heroic in stature,
Wild bull of the mountains, the Goddess his dam
—Bedding no other man; he was her sole rapture—
Who else can claim fame, as he thundered, “I am!”



Enkidu Enters the House of Dust
an original poem by Michael R. Burch

I entered the house of dust and grief.
Where the pale dead weep there is no relief,
for there night descends like a final leaf
to shiver forever, unstirred.

There is no hope left when the tree’s stripped bare,
for the leaf lies forever dormant there
and each man cloaks himself in strange darkness, where
all company’s unheard.

No light’s ever pierced that oppressive night
so men close their eyes on their neighbors’ plight
or stare into darkness, lacking sight ...
each a crippled, blind bat-bird.

Were these not once eagles, gallant men?
Who sits here—pale, wretched and cowering—then?
O, surely they shall, they must rise again,
gaining new wings? “Absurd!

For this is the House of Dust and Grief
where men made of clay, eat clay. Relief
to them’s to become a mere windless leaf,
lying forever unstirred.”

“Anu and Enlil, hear my plea!
Ereshkigal, they all must go free!
Beletseri, dread scribe of this Hell, hear me!”
But all my shrill cries, obscured

by vast eons of dust, at last fell mute
as I took my place in the ash and soot.



Reclamation
an original poem by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me—progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically—her dowager figure,
and there is something about her that my words transfigure

to a consuming emptiness.
We are at peace
with each other; this is our venture—
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts

to the first note.
Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.



Everlasting
by Michael R. Burch

Where the wind goes
when the storm dies,
there my spirit lives
though I close my eyes.

Do not weep for me;
I am never far.
Whisper my name
to the last star ...

then let me sleep,
think of me no more.

Still ...

By denying death
its terminal sting,
in my words I remain
everlasting.

Keywords/Tags: Epic of Gilgamesh, epic, epical, orient occident, oriental, ancient, ancestors, ancestry, primal

Leashed by loves lynch till I’m dropped by my lack of respect for the beauty’s presence
Thank god she wasn’t curbside taking tips with perked lips for a stranger’s ****** fix,
But I needed to feel the evidence that the pieces fit,
That’s why this is about me and a barstool princess

Getting close enough to taste the moans of *****’s venom
Get close enough so I can know my needs can be fulfilled

Like a lunar eclipse this species keeps grinding its teeth when teased
Time and time again we’ve been taunted by,
The mistress our ancestors once described as the serpent of Eve,  
When procreation was preached as an STD

Yet we’ve been perpetually pivoting,
To defy the chastity of a species

Grandfathered misconceptions relating to why you and I exist  
As wickedness warms in the covers of the lustfully parallel
So let’s drown in this bliss,

From head to toe, eye caught, grazes at the nose,
From the bar stool to a lonely man’s home,
From one dollar tips for two *** and cokes
To the bedroom of this writing,
The nights like this, that remind me I am alone

But this isn’t about me loathing the fact that I won’t hear her whispering for more body warmth,
Nor am I looking for you to pity me because I’ll be sleeping solo
Enough is enough since we are humans seeking ****** catacombs

I’ll try to be an adult about how the human molds but it started me at childhood,
When those that conceptualized love gave me this world,
And now I no longer have to listen to what I’ve been told

This is about how to perceive something we can never truly control,
Lucky enough to avoid a contraceptive despite unable to remember the doctor’s pull,
Its night’s like this I get to question,
When will my sheets meet the perfect fit?
When will this be more than just a humanizing fix?

Come!
by Michael R. Burch

Will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder,
when I have lain so long in the indifferent earth
that I have no girth?

When my womb has conformed to the chastity
your anemic Messiah envisioned for me,
will you finally be pleased that my *** was thus rendered
unpalatable, disengendered?

And when those strange loathsome organs that troubled you so
have been eaten by worms, will the heavens still glow
with the approval of God that I ended a maid―
thanks to a *****?

And will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder?

Keywords/Tags: sonnet, god, religion, Christianity, puritanism, chastity, ******, virginity, nun, ***, lust, desire, death, grave, passion, lightning, thunder, earth, womb, tomb, worms, organs, maid, maidenhead, *****

This is the other side of sanity!
I think to myself,
a riddle in the middle of chastity, vanity?
what is it that I have to say?
Is this not another day or is it a play?
Vaguely we are tossed into this
post hence I have seen the other side-
this day with you...this day that never came.
I will not be able to tell the difference of pleasure
or pain.

I am still lost dreaming on to the memory,
you stood there in the middle of high school square
doe-eyes intent, hidden behind you're intense
endless hidden truth, your boyish youth.

A dream of gazing into those eyes some day,
I never wanted to say goodbye or go away,
this world carried me to the "other side" and it was
"too late," I was unable to "succeed." Who am I
to seek this "other side?" In the sky?
What we never do? Call this "side" what you will,
but in the end I would have gladly battled madly
through hell for a chance to share your world with you.

Oh, here I go again, blithering sadness, sad poem!
Look to the skies when you're alone, then maybe
on the clearest of nights when this whole world
they've built of stone is gone you will finally find out
how beautiful you are so.
Even if I never got to see you understand this or
spend another day with(out) you...you are all
I can't get off my mind no matter how hard I try
I will continue to see you can't forget you
Even in my wildest