THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

Electromagnetism and electrochemistry added to the expanse of erudition.
Central calculations comprised of charged consecration
Diamagnetism and also electrolysis
Took in little of the ritual pedagogy
Most influential of archaic scientists.

The base for the conceptualization of the dynamic sphere.
Introduced the physics of ensconced enthrallment
Affecting rays of light
To say nothing of the underlying relationships there
Two phenomena, both similarly discovered

Inventions: Electromagnetic induction, diamagnetism, and the laws of electrolysis.
the form of electromagnetic rotary devices
Foundation of electric motors
Truly technology was largely due to his effort
Electricity became practical for use

Scientific knowledge increased: investigating as an alchemist, discovered benzene.
Inventor of Clathrate hydrate of chlorine,
In its early form
the system of oxidation numbers, and the burner
Popularized terminology such as anode, cathode

Ultimately became the first and foremost, ultimate, and respected .
Chemistry Professor at the Institution
Position of a lifetime
He was an excellent experimentalist of conveyed ideas
Mathematical abilities in simple language  

His powers did also extend as far as trigonometry.
Took any but the simplest algebra
And worked around it
And also summarized it in sets of equations
The basis of modern theories

I once heard of name,
Am I death?
Because I never heard of it twice,
I never played the game,
I left it to the rest,
I don’t think it’s right that even the dead lose their life,
What is a legacy, if summarized,
Where’s the integrity if gun aside,
Hearing the melodies of summer nights,
Hennessey and jealousy mixing; some will die,
Memory was therapy, now it is Cherokee,
Longevity became cellularity, no longer a friend to prosperity because the scars attached reiterated a son cry,
This all started with a name,
If I’m escaping parliament, how is it logical to feel obligated to my last?
I tried to explain this to my class,
But I wasn’t named “teacher”,
Instead; a preacher,
And I Practiced what I expressed so that part of me; in the past,
Pardon me for showing class,
I did it because of past,
They taught me to see trash,
I taught me to see the math,
They measured success with material, to validate time,
I expressed choice, I measured it by what constituted the spiritual to validate mind,
These structures are constituted by thoughts that no longer serves a purpose,
With all this baggage, it’s inevitable to replace our self,
I feel innovative because I express what we forgot, they act like they never heard of this,
All this action and acting… it’s inevitable to mistake ourselves, un-appreciate, and deviate to a state in which we hate our self,
Personally speaking, I don’t take advice from people less successful to me,
Your thoughts aren’t medicinal if the archetypes that are habitual aren’t transmuting from distressful to a state in which you are happy to be,
That advice just isn’t attractive to me,
It’s more like I’m back tracking to find the root cause of what’s blinding your perception so that I can heal your expression by removing the thought of neglection and oppression so that you are able to think free,
And I don’t mind…
In the process, I’m judged and crucified,
I’ll reiterate; my intentions are to love and unify,
We’re stagnant because of choice,
If there’s silence in the voice, I throw a nudge to refine, that’s freedom for define, I’m bringing the awareness of choice so that it’s possible to decide on what we personally do with life,
I was stabbed in the back and forgave that,
I was stabbed again and almost resorted to my decision making tactics from way back,
Then came another stabbing that had me lying on the floor,
I got up, but couldn’t find my way back,
Then came a love, she needed an eye,
She took that and saw her way out, I let her go,
Leaning on a wall, I bumped into another,
I gave her my other because she’s a passenger; hetero,
Love comes in trinities; currently dependent on sound,
It was all I had to give; then debt arose,
The next love that came just wanted to hear her name,
I chanted Satchitanada, and that became a death note,
In trials and tribulations I resorted to love and nurturement,
I call this an understanding,
I created this path, there was no one to follow in this century,
If you can’t comprehend that then there’s no possible way for you to understand me,
I never had a plan B, I was dependent on faith,
Independent from wave, I road the waves,
I had to experience what others had experienced, and had to remember myself along the way if I ever wanted to see some type of change,
I played the game and had to retain the focus of me, when I attained the focus to see, all this weight pilling, I was losing my ability to breathe; I was getting hostile,  frustrated, thinking about choosing to lose my ability to breathe,
And it’s because I solidified the W to attract enough attention to reiterate me, if I died I’d be apart of the past with the others; they’d appreciate me, saying my name, expressing a memory lane that would bring change the moment you speak…my name and that’s change,
My arrogance seeks credit, convincing ourselves that we’re victims is easy to me,  
It was difficult for me to exist in this world,
That’s why I decided to live,
That’s how I kept my lid,
That’s why I continue to give,
If I’m bringing truth and love, then this awareness becomes easy to see,
I don’t care about no dollar *****,
I don’t care about your opinions on Donald Trump and Obama; Mister,
I care about our species and our galaxies picture,
I care about the success in reaching the state of nirvana and the help from seven sister’s ,
The Pleiades,
Believe in me,
I heard of a name once,
Does this make me dead?
If so, then my rebirth was captured in everything you just read…
Notice the name.

Part 1 At the Saint’s Book Store (Singapore, 1970)


when I was just 15
and just after
a trip to the National Library
I saw a slim volume
at the Saint’s Book Store
(named after a TV series
and true to the borrowed name,
a second-hand book store)
and its spine said: Kama Sutra


Now that’s a title
they don’t have at the National library,
I mused
and I took it down off the shelf
and stood, agape -
transported to Ancient India
by the very seductive picture
on the cover page;
didn’t make me feel like a saint at all


but my reader’s instinct
got the better of me
and so I opened the book
in which the Introduction
ran boringly longer
than the main meat of the text
and so I went on to
Vatsyayana’s
own enigmatic words


This I must have-
I said to myself,
after only five pages of Vatsyayana
and the sticker label on the
used book replied: $2.50
I bought the book
and walked home
and had no lunch that day






Part 2 ***** Science


What are you reading?
asked little Somu,
a year younger than I was


It’s a Science book,
I said, turning away from him

If it’s a Science book,
the little rascal said,
why are you hiding it behind
another science book?


Mind your own business,
I said,
Hardly taking my eyes
off Vatsyayana’s classic


I’ll mind my own
if you tell me what it is;
otherwise dad
will come to know of it-
and you won’t be able to tell
him to mind his own business


Oh! I said, angry and afraid,
and I threw down my books
(the cover book and the hidden book).
You’re too young for such things.


But he looked at me
as only a dangerous blackmailer can
and I yielded to his request -
I would summarize aloud each chapter
for him as I finished reading each
(That’s the trouble when
fate throws you in
with siblings who don’t read)



And day in and day out
over the next few weeks
I summarized the Kama Sutra –
no, I don’t think I summarized,
I extemporized,
I added details, I confess –
for the benefit of non-reading Somu
that silly pumpkin of a brother
who didn’t understand a word of what I said!






Part 3: Weird History



That night as we lay
on our mats on the floor
Somu asked me:
You know…I was thinking.…
ever since you provided
your summary of the Kama Sutra
delivered in such melodramatic actor’s voice…
I’ve been wondering….Do you think Dad knows
the Kama Sutra?



Oh, I said immediately.
How would
dad know
about the Kama Sutra?
It’s been banned In India
since the middle ages.
He only knows
Hare Rama, Hare Rama…
Now, maybe it’d do you good
to repeat the mantra 100 times
and go to sleep…
You might end up in Vaikunta.


And then insomniac Somu said:
What’s that book you were reading
this afternoon
covered behind your
school History Text Book?


Oh God! Nothing escapes the eyes
of this sibling who came a year after me;
and I had to make an honest reply
or he’d pursue me to the ends of the earth:
Oh, it’s another book
I found at the Saint’s Book Store;
it’s called The Perfumed Garden;
it’s in Arabic and you won’t understand a word;
you can read it when you’re fifty
because that’s how long it’ll take me to translate the work


Somu, the silly sibling ever,
sat up on his mat and looked at me suspiciously:
When did you learn Arabic?
You can’t even read Tamil properly,
you monolingual Indian!



And irritated, I said:
Oh shut up and sleep…
Don’t you go digging into what I do.
I learn all sorts of things in my own time –
and you’re best, little brother,
to stick to Hare Rama, Hare Rama
Or Hara Hara, Siva Siva…




And for that,
the traitor of a brother told all our school mates
I was reading ***** Science
and weird History!







Part 4: The Puritans Come Home



What is a young boy
just turned fifteen,
said the outraged visitor to my father
doing with a copy of Kama Sutra?
And he pointed his bony finger
at me, sitting with my brother Somu
and his thirteen-year-old son Kittu;
we kids sat on the floor
and the dignified adults
sat elevated on the sofa

And he continued:
So, tell me,
what is a young boy like
that doing with erotica?
Is this the time for him?
This is the time for him to study
his textbooks and do his homework.
And the outraged father
pointed his finger at my sheepish father
and he continued:
Your son goes to the same school as my son –
and I’m afraid he’ll be a bad influence.
At History lessons and Literature class,
my son reports,
your boy asked the teachers why
they don’t teach Kama Sutra.
This is outrageous and crazy!



My father looked at me
but couldn’t see my eyes
thanks to my state-welfare
horn-rimmed glasses
and he said to the outraged visitor:
I don’t know…
He reads all sorts of stuff…
He discovers all these books
at the National Library
and bookshops…
He’s read Gandhi’s biography…
and now it appears
he’s discovered Kama Sutra…
Should we really stop him?



The uncertain father slumped in the sofa;
but the outraged father jumped up
dragged his son Kittu to the door
and he turned around and said:
You call these discoveries?
Get him to stick his nose
in his school textbooks!
He will come to no good!
He will bring you shame!
You call these discoveries?
I’m not coming here anymore –
and turning to his son
he said:
Don’t ever talk to that boy;
don’t you ever be near him!

And off they went,
Outraged Father and Trembling Son
into Dusty History.





Conclusion


My father and I looked at each other;
not a word was said –
and he is not here today
for a translation of what I write here now


As for my little brother
that traitor who had told Kittu,
I took both books
The Kama Sutra and The Perfumed Garden
and hit him smack on his head:
and he has remained
stunted physically and mentally ever since








Postscript



What’s that thick book,
said Somu two weeks later,
on the shelf?

That’s Origin of Species
by someone called Charles Darwin,
I said.

Is it one of those ***** books?
he asked.

I think so, I said. I heard some religions
have it blacklisted
so it must be *****.

And what’s that one beside it?

That’s Shakespeare, I said. Complete Works.

Is it another of your ***** books?
said Somu.



Well, I said to this juvenile sibling
just a year younger than I.
There must be many ***** parts in the volume…
You can never escape dirt…it’s all part of life.

I am South Asian
My skin makes me repulsive
To all girls on Earth

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

trigger warning:
Hate long poems?  move on.
Love words?  pleasure your self

<=>

drought and famine of the spirit,
over-staying summer
house guests in an overly sun blanched,
voided, white outed, mental abode.

faculties parched,
overly starched,
compositions lost in transition,
why can't they make it ashore?

It's after 2 AM, and though
ferries have stopped running,
mainland hangover hangerons are
working overtime to prevent
"author"izations, so all I get
when I press send is a whole lot of
"permission to cross," denied!

causes of vexation undisguised,
dual natured and manifold,
luxuriating and drowning in home grown,
city organic insipid,
makes one quick to blame
nobody in particular,
but yourself, repeatedly.

reasons many, the distractions of
rustling contradictions populate,
another life road fork looming,
a track record for choosing badly,
colors the blacktop even blacker and
ramps up desires for a janitorial,
but first do no harm, status quo.

Need a beer.
Need a distraction.
Need a homework assignment,
which I buy at the IGA market:

obey the eleventh commandment
which every writer knows;
you think you're Mr. Bigshot,
so pudding prove it,
write it,
one true sentence,
let it be a constitution for all,
with the lengthy consistency,
of a Hemingwayesque,
one true sentence.

dearth to riches occurs
as fast as a basketball
three second violation,
inspiration dripping like
windshield condensation,
got so many true sentences,
how ya gonna choose,

O sinner man?

sadly you don't hear or feel
my background music,
stringed surf sounds playing
Perlman's Mozart low to
the thunderous, sweltering,
swells of applause of
90+ degree heat
w/o a Crescent Beach breeze
to console the disowned

these superheated thoughts
now focused,
emerges a bill of sight,
lading my heart's many heresies,
staccato thoughts now,
rapid fire rebel,
a pre-discourse insurrection,
voices of words lash out -

pick me - immortalize me,
I wanna be,
a constitution for one,
one true sentence.

The Moment of Ownership.

Hillel did it,
standing on one leg,
a Sanskrit mantra,
not by me,
not for me,
not through me,
even more succinct.

full clarity unobtainable,
begin when fighting thru
the static of each nerve,
knowing that
each thought,
each emotion,
is a constitution
of sorts,
recognizing life is a series of
moments of ownership,
but that are truly ours
only when relinquished.

each one, a true sentence
when writ, spoke,
but only when disabused
of notions of possession
only true, when gifted away.

Lucian Freud painted those whom
he knew best, their portraits,
fully clothed but wholly naked,
a painter of revelation
thru the skin tones of the flesh.

exposeur of skins interior
displayer of old and ungainly,
left us eyesight more true
than an honest mirror,
with poetic brushstrokes overlay,
gained entry to what his
grandfather named id and ego,
artist's superego, his reflections,
a continuous judgment
on a pool of stretched canvas
that makes me despair that:

I will ere succeed
to cross the borderline
that modernity insists upon,
self preservation, neurotic fears,
impositions on my psyche and
that my moments of ownership
will be n'ere be stamped "transferred."

I take back my life,
by giving it away
this alphabetized self portrait,
a wrinkled sketch of me,
my ownings, undertakings
needs taking by you
so I can disown it.

these words are my own,
their conjunction is a
junction to you,
and a constitution for me.

once this expiation
is in your purview by the voted
election of Send,
bonded by a mutual
Moment of Ownership?

so net net,
bottom line,
these are my
one true sentences,
summarized, constitutionalized:
I am yours, for the taking,        
so come by, for and through me,
in many moments of ownership.

p.s. let us shelter together in place, an island growing

a beast
bitterly binding
the broken books
of the benevolence
that be-seats
the thrones of thieves
a binary botulism baby
survived by
the lowest common denominator
lord of may be
the calamity shaker
shaking limbs from trees
he made me
who am i
to be enshrined by
the designs in which
he heaves the storms away
leaves the drones in decay
as of yesterday
in an electrical parfait
of symbiotic energy
******* tempting me
in its tether
as embryonic entities
shutter the flow
to the effects
that no one knows
of the development and growth
of self
and the foes he oppose
as was imposed upon
by force of will
exposed and deloused
of the shrill
cockiness instilled
in his build
aroused
in the post stillness
of his kills
he is i
and i am thrilled
to lower the shields
leveling out the playing field
and yielding
to the technical terminology
of my basic demonologies
of my ****** up philosophies
cloning the technologies
you infuse into the spirituality
of your broken dichotomy
just let me know
how that goes
as corrosive winds blow
through the boroughs
of your haunts
i can almost feel
the taunts
as i hear the boots clomp
turn to stomping through the door
enacting your unholy chores
in that which bares no reward
the price is blood
the cost is love
in which i cannot afford
unfurled upon the hoard
in torn intellect
abhorred in the twirls
of a de-cored vortex
inter-sexed
and robbed of originality
in the result of cultural finality
empty
in a sea of dreams
our heads blown apart
is only the start
as it seems
ill be whispering
from afar
by dark
yet to embark
from under the rage of my darkening heart
but if i hiss cyphers into your charts
ill become safer than the cause
as i shall get the sympathy
of the claws
across my character
in the jaws of the barrier
to non existence
its even scarier
than the persistence
of ignorant citizens
with hard-ons
and night vision
down-loadable intuition
with the precision of the averages
unlocked savages
in the ravages
of synthetic bliss
1.1 happiness
projected in eyelids
emptiness
defectors of the world
gotta free them
beat them
if you have to
defeat them in the bathroom with a knife
rip their chips of deceit
show them life
clip their legs in retreat
until they secrete
the evil from their throats
binary bohemia
pooling into a despondent
pool of blasphemy
drained happily
from the heads of greed
only when willing
to commit to killing
can we fix the dream
and control the lean
of modernized thinking
chromatically depleting
as our chromosomes are shrinking
not one inkling
nor notion
of the ocean sinking
before the rise
and in all that you bitterly despise
forgotten
as the world is washed
before your eyes
yet to realize
the compliance of failed tries
a crashed system of self told lies
yet ...
i still spy the better days
i can smell them in range
estranged
surprised
i muffle the cries
of demise
in reprise
of a new name
a fresh start
summarized
in the surmise
of restraint
the faint
whisper
delivering from here
the elixir of life's experiences
cryptically laid upon the sentences
of my ethereal commencements
the beautiful lessons
entrenched in the blemishes
the scars of the heart
impart
on you
the virtues
of the tried and true
blood sweat and tears
in the blurbs
of yesteryear
obtuse
it be my will
to instill
in you
the
jaded
truth
love yourself
and i shall
love you
too

.i (am) giddity giddity getting it... lying is an economic policy that
exhausts all investment in reality.

blow backs and...
i've never heard so much
politics on the citizenry level of
implementing the discovery
of politics...
    
    i love Tuesday nights in
these parts of the world...
German army jacket, hood...
walking really slow,
drinking a beer,
smoking a cigarette...
tense upper-body frame,
not moving my hands
that much,
intimidating posture...

  passing cars don't count...
**** me...
like a scene fro the Vanilla Sky
beginning...
in Times Sq.....
but this is Romford,
the outback that somehow
constitutes London...
i made a count...
how many people did i spot?
3... and that includes me...

i love Tuesday nights...
and then making lunch
for my father going to work...

next time i hear the following...
all these internet bums
imploring for donations...
they're...working?
making ******* videos?!
that's work?!
  that's work?!
and me writing is what...
Stephen King ***
David Koontz?!

they're working?!
right... making existentialist
quasi-*******
with a return of: how else
to be a consumer?!
that's work?!
    work... come to think of it...
what's work?
low unemployment levels...
yeah... go figure...
but the jobs on offer...
aren't they, just a tad bit
*******?!
         the sort of work that
is summarized by ctrl + c
              and a cntrl + p?
if there is so much work available,
sure as **** the work is "work",
i.e. it's *******...
it's not a plumbing spot...
it's... the sort of work
that... could also come with
a contraceptive message,
a ****** career...
            why even bother doing this,
this... "job" when you can align
yourself to making contraceptive
precautions?!
so... you want me...
to do this, "job"...
this waste of time bollocking of
the lesser actor?
        no ******* chance...

unemployment is down...
well of course it is...
more meaningless jobs
have been re-imagined!
    no wonder!

i'd understand a cinema cashier,
there was a sense of aura,
notably with the popcorn scent...
but now?

no... over-population isn't
a problem...
but meaningless jobs are...
a ******* problem...
    ******* attempting to suffice
my escapism with a meaningless
function that is...
about as much a trade
as a peanut is a watermelon...
*******!

i'll huff... and i'll puff...
and... ****... forgot the cucumber...
make my father
the sort of lunch that
kings dream of...
   yeah... but just sandwiches?
and only sandwiches?
  ****... forgot the cucumber...
      a thai cucumber pineapple salad...
oh no... you little ***** bank donation
******* and *******...
you get to rent...
       you get to rent a flat...
coughing up money to the most
deplorable people... your landlords...
should have thought about your
teenage tantrums...
   and thought about
  talking to your parents differently...
incidence...
i dated a Russian girl once...
and she told me...
that her grandmother was her mother,
and that her mother was her sister...
a ******* confusing relationship...
**** yeah that it ended!

well... evidently the retards coughing
up money into strangers' coffers
will deem me ******...
    then again...
only in the west there's the parental thesis
of being a child, and subsequently
an adult... only if: you are ashamed
of having parents to begin with;

hello, test-tube Dan,
frozen egg Hilary,
           IVF... Peaches?!

counter argument: well...
i could live in a shack in a forest,
or call my shadow a roof,
lingering on the paved streets...
then again...
my neighbors lied that
they bought a house,
and they're... what... 30 something?
saying they're renting it out...
and yet...
  they have house parties
under their parents' roof...
and smoke **** in their car...

lying is an economic policy that
exhausts all investment by reality;
i do not find lying
to be a moral encompass,
more an economic bypass...
      lying, simply doesn't make any
economic sense...
  "morally" (in question)
      advantageous in
the short term...
   but economically...
lying is exhausting...
            given that it's a lived
fiction... rather than
a non-lived fiction of a book...
i don't lie...
  because...
              what one cannot love,
one better be ashamed of...
****... does that even make sense?!
to be denied a love,
     one can at least bask in the shame,
that the truth of denial entails...
yeah... that sounds better.

Wakey wakey
Big mistakey

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now, I will try to abandon time and space
in this form of truancy.

what is this abandonment trying to measure?
  the abeyance of presence.

what is the measured variable trying
to dissect? the impossibility of absence.

a poem aspires to be something concrete. a poem
   is what is real and imagined in the same context.

I try to invoke Abad -- what is imagined is most
   real.  this shall be its leitmotif.

now, i imagine the horizon as a point

of origin, or a template to some familiar projection,
  or a tagebuch summarized into a fine line
of allegories and denouement.

what this line tries to prove is that

an enjambment is a mimesis.

acknowledge the sublimity of a
  creation. notice that the sequence that will
be promised is diegesis of absence as form
     but not a poem as in a poem that enshrines
lucidity -- but the lack of it.

there is only the photograph of horizon
   as hypothesis of perpetuality. this now

is a subject, a speculative undertaking rearing a
   poem -- writing as preparatory for absence,

finishing a line as pursuit of thesis, gravity of
    its heft as tabulation of emphasis, or
verbosity, which may be telling of meaning or chronology.

a poem that is not a poem,
  But poem as a form of absence

that aspires to be a poem.

what is transpiring now is that i am assuming
   an utterance: utterance as being here,

and perhaps voice as sound of becoming but not finality
   of presence, and sound as disappearance

post-peak. its point-source silence and formation
   of thought, and then a poem is written as

evidence of disappearance in deep and close
   contest with a vision coming from another

audience as an objective supposition or
   reaction that may propel an exchange

but only when silence is entertained does
  silence happen, and so this may be dismissed

as a monologue among dialogues insofar as
    only to pinpoint this arrogant feat:

i may be speaking glossolalia, or in tongues,
  and that i seek no reprieve nor vestige,

all the more response -- intone of voice
   stilling itself in the tense setting

of being gazed upon, glazed with coherence
  of senses from one identity to another say,

you hear me speak as in speaking
as baring sound.
   but now that i have spoken, i have already undone

  the quiet to stir volumes and amplitudes
to attest sound-fade as vital component of absence,

whereas this poem produces ample sound
  if you pay close attention to yourself reading

in the lull form of reading (your
breathing will have intensified here,

your reasoning will have made so much
  noise here) as i continue to whittle

away in form of verse, verse not as poem,
  verseliteration not as occupancy of space,

but all in all, a body of work
that is a visage of movement - or a trace of absence, physics of space and kinesis of departure.

a delineation of a thing that was once
   thriving in threshold accompanied

by its tendency to wane: sound may be an
     analogue of unheard, as sound is impervious
to quietude but quietude conscious of sound
     and its potential,

that quiet coheres to its inclination to consummation,

this completeness so emphatic,
this allegory as
  absence the somatic, axiomatic,

indefatigable machinery of a presage,
   or continuity -- this poem that is not a poem,

but an excess of sound, a body that
   deserves end,  a punctuation.
     verity of this argument in basest form.

this body of work as absence
  and its completeness, volition

of its enigma: is this the end
  of sound or your silence summoned?

to drag it back, its recalcitrant body,
   is form of revision, then possession

of an absence, a recollection that will have granted
   seamless entry and translation

which passes on from its origin to
  a new clause -- to end it here, now and pass

over as readable only in the background that is
   an embellishment of absence amongst

things in exclusive continuity, to have this produced
   in space as empirical of absence,

and to punctuate this, a mystification,
or say, acceptable fabrication,

to read and extricate as acceptance of an absence
   as form: this poem that is not a poem but

only a physicality delimited -- to speculate
and study
as disbelief, and to have done such simply

demystification of its transition.

Sky blue, purple shade
The finest silhouette
Complaints,
Oppression
Negativity
Whining
Summarized in two words
Black thought

Dark mahogany rocking chair by the porch
Reminiscing the folk days
Projected in all shades of grey
Gloomy settings but a carved smile on his face
As he lost grandma Grace to the hands of less melanin masks
Trampling over the rosy ambiance that still lingered till this day
Going back and forth in that rock motion
Wisdom poaching, selena Johnson
Still taking on the black thought

I will simply have to clean my basement, all the crap and negativity idly poking me
Do feel my wrath worth the nation 's pathetic despair
Don’t think I will not clean this attic that has false hopes smothering your arrogant smile
Wait for the Hannibal in me to shut you down
As I closely walk beside that butterfly
Resting calmly in my palm
Waiting for the murderer in me to crash its living shine
But you,wait for the Hannibal in me to shut you down

read consistently,
learn diligently,
and write profusely

so that beyond lifetimes
of persistent practice
produced from painful,
arthritis-stricken fingers
may you birth a humble book

in its eternal years,
as many mute manuscripts,
it shall collect continents of dust
until it finally bares relevance
due by your unfortunate
final, unheard breaths.

but near such justly demise,
you will rage and reach forth,
to hope an innocent youth
may learn the many mistakes
collected and condensed
from one life to years to weeks,
summarized by your trembling hands.

yet I fear, as you may too,
that as we fade from existence,
our voice echoes lost;
our words unread forever,
to exist untouched
as a decorative piece
on a pretentious bookshelf.

He says
"we're close enough, lets just go"
and i agree, reluctantly
so we take a right
after we climb the hill and take the trail.
we end up on the main road
and walking along the white line
on the right side
we pass a bus stop and apartment complex
before we cross
walk a block
and take two more trails.

he knocks
each knock lessening in volume.
she opens the door
ten years old and wearing a blue dress
her six year old brother charges past to hug me
and pulls me inside
but he's the only one truly greeting me
I can see i'm not truly welcome
not today
when they form the
"guests can only stay in the living room" rule
just for us.

we have a good time
as we always do
but i catch a couple glares
even as we all dance across the living room floor
to some nightcore song.

All because of some Facebook message
that in it's simplicity meant:

"people are *******
but there's in a beauty in you that's only in you.
a beauty made when chopping onions and potatoes
for some type of bean cookies
while screaming at your siblings in a mix of spanish and english,
a smile on your lips
even as you drag a protesting six year old
across wood floors and carpets
to sit him down in his room alone
for doing backflips off the couch and into the shoe rack.
there's nothing more beautiful than lips stretched across teeth
in just that way,
the skin around your eyes gently wrinkling a little
and your eyes themselves open, clear and aware.
that is where the strongest beauty lies,
in a smile
and yours appears in the most beautiful of places
and that to me is truly mesmerizing"

I summarized that thought to her, greatly
I apologized at the end
I even said (truthfully)
that she is a great friend
and a wonderful sister.

but i keep catching two or three glares on me
as i sit on the couch
her brother flopping around on my feet
glaring at his seven year old sister standing on the couch
behind me, laughing.

"this is my real home"
I think, for a second
as i always do when i'm here
but they glare at me, quietly, secretly
saying that it isn't
at least, temporarily
and I hope this bubbles over fast
but i'm glad my words are bubbling
she deserved them
for chopping onions on the table
and having to scream at five wild siblings
while their mother works.

she works so hard,
and her smiling face while doing so
is more beautiful than even i can tell her.

most nights I'll say to myself
"someday somebody will find her who sees how beautiful she is"
some nights I tell myself
"get off you lazy *** and take a chance, you're already here"
But today I'm just being glared at for trying




©Brandon Webb
2012

' 1. I read the online account of a man who, after fifteen years of hitting gascid – nitrous oxide and acid in tandem – developed a B-vitamin deficiency. This may sound rather benign, but it made him begin to lose feeling in his fingertips. The numbness spread up his arms to his core, and he was soon paralyzed. After what he summarized as the better part of a year of ‘psychological horror,’ he emerged from the episode fully functional again, but with one caveat; he had fried his neurons so badly that every single incoming sensation from each nerve in his body was received by his brain as agonizing pain. He has spent the last fourteen years enduring this. He has tried to commit suicide several times, simply to end his constant physical suffering. He is still here today. His will is stronger than I can imagine; I was afraid while reading his story.

2. The guy who said ‘all women want in a man is confidence’ wasn’t ugly or poor.

3. Once, I chugged enough coffee and energy drinks on a long-empty stomach to experience a moderate overdose, to the tune of something between five hundred and seven hundred milligrams of caffeine. This may sound rather benign, but as I laid on the floor of my high school’s bathroom, convulsing, I had, up ‘til that point, never lived through a more unappealing chemical episode. The nausea was all-consuming. At two thousand milligrams, I would die outright. At the level I had ingested, my heart beat three times every second for five and a half hours. During the peak hours, I could have sworn I hit a steady two hundred-plus beats-per-minute. I hammered out a several-page text to my father with the same haste, cataloging my plight. My heart probably aged fourteen years, enduring that.

4. There was a time in my life when I stopped looking into mirrors. It took me seven years to develop a coping mechanism. Ten years after that, I found myself spending minutes with eyes locked in the mirror, examining that foreign face. Some call it confidence. That behavior scares me more than anything else in my life.

5. I stopped looking at your familiar face a couple years ago. I was afraid of your gaze begetting your touch, and those lightning bolts of pain shooting from each of your fingertips, through the front of my torso into my spine. I am afraid to tell you that you’re hardly on my mind as much as myself these days. I am not confident that I could tell you this, were I given the chance. My heart is facing its midlife crisis now, and I am still figuring out how to treat you like an adult would.

I saw demise in her eyes
acceptance of a summarized
existence in this instance
incidentally its in stints

well baby take my hand and
we'll ride the intertwining serpentine
you feelin my energy in an instant

i feel
i know you missed this
lips reveal whats sealed from description

oh woe to words, absurd innately
oh woe to words' deceptive paintings
We owe an ode to the world, and im thinking maybe
its this moment
its this moment
in this moment I feel relative
in this moment, man, im so not relevant
what tomorrow holds, there is no tellin ya
weve only just crossed paths
yet Ive known you for millennia

Universal Invocations
serendipitous relations
deceitful daggers draped in red cloths
slash at eternal hearts carried by temporary raven claws

disperse

fall into insanity
and land in my lap of chance
no more wallowing in the mire
rhetorical kiaros at a glance

awake, shake these dreams from my hair
evaporate those inhibitions into thin air
exposed soul, open emotion to bare
tip-toeing the peripherals of Medusa's glare

convergence in a vicious cycle
vinyl in perpetual spiral, we rendezvous in eternity
convergence in a vicious cycle
vinyl in perpetual spiral, situated, stuck internally

Many moons might fall and several suns will set
but in this instance, together, we'll always be infinite

I coo at soft fur under my fingertips, warm and full
A rumbling like a car engine bursting to life under my touch
I’ve never been able to resist their bright eyes,
voices echoing after me and deft paws figure eighting around my ankles
Small damp noses,
delicate ears,
wicked sharp claws and wits to match
Heaven is contained in a thick coat and sun warmed naps

Tessitura, psalms, and songs of praise, they branded atheism when singing Christian psalms in the streets making ineffable groans, where the exordios looked from the back with Delphic prose, where the dart that opens the curtains of the hallelujah tormented, with darts that rubbed weathered in the tentative to rise of the stores of Sanequerib. They are relatives of Incipit Psalm 69. " Saint John said as they continued to climb the Calvary of Profitis Ilias, but this time in the company of the Help of Isaiah, with a great spirit of being from the cavern of Elías in Haifa, at a flat point at the time of the Benedictus. Already the Assyrians were returning the same way they came, as Isaiah prophesied, in the morning with ejaculations that ended with the crass rottenness that could end the day without a step other than an anti-Jesuit one. Prayers go and implore the Omnia Vanitatis, the moment when the sun honors, taking you towards the close of the day with the perpetual antiphon. The vigil was reaching the lines of Isaiah does not rest, in Trinitarian doxology. Where is the darkness, where is the glory to see you...? If the stars collide with each other in Baptismal frowning, and in the mystery of Vernarth that lies a complex, tied to becoming that never begins, and what was Christic history of a morning introit.

Saint John the Apostle and Vernarth express in the Trinitarian doxology: “Through Christ, with him and in him, to you Almighty God the Father, in the unity of the Holy Spirit, all honor and all glory, forever and ever. Amen"

The triangular taxias of the Hetairoi made faunas that came cutting themselves with the wind of the "incipit" of Psalm 69: "My God, come to my aid;" Lord, hurry to help me ", by the Keras or wings of the site of Arbella; or Gaugamela rather said…, sonnetized by some Pazhetairoi, made up of 32 Syntagmas, as units of sixteen revived Falangists from Court V of the Helleniká Necropolis, bilocated on Patmos, a few feet from the Mandragoron project. Thus the triangular spellings of war were formed again, to the astonishment of all those present. Alexander the Great, already graceful, was over-trained in irrigation and supplications, he was consisting of 128 Syntagmas, with 62 Falangists covered by the Cinnabar that subdivided them into bones by sixteen of the Lochoi or guides. The Syntagma bipartite was enlarged by two Syntagamatarchos captaining two units, all with their semi-open belly, re-liquidating their viscera by the Ghosts of Shiraz, the Saltimbanqui Hydro comes from Roknabad (also known as Aub-e Rokní), from an underground channel which carried spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here he has to mend the propellers and water ropes to do his acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When he bites his tongue, they repair it with the verses of Hafiz's Koran, there are three hundred creeds, three hundred hectares to irrigate with his wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monte Blanco, to overestimate the liveliness of the caravan that trembles with uncertain doubts here on Patmos "

Saltimbanqui of Bascule says: “We are Epi ghosts, green in reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almeria of the highest Mirror of the Sea. Will take you back to Limassol. Curiously to the same ship as the Eurydice that sleeps in the swings of the sea, and in the arms of the petulance of Dionysus in a new awakening of lethargy of theorization of the superstrings of Anaximander, here is the intrinsic speculation of science, already that this is not just purely empirical research. "

In between them, they form even and odd rows. The horizontals were tinged with the Red Blood cells that became volatile and surrounded the Xyston lances, for thirty soldiers of the Diloquia, with their dismembered arms that began to take them back with their hands tightly girded by the song of the Theological Shemesh of San Juan, which subsequently rescinded last in the sum of two taxiarchies, constituting a Syntagma. The units rose with the sickle that cuts definitive death, to reconstitute it in five thousand that should tread through the hierarchies of formations, amid the frolics of the Phalanx, where Vernarth protested to all “Khaire, Kalos irthate apo tin kentriki, Welcome from Hell !"

Thus the Phalanx was constituted among the Syntagmas in metaphors of the Falangists. In this way this antiphon was revealed martial, denoting synergies of the Sybilla Herofila that conferred to the world of Trinitarian Doxology, among ashes that remained by a solid cobblestone witness of the reluctant troops that testified to the sense of interpreting the law of bringing to the world what to their lives it owes them. The prophecy shone from an intangible Isaiah before all in this concomitant episode, and to the degree of the reign of Judah, here together with the prophet Elijah, they faced the hardened fragrances of blessing as oracular teachers of so many goods, and of the benefactor that protects by inspirational mandate, making laws for the end times before closing his own eyes without having prophesied them.

The rows in “V" contrasted with the corridor friezes in the crowned troops of the Hetairoi, and in the syntagmas that became appressed from the triangle that opened the three-quarter proportions of Athenea's physiognomy in Pergamum, subjugating Alcineo, so that finally it was forged in constellations of equanimity in the fifth courtyard or "V" of the Necropolis of Helleniká in the allegory of Vernarth, stopping the plausible dogma of the initial that glosses the Law in Vernarth's "V". This in turn in double syntagm of the Syntagamatarchos guide, in the high sky of Patmos, and in the medrones growing on the antlers of the proclamation of Wonthelimar, which made them a twin "W" in the star that shines in the medrones of the Ibix, in the Cornacabra and in the Cornucopia, with certain docile movement, adhering to acrostic and prehensile preliminaries of the Isaiah saying.

The Phalanx Alexandrina Heterochromatic of Alexander the Great volatilized between the villi of his Falangists, climbs the Holm of Zeus and causes a "Gore" or horrifying reflection, allowing the rhizomes to become a hundredfold, which will make the nominal order of five thousand, for each member of the Syntagma, in an astonishing quantum that reproduced itself to materialize before Him. Then he tied each one of them as Prometheus chained to each of the oaks, from an Akane grocer, incontinenti withdraws a sharp dagger and opens each one's veins to free them from the isolation of so many years settled in their last heterochromia of the War Iridium that he conferred on them, to endure the visit of the spirited Grim Reaper. This causes liberation, in this way they re-install themselves in their bodies, with Iridium or iris that made them see before their optics in two biases of Hoplite alter egos, impacting half of their body. Alexander the Great, being the philanthropic heir and of Platonic legacy, made them superfluous in the melanin that fell from the Epíchisis or libation vessel, to taste the effluvia of Dionysus with the maenads, with wide ambivalence filling them with viticulture, so that they would flow through the veins of his soldiers, and to revive them with the Dionysian must of melanin to the left eye of the Hegemon King Alexander the Great, with Jasper in the left, and the right with ultramarine from the bottom of the Ionian, on the banks of the washed banks of Patmos, in high swells of Greek alcohol that was distilled from the Mosacism of the stones when unraveling the peripheral forces from the prefectures of the great native of Pelas. They ordered areas of all Greece under their heterochromia flow that gave life to the Perifereoaki, or periphery for Central and Western Macedonia that came with great vigor, with Epirius central, western Greece, Peloponnese, and Crete. East Macedonia and Thrace, Ionian Islands, North Aegean, and Thessaly, later they would go for the Aldehyde alcohol that summarized and epitomized Dionysus taking him with four eagles that distilled the unprisoned Syntagmas of the lines of 16, 32, 64, etc...., for purposes never to start on an omega all the way to the Ionian Islands from Corfu.

Alexander the Great, went near the pre-urbanization of the Mandragoron towards Vernarth, somewhat dizzy, and before attending to him he presented himself first to the Zefian; who looked at his iris like a foreman who re-divided his visuals, by prevailing in eagerness to restore his soldiers, to help in the construction of adventures of life, and to assist in building the Megaron, which still rested in the myopia of mythological vision of the Gods tied in animosity with the Titans. Overwhelmingly, he highlighted the clouding or turbidity that was seen beyond the radius or visual field of two realities, found in visual refraction and interference with refractive statisms of the periphery that led him to the other world in Babylon when death imprisoned him...? Here the root revived, it became parallel in a unique world with divergent lights, which entered his Akera or right-wing of his soldiers, bringing visual acuity that brought the perchlorate volatilizations that hovered in the boots of his soldiers, when they marched in awareness of the retina and of the mean light, that for the first time was clarified in true holistic and political from a Parthenon with the musk of mortals and immortals of neo Hegemonic ophthalmology, which he was already re-leading by his command, where he was going to invest his greatest and most spiritual elemental Commander Vernarth, with his Himation.

The rays of his eyes seemed distant, but they were diffuse and alternate, they wandered through the lens of his clouding, which blinds a partial of the left Akera, or flank of the Hypaspists that dazzled Parmenion. Here the optics of Alexander the Great, remained in the diatribe of the small eye next to another that was enlarged, being hyperopic of a mysterious confine in the severity of Dionisio when confronted with him, in light effects of the high liquid vineyard, refracting meridians in his troops next to the Hexagonal Primogeniture who observed them behind the magenta image, which was the one that flashed from the Clouded holm oak and eclipsed by calm heat movements, and rising air masses that were in the opportune station of good sense. When being aided by the Maenads and the Herophile, they were teaching from a parent, who now sponsored the entire political and spiritual will of the Hoplite side, made up of the King of the World Vernarth, together with Alexander the Great, after receiving the photocoagulated lightning bolts. of the officers, under redeeming and reduced of the metabolic, and of the oxygenated preeminences of new lungs for each devout consecrated body, towards Saint John, the Apostle, pigmented and mechanized with aggravating heterochromia, and extensive in the bodies raised in new parallels that have to confront an anonymous or semi-god by turning for his own.

Verily the exordium told anent a beauty engirdled in her fedora
soliciting those whoever descried her into her mere servile admirer
eight trenchant tinctures upon her body invigorate like a cadenza
I dare not to contradict the verity that I am beguiled afore her

whilst the snain distilled faintly enwreathed her in unctuous silk
concordantly she devote herself earnestly to the impeccable rain
that emanate her fragile poetry with prestidigitation in a whisk
forsooth she is but the vernacular sobriquet to the soul of the rain

recall me otherwhile during the rainstorm champagne did coerce
and the sunset's glass of wine exude her ingratiating persona
like a myriad of aphrodisiac summarized in a single verse
when harmony and lyrics danced in the crepuscular crescendo

all of that needed to be enunciated is it is you
do not harshly let me be thy unrequited dilettante

Stop organizing your life
Your romances do not fit neatly onto one-page stories
Your pain cannot be summarized in a poem with two stanzas
The way you feel when you are alone deserves more than a haiku
give yourself credit
you are comprised of more than words
you do not have a synonym

50:53

Strobe
   when  revealing  a  smile  variegated
your polychrome
   soul  within  sight
   does not know where to go but to pine away
from   the single light  to touch
   the innards  of your   button-down
    making intimate the body  contorts  dancing with another
                a minute past  a  gyratory

if   belief  is a  grave:   let   stasis be  metamorphosis.
   this rained-on house will not give way any minute

else  there is the  wreckage  springing from a singular
  hiding behind  the  music ballasting ground
                    and from a convinced consequence of being
   became fracture as if salacious to withdraw nothing but noise

   from the quiet or vice versa. If when  breaths were postponed,  inert – they will
  start    estimates  from  outside
      the   neon sign that  says Pulse and  reimagine the lives when divorced
     from  the daily, and is  then  summarized

  in a  fusillade.   When  on the  ground

    they  must  have been  dreaming   of  wings,  or  falling asleep
               constantly  with   a warm  body   stranger  tomorrow in  that  evening
   a  contingent

                   this   place   they  have   not   reached  yet against  their head
  said  it  was  the   most  sincere of  blankness at  any  given  rate,
               when   movements  statistical,  numbered, unwarranted like a metaphor
     or a glib downpour – the aftermath

                       becomes   sleep so tender with a dream which resonates
   They must  have been   dreaming  of  wings  but  by  the  time  when someone
   waiting  for  them
               inside  homes,   they have  already   flown into    days.

My roommates and I congregated in our suite's great room and we’ll head out for dinner soon.

“Have you ever eaten dog food?” Leong asked Anna.
“No,” Anna answered, “it smells like chicken - it’s got chicken in it”
“OOO!” Leong pounces, “Busted!!”
“What?!” Anna reacts.  
“How would you know that then?” Leong asks, doubtfully.
“My mom told me!” Anna cries, in self defense. “She’s a vegetarian too.”
“Your mom told you.” Leong said, like a prosecutor raising an eyebrow for the jury.

“I just took my last English class,” I report, pony-tailing my hair, “my teacher told me - privately - that my writing destroys.”
“Nice,” Lisa says.
“Yeah,” I say, smiling and grooming with pride, “I thought that was a ballin’ complement and I’ve been riding that high.”
“No doubt,” Anna says and nods.
“My English professor..” Leong says, exasperated, “is driving me crazy, I’ve written three final papers so far and she’s rejected them ALL.”
“Huh?” I gasp, “Show me one!” I demand, wiggling gimmie-fingers at her laptop.

“Here’s a question,” Lisa asks the room, “What would you change about your childhood?”
“I would have never grown up.” Sophy said.
“When I was in third grade, in the UK, a girl in my elementary school, was murdered,” I reveal.
“What?!” Anna says.
“Oh, my GOD!” Lisa gasps.
“Spill” Leong demands.
“Her name was Kennedy,” I begin, “She was in another class, I didn’t know her but I started to imagine that I’d known her. I’d think of her playing on the swings in a yellow dress, in daydreams and in nightmares.”
“I can see that,” Leong said.
“I was flummoxed, at the time, how a family could lose a little girl and a president.” I added.
Anna looked confused.
“I was in third grade,” I replied, ”what did I know?”
“Go ON,” Lisa prompts.
“We heard that she was walking home and got snatched,” I continued.
“Jesus,” Lisa said, shaking her head.
“Although I never walked home, I was careful not to be snatched for a while,” I summarized.
“I bet,” Anna agreed.
“That’s what I’d change,” I said, “Poor Kennedy.”
“People ****,” Lisa pronounced, and there was general agreement to that.

yes, what, an, absurdity...
the apparent otherness to being...
so what is the "other" option?
the apparent "self" (with a missing
adjective affix of -ness)
                 to being?
you know...
   Heidegger writes more about
the universal condition of
being,
    than the particularißation
of beings...
somehow... pluralism of existence
escapes him...
  somehow, but
          somehow: not by chance...
i'm actually wearing a pair of stinking
socks,
i'm starting to surmise a paranoid
presence of a skunk...
but i won't...
because i know that i've been
wearing this pair or socks,
for two days, solid...
    pardon the expression...
                     i self-taught myself
the English language aged 8 / 8+...
and it wasn't even a realisation...
there! there we go again...
  realization...
but what would be more correct?
realißation...
        first lesson, in diacritical
application...
     second lesson...
         there is no lesson...
English is not a universal language,
nor does it, exactly, portray itself
as universally minded...
     it has particular rules,
and particular laws...
        no... English is no
1 + 1 = 2...
  it never was, and it never will be...
now...
                  you, telling me,
that it is, just as well...
is not helpful...
              i want more...
         hmm...
how to put it?
i remember a car drive with
a friend of mine...
and i remember,
distinctly...
how he was scolded for not
remembering the alphabet...
  ****, even i don't remember
the alphabet,
there are too many words
that are required to erode my memory
in order to spell them...
why would i need to memorize
the ******* alphabet?
         education is,
after all,
the prime tool for
memory erosion...
the personal memory...
whatever the **** matters...
   that there's existence
contra that's there-existence -
and such a posit,
is an escapade into a non-pluralism -
given the obnoxious there,
without a posit for "a" here...
given that there is the certain
posit of, existence...
      while "here": isn't even
a being, or beings...
                   and as such:
such an un-entertaining exercise
in the native tongue...
  it could be summarized in even
allowing a man to, blush!
      sorry, i don't speak the native
tongue,
i speak a native tongue that
the natives don't speak...
               not if they're supposed
to be deemed a: nation
of shopkeepers.
                       language requires either
rhyme,
or logical simplicity for the natives
i've encountered,
there is no chance in hell
for there to be a play on words,
or a deviating logic behind
every or any sentence
structures...
        it's madness!
madness!
       they'll bring down
intelligence,
cover it with retardation...
and call in the psychiatric examiners...
as they always do...
        i'm used to it...
do i mind?
      em.... how about extending
my tenure of making criticism
postmortem a 100+ years,
and then we can rekindle
the conversational demands
of said, question?
  what i found though?
the German call life: sein -
or being...
the French call life: existence -
or rather:
out of every and within every
worthwhile inclusion of
an exampled instance,
that culminates in a allocated
revision:
   worthless without
an exclusion of non-examinable
instances,
           i.e. pitiable
the career in dream interpretation...
one of life's grand pardons...
or whatever verbiage there
needs to be included in
crafting a deviating:
  faux pas...
           it's still a question
of... what existence pertains to:
an observation of
being,
                  or an observation
of beings...
                well then...

sein    :        wesen

    contra...

          be present, be located -
hence?                 da -
  i.e. there...

                but... what is "here"?
da               contra          
                                         hier... no?

by "being" there, i can be,
"there"... within the allocated "being"
of beings...
              but i can't be, "there",
by allocating myself
to the being of beings:
while also allocating myself
a being of being...
no?

                   since to allocate myself
a being of beings,
i'd have to subsequently and
simultaneously allocate
myself a, being off, being:
to counter the exampled:
beings,
   name the nullified being,
in the manner off being, of beings.

see how atomißed language
can become?
   see the roots, Germanic in English?
i could have spoken perfect German
if i was only allowed...
but the English education
structure focused on learning
French...
i hated French...
i hate French...
       if i was given an option
to learn German... i would have
probably learned it...
after all...
         English is not a Romance
language... it's an offshoot
of the Germanic tongue...

might i add...
the friends i once had...
began hating me...
after they realißed that my "girlfriend"
went by the name of Sophia...
and that...
   their own girlfriends were
becoming a chore...
   choices are choices!

you can't speak this sort of
language piquancy to a woman,
and expect a reply of replicated jests
of a missing sense of humor...
you can't speak this language
of insolence,
   a language of impracticality,
of, "philosophy"...
because... you just can't!

    not the language of a Gnostic
who drew:

         (H)          (H)
            
                   A

the eyes, above the sigh of
                                enlightenment;

and always, along came the sight of
the (W)eaving lineage of perpetuated
life,
   with the canonical retort
of woman, sarcastic...
                                                    ­   E(h)?!

So then, let's take the Foraminifera.
They lived, since they were, and were since they lived.
They did what they could since they were able.
In the plural since the plural,
although each one on its own
small limestone shell.
Time summarized them later
in layers, since layers,
without going into details,
since there's pity in the details.
And so I have before me
two views in one:
a mournful cemetery made
of tiny eternal rests
or,
rising from the sea,
the azure sea, dazzling white cliffs,
cliffs that are here because they are.

Wislawa Szymborska from Here New Poems
translated from Polish by Clare Cavanagh

Atop the frail ego she mounts her merciless machine gun with which she mows down any speckle of personality that dares flicker amongst her immediate surroundings, until only her presence alone can remain untarnished and unfettered by sadistic, sardonically summarized ridicule, luminous and majestically radiating with solitary supremacy. Oh, the splendorous grandeur of self-indicted superiority, the rush of power and authority from diminishing another's essence with ruthless categorical association, the incomparable ecstasy of using their own positive attributes as their rudimentary flaws. Viscerally volatile, the cocking of the mocking gun's hammer is to be recognized as the phrase "You're just trying to be__". This is critical, for all too well she knows to a certainty that at the most essential level, one is only simply trying to be. And when you attack a person's will to try, their will to be, then you are taking aim at the one vital aspect of their existence which they hold any discernible dominion over: their character. The slaying is heinous and orgasmically fulfilling, for how can the perennial, separatist worship of Self be indulged in among so many of these "others"? But oh how exhausting it must be, the perpetually cyclic nature of the task. How can she ***** a light that doesn't exude from a distant source, but is a brother beam of the source they share? How does she extinguish the reflection of a flame off the water? Like fireflies on summer nights they disappear only to reappear again, somewhere else, reminding her of the irrevocable, irreducible power of being born and reborn again in the new moment. The self-aware *******, audacious enough to love themselves. How much of it do they really think they can withstand?
Reload.

I.

evolving, thunder-struck

amino eventualities

and bio-potentialities

in the muck

re-group, protoplasmic and joyful

singing in the proverbial soup

of circumstances

and random cosmic chances

a song of differentiation

loose ends / ragged strands / loose lines

of poetry: DNA spiral dances

Precambrian time, period of time extending from about 4.6 billion years ago (the point at which Earth began to form) to the beginning of the Cambrian Period, 541 million years ago. Precambrian time encompasses the Archean and Proterozoic eons, which are formal geologic intervals

II.

the wriggling one-celled poet decides

to become complex

takes its time:

geologic / astral eons

twitching and failing

into the fabled tadpole of adaptation

to a godless universe, diverse

in its variegated futility

this idea has been summarized in the mouthful, ‘ontogeny recapitulates phylogeny’, which means the development of the individual embryo repeats its alleged evolutionary history. The first thing to say about this dictum, is that ‘law’ it is not!

III.

our fish, now fowl,

proclaims its Archaeopteryx manifesto

standing on Precambrian banks

demanding a return on its investment

in sedimentary overlays:

Ernst Haeckel !  shrieks the avian jokester

The Imaginary Monera: the eating habit and reproductive cycle of an alleged Moneron to which he gave the scientific name, Protomyxa aurantiaca 73 pages of his speculations more important than facts and evidence.

IV.

into the long long corridors

of time’s bad poetry

sleeping off the tadpole nightmare

sprouting flippers, legs, digits, wings

deciding to fly, smashing antediluvian cedars with trilobite tail

upright biped sporting body-hair

you shall prevail

descending from trees in African dreams

misanthropologically *****

gracile / robust (that’s us)

Hey turn that **** up ! yells Piltdown Man

from his evolutionary window

He believed that the only major difference between man and the ape was that men could speak and apes could not. He therefore postulated a missing link which he called Pithecanthropus alalus (speechless apeman) a woman with long lank hair suckling a child.

V.

falling for the lies

of the Lord of the Flies

Zinjanthropus asks quizzically

How much more of this

are you prepared to take ?

misbegotten centuries glimmer:

light years of bad poetry

captive eons of incoherent free verse

as we wait

for the Bronze Age Myths

to begin

Obliging my son with a bottled formula nightcap
Glanced over at the cover of Rachel Ray
(My wife a fan; me……not so much)

I suspect
(at as far as marketing consultants are concerned)
There is something deeply rooted in the female psych

That says:
Total fulfillment can be summarized as holding an overlarge mug of a hot beverage in 2 hands
(never one hand – that’s business only)

sitting on your couch
feet cannot be touching the floor. tucked, preferably
Added success at life can be conveyed via a thick sweater or (for the wildly tasteless) a Snuggie.

"Give me the strength to live one day,
as if it summarized the entirety of my life".

A child's dies.
A mother cry.
A child's gone.
A father mourn.
But in many ways they both doing the same.
Hurting, deeply hurting.

Memories comes.
Where the child'll be summarized for the good times?
But in many ways , we remember more good times when they gone.

A child's rest peacefully.
While many families, friends grieve.
Death is a very somber thing.

But in many ways, so are very similar things.
Death of a mother.
Death of a father.
Maybe aunt,cousin, niece or uncle.
Or just a friend.

Just be aware God waits for all of us.
But in many ways He gave us someone to enjoy.

You don't know how I'm feeling.
I have yet to vocalize
Desire deep inside me.
Can you see it in my eyes?

I tremble when I'm near you
Heat travels up my thighs
and I want you with an urgency
That I just can't describe.

Dare I reach out to touch you?
Do you think you'd realize
How much I want and need you?
Can you see it in my eyes?

I long to say, "I want you,"
But am scared of your reply.
Terrified like a child
I've become paralyzed.

The camouflaged emotions
Lead to pain and silent cries.
And yet I just can't tell you.
Don't you see it in my eyes?

Confessing through this poem
My dilemma summarized.
The feeling's quite cathartic,
But will lead to my demise.

What
Does one do
When
They love someone
They can never be with