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"objectively" poems
I’m in my prime; at the cusp of my development. A few more years of growth make decay a lot more relevant… *Glass Elephant, Glass Elephant,* Irrelevance, benevolence, Compassion, or malevolence; I’m one of few who sees it sums no difference. Glass objects. Or Elephants. Irrelevance, Irrelevance Striving for motion, with motive elusive Each thing I endeavor is far too exclusive I need something inclusive, objectively singular A sinusoidal wave with a mean lacking integers Peace in zero and equilibrium inclusion *Glass Elephant Glass Elephant* Delusions, Delusions
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Feb 3, 2015
Feb 3, 2015 at 3:58 PM UTC
Glass Elephant, Glass Elephant
Be open-minded and admit the possibility That some things are objectively wrong We all live in a constant state of gray area I see you pretty often, maybe once every week or so For a moment our bubbles come very close to overlapping But they so far have always held firm Which is, in one respect, kind of amazing Yet in another, to be expected Our bubbles are made of rubber and concrete Our lives are so different - we’re separated by Class, gender, age, ethnicity and health history Different in almost every way you could imagine Save for location, which again is amazing If we ever step out of our bubbles one day And I actually hope we do It will be uncomfortable, I imagine, and also Potentially dangerous for both of us But it could turn out great Most people ask themselves I guess Whether it’s worth the risk And say no and they probably make assumptions And I so far haven’t made too many about you Although to make none is impossible and so of that I am proud Some things might be wrong even if Everyone does them and even if You or I do them constantly Without an ounce of guilt It’s possible anyway
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Jul 28, 2018
Jul 28, 2018 at 7:25 PM UTC
Homelessness: An Introspective Ethical Analysis
Don't listen to me; my heart's been broken. I don't see anything objectively. I know myself; I've learned to hear like a psychiatrist. When I speak passionately, That's when I'm least to be trusted. It's very sad, really: all my life I've been praised For my intelligence, my powers of language, of insight- In the end they're wasted- I never see myself. Standing on the front steps. Holding my sisters hand. That's why I can't account For the bruises on her arm where the sleeve ends ... In my own mind, I'm invisible: that's why I'm dangerous. People like me, who seem selfless. We're the cripples, the liars: We're the ones who should be factored out In the interest of truth. When I'm quiet, that's when the truth emerges. A clear sky, the clouds like white fibers. Underneath, a little gray house. The azaleas Red and bright pink. If you want the truth, you have to close yourself To the older sister, block her out: When I living thing is hurt like that In its deepest workings, All function is altered. That's why I'm not to be trusted. Because a wound to the heart Is also a wound to the mind.
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4.5k
The Untrustworthy Speaker
Honesty: The quality of being honest Look at me directly in the eyes Before you lie When you agonize And dramatize I will analyze And I will realize And Recognize I will not empathize I will brutalize So I would not jeopardize Integrity: The quality of being honest and having strong moral principles With dignity Empathy Without enemies Ethically No jealousy Purity Seeing objectively Respectively Never causing unpleasantries The two go hand and hand Not Separately !!
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Jun 2, 2016
Jun 2, 2016 at 8:58 PM UTC
Honesty and Integrity
I can break the laws of the universe It's true Everybody can Everybody has _Even you!_ It happens in a special place that exists in the peripherals of your mind When you look for it it hides When you think about it it ceases to exist And you can never find it But you visit it almost every night _This space is the brink of your subconscious!_ _The space between worlds and realities!_ _A singularity, where physical law is a mirage!_ On the nights we sleep but don't dream, we visit this place It's between the day's last conscious thought and the following's first In this space hours past in faster than an instant There is no body, soul or mind There is no void There is no colour There is no concept of empty _Pure, absolute nothing!_ In this space, the entire universe ceases to exist We wake the next morning with no recollection. We know objectively that time has passed, And eventually the feeling of our temporary transcendence fades And we carry on without asking This happens to all of us, On nights you sleep, but don't dream And in that space You can break the laws of the universe
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Oct 7, 2018
Oct 7, 2018 at 12:15 PM UTC
I Can Break the Laws of the Universe
I was a nerdy book loving video game playing weird music listening awkward little short kid in high school the only difference between now and then is now I'm not in high school and don't have the money to buy video games but throughout it all since I was around 12 years old I've been madly in love like border line obsessed with words, they carry a mystique about them capable of so much yet objectively irrelevant they are the conduit of humanity and existence and for every girl I've crushed on, and a few time when it was more than a crush, I would have picked the words over them every time the same could go for my good friends and even when I'm alone, I'm never really alone the words are everywhere I look my first love my only love
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Apr 9, 2013
Apr 9, 2013 at 6:43 PM UTC
first love
Genuinely feeling hope for something good, and being lead by false hope to believe a lie as truth, are two different beasts I don't hate myself for what I felt, or thought, but instead what I was lead to think was okay to believe I was lied to, again; my words beckoned something I thought was genuine, and deceit was all that met me, just like every time before it I'm sick of being here, of thinking anything gets better, because it's true that the those who spend their fortune at keeping an authentic heart for others will inevitably end up alone, indebted to those who only care of themselves I give myself away too often, but only for what I objectively observe as being meaningful, but I'm afraid that closing off my mind will bring me to the dark place again, and I never want to go back there I have no control of what someone believes or feels, nor do I know what that may be, all the same I just take what I am given, if it seems and feels good; if it echoes compassion and sincerity, because that's exactly what I lack most I hate being a slave to this paradox, but my freedom may only come with absolute truth I have no more faith for that - I still hope; potentiality rings, but I know that's one sided on my end A wish is a wish..
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Aug 30, 2018
Aug 30, 2018 at 1:19 AM UTC
Echoes
Looking subjectively at others can sometimes be the best way to objectively look at yourself.
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Mar 20, 2013
Mar 20, 2013 at 10:26 PM UTC
Humility
Loss That's what they call it, Or mourning, But I've lost before and I've mourned Before Yet never ever Known pain like this Pragmatic, That's me to a tee, Yet pragmatism ain't cutting it This time Because I fear and I feel Your departing Before the decision Or announcement made And it hurts! Oh sweet Lord it hurts, In ways I cannot clamp down, Or externalise or Stop the feeling of, A crippling ******* Of sobbing deep inside Where none can see And you're reading our poems Which might be hope Or might be farewell I just don't know, And not knowing is bad enough At any time but this? This matters so much more, This is killing me Objectively I know we should part, Objectively I know you'll struggle Because you love and desire me On so many levels, And to not have me would **** Yet is it enough my sweet? Is it enough To save you n me? And if not? If not enough? If I lose you to another, If I never get to hold you, Make love with you Fill you with my love and All I am? How do I then live?
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May 11, 2017
May 11, 2017 at 5:31 PM UTC
Loss
Foxy pumps Visually inviting Stimulus Leather jeans Objectively elevating Yield Indie jazz Naturally circuits Relish Vivid suspense Intellectually appeasing
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Mar 17, 2012
Mar 17, 2012 at 9:41 AM UTC
A Theater Of Skin
I do not oppose will nor bend away when challenged or tied but to deny me a true torture though I will not fight nor wish for a difference or an attitude because objectively rejection is easy
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Apr 1, 2014
Apr 1, 2014 at 3:32 PM UTC
unwanted
I remember at the party as blurry as it all was when you kissed me through my tears and startled me I was angry angry because I took the blame for the tickets we all received and you kissed me I was too blinded by *** to see how romantic and how sweet your gesture of sympathy really was, objectively; internally I was not ready, for reasons unclear even to myself (to sum, I was young and dumb and frightened of affection) but even now, a year or two later I think about your eyes, sparkling and wired, intimidating and intriguing; I think about your posture, your wit, your cyclist thighs, and wonder why I didn’t think you were a catch of a guy
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May 28, 2013
May 28, 2013 at 1:18 AM UTC
Another poem about another Alex
there are days and times and people and my feet push on like machinery or maybe just objectively trampling the shards of a million different fragments of reality i'm here still in this pendulum of a place that has always been and my feet and my brain and my hands move too quickly but my mouth does not i'm still here with these pieces these pieces of body that cost and tick but one day and you you resonate with a yellow light that means warmth    with an ease a heat a ‘diamond speckled’ smile a form that parallels goodness and i'll stay here in my clicking mechanisms with my scratches and my bones and my structure and one day one day i'll die
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Feb 27, 2015
Feb 27, 2015 at 4:44 AM UTC
You are beautiful
Smoking American Spirits Like that name is not sickly ironic As I watch the moon And blow your name Out through my teeth. After all of it I still can’t decide If I’m happy that you’re happy Or hate you for leaving me In the cold to gape At a barren rock. The moon is a visceral spirit, Pundit of creation myths, Vaudevillian purveyor Of heavy handed profundity, Reflects the sun When nothing else can, Means so much to so many; The moon is an entropic Collusion of earth-chunk That happens to orbit us, Objectively meaningless, Communicating with the ocean As ants ***** chemicals Into each others mouths to converse.   Staring together up into The gaping gnash of space, Humans give the moon its meaning Just as two people falling in love Forever inhabit midsummer nights 'Till one leaves in a haze Of evaporating brain chemistry. I really am happy you’re happy, Because I really do love you Even after everything, And I really do hate you Because it hurts so much And you were so selfish, Go **** yourself, Why can't I feel both? Just this silly girl, Just two broken people, Look at what we made Chlo, It's hanging in the sky Strung up with used filaments. I love you and hate you still Because knowing the moon Is a barren rock Makes what it has become Incandescently, infinitely beautiful.
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Mar 27, 2013
Mar 27, 2013 at 12:15 AM UTC
Moonrise Kingdom
He did throw the ***** on my back! And it wouldn’t stop coming out. It gave me a sense of fascination, And lewd. I can not explain objectively why
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Mar 19, 2025
Mar 19, 2025 at 5:15 PM UTC
Lewd
Bees nestle in sunshine flowers, a once adrift cold cat now warm in her glory hours, birds coo rounded and loud, the awesome blue sky without cloud. Although objectively wonderful I wouldn't like it as much if not for you two, all your actions gilded love's hue: I'm lucky I came up smiling from the roll of the parent dice and this little back garden resembles paradise.
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May 24, 2023
May 24, 2023 at 9:44 AM UTC
Mum & Dad's Mid Spring Garden
There is a fair bit of you in every garden of my life. Truly, that is nothing extraordinary, you should know it as objectively as I do. Nevertheless, there is something I’d like to clarify: When I say "in every garden”, it is not only in relation to this of now, this of waiting for you, of hoorah! i found you!, and ****** i lost you!, and found again, and hopefully stops there. Nor in regard of you suddenly telling me "I’m going to cry”, then with a discrete lump in my throat "well go ahead”. And then a graceful invisible rainfall arrives to assist us, perhaps the reason the sun rises unhesitatingly right after. I’m not just referring either at the day-to-day fluctuation of the stock in our little decisive complicities, or that I could or believe I can turn my deficiencies to victories, or of you to bestow upon me the tenderest gift of your most recent despair. No. The situation is more serious. When I state “in every garden” I mean to say that in addition to that sweet cataclysm, you are also rewriting my childhood, that age when one utters "grown up” and solemn phrases, and the solemn grown ups celebrates them, and conversely, you think of it irrelevant. What I mean to say is, you are reassembling my adolescence, that time when I was an old man full of insecurities, and contrarily, you know how to extract from there, my germ of joy and consciously spread it. What I mean to say is, you are stirring my youth, that vain vessel no one took hold of, that proud shade no one got close to, and you on the other hand knows very well how to shake it until the autumn leaves start falling till there is nothing but the flesh of my triumphless truth. What I mean to say is, you are grasping my maturity, that mixture of stupor and experience, this unknown horizon of fear and certainty, this relentless faith on my questionable strength. As you can see, it is serious, extremely more serious. Because with these or different words, I mean to say you are not only, the dearest girl you are, but also the splendid and cautious* women that I love and have loved. Because thanks to you E, I have understood, (you’d say it was about time, and with reason), that love, is a beautiful and generous bay, that lightens and darkens as life goes by, a bay where ships arrive and break away, they arrive with blossoms and presages, and they part with krakens and storm clouds. A beautiful and generous bay where ships set down and then leave, But E, you, please don’t leave.
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Nov 13, 2015
Nov 13, 2015 at 2:14 AM UTC
Serious
There is a fair bit of you in every garden of my life. Truly, that is nothing extraordinary, you should know it as objectively as I do. Nevertheless, there is something I’d like to clarify: When I say "in every garden”, it is not only in relation to this of now, this of waiting for you, of hoorah! i found you!, and ****** i lost you!, and found again, and hopefully stops there. Nor in regard of you suddenly telling me "I’m going to cry”, then with a discrete lump in my throat "well go ahead”. And then a graceful invisible rainfall arrives to assist us, perhaps the reason the sun rises unhesitatingly right after. I’m not just referring either at the day-to-day fluctuation of the stock in our little decisive complicities, or that I could or believe I can turn my deficiencies to victories, or of you to bestow upon me the tenderest gift of your most recent despair. No. The situation is more serious. When I state “in every garden” I mean to say that in addition to that sweet cataclysm, you are also rewriting my childhood, that age when one utters "grown up” and solemn phrases, and the solemn grown ups celebrates them, and conversely, you think of it irrelevant. What I mean to say is, you are reassembling my adolescence, that time when I was an old man full of insecurities, and contrarily, you know how to extract from there, my germ of joy and consciously spread it. What I mean to say is, you are stirring my youth, that vain vessel no one took hold of, that proud shade no one got close to, and you on the other hand knows very well how to shake it until the autumn leaves start falling till there is nothing but the flesh of my triumphless truth. What I mean to say is, you are grasping my maturity, that mixture of stupor and experience, this unknown horizon of fear and certainty, this relentless faith on my questionable strength. As you can see, it is serious, extremely more serious. Because with these or different words, I mean to say you are not only, the dearest girl you are, but also the splendid and cautious* women that I love and have loved. Because thanks to you E, I have understood, (you’d say it was about time, and with reason), that love, is a beautiful and generous bay, that lightens and darkens as life goes by, a bay where ships arrive and break away, they arrive with blossoms and presages, and they part with krakens and storm clouds. A beautiful and generous bay where ships set down and then leave, But E, you, please don’t leave.
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52
Objectively i step out, dissecting, inspecting, introspecting, analysing what is to become of me. You interpret my words and call it psychology My main problem is communication, Inherited from my mother , Though i earned a masters in the latter, My perverseness came from my father But who could ever blame the parents ? Since reality is merely a fragment associated to humans, and i accept that. Subjectively i dig in , search , meditate and contemplate i conclude the path is still long ahead however my herritage assures me that i am already there If Jazz could be committed to ink and paper assorted with therapy the results would be similar to my humble poetry Words Of Harfouchism
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Jan 12, 2021
Jan 12, 2021 at 11:24 AM UTC
Jazz Therapy
Writing a poem is about locating self. Every facet within what you’re about to create blooms from your consciousness, your subconsciousness your ego, your mind, your heart But where are those elements planted? Where are they rooted? They are rooted within: your ethnocentric illusions your lived reality your privilege, your pleasure, your pain your abilities, your disabilities your socioeconomic status: have and/or havenot your fluency, your empathy, your sense of humour your vices and your storytelling devices Now we've got some roots, what are we going to grow? Let’s begin by observing, using our senses Maybe, let’s use our eyes Consider, the reality of how we see and sense the world Is different for each and every one of us Everything is tempered by the lens we use Which is informed through the roots of our synapses Which empirically flow from the subjective ground On which we stand And what does this have to do with poetry? What you describe in your poem, Is an interpretation of what you see (and feel) Interesting poetry comes when there is exploring to do It is a poet’s imperative to Explore the edges Out past the boundaries of the visual and audible spectrum If we were fish poet’s Would we write poetry about water? I like to toy with my teenagers on occasion So I asked my son the other day, what his worldview was? And I have been enjoying the vacuous silence ever since To be fair, I have been asking myself the same question for many years And this might have been the inciting incident leading me to storytelling As we began this journey together, it was stated that Writing a poem is about locating self. Can you describe your context? Let me attempt to describe mine: Here I am on the stage in this ocean of air At the Owl Acoustic Lounge On a Wednesday night in May Popping air with rhythm, nuance, and a certain je ne ce quoi Although this poem is not objectively true Let me attempt to share that this poem blooms from my developing cosmology From the overtures of my Overself; from the undercurrents of the Monomyth, From my ***** and through my groans of intercession This poem blooms from oblivion Threading through philosophy, to worldview, and into a budding cosmology For myself: Worldview fell away when I found cosmology while reconnecting with the night sky That night sky took me places while grounding me concurrently in inner spaces Where locating self flows into meta-cognitive health, Well ... that is something to write about
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May 24, 2023
May 24, 2023 at 8:25 PM UTC
How to Write a Poem
Writing a poem is about locating self. Every facet within what you’re about to create blooms from your consciousness, your subconsciousness your ego, your mind, your heart But where are those elements planted? Where are they rooted? They are rooted within: your ethnocentric illusions your lived reality your privilege, your pleasure, your pain your abilities, your disabilities your socioeconomic status: have and/or havenot your fluency, your empathy, your sense of humour your vices and your storytelling devices Now we've got some roots, what are we going to grow? Let’s begin by observing, using our senses Maybe, let’s use our eyes Consider, the reality of how we see and sense the world Is different for each and every one of us Everything is tempered by the lens we use Which is informed through the roots of our synapses Which empirically flow from the subjective ground On which we stand And what does this have to do with poetry? What you describe in your poem, Is an interpretation of what you see (and feel) Interesting poetry comes when there is exploring to do It is a poet’s imperative to Explore the edges Out past the boundaries of the visual and audible spectrum If we were fish poet’s Would we write poetry about water? I like to toy with my teenagers on occasion So I asked my son the other day, what his worldview was? And I have been enjoying the vacuous silence ever since To be fair, I have been asking myself the same question for many years And this might have been the inciting incident leading me to storytelling As we began this journey together, it was stated that Writing a poem is about locating self. Can you describe your context? Let me attempt to describe mine: Here I am on the stage in this ocean of air At the Owl Acoustic Lounge On a Wednesday night in May Popping air with rhythm, nuance, and a certain je ne ce quoi Although this poem is not objectively true Let me attempt to share that this poem blooms from my developing cosmology From the overtures of my Overself; from the undercurrents of the Monomyth, From my ***** and through my groans of intercession This poem blooms from oblivion Threading through philosophy, to worldview, and into a budding cosmology For myself: Worldview fell away when I found cosmology while reconnecting with the night sky That night sky took me places while grounding me concurrently in inner spaces Where locating self flows into meta-cognitive health, Well ... that is something to write about
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59
Individual perception creates alternate realities. Infinite views. Some shared among many, Some among few, Some are created and confined within one. Objectively, everything is real. Because nothing is real.
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Oct 12, 2015
Oct 12, 2015 at 10:32 AM UTC
whatever you want
theres a passion in existence that mere words cannot express: shaped by rhythm, rhyme, meter and cadence. this is objectively dictated by heartbeat, pulse, senses and even breath. life speaks tragedy and eloquence in the language of all experience. words being the tools that should wield to craft a mural of abstract, and an assemblance of felt realities taking in each account to form something beautiful. this is consequently the key to understanding your purpose on this world. you were not placed here for pure entertainment of others, but, maybe, as life paints out a mural for them, you are just a drop of color in the existing abstract of their existence. but as i see your mural being completed i realize i have purely limited the motion of starting over again after coloring outside the lines. as i finish your mural your purpose will become clearer. and as the mural finishes, so do you. not to be morbid death isn't colorful, but it can be just as beautiful.
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Jul 21, 2016
Jul 21, 2016 at 6:52 PM UTC
rebirth
I think surrealism was born of alcohol The world looks unbelievable when intoxicated Impossibly intricate, complex and simple The shapes of the line that might define the borders of the world Seems uncertain shifting and sublime, Objectively subject to change Depth becomes shallow and Focus is moved from one thing to another Beautiful women, lights on cars, They flow and merge in the open night And become one with the twinkling bright Of the moon and the distant stars Energy is movement and light And it all goes one to the other. The stranger is friend and now he’s my brother Bartender! Please bring me another
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Nov 22, 2013
Nov 22, 2013 at 9:32 PM UTC
Thoughts in a bar
She got a big ***** Yet, should I call her “big ***** To many, the implications of having a big ***** Contains a certain celestial-power value. When one generally conceptualizes a person Who has a big ***** one often associates The notion of a big ***** as a good characterization Of a human being. However, one must propose A remarkably simple question— Is having a big ***** a good characterization Of a human being? While considering this question, One must understand that the actual idea Of  “goodness” is simply undefinable. This is simply because one is unable To understand an idea without the use of the mind. As one may assume, a big ***** symbolizes strength And power. There is something objectively cerebral That pushes a big ***** into existence. One must note that a big ***** Is a sense of action.
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Apr 5, 2017
Apr 5, 2017 at 9:29 PM UTC
Implications