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"inarticulate" poems
Lays of Mystery, Imagination, and Humor Number 1 I dreamt I dwelt in marble halls, And each damp thing that creeps and crawls Went wobble-wobble on the walls. Faint odours of departed cheese, Blown on the dank, unwholesome breeze, Awoke the never ending sneeze. Strange pictures decked the arras drear, Strange characters of woe and fear, The humbugs of the social sphere. One showed a vain and noisy **** That shouted empty words and big At him that nodded in a wig. And one, a dotard grim and gray, Who wasteth childhood's happy day In work more profitless than play. Whose icy breast no pity warms, Whose little victims sit in swarms, And slowly sob on lower forms. And one, a green thyme-honoured Bank, Where flowers are growing wild and rank, Like weeds that fringe a poisoned tank. All birds of evil omen there Flood with rich Notes the tainted air, The witless wanderer to snare. The fatal Notes neglected fall, No creature heeds the treacherous call, For all those goodly Strawn Baits Pall. The wandering phantom broke and fled, Straightway I saw within my head A vision of a ghostly bed, Where lay two worn decrepit men, The fictions of a lawyer's pen, Who never more might breathe again. The serving-man of Richard Roe Wept, inarticulate with woe: She wept, that waiting on John Doe. "Oh rouse", I urged, "the waning sense With tales of tangled evidence, Of suit, demurrer, and defence." "Vain", she replied, "such mockeries: For morbid fancies, such as these, No suits can suit, no plea can please." And bending o'er that man of straw, She cried in grief and sudden awe, Not inappropriately, "Law!" The well-remembered voice he knew, He smiled, he faintly muttered "Sue!" (Her very name was legal too.) The night was fled, the dawn was nigh: A hurricane went raving by, And swept the Vision from mine eye. Vanished that dim and ghostly bed, (The hangings, tape; the tape was red happy 'Tis o'er, and Doe and Roe are dead! Oh, yet my spirit inly crawls, What time it shudderingly recalls That horrid dream of marble halls!
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5.5k
The Palace of Humbug
Lays of Mystery, Imagination, and Humor Number 1 I dreamt I dwelt in marble halls, And each damp thing that creeps and crawls Went wobble-wobble on the walls. Faint odours of departed cheese, Blown on the dank, unwholesome breeze, Awoke the never ending sneeze. Strange pictures decked the arras drear, Strange characters of woe and fear, The humbugs of the social sphere. One showed a vain and noisy **** That shouted empty words and big At him that nodded in a wig. And one, a dotard grim and gray, Who wasteth childhood's happy day In work more profitless than play. Whose icy breast no pity warms, Whose little victims sit in swarms, And slowly sob on lower forms. And one, a green thyme-honoured Bank, Where flowers are growing wild and rank, Like weeds that fringe a poisoned tank. All birds of evil omen there Flood with rich Notes the tainted air, The witless wanderer to snare. The fatal Notes neglected fall, No creature heeds the treacherous call, For all those goodly Strawn Baits Pall. The wandering phantom broke and fled, Straightway I saw within my head A vision of a ghostly bed, Where lay two worn decrepit men, The fictions of a lawyer's pen, Who never more might breathe again. The serving-man of Richard Roe Wept, inarticulate with woe: She wept, that waiting on John Doe. "Oh rouse", I urged, "the waning sense With tales of tangled evidence, Of suit, demurrer, and defence." "Vain", she replied, "such mockeries: For morbid fancies, such as these, No suits can suit, no plea can please." And bending o'er that man of straw, She cried in grief and sudden awe, Not inappropriately, "Law!" The well-remembered voice he knew, He smiled, he faintly muttered "Sue!" (Her very name was legal too.) The night was fled, the dawn was nigh: A hurricane went raving by, And swept the Vision from mine eye. Vanished that dim and ghostly bed, (The hangings, tape; the tape was red happy 'Tis o'er, and Doe and Roe are dead! Oh, yet my spirit inly crawls, What time it shudderingly recalls That horrid dream of marble halls!
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60
This might not be deep enough for you, but I still need to tell you. You have the lips of a goddess and I long to kiss them And I want you to know I hear you, that quiet shudder you make as you feel my breath on your neck I see you, clenching your teeth as my fingers delicately dance on precious skin I feel you, one hand on the side of the bed, the other reaching and holding on for dear life to my chest. If you only knew how much I wanted you. I want to make love to you like I have OCD- I won't stop until it's perfect. I want to make love to you like I'm in love with you I want to make love to you like you are my best friend I want to make love to you like we were complete strangers, who met each other for the first time at some random college party in the Caribbean But we thought to ourselves, **** I will die an unhappy person if I don't make love to you". And maybe I'm wrong for that But tell me why every time I close my eyes, it is your hands I feel in my back; your inarticulate moans starting to sound like A Love Supreme and My Favorite Things. Let me kiss you at the sixteenth minute and fifty-two second mark of Around the Midnight. I want to take in every inch of your body, savor the taste of the gourmet that is your back, your neck and your la belle chatte. Vamos a la mierda y ver como el ciedo de la noche empieza a sangrar la luz del sol. And wake in the morning thinking every night with you is a love story worth telling the world. So I am. Physical *********** that results in spiritual exultation is what we share. I want you in ways my mind can't tell my mouth what to say, that's why every time before we make love, I tend to stare at you first. Engulfing the structure of your body and envisioning the ways I shall go about pleasing it. My bedroom walls, the floor, the bed, everything else becomes glass when I'm inside you. We become the solstice to each other's world Time turns into the finest Egyptian velvet that envelops us. I hear Nefertari's screams of fulfillment every time I go deeper into the story. You are the definition of a Beautiful Companion, so let me be your pharaoh. The ****** omniscience of you is what I desire So I humbly ask you, to give it to me, slowly For every second I have with you is **** near perfect It's Euphoric. -SFJ
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Jan 5, 2015
Jan 5, 2015 at 10:52 PM UTC
EUPHORIA
This might not be deep enough for you, but I still need to tell you. You have the lips of a goddess and I long to kiss them And I want you to know I hear you, that quiet shudder you make as you feel my breath on your neck I see you, clenching your teeth as my fingers delicately dance on precious skin I feel you, one hand on the side of the bed, the other reaching and holding on for dear life to my chest. If you only knew how much I wanted you. I want to make love to you like I have OCD- I won't stop until it's perfect. I want to make love to you like I'm in love with you I want to make love to you like you are my best friend I want to make love to you like we were complete strangers, who met each other for the first time at some random college party in the Caribbean But we thought to ourselves, **** I will die an unhappy person if I don't make love to you". And maybe I'm wrong for that But tell me why every time I close my eyes, it is your hands I feel in my back; your inarticulate moans starting to sound like A Love Supreme and My Favorite Things. Let me kiss you at the sixteenth minute and fifty-two second mark of Around the Midnight. I want to take in every inch of your body, savor the taste of the gourmet that is your back, your neck and your la belle chatte. Vamos a la mierda y ver como el ciedo de la noche empieza a sangrar la luz del sol. And wake in the morning thinking every night with you is a love story worth telling the world. So I am. Physical *********** that results in spiritual exultation is what we share. I want you in ways my mind can't tell my mouth what to say, that's why every time before we make love, I tend to stare at you first. Engulfing the structure of your body and envisioning the ways I shall go about pleasing it. My bedroom walls, the floor, the bed, everything else becomes glass when I'm inside you. We become the solstice to each other's world Time turns into the finest Egyptian velvet that envelops us. I hear Nefertari's screams of fulfillment every time I go deeper into the story. You are the definition of a Beautiful Companion, so let me be your pharaoh. The ****** omniscience of you is what I desire So I humbly ask you, to give it to me, slowly For every second I have with you is **** near perfect It's Euphoric. -SFJ
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32
You have abandoned purity for perfection. Even the blind have moments of clarity but you ***** around like the Cyclops feeling nowhere for noman while affecting a quiet, moronic expression. You can't knit without needles, but you have mislaid the point and so things unravel into random skeins. Your typewriter rattles only in reverse. Bards stub their toes and wail. You hear them, but pay no attention. You are listening for the atomic thunderclap. Nothing less than finale of final will do. When it explodes at last you will know the inarticulate, unspeakable name of god. Perhaps Fred. Perhaps Norma or Justine. Perhaps merely a very loud Boom... That will be more than enough for one life.
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Feb 11, 2017
Feb 11, 2017 at 8:59 AM UTC
Rabid Declamation
Your hands lie open in the long fresh grass,— The finger-points look through the rosy blooms: Your eyes smile peace. The pasture gleams and glooms ’Neath billowing skies that scatter and amass. All round our nest, far as the eye can pass, Are golden kingcup-fields with silver edge Where the cow-parsley skirts the hawthorn-hedge. ’Tis visible silence, still as the hour-glass. Deep in the sun-searched growths the dragon-fly Hangs like a blue thread loosened from the sky: So this wing’d hour is dropt to us from above. Oh! clasp we to our hearts, for deathless dower, This close-companioned inarticulate hour When twofold silence was the song of love.
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Silent Noon
THERE was a man whom Sorrow named his Friend, And he, of his high comrade Sorrow dreaming, Went walking with slow steps along the gleaming And humming Sands, where windy surges wend: And he called loudly to the stars to bend From their pale thrones and comfort him, but they Among themselves laugh on and sing alway: And then the man whom Sorrow named his friend Cried out, Dim sea, hear my most piteous story.! The sea Swept on and cried her old cry still, Rolling along in dreams from hill to hill. He fled the persecution of her glory And, in a far-off, gentle valley stopping, Cried all his story to the dewdrops glistening. But naught they heard, for they are always listening, The dewdrops, for the sound of their own dropping. And then the man whom Sorrow named his friend Sought once again the shore, and found a shell, And thought, I will my heavy story tell Till my own words, re-echoing, shall send Their sadness through a hollow, pearly heart; And my own talc again for me shall sing, And my own whispering words be comforting, And lo! my ancient burden may depart. Then he sang softly nigh the pearly rim; But the sad dweller by the sea-ways lone Changed all he sang to inarticulate moan Among her wildering whirls, forgetting him.
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The Sad Shepherd
you stranger, you becoming stranger, your voice the heart-beat spindle’s threadbare pull, pulsating in green-light chorus, washing me in and out of the shore of an intangible reality that i think you not only live in, but that you’ve created for yourself, cloth of blood and crystalline light and layer upon layer of memory that may or may not have happened. i dream of having my own palace in the inverted sky; i’d be the taste that you try to swallow away, the flickering guilt of the candle you forgot to blow out when you left the room— you left me in the light. i’d coax that tendril of half-thought half-baked slightly-worn feeling, weaving it through the syllables of my fingertips. the drumming of my hands across impatient countertops would keep the time, and you’d grow in rhythm. i’d smile, the smug, gap-toothed knowledge that comes from molding the inarticulate summation of yourself, you, who i have never met. our eyes would meet across the infinite cliff of a space between words, and that would be enough. i’d like to be able to leave the sound of my voice in the crook of your elbow, jarring your step as you try to look past the horizon, and only see my tower of words— i want to be your babel, baby.
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Oct 9, 2011
Oct 9, 2011 at 3:53 PM UTC
trash talk
You were totally something else. Like a calm respite overcoming an instance of excitement. Magic and other prime words that can dictate the inarticulate adjectives that was this afternoon. Happiness and pleasure. A coexistence. To coexist. Soy.
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May 3, 2014
May 3, 2014 at 12:36 PM UTC
Soy
Vertebrate beginnings, I collate each chordates morphological traits Striving to understand their profuse, evolutionary attributes. Memorize the fusion of Latin and Greek roots Interwoven just enough to complicate Instead of differentiate inarticulate invertebrates. Inhibitions confine to an educational institution Discombobulated and ready to ******* graduate.
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Apr 20, 2016
Apr 20, 2016 at 12:57 AM UTC
morphology
You'd be pretty lucky, if you caught my eyes staring back into yours. I'd like to tell you a good reason, weave a tale of heartwarming lies, Alas, there's no story behind my evasive eyes. I nod when I mean to scream 'yes' To every whim you have. I smile when I mean to laugh. I compliment you with the most beautiful of words, In my silence, I hope you hear me say. I was born a misdirecting sign-post, hoping to lead you the right way. If you'd know me, I'd like to believe, You'd fall in love with me. Indefinitely. Instantly. But in this infinitesimally small moment that we share, In an obnoxiously loud world that we stay, That little space between us is all it takes For all that is unsaid to lose its way. If you'd know me, I'd like to believe, You'd fall in love with me. Instantly. Indefinitely. If you'd give me a while, You could hear, you could see. You'd know how hopelessly in love I am, as inarticulate as my thoughts may be. But with the years it has learned, This stupid, hopeless heart of mine. That it simply does not have the luxury of time.
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Feb 24, 2015
Feb 24, 2015 at 2:11 PM UTC
The Luxury Of Time
Here lies my dog, motionless in his kennel unable to wag his tail as he always did. Yesterday when I saw him, curling helpless on his mat he still wagged his tail and from him arose a faint tremolo of love punctuated by gutturals of pain. At some bleak hour of the night, the last ember of life died down and his supple body turned stiff and stark. Now he lies straight and majestic in death leaving a track record of love far difficult to break, - a love no vessel can hold or equated with what we humans feel. Speechless as I stand, memories churn within. He came to us - too young to be weaned, a glossy black puppy with tawny gleaming eyes. His short, sturdy limbs, large drooping ears, slender waist and elongated frame well proclaimed his pedigree aloud So full of mischief, he capered and hopped, like a new born calf, always up on his heels. Sniffing with moist nose, he dug and dug as if unearthing a treasure trove buried deep beneath the soil. With alert vigil, he guarded our home, barking at strangers and driving rodents away He expected nothing in turn but love. His loyalty as we deem was never servile. Never was he on chains to be hauled like cattle. He enjoyed sauntering through the courtyard giving company as we took our evening rounds. He gloated rubbing his body over our knee and sat content as our stroking fingers ran all around Licking our feet and arms, what he conveyed in inarticulate words could be deciphered thus - ‘I love you, love you true’ Like the bouncing ball, he often played with our hearts made to bounce up in love and our hands fold in benison for a comrade who departs, valiant in life and loyal to the core hoping to meet him anon on the far green meadows of bliss, still wagging his tail, avowing a bond too strong to be snapped or splintered.
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Jun 1, 2016
Jun 1, 2016 at 8:57 AM UTC
A Tribute to my Dog
Here lies my dog, motionless in his kennel unable to wag his tail as he always did. Yesterday when I saw him, curling helpless on his mat he still wagged his tail and from him arose a faint tremolo of love punctuated by gutturals of pain. At some bleak hour of the night, the last ember of life died down and his supple body turned stiff and stark. Now he lies straight and majestic in death leaving a track record of love far difficult to break, - a love no vessel can hold or equated with what we humans feel. Speechless as I stand, memories churn within. He came to us - too young to be weaned, a glossy black puppy with tawny gleaming eyes. His short, sturdy limbs, large drooping ears, slender waist and elongated frame well proclaimed his pedigree aloud So full of mischief, he capered and hopped, like a new born calf, always up on his heels. Sniffing with moist nose, he dug and dug as if unearthing a treasure trove buried deep beneath the soil. With alert vigil, he guarded our home, barking at strangers and driving rodents away He expected nothing in turn but love. His loyalty as we deem was never servile. Never was he on chains to be hauled like cattle. He enjoyed sauntering through the courtyard giving company as we took our evening rounds. He gloated rubbing his body over our knee and sat content as our stroking fingers ran all around Licking our feet and arms, what he conveyed in inarticulate words could be deciphered thus - ‘I love you, love you true’ Like the bouncing ball, he often played with our hearts made to bounce up in love and our hands fold in benison for a comrade who departs, valiant in life and loyal to the core hoping to meet him anon on the far green meadows of bliss, still wagging his tail, avowing a bond too strong to be snapped or splintered.
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47
It's only you that i want, that I need, that I could have, But also you weren't mine to keep. I wanted to be held by you, feel your hands on me, Your lips on my skin, I wanted you to feel what I had felt for you. And I had a deeply hidden And inarticulate desire for something beyond, It's an inclination, disposition. an impulse, a craving, a yearning. This wasn't as ruining, But yet it has taken every part of me to not think of. A libido for you, a sensuality, Lust to take all that I had to give, And I'd given it—
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May 5, 2018
May 5, 2018 at 2:31 PM UTC
a lechery
On the other side of the pumpkin patch there lies a narrow path. Just a dent in the woods it seems, until getting closer you can see The ground worn smooth by those who know to use it. A short, dimly lit way through the thick brush opens out And suddenly you find yourself on the gravelly bank of a railroad track. The track cuts a swath through the dense forest that leans over it As if jealous of the ground taken from its midst. In each direction the track finally loses itself in a tunnel of trees, Curving out of sight to reach some distant and unknown end. When the train comes through, robbing the woods of the solace of silence, I wonder where it’s bound, and how long it will take to get there. The rhythmic clacking of the wheels, the endless line of boxcars, The power and speed of the thing arrogantly announces itself to all-- Blind to any purpose or direction other than its own inarticulate need. As the trains moves out of sight, I look again at the empty track And wonder about the choices I have made.
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Jan 31, 2012
Jan 31, 2012 at 2:09 PM UTC
The Railroad Track
Your hands lie open in the long fresh grass, - The finger-points look through like rosy blooms: Your eyes smile peace. The pasture gleams and glooms 'Neath billowing skies that scatter and amass. All round our nest, far as the eye can pass, Are golden kingcup-fields with silver edge Where the cow-parsley skirts the hawthorn-hedge. 'Tis visible silence, still as the hour-glass. Deep in the sun-searched growths the dragon-fly Hangs like a blue thread loosened from the sky: - So this wing'd hour is dropt to us from above. Oh! clasp we to our hearts, for deathless dower, This close-companioned inarticulate hour When twofold silence was the song of love.
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2k
Silent Noon
You make me worry about losing my memory. Because right now I've reached a stage where I've forgotten to forget you, so if I really did lose my memory I wouldn't just be losing my identity, but also you. And the problem is, I can live without knowing myself, but wouldn't survive a second without knowing you. You make me want to write poems. My fingers crave to type endlessly until I've written more words than the bible and the encyclopaedias A-Z combined into infinity, but my brain numbs. I'm bilingual but thinking of you makes me inarticulate in both, and fluent in clichés instead. You make me feel like a 16 year old...scrap that, a 14 year old, falling in love for the first time, and I'm neither. Lately I've been spending a lifetime editing photos of you and me, on Microsoft Paint, adding hearts and stars and lipstick marks. And tagging you in every quote, video, song and photo on facebook, provided they have a remote connection to something romantic. You make me want to break Pastor Aeternus , after 12 years of Sunday school, as a student and a teacher. I want to travel between Testaments, arguing with prophets and saints, trying to explain how you make me feel, crave, arouse. Because each time we meet, even before we speak, or touch, the demon within me is awaken, beholding the paradise in your eyes. You make me want to ****** you, even after 4 months, and 3 weeks, of a solid relationship. To wear make-up and high heels, to dress up or down or... not, provoking, tempting and coaxing to take a bite out of the same apple, but deeper, tying you to the bed and taking you in a kitchen, just to see that pure expression of bliss on your face. You make me search the depth of my soul, the bottom of my heart and every corner of my mind, for more love to give you, everyday. Paint the future in any colour, shape or form, and when you're done, place me in it, because I will always fit right in, just like when we spoon. Someday, when we're standing next to God I will ask him to show you the timeline, when he sent you from heaven into my life, because only an Angel could make this fragile heart, fall in love again.
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Apr 7, 2012
Apr 7, 2012 at 9:05 PM UTC
Dear Lover
You make me worry about losing my memory. Because right now I've reached a stage where I've forgotten to forget you, so if I really did lose my memory I wouldn't just be losing my identity, but also you. And the problem is, I can live without knowing myself, but wouldn't survive a second without knowing you. You make me want to write poems. My fingers crave to type endlessly until I've written more words than the bible and the encyclopaedias A-Z combined into infinity, but my brain numbs. I'm bilingual but thinking of you makes me inarticulate in both, and fluent in clichés instead. You make me feel like a 16 year old...scrap that, a 14 year old, falling in love for the first time, and I'm neither. Lately I've been spending a lifetime editing photos of you and me, on Microsoft Paint, adding hearts and stars and lipstick marks. And tagging you in every quote, video, song and photo on facebook, provided they have a remote connection to something romantic. You make me want to break Pastor Aeternus , after 12 years of Sunday school, as a student and a teacher. I want to travel between Testaments, arguing with prophets and saints, trying to explain how you make me feel, crave, arouse. Because each time we meet, even before we speak, or touch, the demon within me is awaken, beholding the paradise in your eyes. You make me want to ****** you, even after 4 months, and 3 weeks, of a solid relationship. To wear make-up and high heels, to dress up or down or... not, provoking, tempting and coaxing to take a bite out of the same apple, but deeper, tying you to the bed and taking you in a kitchen, just to see that pure expression of bliss on your face. You make me search the depth of my soul, the bottom of my heart and every corner of my mind, for more love to give you, everyday. Paint the future in any colour, shape or form, and when you're done, place me in it, because I will always fit right in, just like when we spoon. Someday, when we're standing next to God I will ask him to show you the timeline, when he sent you from heaven into my life, because only an Angel could make this fragile heart, fall in love again.
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37
Totally like whatever, you know? by Taylor Mali In case you hadn’t noticed, it has somehow become uncool to sound like you know what you’re talking about? Or believe strongly in what you’re saying? Invisible question marks and parenthetical (you know?)’s have been attaching themselves to the ends of our sentences? Even when those sentences aren’t, like, questions? You know? Declarative sentences—so-­‐called because they used to, like, DECLARE things to be true, okay, as opposed to other things are, like, totally, you know, not— have been infected by a totally hip and tragically cool interrogative tone? You know? Like, don’t think I’m uncool just because I’ve noticed this; this is just like the word on the street, you know? It’s like what I’ve heard? I have nothing personally invested in my own opinions, okay? I’m just inviting you to join me in my uncertainty? What has happened to our conviction? Where are the limbs out on which we once walked? Have they been, like, chopped down with the rest of the rain forest? Or do we have, like, nothing to say? Has society become so, like, totally . . . I mean absolutely . . . You know? That we’ve just gotten to the point where it’s just, like . . . whatever! And so actually our disarticulation . . . ness is just a clever sort of . . . thing to disguise the fact that we’ve become the most aggressively inarticulate generation to come along since . . . you know, a long, long time ago! I entreat you, I implore you, I exhort you, I challenge you: To speak with conviction. To say what you believe in a manner that bespeaks the determination with which you believe it. Because contrary to the wisdom of the bumper sticker, it is not enough these days to simply QUESTION AUTHORITY. You have to speak with it, too.
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May 3, 2014
May 3, 2014 at 7:27 AM UTC
Totally like whatever, you know?
Totally like whatever, you know? by Taylor Mali In case you hadn’t noticed, it has somehow become uncool to sound like you know what you’re talking about? Or believe strongly in what you’re saying? Invisible question marks and parenthetical (you know?)’s have been attaching themselves to the ends of our sentences? Even when those sentences aren’t, like, questions? You know? Declarative sentences—so-­‐called because they used to, like, DECLARE things to be true, okay, as opposed to other things are, like, totally, you know, not— have been infected by a totally hip and tragically cool interrogative tone? You know? Like, don’t think I’m uncool just because I’ve noticed this; this is just like the word on the street, you know? It’s like what I’ve heard? I have nothing personally invested in my own opinions, okay? I’m just inviting you to join me in my uncertainty? What has happened to our conviction? Where are the limbs out on which we once walked? Have they been, like, chopped down with the rest of the rain forest? Or do we have, like, nothing to say? Has society become so, like, totally . . . I mean absolutely . . . You know? That we’ve just gotten to the point where it’s just, like . . . whatever! And so actually our disarticulation . . . ness is just a clever sort of . . . thing to disguise the fact that we’ve become the most aggressively inarticulate generation to come along since . . . you know, a long, long time ago! I entreat you, I implore you, I exhort you, I challenge you: To speak with conviction. To say what you believe in a manner that bespeaks the determination with which you believe it. Because contrary to the wisdom of the bumper sticker, it is not enough these days to simply QUESTION AUTHORITY. You have to speak with it, too.
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41
Exclusive world, beyond the curtains, inarticulate taboo, provoke to think, arousing emotions, atmosphere mood, forbidden truth in a reality shared by only few, every scar I have upon arrival here had been worth it. Death is not the last act at the other end of the theatre. As for my own self, it belongs to me and myself only. Individuality here in a collection of other individuals, the meaning of life has no face or pulse. For I stepped not into a stupor of madness or exile. A realm of Muses and a kingdom of those who know power and I am smiling.
0
Jul 27, 2018
Jul 27, 2018 at 7:22 PM UTC
other side
My Teardrops If I showed you my teardrops, would you collect them like rain? Store them in jars, and label them “Pain”. Would you follow their tracks from my eyes down my cheeks, as I write the poems I'm too inarticulate to speak?. Would you stop them with kisses,and,bring their flow to a halt?. As you teach me that pain isn't always my fault. Would you hold my face gently as you dry both my eyes?. And whisper to me “You're too beautiful to cry”. If I showed you my teardrops, Would you show me your own? Embracing my loneliness Until I'm no longer alone?. Randy McPeek
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Dec 10, 2016
Dec 10, 2016 at 10:03 AM UTC
My Teardrops
i am lost in the wisp of your faltering the fluttering of concrete entrenched into stoic rigmarole to reach out layer by layer peeling unearthing a catatonic subdivision of disjoint subdivisions a limit ordinal between touch and feeling where we kiss on the cusp of that silent ocean on the edge of sound drowned in the nebulous familiarity of a distant melody a tired resolve re  solve the old puzzle  muscle memory's misted amnesia half the pieces falling out the warn tinderbox inarticulate drowned severed isomorphisms over brea(d)thless infinities self adjoint matted topologies nestled snugly in the amniotic absolution of form before being       hands of matted ice contorted into perfection by the sculpting propensities   of undulations of estrangement, where we touch in the cusp of self reflections thousand mirrors inverted propensities                         infinite infinitesimals   nestled meromorphic partitions hidden corners in the brevity of dusk multiplicities fragmenting behind empty veils (  to be seen is to be made discrete    to be discrete is to flicker                                      and disappear   (inevitably invariable           inevitable invariability)) we        stand in a waterfall of gravel    and drown our voices in the choke of our cellophane hearts caked              into fillets of aphasic tundra   where we whisper our nothings in the desert on the boundary of silence our words                          escape us            like rats from shipwreck                                       we are                        disembowelled catharsis                            intentional and fatuous                                    retching upon itself        severed and free        and dead
0
Oct 15, 2014
Oct 15, 2014 at 8:53 AM UTC
Untitled
i am lost in the wisp of your faltering the fluttering of concrete entrenched into stoic rigmarole to reach out layer by layer peeling unearthing a catatonic subdivision of disjoint subdivisions a limit ordinal between touch and feeling where we kiss on the cusp of that silent ocean on the edge of sound drowned in the nebulous familiarity of a distant melody a tired resolve re  solve the old puzzle  muscle memory's misted amnesia half the pieces falling out the warn tinderbox inarticulate drowned severed isomorphisms over brea(d)thless infinities self adjoint matted topologies nestled snugly in the amniotic absolution of form before being       hands of matted ice contorted into perfection by the sculpting propensities   of undulations of estrangement, where we touch in the cusp of self reflections thousand mirrors inverted propensities                         infinite infinitesimals   nestled meromorphic partitions hidden corners in the brevity of dusk multiplicities fragmenting behind empty veils (  to be seen is to be made discrete    to be discrete is to flicker                                      and disappear   (inevitably invariable           inevitable invariability)) we        stand in a waterfall of gravel    and drown our voices in the choke of our cellophane hearts caked              into fillets of aphasic tundra   where we whisper our nothings in the desert on the boundary of silence our words                          escape us            like rats from shipwreck                                       we are                        disembowelled catharsis                            intentional and fatuous                                    retching upon itself        severed and free        and dead
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49
Simon Says Do not let the anxiety attack The phrase running through the empty spaces deep inside the mind of a mad woman The mind of a malevolent monster, she who does not see first the good in others But the pain, oh the pain they feel Projecting onto her as if she is a goddess The silent one who walks among the clods They don't want you. Telling the voice which feeds the addiction to fear , pain and manipulation to stop You mean nothing, you are nothing. Stop judging and poking and prodding to create the nightmares. The things she sees in others who don't care Those living in fear since conceived, told who and what and how to believe If you just agree, you'll have friends If you just listen you'll have a "life" Just follow me Should I die, as a follower? Or alone... It's freedom... It's the way Wearing a costume to appease while calling it unique? Believing that beauty is a representation of a Holocaust victim, the women starving themselves to look like the ones America “feeds”? Thinking it appeals to show some skin, when the ones who look either need a bucket or napkin? Putting the idea in your head that substance is survival, Telling you not to do drugs while the doctor writes the prescription Given your own rights, a bar code with a smile on the side to define who you are Who... are ... you? Declare me a young David Koresh, creating a prolonged disaster It's not fair... It's not fair for one so young to know why her peers are inarticulate And it's not fair... It's not fair for a heart so big to build a wall of all the things, people, places and dreams that once stood so tall So ask yourself... Am I the butcher? Or am I the meat? Should I hate the shepard, if I am the sheep? It's not fair... Its not fair to live in a world so small after all the years of shame and pain, still unable to find somewhere to belong. So ask yourself, outside of all the pain them all telling you to forgive, forget In the final look, does the deer forgive the wolf?
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Aug 25, 2013
Aug 25, 2013 at 1:08 PM UTC
Simon says
Simon Says Do not let the anxiety attack The phrase running through the empty spaces deep inside the mind of a mad woman The mind of a malevolent monster, she who does not see first the good in others But the pain, oh the pain they feel Projecting onto her as if she is a goddess The silent one who walks among the clods They don't want you. Telling the voice which feeds the addiction to fear , pain and manipulation to stop You mean nothing, you are nothing. Stop judging and poking and prodding to create the nightmares. The things she sees in others who don't care Those living in fear since conceived, told who and what and how to believe If you just agree, you'll have friends If you just listen you'll have a "life" Just follow me Should I die, as a follower? Or alone... It's freedom... It's the way Wearing a costume to appease while calling it unique? Believing that beauty is a representation of a Holocaust victim, the women starving themselves to look like the ones America “feeds”? Thinking it appeals to show some skin, when the ones who look either need a bucket or napkin? Putting the idea in your head that substance is survival, Telling you not to do drugs while the doctor writes the prescription Given your own rights, a bar code with a smile on the side to define who you are Who... are ... you? Declare me a young David Koresh, creating a prolonged disaster It's not fair... It's not fair for one so young to know why her peers are inarticulate And it's not fair... It's not fair for a heart so big to build a wall of all the things, people, places and dreams that once stood so tall So ask yourself... Am I the butcher? Or am I the meat? Should I hate the shepard, if I am the sheep? It's not fair... Its not fair to live in a world so small after all the years of shame and pain, still unable to find somewhere to belong. So ask yourself, outside of all the pain them all telling you to forgive, forget In the final look, does the deer forgive the wolf?
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53
A bush lark in the Greenwood forest sings. She sings all day long near the mountain springs. Is she trilling in notes so plaintive of her missing mate? Unleashing her heart of its doleful weight? Or easing the pangs of a heart that starves For a soulmate yet to come for whom she craves? Or sending a missive through the aerial route Sounding in every ear a low melancholy note? From the covert of dark leaves, her song percolates. Through the sinews of my heart it permeates, Striking a cord between two souls equally deprived, Stirring in me an inarticulate ache, never once divulged.
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Mar 23, 2018
Mar 23, 2018 at 12:17 PM UTC
Cord
Like labour-laden moonclouds faint to flee From winds that sweep the winter-bitten wold,— Like multiform circumfluence manifold Of night’s flood-tide,—like terrors that agree Of hoarse-tongued fire and inarticulate sea,— Even such, within some glass dimmed by our breath, Our hearts discern wild images of Death, Shadows and shoals that edge eternity. Howbeit athwart Death’s imminent shade doth soar One Power, than flow of stream or flight of dove Sweeter to glide around, to brood above. Tell me, my heart;—what angel-greeted door Or threshold of wing-winnowed threshing-floor Hath guest fire-fledged as thine, whose lord is Love?
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1.5k
Through Death To Love
The thing you do to a discharged cell, Or to the socks that have too much of a smell, What is it? Doesn’t it ring a bell? Because You adhere to that policy so very well… The thing you do to a flower that’s dead, So also to a pencil that’s out of lead, The same unfortunate fate of a broken wooden bed, A habit of yours that lies imbibed in your head… The death call for a tire with no air, The plight of a writer who has lost his flare, The epitaph of a man about whom nobody cares, The cold obsoleteness of all your stares… The gills of a fish outside of water, The remains of a pig after its meaty slaughter, The detriment of someone devoid of fun and laughter, You certainly know about all this better… A Kingless queen in a match of chess, A game of chance without a single guess, A heart beating oh so loveless, Their method of disposal is at your prowess… Use and Throw, Use and Throw, That’s the way you always go, Use and Throw, Use and Throw, That’s all the love and affection to me you did show… For all the compassion, all the regret, I’m an expendable? Do I know you? Have we ever really MET? It’s just made me even more sad and upset… After trying to make your everyday new, I’m wound up being Use and Throw to you, I’m use and Throw, insipid, inarticulate, A used tissue can’t undo its sealed fate…. But if I were any of these above things, Of which my lonely aching heart sings, A battery could be recharged duly, The smell of socks would get the heavy laundry, A flower would find soil to unwither and bloom, A pencil refilled with lead to avoid its impending doom… All of these things I know I can do, But I also know I can never ever have you, Because all YOU did, was use, then you Threw… After my usefulness I meant absolutely nothing to You… Use and Throw, Use and Throw, As tears and blood into my discarded tissue does flow… I was nothing to you, I have nowhere to go… After all to you I was just.. USE AND THROW….!
0
Jun 2, 2011
Jun 2, 2011 at 5:49 AM UTC
USE AND THROW, USE AND THROW...
The thing you do to a discharged cell, Or to the socks that have too much of a smell, What is it? Doesn’t it ring a bell? Because You adhere to that policy so very well… The thing you do to a flower that’s dead, So also to a pencil that’s out of lead, The same unfortunate fate of a broken wooden bed, A habit of yours that lies imbibed in your head… The death call for a tire with no air, The plight of a writer who has lost his flare, The epitaph of a man about whom nobody cares, The cold obsoleteness of all your stares… The gills of a fish outside of water, The remains of a pig after its meaty slaughter, The detriment of someone devoid of fun and laughter, You certainly know about all this better… A Kingless queen in a match of chess, A game of chance without a single guess, A heart beating oh so loveless, Their method of disposal is at your prowess… Use and Throw, Use and Throw, That’s the way you always go, Use and Throw, Use and Throw, That’s all the love and affection to me you did show… For all the compassion, all the regret, I’m an expendable? Do I know you? Have we ever really MET? It’s just made me even more sad and upset… After trying to make your everyday new, I’m wound up being Use and Throw to you, I’m use and Throw, insipid, inarticulate, A used tissue can’t undo its sealed fate…. But if I were any of these above things, Of which my lonely aching heart sings, A battery could be recharged duly, The smell of socks would get the heavy laundry, A flower would find soil to unwither and bloom, A pencil refilled with lead to avoid its impending doom… All of these things I know I can do, But I also know I can never ever have you, Because all YOU did, was use, then you Threw… After my usefulness I meant absolutely nothing to You… Use and Throw, Use and Throw, As tears and blood into my discarded tissue does flow… I was nothing to you, I have nowhere to go… After all to you I was just.. USE AND THROW….!
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45
A party in the jungle heat, he is sober, Like always. *Just one drink... Come on try it...* No. One, please, do it with me No Don't be left out No Just one...? ...no... One. Capitulation First Sip. Fruit juices of the jungle- strawberry sweet with that telling aftertaste no regret. Sip. Gulp. First cup finished He is Tipsy. Secnd cup finshed He is Buzzed. Pride, He has lost his inicense, He is growin' up. The only limit is dere are none... Three cups in and the sweet nektar is gane, One half a Loko next – grawss. The world tips. One half a wutr botle goes very fastly - no flavor at all The world blurs, Cut to couch 3 am He tiiirrrred, He fulll, He is full-on drunk. For the first time in sixteen years, he is a wining-confused-inarticulate baby. Pillow on his face to hide from the lights- not the shame- just the party that needs to be over He wants sleep, but the spins keep him awake. The rumors abound: "He assed out on the couch."- not true. Alcohol fueled lie. Alcohol distorts perception far worse than a few rumors can hope to encompass. Alcohol turns your average teen into a Thrill-seeking Death-defying Lady-killing Frisky-living Idiot.
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Jun 16, 2013
Jun 16, 2013 at 2:00 PM UTC
First Time
You once said I was loud so I became quiet You once said I was selfish so I started to care more for others than myself You once said I was illiterate so I flooded my brain with books and inarticulate words You once said I was ugly so I put on so much makeup I was borderline unrecognizable Loud Selfish Illiterate Ugly But then it’s too quiet Then it’s self neglectant Then it’s nerd Then it’s fake I couldn’t do anything right You once said I was ***** so I wore short skirts and crop tops just like the rest of them You once said I was different so I fit as much of myself that I could into a perfect little mold You once said I was husky so I stopped eating lunch You once said I was lonely so I started befriending more guys than I could count ***** Different Husky Lonely But then it’s ****** Then it’s wanna be Then it’s anorexic Then it’s ***** Trying got me nowhere and i’ll never be like everyone else But wait. Why would I want to be? Since when I did I care about all that? I was not loud I am just expressive I was not selfish I’m just not open I was not illiterate I’m just still learning I was not ugly I just have flaws Why did I believe you in the first place? I was not ***** I just rock a turtleneck I was not different we are all unique I was not husky I just had thighs for days I was not lonely…am not lonely. So why would I change myself for the likes of you?
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Mar 8, 2018
Mar 8, 2018 at 8:57 AM UTC
Not So Constructive Critisism
We were strangers Who came with words, We have a flawless storyline And wrote our own lies. Those ravishing words That turned into An ocean of aesthetic lies, Then I drowned and can't swim. We're now inarticulate And we both share The same ghost Contradicting everything special That we lost in a blink. I was the moon and stars Who swallowed his darkness, He was the setting sun Who have put me down, I guess I was in love with an idea. (J.a.t.m)
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Oct 16, 2015
Oct 16, 2015 at 11:06 AM UTC
Untitled