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"carvings" poems
It was golden and splendid, That City of light; A vision suspended In deeps of the night; A region of wonder and glory, whose temples were marble and white. I remember the season It dawn'd on my gaze; The mad time of unreason, The brain-numbing days When Winter, white-sheeted and ghastly, stalks onward to torture and craze. More lovely than Zion It shone in the sky When the beams of Orion Beclouded my eye, Bringing sleep that was filled with dim mem'ries of moments obscure and gone by. Its mansions were stately, With carvings made fair, Each rising sedately On terraces rare, And the gardens were fragrant and bright with strange miracles blossoming there. The avenues lur'd me With vistas sublime; Tall arches assur'd me That once on a time I had wander'd in rapture beneath them, and bask'd in the Halcyon clime. On the plazas were standing A sculptur'd array; Long bearded, commanding, rave men in their day— But one stood dismantled and broken, its bearded face battered away. In that city effulgent No mortal I saw, But my fancy, indulgent To memory's law, Linger'd long on the forms in the plazas, and eyed their stone features with awe. I fann'd the faint ember That glow'd in my mind, And strove to remember The aeons behind; &
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21.4k
The City
my blood turns black in every puncture, steel goes in just, even faster, i do not care how they see me, i go to church even though you don't believe me, i may be modified and full of carvings, but my passion and care  will never vanish
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Dec 13, 2014
Dec 13, 2014 at 7:04 PM UTC
discrimination
writings on the inside of my walls pictures and symbols of our love deep sounds of moaning rising from within nails digging deep and deeper into flesh carvings of sensual sensation creating waves and waves of passion ******* together in unison simulating each senses, the aroma of love written on my papyrus
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Mar 27, 2019
Mar 27, 2019 at 8:58 AM UTC
hieroglyphs
Tied down to my mistakes A worn path never re-grows it seeds My emotions like wild flowers Skirt along the edge in light Gently swaying in summer breeze I watch the clouds pass by A moment captured, then released I run, across green green grass Down different roads past carvings on tress Mend broken bridges That led us to golden beaches and start again. But your eyes hold me to this path Your heart guides me through this pain And I can only follow the trail Of your memories for so long And time will let me stumble on my own To find a clearer path to travel, To find a life without you.
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Nov 12, 2014
Nov 12, 2014 at 9:47 PM UTC
Countryside
of beautiful things willowy warbler's wax'n wings silvery strumming singing sands languid lagoons in luxurious lands carvings of creosote cacti create fulcrum of flame thru frivolous fate volcanic vestibule vestments and vestiges historical hypothesis harmonious heritage melanin melange mellifuous mild woodduck waters wheeling and wild crystal caverns creating light nocturnal nymphs announcing the night sumptuous sunsets scintillation's scream dramatic dawn drawn from a dream SoulSurvivor (C) 12/2/2015
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Dec 2, 2015
Dec 2, 2015 at 6:23 PM UTC
appreciation
About a mile out of town Past the village in the mist Sits a tiny Country Church Not found on any list It's for Catholic and Baptist It's for Protestant and Jew It's doors are always open This church is here for you The town is near two hundred The Church a few years more There are tales about this building That are part of local lore The church is small in stature But large in who it serves It's a place to go and worship It's a place to calm your nerves The pews are hard and narrow Carved by hand you see One has crumbled through the years So in all there's thirty three Seventeen pews on the left side Sixteen on the right Hand carved with love by someone And all are painted white At Easter and at Christmas The Church is full as it should be And as one of those who enter I say, it's something you should see The pews seem so much whiter When the voices sing so loud If it could be witnessed by it's builders I know they would be proud There are carvings in the church pews Left by many through out time On the second one in on the left Is my brothers name and mine The pews are worn in places They've supported many souls Who have come in here for comfort They have come to be made whole The one pew that is broken Was fixed but once more broke It was decided then to leave it By the elders, local folk The minister in charge then Stood and told those who were there "To fix what keeps on breaking" "Wastes time, we could better share" "Besides, look all around you" "The pews, there's thirty three" "To you, it should hold meaning" "Think hard, and you will see" "Remember, Christ our Saviour" "Think of his age on his last day" "Thirty three, that is the number" "Now, think on that next time you pray" "The Church pew that is broken" "Can't be fixed, so let it be" "It's as though it was intended" "To help give strength to you and me" The Church out in the Country Will stand longer than me And will witness many Christmas' From church pews ...all thirty three.
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Dec 24, 2018
Dec 24, 2018 at 10:49 AM UTC
The Country Church
About a mile out of town Past the village in the mist Sits a tiny Country Church Not found on any list It's for Catholic and Baptist It's for Protestant and Jew It's doors are always open This church is here for you The town is near two hundred The Church a few years more There are tales about this building That are part of local lore The church is small in stature But large in who it serves It's a place to go and worship It's a place to calm your nerves The pews are hard and narrow Carved by hand you see One has crumbled through the years So in all there's thirty three Seventeen pews on the left side Sixteen on the right Hand carved with love by someone And all are painted white At Easter and at Christmas The Church is full as it should be And as one of those who enter I say, it's something you should see The pews seem so much whiter When the voices sing so loud If it could be witnessed by it's builders I know they would be proud There are carvings in the church pews Left by many through out time On the second one in on the left Is my brothers name and mine The pews are worn in places They've supported many souls Who have come in here for comfort They have come to be made whole The one pew that is broken Was fixed but once more broke It was decided then to leave it By the elders, local folk The minister in charge then Stood and told those who were there "To fix what keeps on breaking" "Wastes time, we could better share" "Besides, look all around you" "The pews, there's thirty three" "To you, it should hold meaning" "Think hard, and you will see" "Remember, Christ our Saviour" "Think of his age on his last day" "Thirty three, that is the number" "Now, think on that next time you pray" "The Church pew that is broken" "Can't be fixed, so let it be" "It's as though it was intended" "To help give strength to you and me" The Church out in the Country Will stand longer than me And will witness many Christmas' From church pews ...all thirty three.
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64
I'd like to be barefoot just me on my own walking in this place I'd never feel alone I wouldn't worry if they're watching or care who "they" are I'd feel the history beneath my feet when I trace every scar Floors have memories of that I'm sure they remember who's been there and know the power of age it's never enough just to stare I crave to feel stone on skin I see the carvings dance high above but I want to feel these paths filled with both hate and love people have died where I'm standing but I can't feel their blues because instead of stone I feel the souls of shoes Some crave the feeling of skin on skin but more seductive is stone because no matter the age it's memories that I can't own
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Sep 16, 2010
Sep 16, 2010 at 1:06 AM UTC
Lincoln Cathedral
Hundreds of orders behind but never never never Never quite out of business. I cut my finger often but my carvings are cut, always must be. I owe the people wooden hearts to call their own. And I owe myself a living, living with clocks and statues and cabinets for some purpose known by God.
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Dec 3, 2014
Dec 3, 2014 at 12:23 PM UTC
Xilografia
Fissures cut through thick mocha fur, saturating The forest floor with stark crimson. The deer flails, Broken, knees buckled, breath shallow and emerging As vanishing steam in frosty November air. He falls on a bed of sugar maple leaves, illuminated In dappled sunlight and fulvous hues. “Must’ve been the coyotes,” my brother whispers, As my pocketknife meets the stag’s throat. Gentle Auburn clouds and freezes time, the body falls still. My father says, “Sacrifice is a form of worship, but it is only through Mercy that we may show passion for what we believe.” Coyote bites prevent carvings from going to Buxton’s General Store, But what nature produces it also receives. Ants forage along the split underbelly, And a red-tailed hawk carries away the entrails. History defines the antlers of deer as symbols of the Gods, And men would wear them atop their heads. I collect only them, still draped with threads of velvet, Knowing that years from now, nestled inside the perimeter Of wind-beaten fences around the family farm, beyond Moss-covered slopes and the Wishing Rock, Will be the bones of a solitary stag.
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Sep 22, 2014
Sep 22, 2014 at 1:50 PM UTC
Mercy
I want to paint this on your skin, what prevents your spirit from trembling. What makes your flavor fluctuate, Is there something special I can serve you. I came to you on two firm legs, smoothed the covers, and lifted you from that bed. You came with full breaths Palefire, and unblended acceptance. My frown will not speak of you, but your pride steals the covers. With a hurricane in your chest , and a sadness that rips me to death. I just realized my folly, five seconds after Touching my finger to a false heart. Took your polished please, without giving a thank you. Brilliant resplendence of your redolent virtue. Arms clenched, a wool sweater, bitter. Leisurely cassette tapes, guide down to the truth. The airy pleasures I have grasped at the heights Match not the singular joy, in the cup of coffee in the garden Of shredded roses, and bone carvings. Favoritism, lies in the past, and it won't change. What has been done, trumps what shall be done. You won already. All I ask, is you guide me. My hands and wrists, like leaders, Gently wrapped around your skull, So I can cradle that delicately invincible brain, Mending skin and hair with perfection. And this? This I will carve into the table that you took away from loving me. My love for you mirrors your footprints, into the infinity of oblivion. .
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Sep 6, 2012
Sep 6, 2012 at 7:20 AM UTC
Oblivion
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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45
You travel between disparate realms desperate knights, with splintered shield and cracked helm, black rose on their white backs. Such void, from which universes are created, where normality is clay, and plasticity. Granting merit to my thefts Your ink spills in torrents, rapidly alternating colors. But my black and white photos they are beautiful too! I never have known boredom as a man in my own home, such is my inability to understand how you flit and zip, I only have two hands and two lips, to try and transform a gift, from the norm, while a storm sleeps beneath every syllable. Countless bodies, devoid of mind until swooping in they come, it is not enough that I possess true feelings. It must be the purity within my tainted stanzas that counteracts the inadequacy of the volume. Or some subliminal, or sublingual amplifying agent or reality distortion involved, which brings shapeshifting angels gliding by, leaving tokens of bone carvings, and charcoal drawings of what I choose to hide, but simply cannot.
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Sep 20, 2012
Sep 20, 2012 at 11:17 AM UTC
Charcoal and Bone
we lit the match of ignorance and set this world aflame wars money power control you think this is a game? children starving tree carvings across polluted floor what happened to this earth of ours that we simply can control?
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Jun 12, 2019
Jun 12, 2019 at 3:58 PM UTC
Ashes
Have a look at this intricately fashioned globe How it has been beautified with perfect contrast Soothing green carpet and calm blue canopy Compels you to admire its each and every lobe Have you ever imagined it without these colours? How it would appear with all its ink gone… Dull, boring and blank is a portrait without paint Life would surely lose all its vivid flavours Have a look at the sky, brushed with black How it has been studded with priceless jewels Far beyond the reach of Kings are these colours Dazzling for the artist is this silver round on black Have you ever imagined it to be washed off? How it would appear with all its glitter invisible Surely no one would bother to look above You and I love to live due to these colours Have a look at whatever you swallow and chew How it has been made mouth watering for you The perfect blend of colours tempts you to eat Nature has already garnished all that you need Have you ever imagined all this to be colourless How it would appear with its blank coat Probably no one would relish this feast Your sense of sight might seem to be useless Have a look at the humble king of flowers How it has been made a symbol of love Those red chunks resting among green carvings So inspiring is this beauty which nature showers As I look towards the roof of this globe The rays of the golden ball give me hope Colours encourage me to move despite all obstacles I owe my existence to these conspicuous colours Written by: Fakiha Hassan Rizvi
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Sep 25, 2010
Sep 25, 2010 at 5:57 AM UTC
COLOURS
Have a look at this intricately fashioned globe How it has been beautified with perfect contrast Soothing green carpet and calm blue canopy Compels you to admire its each and every lobe Have you ever imagined it without these colours? How it would appear with all its ink gone… Dull, boring and blank is a portrait without paint Life would surely lose all its vivid flavours Have a look at the sky, brushed with black How it has been studded with priceless jewels Far beyond the reach of Kings are these colours Dazzling for the artist is this silver round on black Have you ever imagined it to be washed off? How it would appear with all its glitter invisible Surely no one would bother to look above You and I love to live due to these colours Have a look at whatever you swallow and chew How it has been made mouth watering for you The perfect blend of colours tempts you to eat Nature has already garnished all that you need Have you ever imagined all this to be colourless How it would appear with its blank coat Probably no one would relish this feast Your sense of sight might seem to be useless Have a look at the humble king of flowers How it has been made a symbol of love Those red chunks resting among green carvings So inspiring is this beauty which nature showers As I look towards the roof of this globe The rays of the golden ball give me hope Colours encourage me to move despite all obstacles I owe my existence to these conspicuous colours Written by: Fakiha Hassan Rizvi
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33
My breath is barbed; skeletal strings shift into smoke, drifting into the shadows as the darkness will choke. Pearl snow stuffs my skull; my grandmother in an earthern womb, sleeps under it all. A tombstone the last thing we bought-- a report card of her life: She is with Him in Heaven, In Paradise... With Him, Without Pain-- is speculation but turns into thought. The icy steps do not deter me as I sit on the crooked concrete spine; speaking to her, hoping the snow does not make her cold, any more, 'I can stay a while longer... I do not have to go home, yet.' - Eco-friendly light spills from under the door, forming a pool as yellow as diseased skin. The brass doorknob is like a girl I once loved: hard on the outside, hollow in the inside, unable to be moved and okay with it. Fury from a faucet fills the bathtub and rings my ears with its intent: to fill a void and go away when cold. She lays in the water the city treats better than us, wading in a wealth of watermelon wash; her body flushed from fading flesh, pores swim and stretch around cursive carvings, kissing cursed curves-- and I sit upon a bone-white curb, stirring my finger in the soup of her day; watching the drain **** wondering if she'll, too, drift away.
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Dec 7, 2015
Dec 7, 2015 at 7:44 PM UTC
The Coat of the Season
. night streets and scars of light                       scarves of light moving subtle bustles  of shadowed light carvings of royal light    robes of velvet light                         make out expressionist doorways strobes of light   fink and fit in protest         coding behind enemy lines captured light  fires colourful snakes about in flaring curved science tubes                       flagging the bartering night   flogging the                                                   urban night we've made apparition in honour of daylight and out of the theatre fear                        of our own bogged nature   synthetic ghosts of light                                  charge away ghosts electronic noises   scare away the horrifying lull of the dead                                       (a dead we don't believe in)           twenty four seven behaviour    to busy away the very spirits we have hungered and to plot against     all that unnecessary sleep business
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Sep 10, 2025
Sep 10, 2025 at 9:53 AM UTC
n i g h t - l i g h t
Carnival carvings seep into your tombstone. And from the ceiling, we hanging, in red and black striped pajamas watched you get lowered. The jesters        cartwheel in my laugh, they travel and trial, tediously tar, and rat aches in to my tartar. I weep for the wayward west, that (you never explicitly promised) we were to visit. I've seemed to begun, helter-skelter a few;                    steam trombones There are no masonry aemons. Of ghouls gnaws only poetry, awaiting our reunion, my dearest Laika- forever deceased.
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Mar 7, 2019
Mar 7, 2019 at 8:16 PM UTC
Laika
# I dream of a world where you're not raging  at me or ridiculing me to your friends     for simply       my just being me.. Where you're not  throwing me under the bus  in order to make things go your way. There is a lodgepole pine,   a stick of wood that you fancy as a staff in front of the crowd   But like every single one of them--   it is only a prop     to keep you from  falling over.. Wordsmith-formed, your poetic   carvings into your staff,   only weaken it And no one in your selected crowd   has the courage   or the substance to tell you that  the drawn out  nature of each creative word only hastens the prop's break. .  .  . The weight of the brass,   polished on your ship, sinking down will break the mast  at its base.. to that place..  all the way,  down-- the place where you have   c a r v e d      *your most                finely selected word.* #
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Mar 14, 2021
Mar 14, 2021 at 11:44 AM UTC
modern poetry
Some people are of God, The thinning of their sole, torn shoes and worn clothes tell the tale only hearts of God hear. How blessed, for their treasure lies within, no fear of loss, no fear of pain because the glacier of faith they carry within is too magnificent to be beautified, yet too fearsome to let any fear linger around the edges. Everyone of us is a keeper of that glacier. It's only, that the burns sometimes melt the forted edges of iceberg of faith. But the keeper knows exactly when it happens, and when it can happen. And do we not sometimes melt and do we not always gather our blistering crystals, do we not bear the burns on our palms and yet we stand strongest after the burning waves of fate pass on? It melts, it smoothes, it shapes and after all the carvings in the keeper's castle, makes him even more majestic.
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Jul 3, 2015
Jul 3, 2015 at 7:24 AM UTC
When you gathered your blistering crystals.
I was walking along the shoreline On a warm afternoon in July when I noticed a piece of polished wood Bobbing helplessly in the shallow water, So I pulled it from the salty sea and Admired the intricate carvings and Detailed line work across the face. Just as I was running my thumb Over the still smooth edges, I Noticed another piece floating Just a few feet away from me. Within the hour, I had gathered An entire armful of wood, and Within the week, I had an entire Table full of mismatched pieces. So I began working unceasingly At putting the pieces back together. I started with the inside, the Smooth heart shaped piece with The slight cracks and divots, Followed by a circular piece That resembled the brain With the deep crevices. I then pieced together The smooth fingertips And the rugged feet, And connected every Limb and joint together Until a boy of about Six feet was standing In front of me. I snapped on the Final piece and watched As he came alive before me. His eyes as deep as the mahogany Looked into mine and smiled, as Though thanking me. And he turned his Back to me and Walked away. It wasn't until That moment that I realized I had poured Every ounce of myself into Piecing back together that boy, So now every ounce of myself Was walking out my front Door with a real boy Who didn't need Me anymore.
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Jul 7, 2013
Jul 7, 2013 at 6:59 PM UTC
Real Boy
Follow the beat through. When i learnt tennis , my point to work on was follow through , now i see ..... played out in my life. The wonderment of a follow through. Oh what pleasure , to meet the kindred gatekeepers, with raspberry chocolate on a dream beach , with mirage water..... way out , shifting lake light blue to deep oceanic aqua. Sand made out crystal , old glaciers roamed here , leaving in their wake ice pathway earth carvings that are now lakes. The shield is up north , pure crystal. Unlike Bali beaches , with miniature coral atoms in the sand mix. We sit and laugh , a hollyhawk , Rainbow deer , Earth tree mountain lion and I a Sky Albatross , humming the sound of ancient code into Dr Who time dreams. Where we flow and merger - align each other - heal , give , beckon to ourselves to come forth , higher self crystalize!! We all touch differently, arriving at situations step , dance -reaction to the current atmosphere, we've all jumped. We've all landed. We've all felt the other side of being human. Careful not to time travel too much , then we get stuck in the loop of always moving to nowhere.... Land AHOY! We , i can feel , are all in the throws of a well navigated land - the Hawk's message from 2 and a half weeks ago - Received. The corners are no longer so sharp , the waves no longer as fearful , we fellow beings stand at the entrances end showing the way through to eternity. Transitions still in progress, nearing completion. 22nd of April - a date to watch. 1 year traveling. Time to reap those seeds! Yippiee!
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Apr 11, 2014
Apr 11, 2014 at 11:15 PM UTC
Friday 11/4/14
Follow the beat through. When i learnt tennis , my point to work on was follow through , now i see ..... played out in my life. The wonderment of a follow through. Oh what pleasure , to meet the kindred gatekeepers, with raspberry chocolate on a dream beach , with mirage water..... way out , shifting lake light blue to deep oceanic aqua. Sand made out crystal , old glaciers roamed here , leaving in their wake ice pathway earth carvings that are now lakes. The shield is up north , pure crystal. Unlike Bali beaches , with miniature coral atoms in the sand mix. We sit and laugh , a hollyhawk , Rainbow deer , Earth tree mountain lion and I a Sky Albatross , humming the sound of ancient code into Dr Who time dreams. Where we flow and merger - align each other - heal , give , beckon to ourselves to come forth , higher self crystalize!! We all touch differently, arriving at situations step , dance -reaction to the current atmosphere, we've all jumped. We've all landed. We've all felt the other side of being human. Careful not to time travel too much , then we get stuck in the loop of always moving to nowhere.... Land AHOY! We , i can feel , are all in the throws of a well navigated land - the Hawk's message from 2 and a half weeks ago - Received. The corners are no longer so sharp , the waves no longer as fearful , we fellow beings stand at the entrances end showing the way through to eternity. Transitions still in progress, nearing completion. 22nd of April - a date to watch. 1 year traveling. Time to reap those seeds! Yippiee!
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20
Oh mother and father The fields and the bibles The barns and the woods A bird cries for more Green forever Oh my love; my queen The carvings and the maples The sweet lips and gentle Hands clasping my arm; Moonlight quiet and sunlit smiles For a while. Oh brothers and sisters Look at the fire Look at the ash Look at the skies Feel my skin Feel A dry scale on my back Crawl in the forests Roll in the mud Feast on the fallen Birth to the given Eyes on the sky and the sky so blue I am alive I am alive I Am Alive.
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Jan 9, 2014
Jan 9, 2014 at 11:50 AM UTC
I am alive
i remember when we smiled through the phones and we wondered what it'd be like to hold each other close-- and it was such a far away dream of a happiness that i had never known and when i saw you standing real and tall your skin, dark to my pale, caressed the bracelets of scars i wore as badges of honor and you held me like i was something precious, a feeling i'd never known and it all just felt so real and endless and i closed my eyes wide to all your faults just to keep that feeling for a little bit longer and you smiled and held me clinging to my skin and to the thoughts of a future that we would never have and now snippets pass before my eyes of years later like the snips upon my wrist the same wrist that you kissed the wrist that now wears a bracelet of your name etched into a scabbed memory of screams and decay of a once first love. but there was still a day where these carvings weren't real and all that mattered was your eyes finding mine and for a moment in your arms, i was warm.
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Feb 27, 2014
Feb 27, 2014 at 12:18 AM UTC
a love gone cold