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FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
Alex McQuate May 2018
Great tragedy suffered,
Impossible circumstances conquered,
The warrior walks upon the field flanked path.

The wanderer's armor tells a tale,
Battle scarred and partially rent asunder,
A face of stoicism that hides the haggardness underneath,
Peeking out beneath the mask of a hardened soldier.

The clouds clap ahead, preceded by flashes of light brightly illuminating the world,
Accompanied shortly after by the rainfall.

A trickle becomes a downpour,
The battered individual trudging along as the road becomes a bog of mud and slop,
The message firmly planted within their mind.

Coming upon the dark outline of the castle ahead the warrior picks up pace,
Reflecting upon what would happen to those that the Warrior helped.

The pace is now fueled by a different kind of urgency.

The rain is cold upon the face's of those that it falls on,
The torn edges of metal digging in at places,
Some already wounded and tender,
As the final hilltop between them is crested.

The gates are closed,
And this loyal soldier is for the moment shut out,
A fist is raised,
The declaration of allegiance given,
An angry detailing of the warriors achievements and adventures shouted,
And a challenge of one's path,
Building in anger and fury as the dam finally breaks and gushes forth,
Threatening to shatter the gate and doors to splinters and twisted metal.

A long ago promised gift to be rewarded,
For all the things endured,
Things that could be considered so cruel,
The storm picks up in force until it's akin to that of a hurricane,
As if brought forth by the warrior's grief and pain finally being released,
For the first and only time.

These things ringing out despite the storms roaring wind,
Gathering force,
Perhaps in affirmation of the warrior's words.

After a pause the gate begins to lift,
It's metal screeching,
The doors groaning as they begin to swing outward, and the battered soldier is bathed in light,
Taking the weight from the warrior's shoulders,
As the threshold is finally crossed.
Shofi Ahmed Nov 2018
The hallowed turf is a six-seasonal
always one step ahead on Earth.
So exceptional a land is out of the box
acutely drawn down the Moon
and sublimely unique is written in stone!

A patch of land every star loves to touch
so much so the Mintaka know they can mirror
the pyramid on the surface of the earth
but not the tucked away zenana here
the planetary gem, the earth's gold dust:
Matches the lead Prophet's birthplace!

Open and globular star clusters
up above the mundane Himalayas peak look
diagonally into Sylhet down the Meghalaya stardust
eying on for a shortcut to Earth's gold dust
that only gushes out elixirs Abe Hayat.

Lovely sought after by the water nymphs
that won't tarry scurrying to the waterfront of paradise
in Ma, the space between, while the waxing moon
takes a waning pause only to roll down and croon
in deep tranquil, thaws the midnight moonlit blue pond
amidst silhouetted bamboos, the sun after a night pause,
there it blooms new again bathing in the morn!

Boarding in such a serendipitous moment, they dream,
carried out just these hidden elixirs in their pitchers
before Queen Fathima The Queen of Heaven.
Perfectly spherical she zeroes in the cosmic loop
and spills in the open sea one more colourless scoop
without a pinch of salt there the sunrise and set troupe
pause and lay in once again the most colourful swoop.

Up above heaven's Saal Saabila River
on the empyrean Moon, she hops on one foot
and down the evergreen Earth's spring dips a toe
without a shadow without a footprint, tone on tone
ties both worlds forever in bloom!

Blow the wrap off, score a preserved geometry
somewhere in Sylhet, even the Hebrew King David here
would offer his thousand and one melodic symposium
and King Solomon princely his whole affluent shebang.
'Cause the prevailing sun from heaven this time
could roll down on a palm simply like a handful of earth!

Oh, what will it land in Sylhet, the pearl of the earthy depth?
Art in light, the spark from the Earth's foundation stone?
Eyes gaze on so firm like the solid sky yet surge like kite
in the air looking here over a truly pristine drop of water
with the ocean is inside until it shows up down the blue sky
though rainbows oft pop out tantalising every looking eye!

The fairy that ascends then is a stealer no hand can touch
seven colours shine on a patch of blue unspoiled untouched
took on a meaning for Sylhet in a handful of earth
matching the soil of Makkah the centre of the Earth
the birthplace of the lead prophet Muhammad (PBUH)!
One who is in the know hops on the foundation stone
and rose to heaven in the Night of Ascension.

How a regular soil mirrors the very pivotal one?
The labyrinth is out of this world, relates to Queen Maab
let alone a native maestro that no genie can describe!
Every atom loves to discover the meaning of that
it knows the constant vibrations of the never-ending dance
keeping it on its toe the choreography comes from outside.
The feet are most polished and motions are butterfly dance,
still the canvas is blank, light one more candlelight!

Light a candle in Sylhet I wonder here the moonlight
spills through even into an atom's black canvas and the sun
lovely drops down on a handful of earth on the flipside!
Meet here the open future shows up at the Earth's hub
the moon's anew rallying to the untouching-sea
the Indian subcontinent's corner to the ancient wind!

Go with the southern breeze on play with the sun
here it colours the wind, gives it its Midas touch
and strikes a deal to part a silhouetted cloud.  
That a beauty spot raises the eyebrows of the day on a high,
on the shining face of the golden Bangla in broad daylight!

Hark the morning birds, follow singing deep in the midst
mellifluous-shrills fill the air unveiling the dream scenes!
Ah, the deep footed earth how mystique,
every morning the sun off the heaven's hill
lays in a new diaphanous gold-light-rug beneath it,
only to loose its colours in a colourless magic
let alone painting its footprint!

Every time is new numerates the bounties of our land
craving to sip in a dew-potion on our blossoming rose
cirrus clouds dancing over the seas here they drop
banish the midday blues singing the deep sea's song!

Nestled amidst the Rivers Surma, Kushiara and Monu
perched on the shades of the trees, each one is a canvas.
Returning melodic birds crescendo by the downstream  
hail from the autumnal breeze on the upstream.
Six seasons rebound alike leap and swing on the trees
unpacking their intricate and mesmeric fluid designs
often make a meal of the obvious and work of art alike!

Stunned angels on their way heaven taking one more sunset
potted in the starry bowl look back here at the wee hours.
They can hear pianissimo on this preserved perennial land
it never falls asleep is awake with a perfectly round
360-degree circle of spiritually impowered dynamos
dead but live on a different level Dervishes
keeping an ear on the hallowed Sylhet's ground.    
A deep-seated truth, rock-solid Shilahatta in Sanskrit
clothed in an enduring vesture minted Sylhet loops in
with the Hebrew Bible's Shalet, a ruler, a shield!  

A little drop makes the mighty ocean
likewise with one single word on the lips,
the maestros' great epics begin to be told.
Just with a mundane handful of earth
pristine Sylhet's masterpiece begins to unfold.

With the whole ball of wax keeping us onboard
lo, before the face of the Earth, it unveils the mirror!
With the whole nine yards on her least hold
believe it or not, Sylhet is cherry-picked chosen by God!
The subject matter is about a land possessing a deeply seeded truth. The prime significance of which is it's scattered afar and matches the pivotal soil of the centre of the earth!
Picasso
you give us things
which
bulge:grunting lungs pumped full of sharp thick mind

you make us shrill
presents always
shut in the sumptuous screech of
simplicity

(out of the
black unbunged
Something gushes vaguely a squeak of planes
or

between squeals of
Nothing grabbed with circular shrieking tightness
solid screams whispers.)
Lumberman of the Distinct

your brain’s
axe only chops hugest inherent
Trees of Ego,from
whose living and biggest

bodies lopped
of every
prettiness

you hew form truly
it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache
Jesse stillwater Jun 2018
Time is fleeting
as the spring river runoff
that gushes out to sea

A heart trickles out
a moment,
minute by minute,
in a timeless ink drop;
unmeasurable expanse
     immured in spilled ink ―
   manifest in the lexicon of poetry

For only purged words
cannot quench this thirst
that is loneliness;
it's a hunger that gnaws
like an unsatisfiable ache ―
a starving emptiness
all hearts
do one day taste

Left in the sight
of doubt
and eyes that fail
to believe what they see
lain fallow in the silent
indifference

Lost in a lingering void
unburied all around,
bespoken out loud
alone in plain sight
a feigned understanding;
reticent letters shape
reluctant words
to hold forth
enunciated breathe

The only words
that still echo unstilted ―
uttered  words
indelibly felt
from lips once sweet
as daybreak dew
    upon musing tongue ―
tasting the only
voiceless truth
that ever broke my heart

a vanishing wave
that moved an ocean
   deeply ...


Jesse Stillwater ... 06 6 2018
Notes:   unstilted:  Adj. - flowing naturally and continuously

Thank you for listening to my 2 cents ...
Grahame Jun 2014
A  MOONLIT  KNIGHT.

Fern rises and looks out of her window.
Silver shards of moonlight lick the lawn.
She who once felt gay and oh so joyous,
Now feels oh so desolate and lorn.

Will she ever find true love again?
She before has never felt so low.
Should she, for love, continue searching?
Or give up by ending it here and now?

Outside, all is monochrome and still,
Inside, Fern is still and very sad.
Will she feel happiness again?
Who knows how long she’ll feel this bad?

At the stroke of midnight, there’s a change,
There seems to be a disturbance in the air.
Gradually something seems to materialise
On the lawn, a shape, come from where?

It is a knight, armoured cap-à-pie,
On a horse, for war caparisoned.
From his saddle hangs a jousting shield,
A silver moon on it is designed.

A white plume is mounted on his helmet,
On his lance a white pennon is tied.
The knight looks at her, at her window,
Silently he sits and does bide.

He raises a gauntleted hand and beckons,
Should she stay in, or venture out?
In her white nightdress she goes downstairs,
Deciding to see what it’s all about.

Cautiously she opens up the door,
And putting her head out, looks outside.
The knight still sits, patiently waiting.
Fern wonders what might now betide.

Slipping on an old pair of shoes,
She slowly walks over to the knight.
In her wake she leaves a dewy trail,
And as she nears, the knight fades from sight.

Fern wonders what this all might mean,
Is she dreaming or is she awake?
Is, what she has seen, been real?
Or has she made a big mistake?

Then, whilst standing there in wonder,
She happens to look down at the ground.
Where the knight was, the grass is trampled,
As though a horse has curvetted around.

Then she hears a sound from behind her,
And startled, Fern quickly turns round.
Her house no longer seems to be there,
In its stead, a keep there is stound.

The sound she hears is a woman calling,
“My Lady, please come back here inside.
You shouldn’t be alone out in the dark,
Please come back and in your chamber bide.”

The woman, from a window, looks at Fern.
“Excuse me, are you addressing me?”
Fern directs the question at the woman,
Who replies to her, “Of course, my Lady.”

“’Tis not safe out at this time of night,
And you are in your night attire dight,
So if someone, of you, catches sight,
You’ll not be seen in a good light.”

Before Fern can think of what to say,
She hears the sound of a galloping horse.
It is getting nearer in the dark.
She hopes that things will now not get worse.

“My Lady, quickly, please get you inside,
Do not just stand there as if dazed.
Hurry now, before it it too late.”
Fern, though, does stand there amazed.

Approaching through the night is a horse,
The one she’d seen before on her lawn,
The same knight is seated on its back,
Though now the pennant on his lance is torn.

The horse stops right next to Fern,
And caracoles to bring them face-to-face.
The knight lowers his lance to show his pennant,
Which Fern sees is a torn fragment of white lace.

The knight again does sit in stilly silence,
He waits, and does not make any demand.
Then lowers his lance to touch her nightdress’s hem,
When suddenly, Fern does understand.

The hem of her nightdress is lace trimmed,
So Fern bends, and seizes it in hand.
Then with a sharp tug she tears it off,
Removing it in a single strand.

The knight raises up his lance higher,
The old lace, from the lance, Fern does remove.
Then ties the furbelow on very tightly,
Saying, “Please take this favour with my love.”

The knight dips his lance in salute,
Then turns his horse, back down the road to face.
His spurs lightly touch the horse’s flanks,
Which straight away gallops off at pace.

Fern walks across to the keep.
The woman opens the main door wide.
Fern steps across the threshold,
And now, in her own house is inside.

She turns to look back across the lawn,
Which is still lit by the silver moon’s light.
The lawn is now smooth and unblemished,
With no marks caused by the steed of the knight.

Fern goes upstairs to her bedroom.
Has this all been a dream ere now?
Then, as she gets back into bed,
She sees her nightdress lacks its furbelow.

Fern remembers her nightdress has a pocket,
And into it, her hand she does place,
Then, to her utter amazement,
She pulls out a fragment of torn lace.

Fern wonders at what’s just happened,
Was it real, or only in her mind?
If it was just her imagination,
Why has she been able, the fragment to find?

Eventually Fern drifts off to sleep,
Waking with the chorus of the dawn.
Although she doesn’t think she has changed,
She no longer feels quite so forlorn.

“Why does the knight appear to me?
Why has he only come at night?
Is he trying to find out if he’s wanted?
Is he trying to make something right?”

Later on that day Fern walks to town,
And heads for the library to find,
If there are any references to knights
That might help to ease her troubled mind.

Fern does find a story of a knight,
Who had a moon device on his shield.
He was very brave in the fight,
And to a foe would never yield.

He had been commissioned to take a message,
To a lord, by order of the king.
It was to be delivered urgently,
And he was not to stop for anything.

He was nearly there when something happened.
By the side of the highway lay a maid.
Being a chivalrous knight, he should have stopped,
Instead, he carried on, not giving aid.

He delivered the message to the lord,
And later was seated, drinking in the hall,
When there entered in some serving men,
Carrying on their shoulders a shrouded pall.

They lay down their burden on the floor,
And without having said a word,
Reverently uncovered the face of a body.
It was the lady of the lord.

Then entered in another knight,
Who stepped up to the lord, and said,
“On our way here, we found your lady.
She was wounded, and now, alas, she’s dead.”

The other knight continued with his story,
“Seemingly, she had been robbed and *****.
There was no sign of the perpetrators,
We think they’d been disturbed, and then escaped.”

“Perhaps if we had managed to come sooner,
We might have been there to prevent this crime.
However, it seems the Fates conspired against us,
So we were not there to help in time.”

The Knight of the Moon sat there horror-struck,
He knew if he’d not been so keen to arrive,
Though helped, as his conscience had dictated,
The lady might yet even be alive.

Instead of speaking up, he stayed silent,
And never about this matter spoke a word.
Then he rose, and gave his condolence,
And went out from the presence of the lord.

The lady was removed to lie in state,
The Knight of the Moon went, to look at her face.
He knelt there in silent prayer awhile,
Then, from her dress, removed a length of lace.

He accoutred himself in his full armour,
Then rode from the keep that very night.
He left a note, stating his omission,
And of him, no-one ever saw a sight.

Fern is very sad to read this story.
What had then been in the knight’s mind?
Had he ridden off to end his disgrace,
Or the perpetrators, gone to find?

Fern now makes her thoughtful way home,
Hoping he’d found surcease from his torment,
Wondering what to him had befallen,
And if, for his lapse, he’d made atonement.

Fern reaches home rather tired,
So lies down on her bed, then falls asleep.
She dreams of knights in armour and fair damsels,
And jousting in the grounds of the keep.

Eventually, Fern wakens from her slumber.
She lies for a moment in her bed.
Yet again she thinks about her dream.
Was it real, or made up in her head.

“Perhaps,” she thinks, “I’m just on the rebound,
Because I’m still in mourning for my love.
And being of a romantic nature,
Dreaming of knights this does this prove.”

“Knights should have been chivalrous and kind,
Treating damsels in distress with care.
Except, when a knight I truly needed,
As it happened, there was not one there.”

“On that night, if we’d had some help,
My husband might still be alive.
Now, he has been taken from me,
And I feel that alone I cannot thrive.”

“However, life must go on as usual,
I should carry on, if just for him,
And so, perhaps, I should cease this moping,
And try to get on with my life again.”

So Fern gets up, refreshed from her nap,
Then decides, after eating, to go out.
That she must now get herself together,
Fern is not left in any doubt.

“Perhaps a short drive into the country,
And to stretch my legs, a gentle walk.
However, I will get on much quicker,
If I do not, to myself, talk.”

Fern puts on her coat and gets her bag,
Then goes out and walks to her car.
This is the first time that she’s driven
Since losing him, so she’ll not go too far.

Fern unlocks her car, and sits inside,
Then she is overcome with fear.
“Suppose, now, I am too scared to drive.
Perhaps I’d feel better if help was near.”

“Come on Fern, pull yourself together!
Feel the fear and do it anyway!
If you don’t do it now, then when?
Start the car, and let’s be on our way.”

So having given herself a little lecture,
Fern belts up, and pulls out of her drive.
Then, not really knowing where she’s headed,
Off she goes to see where she’ll arrive.

Fern motors out into the country,
And following a lane, drives up a hill.
At the top she parks and gets out.
Everything seems peaceful and so still.

She aimlessly ambles round the hill top,
And reads a notice saying it was a fort.
Then, Fern drifts off into a daydream,
And views the panorama without thought.

In her mind’s eye she sees a castle,
Decorated with many banners bright.
A tournament seems to be in progress,
And the winner is, of course, her moonlit knight.

Eventually, Fern becomes aware,
That she has gone some distance from her car.
So she slowly makes her way back to it.
She hadn’t meant to walk quite so far.

The shades of night are now falling fast,
And everything is starting to look grey.
So Fern unlocks her car and gets inside,
Ready to be getting on her way.

Slowly, she starts off down the hill,
The lane is very narrow with high hedges,
The moon is hidden behind some lowering clouds,
The track’s overgrown with grass and sedges.

Somehow, she’s gone a different way.
In the dark, everything seems wrong.
Fern is now starting to get worried,
And wonders why the track seems so long.

Eventually, she debouches onto a road,
Though she is not sure exactly where.
Fern is by now really anxious,
Then suddenly, gets an awful scare.

It looks just like the road they had been travelling,
When her husband lost control of the car.
It had skidded, spun and then rolled over,
The door had opened, and Fern had been flung far.

Her husband had still been trapped inside,
When it suddenly erupted into flame.
Fern could only stand and helplessly watch,
All the while loudly screaming his name.

No-one was around at that moment,
Perhaps someone might have pulled him out.
Then, as other motorists arrived,
They phoned for help, while listening to Fern shout.

Quite soon, a fire-engine came,
Closely followed by an ambulance.
The fire was eventually put out,
And Fern driven off still in a trance.

That had been several weeks ago,
And Fern has not since passed that place.
Now, it looks as if she is there,
And will, her darkest moment, have to face.

Then, to her horror, she sees a shape,
Dimly lit by her headlamps’ light.
It is a fallen motorcycle,
And the rider’s lying by it, just in sight.

Fern stops her car, and runs up to him.
Perhaps she can be of some aid.
As she approaches, the man gets up,
While a voice behind her says, “Don’t be afraid.”

“You just do exactly as we tell you.
We only want your money, and some fun.
Then, you can be on your way.
Do not even think of trying to run.”

The first man picks up the bike,
And pushes it to the road’s side.
The other man comes up close to Fern,
Who wonders again what might betide.

The wind blows the clouds across the sky,
Bringing the bright moon into sight.
The road that ’til then was hidden in darkness,
Is now lit with shards of silver light.

Fern then hears the sound of a horse,
Approaching through the wild and windy night.
The jingling of trappings can be heard,
And Fern thinks that now all will be right.

The courser slowly comes into view,
With the same knight seated on its back.
His lance is not couched, it’s held *****,
And the reins are loosely held, and quite slack.

Casually the steed comes to a stop,
And lowers his head to nibble at some grass.
The men, uncertain, both watch the knight,
While each wonders what might now pass.

One of them goes up to the bike,
And opens up the box on the back,
Then takes from it two crash helmets,
And a length of chain, which dangles slack.

He throws a helmet to his crony,
And they each fasten one upon their head.
Then they both turn to face the knight,
Who has not a word utteréd.

The one with the chain lifts it up,
And menacingly starts to whirl it around,
Then slowly walks towards the knight,
Who casually sits, not giving ground.

The other man reaches into his pocket,
Pulling out a wicked flick-knife,
And then, letting the blade spring open,
Prepares to join in with the strife.

He circles round the knight to the rear,
As the other man comes in from the side,
When the knight drops his lance into rest,
And suddenly, off he does ride.

He charges away from the men,
And gallops right past Fern at full speed.
Then, his lance aimed at the motorcycle,
He urges on his racing steed.

The lance pierces into the fuel tank,
And knocks the bike over in the road.
Petrol gushes out in a torrent,
And soon over the tarmac it has flowed.

The lance is broken in twain, the knight drops it,
And very quickly turns his horse about,
Then as he gallops back past the bike,
Both of the men start to shout.

Sparks from the horse’s hoofs come flying,
Igniting the petrol on the road.
Fern gives a shrill scream in panic,
Thinking that the bike might now explode.

The man with the chain wildly flails it,
Desperately trying to hit the horse’s head.
The knight strikes the man with a morning-star,
Who drops down, just like one who’s dead.

The knight then dismounts, drawing his sword,
And silently strides towards the other man,
Who flings away his knife, and starts running,
Fleeing just as fast as ever he can.

Fern sees the fallen man get up,
Rising groggily to stagger to his feet.
He looks at them, and then he turns away,
Slowly stumbling off, not yet too fleet.

Suddenly, the night becomes quite dark.
Clouds again, do the moon obscure.
Fern turns to try to thank the knight.
He’s gone, though she now feels secure.

Confidently she walks towards the bike,
And sees the lance by the fire’s light.
Fern bends and unties the lace from the lance,
And slowly walks back with it through the night.

She reaches her car, and gets inside,
Then starts driving off to get back home.
Belatedly thinking of her husband,
And wondering what next to her will come.

Safely arriving home, Fern parks the car,
And getting out, she sees on the lawn,
A pavilion has there been erected,
Turned rosaceous by the coming dawn.

The horse is also there, grazing tackless,
And by the entrance hangs a well-known targe.
Fern carefully goes and looks inside.
The pavilion’s quite small, not very large.

She sees the knight, kneeling on the ground,
His head bowed, as like one in prayer.
He holds his sword in front, just like a cross,
Of her, he seems not to be aware.

Quietly, Fern withdraws from the pavilion,
Then thinks, of the horse, to get a sight.
It’s nowhere to be seen, she turns around,
The pavilion’s now bathed in golden light.

As Fern stares at it in wonder,
See thinks that she can hear an ætherial sound,
Like a choir of heavenly angels singing,
And the pavilion vanishes from the ground.

Fern sees only a sword, stuck in the lawn,
And hanging from a nearby tree, the shield.
Then reliving what occurred in the night,
To tears of relief, Fern does yield.

She wonders if the knight has been translated,
Having now atoned for his mistake,
And Fern hopes that he’s managed to find peace,
For risking his life for her sake.

Fern hangs the sword above her bed,
And fastens the shield over her door.
She feels much more confidant now,
And is able to do so much more.

Sometimes though, when the moon is full,
Fern goes outside at midnight,
Carrying in her hand a strip of lace,
And seems just to vanish from sight.

At that time, if anyone was around,
They might then hear an unusual sound,
As though a fully accoutred
How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!

How it clatters along the roofs,
Like the ***** of hoofs!
How it gushes and struggles out
From the throat of the overflowing spout!

Across the window pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!

                         

In the country, on every side,
Where far and wide,
Like a leopard’s tawny and spotted hide,
Stretches the plain,
To the dry grass and the drier grain
How welcome is the rain!
PNasarudheen Aug 2013
I love my country: India , but
I hate many of its rulers, as
they speak for the poor and
act for  tycoons bellicose, and-
Diversity sighs  in armed Unity;
The selfish corrupted in unity
March ahead on graves crafty.
       I love my country: India , but
August fifteenth :  with freedom,
opened  all devilish forces
out of  Hell to fell all virtues.
Grim faced Buddha smiles
Like a  nuclear Phantom ,his
tears  drip on tomb  of Peace.
No white dove sits on dome
It bleeds in the lap of Buddha.
If birth is the cause of gloom.
who  stops one from bloom?
Dearth of berth clamour for
Death  of birth at the womb.
        I love my country: India , but
Souls are free on lovely Earth
Lay  bodies strain  to survive.
A nominal word equanimity
Gushes in landslide infirmity.
Service becomes self –service,
In black ink sleeps  Socialism.
Fear Neurosis like King Kamsa
Keeps Liberty  behind the bars.
Healthy, wealthy Bharat Matha
Groans in labour room for Santi.
Note: 1). August fifteenth= 15 August 1947 when India  became free from  Briton. 2).Buddha=Gutham Buddha(Prince Sidhardha) who established Buddhism.3).Kamsa= The mythological character , uncle of Lord Krishna who chained even his sister Devaki out of the fear  psychosis. 4),Bharat Matha= Indians consider Bharat/India as their Mother(Matha)-so it is Mother land not Fatherland for them .Santi/Shanti=a Sanskrit word used in Vedas and Upanishads  of India which means Peace or Islam.
Beth Ivy Sep 2014
Dancing at my windowsill she calls,
black bottomless eyes and a jagged smile
tug me from sleep with a broken-glass laugh.
Beckoning, this pixie traces softly across my jaw--
fingertips so slightly ***** the skin.
Wordless but for laughter she pulls at me until
charmed I rise to follow where she leads.

Open evening air greets my night-dressed body
with cool wakening breezes and wild sounds.
Stumbling through rocks and over roots
I chase through the wood behind my manic guide.
Toes grip at undergrowth, slip, falling to arrive
on my knees
scraped and panting slightly
in a clearing otherworldly,
aglow with fey light.

A curious night-shine looms--yet Luna's face is hidden.
All attentions focus now on this central luminescence.
From its core jangles sweet, unearthly music
twisting its way into my heart
teasing at the edges of my fragile mind.
Compelled forward I follow sound--
my waker cannot outstrip me as we hurtle on.
Before our eyes the glow casts shadows
forming structure in this mystifying vision
eyes drink in your very first glimpse:
The Carnival.

Light and shadow compose sweeping tents
striped ebony and ivory, seeming strong as each
element yet smooth, sculpted by a master's hands.
Leaping black flames skip along their summits,
performing their nocturnal dance,
illuminating darkness, engulfing light.

Revelers' song soars and forms carouse,
                                                  lively­--but shadows only--to the eyes outside.

The air bears heady perfumes, enticing scents:            
rich, melting creams and toasting sugar
enveloping baked warmth and intoxicating spice.
Last, encircling all this wonder,
cries of mirth and sights to amaze:
an unadorned, unflinching iron fence.

Drunk with sound and smell and scene
wildly spinning through the breeze,
my rousing sprite whirls ahead
bound as if in a trance
her body flinging against
the forbidding blackened gates--
                                        her laughter only extinguished
                                                         as her delicate form dissolves into smoke
                                         holding momentarily the blue of night
                                                         her wasted shape, lost to the barrier.


But Curiosity will blind
eyes far more chaste than mine,
and Allure sings only such songs
that no heart suffers long.

Heedless mortal as I am, I grasp the solid frame
decay crumbles rough against my palms.
Bodies of other spirits caked by time
or the innocent work of oxidation
I do not pause to wonder,
merely vault myself over the fence
and brush from my hands
the black dust of portentous iron.

Inside the gate, vibrant figures flood my vision
ornately costumed in gowns of orange, violet, green
arrayed in shirts and trousers dazzling in spectrum.
These gorgeous apparitions loop around me
peddling beauty, selling fame.
They mesmerize  the eye with stunning wares:
an emerald beast to carry your heavy burdens
sapphire wine to cool your burning tongue
the music of a thousand crystal seas
kept in a bottle to drown your babbling mind.

                "What do they cost?"
                            "Not a dime, not a dime!
                              Just your Now, just a Moment,
                                                         ­                  only Passing Time."

Wandering deeper into the mysteries of night
a band of revelers swing beside and catch me
laughing, bear my bewildered form in arms
and deposit me into a large tent, wherein I find
a man at a canvas the size of a wall
before which are seven stone bowls.
He dashes his brush before the amazed,
and the canvas remains blank
until my companions urge me closer.
Couching myself upon a cushion shapes appear:
Here is a man who will paint your heart's desires
so vivid you can lose all you have
so intimate you fear to move,
lest any see the embers of your fire.

Spin and turn, the Revelers never stay long,
nor draw too near to any one spectacle,
but only joy for new tents, new delights.
No passion was left to grow cold,
no enchantment to lose its power.

Spin
See the girl of flawless grace,
her body painted like the stars--
                                                  the stars the carnival hid
painted like the stars and lithe as the air
ethereal in her arts,
ascending the pole, traversing the rope!
See her twine around stakes and over fire,
dive through hoops and drop
through that needle-loop in your eye.

Spin
Step up to the tent of glistening blue
the fountain that gushes without source.
Marvel at its lucent clarity, it's chilling foam!
Fill your goblet to the brim and drink!
Drink deep, imbibe sweet forgetfulness.
Long for nothing, cleanse your heart.

Spin
Take the carousel with its living beasts to ride.
Make merry with all on board and erase
any care your heart can hold.
Let the furious pace speed on from you
all that would trouble for a thought.

Spin
A honeyed apple pressed against your tongue.
                                         Just a taste! Just a bite!
See the glistening on the skin
made from the dreams of the greatest hearts
unrestrained and unrequited.
Fresh Desire--they're all the more enticing.

The apple glitters golden, its red flesh shines beneath.
Something familiar, a darker red, flecked across the finish.
I bite down and reel--
Something wondrous, but something queer.

Faithful attendants grab me quickly, dance me
into the mouth of a dark velvet tent.
It swallows me as I fall, waiting for the teeth---

        White mist surrounds with a shimmer
         and I have found the ground.
A Voice, deep as the sea enfolds me
gentle, heavy as with sleep--yet all aware.
It invites me closer, sit nearer
rest from the night's fantasies.
Lulled, I make for the figure hooded in brilliant gold.
He leads me to his table.

Heavy, strangely empty I seek sanctuary.
He offers instead a great promise--
power over my weariness, my desires met.
He offers joy unending,
pleasure without regret, without shame.
A haven promised here, mine alone, if only--
--if only I will stay.

But something tastes metallic in those words
promises that cannot be kept.
No tent could hold so much.
This voice, so warm and pleasing,
cannot mask well a lie,
and the gentle hand holds equally a threat.
                                                         ­                                                             run­
                Awake once more I fly from the shroud
bursting blind into the alley.

But back in the tent, left a piece of my heart
and my eye rolls away into a peddler's cup
blistered bits of my soul flake off, scorched
by fire-eaters food. What's left? Who am I?

                             What did it cost?
                               Not a dime, not a dime!
                                          Just a piece of your heart,
                                                                ­  just a piece of your mind.


Retching, the last of my still beating heart
squelches into my waiting hands.
I gag and sob out the gore, disbelieving
this small bit of flesh is all that is left
of all that I have been.

The blood draws the eyes of comrades
now changing from lovely to grotesque.
Ravenous, their teeth elongate
Eyes darken and colors fade
What was vibrant now decayed.
Sweet cream curdles in my mouth.
Rich meats, choice fruits turn sour--
the apple rots.

A hoard unrecognizable
of starved beasts and hideous beings
bears down for my final offering.

But I must know who I am
and what there was beyond this place!


Sprinting barefoot from the mob
clutching the vital treasure to my chest--
though to there it may not return--
I look now for mercy from the black gate.

Elegant porcelain fingers produce monstrous claws.
What once caressed my wondering skin
now sinks in for blood with crushing force.
A hopeless last attempt, a dead man's prayer:
I fling my body on the gate---


                                                       ­                                I am over. I am free--



Iron that once kept me out, now holds them fast within.

Bedclothes torn, all my purchased raiment turned to ash,
I limp, clutching a fragment heart.
Staggering from the Carnival's screams,
its dissonant music now all trick and terror.
Putrid garbage wafts from its walls.
Press onward, never looking back, through the wood.

So long ago--how long?--a little one led me here.
Her death was her own, but could have been
my salvation, a warning dearly paid.
Cheaply received.

My mind swims.
A body with its heart outside cannot last.
There are many things not of the Carnival
that would have my final scrap.

Faltering feet stumble and tripping find
a mere clear and still: a mirror for the moon.
And Luna's face does shine down
all her attendants watching on
as my naked form collapses beside its calm.
I cannot deserve this resting place,
could not discern a trap if one here lay.
All I can and have and am I offer up to Mercy,
and dip what's left of my broken life
into the cleansing pool.
first legitimate narrative piece.
a proof that no one can have an original idea. listening to showbread's 2004 album, *no sir nihilism is not practical.* definitely some inspiration from erin morgenstern's *night circus*, although her book is quite a different and lovelier thing. recently reading *undine* by friedrich de la motte fouqué (translated. i'm not that classy). recently struggling with those things that most often try to ensare a heart.

this is undoubtedly going to be one of those pieces i am never happy with.
K Balachandran Jun 2014
I was sold to pain
in a slave market
that  didn't  look like one,
auctioned by a civilized crowd
of people just like you and me
in everyday life,
posing as my comrades, acolytes or lovers.
I stood firm on my ground
unrelenting even in pain's intimidation
and said, what  Valmiki
                 the first poet found,
        "Grief gushes out in verse"
                                 and I sing
                                        alone.
Poet Valmiki, according to Indian tradition, wrote the first epic poem "Ramayana" in Sanskrit  millenniums ago,  known as Adi Kavya(first poem) .Adi Kavi(First poet) Valmiki,  uttered his first verse in anguish without even realizing it as a new form of expression.He saw a cruel hunter killing the male among a pair of doves making love, oblivious of the world."Hunter, don't.." gushed out the anguish in the form of verse..the first ever. The theme extended in to the story of King Rama's life and the grief he embraces to remain a ruler true to his subjects.
Maybe it was Best for this Reindeer-Line
To Fix what should have been Fixed since ages
Or tie this Noose which lost all its Define
Then nod dearly at those Long-Horned Rages
But how, Prince, could you bear this Entropy
Even when Tories tell you to Conserve?
Such Lust, needled to their Empathy
May have Forgotten what you long Deserve
Twice that Life-Spoken Meme; And now the Third
Gushes well-rained Merriments from this Cloud
Pray, that soon admit this Settlement, heard
And invest their Songs and Prayers out Loud.
Come, take this Hymn, and sing-along with me
How greatly Petitioned; Yet not to Be.
#tomdaleytv #tomdaley1994
Ye who enter here, beware
Of wolves and mine shaft pits, take care
Or ye shall taste the bitter death
That comes upon the creeper's breath

Thy survival, on the good
Of other players rests
Upon thy house a naming sign
Each person must *****

And when night falls, take care that ye
Who stalk the halls at dark
Set up a light for ev'ry turn
A stick lit with a spark

A bone to catch a wolfie with
Some cookies fresh to eat
And in a furnace, toasty warm,
We have to roast our meat

To mine the caves and tunnels deep
To delve into the mountains
And when the water gushes forth
We then create the fountains

Sell your wares, o Cobbler man
I've melons many to spare;
An axe, a sword, a shovel stone
Oh? You like my hair?

Here we go, see yon moon rise
The world in the starry twilight
I have not seen the whole world yet
Would you take me there by starlight?

Unspoken fear; the creeper hiss
Blew up my trusty door
And now all manner of verminous things
Have crawled across the floor

If only I had a wolf to my name
Three bones to win his love;
Then he could save me from--I shudder--
The Enderman above.

No armor have I, nor sword of iron
Stone and wood are mine
The wooden stairs that lead up high
Tell me, who had all this time?
2013 ramblings.
Emma Sims Sep 2018
And for you, my heart swells like a new moon,
It beats like the sun at 1 o’clock in the afternoon.
And my blood rushes, gushes, like a warm winter shower;
My eyes gleaming, like a dewy spring flower
Feeling a little lovesick
The Ogre does what ogres can,
Deeds quite impossible for Man,
But one prize is beyond his reach,
The Ogre cannot master Speech:
About a subjugated plain,
Among its desperate and slain,
The Ogre stalks with hands on hips,
While drivel gushes from his lips.
René Mutumé Jan 2014
Why’d you get locked up then lad?
Oh. I’m locked up?
I know you. You won’t escape lad
Escape from where?

(Jackie Wilson at her majesties pleasure 1884, West Denton, Newcastle)

The sweat rolled off Dominic’s nose.

Its ‘movement’

movement

movement

Uniting.

Meditation takes a person out
from themselves
so far out, without any need
for any additional charge, toll, or need, that when you come back,
even if it’s within
the same body,
you feel

and the glow comes back
on-coming traffic smiles, dead less grace
the worst, and 7am

chess
without a game.
a drool.
an intricacy within
mirage.
hope in the sorry soft gas explosions
and death was heavy enough to fly and give
But not in the normal way
one second, and even joy spills
and the cabbies have begun to scream and break down at each other
even though it’s not a full moon
too many people squashed on a tight balcony
drinking us all away
too many hands
not dancing
it all away


Slugs emigrate across concrete when the soil is wet.
When you wonder why they’ve left.
Its pouring
and you think you recognise a name scrawled in the wet trail.

Single, intimate, observations.

And reasons for the evening to be near.
It will be worth it! – I’LL SEE YOU! –
And now we are allowed to be glorious without price.
And now it’s sad as hell.
And the trees know that.
But the squirrels never do.
And now those words don’t matter.
And now we are allowed.
And now we go.

And the laminate floor
has the weight of a cross.
And the thing is,
you know

(It’s all softly bombed)
Not in a horrific
or knowable
way.

But in God’s good loving
loving
loving
******* for ya.

We’re finally rubbed out.

Crucifying.
And uncrucifying.

Eyes are useless here.

Blackness first.
THEN that soft
‘soft’

dripping.

easy blackness.

Meditating, sat middle
the pentagram of a small flat.
blue white board marker, on ‘easy wipe’ wood flooring.

And if I wake, I can wipe all the lines out.

SO, it went the same.
blue colour of cityscape coming-black light flashing always
across the distance from balcony
a beautiful stillness.
Waves first. Sea. The complete sea. Swimming.
ego. Ego swimming. Ego going down. Hello! And ha!
And no more jokes.
And isolation.
And no more months.
But there were gushes.
Gushes of experiences in, and outside, with individual breathes
and the proximity of love, coming closer
like a germinating hand
guiding you down
into the oceans private concert

Not too close to the expensive parts, or the bad parts,
or anywhere too pristine.
Christ, that’d be
a joke. It’d be funny
and then the surgeon would come and operate
on you;
lifting you out whilst you’re asleep

And it would go like this:

Cancer: Hey! What’s going on?!
Get off! I’ve paid my
rent and don’t wet the bed
anymore,

Surgeon: Don’t care.
Come here...
Oh for **** sake you’re making my day long.
I don’t get paid
for this.
Cancer: Oh yes you do handsome.
Surgeon: Oh yeah!

rest on the long side of your bed.
‘What’d you do at the weekend?’
Where’d you go?

...

banter broke down into spider web
substance
before fading completely, as thoughts begin
to disappear and fly down
into heavier states
from outside you saw a man still dressed
in formal office attire
tie hanging undone around a white shirt, shoes kicked off
beside strange markings on a polished floor. From in,
the understandings
are quite different
fly gently, like a loved one retiring from life
as the single light bulb watches from your ceiling
tensing one last second time in hesitation
then blowing you out with a blink.  

looked into the well where life is buried
and reached down
arms lengthened like dusty pieces of ham down a hole
touching the foetus as it crawls back up,
and up through the highway lines of his veins,
like a rabbit hunts wolves,
like the peach reacts to your bite.

We smoked and ate apple pie as the autumn tattooed
We snapped small pieces off
then ate the mites.

And then when the well filled we made our arms lassoes;
that churned the grain,
turning the quietness into storm,
and back to parts of spring.

You hesitate, touching the ape
like a clown who’s just tossed his life into the air, and juggles it,
like dead poems and hot boiling yeast.
you looked further into the well and found the figments of the ‘Narwhal’
the sea creature with a prominent horn
that shoots from its head-

Early sea farers
used to think the horned mammal was a type of
magical being
it birthed the idea of unicorns
you let the water well mix and join
as we drink coffee today, and the night is less silent
than that of star of apples and gloom
each tarantula that scatters in the red stars of sand is welcome;
and the honey man and honey woman flicker,
through numberless bank checks and bills as knocks arrive
knock after knock after knock
into long vibrational hum

All that remains
is the bursting punch
near the bottom
of oceanic well

As it tightens your grip into the follicle hibernating bears
that speak eloquent words whilst we eat;
the deep groan of munching hands
in the well helps our arms
pull up the glowing carcass as it turns back
into us within our hands, it speaks easily and slow, telling each
servant surrounding
the hole that they should:

‘Dance casually, dance inside my red eyes’.

Some take advantage of melody, as a trust that funds satellites of globe,
as if no one ever dreamed or broke the yoke of more pleasurable things;
one of your arms
is like the way that a crab crawls past over my nose and into our future home

another asks that you aren’t so violent in February
and that the month is a counting mouth that multiplies zero
beside the arms reaching for a pyramidic beauty
under the ***** shell; aborting its children like blood in the snow,
without humanistic style, more in tune with time
than the army of water lifting your throat up,
spits- that poke at us with antlers, undeterred, no legged, mating in the sand

After a while, otherness takes over, and will comes.
And emotion is long shattered,
easing out,
playing skin game and dissipating need, where all will and human comes back
it takes a while.

And our gender has nothing to do with just lust
We are the almost completely blind, as the cliché remembers
Gender is
the lack of gender and the freedom of paradigm
whilst hands are upon love,
And more night(s) turn within us.
dream like bright black stars.

Weekends. Week. Work. Corporations dancing like butterflies on fire. Gone.
Gone
Gone
Gorgeous

nothingness
apart from its face and voice
speaking

“Heyy, how’s it going?”
Projection
No
“Yes... Lover,
Yes yes yes!”
“No.”
skull now linked to the lips of a home
“Correct, correct, correct...” The intangible
darkness, over and over

a rushing
and uncontrollable
heaviness of fire.

foxes in back alleys salute
the black sky with a mongrel scream
and all the animals of the world are linked for a split minutiae,
recognising and respecting the breach;

“You’re hurting... mmmmuh-” Dominic tried to say
in the onslaught.

Converging planes that came from the lips of the spirit crowning his mind.

“You’re not Juuu, Juh Juah Juh.”

He tried to say for the next few hours, as the sun spread down
on the city
and felt a deep
empathy for another one
of its children
attempting to free
itself.

“No.”

how right you are...” The spirit said
as Dominic’s head slumped from exertion.

“You see...” The spirit said seeping into his bones
and killing him;
paramedics zip
the bag
over his face.

“You see...” The voice says again
knocking the lights off
and flinging you
by your throat

Each one letting you
go

landscape sick in multiple elements of confused colour,
parts of buildings, art: growing up in the horizon, new structures
made by thoughts, old flowers inside limbs,
smoking.

“What...” The spirit
said.

sigh at the strange place,
without looking around.
blossoms of mind and traffic
circulated
characters
on a schizophrenic island

two flies ****** invisibly
and grow from the unseen smallness of their passion
and become an instant world
in the Red Mountains.

“What’s up?” Dominic say gloomily,
laugh a little.

“You’re meant to be screaming...
And yes...
Yet another ******* month
without hitting
target.” The nightmare says,

No incorporeal speech
no anger
anymore.

She might have been about twenty five,
dressed in a shade of grey
change
that covered her genitalia
and ******* from ankle up to neck

get used to it all.
raise your chin to the sky and try to blink away from the constant lick
of the beast growing
from yourself, or lover, or day

And grow the chimera
throughout numberless
stages
like a beautiful clay
that cant decide

Finally the meer-hawk looked like a Dickensian peasant
with an intricate smile, dressed all in jail rags
stinking of sweat, *****, and time.
And then we change
again

And her black hair scooped down
into the blackening sand
where the grains accepted her slim weight
through out itself

She was tired and fed up of the back-world today
She left her contract looking around upstairs
and accepted the hit
on her targets

A transference of types in the quaking room.
A quick drop of laughter flys
into the lil bear or a lot; and a snap and a lot of hunger
for us all...

The master of the basement was mostly machine.

The front of his face that we run towards
is a centred and hovering engine
at the far end of the shadow
room
and the stench
from its thought.

a farce and enough
to turn you away
from a really good
steak.

no walls

no matter

a car mouth approaches naked.

dead cats know this, as they lay purring still, licking their paws still,
misery knows,forgetting, and the coldness of the street gave birth

to numberless seedy neon lights
flickering away from the wall less walls
once more

and you know, we
all
have a prayer
that comes
out
here was
mine:

might as well let you know
whilst we’re at it
that this one comes
out, in some accent~~
but is how it’s meant to go

“...as if to prae
inside the rain
as if to move
the moon with small hands
ah cross the yard
and lucky sky

I live in that playce me lass
with ya quiet weiyht
upon me own
of ya li’l voice
that taeks it away

Ya-renuf ta bring
al me Gods back
an pin ‘em te tha walls

Enough ta mayke
al’ me angels breathe
heavy
for even an ounce
of ya grace

Ave begged at tha hands
of jesus Christ
for that tayste
of yeh
me sweet bonny lass
an ya the only lass
‘ahve evva met
that mayde us feel
like ah cuhd heal
without bein less

An I’m lookin at ya now
with al me luv
an ah divent need
ney where to ruhn
as am ah freed dog

and in ya charms

An ‘av ney-where left to luk
but I’ll kip alreet the neet pet
cos ya by me side

an in me arms.”

But now it is rather late my friend, and
we all know how long old accents last,
mine, I cherish, I will say it when cursing
and gone
when lit among friends and when
impressing
new jobs, that I shall leave, such is
my
way
and
i may
see you
again.
Where the sunlight splashes through
The barely moving branches of the Magnolia tree
It makes a fascinating pattern on the patio.
Amy Lowell wrote of patterns in a lovely, angry verse
When she was writing about how she hated war.

I bend to trace the patterns with my toe
And focus on the possibilities of now
With monster canons rolling down the boulevards
And goose-step imitators marching by
While in the stands a devilishly evil Buddha smiles.

A zephyr gently stirs the leaves
And all the patterns rearrange again
I look at them with half closed eyes
And I can’t find the symmetry
That I saw just an hour ago.

The Kraken still is held by chains
And though he gushes fire and venom
The patterns on the wall contain him
As he thrashes to replace the sun
With a new one of his own creation.

Amy walked a peaceful garden path
In dappled sunlight long ago
Creating lines that live today.
I trundle down a brick-lined walk
And hope that I will have tomorrow.
                         ljm
An ode to little rocket boy and Bozo
Bob B Oct 2016
Most of us know the tale of Cinderella,
But do you know the original German story?
It’s different from the version that I grew up with.
It’s called “Aschenputtel,” and it’s gory.
 
Cinderella’s stepmom and two stepsisters
Are nasty, ornery, bossy, ******, and mean.
They’re very good at belittling Cinderella;
And the sisters vie for the role of future queen.
 
Cinderella wants to attend a ball,
But her stepmom gives her some difficult tasks, and so
When some birds help the girl complete them,
The woman STILL refuses to let her go.
 
Here no fairy godmother comes to help.
Cinderella goes to the grave of her mother
Where she'd planted a branch that grew to a tree,
Which miraculously gives her a gown like no other.
 
When Cinderella goes to the King’s fancy ball,
She makes a tremendous impression on the prince.
Of course, no one’s able to recognize her,
And the competition makes the stepsisters wince.
 
For two nights in a row the same thing happens.
Cinderella must be in excellent shape,
For each night the prince attempts to pursue her,
Yet each night she makes a clean escape.
 
On the THIRD night he has a bright idea:
“Aha!” he says. “Someone, bring me some tar.
If I spread goop all over the steps of the palace,
That gorgeous sneak won’t manage to get very far.”
 
(Here you have to suspend even more belief.)
As Cinderella hurries to flee from her beaux,
She leaves behind one slipper in the tar.
(WHY more slippers aren’t stuck there, I do not know.)
 
On finding the slipper, the prince yells, “Piece of cake!
Now I’ll find the owner of this dainty shoe.”
When he arrives at the home of the nasty stepsisters,
The poor guy bites off more than he can chew.
 
The first sister chops off her obtrusive big toe
So that her foot can fit inside the slipper.
You see, the slipper’s not made of the kind of material
That stretches, and, of course, it has no zipper.
 
The prince starts to leave with his bride-to-be
But notices that her slipper is filled with blood.
“I don’t think that this is my future wife,”
He says and nips that nightmare in the bud.
 
In order to make her foot fit in the slipper,
The second stepsister cuts off part of her heel.
Imagine how much blood gushes forth from that.
Shaking his head, the prince says, “This is unreal.”
 
Finally, Cinderella takes her turn.
And what do you know? The slipper’s a perfect fit!
The prince—eager to exit that crazy scene—
Takes Cinderella and leaves lickety split.
 
(I hope the prince kept his wits about him.
You’d think he would, for he’s a thoughtful fella.
Certainly, he washed out all the blood
Before giving the slipper to Cinderella!)
 
Early on I told you about some birds
That helped Cinderella when she was down and out
By completing her tasks and delivering her gown and slippers.
They knew what the stepsisters were all about.
 
Well, the stepsisters come on the day of the wedding,
To mooch off Cinderella—as you can surmise.
As they amble along with the wedding couple,
The birds fly down and peck out both of their eyes.
 
Such is the fate of the mean and bossy stepsisters,
Who were deceitful and cruel, as you recall.
Call it karma, their just deserts, or comeuppance,
But let it be a lesson for us all.

- by Bob B
THERE is a wolf in me ... fangs pointed for tearing gashes ... a red tongue for raw meat ... and the hot lapping of blood-I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.

There is a fox in me ... a silver-gray fox ... I sniff and guess ... I pick things out of the wind and air ... I nose in the dark night and take sleepers and eat them and hide the feathers ... I circle and loop and double-cross.

There is a hog in me ... a snout and a belly ... a machinery for eating and grunting ... a machinery for sleeping satisfied in the sun-I got this too from the wilderness and the wilderness will not let it go.

There is a fish in me ... I know I came from saltblue water-gates ... I scurried with shoals of herring ... I blew waterspouts with porpoises ... before land was ... before the water went down ... before Noah ... before the first chapter of Genesis.

There is a baboon in me ... clambering-clawed ... dog-faced ... yawping a galoot's hunger ... hairy under the armpits ... here are the hawk-eyed hankering men ... here are the blond and blue-eyed women ... here they hide curled asleep waiting ... ready to snarl and **** ... ready to sing and give milk ... waiting-I keep the baboon because the wilderness says so.

There is an eagle in me and a mockingbird ... and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want ... and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes-And I got the eagle and the mockingbird from the wilderness.

O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart-and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where-For I am the keeper of the zoo: I say yes and no: I sing and **** and work: I am a pal of the world: I came from the wilderness.
Moon Humor Apr 2014
My body burns to rove far from man-made
buildings, prisons for the modern soul.
I need to traverse the frontiers white man stole
from those who made it their home.

I've been down to the Everglades of Florida.
Fan boats flew through the estuary lines with roots
of mangroves. I've been to the Hoh Rain Forest of
Washington where fog descended on the shoreline
and married the sulfur smell rising from hot springs.

I must experience America's coast to coast beauty.

Every spare seconds I spend luxuriating in the
sun, thinking of all the places untouched.
My list of desires grows as the glaciers
of Glacier recede in Montana, beckoning
me to the Rocky Mountain Peaks.

Old Faithful gushes, surrounded by wolves and grizzlies.
Someday I'll cross Yellowstone's expansive mountain ranges.
from Idaho to Montana to Wyoming. On the arches of
Utah I'll face my fear of heights and find solace at
the tops of time-layered sandstone towers.

Descending the Grand Canyon I'll study beautiful
colors exposed by years of erosion. In winter
Death Valley will be braved. The lowest and direst point
will exhilarate me with scaled creatures as sand
dunes whisper my name with every hot breath.

The Badlands of South Dakota will hope I come
backpacking through prairies to watch precious bison roam.
California Redwood trees and I will stand side by side
as friends. Yosemite will call me to her cliffs and I will chase
waterfalls and sequoia groves until I've seen it all.

I ache to explore the terrain that bears
my name, the country I call home.
cheryl love Apr 2015
Water gushes, Mother Nature at her worst
Causing crevices to split and the banks to burst.
Sand bags pile high forming temporary barricades.
Putting pressure on them as the water cascades.
A sparkling foam pushes to the liquid surface
Rendering absolutely no breathing space.
Fish confused, dazed and bemused
Battered and slightly bruised.
Swim furiously against the strength of the swell
Questioning their one and only brain cell.
But answers don’t come that easily somehow
A split second decision should be on the cards now.
Mother Nature has pulled out the joker card
And is pitching for the mighty ace of spades.
Cruel and twisted as ever as the water cascades.
Anand Sep 2014
Nothing is permanent
Everything is ever-changing
Change is inevitable

The dark shadowy clouds of Sorrow
linger over the horizon of our Mind
only to usher the rain of Happiness
And then a Sunlit sky to find

With Moon and the Stars as a guiding light
comes Night after a Day
Only to call upon the Sun
Illuminating the world, to keep darkness at bay

The shower that gushes through Mountain springs
flowing as a River it merrily sings
becomes one with the Ocean, a depth to attain
then evaporates into Clouds, to usher the Rain

The Flower that blossomed is meant to wither
the Pupa is meant to become a Butterfly
That what Arises is meant to Cease
That which is Born is meant to Die

Pain and Suffering is there but to pass
Delight is not going to forever last
One follows the other in Circle of Life
like a rhythmic pattern in Vitality vast

Matter is made up of tiny atoms
we are but merely Nature's vibration
An entire Universe resonates inside us
Realisation of which will lead us to Wisdom

Time, the bird of change, has taught
impermanent in itself  it always flies
Things as they really are* should be known
without craving or hating the feelings that arise

Ignorance, Conceit, False Hopes and Self Deception
are the very causes of Human Suffering
Consciousness of it all removes the Passion for Existence
in it alone lies the secret of our Well-being

Desire gives birth to Sorrow
nothing else can be so true
because after all "*You only Lose
what You really Cling to! "
If we contemplate even a minute sector of the vast range of life, we are faced with such a tremendous variety of life's manifestations that it defeats description. And yet three basic statements can be made that are valid for all animate existence, from the microbe up to the creative mind of a human genius. These features common to all life were first found and formulated over 2500 years ago by the Buddha, who was rightly called "Knower of the Worlds" (loka-vidu). They are the Three Characteristics (ti-lakkha.na) of all that is conditioned, i.e., dependently arisen.

These three basic facts of all existence are:

1. Impermanence or Change (anicca)
2. Suffering or Unsatisfactoriness (dukkha)
3. Not-self or Insubstantiality (anattaa)

For more information log on to: http://www.accesstoinsight.org/lib/authors/various/wheel186.html
Drawing on something I cannot know,
Her breath alone stirs miles within,
And my joy surges up to overflow,
For man was not meant to keep it in.
And so here gushes forth first blood of cupids arrow,
Splashing rose on my cheeks at her mildest grin.
Fenix Flight Feb 2015
.               "Peter Look at me." Lexi whispers moving closer to him, The hot spray from the shower head scalding her back. Peter had his back flushed against the back of the shower, his eyes, the red of an Alpha wolf, wild with pure animistic rage. He's lost his humanity, she thinks, I have to bring it back, Peter Snarls and lunges for her. Lexi just holds out her palm and water tentacles from the streaming water behind her snake out and wrap themselves around his wrists and ankles, locking him in places, vicious snarls escaping him, his eyes burning red. Anger wells up in her chest making her own eyes Flash violet, her powers rising inside her. She closes her palms and the water restraints tighten cruelly against him, a small whimper coming from him. She looks him in the eyes and steps even closer, leaving the comfort of the water. "Peter please, come back to me my love." She whispers moving closer still until she was standing right in front of him, his breathing echoing off the shower tiles. She stretches her hand out and touches the hard muscles of his stomach, making him flinch violently, struggling against his restraints as he tries to move away. Lexi thinks back to the time when he would have done anything just to feel her touch, now with his humanity lost,  and the wherewolf taking hold he couldn't bare it. She splays her hand across his abs, tracing the hard muscles, trying not to wince as sounds of pure distress came from him. Looking back up into his eyes she searches for the Peter she had fallen in love with, imprinted with, and found nothing but a cruel cold hearted Animal staring back at her. She takes her hands away and sees the distress turn quickly back into a murderous glare as he pulls against the restraints trying grab her, his claws glistening with spray from the water. With a flick of her wrist the tentacles pull at his arms until they are spread out, far from touching her, another viscous growl, more tugging against them. "Peter I know you can hear me,try to fight this I know you can." She says pleading to any shred of humanity that might still be lurking within his soul. For a split second his eyes lose some of the bloodlust as her words penetrate the wolf that was rising, his face twists in concentration

               "Lexi- I can't Save yourself" He gasps through clenched teeth, His eyes begging her to run before he closes them. She steps near, her heart soaring with hope that she might be able to save him. When he opens his eyes again though all hope she just had shatters as the cruel animal returns. With renewed strength He lets out a harsh howl and yanks his arms, the water tentacles turning to puddles, slipping down the drain with the rest of the water, in the small space of the shower he lunges toward her. Fear ripples through her but she quickly shakes it off and once again lifts her palm stronger tentacles obeying her command wrap themselves around him just in time, as his sharpened fangs came three inches from her face. His body is slammed back against the shower wall, his head bouncing painfully off the tiles. As he trashes and pulls at the restraints Lexi moves back close to him, shutting her eyes in concentration. "His ego cuffs concatenata bestiam, relaxare scintillis humanitas seen, With these cuffs I chain the beast, only loosen with sparks of Humanity seen." The Latin words falling easily from her lips as she casts her spell on the water, knowing they would hold and only lessen their grip when the Peter she knew and loved came back. Her strength leaves her as the spell takes hold and she sags against the other wall, seeking its help to keep her upright. She leans her forehead onto the water slicked tiles and breaths in the steamy air, her eyes drift close. Knowing she was safe from anymore escape tempts she turns her back toward the beast that wore Peters face and steps back into the scalding water of the shower, letting the heat seep into her cold riddled body, and washing away any remaining fear as she lifts her face to the spray. Anger toward herself bubbles up inside her, how can she be afraid of the man she loves? whimpers fro behind her make her sigh and step out of the comforting spray. Turning around, she opens her eyes which were flashing Violet with her rejuvenated powers, she once again faces the love of her life. Hope once against swells inside her as she faces her task of Being Back Peter's humanity.

               "Peter I know you are still in there, I'm going to touch you now." She says with confidence as she steps closer once more. Hot spittle flies from his mouth as a deadly snarl comes from deep within, his fangs fully elongated, his claws at full length, clawing wilding at the air trying to tear her apart. She ignores the snarls and the beast and focuses souly on her task, She reaches out and touches his chest, right above his pounding heart. Moving her hand upward she runs her hands up his muscled well toned arms and with her left hand she places it carefully on his cheek, keeping away from his deadly venom coated fangs, knowing that one bite would have her transforming into a werewolf like him. The terrified whimpers he made makes her heart squeeze, knowing that the touch of a human in his wolf fill brain was torture for him. She looks in his eyes and silently pleads for this to work, knowing that with each touch the Peter she loved would have a fighting chance to break through and once again take hold of his body. She steps closer and kicking his feet apart she presses flush against him, the roughness of his soaked jeans rubbing against her naked body, his shirtless upper half smooth against her own chest. A strangled growl leaves him as he tries to shrink away from the closeness. She takes her hands and places them on either side of his face yanking it back to look at her. "Peter come on love FIGHT THIS!" She hisses pressing herself closer to him. The blood lust fades slightly, his arms sagging slightly as the restrains register a spark of his humanity. Her eyes shine with joy when she realizes it was working. She takes her hands away from his face and wraps them around his neck, stretching up on her toes to reach his mouth with hers. She kisses his mouth, not afraid of the snapping teeth, and feels the growls dissipating in his throat, as his arms continue to sag with the loosing cuffs. She watches as his eyes close and feels his lips returning the pressure to hers. A small gasps escapes her as she feels his arms finally wrapping around her body crushing her to him.

               "Lexi Stop, I can't fight this for long," he pleads against her lips, and on Que his arms are softly yanked from around her as the restraints sense the animal rising again. Going against her intuition she lifts her hand and the spell is broken letting his arms sag fully to his sides, giving him full use of them. He growls "That was a mistake, Lexi AH" He chokes out shutting his eyes and shrinking away from her half turning his body, trying to keep himself from slipping away. She moves, easily deflecting his feeble attempts to push her away, she takes hold of his arm and turns him to face her again and softly pushes him up against the wall which they had started to stray from, pressing herself firmly against him.

               "You can fight this Peter," She whispers in his ear before claiming his mouth again. It was her mistake. He kisses her with desperation trying to fight back the Wolf that was clawing it way through him. IN a split second He looses control and the beast takes hold. Giving off a murderous howl he sinks his claws deep within her back, Her scream tears through her, echoing off the tiles. She sags against his claws, making them sink in deeper as whimpers of agony spill from her kiss swollen lips.  With a grunt he rips his claws out and watches as she crumples to the ground, her strength deserting her. She splashes in the water built up in the tub , barely noticing the sting as her knees and hands hit the porcelain. Her arms wobble as she tries to keep herself up, her eyes cast down as she stares at his bare feet, the hem of his jeans dark with the water sloshing around him. "Pe-Peter Fight, pl-please" she mumbles as a fog starts to creep into her mind. Her arms fail her and she splashes face first into the ***** water. The water was tinged red and tasted like cooper with her life's blood as it oozed out of the ten claw marks on her back. Her breath quickens as it become shallow, the fog creeper faster, her vision starting to unfocused. Tears spill down her face and mix with the ****** water as she realizes she was going to die, and without saving Peter.

               "I failed you Peter, I'm sorry, Forgive me," She whispers unable to lift her head to look at the beast that claimed him. " I- I love You" She manages to sputter out before the fog took hold of her, rendering her unconscious.

               Those three words reached the beast, traveling down to Peter who was growing weaker by the minute LEXI! he screams mentally and pushes past the beast. He throws his head back, letting out a tortuous howl, as his eyes go from blood red to the Ice blue some Beta wherewolves posses, his original state. The beast retreats, never fully gone, just hibernating until the next best moment to strike. Peter looks down at the naked girl at his feet, and he drops to his knees in the red waters.

               "Lexi My love" He whispers his voice full of agony. He lifts her limp body out of the water and cradles her in his arms, He wipes away the hair that was plastered to her face and rests his hand against her cheek. "Open your eyes my love, you didn't fail me, you saved me, I'm right here, just open your eyes." He says, his voice choked with unshed tears. When she doesn't respond he cries out , placing his head on her chest, taking his hand away to wrap around her body in a tight grief stricken embrace, his blond hair making a curtain around his face as his grief pours out of him unchecked. A strangled Gasp makes her chest rise and he wipes his head up to find her eyes fluttering open, focusing weakly on him.

               "Peter, you're-" her words fade away as her strength seeps out of her. she lifts her hand and he quickly grasps it in his lifting it to his mouth kissing the fragile pale skin before putting his face in her hand, trapping it between his face and his hand.

               "Yes Lexi I'm me, I'm here, Don't give up" He says smiling through his tears. A faint smile spreads across her bloodless lips as she closes her eyes, her breathing was struggled but she clinged to the last bites of life in her as she pulls her power in, drawing strength from the water around them, the air that fought it's way to her lungs, the Fire from the small candle she had lit in the bathroom earlier for strength, the minuet grands of dirt that always managed to find their way in the house. But most of all she Draws on the Spiritual world the one that swirled around every living creature. She draws all this power inside her and wills her body to heal itself, Fighting for her life. Her power pulls and a soft warm glow fills her body as the wounds slowly pull themselves closed healing themselves. Her breathing becomes easier and she gulps huge mouth fulls, coughing as she takes too much in. Peter tighten's his hold on her and stares at her in wonder as she pulls her broken battered body together. "Oh Lexi," he gushes as color returns to her body, making it flush a pale pink, her eyes going from their crystal green to the purple as she works her magic. Finally the wounds were sealed shut, and her eyes return to their crystal green, her body sagging in exhaustion in his arms.

               "You're you, you're really you." She whispers, happiness ringing in her soft sleepy voice. Peter smiles at her and strokes her cheek, his fangs had vanishes and his claws had retracted.

               "Yes Lexi I'm really me."

               "I thought you're humanity was lost,"

               Peter just shakes his head at her, tightening his hold on her he stands up, carrying her bride style he steps out of the shower, not bothering to shut off the water. Holding her close to his body she rests her head against his bare chest and sighs as she hears his heart thumping at a normal pace. Leaving the bathroom he pads down the hall to their room. Once inside, with one hand he pulls back the covers on their king sized bed and gently deposit her onto it. going to his side of the bed he quickly strips out of his wet clothing and slides under the covers with her, drawing her close to his body, skin to skin. Lifting her eyes to his he smiles at her.

               "NO Lexi, I don't think I can ever lose my humanity again, want to know why?" He says, his eyes hypnotizing her. She snuggles closer to him, her legs tangling with his,

               "Why?"

               "Because YOU are my humanity." He says as his lips crush her in a passion filled kiss.
This was A Dream I had. I have no other back story or anything This was jsut my dream and I was Lexi. Peter was Peter Hale From TV show Teen Wolf. ( IDK why but my dreams awalys end up staring someone from that **** show)
Zell Jul 2017
I am lost at sea.
I am a traveler on a sailboat with not even a single hint of where i am headed.
The wind gushes and i trust it for wherever it takes me.
There is no map.
There is no star nor sun to guide my path.
I have lost my compass years ago;
But somehow even if the wind can’t speak,
I close my eyes from time to time and try to feel it,
Whispering and hoping that it would eventually lead me to my true north which is you.
© 2017 D.A. Barreras
winter sakuras Oct 2018
You are like a
cool gentle breeze in the trees
whistling your sweet tune
and dancing your fingers through
my hair
like a silver stream of moonlight
on patches of silky worn grass
my feet run across
to get to your outreached
arms of pale morning sunlight
that make the sky
blush into cool shades
of rose, jade, lilac,
and peach
your laugh gushes
like a waterfall blue and white
spraying across
the rocks and evergreen I come
to perch on
when all inspiration for ideas
have dried into
strips of sour plums
and I am left feeling
a crazed thirst for the energy drained away
you are as light as a Cloud
white, often times stained
sunset pink and orange
so filling yet so translucent
in that my ideas
pass right through you
and become forever lost
like airplanes with blinking lights
and no destinations
flying across your endless horizon
of thoughtful evening stars
every time I close my eyes
and breathe
you are there fluttering underneath
my eyelids
smoothing my creased forehead
pulling my mouth up into an
upturned crescent moon
placing your palms
against mine
just to let me know
you are there
though only a fragment of
my imagination
you are simply
the stillness in every moment
encapturing a person's presence
to be carried in
the winds of change
yet brought back time and again
when hope has stilled
and home seems like a desert
that you bring
rain to.
10/11/18
Kim Sep 2015
Ignorance is bliss they say
There are many who might agree
But I have a secret to share today
That once was shared with me

If you should ever chance to gaze into the eyes of the young and bold
You might discern a glowing light that neither flickers nor grows cold

What sustains this constant spark-
Night or day, light or dark?

Whence flows the river of joy and peace
That gushes forth through gentle souls?
What is the secret of peaceful sleep
Enjoyed by minds of simpler mould?

Tempting though it may be to attribute to lacking wit
The exuberance and ecstasy discarded with the training bit,
Wisdom urges a second glance
beyond the proverbial looking glass
In the hope one might contrive
to visit with the other side
A world of simple charms and grace,
far from this one’s treacherous maze

And so this deeper, delving look
Might relight that failing spark
While in the pages of a thousand books
One may languish in the dark!
J.
J.
Ah, J.
A love I hath excitedly longed to find,
A love t'at previously had no name.
J.
A love too thrilling for my sights to feel,
and perhaps th' only love t'at couldst make me thrilled;
A love so genuine and benevolent,
A love so talented and intelligent.
Ah, J.
A love t'at just recently landed on my mind;
And made all my lyrical days far more splendid;
A love t'at briefed, and altered me more and more;
A love so chilly and important, with subt'leness like never before.
Ah, J.
My very, very own J.
Perhaps my future king, my precious, but at times villainous-darling.
Oh, J.
And perhaps I am just not as virtuous as I might be,
But t'is poem shall still be about thee;
For thou art-within my minds, still awkwardly th' best one,
With a pair of oceanic eyes too dear; and a civil charm so fine.
J.
J, o my love.
If only thou knew-how oceans sparkles within thy eyes,
And 'tis only in thy eyes, t'at any of t'ese complications might not become eerie,
And then t'is destiny is true, as well as how truth is our destiny;
So t'at any precarious delicacy is still faint-perhaps, but not a lie.
Oh, J.
A bubble of excitement t'at my heart feelest;
But if consented not, shall be the wound no blood couldst heal;
Ah, J, if the heavens' rainbow wert fallen, t'an thou'd be purer;
Born as a sin as us all humans, thou art cleaner to my heart still, and canst but love me much better.
Ah, J.
If only thou knew-how madness floweth and barketh and drinketh from our spheres,
But even th' devil cannot spill its curse on our strangled love;
At least until everything is deaf-and we duly cannot hear,
As skies descend onto th' sore earth; and our dumb sins are t' be sent above.

J.
How pivotal thou art to me-if only yon foliage couldst understand;
If only t'ose winds were not rivals, but one-or at least wanted to be friends.
Ah, J, even only thy words filled my comical ******* to th' brim;
And as far as heavens' angels canst hear, I am no more in love with him.
Ah, J.
'Tis cause my verses are seeking thy name, and his not;
I may create th' words, but thou deviseth my plots;
Ah, and him, the bulk of egotism, and whose frank misery;
Are but too disastrous to me, and in possession of too much agony.
Oh, J.
Thus thou art th' only one who remaineth solemn;
Th' one to remain ecstatic, and as less aggressive as calmness;
But of the broad thoughts I used to think of him, I feel shame;
He is just some unborn trepidation at night-though on fine mornings, he is tame.
Ah, J.
Let me disclose th' egress of thy journey, and tellest me now-is which towards mine?
Ah, thee, thou who art so bounty, and deliciously fine;
And t'ese thoughts of thee-are often tasty, and oft'times generous;
'Ven when thou'rt mad, and thy chanting is vigorously serious.
Ah, J.
Thee, a soul of painless blood;
Whose disgrace hath been buried;
Whose vanities hath been laid off;
Whose miracles hath been lavished on.
Ah, J.
Thou art one bright portrayal of my merit;
I fell'n love with thee in a single bit.
Thou bore my tears, and scorned away my guilt;
And in th' swaying summertime, thou wert my protective shield.
Thus my, my very own J.
My gale-like, and unutterably luscious poem;
About whom my thoughts are jolly, but mindful and insensible;
Ah, J, I wish I were more frail, paler, and gullible;
Ah, but if only being so couldst make me more compatible.
Oh, J.
And compatible, compatible with thee alone;
Fleshly be thine whenst all is borne on thy own;
Be thy only trusted companion, and thy eloquently verified wife;
Be thine, and thine in wifery only, throughout and for th' rest of thy life.
J.
All Let me then guess but the tranquility of thy thoughts-hath thou gone mad?
Behind us are rainbows, and thus thy songs should not be sad;
But even though they were sad, I wouldst lend thee my heart;
So t'at no summer sunshine couldst further tear us apart.
J.
Ah, J, why are th' blue skies far too impatient in thy eyes?
Just as how thy deep scent is febrile in my air;
Thy gushes of breath are thick in my young weather;
As buoyant as yon summer itself; as voluptuous as lingering daisies.
J.
And t'is ****** scream, within my heart, needs indeed-t' be fulfilled;
And its vulnerability t'ere always, to be killed;
Ah, J, t'ere is 'finitely no poem as beautiful as thee;
T'ere is no writing yet as such, as trivial and distant-as my eyes canst see.
J.
Ah, J, darling, and my very fine darling; is chastity to thee virtuous?
About which my soul is hungered-and t'ereby curious;
But if 'tis so, I shall be merry-and ever meekly laborious;
I shall make it tender, and maketh it a reliant gift, to thee.
J.
Ah, J, and thou came to me one aft'rnoon, with a sweet muteness;
For to thee, poems are far more pivotal to a young poetess;
Yes, and far prettier t'an a beastly bunch of words;
Whose curse is whose sweetness itself-and whose whole sweetness is curse.
J.
Ah, J, so shall I be thy pure lady t'en?
For purity is a curse-and related not within t'ese walls;
Walls of discomfort-irresolute and at certain times foreign still;
Walls t'at shun us-and be ours not, due to t'eir own reserved castigations.
J.
Oh, querida, my random rainbow-but still my dearest querida;
My poetry in th' morning, and th' baffling flute, for my evening sonata;
And as it is sounded, I shall be thy private lonely prelude;
But th' one who maketh thee singular, and nevertheless, handsomely proud.
Ah, J.
And thy perfect red lips are th' stillettos of the sun;
Critical but radiant-all too agonising in t'eir inevitable shape;
So t'at kissing might be just too much fun;
And from which, o my love, t'ere is no such a famous escape.

J.
Ah, J, thou knoweth not-I am asleep only within thy remembrance;
As how I am awake only in thy life, and partake of my justice, in thy glory.
Ah, J, but if satire were the only choice we had, shalt thou be with me?
Ah, my J, for be it so-I shall never regret anything, I shall never say sorry.

J.
Ah, wherefore art thou now, my love? I am now cursed. My dreams are mad.
I am now crawling out of whose realms; I wanteth but'a stay no more in my bed.
Ah, J, but in my dream thou wert too miles and miles away, and indolently anonymous;
I hatest sleep t'ereof, for t'ey piercest me so tiringly, with a harm they deemest as humorous.

J.
Ah, sweet darling, and in our dreams, t'ere is no strain, nor piety;
Even thou-in th' last one, despised my pyramids-and my chaste poetry;
Ah, querida, I am but afraid our loneliness shall be gone 'fore long;
For its temporariness is not sick, and canst work its way along, with a belief so strong.

J.
Ah, love, but t'is loveliness itself-is indeed tyrannous,
And its frigid poetry is randomly perilous,
As how th' daydreams it bringeth forth-which are luminous,
But as love is innocent, by one second canst all turn perilous!
J.
Ah, J, thus our story is brilliant, and in any volume real' magnificent,
With curves palatable, but with some greyness too fair-and too pleasant!
Ah, J, if passion dost exist, and thus maketh it all real;
And at once I shall understand thee; and listen only, to how we both feelest.

Ah, J.
My very, very own little J.
My dearest J.
The harbour of my ultimate love.
My most cordial, and serene spring of affection.
My most veritable nirvana, my vivid curiosity-and shades of frankness.
My dream at heart, and my sustainable ferocious haste.
Th' love in which my ever fear shall subside,
And be overwhelmed by its unfearing light.
J.
Oh, J, my glossy, exuberant darling.
And as more winds sway, and amongst the green grass outside,
I canst but feel thy eyes here watching;
Thy eyes t'at widely grinneth, and flirtest with my poetry itself;
Thy eyes t'at forever invitest, yet are all more daring than myself;
Ah, J, even though t'is love may be a secret scene,
But I hath felt, even vulnerably, not any provoking passion so keen-
For though they couldst my flowed veins hear,
They were still delicately unseen-with a serenity t'at was ne'er here.
Andrew Rueter Dec 2017
When cops aren't held accountable
We're bound to fall
To unanswered calls
And free for alls
In project halls
With narrow walls

Fear gets the best of judgement
A cop shoots a suspect
He gives an explanation
Which doesn't pass examination
Only exacerbates inflammation
Stemming from the police station
When they go on patrol
To show who's in control
And act as rough terrorists
As the cuffs tear our wrists

The blood ceases to be red
As it gushes from our head
It becomes black or white
The difference day and night
The impulse is to fight
But is that right?
Will we lose sight
And become wrong
And sing their song?

Their favorite method for oppression
Is unbridled aggression
With discriminate discretion
Yet we're supposed to be nonviolent?
Even when the media has gone silent?
Even when a loved one has been maimed?
Or framed?
They depend on our inaction
To continue painful interactions
As we look for distractions
We build a mental immunity
Which gives the cops impunity
They think they're getting through to me
I just don't want them to shoot so I'll be free
I'll tell them what they want to hear
When they know violence is my fear
They use the mystery of suffering
And their long history of cuffing me
To manipulate me and get what they want
Then on the way to jail they tease and taunt
They've numbed themselves to my plight
And blinded themselves from my light
They hope they'll never see me again
After sending me to the state pen

The police get a thrill
Out of taking away our agency
The police get to ****
Despite how much we beg and plead
The cops keep making us needlessly bleed
Our supposed rights they needlessly read
A government system they needlessly feed

I feel rage and impotence
In this cage of hypocrites
The cops
Run a shop
Where hammers always look for nails
Even if they're minor fails
When employment depends on success
And ambitions rely on arrests
We better wear a vest
Because they'll terrorize the public
Then open their arms
For therein lies the musket
That does us harm

The police brutalize
While we rue their lies
But stay in disguise
Because they have the power to destroy us
People won't employ us
People won't enjoy us
Once we're trapped in a lonely cell
The police then toy with us
Making us feel like we're alone in hell

The police engender a vicious fear
Especially when they smell like beer
To cover up their tears
From what they do to their peers
They terrorize
We're paralyzed
We must teach them to be decent
When evidence of their hate is recent
The law must be followed
But the enforcers are hollow
And they bend the law
To twist our screws
We're stuck in their claws
Destined to lose
Kayla McDermott Dec 2013
You sit in your chair, crazy lenses on your eyes
As you perfect your perfect human disguise,
Poking and prodding inside of my skull
With ice picks and drills, never anything dull.
My jaw is locked, and my tongue is now tied.
“This won’t hurt a bit,” you tell me. You lied.
I lay here, strapped down, for what feels like hours,
As your assistant sits in the corner and glowers,
And you slip me some music as if it’s all okay
As blood rushes and gushes out, clear as day.
The buzzing and shaking is all just too much,
And I can’t stop my body from quaking at your touch.
Quaking in fear that this will go horribly wrong,
For I have already been trapped here far too long.
A smile grows on your face as my heartbeat quickens,
And you laugh as it gets louder, and as my body stiffens.
Finally, days later, I’m released from your experiment,
Only to find out, in six months, I’ll be back again.
165

A Wounded Deer—leaps highest—
I’ve heard the Hunter tell—
’Tis but the Ecstasy of death—
And then the Brake is still!

The Smitten Rock that gushes!
The trampled Steel that springs!
A Cheek is always redder
Just where the Hectic stings!

Mirth is the Mail of Anguish
In which it Cautious Arm,
Lest anybody spy the blood
And “you’re hurt” exclaim!
ryn Aug 2015
Many a notion I'd lay in indelible ink.
How the morning sun would harvest the contours of your face.
Accentuating...
Elevating...
Revealing...
Your majestic beauty.
Reminiscent of a different time and place.

Many a thought I'd pen in indelible ink.
When your breath meets with mine,
they'd hold their own conversation.
Deeply entranced,
In an everlasting dance
that would last forever.
Exchanging gaits of grandeur,
great longing and pine.

Many an inkling I'd etch in indelible ink.
The way my moon never gets eaten.
It'll balloon to its fullest...
Beaming it's brightest.
Seeping from its edges,
gushes forming rivers...
Bathing my earth in heavenly silver.
Calming the thundering hooves...
In my heart with rhyme and reason.

There are but three words...
Words so sacred I dare not utter in vain.
Proclamation so heavy my chest could hardly
hold in rein.

I've immortalised them here...
But in *invisible ink
...

Because no one would understand...
Of emotions so grand.
No one would have a clue...
That...
_   _ _ _ _   _ _ _
.
.
Mikaila Dec 2012
When I look at myself, I am not beautiful.
My feet are twisted and gnarled like the wood of an old tree.
My limbs are gangly and thin.
My eyes are too large,
My hair is too straight and too dark,
And my ******* are too small.
In the mirror each day, I cannot tell myself I am a radiant woman.
But when the music starts, I shine.

The notes hit me like rays of the setting sun, and every hue of grace and passion is splayed across
The folds of my dress,
The arch of my back,
The curve of my ankle,
The stretch of my throat.
Each harmony, each crest and fall of sound and feeling
Is a wave that breaks over me,
And I am lost.
I drown in emotion, in the distinct expression of self that only movement can allow,
And in that moment, I forget beauty.

I forget love and hatred and pain and joy, and as I forget I am freed.
I forget because they no longer belong to me.
I have given them to the melody,
To the dance which draws them out of me like venom-
The next move, fraught with the tension of 'goodbye forever',
The next turn, spun by the unraveling of my heart,
The next leap, lent weightless wings by the joy of a first kiss,
The next slow reach carved from the desperation of 'it's all my fault'.
As they leave me, they become me, crashing down on the audience I've also forgotten, burning the bright after-image of my soul into the shadows of theirs.

I have never seen myself beautiful.
I have never looked. I have forgotten to look.
For when the music hits me, it turns me in on myself, and I can see nothing but my own spirit- a shower white hot of sparks-
And the cascade of the notes in folds of velvet against my mind.

I have never seen beautiful, but I have felt it.
It feels like a smooth silk shoe and blisters on my feet,
It feels like the trickle of sweat along my brow and the stab of muscle cramps in my legs, and the scrape of hairpins and sequins.
It feels like breathlessness when the curtains open.
It feels like the worn wooden stage upon which my heart may bleed all it wants.
For it does, it gushes, and it is the ugliness of passion.
It is terrifying, it is raw, it is light-starved and beaten, it is all I have.
And when I get up on a stage, people call it beauty.
Inspired by the painting by Andrew Atroshenko. (this one http://www.artatyourdoor.com/site/wp-content/uploads/andrew-atroshenko-ballerina.jpg)
Children are the gifts from God that keep us grandparents going
Having energy, watching them run, play, and listening to their stories
I know I have enjoyed many times with my own
Love comes flowing in gushes through those tykes
Dear, sweet ones that involve us, also resolve around us
Reality strikes of our yesteryears bringing us smiles
Ever really think about how much they affect us?
Nice to be loved by those so precious... the little angels in our lives
for all the grandparents in the world... loving their grandchildren ... and enjoying the love in return!
AJBusse Mar 2021
You're a boy of clear seas and early mornings
Messy hair and smiles
Grass splintered sneakers and a laugh that makes the world shake
Storms on the water that drift into pink
Lonesome words looking for a heart
Rose petals pressed between your fingertips
And music that gushes and flows
And bounces and calls
Through the air
And the ground
And the water that sits there too
You're red velvet cupcakes with creamcheese frosting
You're fluffy white clouds that drift in the sky
You're all of the little beautiful things you find in far off lands
You're a boy of sweet dreams and cherry tomatoes
A boy of careful daisies and gentle hands
A boy of purple lighting that doesn't touch the Earth
A boy of sweet lemon tea that sits in my glass
A boy of honey and suger and mint
A boy of thyme and rhyme
A boy of silly words and careful thoughts
A boy made of marble so beautiful and perfect
AJBusse
Mateuš Conrad Dec 2019
.i'm sorry, but i've looked at english grammar for far too long, to buy into the current *******... i just came from behind the iron curtain, i'm not about to go into "hiding" under a silicon curtain... valley my ***, silicon curtain, the end. gender, "neutral" pronouns? pronouns can't be "neutral", neutered... neuter via plural? they being a non-descriptive associated of both a he and a she? ****... most languages can't escape gender-inclusivity of their nouns... for example, names of cities... now you can have gender neutral nouns, i'll concede that... London: gender neutral... Paris: gender neutral... and then of course the more universal nouns in English, predicated by either a definite or an indefinite article: making gender-ascription to nouns even harder... because that's how the english language operates: something is either definite, or it's indefinite... all the continent languages, however, ascribe genders to their nouns... either masculine or feminine, or whatever... is this some sort of quasi-anglophone envy of continent languages? say, in my nativspreschen... słońce (the sun) is feminine... księżyc (the moon) is masculine... Warszawa (Warsaw) is feminine... Niemcy (Germany) is actually gender neutral, in that it refers to a people... Rosja (Russian) is feminine... Anglia (England) is feminine... there is noun-ambiguity regarding "gender" in continental languages... which the English language lacks: due to the definite / indefinite articulation via (a- -the      "ism")... pronoun gender "neutrality" never existed... because... gender-appropriation of nouns was never on the cards in this language... and never will be... come on... you really don't need some foreigner to tell you the basics of your own tongue... i hate to even associate myself with such pieces as are provided in the form of the "useful idiots"... i hate it... it's like asking to fiddle about with a down syndrome competitor at a su doku olympics... it's not fair!

i only really had two loves in my life... Paris, circa 2005 and Edinburgh circa in the range of 2004 through to 2007... those really were my only true loves... London? London just grew on me, esp. the east end... i became infected with its heterogeneity, so much so, that whenever i visit my grandparents, in the most feral of lands, Poland... and peer into its homogeneity, i am fed a staggering amount of nausea... sure, once in a while you'll spot a Roma in these parts, handling cheap chinese goods at the market, but otherwise? and... given, that i'm a first generation expatriate (eh, eh? i know what the natives call their own, "elsewhere", akin to h'america or australia)...

                 the girlfriends? eh... two, three, more prostitutes...
whoever these middle-aged men are, talking m.g.t.o.w., after two failed marriages... i was already on my way, aged 21... sure, it was fun for the first few years... i remember the tingling sensation of holding my first girlfriend's hand while watching romeo + juliet in her father's presence... that **** was cool... it's still so vivid to me... again: slandering women is not cool... i remember these girlfriends with a fondness... i don't want the anchor of bitterness to put me in one place... fondness is all the wind in the sails you will ever need to sail along... and... em... stealing one or two kisses from prostitutes... that's all...

                      the last one i left? 21... she married...
she remarried...
            and she ****** quiet a bit in between...
last time i visisted her out of a weird sense of obligation...
hand... slashed down their veins...
             i stayed for about four days...
   over a period of two nights i slept with the window
open, with my clothes on...
third night i took my clothes off...
                i inquired...
           she was waking up each morning with
a jug of coffee and turned into:
   less a masters in anthropology...
and more the russian gamer chick...
                     one night she called up her
sycophants...
               we smoked...
                     her husband wasn't home...
"then", her, "still"(?) huspand?
                   but her boyfriend was there...
i was sitting akimbo and talking to this guy...
and he told me how he ******:
my would be fiancé...
                           well... i just broke down
into the most amazing laughter...
   a laughter that put me to sleep,
a laughter that made all the people leave,
and i was left with her, alone,
in a room...
              she was still playing a video game...
while i got up and rolled another joint...
but the whole joke comes at the fact that:
i, i was the person who was always dumped...
ilona, promis, isabella...
                           they all dumped me...
but... what, a, *******, relief!
               maybe that's why i came to terms
with myself, maybe that's why
drinking in ms. amber's company
is such a joyous treat...
                 unlike most drunks...
esp. women: i do not wallow in grief,
or for that matter... hold any grievances...
all that has happened,
   has, happened, in order that i might find:
release, and in finding my release...
relief!

                            i had to mention these
scenarios... i remember the last words ilona
said to me: blah blah... by doing x
as you've continued to displease me...
blah blah... you'll never become a man!
                    true...
                                ­ who the **** want's
to be an ahston court trained poodle?!
   what, enough ***** to keep the economy
going?
        everyone knows that women
are the crown of capitalism...
                     no woman, no crown, no capitalism...
it's not even socialism at this point,
or anarchy... it's... eh... m'eh?
                                 why do only fools and horses
marry?
          ****, if there was a swan ontology
built into man? maybe... after all...
                    there is such a phenomenon
(more like a noumenon) of the widow swan,
or a widower swan...
      it's as if the animal has lost its
physical union, and transitioned into
a metaphysical union, beside the body...
   a realm of perpetuated memory,
   awaiting transcendence...
         now... i believe there's a godhead for
all things in this world...
there's the godhead of swans,
   as there is the godhead of all the other creatures...
which: gushes out ontological cueues...
pointers...
                    after all, i already said what
my two true loves were...

        Paris and Edinburgh...
                   i remember the first time i arrived
in Paris...
when i reached 3 Ducks hostel in Paris,
the guy in charge, was surprised,
that i managed to walk,
   all the way from where the drop-off was
for people arriving from the airport
by coach, some 40+ miles from Paris itself...
i walked... i breathed... i was amazed
at the Eiffel Tower...
   most people just took the underground...
plus i had a really ****** map...
didn't speak the language...
                    but that year... circa 2005... Paris...
      that was...
                          something else...
or Edinburgh, circa 2004...
                    thank god i didn't apply
to Warwick university...
      campus university *******...
         Bristol? eh... the city didn't appeal
to me...
                   Edinburgh... that's something
else...
                    even Venice is more or less:
passable...
                      
              mind you... what's this current
transgender debate about men thinking they're
women, competing in women's sports?
today i saw the perfect example
of a decent woman's sport...
  tennis... haleb vs. linette...
       **** on me, what a match...
no. 3 seed versus no. 87 in world ranking...
                          i prefer women's tennis...
with male tennis its all about
the service game: "****" advantage...
but at least in woman's tennis,
   you get longer rallies...
   and the antithesis of what an ****** sounds
like... and all that show of legs...
it's beautiful...
       beside... this "new" transgender "thing",
that **** is old...
     i always confuse the two...
     DDR...                        FDR...
Deutsche Demokratische Republik...
          Federal Republic of Germany...
   so, yeah... the former... DDR...
                 and i've heard this many times...
the same happened back then,
at the olympic games...
                          it's a joke now...
  but women from the DDR were given hormones...
to make them more masculine...
           only that... it was real chemistry
working on real biology...
   women, were given male hormones...
and competed with other females...
          now?
                      em... what if these "women",
want to compete with women...
       and can do so... if given female hormones,
added with a cocktail of male hormone
blockers?!
         the whole olympic circus is already
rigged with chemistry...
**** it: ***** all of them!
                   may the best chemist win!
**** it, jack 'em up! give each and everyone
of them the best juice!
swear to god,
   all the female atheletes back in the days
of DDR were given some hormonal++ juice...
maybe a mix of amphetamines and
        steroids...
       so... if these "women" want to
compete with women?
                     shouldn't they be given...
say... the realistic dosage of hormones...
         a body of a natural woman creates?!

****, in a time when a bilingual is deemed
a schizophrenic... because he's not a polyglot...
of course the trans movement was always going
to undermine women...
     that's why i decided, aged 21...
no... you know what?
                        i don't like stress...
              loved you, but thank god i left you...
Paris and Edinburgh became my two true loves...
and... given they're cities...
they are as intricate as any person might be...
so... not to be demeaning...
                  but a cat and mouse game...
and then being dumped...
                               i settled for the next best
thing... once a year... ****... once every five years...
if there's any Jack the Ripper urge "lurking"
in me...
                         just visit a brothel
to check your body temp. against another
body, and see if you can share the same pulse.

but as you might have already guessed,
this was the original draft:

tattooing an impermant
mark on the left arm:

    h-
              (e)
         -a-
     (lef)
                -y
                       (od)

what yah /          
יאח‎          demands...

ה‎ (he) + א‎ (alef),
   and   ח‎ (het) + ע (ayin) -

i.e. the tetragrammaton
squared -
  laughter of the interchange.         ע

p.s. i still don't
see how Adam conceived of
Abel, or Cain...
   how a-lef or a-yin is a consonant,
transcendent...
given the hebrew ah is:
guised in the name kametz...

i see a story of two Adams...
and i called them,
Aleph                  and Ayin.
Sassygurl95 Jun 2018
Let me straddle your mind until I'm confined

to the empty spaces you refuse to acknowledge ,

taking hostage the inhabitants of this grand mental escape ,

I equate this mission to landing on the moon - you consume

every fiber of my being I intrude ,

wishing to know what you are thinking

it sort of ****** me off when you choose *** over celibacy

just assume it's my jealousy I'd rather have your mind than head

as we lay here in bed I listen to the breath that escapes the dark carven of your lips ,

you kiss me so softly with vocabulary I hear clearly how deep you crave me,

such a sweet sentiment from a sapio ******

someone who can fornicate my mental with intellectual ,

you eat out my riddles and digest philophosy

have me shaking feeling close to God see ,

we get bare naked to the truth

Exposing absolute equations and reasons why , I sigh .

Gagging on your brilliance

you present such increments of human creativity ,

swallowing your mysteries

stroke me close and slow

fill me to capacity with the knowledge of you

tell me the truth you love to **** me

with your words You encourage this insanity

This perplexing wet whirl of words gushes ,

and i demand to see the length of your lyrical havoc

I wish to kiss and grab the sensual sentences you string together

& nothing could compare to the pleasure when we intertwine our minds .

It's ridiculous how meticulous you are with my mental

we lay there , gasping sinful in sections of ecstasy

i watch you vividly , react to my melodic passion

i hold on - grasping my fingertips around your brain

you dig deeper and in pain i give you my vunerability

I .LET . YOU . FEEL . ME

speaking languages I forgot i knew

yet I know I cant dispute

our connection from confessing the truth

you sparked theories bigger than any bang

articulating art using slang

we decode out way of conduct

it was just pure luck we ****** through conversation
lea Oct 2014
Explore the timid quiet night life;
Hear the billows of the gushes of the wind
And the orchestra of the grasshoppers
Within the blades of the knee-high grass.
And as the fairies and nymphets,
Dance under the umbrellas and mushrooms
And the star-clusters of constellations,
Walk past through the lane where lovers embrace,
And you, all alone, with no lover or so,
Just have to fall in love with whatever there is
To fall in love with.
The wax of Artemis, and the wane of Diana
Beams at you in static cinema-like spotlight;
The ghost of a girl with a battered heart
And the dew-damp earth and rain
On an empty 10pm cafè
And the scent of a purple paradox,
Oh, it’s death and so lively magic,
Fill the night.

Pick a petal,
And pick another one
And feel the stardusts coming into life.
An Imitation Of Macpherson’s “Ossian”.


Dear are the days of youth! Age dwells on their remembrance
through the mist of time. In the twilight he recalls the
sunny hours of morn. He lifts his spear with trembling hand.
“Not thus feebly did I raise the steel before my fathers!”
Past is the race of heroes! But their fame rises on the
harp; their souls ride on the wings of the wind; they hear
the sound through the sighs of the storm, and rejoice in
their hall of clouds. Such is Calmar. The grey stone marks
his narrow house. He looks down from eddying tempests: he
rolls his form in the whirlwind, and hovers on the blast of
the mountain.

In Morven dwelt the Chief; a beam of war to Fingal. His
steps in the field were marked in blood. Lochlin’s sons had
fled before his angry spear; but mild was the eye of Calmar;
soft was the flow of his yellow locks: they streamed like
the meteor of the night. No maid was the sigh of his soul:
his thoughts were given to friendship,—to dark-haired
Orla, destroyer of heroes! Equal were their swords in
battle; but fierce was the pride of Orla:—gentle alone
to Calmar. Together they dwelt in the cave of Oithona.

From Lochlin, Swaran bounded o’er the blue waves. Erin’s
sons fell beneath his might. Fingal roused his chiefs to
combat. Their ships cover the ocean! Their hosts throng on
the green hills. They come to the aid of Erin.

Night rose in clouds. Darkness veils the armies. But the
blazing oaks gleam through the valley. The sons of Lochlin
slept: their dreams were of blood. They lift the spear in
thought, and Fingal flies. Not so the Host of Morven. To
watch was the post of Orla. Calmar stood by his side. Their
spears were in their hands. Fingal called his chiefs: they
stood around. The king was in the midst. Grey were his
locks, but strong was the arm of the king. Age withered not
his powers. “Sons of Morven,” said the hero, “to-morrow we
meet the foe. But where is Cuthullin, the shield of Erin? He
rests in the halls of Tura; he knows not of our coming. Who
will speed through Lochlin, to the hero, and call the chief
to arms? The path is by the swords of foes; but many are my
heroes. They are thunderbolts of war. Speak, ye chiefs! Who
will arise?”

“Son of Trenmor! mine be the deed,” said dark-haired Orla,
“and mine alone. What is death to me? I love the sleep of
the mighty, but little is the danger. The sons of Lochlin
dream. I will seek car-borne Cuthullin. If I fall, raise the
song of bards; and lay me by the stream of Lubar.”—
“And shalt thou fall alone?” said fair-haired Calmar. “Wilt
thou leave thy friend afar? Chief of Oithona! not feeble is
my arm in fight. Could I see thee die, and not lift the
spear? No, Orla! ours has been the chase of the roebuck, and
the feast of shells; ours be the path of danger: ours has
been the cave of Oithona; ours be the narrow dwelling on the
banks of Lubar.”—”Calmar,” said the chief of Oithona,
“why should thy yellow locks be darkened in the dust of
Erin? Let me fall alone. My father dwells in his hall of
air: he will rejoice in his boy; but the blue-eyed Mora
spreads the feast for her Son in Morven. She listens to the
steps of the hunter on the heath, and thinks it is the tread
of Calmar. Let her not say, ‘Calmar has fallen by the steel
of Lochlin: he died with gloomy Orla, the chief of the dark
brow.’ Why should tears dim the azure eye of Mora? Why
should her voice curse Orla, the destroyer of Calmar? Live
Calmar! Live to raise my stone of moss; live to revenge me
in the blood of Lochlin. Join the song of bards above my
grave. Sweet will be the song of Death to Orla, from the
voice of Calmar. My ghost shall smile on the notes of
Praise.” “Orla,” said the son of Mora, “could I raise the
song of Death to my friend? Could I give his fame to the
winds? No, my heart would speak in sighs: faint and broken
are the sounds of sorrow. Orla! our souls shall hear the
song together. One cloud shall be ours on high: the bards
will mingle the names of Orla and Calmar.”

They quit the circle of the Chiefs. Their steps are to the
Host of Lochlin. The dying blaze of oak dim-twinkles through
the night. The northern star points the path to Tura.
Swaran, the King, rests on his lonely hill. Here the troops
are mixed: they frown in sleep; their shields beneath their
heads. Their swords gleam, at distance in heaps. The fires
are faint; their embers fail in smoke. All is hushed; but
the gale sighs on the rocks above. Lightly wheel the Heroes
through the slumbering band. Half the journey is past, when
Mathon, resting on his shield, meets the eye of Orla. It
rolls in flame, and glistens through the shade. His spear is
raised on high. “Why dost thou bend thy brow, chief of
Oithona?” said fair-haired Calmar: “we are in the midst of
foes. Is this a time for delay?” “It is a time for
vengeance,” said Orla of the gloomy brow. “Mathon of Lochlin
sleeps: seest thou his spear? Its point is dim with the gore
of my father. The blood of Mathon shall reek on mine: but
shall I slay him sleeping, Son of Mora? No! he shall feel
his wound: my fame shall not soar on the blood of slumber.
Rise, Mathon, rise! The Son of Conna calls; thy life is his;
rise to combat.” Mathon starts from sleep: but did he rise
alone? No: the gathering Chiefs bound on the plain. “Fly!
Calmar, fly!” said dark-haired Orla. “Mathon is mine. I
shall die in joy: but Lochlin crowds around. Fly through the
shade of night.” Orla turns. The helm of Mathon is cleft;
his shield falls from his arm: he shudders in his blood. He
rolls by the side of the blazing oak. Strumon sees him fall:
his wrath rises: his weapon glitters on the head of Orla:
but a spear pierced his eye. His brain gushes through the
wound, and foams on the spear of Calmar. As roll the waves
of the Ocean on two mighty barks of the North, so pour the
men of Lochlin on the Chiefs. As, breaking the surge in
foam, proudly steer the barks of the North, so rise the
Chiefs of Morven on the scattered crests of Lochlin. The din
of arms came to the ear of Fingal. He strikes his shield;
his sons throng around; the people pour along the heath.
Ryno bounds in joy. Ossian stalks in his arms. Oscar shakes
the spear. The eagle wing of Fillan floats on the wind.
Dreadful is the clang of death! many are the Widows of
Lochlin. Morven prevails in its strength.

Morn glimmers on the hills: no living foe is seen; but the
sleepers are many; grim they lie on Erin. The breeze of
Ocean lifts their locks; yet they do not awake. The hawks
scream above their prey.

Whose yellow locks wave o’er the breast of a chief? Bright
as the gold of the stranger, they mingle with the dark hair
of his friend. ’Tis Calmar: he lies on the ***** of Orla.
Theirs is one stream of blood. Fierce is the look of the
gloomy Orla. He breathes not; but his eye is still a flame.
It glares in death unclosed. His hand is grasped in
Calmar’s; but Calmar lives! he lives, though low. “Rise,”
said the king, “rise, son of Mora: ’tis mine to heal the
wounds of Heroes. Calmar may yet bound on the hills of
Morven.”

“Never more shall Calmar chase the deer of Morven with
Orla,” said the Hero. “What were the chase to me alone? Who
would share the spoils of battle with Calmar? Orla is at
rest! Rough was thy soul, Orla! yet soft to me as the dew of
morn. It glared on others in lightning: to me a silver beam
of night. Bear my sword to blue-eyed Mora; let it hang in my
empty hall. It is not pure from blood: but it could not save
Orla. Lay me with my friend: raise the song when I am dark!”

They are laid by the stream of Lubar. Four grey stones mark
the dwelling of Orla and Calmar. When Swaran was bound, our
sails rose on the blue waves. The winds gave our barks to
Morven:—the bards raised the song.

“What Form rises on the roar of clouds? Whose dark Ghost
gleams on the red streams of tempests? His voice rolls on
the thunder. ’Tis Orla, the brown Chief of Oithona. He was
unmatched in war. Peace to thy soul, Orla! thy fame will not
perish. Nor thine, Calmar! Lovely wast thou, son of blue-
eyed Mora; but not harmless was thy sword. It hangs in thy
cave. The Ghosts of Lochlin shriek around its steel. Hear
thy praise, Calmar! It dwells on the voice of the mighty.
Thy name shakes on the echoes of Morven. Then raise thy fair
locks, son of Mora. Spread them on the arch of the rainbow,
and smile through the tears of the storm.

— The End —