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"underwent" poems
My name is Ashly (yes spelled without the E) I was born without a windpipe and was 3 months premature. I underwent surgery for a tracheostomy and died on the operating table. I was revived. I was hooked up to many machines and my parents were told I wouldn’t live for more then 3 days... If I would survive more then 3 days I would be hooked up to machines my whole life and be in a “vegetative state” Doctors told my parents and family “I would never live to see my 18th birthday.” I lived in the hospital for almost 2 years. At age 2, I myself, ripped out my tracheostomy (which could have killed me) My family rushed me to children’s hospital and the doctors decided to let the hole in my neck close and see what happens. My doctors don’t know how I made it through the night or days after. I went home after a couple weeks and that’s when I started living my life as a “normal” child. All of my sisters were involved in dance classes, my parents( doctors didn’t agree) enrolled me in to classes. THATS WHERE MY LIFE CHANGED Dance became my passion, along with gymnastics and musical theatre. Something my family, doctors or even myself never thought I would EVER do. On my 18th birthday it was a mixture of emotions. I made a milestone that no one said I would ever see. I competed in dance and gymnastics until I was 19 years of age as well as did over 60 musicals at my local theatre company. I never thought I would ever have a boy love me because I had “too many problems” or even get married for that matter. Fast forward, I am now almost 33 ( June .11th is my birthday) Married for almost 8 years to my best friend. Happy doesn’t even cover what I feel everyday waking up next to my love. We may not have a “family” of our own but we are happy and in love over the moon with one another. So why did I just ramble on with this? Because I’m a MIRACLE and a SURVIVOR. Even though I don’t remember much from my childhood and what I and my family had to endure, I have been fighter since my first breath. I’M A SURVIVOR and I’VE MADE IT....
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Mar 18, 2018
Mar 18, 2018 at 3:09 PM UTC
I’m a SURVIVOR
My name is Ashly (yes spelled without the E) I was born without a windpipe and was 3 months premature. I underwent surgery for a tracheostomy and died on the operating table. I was revived. I was hooked up to many machines and my parents were told I wouldn’t live for more then 3 days... If I would survive more then 3 days I would be hooked up to machines my whole life and be in a “vegetative state” Doctors told my parents and family “I would never live to see my 18th birthday.” I lived in the hospital for almost 2 years. At age 2, I myself, ripped out my tracheostomy (which could have killed me) My family rushed me to children’s hospital and the doctors decided to let the hole in my neck close and see what happens. My doctors don’t know how I made it through the night or days after. I went home after a couple weeks and that’s when I started living my life as a “normal” child. All of my sisters were involved in dance classes, my parents( doctors didn’t agree) enrolled me in to classes. THATS WHERE MY LIFE CHANGED Dance became my passion, along with gymnastics and musical theatre. Something my family, doctors or even myself never thought I would EVER do. On my 18th birthday it was a mixture of emotions. I made a milestone that no one said I would ever see. I competed in dance and gymnastics until I was 19 years of age as well as did over 60 musicals at my local theatre company. I never thought I would ever have a boy love me because I had “too many problems” or even get married for that matter. Fast forward, I am now almost 33 ( June .11th is my birthday) Married for almost 8 years to my best friend. Happy doesn’t even cover what I feel everyday waking up next to my love. We may not have a “family” of our own but we are happy and in love over the moon with one another. So why did I just ramble on with this? Because I’m a MIRACLE and a SURVIVOR. Even though I don’t remember much from my childhood and what I and my family had to endure, I have been fighter since my first breath. I’M A SURVIVOR and I’VE MADE IT....
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She also underwent breast reduction surgery in 1992, and has said on the subject: "I really love my body and the way it is right now. There's something very awkward about women and their ******* because men look at them so much. When they're huge, you become very self-conscious. Your back hurts. You find that whatever you wear, you look heavy in. It's uncomfortable. I've learned something, though, about ******* through my years of pondering and pontificating, and that is: Men love them, and I love that."
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May 21, 2014
May 21, 2014 at 7:44 PM UTC
"Drew's *******
Everything has a connection, for it continues with a punctuation, as you wish for some clarification, end up with water, that underwent dehydration, that thinks of the beautification, you lose time that has division, you want to go on a integration, but end up with encapsulation.
0
Nov 25, 2015
Nov 25, 2015 at 7:50 AM UTC
Indian Engineer
The Hawker Hurricane is a British fighter design from the 1930s. Some 14,000 Hurricane and Sea Hurricane fighters and fighter-bombers were built by the end of 1944。 August 1940 brought what has become the Hurricane's shining moment in history: The Battle of Britain. RAF Hurricanes accounted for more enemy aircraft kills than all other defenses combined, including all aircraft and ground defenses. Later in the war, the Hurricane served admirably in North Africa, Burma, Malta, and nearly every other theater in which the RAF participated. The Hurricane underwent many modifications during its life, resulting in many major variants, including the Mk IA, with interchangeable wings housing eight 7.7mm (0.303in) guns;the Mk IIC, with a Merlin ** engine; the Mk IID, a tankbuster with two 40mm anti-tank guns plus two 7.7mm guns. During the war, Hurricanes were sold to Egypt, Finland, India, the Irish, Persia, Turkey and the USSR Air Corps.More in http://www.rangorango.com/124-series-c-1_5.html
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Aug 28, 2013
Aug 28, 2013 at 4:08 AM UTC
1/24 Scale model Hurricane Mk IID/Trop
Teen model Shonali Khatun strutted the catwalk as the audience cheered at a fashion show in Bangladesh's capital. But Shonali is no ordinary model, and this was no ordinary show. She and the 14 other models are survivors of acid attacks, common in this south Asian country, where spurned lovers or disgruntled family members sometimes resort to hurling skin-burning acid at their victims. The fashion show, held Tuesday night in Dhaka and attended by fashion lovers, rights activists and diplomats including the US ambassador to Bangladesh, aimed to redefine the notion of beauty while calling attention to the menace of such attacks. For 14-year-old Shonali, the event was nothing short of empowering. She was attacked just days after she was born amid a property dispute involving her parents, and was left with burn scars on her face and arms. She spent nearly three years in a hospital and underwent eight operations. Her attacker has never been caught. "I am so happy to be here," she said. "One day I want to be a physician." The models, including three men, walked the catwalk, dancing and singing and showcasing woven handloom Bangladeshi designs. The show was choreographed by local designer Bibi Russel. Organisers said they hoped to highlight the fact that acid victims, too often overlooked, are a vital part of society. They deliberately chose to hold the event on the eve of International Women's Day. "We are here today to show their inner strength, as they have come a long way," said Farah Kabir, country director of ActionAid Bangladesh, which organised the show. "I often take inspiration from them. Their courage is huge." Bangladesh has struggled to deal with acid attacks in recent decades, and has instituted harsh punishments for the perpetrators, including the death penalty. The country has also trained doctors to treat such sensitive cases and attempted to control the sale of acid, but has failed to eliminate the scourge entirely. In 2016, some 44 people were attacked with acid in Bangladesh - an annual number that has remained relatively stable. "I am ashamed of having such things in the country," Kabir said. "Unfortunately, in Bangladesh we do have acid victims because of either gender discrimination or violence, or because of greed. And we want to remind everyone the kind of injustice that has been meted out to them."Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
0
Mar 8, 2017
Mar 8, 2017 at 8:57 PM UTC
Bangladeshi fashion show sees acid attack victims take to the catwalk
Teen model Shonali Khatun strutted the catwalk as the audience cheered at a fashion show in Bangladesh's capital. But Shonali is no ordinary model, and this was no ordinary show. She and the 14 other models are survivors of acid attacks, common in this south Asian country, where spurned lovers or disgruntled family members sometimes resort to hurling skin-burning acid at their victims. The fashion show, held Tuesday night in Dhaka and attended by fashion lovers, rights activists and diplomats including the US ambassador to Bangladesh, aimed to redefine the notion of beauty while calling attention to the menace of such attacks. For 14-year-old Shonali, the event was nothing short of empowering. She was attacked just days after she was born amid a property dispute involving her parents, and was left with burn scars on her face and arms. She spent nearly three years in a hospital and underwent eight operations. Her attacker has never been caught. "I am so happy to be here," she said. "One day I want to be a physician." The models, including three men, walked the catwalk, dancing and singing and showcasing woven handloom Bangladeshi designs. The show was choreographed by local designer Bibi Russel. Organisers said they hoped to highlight the fact that acid victims, too often overlooked, are a vital part of society. They deliberately chose to hold the event on the eve of International Women's Day. "We are here today to show their inner strength, as they have come a long way," said Farah Kabir, country director of ActionAid Bangladesh, which organised the show. "I often take inspiration from them. Their courage is huge." Bangladesh has struggled to deal with acid attacks in recent decades, and has instituted harsh punishments for the perpetrators, including the death penalty. The country has also trained doctors to treat such sensitive cases and attempted to control the sale of acid, but has failed to eliminate the scourge entirely. In 2016, some 44 people were attacked with acid in Bangladesh - an annual number that has remained relatively stable. "I am ashamed of having such things in the country," Kabir said. "Unfortunately, in Bangladesh we do have acid victims because of either gender discrimination or violence, or because of greed. And we want to remind everyone the kind of injustice that has been meted out to them."Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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12
Dearly departed, we are gathered here today To gaze in quiet wonder at the beauty of the grave To remark in awe and gander at the body that here lies And to spy the stiffened cheekbones beneath her sunken eyes How pretty can a smile be when placed upon her corpse While the fruit she has brought us leaks at life's divorce But the truth is not a tragedy that we have underwent And timing is imperfect, but in our breast is evident So let us gather here to celebrate the Joyus Chorus' call Let's join our hands to embrace the death of one and all
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Aug 8, 2012
Aug 8, 2012 at 10:39 PM UTC
Grave-side Service
Since I've loved you dear, Brain underwent change, To a sentimental piece of junk, With two halves constituting it, All brains have two 1/2s, And my brain is strange. There's nothing right in the left half of my brain, And there's nothing left in the right half of my brain, Yes, ever since me having loved you my lovely dear.
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Jun 9, 2014
Jun 9, 2014 at 11:04 PM UTC
Left Right
Providing you survive the drive inside the suicide lane, The inane objections of several secular seconds will both drive you insane and tame the frame of irrational sanity, Which stripped away the man in me, And grabbed my sleeve convincingly to lament the angry laugh of free... Enterprise; do I comprise of many lies, As you do? A gift or prize; yes I surmise the former plays no voodoo. Like the latter, Piter pater, I ask exactly, "Do you," Truly care to know... If existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor, Who washes Shame Away In calm, hot showers. What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. What malcontent. We thought dissent would overthrow the circus tent, Which represented forced consent with the oppressed by blissful fraudulence Remaining 99 percent. Peasants, plebeians, proletariat; We poke the U.N. Secretariat, To ask again, "Are we there yet?" "Are we there yet?" And silence is how were always met. We drop it, trust they won't forget, About us, suffering cold sweats; As we fear unwanted debt, They won't forget, They won't forget, They won't forget About us. Yet competition takes it place, And twists that sympathetic face, To grab a poor man's knowledge base, To ask him, "What do I gain from assisting The likes Of you?" The poor man bellows, "you're poor too! Like those who can't afford shampoo. You can't afford my point of view, It risks a loss that's overdue, And money makes you misconstrue, Existence." And if existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor; He forgot the human aspect should always be the biggest factor, On his spreadsheets as he calculates productivity's next chapter; What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. This isn't right. I question fines, And wonder, where's the kindness? What happened to our kindred spirits? Did we leave all that behind us? Is money truly all we want, And happiness put second? The future is unwritten, So follow me; Expect resistance.
0
Oct 3, 2011
Oct 3, 2011 at 3:46 PM UTC
The Suicide Lane
Providing you survive the drive inside the suicide lane, The inane objections of several secular seconds will both drive you insane and tame the frame of irrational sanity, Which stripped away the man in me, And grabbed my sleeve convincingly to lament the angry laugh of free... Enterprise; do I comprise of many lies, As you do? A gift or prize; yes I surmise the former plays no voodoo. Like the latter, Piter pater, I ask exactly, "Do you," Truly care to know... If existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor, Who washes Shame Away In calm, hot showers. What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. What malcontent. We thought dissent would overthrow the circus tent, Which represented forced consent with the oppressed by blissful fraudulence Remaining 99 percent. Peasants, plebeians, proletariat; We poke the U.N. Secretariat, To ask again, "Are we there yet?" "Are we there yet?" And silence is how were always met. We drop it, trust they won't forget, About us, suffering cold sweats; As we fear unwanted debt, They won't forget, They won't forget, They won't forget About us. Yet competition takes it place, And twists that sympathetic face, To grab a poor man's knowledge base, To ask him, "What do I gain from assisting The likes Of you?" The poor man bellows, "you're poor too! Like those who can't afford shampoo. You can't afford my point of view, It risks a loss that's overdue, And money makes you misconstrue, Existence." And if existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor; He forgot the human aspect should always be the biggest factor, On his spreadsheets as he calculates productivity's next chapter; What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. This isn't right. I question fines, And wonder, where's the kindness? What happened to our kindred spirits? Did we leave all that behind us? Is money truly all we want, And happiness put second? The future is unwritten, So follow me; Expect resistance.
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80
I have a heart full of cement Solid... Permanent I've sang your lament over and over again But every song has the same intent Like something permanent. I regret not having a patent on your scent, Or the way your teeth are bent or broken. Like at some point a decent person Had a cruel accident But, against your jaw ..........A fists descent... ...To punish you.......... And forever augment that one percent of you. I don't know the intent of the event But, I do know you underwent some hell To get to me, in our present But, that doesn't matter my gent My denouement is becoming distant          ...you are here...                       And there you went. But, our two souls are water and powder We create cement... Permanent
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Aug 8, 2017
Aug 8, 2017 at 9:01 PM UTC
You Are Here
T-Treading with a very measured gait I-Inviting his balancing pole to equate G-Grounding each foot at precise rate H-Holding a toe grip by a sheerest fate T-Tensile cable he doth easily intimidate R-Reckons he'll get to the other end secure O-Overcoming the snare of the floors lure P-Plying skills which shall always endure E-Elevated at a height where the air is pure W-Wowing the audience seated in the tent A-Applause he garners for his amazing event L-Lightly he takes his final steps of torment K-Kisses thrown at the walker who is spent E-Elation he now feels and so very content R- Risk and great pressure he underwent
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Mar 10, 2013
Mar 10, 2013 at 8:46 AM UTC
Tight Rope Walker (Acrostic Poem)
the words fluttered, swung, swept, swooshed, bemoaned, bereaved, bedazzled, leapt, lauded, littered, hovered, heckled, hiccuped, made U-turns, took deep dips, underwent saucy somersaults, played like notes, acted like songs, usurped as oaths, humbled as prayers, slaughtered as killers, punctuated, presided, presumed, abetted, adhered, attacked while the paper endured all with love.
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Sep 21, 2012
Sep 21, 2012 at 7:50 AM UTC
ink tales
If a man screams at the top of his lungs He is making is opinion known If a woman screams at the top of her lungs She is hysterical For a woman will never be able to have her opinion known Because if she screams She is crazy But if a man screams It is normal and that he has the right to be heard While a woman must be silenced and should not be loud Sit like a lady and keep your mouth quiet. Even if you underwent a traumatic event, No one will believe you so just don't scream You are a hysterical woman He is a kind soul who would never touch a woman if she didn't want it. All this evidence adds up in our minds but in theirs, she is HYSTERICAL.
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Sep 28, 2018
Sep 28, 2018 at 10:00 AM UTC
hysteria
During the day and all night long I am hearing a very peculiar song. There's unstruck music much like an infinite melody resonating inside my head; an enchanting symphony. It has no real tune or beat which one can recognise only by hearing it then as all else is a compromise. In silence and solitude it's usually heard without end an invisible companion and sweetly sounding friend. If one is listening intently and endeavours to get to its source, can hear one finer sound inside another, which is not by force. Who can rightly say from where it comes and where it does go? perhaps only a true mystic has the knowledge or ability to show. With practical wisdom and a clear spiritual insight by his grace and advice can lead one into the light. Until, at last, reaching that inclusive shore of infinite silence which the experience of there being is a permanent abidance. Could this be the long lost legendary music of the spheres? that few people of times past underwent the trouble to hear. And when it’s continually heard confers many an untold blessing the likes of which most people now would not even be guessing.
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Dec 26, 2011
Dec 26, 2011 at 7:11 AM UTC
The Music Of The Spheres
It seems I’ve always been dyslexic But, I really didn’t know. I just discovered this about myself About a year ago. It was a matter of some bedevilment To deal with left and right Up and down, on and off, and more Excepting day and night. Opposites like yes or no, black or white, Were never easy or fun. Then the days of computers came along With their trials of zero and one. It’s a basic lack of understanding things At a minimal kind of level. It always seemed I was forever lost Between the sea and the devil. I began to realize how deep the effect Ran within my learning curve. It was more than just a simple matter Of which way I would swerve When riding a bike or driving a car; I could never drive in Kent. I would invariably choose the wrong way When the road was forked or bent. I don’t take any of this in any light way, It helps me to understand Having problems in my studies long ago, To piece together strand by strand The insults and the teasing I underwent When I made the wrong choices. I can now put to rest my sense of doubt That stems from chiding voices. It was such a subtle thing, and back then, In the methods of long ago, The parents and the teachers muddled on Because they really didn’t know That many of us were not ignoramuses We just had an uphill fight We had a dilemma in equal opposites Like in and out or left and right.
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Sep 2, 2015
Sep 2, 2015 at 3:11 PM UTC
SIMPLE CHOICES
I hardly journey there anymore. Those ruins are far and distant, Far and distant, and black and grey. Relics are moon rocks in the frozen landscape. The grand façade of the pantheon has Crumbled into sand. I could crush it all into Dust beneath my heel. The mind itself is an eye, a camera obscura, Lit not by the moon— That old pinged marble— Over whose surface I skim in my tiny submarine. The lunar scene fills my vision, Film noir. I spy the cold garden. In the heart of it Gleams the litter of my chicken bones. My cowardice the wicked reminder, Consequence of the role I performed For the impassive audience. I underwent A sea change in the theatre of their minds. On some other plane Holy voyeurs peer through spyglass, Seeking to undress the celestial paramour. Such delicious vacancy— **** statue in an arena of eyes, Gristle picked clean by vultures. The air is ****** dry. Cold stars Abound in the black sky. Smeared ink the lingering impression, Smudged thumbprint.
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Nov 15, 2019
Nov 15, 2019 at 8:32 PM UTC
The Ruins
The clock is ticking  ...  And it's time  ...It's time  It's time that we get our act together  And disengage ourselves from the miseducation and disorientation  That we have been suffering from for quite some time now. I'm tired ... I'm tired  I'm tired of witnessing the sentences of the corrupted minds chained up to face the consequences of their crimes  By trading in their freedom  Trading in their wisdom  For wasted time  I'm sighing  ...I'm sighing  I'm sighing because me and my people are blinded by the quote on quote finest  Presuming to purchase from producers  Why are we only consumers? Just followers of every mindless introducer who is on the screen rhyming steadily binding our youth's futures  I'm crying  ...I'm crying I'm crying for the losses of our precious souls, our beautiful smiles that are buried beneath the ground  By a repetitive loud sound  Coming out of another hand that is brown  I find it  ... I find it  I find it aggravating that the colored brother and sister are becoming further and further lacerated  Just because me and my brothers underwent emasculation doesn't mean that we should stall on our sisters complete emancipation  LOVE HER and free her from all agitation  These are our mothers and the foundations of our nation  I'm reminded  ... I'm reminded I'm reminded of our history, our lengthy history which to most of us is a mystery Way before Arabs, Europeans, Hispanics, and American Natives got creative and began to enslave us. Before our spirits became diminished by religion  We valued family, tradition, education, productivity, ownership, land, earth and everything that take part in a birth Most importantly we valued LOVE So I'm dying  ... I'm dying  I'm dying because we are so reliant and dependent on someone who is much more different and much less interested  Our declension is their intentions  But when we see the illusion on the television  We see a little succession  Why is it that we can easily make the team or get in the studio to sing  But to become a businessmen is not quite our thing?  I'm dying  Because we all just living a dream  A dream that was once our reality  I'm dying  Because we are all asleep  I'm dying  Because we are afraid to wake up
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Dec 30, 2013
Dec 30, 2013 at 7:29 PM UTC
Snoozing our Alarm Clock
The clock is ticking  ...  And it's time  ...It's time  It's time that we get our act together  And disengage ourselves from the miseducation and disorientation  That we have been suffering from for quite some time now. I'm tired ... I'm tired  I'm tired of witnessing the sentences of the corrupted minds chained up to face the consequences of their crimes  By trading in their freedom  Trading in their wisdom  For wasted time  I'm sighing  ...I'm sighing  I'm sighing because me and my people are blinded by the quote on quote finest  Presuming to purchase from producers  Why are we only consumers? Just followers of every mindless introducer who is on the screen rhyming steadily binding our youth's futures  I'm crying  ...I'm crying I'm crying for the losses of our precious souls, our beautiful smiles that are buried beneath the ground  By a repetitive loud sound  Coming out of another hand that is brown  I find it  ... I find it  I find it aggravating that the colored brother and sister are becoming further and further lacerated  Just because me and my brothers underwent emasculation doesn't mean that we should stall on our sisters complete emancipation  LOVE HER and free her from all agitation  These are our mothers and the foundations of our nation  I'm reminded  ... I'm reminded I'm reminded of our history, our lengthy history which to most of us is a mystery Way before Arabs, Europeans, Hispanics, and American Natives got creative and began to enslave us. Before our spirits became diminished by religion  We valued family, tradition, education, productivity, ownership, land, earth and everything that take part in a birth Most importantly we valued LOVE So I'm dying  ... I'm dying  I'm dying because we are so reliant and dependent on someone who is much more different and much less interested  Our declension is their intentions  But when we see the illusion on the television  We see a little succession  Why is it that we can easily make the team or get in the studio to sing  But to become a businessmen is not quite our thing?  I'm dying  Because we all just living a dream  A dream that was once our reality  I'm dying  Because we are all asleep  I'm dying  Because we are afraid to wake up
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52
there was a lot of love in this decade the people joined a peace parade the air was filled with an upbeat atmosphere   the flower children were on a higher sphere tunes started to sound like they'd been set free the musicians weren't bound by a formalized key fashion underwent a considerable change whereupon the beaded look wasn't so strange may these scant clues aid all of you in finding what decade I'm taking you to
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Jul 27, 2019
Jul 27, 2019 at 11:32 PM UTC
What Decade Is This? (Riddle Poem)
Mr Torbay was a shape shifter the electorate were to find out over his years of representing us he shifted shape on two occasions on his being elected   to council he wore the hat of a labor man when he got elected to a our state seat the hat he had upon his head was that of an independent as the geography of the political landscape did change Mr Torbay also underwent a shape shifting change
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May 27, 2014
May 27, 2014 at 10:13 PM UTC
Shape Shifting
The original dream Shared a vision of happiness, Harmonious circumstances Character witnesses to a life, That flowed unerringly Across a landscape Of perfection. Then came the descendants; Other dreams, Where illusions were introduced And the landscape underwent Subtle changes, Twists and turns Seemingly random, chaotic eddies Fractal logic prevailing; The dream deviated Always pushing and swelling At the edge of Its ever-expanding territory. Standing anywhere along that edge One can see a little more or less Of the horizon Than at any other position, Equilateral sight Into the possibilities Of the future, And looking back A seemingly random path, And though chaotic It clearly made sense, At each individual instant.
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Mar 24, 2021
Mar 24, 2021 at 2:41 AM UTC
The Original Dream
Tis not in commitment To love that warrants beauty, For fickle a girl beauty is indeed, not to be bent By sorrow and pain filled gazers and dandies, Eyes gleaming in fleeting hope, without sense, That their smiles, enwrapped and dependent, Will have recompense By her gaze, resplendent, And perhaps, if in good favor, Have admiration bestowed on them amorously. But nay, beauty is a fickle girl. Alas, we love her. So as the breeze sings melancholy, And the leaves reflect her lips of flame, As milky clouds remind of her skin, When her hair is night, dark and sleek, putting others to shame, Filled with expectation And apparitions of loveliness, I think of the sweet longing, Hoping for the moment not to pass. The sweet longing I loved then, For a moment, Lingering in the agony of emotion, In a short eternity that I underwent. I then found beauty. But then the lights were no longer low, The emotions, so resplendent in ardor, escaped me. The façade was gone after the show. Nay tis not in commitment to serve Love that hold beauty. Tis in the memory of nerve, Tumultuous as a stormy sea. Tis in the very slow-grown enthrallment Of her melodious voice. Tis in the memory of through what my heart went When I told it to her by my choice. When I told how it was stolen by her raven hair, By her star-drenched skin, By her cherry lips at which I’d stare, And the voice so in apprehension, rife with emotion from within. Tis not in the resolution itself Of intricate harmonies and dissonances, So pleasing to the ear in their discord and wealth, But in the expectations and resonances Of this ecstasy, That resides beauty, Which is why I told her my love and melancholy, Letting her forget, and proceeding to flee. For the wonderful nostalgic memory Of the shortness of breath, Would by intimacy, Certainly be put to death.
0
Nov 6, 2011
Nov 6, 2011 at 9:11 PM UTC
Resonances
Tis not in commitment To love that warrants beauty, For fickle a girl beauty is indeed, not to be bent By sorrow and pain filled gazers and dandies, Eyes gleaming in fleeting hope, without sense, That their smiles, enwrapped and dependent, Will have recompense By her gaze, resplendent, And perhaps, if in good favor, Have admiration bestowed on them amorously. But nay, beauty is a fickle girl. Alas, we love her. So as the breeze sings melancholy, And the leaves reflect her lips of flame, As milky clouds remind of her skin, When her hair is night, dark and sleek, putting others to shame, Filled with expectation And apparitions of loveliness, I think of the sweet longing, Hoping for the moment not to pass. The sweet longing I loved then, For a moment, Lingering in the agony of emotion, In a short eternity that I underwent. I then found beauty. But then the lights were no longer low, The emotions, so resplendent in ardor, escaped me. The façade was gone after the show. Nay tis not in commitment to serve Love that hold beauty. Tis in the memory of nerve, Tumultuous as a stormy sea. Tis in the very slow-grown enthrallment Of her melodious voice. Tis in the memory of through what my heart went When I told it to her by my choice. When I told how it was stolen by her raven hair, By her star-drenched skin, By her cherry lips at which I’d stare, And the voice so in apprehension, rife with emotion from within. Tis not in the resolution itself Of intricate harmonies and dissonances, So pleasing to the ear in their discord and wealth, But in the expectations and resonances Of this ecstasy, That resides beauty, Which is why I told her my love and melancholy, Letting her forget, and proceeding to flee. For the wonderful nostalgic memory Of the shortness of breath, Would by intimacy, Certainly be put to death.
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Byron underwent Stent implants For a few Ailing arteries. He soon waxed on About his people On the other side. Friends and fans And family To kiss and greet When he arrives. I know he'll die Of a broken heart When he doesn't Wake up alive, He won't consider, Instead, That he won't Wake up dead.
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Jun 18, 2015
Jun 18, 2015 at 4:00 PM UTC
Heart Stents
she have to die a thousand deaths, for people to laugh a thousand smile. she have to bleed a liter of blood, for her name to be remembered. so never underestimate poets and their poetry, for they have to underwent direst of circumstances, to be solely accepted.
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Jun 25, 2017
Jun 25, 2017 at 9:55 AM UTC
poets
If you asked me a year ago I would've told You that meeting him was as accurate As there being a second planet earth. I would've told you all about How much I doubted my worth. Presented you with elaborate detail On my fathers affair My views on life And why love is never fair. A year ago you would've found me wrapped up In the lies I'd been told Came across the girl who's Heart was once warm And thus turned cold. Who I was then Is not who I am now Because when I wake up I'm no longer alone I finally started picking up my phone. You'll come across the girl from years ago Sher underwent a recovery Like never before. Aided by his touch And healed by his love She became his priority Knowing her healing was a must. So now if you look I'll be in his arms Curled up in this newfound love
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Jan 25, 2016
Jan 25, 2016 at 12:12 PM UTC
Now and Forever
Blood tinged with the taste of iron As it follows the ridges that Move the fluid like aqueducts, and Deposit it into my mouth. I let it pool and sit like stagnant water Until I spit and paint the canvas A mosaic of Crimson Red that represents All the hours that you spent Drenched in sweat from all the rounds commenced Never overwhelmed by what you underwent This red’s respect, across from me A nodding head with arms and legs, and He bleeds like me. Inside these ropes we are all silent poets Unspoken codes and a violent Calm devotion to only speak with Measured fists and feints. Inner pain hidden behind punch combinations Like a writer hides his heart behind a metaphor. You never see the crowd all circled round Like a pack of laser focused vultures Looking for scraps of skin to feed Some inner need to watch a warrior bleed. They root for me, as long as I stand tall upon my feet, but A buckled knee creates a switch of scenes, Now they scream and plea for him to finish me. I list as if this ring sits Atop a ship hit broadside by rogue waves, but A fighter hides his pain within a flame Kept deep inside a hanging lantern That adorns his heart and keeps him standing. Now he moves with clenched fists To man the sails and turn the ship, and Aim it right at his, because if your drowning You know **** well he is coming with Body shots placed straight under his ribs Now he sinks quick, gasping for air Afloat on hope alone, searching for a beacon To lead him from the deep end, but He heads for the cliffs at the end of your fist, and Your shoreline is his jawline He washes up stiff, rinsed out and spit Like the blood on your lips.
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Apr 29, 2022
Apr 29, 2022 at 2:28 PM UTC
Rinse And Spit
Blood tinged with the taste of iron As it follows the ridges that Move the fluid like aqueducts, and Deposit it into my mouth. I let it pool and sit like stagnant water Until I spit and paint the canvas A mosaic of Crimson Red that represents All the hours that you spent Drenched in sweat from all the rounds commenced Never overwhelmed by what you underwent This red’s respect, across from me A nodding head with arms and legs, and He bleeds like me. Inside these ropes we are all silent poets Unspoken codes and a violent Calm devotion to only speak with Measured fists and feints. Inner pain hidden behind punch combinations Like a writer hides his heart behind a metaphor. You never see the crowd all circled round Like a pack of laser focused vultures Looking for scraps of skin to feed Some inner need to watch a warrior bleed. They root for me, as long as I stand tall upon my feet, but A buckled knee creates a switch of scenes, Now they scream and plea for him to finish me. I list as if this ring sits Atop a ship hit broadside by rogue waves, but A fighter hides his pain within a flame Kept deep inside a hanging lantern That adorns his heart and keeps him standing. Now he moves with clenched fists To man the sails and turn the ship, and Aim it right at his, because if your drowning You know **** well he is coming with Body shots placed straight under his ribs Now he sinks quick, gasping for air Afloat on hope alone, searching for a beacon To lead him from the deep end, but He heads for the cliffs at the end of your fist, and Your shoreline is his jawline He washes up stiff, rinsed out and spit Like the blood on your lips.
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