dust cloud heavy
in an apricot sky
cottonwood mucker
under ambrose pale
whippet and shepherd
mill at the earth patch
yellow birch hangs
over red bench park

combine shavings
in crack rust brown
scissors chips fall
at the back stop
whiskey jack looters
sing patented chords
siblings (and 2 wheel enthusiasts!)
give thanks

joyous retrievers
master the criss cross
bare maples stand
at settlers way
barred owl and blue jay
whistle in the fore-wind
ghosts
and goblins
pull on the seeds

wind gusts belt
over the west gulch
a blood rush churns
in the chilling fall morn
hallowed grounds still
at the midday
quiet reflections
of the afghan
and hound

jumpers unite
at the oxbow
route runners bend
(on a sultry foray!)
meadows exposed
in the framework
ball parks empty
with pennants past

barrel dirt favors
the brew house
crimson and copper
find bracken ridge gate
harvest hands savor
the honey and hops
blankets of color
for a winter's hatch

brush fire kept
under steady peruse
bark bites fly
and embers glow
pine cones drop
from the timber tops
3 wick candles
grace the dinner place

shiver and ******
at the piper's call
cob web dew
on the shadowy gates
a chilled mist mellows
the season's return ~
poets and artists
and dreamers awake

Snowflakes fall to the earth like suicide jumpers.
And I laugh because if I don't I have to listen to the silence.
Or worse.
And I laugh because I don't want to hear myself crying.

Waiting for icicles to form, and splinter, and crack under their own weight --
These are the games that plague souls;
Wishing away the snow with feet planted in blizzards,
Staring at the moon and trying to bathe in the last dripping morsels of sunlight shining onto the earth.

I lay buried so far beneath laughter and snowflakes that I am too cold to touch.
Touch me and scatter the blisters on my tongue,
For words are only dipped in honey, but it cannot hide the hollows inside.

And here I am, like a snowflake.

There it was on the calendar, Saturday May 11,2013. Big red circle around the date and written in black pen in the middle…SPELLING BEE. Plain as day, you couldn’t miss it. One of the biggest days of the school year for geeks and nerds alike.





Today was the day. In two hours, The 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee, would begin.  This was a huge event in the history of Thomas Polk Elementary School. It would be one of the biggest, if not THE BIGGEST in the history of The Twin Counties.



There would be twenty-one schools represented with their best and brightest spellers. The gymnasium would be full of parents, grandparents, brothers, sisters, aunts, uncles, and media representatives. Yes, invitations had been sent out to both of the local papers in The Twin Counties, and both had replied in the affirmative. Real media, in Thomas Polk Elementary School, with a shared photographer….the big time had come to town.



Inside the gymnasium, work had been going on all night in preparation of the big event. The Teachers Auxiliary Group had set up bunting across the stage, purple and white of course, for the school colours. The school colours were actually purple and cream, but, there was a wedding at Our Lady of The Weeping Sisters Baptist Church later, and they had emptied the sav-mart of all of the cream coloured bunting and crepe paper. So, white it would be.



It looked spectacular. There were balloons tied to the basketball net at the south end of the gym. It wouldn’t wind up after the last game, so something had to be done to hide it. Balloons fit the bill. There was three levels of benches on the stage for the competitors, a microphone dead center stage and two 120 watt white spot lights aimed at the microphone.  Down in front, was a judges table, also covered in bunting and crepe, with a smaller microphone sitting in the middle. There was a cord connecting it to the stage speaker system, taped to the gym floor with purple duct tape, just to fit in. Big time, big time.



The piece de resistance sat at the right side of the judges table. An eight foot high pole, with an electronic stop watch and two traffic lights, donated from the local public utilities commission, in red and green. The timer had been rigged up by the uncle of one of the competitors, possibly to gain an advantage, to help keep the judges honest in their timings. Besides, it looked fancy, and it had a cool looking remote control.











The gym was filled to capacity. One hundred and Seventy Five Entrants, visitors, judges and media were crammed into plastic chairs, benches, and whatever lawn chairs the Teachers Auxiliary were able to borrow, that weren’t being used for the wedding at the Baptist Church. It was time to begin….



The three judges came in from the left of the clock, and sat down. The entrants were all nervously waiting on stage on the benches. The media representatives were down front, for photo opportunities, of course.



Judge number one, in the middle of the table clicked on the microphone in front of him and turned to the crowd. In doing so, he spilled his water on his notes and pulled the duct tape loose on the floor in front.



“Greetings, and welcome to the 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee.” There was some mild clapping from the family members, along with a few muffled whistles and two duck calls from the back. The weak response was due to the fact that most of the parents either had small fans (due to the heat), donated from the local Funeral Home, or hot dogs and beer (from the tailgating outside), in their hands. Needless to say, it was still a positive response.



The judge carried on…”Today’s competition brings together the top spellers in the region of the Twin Counties to do battle on our stage. All of the words used today, have been selected from a number of sources, including Webster’s Dictionary, from our own school library, Words with Friends from the inter web, keeping up with modern culture, and finally from two books of Dr. Suess that we had lying around the office. Each competitor will get one minute to answer once his or her word has been selected. We ask that you please refrain from applause until after the judges have confirmed the spelling, and please no help to the competitors. We now ask that you all turn off any electronic media, cell phones, pagers, etc. so we can begin”.



He then turned to the stage and asked all competitors to remove their cell phones and put them in the bright orange laundry basket, usually reserved for floor hockey sticks. Each student deposited their phones, all one hundred and thirty-seven of them in the basket.  We were ready to start.





“Competitor number one…please approach the microphone and state your name and your school” said Judge number two. Judge number two would be in charge of calling the students up, it seemed. She was the librarian at Thomas Polk. She had typical librarian glasses, with the silver chain attached to the arms, flaming red hair, done up in a bee hive uplift, just for the event, and was called Miss Flume. She was married, but, being the south, she was always addressed as Miss.



The first student advanced to the front of the stage. She had bright pink hair, held in place with a gold hairband, black shoes, and a yellow jumper. She looked like a walking number 2 pencil. The two duck calls came from the back of the gymnasium along with scattered applause. All three judges turned and looked to the back, and then turned to face the young girl.



“My name is Bobbie Jo Collister, I am a senior at Jackson Williams School of Fine Arts and Music”. “Thank you Bobbie Joe” said Miss Flume. Bobbie Jo, smiled nervously and put on her glasses. “Your word is horticulture” announced Judge number one, “horticulture”.  Bobbie Jo took a breath and without asking for a definition, usage, root of the word or anything, just ripped through it without fail in three point two seconds, according to the mammoth timepiece at the end of the table. After conferring, the judges clicked on the green street light and she sat down, amidst more duck calls and clapping.



Student number two went through the entire process as did students three through eight. Each one had glasses, no surprise there, and were all dressed in monochromatic themes. Together, they looked like a life sized box of crayolas ready for a halloween party. Each child spelled their words correctly and were subsequently cheered and applauded.



Student nine then approached the microphone, stopping about a good seven feet short and three feet right of it. “My name is Oliver Parnocky” squeaked the lad. “I go to George W. Bush P.S 19 and am a senior.” Miss Flume, grabbed the small mike in front of her and said “Oliver…put on your glasses and move over to the microphone.” She leaned into the other judges, and said “He goes to my school, he doesn’t like wearing them much, and he’s always outside at recess talking to the flagpole after everyone else has come inside”.



“Oliver, please spell Dichotomy” said Judge number one. Judge two started the clock and they waited….and waited…then out burst this voice….DICHOTOMY…D I C H O T O M E E, , no, wait..D I C K O….****!” The crowd erupted in laughter, Oliver was busted. The judges conferred, and after informing poor Oliver they had never heard it spelled quite that way with an O **** at the end, they triggered the red light and Oliver left the stage to sit in the audience with his folks.



The next three kids, all with glasses, like it was part of an unwritten uniform dress code for the day, all advanced and sat down. The next entrant, number thirteen, luckily enough stood from the back and struggled down to the front of the stage. There were gasps and some snickering from the crowd. She was taller than the previous competitors,  and a little more pregnant as well. “Please state your name” said Miss Flume. “My name is Betty Jo Willin and am a senior at

Buford T. Pusser Parochial School”. At this announcement there was a cheer of “Got Wood at B.T. Pusser” from the crowd. The judges turned, asked for silence and the offending nuns returned to their seats. “Miss Willin, how old are you exactly?” asked Judge number one. “Twenty Two sir”. “And you say you are a senior?” “Yes sir” came the reply. Betty Jo was shuffling a bit as the pressure on her bladder must have been building standing there in her delicate condition. After conferring, judge number one said “That sounds about right, your word is PROPHYLACTIC”. The few people in the crowd that knew the meaning of the word laughed, while the rest continued eating their hot dogs and drinking their sodas and beers. “Please give a definition sir..I don’t believe I know that word”. The judges looked at each other with a definite “I’m not surprised” look and rattled off the definition. When she asked for usage, the judges really didn’t know what to do. Should they give a sentence using the word or explain the usage of a prophylactic, which regardless would have been too late anyway.

After a modicum of control was reached, she attempted the word, getting all tongue tied and naturally messing it up. The red light was triggered and she left the stage.



More strange outfits, bowties, hair nets, jumpers, clip on ties, followed. It looked like a fashion parade from Goodwill and The Salvation Army rolled into one. Most attempted their words and were green lighted onwards to the next round, while those who failed, were red lighted back to the crowd and the tailgate party in the parking lot. As each competitor was eliminated, the betting board that was being manned outside by one father was updated with new odds and payouts.



The first round was approaching an end with only three kids left. “Number nineteen please approach and state your name” said Miss Flume. He plume of red hair was starting to sag and was sliding slowly off of her head due to the humidity in the gymnasium.



Number nineteen came forth, glasses, tape across the bridge like half of the previous spellers. He was wearing the most colourful shirt that any of the judges had ever seen. It was not from Dickies, they surmised. “I go to J.J. Washington P.S 117 and my name is Mujibar Julinoor Parkhurloonakiir”. The judges froze. He obviously was new to the district. They had never heard a name like that before, ever. Not even in Ghandi. This was a powerful name. There had been sixteen cominations of Bobby, Bobbie, Billie, Jo, Joe, Jimmy, Jeff, Johnson and Jackson prior to Mujibar. Stunned, judge one asked “Son, can you spell that please?”

Mujibar, not sure what to do, spelled his name, unsure of why he was being asked to do so. “Thank you son” said Miss Flume. The odds on the betting board in the parking lot changed right then.



“That boy is gonna win fer sure” said Jimmy Jeff Willerkers. Jimmy Jeff ran the filling station two concessions over and had fifty bucks on his nephew Bobby Jeff, who had already flamed out on “yawl”. “How was he supposed to know  it had something to do with boats?” asked Jimmy Jeff. “That Mujibar is gonna win…jeez, he’s been spelling that name for years….anything else is gonna be easy breezy.” The odds went down on Mujibar and the money was flying around that parking lot faster than the rumour that the revenue people were out looking for stills in the woods.



“Mujibar…please spell SALICIOUS”…asked the now red pancake headed Miss Flume. Doing as he was told, Mujibar, spelled the word, gave the root, a definition and a brief history of the word usage in modern literature. Judge number one was furiously scribbling down notes, and trying to figure out how he would get a bet down on this kid before round two started.



Entrant number twenty from Jefferson Davis Temple and Hebrew school advanced which brought up the final entrant from round one. “Number Twenty-One please advance to the front of the stage”. After adjusting his glasses, after all he didn’t want a repeat of what poor Oliver did, he approached. “My name is C.J. Kay from William Clinton P.S 68” Judge one, confused by the young man’s name asked him to repeat it. “C.J. Kay” said C.J. “What is your full last name boy, you can’t just have a letter as your last name….what is the K for?” “Sir, my last name is Kay”, said C.J. “It’s not a letter”. “It most certainly is son…H I J K L…rattled off judge one. “It has to stand for something, you just can’t be CJK, that sounds like a Canadian radio station or worse yet, one of them hippy hoppy d.j fellers my granddaughter listens to. What is the K for?”. C.J said sir “My name is Christopher John Kay… not K, Kay” and then spelled it out. This only confused judge one more than he already was, and the extra time figuring out his name was doing nothing to Miss Flume’s hairdo.



“Christopher John….please spell MEPHISTOPHOLES “ said Judge one, after realizing he was never going to find out what the K was for. The crowd was getting restless and wanted to get to the truck to get re-filled and change their bets. C.J. knocked it out of the park in 2.7 seconds…”faster than Lee Harvey Oswald at a target shoot in Dallas”, one man said.



After a ten minute break, to get drinks, ***, re-tape some glasses and prop up Miss Flumes ruined plumage round two was set to begin. This went faster as the words were getting tougher, although randomly selected, judge one was inserting a few new words to keep his chance of winning with Mujibar alive. PALIMONY, ARCHEOLOGY, PARSIMONIOUS, TRIPTOTHYLAMINE , and many other words were thrown at the competitors. Each time the list of successful spellers was reduced, and the amount of clapping and the duck calls were less.

The seventh round began with just Mujibar, B.J. Collister and C. J Kay left. Before the round began the judges reminded the crowd that the words were random, and to please keep the cheering until the green light had been lit. There were more duck calls at this announcement and very little applause. Jerry Jeff was still manning the betting board, the tailgate barbeque was done, and there was only about thirty people left in the gymnasium.



The balloons on the basketball net had long since lost their get up and go, and were now hanging limply like coloured rubber scrotums and were flatter that Miss Flumes hair, which incidently, was now starting to streak the right side of her face from sweat washing out the dye. She was beginning to look like an extra in a zombie film with a brilliant orange red streak across her forehead.



“C.J.” said judge one, “please spell ARYTHMOMYACIN”. C.J. gave it a valiant effort ,but unfortunately was incorrect and the red light sent him off to the showers. This left B.J. Collister and the odds on favourite, Mujibar. The crowd was down to twenty seven now, Bobbie Jo’s folks and Mujibars immediate family.



Round after round were completed with neither one missing a word. Neither one blinked. It was a gunfight where both shooters died. These two were good, and it was never going to end. Judge one leaned over and told the other judges, “we have to finish this soon….I’m due at the wedding over to the Baptist church for nine o’clock to bless the happily marrieds and drive them both to the airport. They’re off to Cuba for their honeymoon.” The others agreed…”C.J. please spell MINISCULE said Miss Flume”. She did so, without a problem. This caused judge one to yell out “Holy Christmas” just as Mujibar got to the microphone. Thinking this was his word, he started as the judges were giving him his word. Seizing the opportunity to end it…judge one woke up judge three who red lighted poor Mujibar, ending his run at spelling immortality. “Sorry son, you tried, but, today a Mujibar lost and a B.J won.”. Before he tried to correct himself, knowing what he had just said didn’t sound quite right, Miss Flume congratulated both finalists and began the award presentations.



Thankfully, next year the eighty eighth version of The Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee will be in the other county. Now the job of sorting out the cell phones in the orange basket begins. By the way, Betty Jo Willin had a boy …you can just guess what she named it!

You should all be running
There clocks are singing
There cracks are screaming
The horizon one hundred yards away, So
you should be running
Firing your energies, feel the cannon fodder, straight from the Howl
Down past the credence
Up & over indulgence
In the bright earnest face we all so fear
My mother's eyes show me
My father's will teaches
Because his words go
Up, down and up and down and straight & die
& through and ground
Reaching time reach the audience
Reach out for bleachers where watch
tictoc right American preachers
1,2,3,4,1,2,3,4
Me junction, the merger, our mental *******
Me ******, me scared
Me changing like canon fire
Right! To the ocean, deep deep depths
To think think future
TicTicTicTicTicTicTic
a clock there is singing
Showtunes for theme songs, church bells
Notify
Defcon 12 falling tanks off me shelf
See the mad red carnation
Shot at the pieces in eclipse of today
I keep going when I still have nothing to say
The drapery dying the godbirds still flying
I will never know what comes next
But I've got influence
& I'll need congruence
To empty a vault full of universal need
I want to be running
I'd wish you were running
The stitches, the fabric, sewn loving care
Like the landscaping, keep you warm
I've stolen from homeless
I've stolen from men
I break all the precepts
My breathing's from them
I steal all their oxygen
Whenever I breath Me harmony
Me stretching Me arm reach no peace
I see the world over
the oceans are strange
There's volcanic lightening
& men in white coats
I don't eat, I don’t sleep
I walk for them, should running
out there should running
We feel for the riches
We feel for the dying
Cancerous limp-ation, now windmill's orchestration
Shoes stuck in mud with laces together
Women see lightening when held through the weather
The war, land the peace is
The dynamic tension
The balance in pieces
With eyes up to heaven
Who cares if we're dying
We're all one
One what
I accuse you of calling the charlatan, ****
One bread piece obtuse cause
the sandwich is dying
Do you think that's normal?
Do you think that's abstract?
Boys crying because their teachers have fears
From the past make it last
What is wrong with your peers
Hold together mold together
Find out what's next
Feeling perplexed
Run run run you silly little girls
There's no sense in hiding the rest of the world
We've got one thing in common
And one thing is this
We've all got timing for HIGHER CONSCIOUSNESS
Hold together, mold together
Cry together scream
the bonding is no place
for a welcome machine
Then
What do we do
What do we do
What do we do
What do we do?
End swimming, out running
Over fencing, out running, Break walling, out running
Down clouding, out running
Fall like jumpers, run like dying
Out through planetary & temporary adrenal-line
Sleep when men in white coats
Them start walking
They march, they country
They apple of eden & run when the men
in white coats, they lay sleepin
The world is a mountain
the people they range
Look at these weirdos, make them say change
Educate the many use mindscreen no strife
The point of the riddle
Eternal solvation
We are confused with the mental *******
I'm ******* I'm sorry I'm scared
There's isolation in landscape
Something sounds like prepared
Listen to wordplay
try to find the right light
there's air in the landscape...
Cool to the touch
(a few beats)
1,2,3,4
Say ******* with metaphor
(a few beats)
I've got words, I've got wisdom
I watch movies
There's motion, just grab it
Keep going
You should be running
You should all be running
The world is going to start at any second
You should be running

The thickets of time
come rain or shine,
scratch the best of years,
old man looking on
do you still count the cricket scores
in your sleep ?
with jumpers  for wickets,
and  blackberries  down country lanes.
Navel looking down
the vastness of your now waist line,
a mark of  your captaincy
receipts of your labour
dangling like a butchers overall.
In your limelight  your broadened smile
releases a relinquished accent
that you could never quite forgive.


.

He filled his week bag
with quick picks from the commissary
cover blades and skull cap
canned goods and half stated pearl
liquor bills and bleeders
for the flight of weary

Into the ****** bunks
of the western front
past sivana and nurture sage
past the pomp and ceremony
out of robes and into jumpers
and casings
and masks of gas

Light infantry and yelling men
muscled and scorned
fly boys high in 3 wing flight
mounted gunners filling the night
in hawkers and packards
and scabbard chape

Tarrant tabers and camels
dodge the vicker gun
skeleton hands grease the mill trap
carnage makers mark the rhineland
(buried in bunkers and pile bags and earth pack)

Trench helmets and metal back
under machine fire
minefields burn in muzzle and coil
deep in the shadows
and shrapnel and spear
the razor wire
and dead cold despair

Slouch hats and burning rats
kerosene lamps and droopers
the soldier stares down
the broken lines and limbs
a ****** holds steady
(shelved at a distance)
on ripped and rolled pipe and beam

It was an all in end game
a grapple for the ages;
*** in the fokker pursuit
over rolling hills and fallen comrades
into the bishop bullet
(and sporadic cheer)
which sealed the deal
in an empty field
off the brae corbie road

Now when the child of morning, rosy-fingered Dawn, appeared,
Alcinous and Ulysses both rose, and Alcinous led the way to the
Phaecian place of assembly, which was near the ships. When they got
there they sat down side by side on a seat of polished stone, while
Minerva took the form of one of Alcinous’ servants, and went round the
town in order to help Ulysses to get home. She went up to the
citizens, man by man, and said, “Aldermen and town councillors of
the Phaeacians, come to the assembly all of you and listen to the
stranger who has just come off a long voyage to the house of King
Alcinous; he looks like an immortal god.”
  With these words she made them all want to come, and they flocked to
the assembly till seats and standing room were alike crowded. Every
one was struck with the appearance of Ulysses, for Minerva had
beautified him about the head and shoulders, making him look taller
and stouter than he really was, that he might impress the Phaecians
favourably as being a very remarkable man, and might come off well
in the many trials of skill to which they would challenge him. Then,
when they were got together, Alcinous spoke:
  “Hear me,” said he, “aldermen and town councillors of the
Phaeacians, that I may speak even as I am minded. This stranger,
whoever he may be, has found his way to my house from somewhere or
other either East or West. He wants an escort and wishes to have the
matter settled. Let us then get one ready for him, as we have done for
others before him; indeed, no one who ever yet came to my house has
been able to complain of me for not speeding on his way soon enough.
Let us draw a ship into the sea—one that has never yet made a voyage-
and man her with two and fifty of our smartest young sailors. Then
when you have made fast your oars each by his own seat, leave the ship
and come to my house to prepare a feast. I will find you in
everything. I am giving will these instructions to the young men who
will form the crew, for as regards you aldermen and town
councillors, you will join me in entertaining our guest in the
cloisters. I can take no excuses, and we will have Demodocus to sing
to us; for there is no bard like him whatever he may choose to sing
about.”
  Alcinous then led the way, and the others followed after, while a
servant went to fetch Demodocus. The fifty-two picked oarsmen went
to the sea shore as they had been told, and when they got there they
drew the ship into the water, got her mast and sails inside her, bound
the oars to the thole-pins with twisted thongs of leather, all in
due course, and spread the white sails aloft. They moored the vessel a
little way out from land, and then came on shore and went to the house
of King Alcinous. The outhouses, yards, and all the precincts were
filled with crowds of men in great multitudes both old and young;
and Alcinous killed them a dozen sheep, eight full grown pigs, and two
oxen. These they skinned and dressed so as to provide a magnificent
banquet.
  A servant presently led in the famous bard Demodocus, whom the
muse had dearly loved, but to whom she had given both good and evil,
for though she had endowed him with a divine gift of song, she had
robbed him of his eyesight. Pontonous set a seat for him among the
guests, leaning it up against a bearing-post. He hung the lyre for him
on a peg over his head, and showed him where he was to feel for it
with his hands. He also set a fair table with a basket of victuals
by his side, and a cup of wine from which he might drink whenever he
was so disposed.
  The company then laid their hands upon the good things that were
before them, but as soon as they had had enough to eat and drink,
the muse inspired Demodocus to sing the feats of heroes, and more
especially a matter that was then in the mouths of all men, to wit,
the quarrel between Ulysses and Achilles, and the fierce words that
they heaped on one another as they gat together at a banquet. But
Agamemnon was glad when he heard his chieftains quarrelling with one
another, for Apollo had foretold him this at Pytho when he crossed the
stone floor to consult the oracle. Here was the beginning of the
evil that by the will of Jove fell both Danaans and Trojans.
  Thus sang the bard, but Ulysses drew his purple mantle over his head
and covered his face, for he was ashamed to let the Phaeacians see
that he was weeping. When the bard left off singing he wiped the tears
from his eyes, uncovered his face, and, taking his cup, made a
drink-offering to the gods; but when the Phaeacians pressed
Demodocus to sing further, for they delighted in his lays, then
Ulysses again drew his mantle over his head and wept bitterly. No
one noticed his distress except Alcinous, who was sitting near him,
and heard the heavy sighs that he was heaving. So he at once said,
“Aldermen and town councillors of the Phaeacians, we have had enough
now, both of the feast, and of the minstrelsy that is its due
accompaniment; let us proceed therefore to the athletic sports, so
that our guest on his return home may be able to tell his friends
how much we surpass all other nations as boxers, wrestlers, jumpers,
and runners.”
  With these words he led the way, and the others followed after. A
servant hung Demodocus’s lyre on its peg for him, led him out of the
cloister, and set him on the same way as that along which all the
chief men of the Phaeacians were going to see the sports; a crowd of
several thousands of people followed them, and there were many
excellent competitors for all the prizes. Acroneos, Ocyalus, Elatreus,
Nauteus, Prymneus, Anchialus, Eretmeus, Ponteus, Proreus, Thoon,
Anabesineus, and Amphialus son of Polyneus son of Tecton. There was
also Euryalus son of Naubolus, who was like Mars himself, and was
the best looking man among the Phaecians except Laodamas. Three sons
of Alcinous, Laodamas, Halios, and Clytoneus, competed also.
  The foot races came first. The course was set out for them from
the starting post, and they raised a dust upon the plain as they all
flew forward at the same moment. Clytoneus came in first by a long
way; he left every one else behind him by the length of the furrow
that a couple of mules can plough in a fallow field. They then
turned to the painful art of wrestling, and here Euryalus proved to be
the best man. Amphialus excelled all the others in jumping, while at
throwing the disc there was no one who could approach Elatreus.
Alcinous’s son Laodamas was the best boxer, and he it was who
presently said, when they had all been diverted with the games, “Let
us ask the stranger whether he excels in any of these sports; he seems
very powerfully built; his thighs, claves, hands, and neck are of
prodigious strength, nor is he at all old, but he has suffered much
lately, and there is nothing like the sea for making havoc with a man,
no matter how strong he is.”
  “You are quite right, Laodamas,” replied Euryalus, “go up to your
guest and speak to him about it yourself.”
  When Laodamas heard this he made his way into the middle of the
crowd and said to Ulysses, “I hope, Sir, that you will enter
yourself for some one or other of our competitions if you are
skilled in any of them—and you must have gone in for many a one
before now. There is nothing that does any one so much credit all
his life long as the showing himself a proper man with his hands and
feet. Have a try therefore at something, and banish all sorrow from
your mind. Your return home will not be long delayed, for the ship
is already drawn into the water, and the crew is found.”
  Ulysses answered, “Laodamas, why do you taunt me in this way? my
mind is set rather on cares than contests; I have been through
infinite trouble, and am come among you now as a suppliant, praying
your king and people to further me on my return home.”
  Then Euryalus reviled him outright and said, “I gather, then, that
you are unskilled in any of the many sports that men generally delight
in. I suppose you are one of those grasping traders that go about in
ships as captains or merchants, and who think of nothing but of
their outward freights and homeward cargoes. There does not seem to be
much of the athlete about you.”
  “For shame, Sir,” answered Ulysses, fiercely, “you are an insolent
fellow—so true is it that the gods do not grace all men alike in
speech, person, and understanding. One man may be of weak presence,
but heaven has adorned this with such a good conversation that he
charms every one who sees him; his honeyed moderation carries his
hearers with him so that he is leader in all assemblies of his
fellows, and wherever he goes he is looked up to. Another may be as
handsome as a god, but his good looks are not crowned with discretion.
This is your case. No god could make a finer looking fellow than you
are, but you are a fool. Your ill-judged remarks have made me
exceedingly angry, and you are quite mistaken, for I excel in a
great many athletic exercises; indeed, so long as I had youth and
strength, I was among the first athletes of the age. Now, however, I
am worn out by labour and sorrow, for I have gone through much both on
the field of battle and by the waves of the weary sea; still, in spite
of all this I will compete, for your taunts have stung me to the
quick.”
  So he hurried up without even taking his cloak off, and seized a
disc, larger, more massive and much heavier than those used by the
Phaeacians when disc-throwing among themselves. Then, swinging it
back, he threw it from his brawny hand, and it made a humming sound in
the air as he did so. The Phaeacians quailed beneath the rushing of
its flight as it sped gracefully from his hand, and flew beyond any
mark that had been made yet. Minerva, in the form of a man, came and
marked the place where it had fallen. “A blind man, Sir,” said she,
“could easily tell your mark by groping for it—it is so far ahead
of any other. You may make your mind easy about this contest, for no
Phaeacian can come near to such a throw as yours.”
  Ulysses was glad when he found he had a friend among the lookers-on,
so he began to speak more pleasantly. “Young men,” said he, “come up
to that throw if you can, and I will throw another disc as heavy or
even heavier. If anyone wants to have a bout with me let him come
on, for I am exceedingly angry; I will box, wrestle, or run, I do
not care what it is, with any man of you all except Laodamas, but
not with him because I am his guest, and one cannot compete with one’s
own personal friend. At least I do not think it a prudent or a
sensible thing for a guest to challenge his host’s family at any game,
especially when he is in a foreign country. He will cut the ground
from under his own feet if he does; but I make no exception as regards
any one else, for I want to have the matter out and know which is
the best man. I am a good hand at every kind of athletic sport known
among mankind. I am an excellent archer. In battle I am always the
first to bring a man down with my arrow, no matter how many more are
taking aim at him alongside of me. Philoctetes was the only man who
could shoot better than I could when we Achaeans were before Troy
and in practice. I far excel every one else in the whole world, of
those who still eat bread upon the face of the earth, but I should not
like to shoot against the mighty dead, such as Hercules, or Eurytus
the Cechalian-men who could shoot against the gods themselves. This in
fact was how Eurytus came prematurely by his end, for Apollo was angry
with him and killed him because he challenged him as an archer. I
can throw a dart farther than any one else can shoot an arrow. Running
is the only point in respect of which I am afraid some of the
Phaecians might beat me, for I have been brought down very low at sea;
my provisions ran short, and therefore I am still weak.”
  They all held their peace except King Alcinous, who began, “Sir,
we have had much pleasure in hearing all that you have told us, from
which I understand that you are willing to show your prowess, as
having been displeased with some insolent remarks that have been
made to you by one of our athletes, and which could never have been
uttered by any one who knows how to talk with propriety. I hope you
will apprehend my meaning, and will explain to any be one of your
chief men who may be dining with yourself and your family when you get
home, that we have an hereditary aptitude for accomplishments of all
kinds. We are not particularly remarkable for our boxing, nor yet as
wrestlers, but we are singularly fleet of foot and are excellent
sailors. We are extremely fond of good dinners, music, and dancing; we
also like frequent changes of linen, warm baths, and good beds, so
now, please, some of you who are the best dancers set about dancing,
that our guest on his return home may be able to tell his friends
how much we surpass all other nations as sailors, runners, dancers,
minstrels. Demodocus has left his lyre at my house, so run some one or
other of you and fetch it for him.”
  On this a servant hurried off to bring the lyre from the king’s
house, and the nine men who had been chosen as stewards stood forward.
It was their business to manage everything connected with the
sports, so they made the ground smooth and marked a wide space for the
dancers. Presently the servant came back with Demodocus’s lyre, and he
took his place in the midst of them, whereon the best young dancers in
the town began to foot and trip it so nimbly that Ulysses was
delighted with the merry twinkling of their feet.
  Meanwhile the bard began to sing the loves of Mars and Venus, and
how they first began their intrigue in the house of Vulcan. Mars
made Venus many presents, and defiled King Vulcan’s marriage bed, so
the sun, who saw what they were about, told Vulcan. Vulcan was very
angry when he heard such dreadful news, so he went to his smithy
brooding mischief, got his great anvil into its place, and began to
forge some chains which none could either unloose or break, so that
they might stay there in that place. When he had finished his snare he
went into his bedroom and festooned the bed-posts all over with chains
like cobwebs; he also let many hang down from the great beam of the
ceiling. Not even a god could see them, so fine and subtle were
they. As soon as he had spread the chains all over the bed, he made as
though he were setting out for the fair state of Lemnos, which of
all places in the world was the one he was most fond of. But Mars kept
no blind look out, and as soon as he saw him start, hurried off to his
house, burning with love for Venus.
  Now Venus was just come in from a visit to her father Jove, and
was about sitting down when Mars came inside the house, an said as
he took her hand in his own, “Let us go to the couch of Vulcan: he
is not at home, but is gone off to Lemnos among the Sintians, whose
speech is barbarous.”
  She was nothing loth, so they went to the couch to take their
rest, whereon they were caught in the toils which cunning Vulcan had
spread for them, and could neither get up nor stir hand or foot, but
found too late that they were in a trap. Then Vulcan came up to
them, for he had turned back before reaching Lemnos, when his scout
the sun told him what was going on. He was in a furious passion, and
stood in the vestibule making a dreadful noise as he shouted to all
the gods.
  “Father Jove,” he cried, “and all you other blessed gods who live
for ever, come here and see the ridiculous and disgraceful sight
that I will show you. Jove’s daughter Venus is always dishonouring
me because I am lame. She is in love with Mars, who is handsome and
clean built, whereas I am a *******—but my parents are to blame for
that, not I; they ought never to have begotten me. Come and see the
pair together asleep on my bed. It makes me furious to look at them.
They are very fond of one another, but I do not think they will lie
there longer than they can help, nor do I think that they will sleep
much; there, however, they shall stay till her father has repaid me
the sum I gave him for his baggage of a daughter, who is fair but
not honest.”
  On this the gods gathered to the **

With each
CLICK
Our breath is held
Will he,won't he
Will he, won't he
The suspense is killing me
And....****
Door left open still
Pestered by the plebeian chill

In this gay little coffee shop
Surrounded by the unrecognised talent of Brighton:sketch artist staring at me, writer on his laptop, songwriter etching vigorously with his pencil.
All of which aren't closing the door.

The eyes roll.
Labouring my body up, hammering my legs across the floor, turning the factory handle.

All is ask is for some carrot cake,filtrate water,polo jumpers, avocado salads,tiger bread, slimmer trousers, slipper sock , a toyger.
Click
And then images of Kim Jong un pass through my head.
If I ruled you'd all be dead
Firing squad for an open door,
Loud music on the train'll be no more.
Stop the screaming misbehaving brats
The rabble of Spanish students
All this PC stuff on the news, train seats filled with cans of *****

Suddenly
The artist strolls up
Let's down his cup.
Closes the door swiftly
And slips back in his chair

Oh, so there is a god.

I guess Jesus didn't lie.

The material was stretched tight
deep furrows in the red and black
pulled across your shoulder blades so severely
but you were all soft edges.
The blunt edge of a 2B pencil
gently shadowing in the crease
where stomach met hip bones
and warm.
It was lovingly done.

Serendipity.
You ******* what!
What you saying, pal?
Serendipity, oh aye, all right,
Aye, seren-******-dipity; whatever!
Tell it to the raggedy soaked-wino,
Look into his rheumy eyes, really look,
Want to kiss his toothless grin, eh? Do you?
Feel his sore-ridden tongue searching you out,
Nay, I thought not, anyway, he hears nothing,
Nothing except the rattle of change.

Tell it to the punctured ******, go on,
Cold body on a cold linoleum floor,
He can’t hear you either, maybe though,
Maybe, slipping away on the last tide of life,
Do-gooder, maybe he will hear you call,
‘Serendipity’ and wonder: what the ****?
Until blackness closes in, blanking the stars.

Tell it to the Fourth Bridge jumpers, go on,
Always falling; to them, falling forever,
In hearts and minds, the event horizon of death,
Trapped in limbo, leaving unbearable hurt behind,
Along with serendipity and bad choices.

And the young, oh they need serendipity,
Cruelty of life glittering in furtive wary eyes,
Old already, far beyond halcyon blue-skies,
Used and abused by those closest, the shame,
Erosion of trust and sincerity completed over night,
Christmas ghosts: slovenly laggards by comparison.

Resilient youth! Yep, they ******* need to be,
Grinding machine of town-life hunting them,
Scouring dark corners, gnashing jaws growling,
Crunching down darkened alleys, feeding,
Lapping up the young blood of runaways,
Slavering maw eating them alive; laughing.

With serendipity, they can lie low, maybe hide,
Dream of escape, for they all want out,
Putting misery behind them, quelling cruelty,
After all, they live in a lucky ******* town,
So escape is not impossible, no,
Unlikely, yes, poor wee *******.

Serendipity should shout a loud warning,
Run, scrawny urchins, run if you can,
Run for your lives, the rest of your lives,
Town-life’s grinding machine awaits,
Watches for you, so keep running,
Never stop, never look back,
Not ever, not ever,
Serendipity.

©Paul Chafer 2014

He's found himself in the closet
After he lost to himself in a game of tic-tac-toe
And tied his lobster bib tightly
Then hid his cheat sheet, for the pop quiz he knew was soon to come

It's curtains for her
She let the cat out of the bag
And now she's up **** creek with ****** for paddles to go **** herself with
Right in the birth canal

Then we'll auction off the ******
We'll pass them off as European defibrillators
Maybe some extremist will want them
If we spew out enough mindless dribble

The All Time ****-Show is about to begin
We have
The Chronic Masturbater
The Hypochondriac
And The Pathological Liar

It was either sometime yesterday
Or sometime tomorrow
Or was it sometime today?
That you were all going to make fun of the boy with the cleft lip down at the laundromat?

Out of the three of you The Pathological Lair sticks out like a sore thumb
I can tell he was the runt of the litter
Who always bites off more than he can chew

I see the Hypochondriac has convinced himself he has eczema  
He rattles off all his symptoms
Inordinate filibustering  

Now there's the Chronic Masturbater
He looks like he's over the hill
He's only twenty one
But the blue circles under his eyes and the deep defined lines on his forehead denote his inelegant aging

I sign all your lives away in my horrible cursive
And now you belong to the ragtag trigger-happy posse of gun-jumpers
My billfold his happily filled
So I must go do some reconnaissance
Spy on those who have quit their day jobs
The fish out of water

You must find that thing that really rolls off the tongue with a nice ring to it
******!
*******!
*******?!
....*******?

No...
Go hang youself with dental flossed you home-schooled fool

Indentured servants we're just an after thought

I hadn't been there in ages, hadn't visited, I had no reason to
But then the Covid virus struck and Dublin where I was working was put into quarantine
I wasn't allowed to go up there anymore to work,
And I had no computer at home and no broadband/ WiFi at the time
So they sent me down to the Old Town
It was nice driving down the motorway, it was Autumn and the leaves they were all changing colour
The different shades of red, brown green and yellow
With the sun shining on the mountains and on the bay
It felt almost like I was going on my holidays,
The Old Town it had changed so much, there were all these new buildings,
Retail parks on the outskirts, hotels, new schools, civic buildings... coffee shops
It was lovely and clean and tidy
Like those living there were really proud of it,
The old town I'd known it was there also, in the background, a bit dusty now
There was the big old gothic church my Dad used take us to, to Mass some Sundays
There was the Port and the big ships along the Quay
There was the secondary school I was meant to go to... had we stayed...it looked old, a bit dilapidated now
I wondered was it still being used as a school,
In the Main Street there were still old names of shops that I recognized
The shoe shop where my Mom used buy us shoes
The chemist where my brother got his glasses... the Bakery
The cinema where we seen our first movie "The Magnificent Seven", it was all done up now... all different...
In the office things were... well...weird! ghostly!
A big modern office and some days I was the only one there, just me all on my own
Was like something out of a Sci-fi movie
Other days maybe two or three might come in to join me
All the others of course, they were all working from home,
Often I'd find my mind just filling with old memories and nostalgia...
I could hear the old ghosts calling, calling me to go back
I knew... I knew I had to go back there
Back to where it had all begun for me
The little seaside village where I was born.

So going home I took the coastal road not the motorway
Just the sight of the headland and the blue mountains sloping down to the sea
With the lighthouse there at the end
Just seeing them again gave me an old feeling of my father, my Dad
And then the village itself, the seafront... all the colourfully painted shops,
Sweet shops & novelty shops, the amusement arcade, pubs and hotels and B&B's  (Bed and Breakfasts)
After being away for nearly fifty years, it still looked...it still looked pretty much the same, was hard to believe
I stopped my car and went into a little supermarket shop to get a sandwich for the next day
As I looked around, I seen these two mature ladies there, they were around my own age
I thought to myself 'I might have gone to school with you once many years ago, one of you might even have been my wife had we stayed here and not moved away
I might have lived a more normal, a different life'
But then I thought 'Life is never that simple, is it'.
Outside I decided to go for a walk, to look around and reminisce.

There was the path, the pavement I used go to school on with my brothers
It was like returning to the scene of a crime
How I used to dread going to school sometimes
There was a teacher, a lady teacher that used scare me a lot, she terrified me so
I remember I got sick in class on several occasions
She put me outside once sitting on an upturned bin
I can still remember sitting there on that bin in the sun, feeling so lost and that I was a really bad boy, wishing I was home
I remember I used to get hives, itches on my skin
My Mom used keep me at home
She was afraid, she thought I'd give them to the other kids
I missed the addition and subtraction tables at school because of this
To this day I still don't know what 7 + 5 is, instead I bring it to 10, I know 5 is 3 + 2, so I say 7 + 3 is 10 and 2 is 12
And I know all the doubles, 7 + 6 is 6 + 6 is 12 and 1 is 13, funny that
How I used to dread going to school
Until that was... until one day I did well at something and I received some praise
Then things seemed to change after that, I wasn't as bothered anymore, I think then I realized I was doing better than some of the others in my class and that seemed to make a difference
I remembered sitting beside pretty little girls who used have lovely pink pencil cases with lots of fancy colourful things
Whereas me I barely had a pencil, a rubber (eraser) and a ruler
They were strange lovely creatures, the Girls with their lovely long hair and their cute little faces...
I remembered walking home on my own, with my little schoolbag on my back with all my books in it
It was such a beautiful place, the view with the beach and the sea and the faraway blue mountains
And yet, I used to worry about so many things
It's like even then it was all about...all about survival...
There was the big Chapel on the hill
Once before the Summer holidays they were looking for altar boys and someone put my name forward
Then on the first morning back to school after the Summer holidays
The teacher said you better get down to the church right away, like fast!! you're on the altar this morning !!!
I was terrified, I didn't know what I had to do, no one told me anything
So there I was on my own kneeling on this cold hard marble altar and it was hurting my knees something terrible
And the priest he's talking about God and the Devil and Evil or Hell or whatever
And all these people, the whole congregation their all staring up at us
And I'm petrified, and I started to get faint and nauseas
The priest had to stop the Mass
I can't remember if I got sick or passed out
I was so embarrassed and thought afterwards I was such a terrible bad person, I knew it'd be all around the school the story.

I walked on...our house was gone, knocked down, where there used to be three houses together attached, now there was only the end house
Our house used to be the middle house
It didn't look right now, the symmetry looked all wrong
It was like there was two missing teeth
Why did they have to knock it down ? I wondered. It saddened me a bit...

At another house I stopped, this used to have a shop, a small shop,  the shop was no longer there
This was my Best Friend's house, all the days we used to play football together in the back garden
Kicking the ball to each other
With our jumpers/ sweaters as goalposts
The first to score ten would win the game
I...I usually won
I always found you easy to read, it's like you only ran in straight lines,
I think you were a bit in awe of me for some reason
Maybe you wouldn't have been my friend if you'd beaten me
How did we become friends anyway, I wondered
I suppose coming home from school
We lived on the same road and were in the same class, we'd have met each other
I had two older brothers whereas you were the oldest
So our families would have had a different dynamic
I remember you had a delightfully silly younger brother
I remember your Mom, she was very pretty, she was a lot younger than my Mom
You used bring me in and give me a meal sometimes, we'd all sit and watch TV
There was a different feeling when I was in your house...a different atmosphere
But when your Dad would come home, he was a bit scary
And I knew it was then time for me to go home
You'd wonder afterwards what the lovely Mom saw in the scary Dad, adults they were a bit peculiar.

We were inseparable in those days, many mornings you'd hear the knock on the door
And the familiar greeting
"Hello Mrs B---, Is G---- in, is he coming out to play?"
We were always playing soccer up the garden
Or down on the beach, going out for miles to meet the tide, catching *****, looking under  stones to see what we might find
I remember we were very entrepreneurial
In the Summer we used collect returnable glass mineral bottles, Orange and Lemonade and Coca Cola
And we'd bring them back to the shop and get money back for them
And then we'd have a royal feast, we'd buy bottles of Orange and bags of crisps and ice cream pops and chocolate bars,
Remember all the different Ice pops there used to be, Choc Ices and Brunches and Orange splits, 99's... Ice cream cones
Chocolate bars, Smarties and Malteasers, Milky Bars and Milky Ways, Dairy Milk chocolate bars, fruit gums and Love hearts with little love messages written on them
We used hang around the amusement arcade, play the slot machines, maybe help some old lady collect her winnings, she might give us a tip
There was the bumper cars and the swingboats and music playing all the time on the jukeboxes
It was the seventies (the 70's) and glam rock was all the rage
Marc Bolan and T-Rex, and Slade and The Sweet and a million others
So many great songs, we couldn't wait to grow up and become one of those amazing creatures we saw on the telly
I'd never lived since as intensely as I did back then,
We'd stay out till late
We were like young hustlers going around,
It seemed the days they were never long enough, all the things we got up to,
We'd Caddy in the local golf course
And retrieve lost ***** from the ditches...
Heh! Remember... remember that time... the Brennan sisters, we were up one day near the school
There was building work going on
And there was this big high mound of clay
So we climbed to the top to take in the view
And then the two Brennan sisters came over
They lived nearby
They were in our class at school, we knew them only to see
They were smiling and laughing and giggling
They beckoned for us to come and follow them
We went wondering what was going on here
They led us back to their house, I think their parents must have been out
One of them came up to us and smiled
And then she pulled down her pants and showed it to us in all its wonderful glorious splendour
It was amazing... incredible... such a sight
Her beautiful...her splendid... her lovely... bare Bottom!
I remember thinking it was like a lovely ripe pear
One of Life's great mysteries had just been unveiled
And her there with this huge impish grin,
When we were going home we promised each other we'd not tell anyone, our parents, not even the priest in confession
About that great vision we'd just witnessed
It was the height of naughtiness
Yea! Those were the days...

I wondered, 'Whatever became of you Old Friend ?
I looked you up online but couldn't find your name anywhere, couldn't find anything about you
Were you even still alive ?
50 years was a long time, I'd barely made it this far myself, and I had a lot of scars to show for it
I thought rather amusingly that I should knock on your door
Maybe you were still living there,
But what was I hoping to find ? I wondered...
"Whose at the door ?", a woman's Voice inside might say,
"Just... just some crazy guy talking about 50 years ago" her dutiful husband would reply
That's probably how it would go
I felt like I was Rip Van Winkle awakening after being asleep for 100 years or in my case 50 years
What did I hope to find
What did I hope to see, an old man now just like myself
And I bet you'd tell me your opinions on the government and the economy
And how the village had changed over the years and how other old schoolmates of ours had got on in life
But No! that's not what I wanted to hear or see
I wanted to see you there again just like you were as a little kid
Your lovely youthful face smiling back at me
And you'd say, "I'll get the ball and we'll have a game, the first to ten wins"
This was what I was looking for, this was what I wanted to hear.

We were very close, were going to grow up together, go to the same schools...college
We'd always be friends
We'd meet all the trials of life together....
I hope Life worked out well for you, my friend
In a way...in a way I almost didn't want to know
If I learned you did well in Life I'd probably only get jealous
I'd start to think I was better than you and that I should have had those things you had
Life, this world it makes enemies of us all... eventually
It divides, is all about competing and comparing... and beating (I suppose).

I still remember that last night before I left forever
We were down on the beach, it was twilight, the tide was coming in... the waves slowly advancing
Just like in life I had no power to stop it, to change things,
I had no say, I didn't want to go and leave you Old Friend
No! I didn't want to go....

Thank you...thank you for being my friend, for being there
For all the time you gave me, I hope I didn't hurt you in any way.

I have a photograph, one solitary old black and white photo of the two of us
We're sitting on a barrel in our back garden on either side of my Dad whose in the middle
You look a bit uncertain, unsure of yourself, probably lost in the dynamic of my family,
I look at you and I think
"Whatever happened to you.... Beautiful Friend, whatever became of you"
And then I look at myself as well, and I think, I whisper
"Whatever became of me as well".

Brackets

Your mum picked you up in daddy’s BMW,
we had to wait an hour while they scrubbed the brains of another son off the roof of the 125

(Why they built a multi storey car park on top of the bus station is a mystery to me.)

You carefully colour coordinated your files and scrutinized your revision schedules,
we watched nicked CCTV footage of two blokes smoking crack and burning down the bowling pavilion next door

(the old boys never did raise enough to repair it.)

You snubbed each other because of different tastes in jumpers,
we watched acid casualties talk politics with football hooligans

(a hastily rolled joint bridged the obvious gap.)

You lounged in the common room in your study periods,
our lesson got cancelled because John had been smashed in the face with a fire extinguisher

(and our tutor used to be a lifeguard.)

You worried about fashion and discussed the injustice of last night’s X Factor result,
we watched Neil’s head crash into his keyboard after he’d scoffed all his methadone in one go

(again.)

One life by flames a Hero made

This just became a lot harder by its very nature I must cloak one identity shine all the light I can on the
Other harder because I was just reminded people find my writing hard to understand brothers at church
Out home can you be more simple use smaller words I could be stupid I’m a high school dropout I don’t
Know any big words well I did use imbecile in the seventh grade that was cool and got a reaction this
Started to be a tribute to a person who was rare although you can surely see glimpses of your dad
Brother or other male members of your family as I said to write you must follow truth strictly no
Deviation but before I could pay and honor the visible one another comes into view from the past with
This twist then he was the dark kight now he is a knight in shining armor the dark knight have him on
The Cross bar of a bicycle both of you have swimming trunks on you pass some tuffs with extra powerful
BB guns while your body shields him he lets off a litany of sailor inspired words directed at them they
Don’t return insults they open fire I have welts and his mother picks three B Bees out of my back did he
Feel any pain he was too busy laughing that was just one time not enough room here to give you the run
Down let’s just say as the only identifier he was a short racer came in first braver than the others but I
saw him in a class picture there is the strange part it touched my heart and then speaking to him on the
Phone my feelings were correct he is a great wonderful person then the stranger yet he so embodies by
Appearance and voice of the one I choose to honor here Stevie Rucker was about eleven that summer I
Met him his mother went to my wife’s church he was bright kind and melted people with his soft and
loving nature quite a contrast to his father a six foot four hard nose FFA inspector we were out at a
Restaurant in the city a foursome in the next room with a booth were using foul language I don’t know
The dim lighting could have been a factor but when this giant shadow fell on them and asks them to stop I
Don’t think they even talked loud after that. But this sweet little boy harbored a dream one day he was
Going to be a fire fighter then as dreams go it was shattered bad eye sight disqualified it was a dream
Worth fighting for so he took action a risky costly eye operation was the answer victory he moved to
Patoka California by now a wife and two toddlers a boy and a girl three boy five they lived in the foot
Hills of the Sierra Nevada mountain range ever where you were in great growth forest of course the
Red Woods get all the glory but take a stroll red clay earth and some of the most gorgeous nature you
Will ever find although the Great Smoky Mountains will give it a run for the money in a later story I will
Tell about them and the gnome mobile and the huge boar black bear that I thought I was going to have
To run to the car pull out my thirty thirty Winchester and start working the lever action to save seventy
Five tourists I put in Jeopardy by getting him out of a deep gully. Well life was good for Steve and his
Family he was living his dream our paths would intersect we stopped at Paso to break the trip in half to
Southern C and Disney land were heard about the fire in Dego it was bad enough that the whole LA
Basin was fogged in for two days the Santa Anna winds finally pushed it out to sea and up the coast I hit
It on the other side of San Louis Obisable in a gorge it was banked in and because of youthful lucky strikes and
Later sleep apnea I couldn’t breathe in the car until I hit the air conditioner well by the time we got
Home to check in at the hotel it was clear home is what Anaheim means in German then there was that
USA Today News paper again I looked and a face was staring at me older and thicker heavey set but I knew the face and then at
The bottom of the picture emotional train wreck a child so giving now as a man had given his life for
Strangers five to six hundred miles south from his home he died trying to save their homes he joined
Many others but these were fresh in my mind the folks who died in the fire storm in Oakland from the
Conflagration that took lives and homes and four lane highways on both sides couldn’t slow it down and
You have as much chance as out running a bullet as you do a fire as twenty five Idaho smoke jumpers
Found out they were racing out of a gorge scrambling to get over the top this natural configuration had
Become a chimney of living flame thirteen died instantly those others rolled over and away on flat
Ground at the top was spared. What could I do I wrapped myself in the only protection I could find he
Died a hero that kept the pain at bay how many times I invoked that statement it worked so well until at
The community center in Patoka where they honored Steve’s sacrifice it was televised Governor Arnold
Schwarzenegger and other state dignitaries his fire house buddies and other fireman from everywhere
Was there and then they panned down to his mother and father his father wasn’t so large anymore and
It was the last time I could use my shield as I looked and watched Pat weeping Uncontrollably over her
Lost son I thought you would like to know of this wonderful person I will close with a thank you in the
Language of the Lakota Sioux as his service had part of it in the native language of his tribe Pilamaya means thank you
Steve you are an inspiration we bow to greatness beyond our understanding

it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.

it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.
   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.

- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a

When I was eighteen I worked for a company called GLENCOM. You probably haven't heard of them, you're not supposed to.
They're the invisible middleman.
What happens is, when a company wants to set up a call centre but doesn't have the space or the manpower to do it themselves, they call Glencom.
Glencom then puts together a team of people in Swindon,
teaches them the bare minimum about the product they need to sell and sticks them around a table with headphones on,
completely cut off from the people around them being force-fed phone numbers for eight straight hours a day.

They do this for dozens of companies. And there are dozens of companies just like it.
Producing nothing, just doing other peoples ***** work.
The jobs they don't want to do themselves.
Like Telemarketing. Cold-Calling.
You know when you've just got into the bath,
or you're sitting down to dinner and the phone rings and you think
'I don't want to answer that but it might be important'
and when you answer it it's someone you've never met desperately trying to sell you something you don't want?
And no matter what you say they don't seem to listen, or care,
they just keep reading standard procedure from a script until you can't take it any more and you just hang up?
Chances are, that person is a Glencom specialist telephone agent.

I loved that job, I really did.
You probably think I'm crazy for it, it's the kind of job that middle class kids do for a little extra cash while they're at university,
until they get sick of the soul-crushing routine of getting yelled at and hung up on, yelled at and hung up on and they stop showing up after six weeks.
Year after year, cold-calling is rated in the top ten things people hate about the modern world.
I was part of the problem.
And I loved it.

You see, when you get one of these phone calls, you don't realise that it's a real person on the other end of the phone.
Of course, you do know that it must be a person, that's common sense.
It's just not in your nature to think of that disembodied voice as having a face and a mind
and a favourite food .
and a family
and a history
and a home that they go to every night at seven thirty.
They're a spirit.
One-dimensional.
So you don't treat them like a real person,
and that's OK, really it is, we're used to it.
As far as you're concerned, whoever you're talking to is just a faceless corporation,
so you yell, and you swear,
way more than you would if you were face to face with someone, say, at your bank or in a shop.
Every little thing that has ****** you off that day gets unloaded onto that person because,
for those five minutes,
with your bath getting cold,
or your dinner getting overcooked and blackened,
they are everything that's wrong with society.

So by the time you finally slam the receiver down, and return to whatever it was you were doing,
you're face red, out of breath, can't remember the last time you were that angry
they've ruined your evening.
You swear you're going to complain,
but you know that if you do that you'll just get caught up in their red tape and rhetoric all over again.
There's nothing to do but let it go.
So you do, and with it, something strange happens.
All that anger and tension that you've been carrying around all day just leaves your body slowly.

The traffic that morning;
your workload at the office;
that cold you just cant shake;
the barista who got your coffee order wrong, but your were running late so didn't have time to complain and get a new one;

All those little things that you can't control,
it doesn't seem worth worrying about them now.
You think of how angry you were at that little voice coming out of the telephone speaker and you feel sort of proud,
like it makes up for bending over and taking **** from your Boss all those years.
from your bank all those years
from the gas and electric companies
and your phone company and internet service provider all those years
from your politicians all those years
all that doesn't sting so much any more.

Because you just stuck it to the man.
You stood up to the big corporations and you got the upper hand.
You start to see the funny side,
you'll tell everyone at work about this.

That's the thing about telemarketers: They're one of those little annoyances that people love so much,
like the weather or queue-jumpers.
Something we all hate, but can all relate to,
a lynch-pin of small-talk,
that inoffensive comedian you like so much was talking about it on tv the other night.

But this time you get a chance to stri ke back.
It's not like getting a parking ticket,
or stubbing your toe,
you get to yell at this inconvenience, tell it exactly how you feel without any fear of repercussions.

Without you realising it, that telemarketer has just done you a valuable service.
You've just saved yourself an hour in front of a punch-bag,
or a session with your therapist or *****.
Without knowing it you are in a better mood than you've been all week,
so you don't smack your kids when they spill paint on the carpet.
And you don't yell at your wife when she forgot to pay the electric bill.
You float on a cloud of air until bed time, and probably make love to your partner for the first time in weeks.
You sleep a healthy eight hours and wake up to breakfast  and coffee and drive to work feeling like you did when you first started there,
when you could still see a bright future ahead of you.
All thanks to that soulless,
faceless,
nameless
disembodied voice on the other end of the phone.
All thanks to me.

I worked out that in any given day,
I got yelled at or told to ******* or otherwise unnecessarily lashed out at maybe thirty out of every hundred calls.
That was thirty families who were going to have a nice dinner,
without the usual arguments for once.
Maybe a few times a week I could prevent an abusive husband from having that one whiskey too many and bashing his wife from room to room.
If you believe in a butterfly flapping it's wings in Tokyo, and all that,
then maybe I, without ever leaving my desk, could stop a ****** from happening, perhaps once a year.
I was making a difference and all I had to do was let my computer dial a random phone number and to introduce myself as
'whoever calling from wherever to let you know about a valuable promotion...'

When I realised all this I decided I would work harder to up my productivity.
A hundred and fifty calls a day,
two hundred.

And I had to provoke more anger.
Subtly of course, I would try to be more obnoxious and inept.
I got peoples names wrong;
I talked over people.
Soon I was getting fifty hang-ups a day.
So I, like a good employee, constantly tried to better myself.
I sniggered at peoples names;
I requested needlessly extensive and intrusive personal information;
asked to speak to 'the man of the house'.
I was getting balled out with every other call.
Seventy, eighty, ninety times a day.
Every time I was called a nuisance I gave myself a pat on the back.
Every time someone said they wanted to speak with my supervisor, I just said they weren't in and then rewarded myself with a cookie at break time.
I got more competitive with myself.
I considered it a personal gift when I got someone with an Indian name,
or a speech impediment.
Gay couples were a Godsend.
I corrected peoples grammar;
I cursed;
I slurred;
I made thinly veiled ****** references.

I was thorn in the side of everyone just trying to enjoy a quiet Sunday afternoon.
I was the itch that no-one could reach.
I invited venom, longed for hatred.
Because if it was aimed at me, it may as well have been aimed at the moon.
I was a necessary evil.
I was the common enemy of the whole country.  
I can't say how many relationships I must have saved,
how many lives I touched.
Suicides prevented? You never know.
I was making the world a better place, one botched customer service attempt at a time.
I was saving people without them even knowing my name.
The anonymous benefactor,
the masked hero.
I was Zorro, I was Batman.
And I loved it.
I thrived on it.
I had found something I was good at.
I could have stayed there, soaking up insults, absorbing peoples troubles, lightening their burdens, forever.

Until three months ago when my manager saw my sales reports.
He, of course, didn't understand why we were really there.
He thought it was about money, about generating figures for whatever company we were hired by that month.
He threw buzz-words and management speak at me.
Improving Revenue.
Optimising Productivity.
Promoting Synergy.
Utilising Opportunity.
Sentence fragments that wouldn't make sense if he meant them.
Nonsensical ramblings littered with capital letters.
By Glencom's standards, rather than my own, I was the worst specialist telephone agent that he had ever seen.
I didn't bother trying to explain.
He wouldn't have understood,
I wanted something real.
Glencom could have been the first call centre to truly,
what's the phrase he would have used? Attain it's Potential.
We could have been pioneers in the business world, providing a service that the public really needs.
But there was no point, he had listened to recordings of my calls and had no choice but to fire me on the spot.

That job was the only thing I had loved for a long, long time. T
he only thing that gave me purpose,
my reason for getting out of bed,
for putting on trousers and shoes.
It was all I had and I lost it,
blacklisted by the employment agency that placed me there.
For a while I tried calling people at random from the phone book but it didn't work out.
You have no idea how much it costs to make a hundred phone calls a day on a pay as you go mobile.
Ten pence a minute
times by sixty minutes an hour
times by eight hours a day  
minus a half hour for lunch equals more than jobseeker's allowance is willing to provide.
I switched to contract but these days everyone has phone number recognition,
so everyone can see that you're calling from a personal phone rather than a business one.

Eventually I started getting phone calls from the phone company explaining that I'd be cut off
and fined if I was using a personal phone for random telemarketing without a license.

The operator was clear, polite and ultimately very helpful.

******' Amateur.

there, the air is thicker
it hangs full, like the ladies

all the sadness lived in the
capsules of trapped air in
woollen jumpers left behind

men with their toothless
smiles and shining skin
coax laughter from a steel drum

the market boasts a rainbow
of sarongs, papayas, star fruits
offered in jangling song

it was a medicine.
the coral blooms in the reef
are teeth in a dog's mouth,
guarding.

This is an ode to my friends.
For the ones I've loved since day one
the ones I have learnt to love
and for the ones I hate to love.

This is for my friend,
for the one, I got drunk with first.
We stole a litre bottle of cider and four beers then drank them in the park at midnight.
This is an ode to my friend who cries at parties,
who swears he will die alone.
This is for my friend who laughs at every joke,
the **** and comedian but shakes when no one is looking.

This is an ode to my friends,
for the one who's grandma is dying but they
still, manage to draw on a smile and present a joke.
This is for my friend who has depression,
Or the friend who has anxiety,
and asks me to speak for her at restaurants,

This is an ode to my friends,
who is finally taking control of her body
after being trapped in the wrong one.
For the friend who is scared to leave the house
when it's icy because he might slip and hurt his ***.
For the friend, I fancied till I was sixteen,
and even though it's been years my lips still burn when
I look at her.

This is an ode to my friends who leave me out of conversations.
who have inside jokes they sprout when I'm around
This is for the ones that went to the movies to see the film they knew I was dying to see.
This is an ode to my friend,
who broke her leg whilst dancing in her favourite musical,
and the part was given to someone else.
This is for the friend whose mother died when she was 12
but she remains the strongest person ever.

This is an ode to those who
forget I'm their friend,
who ignore me when they're upset,
who  tell me daily that they love me,
who cry at Disney movies,
who laugh at videos of past times,
who  I hate that I adore,
who  I cry over,
because I can't make them happy anymore.

This is an ode to my friends,
for the one who is so self-conscious, he wears baggy jumpers to hide his stomach.
This is an ode to my friend who has scary parents,
for the friends who made a pyramid out of stones and raised a nation,
for the friends who try their hardest and still achieve nothing,
for my friends the world has seemingly forgotten,

This is an Ode to my friends,
the ones I know I will die loving,
they give me cups of tea with two sugars when I'm having a bad episode,
for the ones that cry when they hear a certain song, because it reminds them of when I tried to off myself in the toilet,
for the one that has never had a kiss,
for the one who refuses to get married.

This is an ode to my friends,
the family I chose,
the ones that send me stupid messages at four am,
then question why I'm awake so late.
For the friend that gets blackout drunk,
for the one with weak knees,
who, when she laughs, falls to the ground in a fit of giggles,
for the friends, I will marry, loving.
Speak now or forever hold your peace,

An ode to my friends,
who I love more than anything,
as we collapse through the stars,

I'll hear them laughing at a joke.

Miklos Radnoti [1909-1944], a Hungarian Jew and a fierce anti-fascist, is perhaps the greatest of the Holocaust poets. His often-harrowing bio appears after his poems. The "postcard" poems were written on a death march that ended with him being executed and buried in a mass grave.

Postcard 1
by Miklós Radnóti, written August 30, 1944
translation by Michael R. Burch

Out of Bulgaria, the great wild roar of the artillery thunders,
resounds on the mountain ridges, rebounds, then ebbs into silence
while here men, beasts, wagons and imagination all steadily increase;
the road whinnies and bucks, neighing; the maned sky gallops;
and you are eternally with me, love, constant amid all the chaos,
glowing within my conscience—incandescent, intense.
Somewhere within me, dear, you abide forever—
still, motionless, mute, like an angel stunned to silence by death
or a beetle hiding in the heart of a rotting tree.



Postcard 2
by Miklós Radnóti, written October 6, 1944 near Crvenka, Serbia
translation by Michael R. Burch

A few miles away they're incinerating
the haystacks and the houses,
while squatting here on the fringe of this pleasant meadow,
the shell-shocked peasants sit quietly smoking their pipes.
Now, here, stepping into this still pond, the little shepherd girl
sets the silver water a-ripple
while, leaning over to drink, her flocculent sheep
seem to swim like drifting clouds.



Postcard 3
by Miklós Radnóti, written October 24, 1944 near Mohács, Hungary
translation by Michael R. Burch

The oxen dribble ****** spittle;
the men pass blood in their ****.
Our stinking regiment halts, a horde of perspiring savages,
adding our aroma to death's repulsive stench.



Published: “Postcard 4” was published by Poetry Super Highway in 2019 as part of their 21st Annual Yom HaShoah (Holocaust Remembrance Day) Poetry Issue

Postcard 4
by Miklós Radnóti, his final poem, written October 31, 1944 near Szentkirályszabadja, Hungary
translation by Michael R. Burch

I toppled beside him—his body already taut,
tight as a string just before it snaps,
shot in the back of the head.
"This is how you’ll end too; just lie quietly here,"
I whispered to myself, patience blossoming from dread.
"Der springt noch auf," the voice above me jeered;
I could only dimly hear
through the congealing blood slowly sealing my ear.

Translator's note: "Der springt noch auf" means something like "That one is still twitching."



Letter to My Wife
by Miklós Radnóti
translated by Michael R. Burch

This is a poem written during the Holocaust in Lager Heidenau, in the mountains above Zagubica, August-September, 1944

Deep down in the darkness hell awaits—silent, mute.
Silence screams in my ears, so I shout,
but no one hears or answers, wherever they are;
while sad Serbia, astounded by war,
and you are so far,
so incredibly distant.

Still my heart encounters yours in my dreams
and by day I hear yours sound in my heart again;
and so I am still, even as the great mountain
ferns slowly stir and murmur around me,
coldly surrounding me.

When will I see you? How can I know?
You who were calm and weighty as a Psalm,
beautiful as a shadow, more beautiful than light,
the One I could always find, whether deaf, mute, blind,
lie hidden now by this landscape; yet from within
you flash on my sight like flickering images on film.

You once seemed real but now have become a dream;
you have tumbled back into the well of teenage fantasy.
I jealously question whether you'll ever adore me;
whether—speak!—
from youth's highest peak
you will yet be my wife.

I become hopeful again,
as I awaken on this road where I formerly had fallen.
I know now that you are my wife, my friend, my peer—
but, alas, so far! Beyond these three wild frontiers,
fall returns. Will you then depart me?
Yet the memory of our kisses remains clear.

Now sunshine and miracles seem disconnected things.
Above me I see a bomber squadron's wings.
Skies that once matched your eyes' blue sheen
have clouded over, and in each infernal machine
the bombs writhe with their lust to dive.
Despite them, somehow I remain alive.

Miklós Radnóti [1909-1944], a Hungarian Jew and a fierce anti-fascist, is perhaps the greatest of the Holocaust poets. He was born in Budapest in 1909. In 1930, at the age of 21, he published his first collection of poems, Pogány köszönto (Pagan Salute). His next book, Újmódi pásztorok éneke (Modern Shepherd's Song) was confiscated on grounds of "indecency," earning him a light jail sentence. In 1931 he spent two months in Paris, where he visited the "Exposition coloniale" and began translating African poems and folk tales into Hungarian. In 1934 he obtained his Ph.D. in Hungarian literature. The following year he married Fanni (Fifi) Gyarmati; they settled in Budapest. His book Járkálj csa, halálraítélt! (Walk On, Condemned!) won the prestigious Baumgarten Prize in 1937. Also in 1937 he wrote his Cartes Postales (Postcards from France), which were precurors to his darker images of war, Razglednicas (Picture Postcards). During World War II, Radnóti published translations of Virgil, Rimbaud, Mallarmé, Eluard, Apollinare and Blaise Cendras in Orpheus nyomában. From 1940 on, he was forced to serve on forced labor battalions, at times arming and disarming explosives on the Ukrainian front. In 1944 he was deported to a compulsory labor camp near Bor, Yugoslavia. As the Nazis retreated from the approaching Russian army, the Bor concentration camp was evacuated and its internees were led on a forced march through Yugoslavia and Hungary. During what became his death march, Radnóti recorded poetic images of what he saw and experienced. After writing his fourth and final "Postcard," Radnóti was badly beaten by a soldier annoyed by his scribblings. Soon thereafter, the weakened poet was shot to death, on November 9, 1944, along with 21 other prisoners who unable to walk. Their mass grave was exhumed after the war and Radnóti's poems were found on his body by his wife, inscribed in pencil in a small Serbian exercise book. Radnóti's posthumous collection, Tajtékos ég (Clouded Sky, or Foaming Sky) contains odes to his wife, letters, poetic fragments and his final Postcards. Unlike his murderers, Miklós Radnóti never lost his humanity, and his empathy continues to live on and shine through his work.

Keywords/Tags: Miklos Radnoti, Holocaust poet, Hungary, Hungarian Jew, anti-fascist, translation, mrbholo



Death Fugue
by Paul Celan
loose translation/interpretation by Michael R. Burch

Black milk of daybreak, we drink you come dusk;
we drink you come midday, come morning, come night;
we drink you and drink you.
We’re digging a grave like a hole in the sky;
there’s sufficient room to lie there.
The man of the house plays with vipers; he writes
in the Teutonic darkness, “Your golden hair Margarete...”
He composes by starlight, whistles hounds to stand by,
whistles Jews to dig graves, where together they’ll lie.
He commands us to strike up bright tunes for the dance!

Black milk of daybreak, we drink you come dusk;
we drink you come dawn, come midday, come night;
we drink you and drink you.
The man of the house plays with serpents; he writes...
he writes as the night falls, “Your golden hair Margarete...
Your ashen hair Shulamith...”
We are digging dark graves where there’s more room, on high.
His screams, “Hey you, dig there!” and “Hey you, sing and dance!”
He grabs his black nightstick, his eyes pallid blue,
screaming, “Hey you―dig deeper! You others―sing, dance!”

Black milk of daybreak, we drink you come dusk;
we drink you come midday, come morning, come night;
we drink you and drink you.
The man of the house writes, “Your golden hair Margarete...
Your ashen hair Shulamith...” as he cultivates snakes.
He screams, “Play Death more sweetly! Death’s the master of Germany!”
He cries, “Scrape those dark strings, soon like black smoke you’ll rise
to your graves in the skies; there’s sufficient room for Jews there!”

Black milk of daybreak, we drink you come midnight;
we drink you come midday; Death’s the master of Germany!
We drink you come dusk; we drink you and drink you...
He’s a master of Death, his pale eyes deathly blue.
He fires leaden slugs, his aim level and true.
He writes as the night falls, “Your golden hair Margarete...”
He unleashes his hounds, grants us graves in the skies.
He plays with his serpents; Death’s the master of Germany...

“Your golden hair Margarete...
your ashen hair Shulamith...”



O, Little Root of a Dream
by Paul Celan
loose translation/interpretation by Michael R. Burch

O, little root of a dream
you enmire me here;
I’m undermined by blood―
made invisible,
death's possession.

Touch the curve of my face,
that there may yet be an earthly language of ardor,
that someone else’s eyes
may somehow still see me,
though I’m blind,

here where you
deny me voice.



You Were My Death
by Paul Celan
loose translation/interpretation by Michael R. Burch

You were my death;
I could hold you
when everything abandoned me―
even breath.



Primo Levi Holocaust Poem Translations

Shema
by Primo Levi
loose translation/interpretation by Michael R. Burch

You who live secure
in your comfortable homes,
who return each evening to find
warm food and welcoming faces...

Consider: is this a 'man'
who slogs through the mud,
who knows no peace,
who fights for crusts of bread,
who dies at another man's whim,
at his 'yes' or his 'no.'

Consider: is this is a 'woman'
bald and bereft of a name
because she lacks the strength to remember,
her eyes as void and her womb as frigid
as a winter frog's.

Consider that such horrors have indeed been!

I commend these words to you.
Engrave them in your hearts
when you lounge in your beds
and again when you rise,
when you venture outside.
Repeat them to your children,
or may your houses crumble
and disease render you helpless
so that even your offspring avert their eyes.



Buna
by Primo Levi
loose translation/interpretation by Michael R. Burch

Mangled feet, cursed earth,
the long interminable line in the gray morning
as Buna smokes corpses through industrious chimneys...

Another gray day like every other day awaits us.

The terrible whistle shrilly announces dawn:
'Rise, wretched multitudes, with your lifeless faces,
welcome the monotonous hell of the mud...
another day's suffering has begun! '

Weary companion, I know you well.

I see your dead eyes, my disconsolate friend.
In your breast you bear the burden of cold, deprivation, emptiness.
Life long ago broke what remained of the courage within you.

Colorless one, you once were a real man;
a considerable woman once accompanied you.

But now, my invisible companion, you lack even a name.
So forsaken, you are unable to weep.
So poor in spirit, you can no longer grieve.
So tired, your flesh can no longer shiver with fear...

My once-strong man, now spent,
were we to meet again
in some other world, beneath some sunnier sun,
with what unfamiliar faces would we recognize each other?

Note: Buna was the largest Auschwitz sub-camp, with around 40,000 'workers' who had been enslaved by the Nazis. Primo Levi called the Jews of Buna the 'slaves of slaves' because the other slaves outranked them.



Ber Horowitz Holocaust Poetry Translations

Der Himmel
'The Heavens'
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

These skies
are leaden, heavy, gray...
I long for a pair
of deep blue eyes.

The birds have fled
far overseas;
Tomorrow I'll migrate too,
I said...

These gloomy autumn days
it rains and rains.
Woe to the bird
Who remains...



Doctorn
'Doctors'
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Early this morning I bandaged
the lilac tree outside my house;
I took thin branches that had broken away
and patched their wounds with clay.

My mother stood there watering
her window-level flower bed;
The morning sun, quite motherly,
kissed us both on our heads!

What a joy, my child, to heal!
Finished doctoring, or not?
The eggs are nicely poached
And the milk's a-boil in the ***.



Broit
'Bread'
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Night. Exhaustion. Heavy stillness. Why?
On the hard uncomfortable floor the exhausted people lie.

Flung everywhere, scattered over the broken theater floor,
the exhausted people sleep. Night. Late. Too tired to snore.

At midnight a little boy cries wildly into the gloom:
'Mommy, I'm afraid! Let's go home! '

His mother, reawakened into this frightful place,
presses her frightened child even closer to her breast …

'If you cry, I'll leave you here, all alone!
A little boy must sleep... this, now, is our new home.'

Night. Exhaustion. Heavy stillness all around,
exhausted people sleeping on the hard ground.



'My Lament'
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Nothingness enveloped me
as tender green toadstools
lie blanketed by snow
with its thick, heavy prayer shawl …
After that, nothing could hurt me …



Wladyslaw Szlengel Holocaust Poem Translation

Excerpts from 'A Page from the Deportation Diary'
by Wladyslaw Szlengel
translation by Michael R. Burch

I saw Janusz Korczak walking today,
leading the children, at the head of the line.
They were dressed in their best clothes—immaculate, if gray.
Some say the weather wasn't dismal, but fine.

They were in their best jumpers and laughing (not loud) ,
but if they'd been soiled, tell me—who could complain?
They walked like calm heroes through the haunted crowd,
five by five, in a whipping rain.

The pallid, the trembling, watched high overhead,
through barely cracked windows—pale, transfixed with dread.

And now and then, from the high, tolling bell
a strange moan escaped, like a sea gull's torn cry.
Their 'superiors' looked on, their eyes hard as stone.
So let us not flinch, as they march on, to die.

Footfall... then silence... the cadence of feet...
O, who can console them, their last mile so drear?
The church bells peal on, over shocked Leszno Street.
Will Jesus Christ save them? The high bells career.

No, God will not save them. Nor you, friend, nor I.
But let us not flinch, as they march on, to die.

No one will offer the price of their freedom.
No one will proffer a single word.
His eyes hard as gavels, the silent policeman
agrees with the priest and his terrible Lord:
'Give them the Sword! '

At the town square there is no intervention.
No one tugs Schmerling's sleeve. No one cries
'Rescue the children! ' The air, thick with tension,
reeks with the odor of *****, and lies.

How calmly he walks, with a child in each arm:
Gut Doktor Korczak, please keep them from harm!

A fool rushes up with a reprieve in hand:
'Look Janusz Korczak—please look, you've been spared! '
No use for that. One resolute man,
uncomprehending that no one else cared
enough to defend them,
his choice is to end with them.



Ninety-Three Daughters of Israel
a Holocaust poem by Chaya Feldman
loose translation/interpretation by Michael R. Burch

We washed our bodies
and cleansed ourselves;
we purified our souls
and became clean.

Death does not terrify us;
we are ready to confront him.

While alive we served God
and now we can best serve our people
by refusing to be taken prisoner.

We have made a covenant of the heart,
all ninety-three of us;
together we lived and learned,
and now together we choose to depart.

The hour is upon us
as I write these words;
there is barely enough time to transcribe this prayer...

Brethren, wherever you may be,
honor the Torah we lived by
and the Psalms we loved.

Read them for us, as well as for yourselves,
and someday when the Beast
has devoured his last prey,
we hope someone will say Kaddish for us:
we ninety-three daughters of Israel.

Amen

In 1943 Meir Shenkolevsky, the secretary of the world Bais Yaakov movement and a member of the Central Committee of Agudas Israel in New York, received a letter from Chaya Feldman: 'I don't know when you will get this letter and if you still will remember me. When this letter arrives, I will no longer be alive. In a few hours, everything will be past. We are here in four rooms,93 girls ages 14 to 22, all of us Bais Yaakov teachers. On July 27, Gestapo agents came, took us out of our apartment and threw us into a dark room. We only have water to drink. The younger girls are very frightened, but I comfort them that in a short while, we will be together with our mother Sara [Sara Shnirer, the founder of the Bais Yaakov Seminary]. Yesterday they took us out, washed us and took all our clothes. They left us only shirts and said that today, German soldiers will come to visit us. We all swore to ourselves that we will die together. The Germans don't know that the bath they gave us was the immersion before our deaths: we all prepared poison. When the soldiers come, we will drink the poison. We are all saying Viduy throughout the day. We are not afraid of anything. We only have one request from you: Say Kaddish for 93 bnos Yisroel! Soon we will be with our mother Sara. Signed, Chaya Feldman from Cracow.'



Miryam Ulinover Holocaust Poetry Translations

Girl Without Soap
by Miryam Ulinover
loose translation by Michael R. Burch

As I sat so desolate,
threadbare with poverty,
the inspiration came to me
to make a song of my need!

My blouse is heavy with worries,
so now it's time to wash:
the weave's become dull yellow
close to my breast.

It wrings my brain with old worries
and presses it down like a canker.
If only some kind storekeeper
would give me detergent on credit!

But no, he did not give it!
Instead, he was stiffer than starch!
Despite my dark, beautiful eyes
he remained aloof and arch.

I am estranged from fresh white wash;
my laundry's gone gray with old dirt;
but my body still longs to sing the song
of a clean and fresh white shirt.



Meydl on Kam
Girl Without Comb
by Miryam Ullinover
loose translation by Michael R. Burch

The note preceding the poem:
'Sitting where the night makes its nest
are my songs like boarders, awaiting flight's quests.'

The teeth of the comb are broken
A comb is necessary―more necessary than bread.
O, who will come to comb my braid,
or empty the gray space occupying my head?

Note: the second verse of 'Meydl on Kam' is mostly unreadable and the last two lines are missing.
After that, nothing could hurt me …



Yitzkhak Viner Holocaust Poem Translations

Let it be Quiet in my Room!
by Yitzkhak Viner
loose translation by Michael R. Burch

Let it be quiet in my room!
Let me hear the birds outside singing,
And let their innocent trilling
Lull away my heart's interior gloom…

Listen, outside, drayman's horse and cart,
If you scare the birds away,
You will wake me from my dream-play
And wring the last drop of joy from my heart…

Don't cough mother! Father, no words!
It'd be a shame to spoil the calm
And silence the sweet-sounding balm
of the well-fed little birds…

Hush, little sisters and brothers! Be strong!
Don't weep and cry for drink and food;
Try to remember in silence the good.
Please do not disturb my weaving of songs…



My Childhood
by Yitzkhak Viner
loose translation by Michael R. Burch

In the years of my childhood, in Balut's yards,
Living with my parents in an impoverished day,
I remember my hunger; with my friends I would play
And bake loaves of bread out of muddy clay…

By baking mud-breads, we dreamed away hunger:
the closest and worst of the visitors kids know;
so passed the summer's heat through the gutters,
so winters passed with their freezing snow.

Outside today all is gray, sunk in snow,
Though the roofs and the gate are silvered and white.
I lie on a bed warmed now only by rags
and look through grim windows brightened by ice.

Father left early to try to find work;
In an unlit room I and my mother stay.
It's cold, we're hungry, we have nothing to eat:
How I lust to bake one tiny bread-loaf of clay…

Balut (Baluty)   was a poor Jewish suburb of Lodz, Poland which became a segregated ghetto under the Nazis.



It Is Good to Have Two Eyes
by Yitzkhak Viner
loose translation by Michael R. Burch

I.

It is good to have two eyes.
Anything I want, they can see:
Boats, trains, horses and cars,
everything around me.

But sometimes I just want to see
Someone's laughter, sweet…
Instead I see his corpse outstretched,
Lying in the street…

When I want to see his laughter
his eyes are closed forever…

II.

It is good to have two ears.
Anything I want, they can hear:
Songs, plays, concerts, kind words,
Street cars, bells, anything near.

I want to hear kids' voices sing,
but my ears only hear the shrill cries
and fear
of two children watching a man as he dies…

When I long for a youthful song
I hear children weeping hard and long…

III.

It is good to have two hands.
Every year I can till the land.
Banging iron night and day
Fashions wheels to plow the clay…

But now wheels are silent and still
And people's hands are obsolete;
The houses grow cold and dark
As hands dig a grave in defeat…

Still it is good to have two hands:
I write poems in which the truth still stands.



After My Death
by Chaim Nachman Bialik
translation by Michael R. Burch

Say this when you eulogize me:
Here was a man — now, ****, he's gone!
He died before his time.
The music of his life suddenly ground to a halt..
Such a pity! There was another song in him, somewhere,
But now it's lost,
forever.
What a pity! He had a violin,
a living, voluble soul
to which he uttered
the secrets of his heart,
setting its strings vibrating,
save the one he kept inviolate.
Back and forth his supple fingers danced;
one string alone remained mesmerized,
yet unheard.
Such a pity!
All his life the string quivered,
quavering silently,
yearning for its song, its mate,
as a heart saddens before its departure.
Despite constant delays it waited daily,
mutely beseeching its savior, Love,
who lingered, loitered, tarried incessantly
and never came.
Great is the pain!
There was a man — now, ****, he is no more!
The music of his life suddenly interrupted.
There was another song in him
But now it is lost
forever.



Chaim Nachman Bialik Holocaust Poem Translations

On The Slaughter
by Chaim Nachman Bialik
translation by Michael R. Burch

Merciful heavens, have pity on me!
If there is a God approachable by men
as yet I have not found him—
Pray for me!

For my heart is dead,
prayers languish upon my tongue,
my right hand has lost its strength
and my hope has been crushed, undone.

How long? Oh, when will this nightmare end?
How long? Hangman, traitor,
here's my neck—
rise up now, and slaughter!

Behead me like a dog—your arm controls the axe
and the whole world is a scaffold to me
though we—the chosen few—
were once recipients of the Pacts.

Executioner! , my blood's a paltry prize—
strike my skull and the blood of innocents will rain
down upon your pristine uniform again and again,
staining your raiment forever.

If there is Justice—quick, let her appear!
But after I've been blotted out, should she reveal her face,
let her false scales be overturned forever
and the heavens reek with the stench of her disgrace.

You too arrogant men, with your cruel injustice,
suckled on blood, unweaned of violence:
cursed be the warrior who cries 'Avenge! ' on a maiden;
such vengeance was never contemplated even by Satan.

Let innocents' blood drench the abyss!
Let innocents' blood seep down into the depths of darkness,
eat it away and undermine
the rotting foundations of earth.



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Hear, O Israel!
by Erich Fried
loose translation by Michael R. Burch

When we were the oppressed,
I was one with you,
but how can we remain one
now that you have become the oppressor?

Your desire
was to become powerful, like the nations
who murdered you;
now you have, indeed, become like them.

You have outlived those
who abused you;
so why does their cruelty
possess you now?

You also commanded your victims:
'Remove your shoes! '
Like the scapegoat,
you drove them into the wilderness,
into the great mosque of death
with its burning sands.
But they would not confess the sin
you longed to impute to them:
the imprint of their naked feet
in the desert sand
will outlast the silhouettes
of your bombs and tanks.

So hear, O Israel …
hear the whimpers of your victims
echoing your ancient sufferings …

'Hear, O Israel! ' was written in 1967, after the Six Day War.



What It Is
by Erich Fried
loose translation by Michael R. Burch

It is nonsense
says reason.
It is what it is
says Love.

It is a dangerous
says discretion.
It is terrifying
says fear.
It is hopeless
says insight.
It is what it is
says Love.

It is ludicrous
says pride.
It is reckless
says caution.
It is impractical
says experience.
It is what it is
says Love.



An Attempt
by Erich Fried
loose translation by Michael R. Burch

I have attempted
while working
to think only of my work
and not of you,
but I am encouraged
to have been so unsuccessful.



Humorless
by Erich Fried
loose translation by Michael R. Burch

The boys
throw stones
at the frogs
in jest.

The frogs
die
in earnest.



Bulldozers
by Erich Fried
loose translation by Michael R. Burch

Israel's bulldozers
have confirmed their kinship
to bulldozers in Beirut
where the bodies of massacred Palestinians
lie buried under the rubble of their former homes.

And it has been reported
that in the heart of Israel
the Memorial Cemetery
for the massacred dead of Deir Yassin
has been destroyed by bulldozers...
'Not intentional, ' it's said,
'A slight oversight during construction work.'

Also the ******
of the people of Sabra and Shatila
shall become known only as an oversight
in the process of building a great Zionist power.

The villagers of Deir Yassin were massacred in 1948 by Israeli Jews operating under the command of future Israeli Prime Minister Menachem Begin's. The New York Times reported 254 villagers murdered, most of them women, children and elderly men. Later, the village cemetery was destroyed by Israeli bulldozers as Deir Yassin, like hundreds of other Palestinian villages, was destroyed.

Sabra and Shatila in Beirut, Lebanon were two Palestinian refugee camps destroyed during Israel's invasion of Lebanon in 1982. It has been estimated that as many as 3,500 people were murdered. In 1982, an International Commission concluded that Israelis were, directly or indirectly, responsible. The Israeli government established the Kahan Commission to investigate the massacre, and found another future Israeli prime minister, Ariel Sharon, personally responsible for having permitted militias to enter the camps despite a risk of violence against the refugees.

Since 1967 the Israeli Committee Against Home Demolitions has reported more than 24,000 home demolitions... hence the 'kinship' of the bulldozers of Israel to those used to destroy Palestinian homes in Lebanon.



Credo
by Saul Tchernichovsky
loose translation by Michael R. Burch

Laugh at all my silly dreams!
Laugh, and I'll repeat anew
that I still believe in man,
just as I believe in you.

By the passion of man's spirit
ancient bonds are being shed:
for his heart desires freedom
as the body does its bread.

My noble soul cannot be led
to the golden calf of scorn,
for I still believe in man,
as every child is human-born.

Life and love and energy
in our hearts will surge and beat,
till our hopes bring forth a heaven
from the earth beneath our feet.

I.

A louse in a house
or a mouse on a blouse.
A bell that goes ****
or a gong that goes ****.
A gap on a map
or a cap on your lap.
A drink in the sink
or an ink that stinks.
A spleen on a screen
or a queen who is green.
A bow in the snow
or a crow that glows.

II.

A wash or a whip,
a lip or a lop,
a top or a tip,
a car or afar,
a bar or a war,
a door or a snore,
a bore or a nail,
a flail or a whale,
a run or a bun,
a sun or a moon,
a spoon or a bus,
a fuss or a sigh,
a cry or a cheer,
a fear or a smile,
a while or a pen,
a den or a cat,
a mat or a hat,
a bat or a glass,
a vase or a weight,
a mate or a fork,
a cork or a mop,
a cop or a stop.

III.

Apples and artichokes, ants and antelopes,
bees and beers, books and brains,
cucumbers and chimneys, ***** and coats,
dogs and drains, dots and dominoes,
ears and eejits, elephants and exams,
flies and flutes, files and friends,
grasses and guts, giants and gyms,
horrors and hiccups, horses and hills,
igloos and irons, irises and idiots,
jumpers and jackets, jodhpurs and jellies,
kings and kettles, kites and kittens,
lions and lamps, lemons and lunches,
mums and monsters, mosses and moths,
noses and notes, nightmares and needles,
oblongs and orang-utans, organs and oranges,
paintings and pennies, ponds and pants,
quiches and quizzes, questions and queues,
rainbows and rings, rascals and rabbits,
snakes and sprouts, sweets and salts,
trumpets and trains, tables and toasters,
umpires and ukuleles, umbrellas and uniforms,
violets and vests, violins and vials,
wheels and wings, windows and weeds,
xylems and x-rays, xylophones and xysters,
yachts and yoghurts, yards and yaks,
zigzags and zephyrs, ziggurats and zombies.

BULL   FIGHTING
(WITH A CLASSICAL TOUCH)
                  * By Raj Nandy*
(I)
The Minoan Civilization of ancient Greece,
Was well centered in the Aegean island of Crete;
And around 1600 BC this civilization had peaked!
Seeing their frescoes, and paintings on potteries
and vase,
Scholars concluded that ‘bull-jumping’ was
perfected as a gallant art!
Those jumpers grabbed the bull’s horns, -
And receiving momentum from its violent
head-****,
Vaulted over its back in a somersault,
To land on both feet to break their fall!
I was spell bound by Minoans courage and agility,
Their acrobatic feats performed with such
dexterity!
Those bulls were not killed and no blood was shed,
Some acrobats might have been injured instead!
What a shame for our bull fighters of date!

(II)
Today bull fighting has become a popular sport,
Where the bull gets slaughtered amidst loud applaud!
I recall those Roman amphitheaters that remained
jam-packed,
When the Gladiators performed their fatal acts!
But even those Gladiators had a chance to survive,
Our cornered bull has no place to hide!
Friends, to see blood is an age old thrill,
But none would like to see their own blood spilled!

(III)
Our Matador today is like a popular Rock Star,
While the bull becomes a martyr in the pit by far!
The bull’s mighty horns are sharp and strong,
Can lift up a man like a rag doll!
But when the Picador lances the bull’s ****,
The bull never gets a fair deal and jumps!
Next the Matador waves his ‘muleta’- a red cape,
The bull makes a final charge but cannot escape!
I wonder if the bull sees red!?
The Matador then amidst much pomp and applaud,
Spikes the neck severing the bull’s spinal cord!
He is greeted by flowers and cheers of ‘Ole’! ‘Ole’!
Let us learn from those Ancient Minoans, -
That's all I have got to say!
                           - by Raj Nandy

there's a boy
and every inch
every aspect of this boy
is another line in a poem

he dons himself in jumpers of blue
and baggy
hair shaggy though short, short
enough

and a strip of black
it permeates the flesh
and the chapped hue of his lip
and he dips
through doorways
or for the sake of hugs
sometimes you'll see a tug
at his sweater weather sweater
though, really
how could there be
more to cover by jumpers

there's a boy
who embraces from behind
takes time to rewind
and he's such a nice boy
but when he loops a long arm
around your shoulders
and across your chest
and you feel the slight grace
of the boy's chin

you feel the sun expand
but somehow it seems
a modern myth is one sun
when one expands
within you
and yet the other
it's at your back

there's a boy
whose jumpers are more than colour
the wool and it's hue
are statements of mind
and mood
and the boy is sad

but, my god
it's so beautiful
when the boy smiles

I tried to quit smoking last week. And my best friend died for eighteen hours. Such a deep loss has only been felt by rose hips, in the early winter, after the petals have fallen to the ground, like snow, like jumpers from high-rise buildings, like a maiden, after that last, fatal step off the plank, with swords at her back, and the horizon calling to her, the song of the Sirens drifting up from the ocean floor. Dropping, like petals, caught in a harsh winter breeze. The left-overs, the carcases of the flowers that were and are no more, watch with eyes of sorrow and hearts of lead, as each friend, companion, lover, even casual aquaintance plummets, to land on the already frozen soil of a dead, snowless, Colorado winter.
I died with my friend. My roots were tangled, and with each second that passed, a million axes took bites out of them, feasting on my identity. The axes were only gold-plated, it would seem, and not pure, unadulterated precious metal. Engraved in the paper-thin facade was a name, a face, and a hope, all of which were merely a poor excuse for an excersise in willpower. The cold, iron blade shone through the thin, gently curved lines of lip and ear and eye made of nebula. With each breath that passed between loosely parted lips, I felt myself fade, giving my everthing to the world (hope, name, face) that had, only moments before, murdered my closest companion.
My eyes grew steadily hard, increased stone-content. By 6:30, I had been staring into the eyes of my mistress, Medusa, for at least two hours, my head filled with love songs and daydreams, clutching straws and holding out for the one perfect moment that would shed a brief light on my life, which is, in all reality, the afformentioned pirate ship, but void of lamps, candles, or any other means of illumination.
Questions flowed to the surface of my disjointed mind in a stream, a river, an oceanic current of molten rock and sloppy second guesses.
(Will one hurt? Half? Just one puff? Why? Why? Why?)
And as I turned to stone, I finally found the courage to answer one of the questions that my brain shot itself with, injected into its own blood stream. The question was the sole bullet in a revolving, high-stakes betting game, the answer, the fourth trigger pull, with only two chances left anyway.
(Because... I don't know why...)
So stand up, go to the place you have thought about two-million times, and, yes, smoke, smoke, smoke that cigarette.
As my friend rose from the dead, pushing aside the boulder blocking the entrance to its tomb, which everyone knew was just a temporary tenement, and we were reunited, we spoke of fascists. Well, I spoke of fascists, it listened. I spoke of the kind of fascists that exist in grayscale television commercials, spewing ingnorant words about the untimely deaths of beloved family members, who give me ***** looks in public, and have forced me into alleyways, across streets, out of sight, out of mind, to the back of the bus, as if non-smokers live forever, as if everyone can accomplish said impossible feat, if not for the evil plant, the evil spiritual plant that poses a threat to the well-ordered religious structures, pyres built for martyrs and long-dead saviors.
I have only begged for eternity once, and I was very young, with years of rocks and hard places ahead, only pink clouds behind, and eyes incapable of foresight. This boy ate apples, and drew on his arms with black pen every Sunday. Go into the church clean, bathed, come out with temorary full-sleeve tattoos. This boy was made of wonder, myth, and blind acceptance. No longer.
I have now gazed into an eternity made of open graves, lost loves, and harsh, barbed-wire truths, punctuated with sharp, jabbing exclamation points of brief pleasure that only seem to make the reality of eternity worse. I am a *******, and even I don't want that. A body can only function for so long without sleep before the motor wears out, the radiator breaks, the gasket leaks, and the marbles flee from the growing insanity of their owner. We all need to rest eventually, and in my secret mind - the one that grimaces with sick pleasure and only shows its teeth in the lines of a poem, slightly blurred by metaphor - I long for that sleep. I am tired, but the day is only half done. But each sun sets, and we can not deny it that truth, that sensation of finality that settles upon senile eyes like a cataract, that snuggles against warm, pink lungs in all its black, tar-like splendor.
Truth, like so many other things in this solar system, only takes shape when under the eye of a microscope, with a passive viewer sewn to the end of it, with the sole intention of passing judgement before shouting "NEXT," and repeating the process untill they either run out of things to judge (blame, think, guilt-trip) or die.
So, smoke, smoke, smoke that cigarette. Puff, puff, puff it and let us hope they never get to either of us, old friend.

There’s a difference between calling a girl fit and hot and calling her pretty and beautiful
When you call me beautiful I imagine you noticing the way my hair falls from the clip over time
I imagine you noticing the way my giggle sounds and the way my smile lights you up
When you call me pretty I imagine you noticing the complexities of my eyes, the way my freckles come out in the sun and and depth of my dimples
Pretty is noticing the way my legs are sculpted when I walk ahead of you and the way my nose flares when I genuinely laugh

Fit is the body two ***** and a waist
A pair of lips you can only imagine what they do
Hot is the low cut top exposing my cleavage and my ability to open my legs for you
Fit is a one night stand word or the words of a man in a club hoping that that night you are feeling especially vulnerable and insecure

Beautiful is the text she gets when she lies in bed at 11pm asking if she wants to go on a walk
And although she professes to him excuses when she walks out the door of a lack of make up and three jumpers to keep out the cold and her insecurities encapsulated by her self destructive smile and her hair pushed behind her ear
You lift her face and examine that untouched smile
The rawness of her appearance and the purity of her eyes
That is beautiful
And you call it so

When fit is the way a body looks and how much makeup can look like none
Pretty is the way she smiles when she sees you and the way she feels looked upon.

there are nights where i stay up daydreaming of a wonderland

a wonderland of vignetted sepia books and tea stained lips,
a wonderland where the sun hides for a while, and lets us be real
a wonderland where no one else exists
so that my arms persist on staying around you

a wonderland where my hands lay in yours
while we read sappy poetry
poetry no one else we know would find interesting
but poetry that means the world to us;

a wonderland where rain falls in my backyard on orange trees
to the setting of our eyes like big blue seas
never parting
leaves rustling

a wonderland where music plays and sways so sway with me
to a light thunder storm
and kiss me slowly
so we can keep each others lips warm

because its cold in our winter wonderland
but a little cold never stopped anyone
a little cold in life slows us down, but we put on our jumpers and forge on

so forge on
my dear winter girl,
because i know that sometimes
a house isn't really a home
and it gets hard when I'm alone
so come whenever you feel like you cant stand
and lay with me, in our own winter wonderland.

They leave Jerusalem, with the acrobats from Shiraz. They were ghosts of poetry, wine, roses and fireflies; they were conjuring the path of the twelve camels to the intersection with the Cenotaph, where King David with the Cherubs of Kafersesuh will stay. They were Epi ghosts, basking in camelid footsteps. They went in all the intermittences of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were the jumpers with water wheels, wheel scales with tutelary cords, some with stilts of gold disgrace from the coins of Judas Iscariot and the last propelled by a caper that ruled all the others on the wings of the Fireflies. Withdrawn from the road that leads to the Kidron valley, 2,500 years of clay tablets from Persepolis fall on all of them, they were phonetized with the plaintive nightmare of Tirazis's one-eyed poem; which is currently Shiraz, in this way these ghosts escorted the Hexagonal Birthright, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. As they began to be with them in the cove, the ghosts of the acrobats boiled with the eagerness to prevent everyone from being saddened by the departure from the orchard, which was falling further and further behind their footsteps, dancing with their pirouettes along the way, they told little stories. in the ears of travelers.

Hydro Saltimabanqui: “I come from Roknabad (also known as Aub-e Rokní), an underground canal that carries spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here I have to mend the propellers and water ropes to do my acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When we bite our tongues, we repair it with Hafiz's verses from the Koran; there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monteblanco, to overestimate the liveliness of the caravan trembling with uncertain doubts on its way to Jaffa. "

Saltimbanqui of Bacule: "We are Epi ghosts, the reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look; from here we will board the barge that will take them from back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swings of the sea and in the arms of Anaximander, in a new awakening from the lethargy of the super-string theorization, here is the intrinsic speculation of science, since this is not just to research purely empirical. "

Says Anaximander: “First…, we have no proof that string theory is not ultimately correct and in the future in any verifiable way. Second, we propose a project of the order of string theory, which is necessary for science and its importance, going even beyond the scientific to also project itself on the metaphysical and the religious, right here in this order of greater what to do together with the rope that leads me to Patmos.

Saltimabanqui of Bascule responds: “metaphysical and religious legitimacy, here we are tying knots in the rope that inaugurates a new masonry in the observable futuristic look. Here is the original fiction of continuing to raise the necks of the ants over our optics. We will jump on these ropes, but we will fall on intervals of placental physical dens, which were born from the new embryo in the twelve caves of Gethsemane, in a primitive late germinal process. The micro phonetic vibrations will lift us up from the hunger to follow and leave King David in his cenotaph, gored on his hips by the Cherubim, marking his holy antlers that become entangled in the blunting of the cuneiform scratches of his epigram.

In the middle of the magical theorists exotically as associativity of substance causally of the poetic and multiverse song, believing in the ghosts of Shiraz, as dreams injected to sublimate the Aeneids that they lamented on the bottom stones, even though they were independent of their material origin. Multi universes, multi paraphrase for who has to dress the word “Rosa in her noble long dress to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Auriga from Messolonghi. Rested and determined to head to Tel Gomel, he comes with his horse Kanti to keep him company on this crusade. Kanti defied the Cliffs of Crete, he was servile to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi - Palibrio USA), until in the afternoon he approached from a herd of beautiful places of steeds to him. This was heard by Etréstles and he seized His horse to have more than a Life from his company, more than a lost and lost aroma of his natural mother, to reach the one who would treasure it”.

The ghosts attribute quantitative passages from before leaving King David, and then continuing on the road to Jaffa and advancing on the ship back to Cyprus; Limassol. All were hyperkinetic bowls leveraged by the terrain that was on the **** of the acrobatic histrion foreshadowing the contours of the temporal filigree, which in each one made them smile at the carriage with oxidizing wheels, still being immaterial beings, but alive in its marvel gases, wading the serious bile that emerged from the glasses in his allegories. His footsteps and his undulating phonetic figures did not stop over the caravan, which had already passed Jerusalem. They were already undaunted by themselves and overshadowed by the foreboding modulation and encryption of the rehearsals they were doing, over the heavy atmosphere that seized and begged a small piece of the attention of those who did not celebrate their Shiraz pirouettes.
The areas, volumes, and lengths were fully encompassed by the Ghosts of Shiraz, the acrobats ran along the banks of Ramallah, it was already winter, the city received them with winds and rains from the southwest alternating with cold and dry winds from the northeast. The acrobats went like master geometricians to condone the fuss of the caravan, devising a dodexagesimal system. (Twelve centuries of ultra-nocturnal geometry and shipwrecks at the Alexandria lighthouse)

Positioning as a base the number 12, to measure times and angles that they needed to avoid the voluminous rains that hit the caravan.  Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that rotated without stopping in any anti circumferential radius, making some clouds a shutter that enclosed them like a trapezoid of God's flock in the high semicircle of the waters that tried to fall. , like axiomatic staves of Euclid's beard tempering his elemental construct.

The linear position of each one of those who were mounted was a perfect ergonometric based on the Muladhara pressing the four red petals on pressing the Achilles heel of Vernarth, which was dimensioning the Ramallah triangulation, with the fungi that were housed in its Xifos sword in the jet tip that carried the dodexagesimal cartography. In the same position, the Apostle Saint John seemed, he carried the rosary in his left hand in geometry that elongated his nose and feet in an adonis triangle, thirsty for one hundred and twenty degrees of the sextant that broadened its spectrum to align with this Birthright. Thus the stars and planets are positioned as celestial spheres with the gravitation of the Olivos Berna, revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the acrobats did all the way, even further than those of the withered path of oil, purposely of the axiomatic systems that the Ghosts of Shiraz intended to establish.

Shiraz  Ghosts

These Persian Epi ghosts, axiomatized abstract and ideal entities relating models of austerity and lyricism, which fluctuated in the lines and planes of movements of the clouds with the counterpoint of the legs of the Gigas, leaving marks in the sand like a point Morse, straight and flat, until the fifth step that tried to cross the lines of Ramallah, for the parallelism that the centuries that asked Vernarth to reorder the geometric geography of time and the positions that were added as a delay effect in the Garden, essentially of a hyperbolic vision, to appropriate the entities of the Ghosts that grasp with their little finger the strings of the times associated with Gaugamela in his palatial sovereignty with the footsteps of Vernarth and in the phylogeny of a world that is born behind the confines of religious micro- genetics , from whose space is born in another and would accommodate a circular bijective function, to attract the aerosisms of Ein Kerem in the new life signs of J Joshua in the reborn One-dimensional Beams.

Vernarth diluted his bones to sit near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals), making a sub-technical geometric function to preserve the figures of darkness that were also diluted, to arrive at night close to of Jaffa, in the surroundings the isometric fire existing in each one and in two dimensions…, but born of a common one. Raeder and Petrobus wore their floating eyelashes full of dusty and dense manias on their faces, with splinters gum that they had released from one of the pirouettes of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducing undulating spaces like snakes within the isometric fire that dazzled them with the burning senses of humor of the last drops of the Shemesh codifying themselves in an absolute intuitive measure, beyond all dimensions, which is Consciousness destroying the planes and spaces that multiplied among themselves as members of another geometric conscious dimension.

Arriving at the Ben Shemen crossing, everyone undergoes collective hypnosis; the ghosts manage to embody each of the components of the Birthright but omitting a great factor. They relegated the Hexagonality of the genetics of this caravan, not raising the ghosts when calculating the area of once they were being intracorporeal within the members, thus having to abandon before the last ray of Shemesh threw them on their faces ashes of the Gehenna, for this supposed reason to leave them condemned to recycle the human species, for the purpose of reproducing sacred human beings, but being subservient to the cravings beyond the immortality of the miscalculation that led them to the citadel of Karim Khan, surprised with its stamp of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a conspiracy by this beautiful odalisque ruse that attracted the guide of the ecstatic ghosts, in a bad moment of extradition to a bad context of epi ghosts not yet defined in their pockets of apprentices boasting on the laurels of weak and doubtful ideas, which still swarmed within his white heart, trying to reach Vernarth's as former commander Hetairoi, now a servile mystic. In such a way, the complicated as ghosts like "Sufi", being, in reality, the genetic soul of the double ax that carries the double edge of today ..., of the sacrament of Medea in Abdera.

Pro says a ghost from Shiraz (embarrassed):

"The Universe is a sea that longs for dry shores,
without sea and without other wet longings ...,
no possible maiden could
Try to dry it with your star hands ...
Who calms the crying of the Universe ...
even so ..., simile remains floating as a verse between his dreams "

"How can I make my dreams another dimension of the universe?
if he is quiet and does not make me float in his sea ...
How can I make it possible for the tips of its stars
fill the spaces that have revealed it ...
and that have made circular shores without a sea in the mists "

"I walk alone and nobody sees me ...
so I don't wake up the candles that smile and accompany me ...
between days that turn into mornings on the shore
of the solitude of the universe, that nobody embraces him ... "

“Now the days tremble from almost falling on themselves,
They come out alive from their own loneliness of exhaustion and fullness ...of whoever appreciates them in the mists ...
being able to surrender their attention in Ben Shemen ”.
As the Ghost of Shiraz expires in Ben Shemen, he escapes all for nothing in the triad of hypnotizing conventions that still resided in the shameless air that engulfed him, all over the stationary enclosures of the entertainment spaces caused by the acrobats and epi ghosts. That seduced the indecisive beings that sailed over the limbs that made them doubt where to refrain from continuing, outside the radius of the caravan or beyond the skies that did not cease to be in good spirits, of the universe passing through the white hearts, six on the inside and six on the outside in their traveling artist folds.

The lands that are accommodated by the time of parapsychological hypnosis tremble again, as a separation from the physical magnitude of Gethsemane.  Creating a sequence that bends the heads of the ghosts, filling their translucent physiognomies between a cold past and a frozen future, from a classic mechanic, which from now on would depend on the dice thrown by the Third Phantasm of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from splitting both parts of the archetype of today, like a subdivided clash of several times that allowed integrating the remaining phantasmagorical spectra, taking over a story on a pluriaxial axis that prevailed in the time of a supposed numerical line from a vector, aligning itself towards the compass of the distance that shines between both northern hemispheres in the minutes that go to the right and the solid-gas seconds that burst almost in the walls of their own liberated beings. The four ghosts of Shiraz, had time differentials before this event with the caravan, verifying the simultaneous prop between the two pairs of ghosts between four dissimilar, but poetic ones that made them here at this point obviate and cancel between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the phantom epi would make the database that St. John the Apostle and Vernarth will accumulate with their eyes closed, each one surpassing himself from the debatable areas, which concern to estimate in occupying the spaces physical in some of them at will so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line, encloses events and squares of spaces in the cinematographic time of the parapsychological regression, as a link of physical images slowed down in the evolutionary and cognitive memory, passing from the conduit of expectation memorization events towards the set of absolute figures. not pigeonholed, but approaching the universe in grasping scales of those who value them. This elucidates even the very conception of conceiving oneself as a ghost, rather in what is called "Epi Ghosts", of absolute belonging of the identical ..., outside of oneself "Being with them and not, as a tacit phase of a dragged story with the seconds that were not lived ... "

This scaling conception will allow them to reside a few millimeters from the consciences of the caravan that was advancing automated along the tracks that already made time and distance in front of the absolute, in a jiffy, having in their faces Rizhon Lezion, who was made of images more than a marked and concrete story in a mechanics that kept the body as part of a large volume in all, to the rhythm of the plantar areas of the Camels Gigas, dividing as a stream of water that would flow fragmented between past, present and future, but as a starting pattern to the future as the only "today" for the time of the times. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the contiguous camelids of the ghosts of Shiraz, for the ownership of time between all with a single identity that cries out for the univocal will to rearm, even if the winds are very strong. Of the partition,  which separates the world from God and the believing observer into the future with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and bound in a systematization dependent on the great causes, although the static feels isolated from the dynamics, inquiring probative to unite between the ghosts and others, even though they are inferior forces under the line of the generous gaze and the parallelism of the attentive spectator, which suggests more openness to receive and delegate the circumstances of all physical, emotional, spectral and mental-spiritual dimensions, flexing the emotional states hierarchical night and day. Everyone falls asleep hugging on cushions of lamb saddlebags, making it possible to get closer to them too, close to the Ghosts and sleep next to them hugging with the decanted strength of the frames that hang from their faces showing the emotion of being favorite children of the Mashiach, absorbed in the Kidron Valley.

The frontier of the future will be the pre-act of not traveling too much of the physical love to the touch that only awaits the love of the sleeping of a Cherub, this may occur when the sheep climb the hill of our consciences, and manage to be perceived as the simultaneous harness of satisfaction, who lack the vision that would speak to them of a past belonging immobile, to this ethereal topology that will have to biodegrade the molecules of the seconds that sleep in the sheep-man wool saddlebags, at a higher speed than it would last to go back near from the palisade, where it crosses the path to the immemorial arcades of the Mashiach, spinning around all creation at a speed that determines a verse in its soul around the orthogonal of Shemesh, quadrupled and cloistered in its self-consciousness scattered like iceberg down the back in the submissive thoughts that long to be tied to more precious time.

Our lord has us more tied to an absolutist past and future, looking at his calendar divided in such a way that it always fits the day that hurts the shadows of a sharp past, so that it always smiles in us, as the best luminous sign, of whom and with whom to repair the damage of various wounds that travel through the times of time, always wounded, to and from the borders of an anachronistic past. The ghosts, always fast tetra, marginalize themselves to the sound of greater diligence, they fled in Rizhon Lezion, to wake up a little further away from the rays of the stationary Sun, which from now on always surfaced in the degraded dark circles of the mountebank, prowling around the festivities of who knows how to wait, to make a toast under the pretext of faith and hope that exempts the cardinal turned into a flower in white attire.

Shvil from the Angels

The fast epi phantom tetra was emaciated, they lost their north and since they could not walk, they were not energized by the radiosities of the earth, which dominates those who lend divine graces if their feet rested on the tapestry of those who threw their footsteps in winter already near Jaffa. The Shvil Angels were angels that were on the route that cordoned off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowering Berne Olive Trees that made trunks of floral arches at the entrance of this ancient port. They were three when they walked, they were always distributed so fast that they seemed to be six, but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of those who one day will have to caulk the rhombuses of the fragmented light beams on the path of heaven so high, in the name of the phrases that never tire of looking at the incautious years that are of our father by the exogalaxies in the total company of the invisibility and relativity of cautious time.

This Semitic seashore beauty indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with its heart in hand, when foreigners appear in the name of plausive phylogeny. That brings him a piece of bearable land from the Universal Flood, this is why the ancient Canaanites have to receive them with the table set, to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa, who was the daughter of ******, god of the wind. Where Vernarth locked his Aspis Skolié shield so that it would shine in the bilges of the Eurydice, under the pentagon’s of the bronze layer of his shield, every time he approached the Dodecanese when the Auriga descended from Andromeda on the back of a punished rower by the storms taking him away from his mother galaxy.

Thousands of years BC Its merchants glorified themselves with their baskets full of belongings and merchandise, for its inhabitants, who today pretended to be pharaohs who paid tribute to the marine corners through the coast that today seemed to open up with more new waters that were reborn from the capering of the swells, founding thus the omens of embarking to attempt and submit to the omens of sovereignty between Judah and the Hellenic lands, to work with noble trees in their armories and utensils, of which they played an honorable part after the maintenance of the emblem of the last portion, of the shaft of the libertarian triumph of Alexander the Great over the Phoenicians in Tire. In the New Testament, it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and, later, how near this city he has a vision in which Yahweh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual (kosher) food restrictions followed by Jews.

The Shvil of the angels distanced themselves from the desire of this station without reaching them and not making them drink salty water from Jaffa, therefore they resorted to Petrobus who a few meters before reaching the port, summoned a large number of Dodecanese Pelicans who were waiting in great celestial flocks, which hovered happily above the sky welcoming them. The pelicans levitate from a risky juggling act, over the caravan and headed to the high seas, collecting saltwater, then they went along the initiation path of Shvil and reconvert the saltwater into sweet with hazelnuts so that they would have holy water, to insolate it and pour it into the canteens of the temple guards of the Canaanites who were waiting for them, to distract them, making them believe they were other Syriac lands such as those of Ashera, which in this act, perhaps it would be good for them to sponsor the Hexagonal Birthright.

But the paths of the angels have confederated before the noisy crowds and Ptolemaic lemurs, who were incorporated into the empty spaces that remained. Faced with this gravesite, Vernarth shouted to the sky with the force of Falangist tradition to himself, and acclaimed heaven, for the sake of freeing them from their definitive income to Jaffa, summoning the Hypatists; elite warriors and spearmen, for them to gather at the portal of the ante entrance of Jaffa, for others who never came from nowhere and nowhere, only blocking it from its perfect plan of memorial and theological heritage conservation, upon return from the exit Judah, to embark with destiny through the sulphurous point that  will boil them in temporary waters, towards the Cyclades and then the Dodecanese, triumphing in inhabiting them wherever whoever was and whoever arrived with foreign promise.

As dusk falls in its first nubile shadows, the  Shvil presents itself to you with these three angels dressed in ivory white, each with a book in each hand and in the other a candelabrum, giving signs of ultra-interpretive catechesis, allying with silica. In combination, after the vision of the charms of the knowledge spread. Earth and sky in the second angel, washing the Semitic dew of anguished Jaffa, with teachings of sleeping well and awakening, to walk in the lands that want to seize the senses, of those who are called not to be oppressed, behind the bars of the Morbid and illiterate pan-vision of the angles of hasty entertainment of the angels when they were called by the Angel Regent, simply relaying information easy to carry to their hearts, in faint powers and poetic lessons, before falling into a thorny forest, burning their tongues in furrows of afflicted human positions, to later redeem them fervently with the judicious power of God.

Vernarth, is distressed by matters of seeing them so tender and so fragile, allowing them to crawl toward him gently. Finally, on these three rules of the Shvil, Hanael introduces herself; "Speaking of hindrances stuck in the literary cabal of grateful compliments for all".   Alluding to Vernarth, a subject desensitized and also distant from any Sub Yóguica disciplinary doctrine. This led him to stand behind San Juan, protecting himself and scared of everything around him, he was seeing in front of him, on the upper left side itself, that Zebedeo was, San Juan's own father calling him!

Saint John the Apostle says: “Justice, at this time, allows us to alleviate ignorance, if the riddles allow us only to look for the answer, God will not be here…, it will only be emotional catharsis, through a merely ideological  Shvil or passage, which moves our meaningless sentences, definitely leading us to the coffers that rearm one after one, after the mistake. We are faithfully interpreted by them, but we detest our regencies with the Escaton, when we all pretend to follow his light of thunderous density towards the sky, prophesying to follow him without losing ourselves in him ..., held on his shoulder glossary. On the claws that are released from the dazed angelic prey, correcting its wavering vision, unraveling the living presence of condemnations or salvation, in Eden with your bare feet or in hell with no departure time”

Inexplicably, some Praetorian soldiers of Domitian appear, who would be restricting the departure of the tretacontero to Limassol, curiously they were the same ghosts from Shiraz that continued to represent such a bad event, just as when he was expelled to Patmos by Domitian in 95 BC, in size was the scandal that the Shvil angels produced with their impractical ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another Hellenic man who wanted to embark for Patmos, the other members were fully incorporated to the ship, which frolicked on the pranks as it proudly carried them to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board in the same ship that brought the principle from Limassol to Judah that transited from Lepanto.

The chapel of ministers reappears offering a ceremony, which would return the messianic remora to the Angels of Shiraz, to return to their former positions within the paths of biblical characters, who tend to commit adultery in the game of loss of consciousness of the Escaton, probably requiring that everyone have to make pilgrimage routes for all humanity secluded and liberated by themselves. The Saltimbanqui finally manage to jump into the boat to sail to the Dodecanese, but the Shvil of the Angels stayed where other celebrities will require them to reroute the Shvil Escaton.