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1185

A little Dog that wags his tail
And knows no other joy
Of such a little Dog am I
Reminded by a Boy

Who gambols all the living Day
Without an earthly cause
Because he is a little Boy
I honestly suppose—

The Cat that in the Corner dwells
Her martial Day forgot
The Mouse but a Tradition now
Of her desireless Lot

Another class remind me
Who neither please nor play
But not to make a “bit of noise”
Beseech each little Boy—
the bed is not very big

a sufficient pillow shoveling
her small manure-shaped head

one sheet on which distinctly wags

at times the weary twig
of a neckless ******
(very occasionally budding

a flabby algebraic odour

jigs
        et tout en face
always wiggles the perfectly dead
finger of thitherhithering gas.

clothed with a luminous fur

poilu

        a Jesus sags
in frolicsome wooden agony).
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Mateuš Conrad Mar 2017
i actually did own a doberman pinscher called axl... yes: no e in the same. ****** was mad, what do you expect? his ears were sliced so he could look like some urukai orc of isengard... try trimming the ears of a human being: to then pretend "think" they'll be wiser... that part where they chop of the tail of a doberman? i wasn't around when that happened, i can clearly picture the plastic surgery on my axl... so what am i going to say about circumcision? makes the ******* mad! they're sending ****-picks to people... how about i just watch you smile? is circumcision the ideal motivation for preserving life? like you need the complete vuvla to be attracted by it? ******* surely isn't fun with that revision... just as much as saying: a billion ching changs... or we could do away with the lips and call these people the todkompflächeln; personally? i'd begin the aesthetic surgery on the ears, maybe making a few "elves" would help the situation... otherwise m.g.m. gets no mention, because those ******* don't even know what ******* with one feels like: i can peel mine back for *******... but you can't cloak with one during the grand practice of: taking a ****.

billions... it's starting to look very much like a *****,
given the character names... i mean: wags?
next season is bound to invoke the nick
*****... it has become an existential prison,
since the moon landing: bye bye
the brothers grimm and the fairytale...
i know this because someone has already
made the same conclusion...
billions? who'd i like to doppelgänger?
   mike wagner... scalp him, skin him, whatever,
i am trying to believe that i don't have
that wry smile of his when writing this,
the cheaky chappy type of smile,
what i can tell you is what happened yesterday
after my drinking session ended...
spring's impeding, *******, i'm going to
watch more television since i'll be sad having
moved from, what could be best described
as alaskan funfair... night by the 5pm mark...
i sometimes get the shakes...
but only out of anger, that boils down to
my neighbour complaining that i sometimes
lose the plot and say things aloud...
the boundaries i'm crossing is equivalent to a bird
singing in the night...
    but last night, was, spectacular...
   i forgot what chess even was...
   i had heidegger's *ponderings ii - vi

(in hardback) on the windowsill...
                       i had a crescent version and a complete
version of amitriptyline (25mg)...
       nurse! scalpel i'm getting a headache!
    ami-tri-pty-line (ptee line? or pti lean?
yes, lean, no fat on it;
   so as i was about to get the sucker punch
i was playing imaginary dominos
even if just that, or throwing invisible dice,
exchanging positions of these two pills
            and four swan (brand) filter tips...
i do remember saying something into the night,
what it was? i don't know.
            so it was either dominos or "throwing"
dice on a book on the windowsill,
moving the one complete pill and the other
bitten off crescent (what's that? about 13mg?)...
and the filter tips...
                and it was on a hardcover surface
of a book on a windowsill...
             i knew i would take the plunge at
some point, the question was when that would happen;
i don't know what i had to even cherish
the grace of thought at that moment...
the next oddity came with an empty glass
and trying to balance it on the parapet ledge...
it turned out to be a case of fractions...
     the tipping point stood at: two thirds...
it would never be done in halves, and certainly not
quarters...
              see... mm... money is fascinating
as a concept, how it was arrived at;
  i can know the man who invented the lightbulb
(jefferson, right? ol' tommy)... money?
   no clue... who could have "blinded" the greeks
to the extent where we stand now?
      the more i drink the more i think that this
cann't lead to any sort of accomplishment other than
the stated words...
    i do really retract into speaking verse that
i never write down... it's there one minute, gone the next;
but that domino / dice thing with 1.5 sleeping pills
and 4 cigarette tips (yes, i can roll a cigarette
like a machine, so the tips were not ***** by tokes
to remind people of marmite / vegemite of australia
colouring): i smoke cigarettes thinking about a sun-tan.
why was i doing this?
don't know, what's the point of playing domino
or throwing dice to gamble?
                     there is a chiral point to be made,
or at least a parallel point...
         a chiral-parallelism, as is the case with concept
of parallel per se...
such that title suggests i stole "something" that actually
steals...          hollywood and cuckoos...
      there are always two ways of saying the same
thing: moving forward, however dichotomous those
sayings are...
                  since that approach later turns into
a dualism that then eats at psychologism and morphs
into monism and: we're back at square one.
I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
Snapshot memories of are past
having so much fun with the hope that it would last
To my best friend Nan,
a beacon of light to a hurting world in need of love

To the truest friend I ever had
those memories by the stonewall
Started playing together as friends
She had blue eyes & long blonde hair

I had brown eyes and brown hair
roller skating on the sidewalk with the attached rollers with a key
Went down by the brook to catch poly wags
we both went to the same school

Having sleep overs was a blast
a secret passage to get to her father's soda shop
Taking ice cream and delicious candy
everything nice and dandy with Nancy

Yours was are youth to be captured with a precious smile
Cape cod trips when Nan would drive
going to a trip to Provincetown
watching the folks dive for money

Big ships coming to dock
the men would get the money in their mouths
The island we used to go
in a row boat along the beach

Looking for young boys and we found them
went to dances at the Bristol Boys Club
Doing the latest dance craze the Huck Buck
Boys wearing pegged pants and girls wore skirts

To cherish those lasting memories of a time ago
getting married
Nan had three children
Ann had six

To raise and cherish the family united in love
Today we are in are eighties
both with medical issues
Yet remained best friend's after all these years
Tina ford Feb 2014
MUD
Mud is good,
Its dead good mud,
It's in me blood,
But where not understood,
Us people of mud,
In the shadow of a gas tank and born on a Mersey bank, I lived on cobbled streets dark and dank,
I played on a ship that sank, and for anything else I wouldn’t thank....... you
On king street docks, girls in cheap frocks, curly locks, time tocks, the boat rocks,
The tanyard smell made life hell for all that dwell, under the bridge,
In Garston L19, it’s the scene, its clean, it’s where I’ve been, it’s not obscene or green, if you know what I mean.
Its community security sincerity and every other word that ends with erity,
But it’s fallen apart,
Don’t lose heart.
I go into town when I’m down, it clears me frown,
I don’t go in me jarmies or me dressin gown,
There’s men with round bellies, toddlers in wellies,
Posh ladies gather in their marks and spencer swagger,
There’s scouse brow teens, sunbed queens,
Hunks and punks, lonely drunks,
Suits in boots forgetting their roots and hens in *****,
Big issue sellers, statue fellas holding golf umbrellas,
Coz of all the rain,
But it’s all good, coz we come from mud,
Let’s cheer, why?
Coz I’m here,
I’m me, me names T, and me hubbys P me best friends she..... lagh,
I like coffee and toffee and Roger Mcgoughy,
I like statistics logistics eye shadow and lipsticks,
I like bags and wags and cigarette ****, but not beer,
I’m fine on wine if I take me time,
I don’t do a line, unless I’m hanging me washing on it,
I work in a bar, not far, I don’t drive a car, and I don’t say Lar or kid or lad or lid or mar,
I’m proud and loud, don’t live on a cloud, and I don’t follow the crowd,
I’m a mum to some, I’ve got a big round ***, but I’m me you see,
I’m not square, I dye me hair, I swear but you can take me anywhere,
Coz I care,
I’m good,
I’m mud; it’s in me blood,
Understood

By Christina Ford
Poetic T Mar 2015
Another morning in the life
Of a P.T.D, I slurped my
Juice back all  400 ml, then
Stretched up, fingers
Wiggling as mother picked
Me up.

Snuggles in the morning
Nothing better, to show I'm
Loved. But back to business,
As I turned my dummy to
The opposite side, the taste
Is better every time its turned
Soothing with each ****.

It was nearly breakfast time
A belly is never wrong,
MMmmm...
Toast and jam, I smile
At mummy with my
Cheshire Jam smiled face.
"Silly little man"
As she wipes the smudges
From all over my face.

A case to solve, was my plan,
The missing statue of
SANDMAN BOB tm.
It was here before, but now
Gone, the prized possession
Of hairy dog, as I pat his head
And he licks my face
Yuckkkk....
Doggy that was yuck, he wags
His tail and then he is off.

What a morning so much done,
Time for a nap then detective
Work to be done. I wake to
Dads voice,
"Morning little man"
"How was your nap"
As i give my answer with a
Yawn and a smile, he gives
A cuddle then off to work for
Hours of fun and playing games.

The clues to be seen the trail
To be found, for I'm
"***** Trained Detective"
And no case is to far, as
Long as I can have a nap
And a cuddle, maybe a
Little sip and a gulp, here
On look out of what is to
Be found.

Hairy dog is sleeping in his
bed, I hear a noise I hear a
Sound??
What a strange noise,
"Snoring"
"NO"
"Bottom belches"
"No funny smells"
As I lift up his blanky
Softly so not to wake doggy's sleep,
And their he is safe and sound.

"SANDMAN BOB"
"Playing hide and go seek"

Under hairy dogs nose and bottom,
As he sleeps it does squeak, it
Does beep, I lift it up and under
His paw, to surprise him when
He awakens. A tail shall wiggle
And flop around, but the case was
Solved and a happy smile found.

***** Trained Detective does it
Again, but for now it is nap time,
A new case, a new thing to be
Found. I will see you all again
Soon, But now its snuggles
Time with mummy in bed.
As I close my eyes night, night
I turn my dummy once more,
As sheep float quietly over my head.
If you like this please tell me if you think I should wrote another chapter.
Have you ever had a fantasy boyfriend?
The kind that thinks that you’re
A couple
Despite the fact that
You don’t have their cell number
Nor their name,
often
You never had *** or traded spit
They don’t know where you live
They, in fact, know nothing about you

A little laughter shared
Perhaps
A momentary giggle waiting
for the bathroom door to open
And bam! Like Zeus.
Without your ever knowing, you are a team.
A team that never engages
but together none the less. Solid.
Ride or Die.
Then one day
You have an ugly break up.
You never saw it coming
What did you do, you wonder?
He won’t speak to me!
He’s mad. Filled with resentment.
His eyes are on fire. I am hated.
He will show up the next time we see one another
with a woman
And that’s when you finally know for certain
You just had a Fantasy Boyfriend
How did you rupture?
It’s an eerie realization.
Like understanding in an instant
that neither are you the ventriloquist
nor the dummy
But somehow
you
go back into the box.

Better still, have you ever encountered the sub-species
Fantasy Bad Boyfriend?
Or Fantasy Abusive Bad Boyfriend?
They are perhaps the worst of the lot, naturally.
They don’t call.
They date other women.
They sit in their living rooms assured that you’re waiting at their front door.
In the rain.
With flowers.
Over and over the bell, ring though it might
It pleads on your behalf.
And yet they will not answer
And I was not standing there.
I was at the beach
watching the rain fall upon on the water.

You never called
so when they
disappear
For
Days
And return unannounced
You’re just now finding out that
there are serious cracks in your relationship.
They used you
They played with your heart
They apologize for the treatment of which you are so very undeserving
They never wanted you.

Yet you never spoke.
Never popped over with
Flowers
Nor cookies!
Never sat in your car waiting
You were out town the entire
Time.
You two did see a movie once.
That is true.

But now you’re over.
And he’s moved on.
And suggests with his absence?
that you do the same.
You can tell.

Some days your paths cross.
He stands still as Jesus
At the Hollywood Farmer’s Market.
With his wife and new baby
Or
Dog.
She looks at you with suspect eyes while you think about the tomatoes.
Someone wags their tail and hopefully they will quickly move along
en famille.
You hold your tomato plants and shudder.
You walk over to the double blossom peppermint tulips.
Tight little babies ready to unfurl.
The ones you never gave him.
Glenn F Jun 2013
every morning i walk my terrier
through a winding half-mile,
but i think he’s the one walking me:
he’s always in a sprightly haste.
i don’t know how many tail wags
i miss in between slow, drowsy blinks.
elsewhere, the earth is walking her moon,
both zipping around their own usual orbit.

in the city, the suited adults manoeuvre sidewalks,
dispensing brief greetings, sparse on chatter.
punctuality is a battle through suitcase-wielding phalanxes.
overlooking the bustling crossroads, a greyed man sits,
****** from cigar compounding existing inertia.
limbs in inactivity, mind far from monotony,
slowly drifting towards a familiar wraith
in a different hurry: the one for reunion.

i think about us and wish the same.
Should lanterns shine, the holy face,
Caught in an octagon of unaccustomed light,
Would wither up, an any boy of love
Look twice before he fell from grace.
The features in their private dark
Are formed of flesh, but let the false day come
And from her lips the faded pigments fall,
The mummy cloths expose an ancient breast.

I have been told to reason by the heart,
But heart, like head, leads helplessly;
I have been told to reason by the pulse,
And, when it quickens, alter the actions' pace
Till field and roof lie level and the same
So fast I move defying time, the quiet gentleman
Whose beard wags in Egyptian wind.

I have heard may years of telling,
And many years should see some change.

The ball I threw while playing in the park
Has not yet reached the ground.
Jenny Gordon Jul 2017
My brothers were remarking I've had more beaus than most...  



(sonnet #MMMMMMCCCCLXXXVIII)


La, how Vivaldi trills and capers thence
When I am on the run, like to avail
Me is a chancy thing for all he'd hail
In, erm, my absence.  And oh! these skies wear hence
Long faces since rain swore off dawn, a sense
Of sheer foreboding in racks' blue detail,
The scanner crackling with a weary tale
My brother knew would be, and "jail" fr'intents.
Dad swears I am "subjective" as it were,
That list of boyfriends I once tripped on through
(Whereof I say "I don't know how to stir
Aught man, but I kin sure ditch lovers") to
A fault against my dearest hopes, a poor
Reminder of I can't say what.  Why, too?

10Jul17b
It's not so much that I try to dump fellows, it just turns out that way, I dunno why.
Pity the sorrows of a poor old Dog
  Who wags his tail a-begging in his need:
Despise not even the sorrows of a Frog,
  God's creature too, and that's enough to plead:
Spare **** who trusts us purring on our hearth:
  Spare Bunny once so frisky and so free:
Spare all the harmless tenants of the earth:
  Spare, and be spared:--or who shall plead for thee?
Coop Lee Sep 2015
bottlerocket,
ski click &
shoot.

         [empress impressed.]

petrol souls drift the skin & aetherous
of our holy mother lake midday.
by alpine,
lymph node,
spine of glimmering fish;
i never truly thought that love could destroy.

       [to display the paradise boon and boom salute.]

her knife atop the stump.

*

yon machines construct art-form of reservoir (yon being short for yonder),
knee-boarder-boy wake to wake, he wags his tail when he dreams.

        [lakeside.]

tribal the beach: a family drunk on juiceboxes.
rolling rocks. tall boys
& boulders/ bountiful canyon kids
with their beautiful gasping dogs.
****** knee **** and gallop at the foot of a mountain/mound &
sugar ants stomped, longing to empire.

mom bunches her fists into sand
of stolen crag, listening closely for her childhood in the whistle
of a casio conch.
margaritaville will do.

          [to **** or kiss beetles.]

kiss;
the bitty prince.
maintain a steady alliance with all lifeforms and flora.
life is programmed as thus;
algorithm of love.

bright honeydew soaked slabs of wood,
or plank, tabletop treatise.
wet pile of seeds.

young small birds hoard seeds for winter;
teeter into spring;
& upon summer find solace in swift slip-n-slide daylights.




Hanging...
KASHA above...
Valley of FIRE below...
Holding the deadly Python...
Poisonous stinging honey bees...
And
Tongue unable to lick sweet honey...

What does the Mister MAN do...?



(Flashback)

Mister 'MAN
Born... walking... learning...
Running... chasing... jumping...

Blinded by joy and power
Accumulates knowledge,
wealth and deeds
Chases life & success
Like a dead-man-walking

At that moment
He realizes a "KASHA"#
is following him

And the Mister Man
Is scared, fearful...

Keeps on running
Faster. and faster...
He does not want to
be caught by the KASHA

He is in front chasing
Dreams and ambitions
KASHA is chasing behind him

Until...
He reaches an edge of life...
- The valley of FIRE

To save himself from KASHA
Mister MAN jumps off the cliff

He rolls, tumbles, slides and falls
Until he is stuck in a tree-bush
And holds a dried branch
And hangs on...

Hanging...
He sees the KASHA above
And valley of fire below


A small sparrow flies,
Comes and sits on that branch
The weight of the sparrow
breaks the dried branch and
Mister MAN falls down again

Yet again...
He catches hold of another branch

Hanging...
He sees the KASHA above
And valley of fire below


That time he realizes that
The branch he is holding
Is nothing but
A thick BIG brown python
Woken up to its prey
Prey- of course
Our Mister MAN

Hanging...
He sees the KASHA above
And valley of fire below
Holding the deadly python
That is ready to devour him


He can't leave the python
He can't climb up
He does not want to fall down
In the valley of fire
He is scared, fearing the worst

The awakened python slides
And brushes its tail
On a honeycomb above him

Thousands of honey bees
Start flying all around
Our Mister MAN

Hanging...
KASHA above
Valley of FIRE below
Holding the Python
That is about to devour him
And the honey bees
Buzzing, stinging poison in him


At that very moment
A BIG fresh sweet drop
of LOVE honey
Falls and sticks near
Mister MAN's mustache
Above his upper lips

What MISTER MAN should do with
That BIG DROP OF
Sweet, irresistible
nectar, fragrant,
Fresh Honey?

Amidst four ways to die
The Mister MAN tells himself:
"To hell with the KASHA
**** the valley of fire!
Forget the deadly python and
Who cares for poisonous stings?
Let me at least
'Live the moment'
And lick the drop of honey
Before dying..."


Mister MAN opens his mouth
And wags his tongue out
Tries to reach that
BIG DROP of honey
To lick its sweetness

Sadly, the tongue
does not reach the
BIG  drop of honey

How to cherish LOVE?

Hanging...
KASHA above
Valley of FIRE below
Holding the deadly Python
Poisonous stinging honey bees
Tongue unable to lick sweet honey


That's the fate of Our MISTER MAN...



# KASHA: is a Japanese supernatural monster
That steals the corpses of those who have died
As the result of accumulating evil deeds
René Mutumé Mar 2014
I smoked. There was a good hand in the sky. It looked like a peach draped over tatty buildings. Hemisphere broken open at the end of a fist, and then at the end of an arrow shattering the pieces of night surrounding it, as the moon clouds shot, devouring it.

I flicked my cigarette down on the floor of the fly over instead of flicking it into the avalanche of cars below. Who knows what something as miniscule as a flying tab **** might make a person think. It would not be a fly. It would be a tab ****. It would be something that distracted a driver on the motorway, which they traced back to my finger flicking it.

It would be rude and imprecise, a car loses control and then flips over for a second, then paints the carriageway with ten multiples of itself flying and screaming. The driver flys inside the car. And I continued to cross the fly over. Outside the bookies at 10pm there is a dog looking up at me, his head tilts like he is asking me something, as he starts to follow me, leash dragging.

"Oi! Oi! Where the **** are you going?" A mouth from the ****** says, "Oh me, just down here." I reply, "I was talkin to the ******* dog you ******* mug." The gentleman added. The small white staffy was still looking up at me. Well, one of us is going to have to answer him, his tail said. "Oh ******* then." The mouth says changing back again into the building. "I guess we're going down there then." Schrödinger says, or 'Schrö', as he allows me to call him.

I light another cigarette as more arrows are fired from the sky, more like wet arrows now. "Well you'll need to pick up my leash mate; I don't want to look like a ******." Shrö says, "Ah sorry dude," I say picking it up as we continue to walk.

"Most of the people who talk to me are a little mad." The small staffy says. But why am I called Schrödinger? The staffy asks me. Ah come on, you don't get it? Well I do apologise but I am not that sharp on my quantum theory philosophy, and I am also a dog. Oh yes, I concede to him in my flat.  "Do you mind opening the door to your balcony pilgrim?" He asks me next.

"Sorry sir?" I ask him, "Well it either goes on your floor or I do it outside." He says. I open the door as he asks, and then lean against the frame as he takes a ****, and I watch him. He scrapes his hind legs on the concrete as if forgetting that it is concrete and not soil. You remind me a lot of love, I mention to him, smoking.

“You know what pilgrim? I think I prefer the name Otto Gross.” The staffy says looking up at the mixing night and I hatch open a new can pouring some into his bowl on the balcony. Cheers love. He says. He puts his two front paws on the meter high wall where my balcony overlooks a junk yard, and begins to speak.

“There is my lover! As screamed across sense and filled with conjoined gait, of my eye and hand, I am jealous of the city she walks in, by me, as I am half departed, myself, near a fox that gathers in ball, by me and is a better *****, than me, here, so I learn, from vermin, how to hide, how to fight, and how to re-appear. How to have humour, like theirs, and there unplanned joy-“

Woah “*******”, I’m spewing, a poet dog! A pile of dosh in the equilibrium! I rush back into my flat and grab a pencil and paper, shake a bit, take a sip, keep on listening, then nearly fall **** forwards returning to the balcony scribbling. And there’s a ****** dog talking.

“I trit-trot across roads with my last owner, winning jobs only within tasks of cemetery light, inside and on, the wall; so curled so, as I sleep outside, so sojourned within, grey dusk, car rivers- I spit! Not so far as giants can, just a piece of spittle, just shadow puppets dancing, just marionettes laughing-”
Schrödinger sang on my balcony beginning to howl, making the lid of the box open.

“To ******* the rain. To share within it, its fire, its knowable drench, of skin like hymn, that is so far penetrating, and mingled past flesh, opened and quakeless to the onslaught of lightening swans! The quickening fury, of several slow days, and lives, devouring the metronome of salutes, upon heart buildings coming down like tetrahedrons drawn by many hands, of dusk filth opening to the arrays of data goods and gods, and produced from the pockets of gibbous mooned skies, and I whisper to the tsunami: mood unhung, bellowing away from the dog fights, and unpainted streets, I seem: To be praying...”

Monday may come soon I doubted, watching the staffy speak.

“Planets growing teeth, in the stars and the junk-yarded iris, succour comes, and so do the sad journeying flies, flying in the mouth of many gales, as extremities to the planet’s engine, affordable, losses, condensed in- and danced solarlessly -in, dances of mortuary, and wedding sung precipice, the edge of a gale, happy to blow my face, away, just gust gust gust! And yes. I do pray a little, and past holocaust of saccharine tune, our shame is forgotten in the simple, rhythms, of a cup- a hand, a castle flock of gulls, landing in water.”

A dog wags its tail because it has just shat, his owner gone, bag ready below ****, I feel streets clean with loving owners hostile to the madness, of the furious dozen dozen flies- lobotomised drool, ready and alive enough, to laugh, and if you are knifeless, maybe a lil knackered, from work - - we might haul up: eternity, my love, and have a lil more, humour! In our sheets and face and sky, an take a **** holiday, right where you are stood or sat, walking, or resting.

And there are no gods, but the ones that let you see them creasing their soft cheeks and aging beside you, together, letting time die, parapets soak in the weather, and say: ‘hey’, here are my bones, there has been a lot of twisting done, but all they need, is yours.
Noax Identz Oct 2013
Giant yellow paws tap-dance on the porch
Her fat tail wags so violent you stand clear of the back end
Hip-hop, hip-hop, and an occasional skip
Her whole body shouts "It's time! It's time! Hooray!"
You might think she had never been fed
Except that she is huge
Her half-crazy labrador grin is fixed
She nudges you toward the bowl
Thanks you with a wet nose on clean clothes
Happiness in the morning
Happiness in a 40lb bag
Jared Ross Jul 2018
The Caged Man (2018) By Jared Ross


Heart racing, the caged man stands excited for his master
To free him of his burden,
Confound to solitude and desperation
The caged man stands idle in corner
Body to be left waiting until warmer.

Without voice and without cry the caged
Man tries and tries
His master’s absence causes worry in eyes
For he is a caged man,
He can not speak nor signal
He awaits his master for his mind is so simple.

The caged man is loyal and his duty is plain,
The master will be here he will wait everyday,
Until his bones break down, and his expression to frown,
Until his beating heart ceases,
Until the maggots eat him to pieces,
He’ll wait for his master,
For he is a loyal caged man.

The caged man wags his tail,
Anticipation to see a master who never showed up,
The cage is far from locked,
But the caged man remains inside,
Waiting for an absent master,
What a ******* of a master.
For months my hand was sealed off
in a tin box. Nothing was there but the subway railings.
Perhaps it is bruised, I thought,
and that is why they have locked it up.
You could tell time by this, I thought,
like a clock, by its five knuckles
and the thin underground veins.
It lay there like an unconscious woman
fed by tubes she knew not of.

The hand had collapse,
a small wood pigeon
that had gone into seclusion.
I turned it over and the palm was old,
its lines traced like fine needlepoint
and stitched up into fingers.
It was fat and soft and blind in places.
Nothing but vulnerable.

And all this is metaphor.
An ordinary hand -- just lonely
for something to touch
that touches back.
The dog won't do it.
Her tail wags in the swamp for a frog.
I'm no better than a case of dog food.
She owns her own hunger.
My sisters won't do it.
They live in school except for buttons
and tears running down like lemonade.
My father won't do it.
He comes in the house and even at night
he lives in a machine made by my mother
and well oiled by his job, his job.

The trouble is
that I'd let my gestures freeze.
The trouble was not
in the kitchen or the tulips
but only in my head, my head.

Then all this became history.
Your hand found mine.
Life rushed to my fingers like a blood clot.
Oh, my carpenter,
the fingers are rebuilt.
They dance with yours.
They dance in the attic and in Vienna.
My hand is alive all over America.
Not even death will stop it,
death shedding her blood.
Nothing will stop it, for this is the kingdom
and the kingdom come.
Rockie Mar 2015
Dog
You stare up at me
As I type, type, type away
With those big eyes of yours
Pleading for cuddles
And scratches
And kisses galore
But I can't I say
I've got work to do
You reach out a paw
Mournfully whining
I give in, tempting fate
For your soft fur
And wet licks across my palm
I giggle
As your tail wags
At a hundred miles per second
And leave my homework
For your joyful personality
Instead
For my dog, who captured my six year old heart at Christmas all those years ago and has been one of my best friends ever since :)
Morgan K Dec 2014
My friend told me one night that she could not stay in this world anymore
that life was too hard
she sobbed and cried out I just can't take it anymore
so I told her she must believe
maybe believe in a god or in an afterlife
she responded by telling me she did not believe in those things
then, I declared, don't believe in a god or in an afterlife
believe in the stars shining every night
believe in the love your sister shows you through her laughter
believe in the fact your dog always wags it's tail when he sees you
believe in the weather always changing
believe in the technology always developing
believe in yourself the way I believe in you
my friend is still here today and I hope she still believes in all the wondrous things we see each and every day
Rain drop ruins my melancholy
Rain drop brushes my border collie;
his tail wags across my shin,
breaking my ever-building reverie.  

“Smash that”, says the rock to its falling neighbor,
letting it go without attempt at a rumbling tremor.
“Smash your metamorphic protolith,
sedimentary is your bona fide nature”.

The quartzite stone has no room to reject but yield,
but so behold: I catch it with my awakened shield.
Lays in my hand the metamorphic stone,
Ecstatic to be shiny and free.

Broken from my reverie is where I sometimes wish to be,
for there I meet my life’s expenditure,
my loved reality.
There the marks of my imprint awaken; there I become me.

Fall then rain! Do so duly... for I vow to be
the rightful branch of your sprouting tree.
Kenya83 Feb 2017
You'll never have known a love so true
than the love of a dog when he loves you
The wag of his tail that wags just for you regardless if your happy or blue
He'll greet you every morning and stick to you like glue
He'll follow you around as though you are brand new
He'll never tire or get bored of his lot
For in his mind he'***** the jackpot
Cuddles on the sofa or walkies in the park
Curled up by the fire after a scrub in the bath
He doesn't care for material gain
He'll forgive you quick and he'll ease your pain
He'll look at you with love
best mates you'll forever remain
If he sleeps on his back with his legs sprawled in the air
You know he feels safe and loves his place
He doesn't feel vulnerable or insecure with you
He knows you're always there picking up his poo
He may be cheeky and he may be rude
But when it comes to the important stuff he's the coolest dude
For Teddy
Marcus Lane Mar 2011
She slumps in sleep
Paws clasped prayer-like
Dream-dozing eyelids a-simmer

A spasm-triggered flesh flick
An ear-alert to a tremorous tick
Crisp-dry nose with involuntary sniff
Old dog breath brewing brown toothed whiff

With pain weary grunt
She heaves her lumpy bulk
Onto shaky splayed legs
That hobble and limp

Catches my eye
With a puppy-pleased glint

Wags

.... and pees
© Marcus Lane 2010

Dedicated to Pops
(Chasing tennis ***** in Heaven from 19 February 2010)
Nicole Potter Oct 2013
False words pass through once
                                                  Smooth lips.
Tongue wags in duality.
                                         Knowing easy lies.
                                                           ­     Able to deceive.
                  Beware.
Brain knows should not be speaking,
                                             planning,
                                             acting.
Yet jaw moves freely.
                                  Icing over any worries
                Before a spark can fly.
Once you start creating false instances,
                                      Omitting key facts,
Or simply avoiding the ones
                                        You most care for
and Love you most.
                                  Then something has gone astray.
Do not avoid this.
                           Stop making excuses.
           You have been Lying.

**Oct 22, 2013
Timothy Mooney Sep 2013
Should I write a poem of sappy love/
Teenage emotion gone on a sneak-away ride/
Visigoth hormones usurping my pen, again/
Sad memories of those girls, oh, those girls/
High School dances like small caliber holes in my heart/
No exit wounds, the lipstick bullets fester in me/
Music so loud I can not hear her giggle to her coven/
About the way I tried to kiss her/
In the gym, in public/
Where all the Cool boys might see?
Or Should I, forty years later, just walk my dog/
And whistle as I bag up her ****/
Enjoying the evening as we walk/
While she wags and is happy to be here/
Beside me, regardless of my haircut/
Or the horsepower of my car?/
Why start now? I never cared then/
About them, the Loud Pretty ones/
With the guns aimed at my heart/
The only thing they knew how to do was shoot and run/
Where's the fun in that?/
Come on back, ladies.../
I have years of dog-**** waiting for you.
Paula Swanson Aug 2010
As my Precious sits on my desk,
shedding and watching with interest.

I take a drink from my cup.
A hair sticks to my tongue..eew yuk.

She is pleased with herself and wags,
her tail, hair flies off like flags.

They are small, black and everywhere.
Making patterns on all of the chairs.

Little drifting smiles of hair,
residing on my clothes without care.

This much hair from a small Chihuahua,
it's not possible, no not at all.

It's not as if she's going bald.
But then, Kojack, she could be called.

Oh look!  You have some hair that she's shared.
I'll take care of that, you wait right there.

I'll just run and get my  trusty lint roller.
Better yet!   I'll get my leaf blower.
Just a bit of fun to clear the mind.
Dogfood Williams Aug 2013
Each time I pass
the bus stop where I
met Hallelujah Studs
my eyes water and my puppy tail
wags and swishes and wishes
for her to just text me back
the Tobacco tolls and my tobacco rolls
and I smile to read her name

a wake, a funeral would be less
of a stress
than to toss and turn in my sleep
and dream of her face on these pillows
which have salt stains from both
the ritualistic tears
and the spilled seed of
fruitless petting
woof spirit of wolf
tails wags not sign of amity
choker chain needed
From our country lives matter columnist
Raj Arumugam Oct 2010

there was a comma
which was so light
it started to float;
the other down-to-earth commas
ganged up and banished
that comma that dared to cross the line
and so that deviant comma stays there in mid-air
like a feather
and you can see it if you
keep your eyes open



’ ’
and since its fall, or rise,
it’s been called the apostate -
I mean, the apostrophe
Mind you, it’s not to be taken lightly
for it can settle legal cases
as it indicates who things belong to
(like if it is John’s money
or Nicole’s )



’ ’ ’
and in matters of communication
it can abbreviate things
and make the style more conversational



’ ’ ’ ’
But I'll tell you when it’s not so happy:
if you say, for instance: “Its Monday”
or “The dog wags it’s tail” -
ah, then the apostrophe hates you
and it really wishes it could land on your head
like a bag of lead
i have a cat called mickey finn the people laugh when i call him in
he wags his tail and begins to purr and strokes my leg with his fur
then sits down upon my lap getting ready for his nap
i sit there and stroke his chin then off to sleep falls mickey finn.
Stanley Mungai Jun 2012
I saw a very old woman out in the cold
There was rain
There was a hyena
Eager to take a piece of her
And she cried out feebly for help
And she was answered
Or rather she now had company
A red-eyed and horned monster

It trampled on the only hope she had:
The feeble voice
Muted like a zombie
And the beast
Coughed out a fire of destruction
Breathed immobility in her
To eager but not quite able
To lick away her life as well.

Helpless, rejected and dejected too
Talk of desolation and poverty
Never again back to her land
Her only inheritance; and heritage too
The woman dies of hunger and disease
The monster wags its tail in joy
Then turns back and leaves her
Unburied, unattended, unmourned
Left her for the hyena to do the rest.
*Corruption and bad governance is eating into the life of the citizens in Kenya ans many African Countries.*
Ainsley Jun 2014
Twelve different voices
Eleven coffee cups
Ten vibrant table covers
Nine aromas blended up

Eight piping pastries
Seven large bags
Six ringing smart phones
Five tail wags

Four tiny laptops
Three macaroons
Two smiling faces
In this one room
Harry J Baxter Jan 2014
I love the way she pretends to buy my lies
love the way she smirks and nods her head along
to the beat of the stories
that I pull out of my ***
I love the way she pretends they smell like roses
I met you a while ago
but I'm a silent observer
so I pitched my tent from a distance
I like the way you are the anti to my venom
and when I walk through a field of snakes
you know how to make it all better
and we both love the line from that one favorite song I have
"love can make suicide seem so cool"
but you told me I'd have to **** you
because you would probably mess it up yourself
and the way you laughed when I said i couldn't do it
then there was that one time
where I didn't have the courage to tell you
that you make my depression
seem kinda alright
or that I would have followed you
wherever you went
if you just held a dog treat in your hand
and whistled,
"here boy!"
my tail wags when you walk through that door
and when you walk out that door
I'm sure it's going to be forever
and that scares the ever loving **** out of me
so don't be a stranger
because if you do
I'm probably going to **** on the carpet
and claw the leather off the reclining sofa
Her skin was dark and her hair was black,
She walked with a Spanish sway,
‘She could be from South America,’
I would hear the neighbours say,
She’d taken the cottage in Ansley Court,
Put seagrass mat on the floor,
Then given them something to talk about
With the shingle she hung on the door.

‘A Course is starting on Wednesday week
For the women of Risdon Vale,
“The Secret Rites of the Shuar Revealed,”
(For ladies alone - No Male!)
The art of centuries, hidden ‘til now
Will be taught in a matter of weeks,
Be among the first to learn of these skills,
(At just sixty dollars, each!)’

Said one, ‘It’s probably just a scam,
For what could she have to show?’
‘This village is such a bore,’ said Pam,
‘I’d pay to see rushes grow!’
But curiosity killed the cat
They say, in that wise old saw,
And half the women of Risdon Vale
Turned up to the stranger’s door.

She took the women, one at a time
Examined each one alone,
Then chose just six to make up the course
And sent all the others home.
She’d weeded out all the gossipers,
And the ones that were loose of tongue,
Had sworn to secrecy those she chose
At an altar with candles on.

Not one of the chosen ones would speak,
Not one of them say a word,
They hung together in whispered cliques
And wouldn’t be overheard.
Their husbands too, were kept in the dark
When asked, they would heave a sigh,
Shrug their shoulders, and raise a brow
Though everyone wondered, ‘Why?’

Ted Wilkins wasn’t impressed by this
And took himself to the pub,
‘I don’t like secrets,’ he told his mates,
Then left to head for the scrub.
They said he’d gone with Emily Bates,
They’d been having it off for years,
‘Her cottage is suddenly empty too,’
Said the wags in ‘The Bullock’s Curse.’

There wasn’t a tear in the Wilkins home,
She seemed to be quite relieved,
‘I always thought that she must have known,’
So half of the Vale believed,
A woman alone is a tidy mark
For a man like Michael Stout,
They saw him creep to her house one night,
But no-one saw him come out.

The tongues were wagging in Risdon Vale
About ‘funny goings-on,’
‘The preacher hasn’t been seen at church
Since that spat with Lucy Chong,’
Then Red Redoubt who had beat his wife
Took off, when he knew the score,
For Gwen had bid him ‘good riddance’ when
He was heading on out the door.

The women met on a Wednesday night
And they burned a light ‘til dawn,
‘What do you think they do in there?’
Said the gossip, Betty Spawn,
She crept up close to the house one night
And peered at the light within,
So Pam came out and surprised her there,
Said, ‘Why don’t you come right in!’

The six week course was almost done
When the police came round one night,
Kicked the door of the cottage in,
Gave the girls a terrible fright.
‘We need to know what you’re doing here,
There are rumours, round about,’
But the woman from South America
In the dark, had slipped on out.

There were pots and pans and cooking things
And a smell of something stale,
‘We’ve been learning all these secret things
But we can’t tell you, you’re male!’
Then a cry came out from another room
From a lad in the local police,
He said, ‘There’s six new shrunken heads
Out here on the mantelpiece!’

David Lewis Paget
s u r r e a l Aug 2016
hitherto and heed.
this man with no greed.
face as mere as ants,
but heart as written so.

forthwith and in the now,
with a chest in the wrong place,
our brains midst logic and reason,
and mouths spurting mace.

for this man has trees that grow from his apple,
and lyrics that tie themselves to the oak,
simply tugging at his own branches,
and gaining strength as it broke.

for the world he laid himself atop,
does aches and curves his back,
for those hands move with grace against blank skin with ink,
and his lyrics sink and crack.

for the expensive sap,
from the alabaster jar,
glimmers quietly 'neath gasps,

and the noose and the
sentences
spill wars.

for his eyes are crusted,
miles yonder,
and his lips are chapped,
for-ever,
but his arms--and heart--and mind remain a never.

eager and spotless,
fearless and willing,
through trials and hot rocks,
the earth he's tilling.

trails of sound and light leading out to the world,
hold silent despite his might.
and urge and creeping yearn,
for his empty fright.

for the grass shivers at the fall of his pen,
and world cries out at the whisper,
but the man is nothing but mumble and slack,
and has everything held as a lisper.

for a man is nothing without his eyes,
and nothing without his lips,
a mere inconvenience,
to the insipid mind.

for an utterance may increase the waters it treads,
but it certainly wont sow.
and reap what it does,
without years to know.



                                           and grows...
                                      and grows
                               and grows
                         and grows
for the green tree grows
                                                                ­    merely to sink into silence, you say...

the man wags a finger,
and chapped lips ache a smirk.

quill to mouth--connected by heart to mind--line by line
against skin,
is an endearment,
and engraving of passion...


as speech may serve nothing to mind...                                                          ­   if it goes through one ear...

  and spills out the next...


it's the words concocted and stirred up by man--singing by lyre...


                              




and the purple eyes that open
                                            new minds
                                                              to­ the mirror ether.
For the wordless man...
Hank Helman Jul 2016
Carla said we must talk about love.
If it doesn’t define, it doesn’t exist, she said,
And pulled the two nearest stools away from the bar.

Has anyone you have ever known- anyone-
Ever offered you even a pitiful explanation
Of this bewildering word
She asked me,
In that way she has
Of not asking me at all.

She lit her pipe,
Her first exhale a ceremonial cloud,
A white tobacco fog,
A linger that purchased my childhood memories,
The pungency of three fingers of scotch, neat, at dawn,
The south face picture window ablaze with
The painful flood of an early sun,
A tin can stereo in full lament about cowboy love
And the inevitability of betrayal,
My father off key,
All his memories a libel and a calumny.

If I say I lust for you, you know what I mean, Carla said,
If I question your loyalty there is no obfuscation,
If I tell you in my sleepy voice the wine is delicious,
You are tempted to sample,
But if a man tells a woman he loves her
What conclusions will she abide,
Carla asked me with a stare.

Do you even know anyone who can utter the words I love you,
Without feelings of hysteria, near mental collapse,
Or worse-farce, she asked.

We tell people we love them to calm them,
To manipulate them,
To play magic tricks on them, Carla said,  
Love is an adolescent stage,
A toxic teenage mix and of oestrogen and testosterone,
Romeo and Juliet were children for ***** sakes, Carla said,  
As she drank half of her breakfast scotch,
And began to blow perfect smoke rings
In the mirror still stale air
Of the Rock Hen all day, all night, all the time bar.

I just know I love my dog, I replied,
And I held my finger up,
To see if Carla could circle it perfectly with a smoke ring,
Which she did.

And I don’t even know why, I said,
I guess I love how he needs me and doesn’t resent it,
Even as I disappoint him and neglect him,
Forget to feed him, force him to *** in the rain,
He still wags his appreciation with gusto.

Perhaps we can only love our dogs,
Carla replied,
Or perhaps we should all have tails,
And she ordered us lemonade and tequila
With scrambled eggs, french toast and a *** of blueberries.
Been awhile--   I've spent the last few months thinking about love and I am less informed now than at my start. This is the joy of contemplation.
Man Aug 2023
What fresh invention,
Breaking with convention;
To press down with anger,
And drive firm with depression.
Comfort in the arms, of a
Thorny ex. Bathed in attention.
A hopeless obsession- the silenced
Tongue wags,
In this quiet procession.
O, the fun, the fun and frolic
That The Wind that Shakes the Barley
Scatters through a penny-whistle
Tickled with artistic fingers!

Kate the scrubber (forty summers,
Stout but sportive) treads a measure,
Grinning, in herself a ballet,
Fixed as fate upon her audience.

Stumps are shaking, crutch-supported;
Splinted fingers tap the rhythm;
And a head all helmed with plasters
Wags a measured approbation.

Of their mattress-life oblivious,
All the patients, brisk and cheerful,
Are encouraging the dancer,
And applauding the musician.

Dim the gas-lights in the output
Of so many ardent smokers,
Full of shadow lurch the corners,
And the doctor peeps and passes.

There are, maybe, some suspicions
Of an alcoholic presence . . .
'Tak' a sup of this, my wumman!' . . .
New Year comes but once a twelvemonth.

— The End —