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 954Β° 
Kai
I've been lately writing poetry!
Oh? What do I see?
A perfect poetry site waiting for me!
First poem, proud of it!
Oh? Someone in my messages?
This guy seems sweet
And he's hoping I don't get beat!
Pretty songs for me to listen to!
And a drunk man messaging me...?
β€œYou're only making yourself a victim because you're cutting yourself"
Oh? Okay- thanks for the paragraph/drunk rant?

Shining lights on all of my latest poems?
Thank you! You're so sweet!
….oh…talking to me about pedophiles…got it…
Why are there so many sad songs?
WHY DOES THIS MAN HAVE SO ****** MUSIC TASTE AGGGHGDGFGCC

Oh? You wrote a poem about the 764 and absolutely humiliating them?
Great! Good job!
…But uhh… why and how did they make a virus only going after your followers that are minors? Not funny!
Why is this man warning me if they threaten me? Is he trying to make me scared on purpose?
Blaming the Japanese for this virus now, huh?
Oh? Now blaming someone else named Pax to be part of the 764? Crazy

…. going to another website? But you're so fun!
May as well click on the link you sent me so I can join you

Drunk rants with me? That's okay!
Giving me gold so I can freely make poems?
THANK YOU SM
Daily texting
2-10 hour sessions
Why are you drinking everyday?
You're making me concerned for your health
I told you to stop drinking, papa
You promised me you'd stop
All you did was keep on drinking

Commenting on every poem I made
Oh? So suddenly I'm a β€œnasty *****" when I have done nothing to you? γ‚γ‚ŠγŒγ¨γ†!
We have a suicide pact now?
I'm going off the bridge first?
Don't mind if I do

Oh? Another poetry site? Okay…
I really don't like the way this site works, can't we just message each other with email?
Yes? Yay!

People bullying you on the internet? That's not okay!
Why would they accuse you of being a *******?
Letting me join an uncensored group to back you up? Great!
Sending me to a Reddit page to back you up?
Alright!
….oh … they warned me and I didn't do anything….
******* this man is an actual *******…..
gotta go fast like Sonic
pack my bags and leave

Oh? I betrayed you? Crazy
We were just friends
Can you stop spitting my name everywhere?
It's like you're so obsessed with me
Stop trying to be the Eminem to my Mariah Carey
Made a poem about you and you HAD to take it down?
Never thought you'd want to hide your identity THAT hard
Oh? Betting on my suicide now, are we?
Sending me multiple emails, desperate for me to come back to him?
I'm not that ******* naive or gullible
It's crazy if you think that about me
…I did tell you to send those photos of your cut open arms but I DIDN'T THINK YOU'D TAKE IT SERIOUSLY AND DO IT

Being racist?
β€œJapshit”?
Why are you so obsessed with my Chinese genes?
β€œI thought I can use Kai because of her Chinise genes because the Chinise was known to be very good spies. β˜οΈπŸ€“" へー! Didn't know that!
Also, that's not how you spell Chinese, my fellow kind sir
Threatening people to come to America with a Katana and slice us to pieces
So envious, I see
You're just mad because we have a little bit more freedom than your drunk *** does

Oh…. Talking to me about ****
Got it
Thanks
I didn't need to be taught about METART or some **** like that
I'm only 12 years old
You ***** *****

Well…this is the aftermath
There it goes out to all of you:
Ghost
RGH
Ryan Geoffrey Hayward
Nephilim Angel
Nephalem
Rose White
Rose Red
Jacob Lives
Hybrid Angel
Tormenter
Bread Crumbs
The Machine
Dirt-In-My-Shirt
Soul Unknown
And etc. ENJOYERS

(Btw, all of these names are RGH's names so if you have these names, please don't feel targeted! The person knows who they are.)

EDIT: ILY ALL SM!!! I DIDN'T THINK THIS POEM WOULD GAIN THIS MUCH ATTENTION BUT I'M HAPPY THAT IT DID!! (⁠≧⁠▽⁠≦⁠) I'M GOING TO VIRTUALLY KISS EVERYONE ON THE CHEEK ONCE THEY READ THIS... or just virtually hug you, yk, whatever you're comfortable with
 595Β° 
F Elliott

Author's Note:

This piece is not an accusation.
It is a meditation on the invisible processes that hollow men from within, until dignity itself becomes foreign to them.

It was written out of love for what could still be restoredβ€”
and sorrow for what has already been surrendered.

It speaks not just to the fallen,
but to every soul tempted to trade courage for comfort, or brotherhood for collusion.

Its aim is simple:

To remember what is still worth standing for.

To remember what dignity feels like.

To remember that one man, rising rightly, can still light a thousand silent fires.


This is not a call to fight against anyone.
It is a call to rise for something greater.

And that rising always begins aloneβ€”
but never ends alone.


---

I. The Quiet Death of Courage

Cowardice rarely announces itself.
It does not charge the city gates or tear down banners.
It does not raise its fist or shout in the streets.

It simply withdraws.

A little at a time:

A small silence when truth could have been spoken.

A small appeasement when resistance was needed.

A small betrayal of the self, justified as "wisdom," or "timing," or "strategy."


Cowardice is the art of dying in small increments.

It is a death invisible at firstβ€”
but felt all the same,
especially by those who still remember what life tasted like.

---

II. The Architecture of Collapse

A man does not become a coward all at once.

It happens in stages:

1. The First Silence

At first, he says nothing when he should have spoken.
He tells himself it was prudence.
He convinces himself that silence was strength.

It was not.

It was the first small surrender of the ground within him.

---

2. The Second Betrayal

Next, he acts against his own spiritβ€”
not because he is coerced,
but because he seeks the approval of the small and the fearful.

He trades his birthright for belonging.

---

3. The Third Rationalization

Then he builds a philosophy around his collapse.
He calls cowardice "compassion."
He calls compromise "wisdom."
He calls retreat "strategy."

He must call it something,
for he can no longer bear to call it what it is.

---

4. The Fourth Contagion

Finally, he evangelizes his collapse.

He cannot stand to be alone in his shrinking.
He must make others shrink too, so that his own fall will seem normal.

He calls cynicism "truth."
He calls bitterness "clarity."
He calls betrayal "maturity."

And so the infection spreads.

---

III. The Hallmarks of the Cowardly Spirit

What does the cowardly spirit look like once matured?

It has specific, predictable characteristics:

It ridicules what it secretly envies.

It mocks beauty, calling it naivetΓ©.

It mistrusts love, calling it weakness.

It punishes hope wherever it finds it.

It colludes quickly with other cowards, for it cannot endure the mirror of a brave soul.


Most of all,
it refuses to stand alone in anything noble.

It will only move
when surrounded by a sufficient crowd of accomplices,
all murmuring together that cowardice is, after all,
"just the way the world works."

---

IV. The Consequences: The Inheritance of the Cowardly Spirit

The coward believes his failures die with him.

They do not.

Every surrender of the soul plants a seedβ€”
and what the coward will not face, the next generation must.

Cowardice is not content to remain private.
It leaks. It spreads.
It builds hidden systems of decay in places meant to be sacred:

Brotherhood.

Family.

Love.

Trust.


Here, we observe the inevitable fruits of the coward’s hidden betrayals:

---

1. The Poisoning of Brotherhood

The coward cannot abide true brotherhood, for it demands loyalty to something higher than himself.

Where brotherhood calls men to rise, he calls them to collude.
Where brotherhood builds strength, he breeds resentment and small betrayals.

True brotherhood requires courage:

The courage to tell the truth.

The courage to stand beside the fallen and help them rise.

The courage to call out wrong even when it costs everything.


The coward, unwilling to bear these costs, transforms brotherhood into mob-hood.
It becomes not a place of strengthening, but a collective graveyard of broken wills.

---

2. The Contamination of the Vulnerable

The coward is not content to rot alone.
He must gather others into his decay β€” especially those still innocent enough to hope.

He mocks hope as naivetΓ©.
He redefines loyalty as silence.
He teaches the young that the only safety lies in cynicism, deceit, and crowd protection.

Thus, the cowardly spirit perpetuates itselfβ€”
turning the next generation of seekers into scavengers.

The vulnerable, robbed of examples of true dignity, inherit nothing but confusion and despair.

The sins the coward would not confess
become the legacies his sons and daughters must carry.

---

3. The Formation of the System

When enough cowards gather,
their private collapses harden into public systems.

It is no longer just a man here, or a man there.
It is a constructβ€”a culture.

A place where cowardice is normal,
where betrayal is cleverness,
where faithfulness is mocked,
where mercy is treated as weakness.

The system becomes self-perpetuatingβ€”
enforced not by dictators, but by the small daily collusions of those too afraid to stand.

And thus, without ever firing a shot,
cowardice conquers the city.

Not with weapons.
But with withdrawal.
With silence.
With the endless failure to love rightly when it was hardest to love.

---

V. The Restoration: The Only Way Back

There is no shortcut out of cowardice.

There is no clever argument that can restore dignity to a man who has surrendered it.

There is only one way back:

The man must choose to stand againβ€”alone if necessaryβ€”before the gaze of God and truth.

---

1. The Necessity of Aloneness

To be restored, the man must abandon the crowd.
He must leave behind the murmuring alliances of smallness that once comforted him.

He must stand naked in the light of reality:

Without excuse.

Without camouflage.

Without borrowed dignity.


He must see himself as he truly isβ€”
not as the victim of circumstance,
but as a willing participant in his own ruin.

This is why restoration begins with loneliness.

Because dignity cannot be borrowed.
It must be reborn.

---

2. The Cost of Repentance

True repentance is not an apology to the crowd.

It is an apology to the soul he abandoned.
An apology to the Source he betrayed.
An apology to the ones he harmed by his absence of courage.

Repentance is not a performance.
It is a slow rebuildingβ€”
stone by stone, day by dayβ€”
of a life that will no longer lie.

It is the refusal to be a man whose silence feeds decay.
It is the refusal to call cowardice "wisdom" just because it is popular.

It is the willingness to lose everything false
in order to gain one thing true.

---

3. The Unfolding Strength

As the man stands,
he will feel at first as though he is dying.

And in a way, he is.
The part of him that survived by submission is perishing.

But what rises in its place
is something the system of cowards has no weapon against:

A man who can no longer be bought.
A man who can no longer be frightened.
A man who, even alone, even broken, refuses to bow to lies.

One such man
can dismantle the machinery of cowardice
simply by breathing differently.

---

4. The Lineage of New Fire

When one man stands rightly,
he gives birth to a lineage.

He shows others what it looks like to stop surrendering.
He awakens those still sleeping in their excuses.

He does not have to preach loudly.
He does not have to prove anything.

His existence becomes a rebellion.
His faithfulness becomes an invitation.
His dignity becomes a seedbed for the rebirth of brotherhood.

He becomes a true elder.
A true warrior.
A true builder of sacred things.

He becomes a man who no longer merely survivesβ€”
but who lives.

---

And so the story turns:

The cowardly system is dismantled
not by greater violence,
not by harsher words,
but by the silent rising of men and women
who refuse to live any longer beneath their birthright.

They will not key the beauty they envy.
They will not scavenge the ruins.
They will not mock what they are too small to understand.

They will build.
They will love.
They will stand.

They will remember:
that heaven was always meant to be built from blood, yesβ€”
but also from breath, and bone, and unbreakable fire.

And so they will live,
not because they were the strongest,
but because they were the most faithful.

Ana Lise,
come sit beside me
as I square off
against all of these cowardly sons a *******.

https://youtu.be/EV2oD3cc6Ns?si=2B4kCEQhGakaaAgi
 578Β° 
Juno
I wish to be understood,
More than anything,
To understand my mind,
How its works in its mysterious ways,
To reach deep into my soul and find-
The truth

To truly feel and understand-
Not just the surface,
But beneath-
All within me-
intertwined

They may think they know me,
Yet no one really does,
As much as they believe,
I am really just alone,
Deep in my delicate and intricate thoughts

Understand them -
My thinking
My love
My beliefs
My interests

To free-
My covered and hidden true self,
Out of its darkness-
Free of worry,
Free from judgment

To speak with no words,
Rooted in one another,
Then Interchangeable-
Then I will be understood

-JJ
13/04/25
 342Β° 
November Sky
I found you
holding torn poems
like broken wings
telling me
you forgot the key
behind a locked room.

So I sat
on the cracked floor
beside you
and built a map
out of sighs
and stubborn hope.

You don’t need a perfect way outβ€”
just a beginning
even if it looks hopeless
like more hurting.

I gave you my shoulder
the way
rain gives the earth a second chance
the way light waits
beside your door.

And when you can’t believeβ€”
I'll believe twice as hard
with hopeful charm
and hopeless stubbornness.

Through your side
you’ll find the doorβ€”
you will.
Let me know what you think of this track

Through Your Sideβ€”November Sky
https://soundcloud.com/morinheightsqc/through-your-side?si=cf5e7f48be2040e6bb58bfd1ccdc062d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
 311Β° 
Akriti
Dear Shane, you will get well.
You have a long battle ahead.
Fight it with all your might.
Don't give up.

Look straight into the eye of death.
Tell it to go back.

Ask death to come -

when you are 100 years old,
when all your hair turns silver,
and all your teeth fall off.

That is when you will meet death, smiling.
We are with you. Keep on fighting.
 251Β° 
tahsin
There is a beauty
in summer
in the warm winds
caressing your hair

There is a beauty
in sunshine

In endless days
slumbering by
reading Derek Walcott
and Charles Baudelaire.

There is a happiness
in summer
of bright skies
and ice cream parlors.

of fond memories
and fonder friends

For the joys of summer
are never truly forgotten.
 246Β° 
Jimmy silker
To be in a place
Where you feel
The warmth and the grace
Is a thing that
Don't often
Get replaced.
 213Β° 
Lila
Why does no one care im dying?
Do they not realize?
Do they not see?
My hair is falling out
My hands are shaking
Maybe they don’t hear the cries
Maybe they don’t feel my cold hands and feet
My stomach growls louder
My mind is fuzzy
Can they not notice my baggy clothes
Can they not listen to my whines
The doctors don’t care that I’m dying
They can’t even tell me why
The doctors don’t care that I’m dying
They’ll just take their money from my grave
 202Β° 
Brandon
You’re doing so well.
 186Β° 
Ryan Geoffrey Hayward
She's fallen from the skies
underneath leaves of green,
Angels cry and will abide
their lost & love goes unseen.
The grey covers over the blue
and down lashes rain and dew,
Skin, teeth, flashing white
will be lost from the light to night.
She won't be buried in a tomb,
but where flowers grow and bloom.
This is going to be a stormy midnight,
as her soul lifts and out of sight.
 183Β° 
E
Today I crushed
With my new motorcycle
I wish you knew..

First thing came up to my mind was you
 171Β° 
Filomena Rocca
Here I stand
I'm paralyzed

Not by terror
But by grief

I am a captor
Of the past

Until it fades
Into the dark

There you are
Alive and dead

I see you breathe
I hear you speak

And yet already
You are gone

I lost you, friend
And soon enough

The only thing
Uniting us

Will be our mutual silence
 171Β° 
Mike Adam
Day
There is Morning Fog
Sometimes

There is Illumination
After Noon
Sometimes

If Clarity were Constant-

How would We Know?
 155Β° 
Asher Graves
Harder to imagine, Difficult to trust
if you have the will, you gotta clutch.
                                                             -Asher Graves
Yeah this is stupid hahahaha. but hey you must.
 128Β° 
Kylprin
Looking for the words to say
How could I lose control
Of a perfect moment
It's too late to relive it
I followed you back to the beginning
I stayed until I couldn't outlive it
Strayed in a life
I know I can't live in
Looking for a new beginning
 107Β° 
Nina
I miss you
and it feels like filling your lungs
all the way
as if to blow up a balloon
but there’s no balloon
 102Β° 
Cheryl Ann Warner
Staring at nature , dreams are near
Right in front of me
Life storms by like a hurricane
When life gives no answers
Ask nature to help
Animals listen
Fresh air, cool breeze
Warm days, different ways
Staring off in space
Feeling calm, quiet solitude
Watching baby bird
Build her nest
Sweet, sweet
Little bird
I can’t believe, I can see
All these animals
In these woods
Staring at nature
 96Β° 
Morgan Zslnka
Five trucks
Two trailers
Five hours
Two clients
Five forgotten memories
Two missed birthdays
I have a life too
 90Β° 
Amulya Sharma
Just like winter, you made me grow colder and darker.
 84Β° 
Ander Stone
Starlight, you are my starlight,
when you shine I remember the world,
when you don't I forget myself.

Starlight of my dreams,
you light up my hopes and heart.

Starlight, you are the only light
that breaks through the darkness
when oblivion descends.

Starlight, you are all I need,
you make the world silvery.
RΓΆrenΓΌviΓ©l, e mi rΓΆrenΓΌviΓ©l,
cuindo astaΓ― mi huimΓ« Ain'an,
cuindo ti nac lethe mìs.
RΓΆrenΓΌviΓ©l o mi Γ€iswye,
illsear mi Γ²chas Γ© craidha.
RΓΆrenΓΌviΓ©l, e mi eulhΓ  nΓΌviΓ©l
so briseare trahΓ©s dorchal'an
cuindo lethene Γ nandri
RΓΆrenΓΌviΓ©l, e yn mi soin,
ti aireaia Ain'an ellΓ©inΓ©n.
 83Β° 
morallygray
A river between us
becomes a coast
when drowning in tears
A seashell at my feet
To hear the ocean calling
When only your sobs fill its void
 79Β° 
Bugs Spencer
I am the moon
Woman and attune
I am the sun
Man and one

I am the lost
Wandering around
I am the recovered
Safe and sound

I am the aggressor
Baring teeth
I am the victim
Bleeding my soul

I am everything
And nothing at all
I am loved
I am hated
I am human

Only the sun and the moon
Can see me so beautifully
For when their lips touch
They are everything to see
And yet so utterly blinding
 77Β° 
Skyler M
There's a story woven into the bend of my eyelashes,
Can you get close enough to read the shimmering pattern?
Would you be able to decipher and understand?
Or would they be nothing but eyelashes to you?

Shadow of the pen,

Meet my paper,

Tear it apart,

For my sake.

I keep extending out my expiration date,
Too scared of life to live,
Too scared of death to die,
So, why do I spend these nights,
Wondering what it'd look like,
If I met the blinding light.

Shadow of the pen,

Meet my paper,

Tear it apart,

For my sake.
πšƒπš’πš–πšŽ πšŒπš˜πš–πšŽπšœ πšŠπš—πš  πš˜πš‹πšœπšŒπšžπš›πšŽπšœ πš–πš’ πš•πš’πšπš‘πš,
πš†πš’πšπš‘ 𝚊 πš–πš’πšœπš‹πšŽπšπš˜πšπšπšŽπš— πšπšŽπšœπšŒπšŽπš—πš.
πš€πšžπšŠπš—πšπšžπš– πšπš›πšžπšπš‘πšœ πš‹πšŠπš›πšŽ πš’πš—πš πšŠπš›πš πšœπš’πšπš‘πšπšœ;
πšƒπš‘πšŽ πšœπšŒπš’πšŽπš—πšŒπšŽ 𝚘𝚏 πš–πš’ πšœπš˜πšžπš•β€™πšœ πš•πšŠπš–πšŽπš—πš.

π™΄πš—πšŽπš›πšπšŽπšπš’πšŒ πš™πšŠπš›πšπš’πšŒπš•πšŽπšœ πš πš’πšπš‘ πš•πšŠπšπšŽπš—πš πšπš˜πš›πšŒπšŽ,
π™Έπš— πš™πš›πš˜πš‹πšŠπš‹πš’πš•πš’πšœπšπš’πšŒ, πšœπš’πš•πšŽπš—πš πšπš•πš˜πš .
π™Ήπšžπšœπš 𝚊𝚜 πšπš‘πšŽ πš–πš’πš—πš πš πš˜πšžπš•πš πšπš’πš—πš πš’πšπšœ πšŒπš˜πšžπš›πšœπšŽ,
πšƒπš‘πšŽ πšπš’πšŽπš•πš 𝚘𝚏 𝚠𝚊𝚟𝚎𝚜 πš‘πšŠπš•πšπšŽπš πšπš•πš˜πš .

πš„πš—πšŒπšŽπš›πšπšŠπš’πš—πšπš’ πš’πš— πšπš‘πšŽ πš‘πšŽπšŠπš›πš 𝚘𝚏 𝚏𝚊𝚝𝚎,
π™³πšŽπšπšŽπš›πš–πš’πš—πšŽπš πšŽπšŸπšŽπš›πš’ πš–πšŽπšŠπšœπšžπš›πšŽπš πšœπš’πšπš—.
πšƒπš‘πšŽ πšœπšžπš™πšŽπš›πš™πš˜πšœπšŽπš 𝚜𝚝𝚊𝚝𝚎𝚜 πšŠπš πšŠπš’πšπšŽπš,
π™Έπš— πš™πš˜πš’πšœπšŽπš πš™πš˜πšπšŽπš—πšπš’πšŠπš•, πšπš’πšŸπš’πš—πšŽ.

𝙰 πšπš›πšŠπšžπš–πšŠ πšœπšπš›πšžπšŒπš” πš πš’πšπš‘ 𝚊 πšœπšžπšπšπšŽπš— πšœπš™πšŠπš›πš”.
𝙰 πšœπš‘πš˜πšŒπš” πšπš‘πšŠπš πšœπš‘πšŠπšπšπšŽπš›πšŽπš πšπš‘πšŽ πš‹πš˜πšžπš—πšπšœ.
πšƒπš‘πšŽ 𝚠𝚊𝚟𝚎 πšπšžπš—πšŒπšπš’πš˜πš—πšœ πšœπš™πš•πš’πš πš’πš— πšπš‘πšŽ πšπšŠπš›πš”,
πš†πš’πšπš‘ 𝚊  πšπš›πšŠπšŒπšπšžπš›πšŽπš πš‘πš˜πš•πš•πš˜πš πšŽπš πšœπš˜πšžπš—πš.

πšƒπš‘πšŽ πš˜πš‹πšœπšŽπš›πšŸπšŽπš›'𝚜 𝚐𝚊𝚣𝚎, πš˜πš—πšŒπšŽ πš›πšŽπš–πš˜πšŸπšŽπš,
π™±πš•πšŽπš—πšπšŽπš πšπš‘πšŽ 𝚜𝚝𝚊𝚝𝚎𝚜 πš’πš—πšπš˜ πš˜πš—πšŽ.
𝙰 πš—πšŠπšπšžπš›πšŠπš• πš˜πš›πšπšŽπš› 𝚠𝚊𝚜 πšπš’πšœπšŠπš™πš™πš›πš˜πšŸπšŽπš,
π™°πšœ πšπš‘πšŽ πššπšžπšŠπš—πšπšžπš– πšπš‘πšŽπš— πšŒπšŠπš–πšŽ πšžπš—πšπš˜πš—πšŽ.

π™½πšŽπšžπš›πšŠπš• πš™πšŠπšπš‘πšœ, πš˜πš—πšŒπšŽ πšŒπš•πšŽπšŠπš› πšŠπš—πš πš‹πš›πš’πšπš‘πš,
π™±πšŽπšπšŠπš— 𝚝𝚘 πšπš πš’πšœπš 𝚊𝚝 πšπš‘πšŽ πš‹πšŽπšŠπš–πšœ.
πšƒπš‘πšŽ πš™πš›πš˜πš–πš’πšœπšŽπš 𝚍𝚊𝚒 𝚐𝚊𝚟𝚎 𝚠𝚊𝚒 𝚝𝚘 πš—πš’πšπš‘πš,
πšƒπš‘πšŽ πšœπšŽπš•πš, πš˜πš‹πšœπšŒπšžπš›πšŽπš to πšπšŽπšŸπšŽπš› πšπš›πšŽπšŠπš–πšœ.

πš‚πšžπš‹πšŠπšπš˜πš–πš’πšŒ πš›πš’πš™πš™πš•πšŽπšœ, πš˜πš—πšŒπšŽ πš’πš— πšœπš’πš—πšŒ,
π™½πš˜πš  πšœπšŒπšŠπšπšπšŽπš›πšŽπš 𝚝𝚘𝚘 πšπšŠπš› πš’πš—πšπš˜ πšπš’πš–πšŽ.
π™Όπš’ πšπš•πšŽπšŽπšπš’πš—πš πš‘πš˜πš™πšŽ πš‹πšŽπšπšŠπš— 𝚝𝚘 πšœπš‘πš›πš’πš—πš”,
π™°πšœ πš–πš’ πš’πš—πš—πšŽπš› πšŠπš›πšπš πš˜πš›πš” πš•πš˜πšœπš πš’πšπšœ πš•πš’πš—πšŽπšœ.

πš†πš’πšπš‘πš’πš— πš–πš’ πš–πš’πš—πšπšœ πš•πš’πš–πš’πš—πšŠπš• πšœπš™πšŠπšŒπšŽ,
πš†πšŠπšœ πšŠπš—πš˜πšπš‘πšŽπš›'𝚜 πšœπš‘πšŠπšπš˜πš  𝚌𝚊𝚜𝚝.
πš†πš‘πšŠπš 𝚠𝚊𝚜 πšœπšŽπšŒπšžπš›πšŽ, πš‘πšŠπš πš‹πšŽπšŽπš— πšπš’πšœπš™πš•πšŠπšŒπšŽπš,
πš†πš’πšπš‘ 𝚊 πšπš›πšŽπšŠπš– 𝚘𝚏 𝚊 πšπš’πš–πšŽ, πšžπš—πš™πšŠπšœπšœπšŽπš.

πšƒπš‘πšŽ πš–πš’πš—πš, 𝚊 πšœπšπš›πšžπšŒπšπšžπš›πšŽ πš˜πš—πšŒπšŽ πš›πšŽπšπš’πš—πšŽπš,
π™±πš›πš˜πš”πšŽ πšπš˜πš πš— πšžπš—πšπšŽπš› πšπš›πšŠπšžπš–πšŠβ€™πšœ πš πšŽπš’πšπš‘πš.
π™Έπšπšœ πš™πšŠπš›πšπš’πšŒπš•πšŽπšœ 𝚞𝚜𝚎𝚍 𝚝𝚘 πš‹e πšŠπš•πš’πšπš—πšŽπš,
π™½πš˜πš  πšπš›πš’πšπš, πš•πš˜πšœπš πš’n πšπš›πšŠπšŒπšπšžπš›πšŽπš 𝚜𝚝𝚊𝚝𝚎.

π™²πš˜πš—πšπšžπšœπš’πš˜πš— πš•πš’πšŸπšŽπšœ πš πš‘πšŽπš›πšŽ πšπš›πšžπšπš‘ πš‘πšŠπš πšπš πšŽπš•πš•πšŽπš.
π™Όπš’πš—πšžπšπšŽπšœ πš‘πšŠπšžπš—πš πš–y πš–πšžπšπšŽπš πšπš›πš’πšŽπš.
πšƒπš‘πšŽ πš•πšŠπš πšœ 𝚘𝚏 πš—πšŠπšπšžπš›πšŽ, πš—πš˜πš  πš˜πšŸπšŽπš› πšπš‘πš›πš˜πš πš—,
π™»πšŽπšŠπšŸπš’πš—πš πšœπš‘πšŠπš›πšπšœ 𝚘𝚏 πš–πš’ πš™πšŠπšœπš πš‹πšŽπš•πš’πšŽπšπšœ.

𝙸'πš– 𝚊 πš‚πšŽπš—πšπš’πšŽπš—πš πšŸπšŠπš™πš˜πš›; 𝚊 πšπš‘πš˜πšœπš πš’πš— πšπš•πšžπš‘,
π™½πš˜ πš•πš˜πš—πšπšŽπš› πšŠπš—πšŒπš‘πš˜πš›πšŽπš 𝚝𝚘 πš–πš’ πšŒπš˜πš›πšŽ;
πšƒπš‘πšŽ πšœπš™πšŽπšŒπšπš›πšŠπš• πš–πšŠπšπšπšŽπš› lays 𝚝𝚘 πš›πšžπšœπš,
π™»πš’πš”πšŽ πšπš‘πšŽ πš›πšŽπš–πš—πšŠπš—πšπšœ 𝚘𝚏 πš–πšŽ πšπš›πš˜πš– πš‹πšŽπšπš˜πš›πšŽ.

π™²πšžπš›πšœπšŽπš 𝚝𝚘 πšπš‘πšŽ πšŸπš˜πš’πš, 𝚝𝚘 πš›πšŽπš–πšŠπš’πš—,
π™Έπš— πšπš›πšŽπšŠπš–πšœ πšπš‘πšŠπš πš πš’πš•πš• πš—πšŽπšŸπšŽπš› 𝚌𝚎𝚊𝚜𝚎.
πšƒπš‘πšŽ πšœπšπšžπš‹πš‹πš˜πš›πš— πš™πšžπš•πšœπšŽ πš’πš— πš–πš’ πšŸπšŽπš’πš—πšœ,
π™±πš›πš’πš—πšs my πšπš˜πš›πšœπšŠπš”πšŽπš— πš‘πšŽπšŠπš›πšπš‹πšŽπšŠπšπšœ.

πš†πš‘πš’ πš‘πšŠπšœ πšπš’πš–πšŽ πš˜πš‹πšœπšŒπšžπš›πšŽπš πš–πš’ πš•πš’πšπš‘πš,
πš†πš’πšπš‘ πšπš‘πš’πšœ πš–πš’πšœπš‹πšŽπšπš˜πšπšπšŽπš— πšπšŽπšœπšŒπšŽπš—πš?
πš€πšžπšŠπš—πšπšžπš– πšπš›πšžπšπš‘πšœ πšπšŠπš›πš”πšŽπš— πšœπš’πšπš‘πš,
The πšœπšŒπš’πšŽπš—πšŒπšŽ 𝚘𝚏 πš–πš’ πšœπš˜πšžπš•β€™πšœ πš•πšŠπš–πšŽπš—πš.

♦ Đerek Ξ›braxas ♦
"πšƒπš‘πšŽ πš€πšžπšŠπš—πšπšžπš– π™±πš˜πšžπš—πš π™Ώπš˜πšŽπš"
 70Β° 
Mira
The delicacy,
that is a woman.

Soft as silk,
sweet like red wine,
tastes of fruitful fertilityβ€”
a dish so rare.
 64Β° 
Abbott J Hardison
We're separated too much,

You're so far
Away

If I could be there I would,
If my bike had tires I could,

You are a need,
Addiction
Craving
Dream.
My mother warned me about drugs,
Good thing my high is you,

That's cliche,
But I'm at a lack of ways,
To truly just explain,

I

Love

You
 63Β° 
Ruslan
They way no it very much
Go in you to get to touch
They way so in you a look
In my break to get to book

Very so in you again
They way so to me to crane
All to go ot very much
In forever to my touch

They its no to get begin
Very so in me sixteen
Zane to looked for its no
So its you to look to go

Go its you avery much
 63Β° 
November Sky
She saidβ€”
thank you.

I saidβ€”
for what.

She said
no reasonβ€”
only the way sky
doesn't suddenly fall
the way small fires
undo the lonely coldβ€”
all that
and everything else.
 61Β° 
Charles Baudelaire
Un port est un séjour charmant pour une Òme fatiguée des luttes de la vie. L'ampleur du ciel, l'architecture mobile des nuages, les colorations changeantes de la mer, le scintillement des phares, sont un prisme merveilleusement propre à amuser les yeux sans jamais les lasser. Les formes élancées des navires, au gréement compliqué, auxquels la houle imprime des oscillations harmonieuses, servent à entretenir dans l'Òme le goût du rythme et de la beauté. Et puis, surtout, il y a une sorte de plaisir mystérieux et aristocratique pour celui qui n'a plus ni curiosité ni ambition, à contempler, couché dans le belvédère ou accoudé sur le môle, tous ces mouvements de ceux qui partent et de ceux qui reviennent, de ceux qui ont encore la force de vouloir, le désir de voyager ou de s'enrichir.
 59Β° 
Emilia B
I will weave a web in the rain
Drops like pearls in the moonlight
Threaded green bag over my head
Fill it with water
Watch it expand until it bursts
Head like a thistle
Swaying
Catcalled by the wind
Soaked sleeves
Wallowing with the wisps
Inhale and hold
 58Β° 
Traveler
In the darkest depth of night
No moon, no star, no sight
I find no fear , no foe
In the existence of my soul!

In knowing beyond belief
No longer is life a thief
Imagine the relief..
In a world of so much grief!
Traveler
 58Β° 
Marco Langmann
You cannot grasp it with your hand,
yet in your heart, it makes its stand.
It comes like lightning through the night,
then lingers quietly in your sight.
When weak, it lets in seeds of doubt;
when strong, it turns the battle out.
For it, so many met their end;
for it, the Saints began to ascend.
It lifts the poor in deep despair,
and haunts the rich with empty care.
On your last day, it holds you tight;
was it all worth the steadfast fight?
Only if we wake once more,
will we know what faith was for.
 57Β° 
NostalgicFeeling
Maybe if I had looked for you,
Thought this through,
YouΒ΄d have come by,
IΒ΄d have caught your eye,
YouΒ΄d come around-
Finally weΒ΄d be bound:
A heap of cold bones,
YouΒ΄d find headstones,
My flesh so long rotten,
Just like always forgotten.
27/4/25
 55Β° 
Rain
What would have happened if I knocked on their door,
With blood running down my thighs.
Letting them see what I was going through,
Would I have been on the bus the next day.
On the way to school,
Wondering if anyone cared .
Would I be here now,
I know they would have gotten me extreme help.
And maybe I would have gotten that help,
Maybe I wouldn’t be cutting still,
Wondering if anyone cares .
 54Β° 
Agnes de Lods
When I was cold,
my surface was so predictable.
An icy land allowed me
to be alone, distant, safe.

One day, the sun came,
and changed my frame.

The warm wind melted everything.
I became defenseless saltwater.

Untamed tears,
chanting my past lives
hidden in the drops
of who I was
and what I longed to mean.

With time, the calm waters
turned clear and soothing.

The particles of light shimmered silently
in the fractured space,
being so gentle, like a healing touch
lost in the dark past.

Now, when a strong wind blows again,
I'm so afraid of my untamed waters.
I don’t want to hurt,
I don’t want to be hurt.

Without shape, without frame,
I’m so strong and fragile
in perfect duality,
like a fierce ocean seen in fulfilled light.
I hear this endless symphony
calling me to the definitive solution.
 51Β° 
Berrin Yakar
My curled-up dreams,
hidden behind shadows of your touch.
You don't have any clue,
about the nights we gave birth to the sun.
Even though we just met,
I'm sure, in a past life,
our voices tangled
beneath the same sky.
Ever had a feeling you've known someone for forever even though you just met.
 51Β° 
badwords
Chapter 1: Red Dust and Neon Ghosts

Mars had been humanity’s first dream of escape.
By 2133, it was little more than a cosmic cul-de-sac β€” a cracked monument to ambition, left to collect dust and bad poetry.

The Youngston Gate had changed everything. Now ships skimmed the edges of the solar system in days, not years. Stars called louder than Mars ever could. The Red Planet, once sacred, became a punchline.

Mann’s Olympus Casino and Hotel clung to the slopes of Olympus Mons like a bad tattoo nobody could laser off, buzzing defiantly under a layer of drifting rust.

Named after Robert J. Mann β€” a man whose ego once rivaled the mountain itself β€” the casino was now a hospice for broken dreams. Its letters flickered in and out: β€œM _ _ N’S OL _ _ P _ _”, blinking like tired eyelids trying to stay awake during a boring sermon.

Inside, the smell of old synthetic whiskey, burnt insulation, and Red Velvet opioids poisoned the recycled air. Gravity stuttered just enough to make every step feel like drunken prayer. The carpet peeled, the walls wept condensation, and the neon wept more quietly still.

Most of Mars' remaining human inhabitants weren’t here for the scenery.
They lingered like soggy parade confetti β€” forgotten, grimy, and too much trouble to sweep away.

The last act of the night was a woman whose name had once meant something β€”
Elaine Moon.

Chapter 2: Reflections in a Cracked Mirror

Elaine Moon sat backstage under a bank of vanity lights that buzzed like tired flies.
The mirror showed not a starlet, not even a relic β€” but something more stubborn.

She was fifty-something β€” she'd stopped counting when years became background radiation.
Her fingers ached with old betrayals: high kicks performed for half-interested audiences, songs mouthed for drunk nostalgics, bows for ghosts.

Once, when Mars still sold dreams, Elaine had been electric β€” breathing messy life into AI legends who had been programmed to shine but never sweat.
She had been a bridge, a mockery, a prayer disguised as a punchline.

But nostalgia rots faster than hope on a dying planet.

Tonight, staring into the cracked mirror, she realized something different.
Elaine Moon had been a necessary lie.

Beneath the layer of foundation and forced grins, the truth stirred:

Sarah Glover.

She wiped away the makeup β€” not neatly, not delicately. Just wiped. Like peeling away a dead skin.

Sarah.
Who once sang real songs in ***** crater bars, drunk on cheap wine and younger lungs.
Who once believed her voice could make the stars ache.

She had been buried beneath years of survival.
Not tonight.

Sarah Glover stood up from the chair.
No fanfare.
No safety net.

Just her own cracked voice waiting to be used honestly, one last time.

Chapter 3: The Last Song on Mars

The stage was a rectangle of failing light floating above a swamp of dim, unbothered shadows.
Gravity sighed at every step, pulling unevenly at her boots.
The air smelled like old plastics trying to pretend they were still new.

Sarah β€” not Elaine, never again Elaine β€” stepped into the wan spotlight.

No announcement.
No persona.

She leaned into the mic, rough and real:

"I'm Sarah."

A few heads lifted, blinking slowly as if trying to remember if they should care.

She keyed the battered synth, its panels held together by duct tape and stubborn hope.
It coughed out a C-major chord like a mechanical death rattle.

And Sarah sang.

Her voice cracked like dry riverbeds.
It floated unevenly, stuttering against the stale casino air.
But it was alive.

"Dust forgets the footprints it holds.
Stars bleed themselves dry for nothing.
And still, we sing."

Her fingers fumbled the bridge, and she laughed β€” a real, sharp, unsweetened laugh β€” before weaving her voice back into the crumbling melody.

The casino lights dimmed as she finished β€”
like dying fireflies giving up the fight.

A single clumsy clap echoed from somewhere in the back, colliding awkwardly with the silence.

Sarah bowed β€” not to the burnouts, not to the ruins, not to the drunk ghosts of memory β€”
but to the stubborn ember inside herself that had refused to go out.

Behind her, Elaine Moon crumbled like the dust she had always imitated.

Ahead of her, Mars stretched on β€” empty, tired, waiting for nothing.

Sarah Glover stepped into the neon-soaked dark, the hum of dying signs trailing behind her like a broken lullaby.

Somewhere beyond the Youngston Gate, humanity sprinted into new mistakes.
But here, on a broken rock under a leaking sky,
one true voice had risen, trembled, and vanished.

And for once,
that was enough.
"Even ruins deserve a second song."
β€” Old Martian Saying

Read the companion piece:
https://hellopoetry.com/poem/5044828/dust-forgets/
 49Β° 
Dr Peter Lim
When numbers grow
problems there will be more-
if I'm myself all alone
how can I quarrel with some 'whom'?
 48Β° 
Damocles
What is happiness?
I dare say it's the early parts of spring
Where the blooms first start their beautiful display
Pink Hyacinths, cherry blossoms, dandelions
The eager fluttering of buttery butterflies
Or the curious buzzing pauses of a bumble bee.

The green buds on ancient oaks
Or the tiny growths of hydrangeas,
It's in the beauty of warmer days, sun bathed
And a milder evening by the bonfire.

Happiness is in company kept,
A cold beer and smoked BBQ,
It is the music we dance to or annoy the neighbors with.
It’s in the good times and memories
Creating new ones as we come together.

Happiness is a dirt or bridled trail
Verdant walls of trees and those arboreal things
Squirrels rustling in susurrus steps
And bird singing their symphonies
Bidding for applause in their skyward stage

Happiness is blue skies
With cotton ball clouds,
And sunbeams touching down
To highlight the cricket fiddling.

Happiness is in the littlest things
We barely notice, as if it were as common as a breath
But if you disconnect, let the stress melt
And focus on how alive our earthen mother is
You would see, in every step, on every twirl
Happiness is one sunlit day away.
One can never truly explain happiness accurately, but this is what makes me happy, currently.
 47Β° 
Ash
to be lonely
for you only
dying for you slowly
crying alone
lonely
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