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Venesa Jun 2014
How beautiful art thou; rain.
Pittering and pattering, into nothingness.
Dripping and dropping in a steady beat.
Splitting and Splattering but soothing.
What a feat.

How beautiful art thou; rain.
Small and light, crystal and clear.
Sent from the heavens above.
The gentle weeping and tear.
What a sight.

How beautiful art thou; rain.
With soft drops to the loudest of splashes.
Big but small, quiet but not so.
Call upon the lightening, your company.
What a sound.

How beautiful art thou; rain.
Washing away sadness and bring new life.
Day or night, you see through everything.
Morning or evening, your steadiness fails to change.
What a night.
Madisen Kuhn Jul 2013
My breath is lost as I gaze upon the magnitude of the mountains that surround me. I marvel at how beautifully the water reflects the sky, pure white clouds stretched across blankets of soft pinks and blues as the sun sets behind the trees. I see the steadiness of Your hand in the horizon. I see Your love of variety in shells scattered along the shoreline. I see Your flawless detail in the veins of a maple leaf. I see Your creative spark in fireflies glowing subtly against the darkness of an airy August night. I hear You in the winter wind, I feel You in the summer heat. My soul is flooded with joy at the sight of Your creation. I cannot help but lift my hands and praise You.
samasati Sep 2012
there’s a moth crawling up my kitchen wall

I had the sudden urge to **** it

smother it with a kleenex

swat it with a rolled up magazine

it keeps crawling up

losing its steadiness, almost falling

then regaining its steadiness again

moths freak me out

they look creepy

they look fragile

they look contaminated

perhaps they are contaminated with curiosity

so am I

their flickering flame is my flickering self-sabotage

I had an urge

I wanted to **** it

I’m just like this curious creature

just as fragile

just as contaminated

I might as well be looking in a mirror

and I had the urge to **** it
ryn Jul 2015
Lend me your eyes.
So I could fill them
with the bursting stars.
Telling tales of the spellbinding universe,
singing songs of exploding suns...
and of splintering quasars.

Lend me your thoughts.
So that if I may,
write of them.
Fantastical scribbles of love
and praise.
Meticulously lined
and carefully stitched...
with immaculate lace at the hems.

Lend me your breaths.
I'd catch them as they fall...
between the words you would say.
Merging mine with yours...
introducing colour...
and vigour
to my monochromatic world of
black, white and grey.

Lend me your heartbeats...
for mine thumps erratic.
As if beating in silent mock.
I depend on the steadiness in yours.
So they could usurp
the ticks of worldly clocks.

Lend me your hands.
Palms up as a sign,
perhaps as an invitation...
for me to take them.
And maybe...
hopefully fill them...
with mine...
******.
A symbol of denial, congeniality, and assurance of love;
the fate of maternity, motherhood, that is witnessed
and cherished from afar.
From a sacred little haven;
from a struggle of motherly defense.

O ******!
Temptations are to you never a bother,
in the tempests of lush dreams,
the draining of purity,
and veritable sensations.
Steadiness is your notion;
it barely leaves your mind
you may be deeply hurt
but never hurt,
you may be a stranger
but your grace is your power.

Truth that is unpardonable,
veraciousness at my simplest words,
clarity that is gleaming in your eye,
a token of pleasure but indestructible affection;
adorable as you are,
serenity is beyond question;
dreams are but inseparable from your docile life.
O ******, the sweetness and gentleness of thy eyes
are my irreplaceable silence,
my appraised soul,
and my most resolute
and irrepressible invocation.

O ******, one that is so rare a rose
Many as in the May-day dance are tainted;
marks of annoyance, omens of indulgence.
With hunger for nothing but moans;
unsober groans, and quickening breaths in paces of outward satisfaction;
intoxicated desires but unloving movements;
on the grounds for endless dancing;
there is the thirst for grips, the grossest of stateliness!
Voluptuous romance, perfidious touches, and
false-hearted toys!
In the wakeful dreams of which
I long for you, a handful of thy chastest kisses!
I pray for your hands, so delicate
as mine, how they shall fit into each other!
I long for your lips, your spotless, uncorrupted cheeks,
My demand is for your hands;
for sanity, and sincerest cordiality
Despite of my guilt and former unconsciousness
I shall amend my grief for you,
for you only,
for oureth perfect, unconquerable happiness,
and the union of our souls
in a day of holy matrimony.
Wk kortas Jan 2017
(I hate poets.
They annoy me deeply.)

I.

There are the balladeers,
Working in service of their inner Service,
(Though, despite the seeming impossibility,
Their hackneyed verse is even worse)
Creating tortuous rhyme
Which slows down labyrinthine narratives
Ending up in some deus ex machine
So implausible that it would make Euripides blush
(Most often courtesy of some unforeseen projectile
Or sudden viral contagion;
Would that their creators meet such a fate!)

II.

I come not to praise the so-called sonneteers,
But to bury them.
They are an earnest lot,
(Lord knows that they are earnest)
And they will make their fourteen lines rhyme
(Though sometimes the rhyme scheme screams for mercy)
And hang the cost.
Though their narratives are head-scratching things,
And their iambs proceed with the steadiness
Of a nonagenarian church pianist
Doing her damndest to fight the wedding march to a draw,
They are content, nay, proud of their work
Because babble rhymes with Scrabble
(Though they are not particularly proficient with the latter,
They have the former down to an art.)

III.

Let us not forget the Buk-zombies,
Those apostles of aphorism,
Most of whom speak of their departed deity
As if he were an old drinking buddy
(Never mind that most of them were two or three
Or perhaps not even a bad idea
In the back seat of some mom’s Buick
When he exited this mortal plane, stage left, even.)
One’s mind is boggled whilst considering
The expanse of the bar required to accommodate
Everyone who would like to
(Or worse, have claimed to)
Buy old Charlie a beer, not that he’d stand for a round.
They are a sullen horde, this lot,
Best dealt with by aiming for the base of the skull.

IV.
Ah, the confessionals, Lord have mercy upon their souls
(For they shall have none upon ours.)
They feel so many things so deeply
As such things have never been felt before
(They have not read their Sexton, their Snodgrass,
Their Lowell, their Pl--well, no,
They have all read their Plath.)
It is, from the moment they arise in the morning
Until such time they set aside their fears and let sleep take them,
All too much for them,
And they bravely face the days
Until such time they care bear to take action
And fling themselves from some convenient precipice.
We should, as a service to them and ourselves,
Ensure the soles of their shoes
Are sufficiently worn and slippery.

(I hate poets.
They annoy me deeply.)
With a tip of the cap (and a rather profuse apology, as well) to Ms. Dorothy Parker
K
K.
You are my love. My sin, my soul. The only light of my life. Fire of my *****. Source of happiness, laughter, cries, tears, and oddity. You are that bad, believe me, but never better than you are now. Your name will forever be on the tip of my tongue. But sadly I could never utter it properly. Because probably I would feel shy. I would perhaps feel ashamed, if I dared to do so, or if I accidentally happened to say it out loud. I have never confessed this to anyone else. But I need you. I know it inside and out. I crave for you so much. So much indeed. And I know that deep inside, you need me too, although you are simply too proud to admit it. To you my laughter will always remain a ring of annoyance. It will never be enough. You will always long for more - from her. I will never be enough, because I will never grow up. I will never be an adult. And she is grown up. She is more of an adult than me. She is indeed an angel to your eyes. Her steadiness startles you; and delights your senses. You thoroughly enjoy it when it is so. She is but an image of perfection; her sound of laughter is of tranquility and calmness; she is indeed a pious image, a resemblance of faultlessness. Something that I could never truly achieve. Terrific but true - she is, I mean. Not I am. I will always be a kid. Sad but true. I will always be me. I will always be your outspoken, attentive young tutee to you. No more than that. I will always stay just the way I am. I will never acquire my womanhood, nor that am I inclined to, in your eyes. I will always be a girl. A student. Or whatever it is without surely any womanly attribute. I don't deserve to break my singleness. I can never cure it. To you I will always be myself; with all the misfortune and inability to be a true woman. But I understand that I will never be a woman; I don't deserve to be a woman in your heart. I will never be blessed with such courage, as I am not worthy of that. I am not allowed to enter your realm; a whole lot that is entirely different from mine. I have always been fated to be alone, and will always be left behind, even when you are ten or eleven years older than now. I will always be twenty-three. I can't age, strangely, despite my being a human. I am stagnant and odious, I am static and immovable. I am but a symbol of a fruitless tree to you; who dreams and hopes too high without having the ability to attain its true realisation. K, I am full of flaws, I smell of defects. I am adorned with fateful imperfection. And she has none of this. She is unimaginably perfect; she is all lovely and her beauty invincible. I can never be like her. Never indeed. But I am willing to change; if that is what you desire. I'll let you think that I'm obsessed with you. I will just smirk at your silliness. Over and over again. Hmm. Sounds like you've got no other option. Sounds like you are an idiot trying to comprehend my meaningless words too seriously. But I am just what I am. These are just my thoughts. Let me be obsessed with my thoughts of you. Let me make you appear in my dreams throughout the night. Day and night. All the time. Dreams that are unwanted but inevitable. As long as I breathe; as long as I could still trod the earth, let me think and dream of you that way. Stupid thoughts of obscure infatuation, I know. Guilty pleasure. The killing of my independence, my fragility, and uselessness, yet altogether the expression of my deepest feelings that I have often tried to bury in my chest, a thousand times.

Like I said, I'm willing to change; for you. If that is what you need; your utmost desire to be fulfilled. It is as simple as that; because what pleases your senses delights me, and therefore what delights me is what pleases your senses. I indulge myself only in my everyday thoughts of you, where I could jolly embrace and trace your epic proportions in my arms. I want to touch you, to cherish you fully. I want to be inside of you, just like you're already inside of me. I want to see you by my side, breathe in your air and feel your steady but unrelenting heartbeat in your *****. Your manly *****. The one I have always yearned for. I want to feel your skin against mine. I want you wholly. I want you so greedily. I want you so selfishly. I want you to be just mine. Just mine. I don't want you to fall into anyone else, because I perfectly know they are unworthy of that. Of you. One that should be my sole treasure. My precious treasure. Only mine. Because you are everything. You are the exact embodiment of who I am. You are the gold to my silver. You are the silver to my bronze. You make all of them complete; you rid them of their mutual envy. Just like you do to my soul. You repaint my soul, you release it from its gruesome weariness. You make me feel complete, unspoilt, and undivided. You make me feel as a whole. Unperturbed and unabashed by the torment of love. You purify and keep me warm and secure. You are the one I was predestined to love. The one for whom my love was created. The one I was fated to be born for. The one my very soul was meant to be with. The one that I should cling to, and should clutch tight as mine, forever.

K, you are the only love of my life. I will always want you, although this very simple need might sound absurd to you, and on its own way even seem to be impossible. You are the answer to my prayer, from up above, and since I was but a young, sinless infant in my mother's arms. In you only do I lose my presence, my heart, senses, and the whole streams of my decent consciousness. I long for you, and even in the midst of all anger, hatred, and the world's greatest disdain, I will but always long for you. I miss you, K. You are the only source of light to my heart. My darkened heart. My terrified soul. My raging despair. And unfortunately you seem to be the only one who could heal it.
Angelina Oct 2018
Infinite amounts of definitions could not depict
The extent to which a structured norm
Is measured
Blindness adjoins clarity, while sight provokes vanity
It is an aspect unhindered, lacking certainty
A single word yet so many portraits
Drawn on the canvas of our linked pathways

If you ask me about beauty, don’t
For my lips would quiver nonsense to you, to me
The mass of the universe that surrounds our whole being
The endless rows of glimmering stars that speak to our vulnerable eyes
Or perhaps, the raging force of life that springs from within us

If you ask me about beauty, don’t
Because you would have to look at yourselves to see
The beaming smiles corresponding with velvet risings of cheeks
The abundance of glistening tears that have embodied those very same
And even, the flashing spark of joy which invites a feeling of utter content

If you ask me about beauty, don’t
Otherwise there would be an influx of sentiments towards
The prettiness of colored nature, steadiness of height-breaking hills
The calmness of the bare sound of waves crashing into an advocacy for peace
The building blocks of surroundings that determine you and me

So if you ever want to ask me about beauty,
Bare the consequences in mind
Just the elaborate thought of such a question
Could raise a plethora of reasonings
Sorrow Nov 2012
One day I felt that sleep would do me good, and that one day just never stopped.
Falling without feeling,
without thinking,
even knowing.
This steadiness sees nothing end.
A constant,
a stagnant,
there's no such thing as propulsion;
no say or do of any kind.
Just this bleak, empty void, that fogs up my mind.
Begingings must come for an end.
I'd stay there, just not here.
Next time I might know when.
You stood across, the corner's gaslight.
Watching, baiting, biding your time waiting,
tell me what you mean by those words.
But I can't ask.
I forget, I'm asleep.
That night is so long ago.
I'd wish it back here, replay the scene, in the doorway.
Change my words,
just this once.
One last time.
Instead, I'm asleep.
Stare into the white.
Stretch to see,
understand what you mean,
there is no possibility.
Meg B Sep 2014
I like to walk the bridge at sunset.
I like the feeling of the
Light autumn breeze on my face
As my calves burn,
Pacing myself for the
Two-mile-long journey.
I like the colors the skyline makes,
The soft periwinkle that fades
To turquoise, that
Transitions to a pastel yellow
And drips down into a warm
Scarlett.
I like the art
The city buildings paint against
The sunset.
I like the peacefulness,
Steadiness,
Tranquility in the river,
Its current rippling
Gently in rhythm
With the steady beating of
My half-broken heart.
I like the way my heart has begun
To mend itself,
Once shattered to a million
Itty bitty
Pieces,
It strings itself back together
With every walk,
Every step
Across the bridge,
Across state lines.
Sometimes I'm surrounded
By crowds,
Other times
It's rather calm;
But the faces, regardless of bounty,
Are lost on me
As I lose myself
Deep in thought,
In reflection,
In an attempt to
Forget you
And remember me
As only myself,
Before you and
After.
Day by day,
Step by step,
Sunset after sunset,
Ripple after ripple,
Autumn breeze by autumn breeze,
My senses are heightened,
One by one,
My pain is relinquished,
Little by little,
And my broken heart is mended,
Bit by bit.
Marshal Gebbie Oct 2013
The cordons of existence are constricting
For the keepers of the dream have let us down,
Who will buy tomorrow if performances are hollow
Causing all the global spectators to frown?

American has been the silk pyjamas
Since ’45 they’ve lead the world’s display
In health and wealth and brandishing the muscle
But in recent times it seems they’ve seen their day.

For since Clinton’s time the National debt has spiralled
They’ve departed brushfire wars in disarray,
Default now looms obscene with disharmony supreme
With Congressional leaders ranting in the fray.

The fiasco of a Government held to ransom
By a faction of extremist’s from the right,
Whilst the greenback in decline won’t change water into wine
The dire threat of fiscal chaos causes fright.

So global confidence is fading in the dollar
And the watchers shake their heads in blank despair,
For the willingness to follow is now a bitter pill to swallow
When the USA’s rock steadiness aint’ there.

So, what’s around the corner for tomorrow?
What aspirants are waiting in the wings?
With a fading USA perhaps it’s China’s turn to play
Though that’s going to mean adjustments made to things.

Of course we’re venturing into territory’s unchartered
And the crystal ball consulted, isn’t clear
But one thing I can assure, if this is what we must endure,
Is that our tomorrows will be something, now, to fear.*

Marshalg
Auckland N.Z.
19 October 2013
Jill M Roberts Jul 2013
~ Losing Innocence ~
Why do we risk it all for love?
No matter how exquisite,
Passionate, wonderful it is,
We lose;
Always.
Whether we part for differences or in death,
We lose;
Always.
No matter how much we try to hold on,
Change ourselves or our other,
Govern and protect the relationship,
We lose;
Always.

Thus, why do we do it?
We do it for the moments that will reside with us,
Always.
For the craze and lust.
The fury,
The fervor,
The obsession, infatuation, excitement.
For the zeal, enthusiasm, passion.
We do it for us;
To penetrate over into,
Our partner.

Me and You,
We wanted it all.
None of the pain,
Just the good stuff.
Well, we had it.
The good, the lovely.
What a surprise!
But then,
As Always,
We lost.

We lost ourselves,
Our way.
The rhythm and balance
We perfected.
How did we not see it coming?
Stumbling on to a new realm.
One in which we operate alone.
The composition wrecked.
We smashed into that brick wall.
Afraid to leave,
Co-dependent.
I knew you wanted out.
Maybe a break?
You opposed it.
We could not come back from it.
I could feel the coming loss.
But not in the way I expected.

A trip!
To get us back.
The excitement could mend us.
It did for 72 hours.
Then the ultimate force of depature
Came upon.
In a small elegant English hotel,
You died in my arms
On a Saturday morning in London.
Thirty five hundred miles away from home.

The initial shock blasted my mind and body.
The detonation of torment pierced my soul.
Unadulterated suffering terrorised.
I lost my equilibrium and steadiness.
Embarking in an unknown world,
Where the dwellers seethe with agony.
A spot was saved for me there,
Where fumes suffocate.
A Hell on Earth
Where Innocence is Lost.
Verisi Militude Oct 2010
October roads are littered with nostalgia;

auburn and crimson embers sink

like ash to the ground,

perpetually estranged from the spirited conflagration

as an old man is estranged from his wife of fifty years

after knowing her when her eyes bore the lucidity of an autumn sky,

after knowing her when her fair hair was full and gleaming,

after knowing her when she was able to distinguish the fact

that he was the man she loved,

before her mind became opaque and disjointed,

before her skin became as brittle as a desiccated maple leaf,

before she lost the steadiness to hold a sheaf of papers

without causing them to tremble

as a blazing autumn oak tree trembles lugubriously in the wind.



As he crunches down the

worn, flaming path,

his arthritic fingers clumped in a gnarled fist

deep within the recesses of his jacket pockets,

the old man smiles dejectedly as a young couple passes by,

their spry Labrador trotting happily by their side.

How it was, he muses, scuffing a stone along with his shoe,

to hold her hand and walk down here this time every fall.



A few minutes later he happens across a spindly sapling,

its arms thin as matchsticks,

its leaves defiantly clinging to its last remains of green

despite knowing that ruthless Nature will inevitably drain it all away.

The sight of this display of childish insubordination

reminds him of his son,

once a boy as small as that little tree

with convictions as grand as a red oak.

The man turns his face and shuffles along;

he has neither seen

nor heard

from his son for several years now,

not since her death drove him away to a place

where autumn does not exist;

to dwell upon it is to be struck

with great sorrow and longing,

like strained branches keening under intense wind.



Turning around,

the old man hunches his shoulders

in a futile effort to keep the chill from freezing his ears.

He grimaces; his hip never was the same,

not since the accident.

She patched me up, though, he recalls longingly,

she patched me up real good.

Didn’t even need a doctor. He chuckles.

Didn’t even need a doctor.

I bet she could’ve stitched me up better

with a needle and that blue thread of hers

than that uppity man with his nose in the air

like he was trying to find the sun.

And he didn’t do a good job, neither.

But I know she could’ve.

She could do just about anything.



A troupe of jack-o-lanterns grin

with the unrefined skill of young children on his neighbor’s porch.

Massaging his leg as he hobbles by,

he sighs and coughs. He looked so **** cute that year—

musta been around six or seven—in that cowboy costume.

She did a real good job, putting that whole outfit together.

Even made a holster and everything.

Felt a little bad for the kid

when she wouldn’t let him put a fake gun in it, though.

The old man cranes his neck to face the twilit sky.

You don’t mind if I let him have it, anyway,

do you, darling?

I know you always said I babied the kid,

said I’d turn him into a cube of sugar,

but he came out to be a good grown man, didn’t—



He stops mid-sentence,

unable to utter that very last word.

Standing at the lip of his driveway,

he pulls his hands out of his pockets

and pries his stiff, tangled fingers apart.

Night has fallen.

So, it seems, has his happiness.
susan Aug 2016
being filled with an emotion
so intense
it forces tears from my eyes
and envelopes me
in a soft thickness
of comfort...


...finally finding peace.
i've stumbled upon
a peace of mind
declan morrow Jun 2019
it's rained every day
since i got here

the soothing
sound of rain
showering a forest's leaves
accompanies
the thought of you
and so i ache
in the face
of such peace and familiarity

i wonder what
the thought of me
feels like
to you
half a world away
accompanied
by a sunny breeze off the bosporus
by your native tongue
by your mother's gaze

if i was there
with you
i'd whisper softly
that the river of my love will never run dry
i'd whisper that you are heaven

but since i'm not
i hope the thought of me claws
into your skull
i hope that it gives a bullhorn to the voice
of your guilt
so that the next time you see me
you'll know
I: Introduction—A History Lesson
The word ******* was derived from the Sanskrit
svastika,
meaning good fortune,
or well being.
The shape is a monogram,
the interlacing of two Brahmi words,
a hooked cross which, over 5,000 years ago,
represented the rays of the sun,
the four directions of our natural compass,
and the four elements of our world.
Earth, wind, fire and water,
the symbol was balanced,
sitting firmly on its base
like a poised animal
on its haunches.
In other interpretations,
the symbol was a sacred text
explaining, “here is how the sun moves across the sky.”
A map of the heavens,
a lesson in astronomy.
The *******, when standing on its base,
is still sacred today
in many religions.
It is
the Buddha’s footsteps,
the seventh saint in Jainism,
and the four possible places of rebirth
in animal and plant world,
hell, earth and the spirit world.
In the 1870s the ******* was changed forever.
An archaeologist engrossed in discoveries
from ancient Troy and Mycenae,
Heinrich Schliemann,
found the symbol likeable
and claimed it,
because as a man he had the power to define.
He designated it
the symbol of his people—the Aryans—
and soon this is what it became.
By 1907 the ******* was turned at an angle
physically
becoming a hooked cross precariously balancing
on its side.
Its meaning, however, was turned upside down.
The cult of Aryan supremacy
claimed it,
and finally ****** adopted the
bedraggled image
as the symbol of the **** party
marking the beginning of its legacy
as an image of hate,
a harbinger of genocide,
and unthinkable atrocity.
In the course of twenty five years,
under the direction of ****** and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele
and countless other men with vacant expressions
and the ability to spell death with pointed fingers
the ******* came to mean loss
of integrity, of citizenship, of basic rights,
of personal safety, of property,
of an untarnished image of humanity
of hope.
Under the *******
unraveled a calm, coordinated,
and systematic extermination
of 6 million Jews
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Under the *******,
there were gas chambers
and the burning of children’s bodies.
There were prison-like ghettos,
and there was no humanity.
Part II: A lesson in Linguistics
First, language is meaningful only
because of shared understanding.
Words mean nothing,
symbols are vacuous
unless we share recognition
of the things that they signify.
All language is arbitrary
if we cannot agree on what object,
or emotion or event in history
are called forth by the words that we say.
Second, to be able to change meaning, you must have power
and you must have time.
Trust me,
if I could rewrite the meaning of every blood-soaked word
I would.
I would scrub them clean of their histories.
I’d redefine them,
make them useful,
maybe even kind.
But I can’t, and neither can you.
At least not alone
and not on command.
Because I’m sorry to say
that that’s not how language works.
I’m sorry to say
that a symbol made synonymous with hate
cannot be used innocently,
cannot only mean what it meant before ******
and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele.
Even if you claim to redefine it,
even if you claim to only use it for what it once was
even if once it was beautiful,
like the stalwart path of the sun,
the ******* has innocent blood on its hooks
and it eyes us sideways like a crooked lamppost
burdened with memories we cannot dismiss.
We remember.
As a society, we remember,
because pain is a finicky creature
that will not be reasoned with,
or re-defined out of existence.
We cannot use the ******* without remembering the pain
how it was ironed onto the starched coats
and painted on the national flags
of those who murdered
6 Millions Jewish men, women and children,
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Even if you say so.
Even if you claim to only use it for good.
We remember,
we remember.
Part Three: A Story
In elementary school my Hebrew teacher was Mrs. Wygodski.
When I was ten she seemed ancient.
I remember her shaky hands, but the steadiness of her voice.
Most of all I remember the numbers on her forearm
from when the Nazis decided she was no longer a girl,
but a numerical value.
I remember her telling us about the concentration camps
when they shaved her tiny girlish head
and gave her *****, ill-fitting clothes,
when they took her arm and erased her
like a message in the sand,
and she became a number.
In elementary school someone wanted to play a joke
so they scrawled a *******
on its side
in large black ink on the white board of class.
The symbol was the first thing you saw
when you entered the room.
I remember
when she came in she was smiling
as usual
her grey hair down, her kind, open face,
a miracle of a woman,
to withstand the darkest night and still smile.
I remember that Mrs. Wygodski said it is important to forgive
but I could never understand how she forgave the Nazis.
She would look at us and say
“hate is the darkest tunnel,
and harder to climb out of
than forgiveness is to bestow.”
The day she walked into the room with the *******
looming large on the white board
I will never forget the look on her face.
As the symbol spoke to her directly
it unearthed everything she spent years flattening down,
memories she sifted through for decades with trembling fingers,
images she shelved in the recesses of her mind
to make room for the possibility of tomorrow, and the warmth of smiling children.
For a moment
that symbol broke her,
and in that moment, the ******* once again stole her humanity,
and turned Mrs. Wygodski into the number
they once told her she was.
Part Four: Land of the Free
Today thousands of hate groups continue to use the *******
teetering sideways
the way that ****** intended it.
Once a symbol of good fortune,
it is now the most widely recognized symbol of hate
the world has ever known.
Used in the United States
the ******* has opened its claws
and staked claim to the beating hearts,
and hopeful sovereignty
and promised dreams
of countless African Americans,
who became the targets of the same bottomless hate
that engulfed millions in the holocaust.
Under our star spangled banner
the ******* has overseen
thousands of racially driven lynchings,
ongoing police brutality
the imprisonment of one out of three black men
and the bombing of black children in their Sunday school dresses.
In Oregon,
the ******* celebrates the sealing of borders,
is embraced by the very groups
who once outlawed black existence
in our very own state constitution,
the same groups
who once dictated the state’s refusal
to ratify the 14th amendment
of equal protection,
and the 15th amendment
giving African Americans the right to speak
at the ballot box
and be heard
by their government.
In the land of the free, the *******
is still tattooed on chests
and ironed to coats
and scrawled on the walls of my classroom.
In our communities
there are
the European Kindred,
the Northwest Hammerskins,
Volksfront,
the National Socialist Party,
and the Ku Klux ****.
And they wear the *******
because they recognize its meaning,
the meaning we all know
the meaning imbedded deep
by the pointed guns of the Einsatzgruppen
Today,
here,
they wear the ******* because they want to swallow the world.
Part 5: In Conclusion
To whoever drew the *******
last week,
last year,
in every year before that
in the bathroom, in the hallway, on my classroom wall and desks.
I forgive you.
Not because I want to
but because Mrs Wygodski would.
I will give you the benefit of the doubt.
I will believe you didn’t mean it.
I will believe you didn’t know.
I will still have hope in your humanity
because what choice do I have?
This is my refusal to become what the Nazis wanted,
what hate groups still want.
That is how I resist.
I refuse to hate you,
I refuse
to hate.
However, now that I’m addressing you directly,
I want to take this moment to make clear
that when I see the *******
this is what I see:
I see Mrs Wygodski,
with her kindness that was like a spring
flowing from somewhere dark and unseeable
and I see her face when she walked into a room with that symbol
and I see the colors of her world bleed out.
I see my missing family members,
who I never actually had the chance to really see.
So I imagine them,
my grandfather’s aunts, uncles and cousins
from a shtetle somewhere in Poland,
erased completely from history, from record, from existence
by ******* wearing men
who forgot how to be human.
Finally, I see my students.
The rest of them,
with their still young impressionability
and their beautiful array of skin colors, backgrounds, ethnicities, cultures
and their intact understanding of love.
They are the hope that our grandparents thought was lost,
and this ******* is their antithesis.
It is the undoing of their sanctity,
it is you spitting in the face of everyone who is not you.
And if you do that intentionally,
if you do that knowingly
and with purpose,
well, that
is unforgivable
This was a powerful poem written by my teacher, Sam. I really loved the power of her words and the mental image it left in my head. Enjoy!
anastasiad Nov 2016
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Westley Barnes Apr 2013
“When people move-when they travel-they look at where 
they come from,
not where they’re going.” -Martin Amis, *Time’s Arrow

*

Let us now take this chance

to praise those dancing demons 
of ambition,
whose feigned clairvoyance 
of fortune
and exactitudes of fame

burn as the smell of smokey fallow 
to the new-retired mare.



Travel, and all its takeoffs,

all its energies in skidding towards

an unopposed truth, makes its mince

by outlining all we ever look for

but leaving the chalkdust prints

of what we fail, at first, to find.



Yes, spaces contrary to the familiar exist
Carnivore cities of grind and result

cascaded above the floodwalls that save

the vagrant’s midnight search.

Coastal clearings of pacific civs,

best kept secrets where trees are still planted

and further kinds of nowhere that you never expected

to simmer with all the prospects of bored and implacable youths

who pine to efface the status quo, which ,after all, is quite the average,

is quite like “HOME”



Though I suppose, we eventually find

whatever space can be considered our own

when everyone grows up and stops

pretending they read Burroughs,
have a lot more going on, or are a lot less busy
than they make out over infrequent coffee meetings
(where it is also admitted

that they brew their own hot beverages,
or tell their own jokes)

Somewhere in the near-space continuum where Travel has

become for us what essentially differentiates
the commonplace in nature from 
that most human of neuroses,

the acceptance of a willing to improve the conditional.



And so to Ambition, and its fiery fops who make us refute

steadiness, accountability, the routine of the resolute

Who let our ships of sanctimony attack

implied with the luxury of steering back.
Esther Jul 2017
To all my demons:
Hello and welcome – back.
My chest is open for your return,
Pining for the familiar pressure
Of your phantom limbs pressed against my ribs
And slowing the blood flow to my heart.
I wonder, has your presence really lessened me?
Has your presence really ruined me?
Because the lower the blood pressure,
The harder it is to gather up
The courage, the steadiness, the willingness
To act on your orders.

To all my demons:
Hello and how are you – today?
I can’t say I don’t think about your well-being
The moment I wake from the loneliness,
Thinking maybe I’ll never get an answer
If you ever stay away.
They say you’re never really fulfilled,
Until you wish upon your enemies
The same happiness you want for yourself;
And here I am in this pit you’ve dug for me,
Floating on my tears,
Hoping in silence for your own freedom - from me.
My own pruning hands will hold the door shut
As I say this,
Hoping you continue to suffocate us both,
Gracing me with your reliable company – daily.
Lain Ender Apr 2012
The flavor of the air is tense,
I am plagued in these unsafe streets.
They are hidden but I know they hunt me,
I can feel them tearing at my in most brain.

How many shots do I have?
I cannot remember when confronted with pure unmasked terror.
An ankh like shadow protrudes slightly
One bullet spent.

The pharaoh looking man dropped to the ground,
His curled fingers clutch his tools.
But he is dead with black blood dripping,
However it is still not safe.

I can hear the delicate footsteps,
they echo along the brick walls..
Calling ahead of the dainty voice,
that sings prayers of madness.

I lie in wait.
Maybe I can jump her,
**** her before she me,
Or maybe I am a fool.

She rounds the lit corner,
and drops her frail veil.
What a bloated beastly thing she becomes,
with tentacles flowing from her mouth.

Wandering close I wonder if she can smell me,
For I am drenched in the fear of all things.
This night is one of horrors,
The worst that Arkham ever offered.

As she bends down to my level,
Groaning as she meets me.
I shot before the tentacle could gather,
Around my fleshy throat.

I missed the fatal blow,
she took off at a giggling run into the night.
As I chased after her,
Horror found me once again.

This time it came as a dark skinned man,
with the hoofs of a beast.
My trembling gun in hand ,
He responded with a finger to his lips.

I began to waiver in my steadiness.
He smiled a wicked smile,
4 words floated through the air,
" The Dark Avatar is coming".

Courage resumed its timid grasp,
And I put a bullet in his gut.
It spilled open as he laughed,
A wry corrupting laugh.

Out of his stomach feel as shining jewel,
And out of it came a bat like beast .
Screaming chaos to the winds,
Cracking my heart and mind.

There flew the Haunter of the Night.
A Malicious creature of atrophy and leathery wings .
I shot again and again and again,
Until the last tick where no bullet fired.

As I back away from the circling monster,
I felt something slimy grab me from behind.
Constricting me till breathing became a luxury,
All faded and I lost track of the world.

I wake with the a foul breeze wafting over me
Above me stood a hunched and twisted figure.
From its mouth were a hundred teeth,
And a tongue drench in the reddest blood.

It dragged me along the ground,
To the darkest bend of the forest.
There I could hear chanting,
that held me tighter than this beast with a ****** tongue.

When We rounded the corner ,
I dug my bloodstained fingers into the moody ground.
It was to no avail however,
The figures round the fire were loomed ever closer

The fire played with their shadows is strange unearthly ways.
As they chanted praises to the crawling chaos.
Maniacs danced playing wilde flutes of bone,
And the dark priests turned to face me.

I was stripped and bound by ropes tied to posts,
A sacrifice of naked flesh.

Out of the Shadow of the flames loomed  the form
The beast of thousand  tattered minds,
The god of a thousand forms ,
My heart and mind both shattered .

And I was devoured wholly.
Kinda experimented here. I'm excited to be running my first game of Arkham Horror tomorrow night with some friends. Since I don't have the talent to make an homage to Lovecraft  I decided to write a ficticious run of the game from the perspective as one of the characters.  The tense issues are mainly to show his loosening grip on reality.

Bonus affection if you can guess which Ancient One I'm alluding too
Bharti Singh Mar 2016
Nature is the greatest teacher

Crooked trees in the forest
Standing tall, exibiting peace
Indicating individuality of beings
Teaching we can take imperfections with ease

Lucidity of water
Absorbing all colours, flowing free
Indicating true nature of mind
Teaching we can severe from conventions unkind

Air all around us
Remaining oblivious, fueling life
Indicating selfless presence
Teaching we can become generous saviours

Solidity of earth
Accomodating all, feeding life
Indicating endurance
Teaching we can be helpful with no expected return

Vastness of sky
Spanning across space, inspiring heights
Indicating grandeur
Teaching we can stand tall with big hearts

Agression of fire
Igniting dynamism, demonstrating hold
Indicating fearlessness
Teaching we can be creative yet bold

Steadiness of mountain
Defying age, exuding independance
Indicating determination
Teaching emancipation

Freshness of rain
Falling free, spreading coolness
Indicating calmness
Teaching we can be soothing to cold hearts

Shine of sun
Spreading warmth, sharing energy
Indicating synergy
Teaching we can be light to someone

Shimmer of moon
Soothing darkness, glowing in phases
Indicating change in times
Teaching flexibility as time changes

Glitter of stars
Decorating skies, falling in while
Indicating transient fame
Teaching we all fade out with time

And so on................

We must understand
We cannt live without nature
Nature can standalone quite
We need to learn from it
Wear its qualities and requite

Alas! We invariably live againt it
Erin Atkinson May 2015
I'm thinking about hands again.
                                               I'm thinking about
            how yours are big
            and mine are small
and how yours fit
                                nicely
                     around my throat
mine claw at your back
and i gasp
                                                        …fu­ck me

And I'm thinking about your steadiness
                           and my shakes
        and about how we both create
                               universes
with just our hands
                 and our lips
                         and our teeth.

I'm thinking about how
          my hands would like to find yours
in the dark
              and rest in it's spaces
                             under your ocean
              of blankets,
    like an empty glass waiting
to be filled.
At living nights! Today I saw again my Helsinki;
What a dazzling sight, bathed in its citadels of light,
At which time, didst I spend more grateful hours
That may have come and sought me after dawn.
I was dreaming fast by then, lulled by yon sleepy
rain striding down outside, with a softened cheer;
A mild one, more like kind water’s affluent soul,
Had the skies no more repelled its sight, with beer
And the remnants of their rebuked past sins,
Which once kept feeding on mere tyrannous thoughts
That the sun too emitted; but how didst such coldness
Let itself be corrupted, maintained by the amiss main
And savage terrain of the sun, and be sorely divided
once more across its terrible sphere, and wonder:
How couldst no cold remain, whilst ‘tis England;
And thus no evil couldst be new wherein,
nor regarded as trembling nor filthy anew—
In the hours that hath faded, by their uneven minutes;
And there is no honour left to revolt against its wit,
While all transforms into an unripened fatal mistake,
And there is no joy left to witness its new form,
And the remnant of love gone in its disposition,
When, one by one, the most propitious beam awakes
Offering one of its most precarious gleams,
But so shakes me by the impatience of the heat;
The poet has so to run to escape its crunching wit,
Forgetting the poem, forsaking what’s been writ;
And what is left but a sorrow from the merciful night,
The poetry too lost its favourable Knight.

Where is but the Helsinki I hath loved, about me?
The Helsinki that hath been in love with me;
And shyly flirted with me, stealing my love for days.
All my past that hath come to a halt, and with its shadow apace
I hath not one right to reclaim my solid thoughts;
I want to be the radiant snow again, mild at all paces
Haunted by ev’ry cold breath so divine, and taste
The hieroglyphics of my sad visions so succinctly;
And the philology of our violent youth so fervently.
For such sunless hauntings too are painfully severe,
And such nightmares that existed shan’t be spare,
And those shan’t I suffer myself by the pores of such dreams;
And with a radiant finger shalt I send back which see me—
The eyes of our promising heaven have now awakened,
I can see their unpierced veins through thy hands, o Helsinki!
Why is it that salubrious remembrance of such sullen hours
to give me the unwanted comfort, and unwritten silence,
I might not be worthy of thine alone, ah, but who shalt shine
During my windblown summers here, whenst the short-lived heat
Hath but been too much, and ringing through a tampered light;
I hath lost the list of odes that thou canst cast on my soul.
What an everlasting shame, to lay here alone without thee;
But who is a scattered leaf like me to complain, but to hide,
I hath lost all my steadiness to the Northern Light.

To the blue concave by yon awesome nullified cavern;
And the lifted nectar tree behind the cedar grove,
And the rippling summer river with its yellow brook
That hath been lovely to me and my wintry shine;
And the gate with such illustrious paints that illumine
Every wandering sight, righteous in whose last morals,
How happy I am, to be amidst such wondrous sighs!
How shalt I but stand about and entertain my feet,
The itchy feet that shan’t stand to the euphoria about me,
But feelest the slightest thought of thine with hesitation,
But in dreams, upset again to behold thee gone.
What a consoled hysteria I hath but made, o Helsinki!
A little further, my love, didst I tell my love silently,
Although all remains a whisper in t’is hesitant chest,
That shan’t be resistant again once it meets its fate;
A sweet fate that shan’t one steer nor disapprove,
For such a fate is neither sick nor faulty, at once,
For at such a view all shalt be put at ease, or in delight,
The moon cheers at their apparition forms and starlights.
And for my love shalt I wait at seven tonight,
An hour that is close to my Helsinki’s sweet entrance,
For hath England halted and my frightened love ceased,
And sweetened what was not sweet for my love and me,
And as bitter to my hope and hungered cleavage once.
I am, as ever, faltering in my speed like an innocent child;
I am to play from bough to bough, that I can comfort
And jump from leap to leap, as I wish to bring back alive
The thousand weeds and summer squirrels that used to
cry bitterly. They cried a lot in the open space, at night;
Oft’ didst I hear their florid steps across the unseen clearing
And voices weep through the wronged greenery, wailing.
I wouldst be good to them as I hath been good in dreams,
To make ‘em all precious darlings, and set back forth, o sweet
Waking into the night of moonlight and the Northern Lights
To comfort the scratch, and all that injures within me
And to bring justice to those who wronged in thee,
That all can sleep again amidst the high strolling distance;
I wouldst behold my love again, and beneath the confined air,
To live and love on yon gifted ege, laden with art and care.
On a ground so deep, and tunnel so rich with ice and ease,
Hath I been in too much haste, to resemble the mortal rose,
Hath I been ungrateful to my robbed love, and prose;
Hath I loved my youth in such a dizzy way, in a daze;
Hath I deserted such myths, and failed my task to praise.

They all bid me fly away and leave, but fly to thee;
Those sons of dark innocence, unvirgin bones to every sigh.
What is love to them, but a silvery, captivating moan?
What is love but two robes unchained, all too ******,
What is love but a hastened sight, a hurried moon,
What is love but not wedded, nor one to grown—
What is love but unchaste, too frenetic to love,
Not a painful comfort, nor a happy sacrifice,
Not a bough so pendulous and fair, nor a fall so weird,
Not a bizarre ecstasy; yet an ecstasy that quenches,
Not a bard, nor any of the throes in his fine poems,
Not even a wing of love itself, that often cries in bareness,
Not a humble show that fulfills, in its drop of moral rain;
Not a reminiscence of dust, nor a soap of remembrance.
Love, being a dire sight to ‘all, those cross creatures,
Love in there never held me by my hand, nor my ill chest,
All the love there—a pale pain, a bland mast of mess,
And all greasy misery is not pain, but a beheld love,
A love to see, a love that grows not in flooded snow.
All the love there—a blank sight, a tasteless life,
A love that feels not the feeble, but stainless souls!
A love that is too mean that none canst hear me,
And who guesses but such a meadow cannot see me,
Nor catch my sight by the ballade of innocuous thoughts.
O, Helsinki, I hath but such vast words in my throat,
O, Helsinki, hail us poets with the fall of ****** snow!
May us be weird, and boast to the condemned world,
May us be heat, may us bring whom a liar curse!

Every fantasy of the night stills beneath me;
Crushed within the glossy bark of yon midnight heat,
Closed by the laughter of a dominant brutal heart,
Chained by its own sinful soul, that cannot love.
And never by the night turns into uncounted falls;
Nor grows into a more promising canto in my sonnet,
For who is heat but an untold chaos, even to a baby’s ears,
There is no shelter but wanted by the gone England,
Nor a further fate to come, to be run across its river.
All English gold hath but revolted its noble thoughts,
And most of the time, ‘tis only daggers and swords
That make, and foragingly confuse its infused time;
I hath outnumbered the shrieking sins within me,
And too my art, attaching itself to me by the faltering light,
But now the most seen, the most bewitching and heartfelt.
While I hold thee to my heart, and feel there the lightest thought
That thou art the sole gathering of joys one sought
Propelling the night to stop its frozen tears, and listen;
That there is a song in such fair air, there is heaven.
And who shalt sink into the stars on the grass, but me;
Who shalt hear with my seas with love, but my poetry,
Who seals me better but my nauseous books, and lose
Who in its villainous imagination but hears me, my prose.

I shalt come back to my sanguine night in the cold,
To retreat and release back the dim saluted forms,
That oft’ fade and show themselves again in one’s poems.
Who says ‘tis not found there—a dazzling melody;
That such a beauteous parody is not from Paradise,
That a blushed cheek is ever proud and wise,
That fresh air is unseen, and honour cannot be felt;
Here, but not with the English nor American melody,
Nor couldst I be tempted by the tunes aloof in their air,
Who else than I think they are not a fair society,
Who else than I think they own not their riches,
Who else than I think a colour as which shan’t burn.
Who else there is not a tune in an idle poem;
Who else shan’t tune in, as though poems were not poetry.
Who else than turns to love me, by the slumber
o’ such lyrics, who shall be with me forever;
I want to bury myself in such charms, o mine,
To show the sun the honest hours of every love,
Though love itself canst become faulty at times!
Ah, Helsinki, all is abashed and yet not too bashful;
All that was bashful hath grown beastly, outside of us,
And so what is preaching now but a fatal lyrical sight,
And what is speech but a forgotten poem alight,
Who is Anonymous, who are they to teach them right;
Who is loneliness, who shall perish and faint with fright,
Who shall disappear, and such despair entertains the sea,

Who am I, but a doubted truth on my solitary voyage;
Who are the dusks aglow, but an obsolete sight and dish,
Who are the young scarlet tides to fade, before the buds,
Who are the dusky little lilacs to resemble the rose.
Who are the pure white tints that ice showed me,
But the hidden pinks the evils want not to see,
And the inherited northern youth, who shalt be with me.
Who shalt I be, but a silent poet to thee, o Helsinki,
Who am I to have, but such reminiscent little words of me.
To have and have not visions, the one found in my rhymes;
To writ and writ not again, as speech may haunt me,
To hear and hear not words, as thoughts come to follow,
But to read and writ again, as dreams decipher my verse.
To discharge all epics unreal, whilst they are sublime,
To emit all that remains, all visible and verbal emotions,
May I be absorbed in all my wonderings, and my dismay;
To be with the Northern Light, and the vanished world of days.
Kiagen McGinnis Feb 2013
the kind of sad that doesn’t fit

anywhere. mine to keep. the world lets so many

ugly

things exist i’ll never learn to

talk,

words come only when i’m the solitary

witness

it’s not your fault, it’s nobody’s fault

our parents could have taught us but the ugly keeps them

quiet

who wants to speak of that?

you say you are

weak

and i think of all the times you were my

steadiness.

i hate these tears because they make you

ache

you are too good for the

ugly.
Picture this Jun 2015
A safe haven
an English town
a solid rock of calm
a rose within the madding crowds
with charismatic charm
this peaceful soil is fuelled
by spanish working men
where traditional English rule
calls us back again
a monkey's retreat
where wild habits prevail
a comfortable seat
with an occasional gale
a land of Britishness
spells safety in it's shores
reliability and steadiness
oozing from it's pores
Anonymous Freak Apr 2017
It's late at night,
I dully stare at the pink glow
Of my lamp,
There's a draft under my door,
And some sort of funny ache
In my chest.

The lazy afternoon light
From my murky glass window
Bathed your sleepy smile
On my pillow.
Your calloused hands
Ran
Around my stomach
And my back.
My fingers found a birthmark
On your ribs
I had never noticed.
Our noses touched,
And breath mingled.


My neck aches
From nighttime worries,
There's a funny taste in my mouth
From things I never wanted to say.
The ocean is a kaleidoscope of colorful fish,
And all I want to think of is you.

Your frame shivered
In the chill summer breeze
Rolling off of the lake.
Tiny round sheets of stone
Stuck to my damp toes.
You tended the small fire on the beach
While I hung on your arm and every word.
On the car ride home
We sang our hearts out
To old songs about rock and roll,
And the wind blew my hair dry
And into your face.


The old pictures feel like yesterday.
They're a patchwork quilt
Of moments with you.
It's the kind of lonely
In the pit of my belly
That needs to be shaken
With strong drink.
My mouth it etched in a frown.

I tried to cook for us
The night of our Anniversary,
What normally came easy
Made me apprehensive.
And when the meal went to grief
And I was close to tears,
You marveled at the science
Of how it had happened,
And inspected it closely,
Until you got me to laugh.


My jaw is clenched,
And my brow is knit together
Like a stocking,
But my head knows where it belongs.
On your shoulder,
Held in your hand,
Talking about music,
And space,
And past pain.

It was the smallest hours
Of the morning,
Cuddled up on your bed,
When I dared to touch
A long scar on your lower back.
I asked you where it came from,
You said your father
Had hit you so hard
He'd left it.
I was quiet.
My angry, protective whisper
Covered the lump in my throat,
As I promised I would
Never
Hurt you like that.
You said you knew that already,
And you'd never told anyone that story
Before me.


You're waltzing through
My thoughts tonight,
And you always danced so beautifully.
Taking my clumsy movements
Into your stride,
And guiding me across the floor
With gentle steadiness.
You're jump roping my brainwaves,
And caressing my consciousness.

How I miss
Your whiskery kisses.
At times I feel I've lost my way,
I evanesce like dreams at wake.
The memories resonate with tears,
as I clash myself with all my fears.

Lost and gone; drifting away,
troubled waves crashing down on me.
The time, the pain, still I can't breathe.
Lost and gone; now lost at sea.

My anchor now, where have you gone?
You held me tight, you felt so strong.
The steadiness that I need now,
I see you're gone, nowhere found.

So I drift about, and I float my own,
trying my hardest to find my way home.
But the ocean gets so cold at night,
I need you here, I need your light.

Just as my hope began to fall,
I see it in the distance now, standing bright and tall.

The light is overbearing, but I finally found my shore.
You were always here to guide me by, I was never on my own.
Lighthouse lead me home.
Kassiani Nov 2010
She hammers out a heartbeat,
Clinging to its sound,
A constant noise to bind her,
To link her to the ground.
To keep her feet from slipping,
She follows it in time,
As though it were her duty,
Her singular design.

All she hears is beating,
Blocking other noise—
No tunes of trifling children,
No giggling girls and boys.
For noises are distractions;
They make a mess of minds.
Distraction likes the clutter—
Against her ears it grinds.

She holds fast to her heartbeat,
Latches to its hand,
But finds it too erratic,
Dribbly, like sand.
Up and down it dips and flies,
Makes her poor head spin,
Sending shivers up her spine
And tremors down her chin.

She’s lost her steady rhythm,
Lost hold of the sound,
The beat that duly held her
Anchored to the ground.
Her mind can’t find its footing—
It panics in its stead,
Lets inconstant rhythms
Muss her weary head,

Lets the twang of heartstrings
Orchestrate her cares,
And tangle with her fancies
And trip her down the stairs.
It sends her stumbling dazedly
Without a steady beat
To keep a constant tempo
And keep her on her feet.

She tends her bumps and bruises
Desperate, now, to find
Some steadiness to cling to,
To hold her glassy mind.
But nothing seems a constant
Except erratic sound.
What, then, can withhold her
From sliding off the ground?

What can keep distraction
From tearing through her head
And keep her fears from springing forth,
From crawling to her bed?
Can she fight this madness,
This urgent need to seek
Some constancy to bind her?
Or is she just that weak?
Written 2/9/09
From Jess's Lips Nov 2015
You're the grass beneath my feet,
tickling at my toes,
and darling,
your softness is inviting.

You're the sun that lights my face,
teasing out a smile,
and darling,
your warmth is inviting.

You're the swing set in my back yard,
strong even after all these years,
and darling,
your steadiness is inviting.

You're a mug of cocoa warming my hands,
so pleasant after a snowball fight,
and darling,
your sweetness is inviting.

You're a picture of loveliness,
hung with care on my wall,
and darling,
your frame is inviting.

1. Your sweet embrace
2. Your grinning face
3. Your cherry lips
and
4. Your cheery quips.

The first four in a long list
of reasons I will
always
accept your invitation.
You're a party I won't drag my feet to RSVP to. :)
DC raw love Dec 2014
stimulation from situations
usually leads to complacations

steadiness brings advocation
to keep from retaliations
from your temptations

that should turn around your situation
from your provacation
Pyrrha Sep 2018
Stress consumes your mind like fire in a forest
It ignites the anger inside to arise as smoke clouds around your eyes
In this moment you are so horribly enraged,
So terribly uncomfortable inside and out,
That you can't control your actions, your words, or the way you feel
You snap, you glare, you place the blame
Once you calm down you realize you are only angry at yourself
And the anger is replaced by regret and fatigue
You're tired of this cycle
Tired of feeling so out of control
This is what stress does
It eats you apart from the pit of your stomach and only consumes more and more till it reaches your mind and you are entirely taken apart
Like the string on an old sweater stress frays the steadiness you contain
Joanna Oz Apr 2015
{if you would let me:}

i want to unlock the steadiness of your hands and the tranquility of that knowing gaze,
unfurl the scroll tucked deep inside your ribcage and
set a metronome to the beat drumming in your chest.
i want to decode the secrets folded up in the corners of your crooked smile and chant them mixed into sacred hymns -
gibberish and syllogism.
i want to feel the electricity pulsing vigorously in your tempest
and the crack-crack-BOOM visceral quake of thunder shaking at the edges of understanding.
i want to chisel at the surface of your caverns 'til the exterior gives way and the inner waters surge through.
i want to stand waist-deep soaking in the river
and learn the intricacies of its currents,
the way it flows over-into-through itself and smooths jagged surface.
i want to hear the song of its roaring waves and whisper harmony into the wind,
trailing my fingertips along the waterbed
i'll spin with whirlpools spontaneous.
i want to hold the heavy earth between my palms,
and let the sandy subtleties slip through the cracks.
i want to caress the faces of rock formations crafted
by the weathering of decades as a blind man discovering through ardent touch...

meditating on intimate geography, i'll construct a map to the sacred space where our spirits meet
overlapping in synchronicity.
and if you commune with me there,
i'll uncover the mysterious universe bursting forth in me, and we
can learn how to integrate our corners of infinity.
Esther Feb 2016
Fragility is an electric blue
Shock in your system
From which you twist resistance
Gifted to hands open and begging
Consoling the green murkiness
Of people’s forced emptiness
Filling their scaffolding with
Temporary steadiness
Your abandonment shatters
Into heart shaped glass shards
He picks up even though they cut
And his blood brings no fear
Because your reality is malleable
And wounds are fixable
With scars becoming loopholes
Into worlds of distorted art
Branching out of lines protruding
Introducing your skin before your scars
I see the clearing of newly planted
Seeds of future possibility
In the words you gather
Passing by flowers scented with
All the aromas that haunt you
From your youth
Just to string a sentence
For one surrounded by the obtuse
Entirety of reigning bleakness
You are a beacon of what we
Dream to grow up to be
A star in the morning sky
You shine you shine you shine.
There can only be rhythm
Subject to a passing time.
Existence is against remaining,
Equilibrium is the cause of all death,
All resistance is change.

To stay when invited to leave,
To let live when shouts call merciless death,
To be space when asked only surface.

The thoughts of yore
Are no longer welcome
There is already too much past
Stick to the structures,
To the looks, the fears, the hierarchy,
The privileges and the possessions.

Steadiness itself
Is at a countdown to extinction,
The death of death
And the rise of immortality,
The new mindset
That will conquer galaxies and caves
Will emerge:
Always changing, always new,
Always self-discovery.

Everything else is vanity.
Laura Slaathaug Apr 2017
my head in your lap
my thumb on your cheek
and you look down at me
and say, What?
Nothing, I say
and glance away,
redrawing your face in my mind--
the curve of your nose and cheek,
the steadiness of your eyes,
how your hair just grazes your forehead--
wondering what you're thinking.
I ask you what you're thinking.
And you answer, It's like you expect me to say something.
No, I say. I'm just looking at you.
And I remember
head on the pillow,
thumb on the keys
when I miss you.
National Poetry Month Day 18
Onoma Jul 12
one can't be sure how much
transfigurement occurs during sleep.
how often a straight line fudges a crooked
line, so: a/b/c can sequentially light up.
three yesterdays ago today--a legless
Daddy-long-legs was pulled across the
floorboards of my head.
in response to the banging vacuum of
wakefulness.
as a bedroom window isolates what will
be uniformities of rain--shower (cut!),
shower (cut!), shower (cut!)...with a finale
of steadiness?
dafne Oct 2016
count the pages of words i have written over feelings that have turned into ashes, and find a number that is everlasting.
to look back at the words my mind could string together and knit into a pattern of infatuation and frustration, and remember everything threaded together for a reason, to create pieces of where i am today,
yet these pages keep forming, and they seem to be eternal,
fingers will yearn to write about the one who gives me the feeling music creates, about the steadiness i sit in, while watching everyone else bloom into seasons, about the lessons i'm learning that send chills down my skin, where i learn that people don't mean what they say, and barely say what they mean. when the value of words deteriorate to a playful game to keep one around, to twist definitions to please the mind and manipulate one another, to learn that the value of a phrase means nothing to one person as it does to the other.
i never wish to stop feeling and pouring, threading, and knitting,
for i know what my words meant in the moment and outside of it,
creating a touch of sincerity in the world of mixed emotions and illusions.
gabrielle boltz Jun 2013
it is two o clock in the morning
and you are shaking in my arms
taking those shuddery butterfly breaths
that only accompany sobs -
my frame trembles with yours
because you are so much
heavier,
stronger than i,
and i cannot hold you still,
so i hold you gently instead
and hope you do not miss the
steadiness that i'll never have.

and when the earthquakes are over
we breathe with your head in my lap
and my feet on the dash,
fogging the windows with
silent understanding,
or a lack thereof.
running my fingers through your hair
i raise my foot to the windshield,
and draw tiny circles around the moon
with my big toe -
somehow it seems melancholy,
that moon.
big,
silver,
and emanating a sadness that i
altogether comprehend for a moment
with my fingers in your hair
and my toe on the chilled glass pane -

and with that shared sadness
came the realization as to why
the moon stays so far from the earth -
the moon has watched from the sky
as countless loves ended
from the beginning of time,
and so she knows better than
to get too close to anything
that might make her fall.

i giggle at the thought
of how even the moon
knows better than i do.
but regardless
i'll just sit here,
toeing circles around that moon,
taking guesses at what you are dreaming.

— The End —