Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So Jim, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul armed to the teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives staying alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on a horse with no name but so consumed with fumes

A fright occultist thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from 1967 to 2016 and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours


He then realised what the date was . . . and slowly let his hands fall to his lap.

She seems pretty queer
Yes she does
Something odd
Something peculiar

Is it in her insouciance
Is it in her audacity
Is it in her pirouettes
Spun with such vivacity

Is it in her defiance
Is it in her nonrepentance
Is it in her reveling so free
A form full of glee

Sometimes impetuous
All times ingenuous
Aflame with passion
An immersive intoxication

Cracking down on this mystery
A perplexing dichotomy
Let's remove the misfitting pieces
In sync with commonplace notions

Alas what dismantling of a girl
at peace with her pieces
What uprooting of a girl
at home in her body

Religion is like wrestling when it was kayfabed
The kind of immersive storytelling that is A grade
We became trapped
In the Walls of Jericho
Separated on the map
From the fields of marigolds
Shinier things catch our eye
Like Goldust in the ring
Not of Mankind
But McMahon's kind
We start to see behind the Big Show
Until they introduce the Boogeyman
Manipulating until progress is slowed
All according to plan

Jake the Snake offers the apple to Eve
And into calamity we are cleaved
This was something I never agreed
But Christian pushes me to Edge
No room in discourse to hedge
Swanton bombs fall in cities
The Million Dollar Man cracks a smile
Unable to feel pity
The billions of bodies start to pile
And I haven't seen the Hart Foundation in a while

These ideas pin us down
And we can't kick out
We end up indifferently submitting
To the Big Boss Man
A legacy we're cementing
Like the Ku Klux ****

I'm from Kentucky
Where biology is taught in the context
Of where it fits in with Christianity's teachings
I wonder how many people this knowledge is reaching
When we're trapped in Wrestlemania
We cheer for the Undertaker's victory
Because we're constantly wrestling with demons
Transcendence is only something we can dream of

i'm sure
life was a peach
til he was born breach
but the inversion of his excursion
into the hands of the surgeon left him worse an'
the immersive submersion
in perversive subversion
was only urgin'
the incursion
of aspersions
for subversive diversion
as
an apparition with volition
wishin for position transition
fishin for recognition
of  ambitious cognition    
this in addition
to the malicious conditions
that stitched in repetitions
of neurochemical
         composition
       transmissions
    entailing
the intensity of his propensity
to find immense suspense in the
density of a tense city hence did he
commence in the dispensary
of sound condensed sensory
sensory sensory sensory.

said the intensity of his propensity
to find immense suspense in the
density of a tense city hence did he
commence in the dispensary
of sound condensed sensory
sensory sensory.

This things are made for idling
transparent in their quotidian splendor:

A Buddha statue at the receptionist desk
golden skin, red robes
welcoming all yogis with its gaze
eyelids closed

The candle, a guardian of an aim
an intention that moves within a flame
over the palms of the wooden hands

Incense smoke dance softly around the entrance
like a dream seen from wakefulness
immersive enhancer of the humor
filling the place with soft calmness
Nag champa smell
and serious air

The bamboo doors
from Monday to Sunday
open the way to Indian sounds
and the voices of blooming teachers
guide the way
until shavasana
when practitioners become gently moving statues
and glowing air goes
breathing in and breathing out
daily efforts and daily hopes.

I hate love lives
But I don't hate life
I just don't think I could get it right in 8 lives
Each one with 8 wives
That's 64 beautiful women
Thoroughly explored I couldn't find love in em

I relish in hate right...
But I don't hate life
I just can't help but see the stigma that you're stained by
Slithering worthless serpents working circles and sinning
I heard their hymns and verse but couldn't find love in em

I play to their hate right..
But they don't hate life
They're just vulnerable to the flames Nihilists lay by
Sleeping soundly certain that there was no divine venom
Pious verses were immersive yet rehearsed I couldn't find love in em.

It's subjective what's right
But I don't hate life
I just can't shape my morals and at the same time,
Sit in oblong boxes and keep my thoughts within em
I read your laws, codes, and odes but couldn't find love in em

Justice is unjust,
When it merely imposes,
The will of the state.

_______

Justice
Time: The all too near future
Place: A courtroom
Setting: Final sentencing of a prisoner convicted of the last remaining capital offense on the books of a kinder, gentler, fairer world in which equality is no longer a mere aspiration.
________

The prisoner stared impassively into the camera. The bright lights causing beads of sweat to form above his eyes and forcing him to squint, his perspiration-soaked thinning hair flattened unflatteringly against his forehead. No sound could be heard other than the faint hum of the air conditioning whose airflow was directed from the high ceiling above the high seats of the three judge panel, towards the three judges, keeping their immediate area comfortably cool. The camera trained on them remained a respectful distance away, and no harsh lights illuminated their somber countenances.

All three judges stared at the camera showing no emotion, their hands folded in front of them on the surface of their capacious bench on top of three equal stacks of paper placed before them. Everywhere on earth citizens watched the unfolding drama over the neural net that provided a fully immersive experience indistinguishable from reality, effectively placing every citizen on the planet in the courtroom as the Chief Judge began to speak in a deep, resonant, clear voice.

“The evidence against you has been examined. This tribunal finds you guilty of the charges against you by a unanimous vote. Have you anything to say before we pass sentence?”

The camera cuts back to the prisoner. The lights brighten around him and the heat rises perceptibly, adding fresh fuel to the trickle of sweat flowing down his flushed face, causing a bead of sweat to form at the end of his nose that he is unable to swat away because his wrists are restrained by metal bands at the armrests of his metal chair, outside the viewing range of the camera’s tight zoom on his face.

“I am guilty of no crime,” the prisoner protests in a low voice full of palpable weariness and resignation.

“You are guilty of the most heinous of crimes,” the Chief Judge contradicts, raising his voice and causing the prisoner to cringe.
“That is not open to debate. This is your final chance to make what amends you may to those whom you have harmed through your selfish, deviant act. It will have no effect on this Court’s sentence.”

“But I have done nothing wrong,” the man emphatically protests again, as ribbons of perspiration roll down his neck and deepen the growing ring of dark sweat absorbed by his bright orange jumpsuit, leaving a collar of dark moisture around his neck.

“Silence!” the Chief Judge hisses through tight lips. “The record will show that the prisoner is unrepentant. This Court finds that he willfully, maliciously and without justification removed his neural connector with the purpose and effect of severing his connection to the neural nets. We further find that the motivating factor for this most egregious, malevolent and repugnant crime was the attempt to abandon the Common Consciousness and establish his individuality separate and apart from the Communal Mind. We further find that the subject is in full possession of his legal faculties and capable of understanding the criminal nature of his acts, and, perhaps most tragically, that he fails to see the enormity of his crime.” The Chief Justice faltered slightly, delivering the final words of the Court’s sentence with a slight tremor in his voice. After stopping a moment to compose himself as his learned colleagues looked on impassively, he continued. “It is, therefore, the judgment of this Court that you will forever remain disconnected from the nets from this day forward.”

Upon hearing the Judge’s words the prisoner’s eyes opened wider, attempting to digest their import. Could it be? Might he finally be allowed the what he believed to be his unalienable right to be an individual for the first time in his life? The opportunity to live in a world in which he could have original thoughts, genuine emotions, privacy and the opportunity to be different from everyone else? The joy he felt nearly made him faint with relief and unbridled joy, allowing him for the first time in his life the possibility of hope as tears welled in his eyes.

He found he could not speak, could not express even the simple words “thank you” to the Court. It was as though he were emerging from a life-long nightmare, as if. . .

“The prisoner’s IP address, 999.999.999.999, shall be erased from the Nets,” the Judge continued as the prisoner’s tears now flowed freely. “His existence shall be forever stricken from the Collective Consciousness lest it germinate there and once again grow sedition in our midst.” The prisoner wept openly now while smiling broadly.
“The death sentence for this most heinous of crimes is hereby commuted so that the prisoner may be allowed the individuality he craves for the rest of his natural life, devoid of the comfort of our collective humanity or the distracting influences of life.”

The Chief Judge then paused and took a deep breath, as the prisoner shuddered with relief. He then continued in a slow, resonant voice. “It is further ordered by this Court that the prisoner shall have his eyes, eardrums, tongue and olfactory organs surgically removed that he may not taste, smell, see, hear, or speak with any other human being for the rest of his natural life. Thereafter, he is remanded to a hospital where he shall be restrained to a bed and tended to by robotic life support aids that he may be denied the comfort of feeling another human beings warm touch upon his skin. The sentence of this Court shall be carried out immediately and shall be witnessed by all the citizens of Earth as partial reparation for this most heinous of crimes against humanity.”

The prisoner’s screams lasted only a few moments as an anesthetic was administered and the cameras were re-arranged in preparation for justice to be carried out.

(C) 2011, 2019 Victor D. Lopez - All rights reserved.

It's in the sequence
within the space
on the slow turn
at the touch of the page

it's more than the optic
less than didactic
much more tactile,
less than merely mercantile

it's more immersive,
deeply collaborative
a match that's unconventional
beyond art, words and materials

avoiding any deference,
embracing our difference
flicking 2 fingers
without fear of irreverence

it's greater than the sum
of its many surprising parts
more than what was found in
the inspirational, original art

and whether it's deliberate
or accidently incidental
these are books as art,
beyond the coffee table

Fireworks and vivid chaos,
blinding lights in the pitch black sky.
The sudden gregariousness,
cross-dissolving into one's sigh.

Back home in a blanket,
hot chocolate in hand.
A wandering mind, hardly cognizant,
unleashing one's disguise.

With the shutter open
to evacuate life's scenes,
revealing only those broken
in one mind's eye.

Fading rapidly from awareness,
once immersive, now an indistinct sight.
The suttle gregariousness,
has all but gone dry.

I grow tired of you hurting yourself with me.
You learn to hate me.
We don’t talk anymore.

My nightmares become fatal.

I stop responding because I don’t know how to answer, and I spend Christmas alone passing out wine-drunk to Naruto. I’m not sorry. My mother calls and I don’t know what to say, and neither does she. Then New Years Eve approaches like a dark cloud to water our crop, and wash away our debts,

but

my acquaintances want to have a fistfight, and I’m asked to be a witness in the police report [but I clearly remember nothing happening, through shades of alcohol].

I clearly remember at the beginning of the night I told you I don’t **** with cops.

Yet, now you’re surprised it makes me uncomfortable.

My daydreams grow immersive. My gameplay grows sloppy.
My reactions grow dull. My body grows weak.
This stranger tastes like cigarettes.
I don’t clearly remember the rest.

Writing is like jumping into a deep mountain lake
to find some tiny piece of my soul
submerged and floating there
an immersive brooding wistful prayer
or a flight into the blue thin air.

It is a cinematic journey
recording the fruits of noticing
what is right in front of the eyes
and finding what is deeper
unseen underneath.

Writing is looking into an old man’s eyes
and discovering the person there
just as much a spiritual venture
digging toward his center
as a physical sensation.

It is a magical mystery tour
taking the visible threads
in hand and feeling my way
to the roots
or pausing and squeezing the fruit
for its juice.

It is fun
it is a morning run
or an evening rest
pain, joy, and dreams expressed.

Writing is moving, grooving, including
taking a moment in time
exploding it in rhythm and rhyme
finding in the ordinary the sublime.

The beauty of poetry
expands far beyond
the immersive imagery,
tongue-painted metaphors,
and whimsical similes
used to portray the artists'
vivid hallucinations.
No amount of consistent,
thorough editing,
no amount of precision
in thesaurus culminations,
nor the long-learned,
dextrous techniques,
fined-tuned throughout
fortitudinous refinements
undermine the essence:
the exact moment in time
where a poem is
experienced, engaged,
and ultimately conceived---
the epiphany.

There is but one inside each of us,
The magnificent irony that is you,
The gift of emotion and darkness,
Light and the solemn silence.

In each there is a word never spoken,
The lord of his or her pen stroke,
Like a library of dreams
Disclosed to the insensible mind.

In vain with each passing day
The infinite ache of the lifespan
Becomes an accessible garden
And fountains of immersive memory.

And to die is but to awaken,
We toil in the philosophy of words,
Without strength or direction
Writing sorrowful verse.

Haiku, sonnet, free verse,
Stars, skies, oceans, meadows,
All are symbolic to the perceptions
In the void of the eye's twilight views.

Painfully we probe the depth
And fathom the darkness,
Heaven becomes a metaphor,
Hell seems too real, the Power....

Long before me or you,
The dead poets took the dark
And shown them in the light
In his or her fading dusk.

The gallery of poems,
Impalpably dreaded like life,
And we are the dead whom write
Of life in the setting sun.

Power, which had written this poem,
Disfiguring the poet, perpetually dark,
The word speaks through us,
The curse is to observe as it all passes away.

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Frequently,
I race across the words
reading too rapidly,
missing the depths
of descriptive sounds,
and failing to engage
the full immersive array
of language the writer displays
because I wish to portray
the fiction of a deep person
who reads intelligently.

daydreams take us away
into far of worlds and other days
an immersive play within ones mind
full of many things they wish to find
journeys bring us far and wide
to see sights that are incredible
from sentient robots
to fire breathing dragons
there are no limits to what one can imagine

And I did feel the hands of flightless nights
The gentle pull of fear, mixed into the very heart of bravado
The slightest brush of something wholesome to be found
In a mixture of perverse excitement.

To be found and lost at the same time, the most delicate balance to strike.

Genuine emotion, and the feeling of finding some camaraderie
A shared connection to be found within the binding of togetherness
All for a common intent
An extended hand, reaching out every member

At the peak of deprivation, I've only felt empty
Yet It encompasses completely, immersive like a dream
I comply wholeheartedly
For a poor and bitter end, no doubt
But an airing of my personal grievance, I can't imagine a worse outcome

Segregate, more than human kind all brought together
The kind of closed off system that one can only find in narratives
Completion of which results in a stark understanding that
Time passes

Through the towns and country lanes
fortress walls and ancient stains
Roman treasures, aquaducts
the running bulls, a stroke of luck!

Cobblestone and feudal cracks
the culture weaves and summer smacks!
enchanted ramparts, medieval ruins
coliseums and communes

Aigues Mortes to Avignon
the rolling hills and castles strong
fields of grape and olive trees
cicadas singing on the breeze

Tranquil rivers, lost lagoons
horses prancing at high noon
flora and fauna in lofty decree!
say the sycamore and cypress tree

De Lumières in tomb-like calm
illuminating sounds of Brahm
Vermeer, Picasso and Van Goh
the ghosts of Voltaire and Rousseau

Les Baux-de-Provence's immersive stage
brush strokes wide from another age
chambers deep at quarry rock
the mesmerizing notes of Bach

Sacred figures, holy shrines
monestries in grand design
blocks, arches and polished stone
gladiators at the throne

Castle turrets and dungeon bars
the ancient bridge of Pont du Gard
chapel bells across la ville
spiral stairs where time stands still

Scrolls and chronicles filled with scars
church and state with dark memoirs
scholars, artists and dignitaries
in pursuit of God...and all his glory