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"fragmentary" poems
A Red, Red Rose by Robert Burns translation/interpretation/modernization by Michael R. Burch Oh, my love is like a red, red rose that's newly sprung in June and my love is like the melody that's sweetly played in tune. And you're so fair, my lovely lass, and so deep in love am I, that I will love you still, my dear, till all the seas run dry. Till all the seas run dry, my dear, and the rocks melt with the sun! And I will love you still, my dear, while the sands of life shall run.   And fare you well, my only love! And fare you well, awhile! And I will come again, my love, though it were ten thousand miles! Keywords/Tags: Robert Burns, red, rose, translation, modernization, update, interpretation, modern English, melody, tune, seas, dry, rocks, melt, sun, ten thousand miles Original Scots Dialect Poem: A Red, Red Rose by Robert Burns O my Luve is like a red, red rose    That’s newly sprung in June; O my Luve is like the melody    That’s sweetly played in tune. So fair art thou, my bonnie lass,    So deep in luve am I; And I will luve thee still, my dear,    Till a’ the seas gang dry. Till a’ the seas gang dry, my dear,    And the rocks melt wi’ the sun; I will love thee still, my dear,    While the sands o’ life shall run. And fare thee weel, my only luve!    And fare thee weel awhile! And I will come again, my luve,    Though it were ten thousand mile. Hugh MacDiarmid wrote "The Watergaw" in a Scots dialect. I have translated the poem into modern English to make it easier to read and understand. A watergaw is a fragmentary rainbow. The Watergaw by Hugh MacDiarmid loose translation/interpretation by Michael R. Burch One wet forenight in the sheep-shearing season I saw the uncanniest thing— a watergaw with its wavering light shining beyond the wild downpour of rain ... and I thought of the last wild look that you gave when you knew you were destined for the grave. There was no light in the skylark's nest that night—no—nor any in mine; but now often I've thought of that foolish light and of these more foolish hearts of men ... and I think that maybe at last I ken what your look meant then. Keywords/Tags: Scotland, Scot, Scottish, Scots dialect, night, nightfall, rain, grave, death, death of a friend, light, lights, watergaw, heart, heartache, broken heart, heart song
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Apr 19, 2020
Apr 19, 2020 at 11:10 PM UTC
Robert Burns "A Red, Red Rose" translation
A Red, Red Rose by Robert Burns translation/interpretation/modernization by Michael R. Burch Oh, my love is like a red, red rose that's newly sprung in June and my love is like the melody that's sweetly played in tune. And you're so fair, my lovely lass, and so deep in love am I, that I will love you still, my dear, till all the seas run dry. Till all the seas run dry, my dear, and the rocks melt with the sun! And I will love you still, my dear, while the sands of life shall run.   And fare you well, my only love! And fare you well, awhile! And I will come again, my love, though it were ten thousand miles! Keywords/Tags: Robert Burns, red, rose, translation, modernization, update, interpretation, modern English, melody, tune, seas, dry, rocks, melt, sun, ten thousand miles Original Scots Dialect Poem: A Red, Red Rose by Robert Burns O my Luve is like a red, red rose    That’s newly sprung in June; O my Luve is like the melody    That’s sweetly played in tune. So fair art thou, my bonnie lass,    So deep in luve am I; And I will luve thee still, my dear,    Till a’ the seas gang dry. Till a’ the seas gang dry, my dear,    And the rocks melt wi’ the sun; I will love thee still, my dear,    While the sands o’ life shall run. And fare thee weel, my only luve!    And fare thee weel awhile! And I will come again, my luve,    Though it were ten thousand mile. Hugh MacDiarmid wrote "The Watergaw" in a Scots dialect. I have translated the poem into modern English to make it easier to read and understand. A watergaw is a fragmentary rainbow. The Watergaw by Hugh MacDiarmid loose translation/interpretation by Michael R. Burch One wet forenight in the sheep-shearing season I saw the uncanniest thing— a watergaw with its wavering light shining beyond the wild downpour of rain ... and I thought of the last wild look that you gave when you knew you were destined for the grave. There was no light in the skylark's nest that night—no—nor any in mine; but now often I've thought of that foolish light and of these more foolish hearts of men ... and I think that maybe at last I ken what your look meant then. Keywords/Tags: Scotland, Scot, Scottish, Scots dialect, night, nightfall, rain, grave, death, death of a friend, light, lights, watergaw, heart, heartache, broken heart, heart song
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my darkest poems bloodletting streams are a kind of ****** fetishy cognitive inventory malformed denizens of the subconscious a well of torments soup of Salmonella the souls gut its cauldron yet not with out lurid enticements and voluptuous supplicants gorgeous like an eight legged woman with beautiful feet drooling **** lips drunk on sacrificial rituals of blood black tongued kisses and hideous contorted pleasures ******** once exquisite archetypes gods and goddesses are now putrefied cellar dwellers moaning in nature bed crypts of rock, stone and engraved sigils because honest pure desires became fragmentary and are now gimping amputees by legions of primal disappointment while faces blare in the world like super bright L.E.D.s shinning paths to others our deep self remains patinaed in tears a black box pox with a lock the skeleton key lost in arcane seas out of utter disgust for those dark crawlers that live within us revealing them selves as anxieties, depressions suicides and myriad quiet despairs we appear undaunted to others and they to us humanity muffled ticks and splintered sticks my poems let my demons out yoo who its me my name is spray snake z with my hooks and cries and dark blood skies in the misty night i dragged out their earthen coffins legends of the despicable resurrected them fed and loved those darklings had every conceivable union with them their healing, my own ive sexualized them and found love albeit twisted to be adored in a hidden embrace i bestow upon you a poetic fantasy while obsession takes hold bind it not nor let it bind you*
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Sep 6, 2016
Sep 6, 2016 at 9:32 AM UTC
Demons Embrace
my darkest poems bloodletting streams are a kind of ****** fetishy cognitive inventory malformed denizens of the subconscious a well of torments soup of Salmonella the souls gut its cauldron yet not with out lurid enticements and voluptuous supplicants gorgeous like an eight legged woman with beautiful feet drooling **** lips drunk on sacrificial rituals of blood black tongued kisses and hideous contorted pleasures ******** once exquisite archetypes gods and goddesses are now putrefied cellar dwellers moaning in nature bed crypts of rock, stone and engraved sigils because honest pure desires became fragmentary and are now gimping amputees by legions of primal disappointment while faces blare in the world like super bright L.E.D.s shinning paths to others our deep self remains patinaed in tears a black box pox with a lock the skeleton key lost in arcane seas out of utter disgust for those dark crawlers that live within us revealing them selves as anxieties, depressions suicides and myriad quiet despairs we appear undaunted to others and they to us humanity muffled ticks and splintered sticks my poems let my demons out yoo who its me my name is spray snake z with my hooks and cries and dark blood skies in the misty night i dragged out their earthen coffins legends of the despicable resurrected them fed and loved those darklings had every conceivable union with them their healing, my own ive sexualized them and found love albeit twisted to be adored in a hidden embrace i bestow upon you a poetic fantasy while obsession takes hold bind it not nor let it bind you*
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75
Illustrative disregard is creating Nervousness which controls my limbs Fragmentary is the heart Infected by a broken promise Disrespect stings me Elevating my pain Loyalty has been compromised Intrusion has enraged me Trust slips into abandonment Yielding to uncertainty © Christopher Chronister. All rights reserved
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Oct 11, 2013
Oct 11, 2013 at 9:37 AM UTC
"Infidelity" an acrostic poem
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
Opera Mask Pendant Yuwen Chengdu
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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when you only see the world through the prism of an Instagram filter, the spectrum's overshadowed by black and white vignettes. brick-by-brick you build that wall around yourself, closed off to the plight of every one else. who needs borders when you refuse to see beyond the periphery of your iPhone's screen? refugees? border patrol? endless war? merely fragmentary snapshots in off-kilter snapchats casting grim light on contemporary outcasts, rebels built to outlast the vitriol leveled at modern-day martyrs by tyrants and overlords. 'cause when you neglect to read the passages of history, you scapegoat the brave, can't see the forest for the trees, reduce the complex to Manichean binaries of Good vs. Evil, Left vs. Right, an infinite etcetera of demagoguery. noses glued to illuminated screens, ignoring the visionaries for illusionary fantasies: one-click—purchased happiness, bread and circus. advertising has us chasing a feeling fleeting as a riptide when we ought to be rallying on the front lines, punching Nazis. a black bloc tossing bricks into storefront windows.
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Apr 1, 2017
Apr 1, 2017 at 12:46 AM UTC
bricks
Why make so much of fragmentary blue In here and there a bird, or butterfly, Or flower, or wearing-stone, or open eye, When heaven presents in sheets the solid hue? Since earth is earth, perhaps, not heaven (as yet)— Though some savants make earth include the sky; And blue so far above us comes so high, It only gives our wish for blue a whet.
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2k
Fragmentary Blue
I am tired of series of unfinished poems that scream for my return. I am tired of internal, trenching, desperate calls for pen and paper. I am tired of empty pages, and pens being put down. I am tired of the fragmentary bullshit-business I have with my declaration of expression. I want to write about rough ****** efforts and soft aching feelings. I want to write about Coca Cola freezies (because they don’t even exist, why?). I am tired of looking at everyone else’s work, admiring it, criticising it, admiring it, criticising it, admiring it, crying, loving it. I want to be 60 and look at what I wrote When I was 19, And sob.
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Aug 19, 2014
Aug 19, 2014 at 1:41 PM UTC
tired of headshots.
Flittering feathers write sonnets in soaring frequencies; taking in the ocean at once, I felt ripples brought to standstill, damped by second's refrain, curled back into the picturesque blue written ahead, but no cloud harbours the ceiling, no late words shown, jotted down by the indifferent and invariably disappearing breeze. The latterwork of these days took it up, and hung it out on lines stretched across skies and time, betraying tender surfeit, in moments torn out, and, leaving only vague traces of woodworn prose, spilling out my last sentiments: *"we, once, were alive, if only for a moment."* In dreams she holds small collections of sandy flowers, above the shoreline, as the dichotomous cluster takes theirs, behind a fragmentary grain in the blacksmith's hide; written, again, are those seasick letters, wrung out in the dead heat of the forge, the demands of strangers, in stone buildings by the fireplace, electric heater, off, the inbetween reeling of slightened accomplishments, the scent of oil, left over, from the husk of noon. Miss and want, over again, missing beguilement in afternoon's repose. "come back...", but she ain't the one gone.
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Apr 5, 2013
Apr 5, 2013 at 7:12 AM UTC
penguins, at home
Marooned within a span of finitude We claim we are lost forever! Our hearts beat violently inside our rib cages, Trying to tell us truths that we brush off as myths. We paint our houses and bodies with brilliant colours and darkest inks, Hoping that it would make up for the ugliness we harbour! We spin fantasies locked up in self-made prison cells, Sidelining the hideous realities as not part of 'our story'... We carry our vulnerabilities as a taboo, (I, sadly, would not blame each one separately for it) We have woven this illusion together with our cloudy minds. If a bird could judge high from the sky It would have made out the fragmentary lives we live in... Inside a single fortress surrounded by high walls, yet violence if we traverse the margin between two rooms! If and only if, we would have understood that it doesn't require too much a sacrifice to unite That we can leave our homes simply plastered and our minds simply open. Urged by a force to change, if only we had exposed ourselves to paint graffiti on that common wall that surrounds us, Splashing ingenious shades of love and brotherhood, Of a fluttering feeling of oneness and entanglement. We would have laughed together, danced with glee and holding our hands together we would have escaped unto a better reality... If only it was true, I wonder How spectacular a place the world would have been !
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Jan 15, 2021
Jan 15, 2021 at 8:49 AM UTC
Graffiti
ask me what happened to make the world this way I will say everything happened we were put here to destroy and destroy to obliterate all that came before us because **** those people We are here now and they never will be again so burn the museums and tear down the landmarks salt the earth black and then we can build an ode to the false idol of the post-modern fragmentary image ********** and our cult will go on living in caves in ***** rags terrified of the thunder and the night
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Feb 26, 2013
Feb 26, 2013 at 9:30 AM UTC
destroy to build
i choose to be a misfit, it's part of my artistry. i choose to be a misfit, a pirate and a bandit. a slave to my ministry. i outwit your chemistry and scream from the pulpit. i awoke to explosions and time lapsed erosions. the air filled with fire and rainbow smoke. i couldn't find my breath, the bed was ablaze. i inhaled the nightmare and began to choke... just then, things went fragmentary. i was more than just a dignitary. i found myself in a cinerary, facing someone legendary, and they were me. so i looked up my apothecary, knowing that i should be wary. i quickly dispensed with commentary, avoiding all things monetary. but nothing's free. speaking briefly of the goings-on, i stopped to berate the hangers-on. my mouth wove a verbal marathon, it was a virtual phenomenon. lost in my ego. restless, like the myrmidon, i was unsure of my prolegomenon. when i heard the ringing carillon, i went for a swim in the phlegethon. like abednego.
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Aug 29, 2010
Aug 29, 2010 at 6:35 PM UTC
tell me something good
You treat me as though I am glass that might crack or snap; overprotecting me and encasing me in bubble wrap – you’re concerned I will fall apart so easily and become tattered but you cannot break what is already torn and shattered.
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May 12, 2017
May 12, 2017 at 12:20 PM UTC
Fragmentary
Dislocated fingers mold figures in the dust on old photographs, discolored by setting suns Their edges melt; dripping memories that burn your knuckles until you open your fists and he slips from your hands. like a film, unwinding into fragmentary pictures in your mind, the only place he still exists
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Jun 9, 2014
Jun 9, 2014 at 12:21 PM UTC
Voodoo
The lyrics of your soul Pouring onto white parchment Black ink covering Melding with a soft And sensual melody Engulf my senses Overflow my heart With enlightenment And run over once more— Filling my soul With wondrous dreams Of alluring new chapters— penned Into the fragmentary novel That conveys my life Dare I dream? Dare I speculate? Dare I lower my defenses For one final casting of the die? As I lay in slumber Upon my pillow tonight This melody echoes through me Your lyrics Your voice In perfect unison— With the rhythm of my heart And should it cease in wake of morn One word shall whisper Through my parted lips— ~ Encore ~
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Nov 15, 2010
Nov 15, 2010 at 1:21 AM UTC
Perfect Unison
You and I speak only in whispers No living out loud, no shouts The softest fragmentary conversation Static in the wind Slow starts and stops Communication lost Please try again Whispers Please try again No love or living out loud Hugs and kisses hidden in the dark Silent screaming Frustration & agony In the silent gloom, our loves grows pale like mushrooms Drops of dampness in the dark Fizzling out the weakest spark Only in whispers careful looks & timid gestures Silent, hidden prisoners No love or living out loud No shouts of happiness or promises Only silence Hushed whispers of longing Silent screaming Frustration Agony You and I speak, But only in whispers.
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Apr 12, 2016
Apr 12, 2016 at 1:56 AM UTC
Only in Whispers
Wishes are like butterflies Beautiful, astonishing, but frail Similar to magic spells As if from a fairy tale. Wishes are like tears Uncontrollable and emotional Because they come from the heart They are illogical and irrational. Wishes are like fine china When they are too much to carry They'll become broken shards Reactionary and fragmentary. Wishes are like the atmosphere Surrounding me and you Appearing in the form of fallen stars How I wish they'd come true.
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Jul 17, 2016
Jul 17, 2016 at 6:49 PM UTC
Fallen Stars
Our souls spoke, not in words, but in emotions deeply aroused, in the dream language of fragmentary fleeting sights, disjointed leaps, even bizarre things. But of things only between us, never spoken of, at all, in all of life, neither known to anyone else, mutually shared, unacknowledged, in our deepest and most intimate selves.
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Apr 29, 2019
Apr 29, 2019 at 1:51 AM UTC
Soul Speak
spiritual burglary delicious minutes unlovely products of a puritanical conscience alcohol  taken as a club with which to bludgeon  into a state of insensibility words seemed to clothe genuine  honesty , they prove to be the veriest nonsense epiphanic amorphous mind and its stream of consciousness I imagine  a neural interface that could record dreams not brainwaves, but images phantasmagoric films beset by the florid mind sorry echoes in the verbosity Too bad love has fallen out of style now that squares rule the world I can't express "why" in words so unrealistic a view of themselves and the world that they become most difficult to live with little wonder I dwell alone everything is really fragmentary analyzing the analyst tripping over my words instantaneous administration mesmerized by the minutiae of sensations tangles of terminology writhe in his brain collating and sorting assigning vectors in hopeful sectors where heart and love abides
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Jul 14, 2016
Jul 14, 2016 at 9:40 PM UTC
Too Bad Love is Out of Style
Let it come, the memories, which come up in broken waves, of times too fragile to capture in rash stories. Moments that fade within thoughts that try to keep near; the image of you, words attached to fragmentary pictures. I remember brown eyes behind glasses, while in contemplation, and that how in silence, one tried to examine the features on my inside. Lying down, looking up, into dazes and blurry reflections. Can you tell the future by the shine in my eyes and shape of my lips? I want to know what lies beyond your clear brown eyes, though you seem to read like an open book, I still see pages unread, appear unwritten in unpainted ink. Where is the earnest, how does your mind travel through dark open spaces? Can I deepen the effect I have on you? Make it last, and have my self succumb to more than just your touch, which does ripple over me like ravenous waters. I want to swim, though formally I’m not allowed to. Would you let me see what is beyond that horizon, when I fall off the world, will I dive into our pages then? © 2005
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Sep 14, 2013
Sep 14, 2013 at 6:35 PM UTC
Precociously thinking
*The raging sea Invading My deflated spirits In waves, Tidal Awakener Of discarded sentiment Poetry strung of Thoughts of you Your halo And the grandeur In which you swim The alchemy impelling The birth of ardent need Unfathomable, unbridled Altering sleep patterns Find beauty in my madness Pierce my fragmentary blue To paint me a velvet sky.*
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Mar 9, 2015
Mar 9, 2015 at 12:20 AM UTC
Velvet Sky
We thought we were the rise and fall of the world, could we have been more wrong.. I remember an old proverb, "*Control is foolish without batteries, because once they run out.* *Your stuck on one channel, watching a singular view unchanging*, Could we mould the world, like a pottery class we're moulding it thinking we could paint it, kiln it, and it was perfection.. But we had a malevolent arrogance, thinking we were saintly, all though we thought we were saints. So boastful of our accomplishments, we never looked at the singular crack. Barley visible to the eye, but there never the less. After a while we ignored it, as we never expected Our work to falter.. I remember a proverb that paid heed to this. *Discontinuity may be a scratch, visually constrained but protracted in depth. malevolent Beneath will never show the truth till it collapses within its self*.. Wordy I know, but a truth of now. Never paying attention to the scratch but not seeing the fracture just waiting for that singular weight to descend us to the now. So many cracks in the world. Now no matter our skill the world is just putty, remoulding itself with every new day.. A sunrise of reflection, Dusk hiding the truth of our folly. We now live in this new world of our undoing.. The poetry wheel is fragmentary, the vase now floating, shifting in the well we used to mould it with. And we stare at the sunrise seeing our vindictive creation... We are the evil of this world, a creation of arrogance.
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Apr 12, 2020
Apr 12, 2020 at 4:35 PM UTC
Malevelant Arrogance
We thought we were the rise and fall of the world, could we have been more wrong.. I remember an old proverb, "*Control is foolish without batteries, because once they run out.* *Your stuck on one channel, watching a singular view unchanging*, Could we mould the world, like a pottery class we're moulding it thinking we could paint it, kiln it, and it was perfection.. But we had a malevolent arrogance, thinking we were saintly, all though we thought we were saints. So boastful of our accomplishments, we never looked at the singular crack. Barley visible to the eye, but there never the less. After a while we ignored it, as we never expected Our work to falter.. I remember a proverb that paid heed to this. *Discontinuity may be a scratch, visually constrained but protracted in depth. malevolent Beneath will never show the truth till it collapses within its self*.. Wordy I know, but a truth of now. Never paying attention to the scratch but not seeing the fracture just waiting for that singular weight to descend us to the now. So many cracks in the world. Now no matter our skill the world is just putty, remoulding itself with every new day.. A sunrise of reflection, Dusk hiding the truth of our folly. We now live in this new world of our undoing.. The poetry wheel is fragmentary, the vase now floating, shifting in the well we used to mould it with. And we stare at the sunrise seeing our vindictive creation... We are the evil of this world, a creation of arrogance.
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Mimosa pudica retreat Humid glasshouse, rainy day Pane-separated from the world Exhaling foggy vagueness Colours run wet World through window walls, a distorted Monet reproduction Morphing, mixing, mushy Each canvas exists for a sliding second Glass and breath Collaborating through condensation Our fuzzy-haze masterwork Panoramic gossamer lens Magically softens spiky, scratchy, sharp, crispness into a smudgy simulacrum A kind deceit Frowns, scowls, growls, and bared-toothy rage, all smeared Gently redacted Calm, dreamy, pillowscape broadcast Impressionist buffer In muted pastels Reality in artful disguise Remoulded for ease of consumption Sugary spoonful of subterfuge Sifting, sorting, selective Incomplete and fragmentary Blur-clouded brain-break Intermittent extra distance Breath-focused, soupy-warm, momentary masterpiece Just for me Until my leaves unfurl
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Oct 4, 2024
Oct 4, 2024 at 8:32 AM UTC
Touch-me-not plant
*Cold dead hands Floundering in attempts At cultivating hope   The pursuit of reason A mere tyrannical Decoy to abysmal burden Metaphors run from the mouth Fragmentary girl Strung of delusions.*
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Sep 25, 2014
Sep 25, 2014 at 7:57 PM UTC
Dither
my brain has become inert my thoughts fragmentary i don’t know where to start i’ll hold on to all that hurts
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Mar 13, 2025
Mar 13, 2025 at 3:32 PM UTC
grasping thorns
my first non self-published work is available at **** Press...I can't post a link here, so you'll have to search it. (a chapbook titled Infant Cinema) am asking that you help it do some work for the press. it's six dollars. some reviews: Barton Smock’s newest book is filled with enigmatic poetry honed to the barest minimum of language, without a scintilla of excess. In one poem and elsewhere, Smock states that he “does not want to be seen as a person,” and the scant information he has shared in various publications and the rare interview certainly reveals little but that he is a father, husband, likes movies, and writes daily. Yet in infant * cinema, poems that first appear as fragmentary and surreal dreams, prayers, visions, or confessions still evoke a completeness that lacks nothing, wants nothing. Smock reveals a world filled with grief, death, suicides, disabling conditions, and a family’s complex relationships across generations. While the poems mention “lonesome objects,” “melancholy,” “numbness,” and “collected sorrows,” Smock’s masterfully minimalist poetry leaves the reader intoxicated by a rush of original details and bleakly exquisite imagery. ~Donna Snyder, author of Poemas ante el Catafalco: Grief and Renewal (Chimbarazu Press) and I Am South (Virgogray Press) Infant Cinema can only come from the mind of one writer, Barton Smock. I’ve been following his work for 10 years, and the only thing I’ve come to expect for certain is that I will be transported to a world thick with an atmosphere of vivid imagery, and seemingly juxtaposed and ironic concepts. Infant Cinema is prose that has all those elements, and reads with heightened poetic force. ~Joseph Jengehino, author of Ghost of the Animal (Birds and Bones Press)
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Apr 16, 2016
Apr 16, 2016 at 1:34 AM UTC
infant*cinema
my first non self-published work is available at **** Press...I can't post a link here, so you'll have to search it. (a chapbook titled Infant Cinema) am asking that you help it do some work for the press. it's six dollars. some reviews: Barton Smock’s newest book is filled with enigmatic poetry honed to the barest minimum of language, without a scintilla of excess. In one poem and elsewhere, Smock states that he “does not want to be seen as a person,” and the scant information he has shared in various publications and the rare interview certainly reveals little but that he is a father, husband, likes movies, and writes daily. Yet in infant * cinema, poems that first appear as fragmentary and surreal dreams, prayers, visions, or confessions still evoke a completeness that lacks nothing, wants nothing. Smock reveals a world filled with grief, death, suicides, disabling conditions, and a family’s complex relationships across generations. While the poems mention “lonesome objects,” “melancholy,” “numbness,” and “collected sorrows,” Smock’s masterfully minimalist poetry leaves the reader intoxicated by a rush of original details and bleakly exquisite imagery. ~Donna Snyder, author of Poemas ante el Catafalco: Grief and Renewal (Chimbarazu Press) and I Am South (Virgogray Press) Infant Cinema can only come from the mind of one writer, Barton Smock. I’ve been following his work for 10 years, and the only thing I’ve come to expect for certain is that I will be transported to a world thick with an atmosphere of vivid imagery, and seemingly juxtaposed and ironic concepts. Infant Cinema is prose that has all those elements, and reads with heightened poetic force. ~Joseph Jengehino, author of Ghost of the Animal (Birds and Bones Press)
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