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Meghan Nguyen Sep 2013
Glance at the bullied survivor with no hair left at all,
Look twice and you'll notice
She's still standing tall.

Watch the former gang leader, walking submissively,
Look twice and see the trail of tears,
As he searches for the winding road to recovery.

Observe the old man scrawl a name in the snow,
Look twice and see a father,
Mourning his murdered daughter buried down below.

Admire the woman you love for sure,
Look twice and realize that,
Due to her past abuse, she's still insecure.

Witness the beating of a man done in vain,
Beneath his unruly hair and dark eyes, look twice-
Don't you see pain?

I recognized the quiet woman, generous to the core.
I looked twice and saw my mother,
Still tortured by memories of the Vietnam War.

Dismiss the endless news reports of crime and abuse,
Look twice and understand,
Violence starts with the power to choose.

Awaken and see the world through new eyes,
Look twice at society and find out,
You've been telling yourself lies.

See the disabled, the victims, those who made the wrong choices,
Look twice and listen,
Now can you hear their agonized voices?

I realized the world was never the cordial society I'd dreamt it to be.
I looked twice and found out,
Stopping violence begins with me.
I submitted this poem for the Do the Write Thing Texas Contest two years ago.
Tammy M Darby Mar 2016
The black horse of nocturnal dreams
That of which the cursed angels sing
The black horse
Of man's design
The black horse of untold times

Braided mane fiery long and flowing
Riding into the darkness all knowing
I am that which feeds the demons fear
Hidden in a blind man's tears

The black horse of lost tomorrows
The ghosts of suffering and sorrow
Thundering hooves of the written word
The sound of blood trumpets can be heard

Bringer of nocturnal dreams
That of which the dark angels sing.
The black horse with deep earth eyes
Vicious wind of the people cries

The black horse of lost tomorrows
The ghosts of suffering and sorrow
       The listener of your agonized screams
The bearer of your darkest dreams


@ Copyright Tammy M Darby  3/6/2016
Can’t you see your beauty?
That shines inside and out?
Why do you stay blind?
Why don’t you open your eyes?

Loved by everyone,
yet you cannot love yourself.
                            Why?
You're wonderful the way you are.
A masterpiece created with the finest paints.
Your skin is the perfect canvas.

Adorned with beauty,
yet you insist on marring it.
You paint it with pain and desperation,
angry slashes fill the canvas stained rain.
You say, “It’s been a bad year.”
your eyes on the floor.
Don’t be ashamed, you're not alone anymore.

I used to paint to, I've been there before.
I would paint onto my canvas
anger and despair
with a paint soaked brush—dripping red.
My heart begins to tear,
to think you’ve landed in the same darkness,
where the light is difficult to see.
Oblivious to those who love you—you are blind.
Unaware of those who say they love you—you are deaf.

Relinquish your brush,
and let yourself heal.
Open your eyes and see the light in front of you—extending its hand.
I will help you walk this road,
paving the way with dreams of brighter days.
Traveling to the land of hope and dreams,
the land of safety and acceptance,
the land where you can be free of your demons.

Everything will heal someday,
the marks you made will continue to fade
—until they are but silhouettes on a blank canvas.
Your heart will heal,
until the day you no longer paint with the colors of pain and sadness,
but with shades of hope and joy.
When you finally see that you are not alone.
When you hear the cries of those who wept for you.
When you feel the sorrow of those who prayed for you.
When know the truth of those who said they loved you.
I walked by your side,
guided you when you could no longer see,
and listened to you when you screamed and cried as you fought your inner demons.
But now you must listen to me, my friend.
There will be better days,
hold your head up high and smile.
The best has yet to come.
I wrote this for a friend who is going through some pain right now. I really hope she will find light in her darkness.
Reem Luna Apr 2015
I never could quite imagine the day
When a creature quite as wry and presumptuous
Would break so serendipitously.

She lay ruptured in the desultory plantation
The Stygian colour of her fur rebelled against the sage of the contiguous earth
And her eyes mimicked nothing but the pain that consumed her current thoughts.

Her body was transfixed in an inert trance
The fur on her hunched spine quavered in a subdued zephyr
Quiet insecurities were hid well in her tranquil pained state.

The moon intently watched me
Waiting for me to alleviate the agonized entity
But solicitousness was blank in my frozen psyche.

The moonlight pierced the fox with intimacy
I grimaced in the realization I had failed the universe
With my perennial void mind broken in vain.

The fox gathered some stoicism
The blessing of the moon granted requital
As the fox proceeded to maul my perception.

I accepted my retribution with ratification
As I was the soul who violated the creature
A skirmish that clung to grandeur.
I hurt somebody today, I wish I could have shown more affection x
Amitav Radiance Jul 2014
The jagged edges of rocks
Get smoothened by flowing water
Yet, the broken mental edges
Cannot be soothed by the flowing emotions
Holding on to life, hanging from a precipice
Not aware of the surrounding, but mental agony
Blurry eyes and senses, leaves you forlorn
Donning a black cloak, coalescing with darkness
Oblivion beckons with enthusiasm
To make you a part of the lonely journey
Travelling with a heavy load of denials
Yet, the rebuttal, becomes the only truth
Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues. So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed, and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor anxious penitence, is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air,
And all our rarer, better, truer self
That sobbed religiously in yearning song,
That watched to ease the burden of the world,
Laboriously tracing what must be,
And what may yet be better, -- saw within
A worthier image for the sanctuary,
And shaped it forth before the multitude,
Divinely human, raising worship so
To higher reverence more mixed with love, --
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread forever. This is life to come, --
Which martyred men have made more glorious
For us who strive to follow. May I reach
That purest heaven, -- be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.
It has now gone an epical song
like the fables of Homer and Ramayana,
or else a national anthem like the poem of Tagore,
in India and lesbian song of Brenda Fasie in south Africa,
that six million Jews were killed in the  world war II ,
that they were killed at Dachau,that it was holocaust,
That the Jewish Holocaust  was  protege of ******.

As if  the war was between the Jews and the world,
as if the Jews alone died in the war,but none else,
as if Africans' death  is not death,but ethics of war,
as if more than six million Africans who died are not news,
as if humongous compensation with state of Israeli to the Jews,
means nothing  until what we know not must happen.

African deaths in the second world war  lacks statistics,
given the sub-human conditions of the Africans  by then,
before thrones of colonial psychology of white civilization,
they were more than six million black men  and women,
conscripted by white man's force in kings African Rivals,
They were fronted  without training to shoot and take cover,
they were placed as front guard,white soldiers the rear guard,
then they became shield and human barricade to ward-off,
volley of bullets lest the white soldiers get wounded.

Black men  and women rarely came back alive,
once taken into war that was death as a must
those who survived the war in Panama or wherever,
were never taken back home, they were left there,
to walk on foot thousands of miles back home ,
without food ,clothes,arms or  map to guide,
some were even shot by the their own  fellow white soldiers
on the grounds of the race, because the war was over,
Black men as such died of hunger,thirst,exhaustion and Malaria,
they were eaten by wild animals in the bush,their cadaver went to dogs,
Millions of black men  never got home for ceremonial burial
and this was not Black holocaust, only the Jews had a holocaust.

Black men had no stake in the second world war whatsoever,
they had no interest , they were not in any colonial scramble
they were not in any  arms race nor imperialism of any sort,
Jews had what they wanted; land or money whatever it was,
but where can you get land and money without the cost ?
loss of lives or personal heritage can be the cost,Pyrrhic or Byronic,
Jews are obviously truth bound to accept this virtues of history,
to accept their lot as a swallowed misfortune
from the universal holocaust but not Jewish holocaust.

The Japanese in Nagasaki and Hiroshima will say what,
was not the atomic bombing of their land
occasioning mass death of the Shintos
and sons of Japan the owners of the Sun
immense enough to be a Japanese Holocaust ?
Nagasaki and Hiroshima is not an anthem in Japan,
but  blurred number of Jewish death in Dachau
is a universal anthem as the Six Million Jewish Holocaust,
what a selfish motivation to commit collective lies?

Jews who died were not six million,
Germany by  then was not such populated,
Germany had less than ten million people,
Kwani, were the Jews more than the native Germans ?
if then war is the game of numbers ,
couldn't the Jews  defend themselves from less Aryans?
Jews died, yes like any other race and community,
like the French,Britons,Germans,Russians and Indians,
Just like more than six million black  Africans who died,
But Africans have forgotten and forgiven their  conscriptors
they have never made the Black Holocaust  their epical anthem,

Black men were compensated nothing for their wounds in war,
Ask Richard Wright the Native son of America in the realm of ancestors,
he has a story in the black boy , he will tell you ,We black men ,
We swallowed  the most  bitter bill of  global history,
were toyed between the extremities of cruel historicities;
from slavery to  colonial terror to world war back to colonial terror,
The Jews were given Israel as a compensation for their wounds,
The  UNO wanted to Give the  country of Uganda to the Jews,
As  saucer compensation in addition to state of  Israel,
imagine brutality that Black man harvests ,
from his relation with the white  world.

How  many Arabs have the Israelis killed since 1948,
the year when Jews had Palestine's Atlas get shrugged
in the American  efforts to pamper the Zionist  Israelis,
are they not  more than six million Arabs , or they are less,
Arabs are not ****** who told the Jews to take a shower,
A lethal shower of ammonium gas at Dachau chambers,
Arabs are not Joseph Goebbels who ployed death of  the Jews,
But Jews have amassed all type of menacing weapons,
they have killed men,women and children of Arab nation,
in the past six decades, Jews have killed violently and brutally,
more than six million Arabs, is this  not an Arab Holocaust,
or no a Palestine Holocaust or no the Gentiles' Holocaust ?

the events of second world war were universal in dint
they never befall a single race,community or faith,
every community lost its people through death,
But Africa had the worst experience of all the cases,
absence of statics cannot make this sham claim,
Jews must stop lies and make genuine claims,
Jewish Holocaust is a misnomer for war event,
we all suffered and agonized in equal measure
why again formulate lies to justify avarice.
Christine Ueri Jul 2012
Heaven

. . .  Have Mercy . . .

Rest, rest, rest, for ye be none,
pitiful Fallen One.


Quivering bows flow over grave strings
bassoons and basset horns ring
pounding timpani’s announce:
Master of the Holy Choir
- -  Renounced - -
Vain, fluttering heart
sublimely denounced, scorned;
fouled, ousted:
Horned.

Wailing strings, bassoons,
basset horns, thundering kettle drums
lift angelic voices to glorious requiem.
Pleas for Eternal Light’s remain
in wings refrain.
Heavenly Chorus' cradle to sustain,
mercy to soften
disdain.

The Holy Oracle contests --
to no avail.
Siblings’ choir protests.
Beauty beyond measure,
Angel of pure, Divine tessitura,
Absolution for Thee?

Foretellers of dark illusion
open Holy Scriptures to reveal
the drone of Eternal Damnation:
trumpets of ill
drag Thee to Hell.

Deep, ephemeral rhythms
exalt dancing strings,
seal destinies -- Kiss The Almighty King.
Glory be unto His Majestic Reign,
Will Supreme,
Tremendous,
Powerful, Holy Being.

Scribes record,
recite this dreadful day,
condemn Thee: Fallen One.
trumpets lament, strings mock
this unholy, forbidden way.
Bows flutter -- a memoir
of redemption.

Cries of confusion
dissipate  
into muffled choirs,
murmurings
of deliverance.
Delicate chants
beg for forgiveness;
a Soul’s salvation, fusion.
To no avail!

Turbulent strings strike the Holy Duel
in wrath, writhing hatred,
majestic wings tumble --
twist to wrenched ******.

Death devours, Birth becomes
the Fallen One.


Angelic dissolution --
distraught, agonized Ethereal,
Eternally beautify
these ghostly, trembling
winds, strings, harpsichord, drums.
Voices of brotherhood remembered,
cushion Angel’s earthly descent.
Breathe into infantile genius
heavenly symphonies
to sweeten a life
trapped, scorned,
condemned,
mourned

Love of God: Amadé
16/02/2012

Inspired by Mozart's Requiem.
Akshay Kumar Mar 2014
Heavens were furious this time
In a glimpse it happened
His bridges were burnt down
Void inclination towards life

Desolated on vandalized street he stood
With a malady of his spirit
Immense misery in his heart
The facade of spurn was prejudiced

Confined within the darkness
Lost in the echo of agitation
With a deep gasp and step forward
He feels the quiver in his bones

Divergent roads ahead
To take revenge or to let go
The emptiness inside would never culminate

The Satan inside prevails
Sanity is exfoliated
World seems to consolidate
Paradox of emotions Outburst !

                                       ~D. Akshay Kumar
Melanie Kate Jan 2016
Chaos humdrum of roaring engines.
The lost siren between concrete slabs
Ricocheting its scream throughout
the hallway streets,
already echoing with horns and yells.

Sleepless and ever burning,
the city lurches on
in agonizing sounds
muffled between high rise pristine glass
and shanty shacks painted with dust.

The frantic commotion of agonized madness,
In zigzag traffic and potholed roads.
The stop and start of hustle and frustration
Rises and falls like a dancing dust storm.

Everything present in a quieter world
is lost in the struggle of city life.
There's no peace or silence here.
Just constant exhaustion in the luminescent roar of human chaos.

26 Dec. 2015
MKD (c). 2016
Vicki Kralapp Aug 2012
Remembering the pain on that cold dark winter’s day,
being turned out at your door while snow around me lay.
Without a word of comfort just a hug and cheap goodbye,
I agonized to figure what had gone so wrong and why.

Losing all I was that day, I cried for years to come.
Why did you betray your friend, your joy, your love?
All consuming was the freedom that so quickly pulled me in,
while it ****** the breath from me as I struggled in my skin.

Looking back on the road that has brought me here today,
Remembering the magic and the crashes on life’s way.
Recalling all the love and pain, I would not turn away,
from all the joy I would have missed along love’s blinding way.
All poems are copy written and sole property of Vicki Kralapp.
Nat Lipstadt Jul 2013
Preface:
Even old poets can forget new tricks,
So when toe stubbed and ah ha benedicted,
Causes you to remember what you once knew,
It feels even better, like being crazy
Once in awhile,
Or wearing an untrimmed chest Jason smile.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Eons ago converted to a new religion,
The Church of Free Verse.

If life be variable,
Usually unrhymed
A pencil sketch of crisscrossed lines,
No fixed metrical pattern assigned,
Than even more so, my poetry.

Once I regretted that the children,
Crack addicted to rhyming,^
Used nickel bags and ******* lines
At the starting gate where all
Our associative poetry journey begins.

Perhaps, a tad arrogant, that diktat,
Nonetheless, unashamedly, nothing to recant.
Words have utility creative, souls innovative,
Free them guised as global explorers,
Make them up, then unleash them
Upon us, yourself, as detectives investigative.

Unchained myself like Houdini,
From water chambers and locks constraini.
What care I for poetic rules and regulations,^^
Got so many points, they tried to suspend
My government-issued poetic license.

Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.

Yes my darling young ones,
Your writ of screams, like Bob Dylan's occasional schemes,
Celebrations of agonized lives of the criminally-pained,
Songs and cants of victims, love-cancer stained,
Require a whining, singsong beat.

{Poems so rad-sad that it makes this Jew
Genuflect and crisscross himself,
That he was blessed with a few good happy years,
In his reincarnated life of
A few centuries long.}


Learn 'em to sing their cries,
Harmonize the internality of love,
Or, even the infernal loss and lack thereof,
For it is the lilt
That makes, transforms a cry into a
Poem.

Even I on death's last stairway step,
When was called by the name of
Nate Hale,
My dying poem lilted, lifted and metered
"I only regret,
that I have
but one life,
to lose,
for my country."

Now you're thinking he is lost it all,
But you would be incorrect for sure.

He found it.

The lilt of life that makes him rise
And greet each morn,
Even some sorry starless nights
With a First Poem of the Day.

I lilt you, one and all.
If you think this mis-wrote,
My auto correct mentally broke,
Meant to type I love you,
You'd be
Right but wrong,
I just lilt you.
^ "People, Stop Rhyming..."


^^The Rubiyat is not where I'm at,
The Acrostic, amusing, but let it be
Someone else's cross to bear.
That the Cinquain rhymes with pain,
No accident, and Tritina is but half of a Sestina,
But twice as hard, you could look it up.
The Quatorzain another French device inane.
Shakespeare's sonnets, nonpareil,
But, refrained, quatrained, by Iambic pentameter.
Ok! Maybe the meter makes the poem lilt sweeter!

This poem Lilt of Life, I commenced, on June 10th,  when  K Balachandran, Poet Extraordinaire
Wrote me about another poem: Three poems were walking down the street."

"I dig the title, not only the lilt, it sounds esoteric..something more hidden in it,unintentionally!"

I put the word Lilt in a Poem title file, wrote a line or two, then it aged till July 11th, when it just wrote itself. So today Bala corresponded as follows:
"creative instinct, particularly poetic surge has roots in imbalance (though i really don't believe) of the mind. Yes, during the moments poetic urge becomes a sort of agitation,
this may seem true, how can one deny it.."
This agitatation of which he writes, we are all familiar with, I am sure. We emote, we wrote.  Guilty as anyone.  But it took a month of silent, back room, hidden from me,
cogitation,
to complete the poem, when it emerged from gestation period in a few minutes.  I share this with you as a public reminder/chastisement to myself that writing is both push and pull, agitation and reflection, a process,. By way of humor, I wrote Po-hymn, in 20 minutes, threw it out here instantaneously, and then did minor tinkering.  Why? I wrote it with tears in my eyes, agitated, and the only way to stop the emotive upheaval, was share it with the people here ASAP!  So it goes both ways, but net net, write it, then let it age a day or mores, then let it go, give it up, after some:
cogitation
— noun
concerted thought or reflection; meditation; contemplation: After hours of cogitation he came up with a new proposal.

Rambling the point of which is to properly thank him in view of all for reminding me
all poems, must possess some kind of lilt and being the inspiration for this baby.




7/11/2013
67

Success is counted sweetest
By those who ne’er succeed.
To comprehend a nectar
Requires sorest need.

Not one of all the purple Host
Who took the Flag today
Can tell the definition
So clear of Victory

As he defeated—dying—
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!
icarus Nov 2015
chocolate fills
the gaps
between
my soul
and the
places
   their hands
   press
cotton
candy
bruises
into
milky flesh
while
strawberry
syrup
pools
  on
   the
    floor
and the
    ginger ale
that oozes
from
agonized
eyes
    burns their
      faces into
  my retinae
I wrote this a while ago and I still absolutely love it.
From the depression of the distances with respect to the horizontal and the planes that separated them from the surface, below the references that came against, single sediment had been destined towards the high eminence, before the fossal of megatons of aldehyde below the bilges of the final base, where the seventh rings of the goat ibex were perforated, all in the antipode of the Constellation of Capricornus; where the goats were enraptured in the binary of Wonthelimar, behind the floods of absorption that took the Diadocos far from where they should never have left, in order to extrasolar wishes and never to come. From the node of the supreme and poked aldehyde of the horn of Amalthea, with the bizarre analogy of Zeus and Wonthelimar, both mammals with milk from goat's udders, one from goat from Mount Ida and the other from Aldaine in the Alps, with milk from ibex and In the face of Amalthea that appeared in the fossal, all the Seleucid generals had already vanished, starting from the Viper Typhon, who in the retracting sub-mythology of Capricornus was transmigrated to Wonthelimar, swollen with the aldehyde transmuted into this alcohol and into the udder milk of the Ibix that He lactored, while they were all carried away as in the chambers of Auschwitz, in distant lanterns and lamps of the Calypso that he dismissed them, leaving them with the escorts of the ibex or goatfish in laudable stratagems, which vanished them away from their desires from a new polis or Nostos Patrída, sprinkling them with goatskin and flourishing essences of the kashmar of Zeus' nurse; Amaltheum or Amalthea.

The Iberian rings from the medrones in advance reached the two final ring nodes, here Wonthelimar intimidated them with an accurate adjacent bleat of the kashmar that rubbed their back, before the newest and last lux of Amalthea that vanished into herbaceous fruits that always He carried the barefoot medron with him, to start with the antlers dumbbells and re-transport them defeated to the species of snake that frightened the pastoral god Pan who shepherded, and then he submerged in the water after becoming Capricornus Ibex Fish. Being aware of this and of those who refused to continue listening, Ibics rings were unleashed until the seventh medron, feeding back with Wonthelimar who ad libitum created Venus in triads of Zeus. Wonthelimar and Amalthea were remote in the eighth and ninth medron of the antlers, they appropriated to each the portion of the Parasha or Parashot of the Torah, and of the thirteenth Shemot so that their dualities and fumes from the unbreathable fossa would remain under the possessed surface of the pendular property balance and positive-negative gender correspondence. Right here Amalthea transmuted her mercy to save the world with her lactation of syrup and honey that was not in short supply, and that was extrapolated into a future abundance of food and nectar, making up for crusts that were uneven in average terms. From this bezel, both beings of the goat genome contributed to the pole of goodness for each one at the end of the benevolent cuirassiers of prospering, and not from the opposite that would lead them, even though they were dissimilar causes, towards a retrograde event that was not a consequence of the becoming of the plagues, and of the malignancy that does not flourish with the Shemot of the Parasha, to agree and lavish themselves on blessed virtues or deliberate wicked ones.

The meaning of a relative synchronic and factotum coexisting does not redeem the disintegration of an existential relativism in Skalá, the Hexagonal Primogeniture from one of its angular visions, metaphysically transfers from its temporary contingencies after its arrival on Patmos, while the temporary Seleucid temporality vanishes, It was affirmed from a contradiction since its truth was distended in the arena of Skalá not implying being welcomed, rather it was victimized by the absurd political dimorphism in a meta spiritual state, abdicating its dispersed retrospective, and now contemplating a compromise of the Hellenic genre, to gradually rebuke the virtues of their banners, twice as good for the purpose of reinforcing the will to accede, and not perish in the attempt to lead Alexander the Great. The criticism of founding the memories are of a revived past where it was not, marking the anthropological fact and false truth judgment, in meaning and contradiction in the polarity of both axiomatic genres, but that is saved when quantifying in who has to defend himself, if seeks to abrogate itself, in the entity that is characterized by induction and attraction of egonies and not of exo-egonies, thus describing it in the theme of "Do not support egos that recriminate other characters of frustration and empowerment of a Vernarthian logic split into Vern-narth. Vern has etymology of Bern or Bern olive tree of Gethsemane and narth of the ordinal scale that speculates its nickname in millions of northern sections of its origin, which subsumes the truth and the criterion of apocalyptic parapsychology, re-life of quantum historicity of the metaphysical and sub-block. -Mythological of Vernarth in his identical.

Everything seemed a strange self-annulment from a clear and understandable limit, but Wonthelimar rose to the surface of the Állos kósmos, finding himself in atmospheres of truth and reality of a Cantabile, who decided about the horse Kanti coming with him towing him from the Erebo de Chauvet Bilocated. As a musical and festive ending, he received them on the upper plate of the happened gestures, where a cabaletta rendered parts of a Cantabrian aria, in sulfurous and remorseful cavatina married with the cross emotions of a finale who sponsored expressions and festive Templar tales, with the descendants of Zeus or minor children, or grandchildren after this had to give him milk and honey but with báchkoi. Among the couplets that received him, some came about the smoke of terror that was confused with the dustbin of a Cavallo or horse acclaimed Kanti, with gasping bustling from a cardex, containing all the repertoires of a cantabile if this scene were to be repeated in The same epic allusion, and in random consequences, that go after a cavalcade that is not abstracted in real characters, but more in conformity with the well-deserved place of epic imaginative beings or in the operatic psychotropic of a duet, which would go flagellating in individuality and in each which is not content from another section of the Cantabrian.

The Universality of emotion and feeling is a tragic Parodo emulating voices of all those who sing from a cantabile galloping in their voices to the beat of the heart in some, and at the same time chanting stanzas and antistrophe in reverse epic and tragic lines, for the purposes of the coliseum that diametrically obstructs the Hellenic choir, which is attached to the intervention of the Hexagonal Primogeniture that was already beginning to rise in height, and in the prayers of Saint John, the Apostle and Prochorus from the captaincy and the ode that would begin to stanza, from the west to this and the antistrophe would follow with Vernarth, Wonthelimar and Alexander the Great from east to west. Ad libitum of their enjoyments, they were eating Greek snacks or Katogorias on the way in bases of Almonds, cinnamon, olive oil, sugar, and sweet wine that they carried on their backs in Rhytas shaped like the horns of Zeus and the Ibix of Wonthelimar, which the same Procorus carried on his golden back. The meaning is affirmed as a meaningless infringement of laws of temporality, and truthfulness at the expense of short evidence, and of facts that vanish in the light haze of causalism and not of effectism, when the adjective or noun is made of a strong verb in the Metabasis and in the imprecations that Vernarth gave.

Vernarth's metabasis: “the verse and the adjective will be subsidized by the noun in the construction of Állos Kosmo Megarón, from where mathematics will immaterially explain sap suckers under the noun in liquid milk of the color white and of the high nutritional value in female lactated, and of mammals to feed their goats or ibex. The soul of this prerogative implies that the verb will be to promote species rather than a nutritious milky elixir for Zeus, and the candor of his **** will tend to the bipedal or quadruped subject self-procreating from a Milky Specie. (Milky species).  Being ****** into milk by self-procreating snitches. Vernarth says (give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!)

Amalthea in rituals and relics from prospects of demigods was purposely cordoning them off in Mycenaean deities, from a contemporary Westerner comforting them near a hippocampus; with signs of ibex Capricornus, rapt at the nymph that spoke from Mount Ida in Crete and that she made congruent with the constellation of Capricornus, more precisely in the Cornucopia making this heraldry of Wonthelimar with Fortune, Abundance, Occasion, Liberality, Prudence and Joy. In a woman sitting on a throne, a young nymph with a flower crown, a naked woman with one foot on a wheel and the other unstable, a woman with sunken eyes and an aquiline nose dressed in white, two faces from the past and future, a woman happy with the exuberance of the Cornucopia with children and a palm leaf. Being the abundance that in serial Amalthea bordered all the ladies in different esoteric and Mycenaean prosperity, constantly shining with radiations on the present in the Unicorn Ibix, which Zeus left after breaking its antlers, unleashing kindness and plethora in fruit buds, and vegetables that were appropriated in the Fortune of Wonthelimar reissuing what in their domains they can do, and now in Patmos with its Cornupia being transferred from that liquefied shaft honey and milk cultivated with attributes of herbs contributing to the leisure, peace, and relaxation of the cosmic world that ascended in Wonthelimar as Ibix in advance of Capricornus, from where the Auriga always broke into his expeditions with a trajectory towards the eighth cemetery of Messolonghi, where he brought it from the Capella Star for the femurs of the Diplodocuses who seconded Drestnia to watch over the hydraulic pits of the Koumeterium from Messolonghi, before traveling to Tangier.

The entire herd went back to an ancient promontory that was halfway up the mound towards the black styes or abscesses, in the central intuition of the fossa that began to dissipate towards their backs. Amalthea extends into the Állos Kósmos, which came in zoomorphic receptacles collecting the announced blood of the animals that flowed in black planks from the vortex of the fossal, towards the liminal or transitory sleeper of the fossal that oozed acetosities of the Aldehyde to be transmigrated after the bilocation of the Chauvet cavern. All wore willow halos on the crowns or diadems of their caps, including the proliferation of phantasmagoric Allies that went in rows from 780 to 680 BC. C., with fortunes of the Cornucopia that arched in magical arches due to the dissociative changes of the universe, as well as the circumstantial creed of some omnipotence that will cause emotional transgenerational transgression, in the rain vessels that they made fall from the Ombrio de Zeus, in a daily latticework closing the spaces, and only leaving for some intruders and onlookers to see his flashing Astrepé. Right here the diádoc fossal vanished, when it rose above the horizontal that poured into the Chronic Vernagrams of parapsychological personalities of ingenuity classicism and in Astro-concomitance, which would rethink everything that is past and future from a Vernagram, which is more than a compression of a mere future of the quantum spaces and the sacred medrones of the Ibixes with their direct relationship with Capricornus. Diverse capital moments were treasured in the breeze of the Vas Auric that was traced from the opposing moraine that fell in lapse-time, through the labyrinth in storms and thunderings that became planetary with the Lynothorax cuirass that Alexander the Great accommodated in the festoon border of his Aspis Koilé, kicking copiously as a sign of shaking the head of the gods who deceived him to be alive, and who was now reborn in the faith of Saint John the Apostle, favorite of the Mashiach and where he will have to wipe his face with the shroud of Veronica Before entering the Állos Kósmos Megaron that everyone built, in favor of a Panagia or Temple, unlocking the majolica that seeped out from the rest of the transmigration, and his own in the configuration of a corpse with a tricolor gesture.

The presumptive eradicated the side of the forearm rots that was being restored in Wonthelimar's laps, which helped him get up and catch his breath while the Katogorias snack filled his mouth with nectar and almonds with Macedonian Psiloi combat tactics with serum and flames of Alcohol dripped from her nostrils and sinuses in the sweet wine, which in pompous dilemma defied the judges of her life in the choir of the Bilocated Epidary Theater on Patmos, and in the ***** dry Kashmar of the orchard with the pale faces of the grotesque, that rested in the memory or Mnmosyne and in the fauna of the Thracian and Thessalian helmets.

Alexander the Great says: “here I agonized and now in the fresh waters of the springs of the Lerna, I will also marry the glorious mystay and bákchoi, in the memories of Vernarth seeing him besieged by Achaemenides in the stooped position of Dario III, to come purifying and sustaining of my limbs, learning to walk and speak in Neolithic techniques, which extruded me from the Lerna by barriers of the moon that shone from the bronze of my Leonatus helmet. Thus I could see that Vernarth, fought alone against thousands throwing fire through his mouth and his eyes, separating the waters of the Falangists, who plowed like ships deforesting the Persians, and leaving them in their mud, imposing glorious Hypaspists who unbolted from their back some arrows with heads of snakes and Hydras.

Vernarth watched as everyone climbed the Profitis Ilias mound, two hundred and sixty-nine meters above sea level, where the monastery of San Juan is located; here he was suspended in his solitude after everything that happened at the end of the moat that definitely I would return without the Diádocos, with a hint and its functionalities. From here Helios became genealogical, who snatched him from the kingdom of dead flowers, which were to be assumed from the Olympian where he will join him to the essential of Aïdoneus; immaterializing in the darkness of dizzies and the flowers that died in the genealogy of a new species. The scenic swept its cognitive and ferns with more than three hundred frank species that frowned like the enemy of an evil friend, with seedlings that expectorated from the resonance of the bushes that invited to thrive in the salty ripples that made a dreamer fall asleep on top of the kerchiefs or brambles that memorialized Gethsemane, burning his face and hands with psalms, telling him about his Baba. For when it is a luminary by night and by day, they will compare it with the white grayish drupes and mops, like those of the Bern orchard of Olives, in aqueous and resinous colloidal, which was crowned in harmony and syntropia in Vernarth activating intellectual conscious plantations, which will restructure its balance of ultra Hoplite, in metabolism of the Lentiscus flowers, with great brotherhood in the Olives that each time exercised the gift of bending their oleaginous self-species, towards planes of the Cornicabra olives, with large branches and high tree altitude that fruit within of the Cornucopia that he now carried on his back, supported by an oiko spin, juxtaposed with the fibula on the right shoulder of his lymphoma, which with large branches and high tree altitude fruit within the Cornucopia that he now carried on his back, supported by an oiko line juxtaposed with the fibula on the right shoulder of his lymphoma, and with polyphenols in scale geothermal energy that still leveled the Ponto Sea towards the tectonic plate to give it the flavor that was owed from remote prehistoric times.

Patmos was aborted from an immanent consent and new force of the impending enemy in Pythagorean perorations and an offending thought. From this prerogative is born the generalized punishment of sub-mythological ethics in favor of legacies of allusions to reorder or defragment the enslaving and demolished bio culture, which would begin from the establishment of the Vas Auric found in Limassol, which took possession from Rhodes with clean scenes from Tsambika monastery. The epic ran like icy cold down the shoulders of all those who sweated for the generation of cops, and in domestic evasions in superior lordships to Hades or Wonthelimar itself, both sons of flocks and goats that nourished them by providing them with a mountain perspective, as a magnetic pole towards gothic energy that ruled more in the Magnetic North Pole, and the geographic oversize that reviled latitudes in riches that would dismiss Borker and Zefian, as masters distributors of the ethics of the Áullos Kósmos of Patmos, redeploying thousands of dead from pre-Hellenic times, so that they recirculate through the roots of the Kashmar, re-sulfurizing cinnabar saps as the germ of the subterranean Acheron, which consecrates the living and the dead in the eternity of the infinite Duoverse Universe. The order will lie in semi-shadows that even in the dark provide the pleasant warmth of camphor, with advanced Horcondising formulas, which will appeal to hungry souls by suppressing gifted energies, and by inseminating them with ovules without originally conceived organisms.

From Hylates, Cyprus; Zefian came by order of Vernarth, assisted with the extension of the earthly laborers of the Attic Calendar on the twenty-first of September, from the device of Apollo at the site of Boeotia, and especially of the Boedromion. The arrows that Zefian brought had an instant Boedromion crossing the lines from spring to winter, with seven arrows that Zefian threw into the sky and never fell, but if portentously received in the virginity of animals. The flora with seven golden arrows of the Chauvet de Wonthelmar cavern, condoned the exhaustive end of the fossal where they still remained, in a gesture of tenderness and relative Mycenaean genealogy, from Crete the contravention of Apollo and Artemis towards an olive tree was approaching, originating in the Zefian's arrows, to mark the new cardinal points, begin with the first two arrows that they put on the string of the bow, each one flying north and south trajectories and the other two that were once again attacked with the east bow, to shoot the arrows of east-west with southern magnetism limits. Zefian's imagination was of proportions that were not limited without wandering from their phalanxes when they pulled the string, like joys of a ghostly existence that pushed him in each bolt, presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for belated courts imposed from a cosmos, which he led by insisting on his will and from a doubtful Vestal god advocating the association of the hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychological of the feared inter-tale alive that rebels in the arrows that they had not yet fallen and did not know their whereabouts. As plates or serial hosts, they were evoked from where the origin of the Universe was broken, to open towards the organic, vigorous, and anti-burn contravened Duoverse to the divine celestial origin as a parameter of *****-ovule, rather in aeonic instances in the fireplace of Hestia, running in eternities towards vast volumes of light-years, where eternity has no measure, let alone the existence that begins and ends born from a homozygous arising without a Universe, to hatch from the branch of the Heterozygous Duoverse, bringing different unions of eternal cells by universal divine decree, and not the union of disparate cells. The science of the Mashiach came in these divine arrows that marked the points of the cardinal in the numinous and exclamatory expansions of the exiled universe of Vernarth, towards the perenniality in itself, but being heterozygous for a world that would begin to live in non-organic cells, but yes of divine composition, over saturating the limits of the origin, and destiny of syntropy of the conscious actions of the metabolism of the Alma Mater and of the great doors when losing the bodyweight of the physical-ether, but yes from the platform of the Mashiach that will take them hands without leaving them abandoned, showing them that they were no longer children born of ovule-*****, but rather in the luminous matter, envisioning expansions of prayers beyond from the universe, where it will accompany them in a multidimensional plane..., and will have no end from a human scientific conception.

Wonthelimar says: “Since the omphalos was swallowed by Cronos, Hera's elegy was unleashed, for not raising her son Zeus in free clumps of goats and Ida's honey. I in the Alps went to the herd of the Ibix like a Zeus saved from the darkness of Chauvet in the mountains of Gaul. There are chisels that cut stones in beautiful whirlwinds, but I know that a lot of cosmology would not speak of the Mediterranean Cornicabra and its olive drupe, nor less of the Cornucopia that sinks with sumptuous and ephebian flavors in the fruit, and the greenish heraldry of the binominal that is disturbed in its phalanges eating and sipping honey, in antler pots with pride of the Ida and the Vercors massif”
Wonthelimar Amaltheum, Állos Kosmos Megaron
Cledentine Oct 2018
“Beneath the willow
She’s singing
Beneath the willow
She’s waiting.

Beneath the willow
Under the willow
Her body
Is now laid to rest”

A simple rhythm
I follow
A simple tune
I hum

A simple song
I used to sing
In those days,
When I was young

But I’m not a kid
Not like the other kids

They form a circle.
Hands held together.
Dance around;
Enjoy singing

I,
On the other hand,
Kept thinking
And thinking.

Why is there a willow?
Why is the woman there?

“Laid to rest”.
How?
Shot, eaten,
Poisoned?

May have died of old age.
May have not.

I wanted to know…
Already 18;
I went into the woods.
Looked for the willow I know

Two before, now three.
To the center willow;
“What was she singing?
Why was she here?”

There was nothing.
Just dead silence.

Asked again,
Yet no response.
Maybe, just maybe
I’m already losing my mind

I needed rest.
Something startled me.
A stone,
Not any kind of stone.

A graveyard stone
So old;
Dirt covered the entirety,
Although I have read these words.

“My beloved Willow,
For whoever finds your grave
Will be your eternal companion”

Is it just me?
Or is my mind on it again?
Doing its tricks,
Because of a graveyard stone?

Wind blew for a moment
As if someone passed by

Then I heard it,
I heard the song.
I saw a woman,
Heard her singing.

I stood there,
Paralyzed

In a long white gown
Hair dangling,
Towards me,
She walked.

Run…
Run!!
RUN!!!
Screaming in my head.

But I couldn’t
She got hold of me

Her hands,
Gripping tightly my arms.
I could not escape,
I could not run

Gripping me,
Still singing

“Beneath the willows
You’re singing
Beneath the willows
You’re waiting

Beneath the willows
Under the willows
Your body
Will be laid to rest”

Her head is up.
Her eyes,
Bloodshot red.
Gazing into my very soul.

“Let go of me
Please let go.”
Remains in my head
No word can I speak.

Feeling heavy
Helpless

As I try,
Making an inch move,
I am slowly devoured.
Not by her.

A willow.
Not two
Not three
Just one ****** willow

Slowly
Crushing me

Can’t get out
Nowhere to escape
STOP!!! STOP!!!
Trying to catch my breath

Agonized, screaming
Endlessly.

NOOOO!!!
Fully consuming me.

Awakened by my mother.
Embrace, she whispers,
“It was all just a dream.
My only beloved Willow”.
This is a first to publish on a website a poem of mine. I want to improve myself in writing poems.. Please do tell me if you have any suggestions or comments cause it will be a great help :) :) :)
Harmony Dec 2015
Yellow and crimson is the fruit
Beckoning to be a moment's pleasure
Eating fruit, a sure pleasure,
Instant is the gratification
Memory is witness
To the happiness it brought

Left in agonizing want
One looks for more
Discouraged, defeated,
Agonized to know it passed

Lo and behold, all has changed
For action of eating
Had its own reaction
Unknown of what will be

Opening eyes to witness
the reaction that kept going
like a brand of battery
Energizer with long life

Blink not for it's alive
Asking  mind to follow
Follow like never before
And sleep no more

Yellow and crimson is the fruit
Beckoning to be a moment's pleasure
Eating fruit, a sure pleasure,
Instant is the gratification
Memory is witness
To the happiness it brought
©TRP
Rainbow Nov 2012
I'm falling in love with a panther.
He caught my eye in the dark...
   or was he the dark?

Silky black powerful faraway huge
His shoulders rolled with a twist of his stride
Bringing him closer to electrify my side
   and give me a glimpse
   of his battle scars

Fingers of fur to tickle a laugh
Dark melancholy to beckon a past
I placed my hands on his whiskery face,
let them slide behind his agonized gates
Are those words that were spoke from me or him?

In his ambling walk lives a passionate heartbeat,
     in his hunted gaze the joyful sorrow of seeing and remaining unseen
     behind great sharp leaves and semi-permanent shadows

Warmblooded, crystal river, feeling panther
Not so unknown
Not so feared or shunned
What's this crimson breath in my throat?

To hear his cry a mile away
What is this wrenching, muddy pain in my soul, in my core,
      calling me like one I've known
      and yet never before?
Panther, please don't die

I turn just in time to see the darkness rolling over his tear-drenched side
Fall to my knees to catch his heavy head in my determined palms
      watch as his blood trickles from him to me,
      feel it absorb into the promise in my skin

When the soft pastel of day caresses his black silhouette,
      I place a wondering hand
      on his warm, lifting chest
Stroke my fingers along his chin to his ears
Peaceful shutters covering his eyes in temporary rest from The Chase,
      nothing to remind me of the danger
      but a flick of his sleeping paw

When I lay next to him with my back against his hard belly and my foot brushing back to still his,
       my heart finds its elusive case,
       my fingers his wiry, black fur
There is a panther heart in mine.

Muzzle near my neck and fire racing sanity
What is this love-shaped thing misting my mind?
Heavy, muscled body shifts and I brace myself for the end
Instead I find myself face to face with my other half

Gazing into a deep dark silky pool
        I can't explain
        can't seem to leave

Beautiful unexpected deep impassioned new
I think I've fallen in love
Eyes of my panther sad, understanding, wise, searching for something I don't have
I'd follow him into any jungle dark
       latte and chocolate
       coat and skin

Face to face yet with burning eyes straight ahead
I rest my hand on his thick dark neck as we walk side by side
My panther and me
Down a road neither can know, bound by something so sweetly unseen
Not from this anger, anticlimax after
Refusal struck her **** and the lame flower
Bent like a beast to lap the singular floods
In a land strapped by hunger
Shall she receive a bellyful of weeds
And bear those tendril hands I touch across
The agonized, two seas.
Behind my head a square of sky sags over
The circular smile tossed from lover to lover
And the golden ball spins out of the skies;
Not from this anger after
Refusal struck like a bell under water
Shall her smile breed that mouth, behind the mirror,
That burns along my eyes.
Esteban D Pitre Sep 2014
Cockroaches in striped pajamas
stained by the scent of snow-melted blood
under a compassionate moon.
No reflection to admire
other than the eyes of a thousand
miserable and sordid puppets
with shaven heads and wooden clogged shoes.

God and their souls
murdered by a vile evolution,
crucibles of Jewish remains.
Rabbis and priests,
scholars and the poor:
moving targets with stars on their sleeves.

Naked souls waited,
listening to the gods of old Germany.
“Zieh dich aus! (Take off your clothes!)”
They shouted, pushing
them further into the chamber.
The doors
closed shut behind them.
A deathly fog clouded
among them,
putting them to drown
under a thick green darkness.
Agonized voices
shredded apart
as their nails clawed
at the concrete walls.
Women and children held each other tight,
whispering Kaddish,
hoping and praying.

Twenty minutes
of shouting and stumbling,
Twenty minutes
of spluttering and gargling.
The little ones witness the eyes
of their guardians writhe and turn white,
as their bodies jolted
as their lives were stolen.

The gods finally entered
to clear the room,
to pile the dead onto the carts,
to visit the crematorium.
To finally shovel the mounds of
striped clothing,
to recycle and burn the rest.

But this end comes
as a sweet release
as their ashes
were sent through the chimneys
and into the air
to rest in their graves.
Jane Smith Apr 2021
I love you.
Since I saw the cracks in your bookshelf,
Your graceful hair intertwined with your shoulders,
The way you throw your head back and laugh.
If you are Juliet, I am death,
And I wonder how the snake felt,
Knowing he allowed Eve the apple.
I should hold my forked tongue,
For I know you would care for no,
Walking nervous breakdown.
Who could?
But this agonized black mass,
Writhing inside me, where my heart should be,
Barely living, barely dying.
Masquerading passion, good will.
I just need you to shoot it.
Adele Feb 2015
In a great fountain garden,
tulips and lovely flowers bloom,
vibrant colours give life
to the Hampton Court Palace

Catherine of Aragon sat with grace,
watching the tranquil sky
as the bird sends sweet greetings
She slowly wipe the sadness coming
from her eyes

The Roman Catholic fell down from King Henry's hand
as the pope opposed his wish
Tyranny started to rule,
20 years of love and struggles come to an end

'Oh father, my heart is in pieces. Spare me the light, make me alive.'
Catherine whispered an agonized cry
begging for mercy in the Heaven's above,
she stood up and smiled in so much pain
Then slowly, she walked away
knowing Henry and Anne Boleyn is in a happy place.*

a.k
Inspired by some medieval palace stories. One of them is the Hampton Court Palace in England, where King Henry VIII once ruled together with his strange love stories with six wives including the first, Catherine of Aragon. He asked for annulment when he fell in love to "The Great *****", Anne Boleyn. Interesting.
Joe Cole Sep 2015
He calls himself Dr Swalik

Take a long sharp skewer
Pierce the body in numerous places
But please, please do not pierce any vital organs
Place said scammer in a pre heated oven
100 degrees or gas Mark 4
When the agonized screams have reached their loudest
Reduce the heat
Baste liberally with honey and olive oil
Add chopped herbs of your choice
Re baste the scammer and turn up the heat
Gas Mark 7 would be about right
When the skin is crisp and golden brown
Serve up the scammer on a wooden platter
Serve with buttered new potatoes
And **** apple sauce
The Truth Apr 2014
I felt bad about that day
When I shot, stabbed, and threw you away
I felt regret, I felt agonized
Is it to late to Apologize?

I attacked you, and hit you hard
I left you buried in my backyard
I tried to dig you, but you weren't there
I gave you pain that I cannot bear
I made it up to you by suicide
Is it to late to Apologize?

I felt misery I cannoit lie
But I promise you, I did try
I looked for you everyday
I just could not stay away
I tried and tried every night
Hoping that I just might make it right.
I then became traumatize
So tell me, Is it to late to Apologize?
Paridhi Sharma Apr 2014
Even though disappointed thousand times
or struck in a fight,
She is now finally rising from
her life's darkest night.

So, today I stand here,
Afraid to reveal my heights
recite my ideas,
and fight for my rights.

You detained me of my will,
Agonized my mind
descended my skill.
And confining me to fork and knife,
Yes, it is true that this
Is the story of my life.

She who was pressed from all sides
remained victorious in her spirits
overcoming her fetters
giving wings to her mind.

She, the nucleus of our society
deprived of her living,
with a tormented mind
and  fractured  within her own kind.

If she tends to be so weak,
Then the future of our country is bleak.
Graff1980 Sep 2018
A small pale faced figure stands, enshrouded in darkness, while a hauntingly sweet song softly echoes through the cave.

“There’ll be days
precious moments
see them sunning
by the bay
till, the sea
sees the star light,
blinking angels
dissipate.”

Somewhere in this sightless void a larger form slumbers. Moans of agony pass this man’s parched parted lips.  Tears moisten his painfully swollen face. The stench of sweat, *****, feces, and fetid breath fill the air around him. An alarm sounds as the last battery from the compact heater finally dies. Sloan shivers as the temperature within the cave begins to drop.
Mother mercy watches with a well-practiced stare of concern. She slides a thin, torn, and brown stained sheet over Sloan’s shuddering body. It does little to comfort the sick man. His ragged breaths slowly shift to slightly less raggedy breaths. Mother Mercy watches for a few more moments to make sure that he will not die, then settles down in a corner for the night.
Electric dreams of long ago float in the forefront of her mind. A bone thin boy of barely teenage years stumbles into a broken-down building that was once the Canadian Gazette. Stray rays of light from an overhead window brighten the small room, illuminating gun black filing cabinets, and dark wooden cubbies, colored with well-worn grey paint, which hold crumbled bits of old newspapers; One of the papers read, “Mass Methane Leak Poisons Ground Water and Air”.   Each step stirs up dust causing him to cough. Mother mercy can hear the congestion in his cough and see the fever in his scarlet flushed face. His eyes are a rabid red flitting left to right, searching for any sign of danger. A loud noise causes him to flinch. Mother Mercy moves forward, trying to speak to the boy, but like a doe sensing danger he prepares to dart.

She finds her voice. “Please. Do not leave. I can help you.” She pleads mechanically.

He moves forward, tentatively attempting to touch her. She can see a sharp scar that runs from under his right eye down to his thick dry cracked lips. He tries to speak, exposing his yellow and browning teeth and the many gaps therein.
Suddenly, daggers of light push past and through his young body. He does not cry out, but merely succumbs to disintegration. Then……
Then Mother Mercy awakens to a new morning. Waves of light bring the cavern to life.
Sunshine moves in and across the cave to expose uneven earth, and a dirt encrusted cave wall, which is oddly void of any insect life. Her hazel eyes quickly adjust to the oncoming onslaught of daylight. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls in an unsteady rhythm, which is all she can really hope for.
She slides dark brown locks of long hair out of her eerily symmetrical face. She brushes the dust off her tattered tan coat, and her holey faded jeans. With a couple of rapid sweeping motions, she removes almost all the dirt, and pebbles from the breast of her inner shirt.
Off to the left of the cave, and still covered by shadows a small machine awaits her inspection. She examines each tube, cord, and gauge with a military proficiency. Then using the jury-rigged straps, she places the machine on her back. Heading out of the cave, Mother Mercy stops, picks up the batteries from the small heating device, and checks Sloan one more time. Finally, with her bare feet fully outside she sets off for the day’s labor.
The sky burns a bright orange interrupted by barely perceptible vapors of methane, and bluish grey cotton clouds. Despite the splendor of the morning there is nothing but silence; No dogs barking, or bees buzzing about their honey making business. There is no life to be found except for minor patches of multi-colored fauna that are randomly situated along her route. So, Mother Mercy breaks the silence with a song.

“There’ll be years
yarn unspinning
as we stumble
towards our graves,
but the seconds
in-between breaths
are what make
this life so great,”

A few miles along the way, she stops singing, and begins to check the tiny traps she has planted along her daily path. Each carefully constructed device is sadly empty. Three or four more hours after that the silence evaporates and she can hear a small stream of water running. She stops and stares down at her bare feet.

“There is something I forgot to put on my feet.” She queries to herself while continuing to walk.

A few moments pass as she puzzles out the minor mystery. Once she makes it to the edge of the stream, an awkward smile fills her tiny round face. Mother Mercy removes the machine from her back, letting it fall to the ground. It makes a loud thud and sinks several inches into the slightly softened earth.  In a movement so swift human eyes could barely perceive it, she jumps up, rising several feet in the air while crossing a considerable distance, and finally lands in the stream. Soft sizzles sound from her bare feet, as she slowly grinds them into the mud. Then Mother Mercy sloshes sloppily out of the water wearing a thick layer of dark brown mud on her feet.

“Of course, how could I forget. I need mud to cool my feet.”

She walks back to the machine, pulls it out of the ground with ease, and returns to the stream. Next, she submerges the device. Waiting till it is completely full of water, she pulls it out, and begins fiddling with knobs and switches. She waits as the water boils, completely evaporates, filters, cools, and finally condensates back into liquid. Deftly, she removes one of the filters and shakes out all the unknown particulates. Then she opens a tiny compartment, and places a small sensor device within in the water to check its quality. After a satisfactory reading she places the water filtration system back on her back and heads down a different path.
The mud on Mother Mercy’s feet dries; Dark brown shades lighten, crust up and chip off in little flakes. Irritated, she begins to slide her feet through the almost nonexistent foliage to scrape off the remainder of the drying mud. With each small patch of grass Mother Mercy moves her feet faster and faster. Her left foot flows back and forth with incredible speed and strength. There is a loud clink and a chipped piece of rock soars across the air.
In puzzlement, Mercy stares down at her foot and finds that it has split open. Red and black fluid streams from the seam of torn skin, which expands and exposes metallic bone. As she moves, the wire insulation from within her foot ruptures, revealing cheap copper conductor. The hot metal sparks, lighting up the methane in the air. A scorching white, orange, and bluish outlined fireball expands with enough force to launch Mother Mercy up and back off her feet.

She hits the ground hard, and curses,” ******* methane!”

White synthetic skin begins to melt, shifting and swirling into grotesque shapes, and darker shades of red. Mother Mercy rises, unsteadily. Wincing in pain, she unloads her heavy water filter burden. Again, she checks all the tubes, cords, and gauges. What was once a thing of ease now becomes quite burdensome. She places the filter system on her back again, and resumes her journey. The red and black liquid continues to leak. Each steps becomes slower than the last. Until, she reaches her destination. Mother Mercy collapses next to a series of solar panels. With what little strength she has left, she detaches one of the charged batteries. A look of distress crosses her already agonized face.

“I’m sorry.” She softly sobs to herself. “I need this one.”

Mercy pulls a flap of skin from the right side of her waist. An intricate maze of wires, metal, and fake flesh pulsates. Her hand plunges deep within the slimy cavity, twists, and removes a damaged battery. It is bent, and cracked leaking a thick acid liquid which viciously burns her hand. She tosses it aside then slips the unbroken battery inside the cavity, twists it, waits for the click, then removes her acid, and viscous liquid covered hand.
The synthetic skin slowly starts to unburn, shifting in reverse till it returns to its previously pristine quality. Her foot begins to pop and all the parts snap back into their original place as the split skin slowly stiches itself back together.
Mercy harvests the rest of the charged batteries and places the used ones in their charging slots. Finally, with the days labors done she heads back to the cave.
Once she is at the cave she washes a stray rag. Then cleans her hands. Cradling Sloan, she slowly serves him some water. Once he has had his fill. She gently rolls him on his side moves his shirt up searching for any sores, then proceeds to softly scrub them. She rolls him in the opposite direction and repeats the process. Then she checks his inner thighs, and **** cheeks. Sloan winces in pain but remains quiet. She gently lays him back, and rolls up his pant legs, washing the bare skin which is littered with more nasty sores. She finishes by washing his face, hands, and his feet.  Finally, she sends him to sleep with a sweet song

“and the children
that we leave
littles daughters
full grown sons
are like blooms
that lose their trees
as our roots
wither and flee.”


Mother Mercy is consumed by an unnatural fatigue. She resists slumber for a few minutes, but inevitably succumbs. Everything becomes nothingness, then changes to nothingness with dizzy brown spots. Yellow sparks split from the tip of her consciousness. The darkness dissolves and becomes the cave again. Small streams of water worm their way in from the cracks on the wall, which seems to breath unevenly. Suddenly she realizes the cave stinks like sewage. Fresh wind works its way in then blows out a stark stench of rot. Each exhale sounds like a human moaning in pain. The last flickers of light die a long-protracted death.
A wheezing breath stirs Mother Mercy from her dreams. She awakens quickly to see Sloan gasping violently.  She rushes to his side, and sees a thick yellow and greenish gooey fluid mixed with blood sliding down the side of his jaw. With her left arm she flips him over holds his upper body inches off the ground, wipes away the disgusting fluid, and checks the abscess with her free hand.

“Spit it out.” She pleads.

Sloan continues to gasp. Tears swell but refuse to fall.

“Pleebees, helpep, me.” He struggles, coughing violently.

Mother Mercy cradles him in her arms, singing,

“Till, the song
that I am singing
becomes the song
that they passed on
and the love
that I was bringing
are the wheels
that just roll on.”

Sloan, gasps and wheezes for several minutes more. Tears and sweat fill his face.

“Mob where’s my mob?” He cries between gasping breaths.

Two hours later slumber finally reclaims Sloan. An hour after that Mercy gently places his pained body back into its original position. After another half an hour she to surrenders to sleep. She sees nothing.

A stern voice commands,” **** the enemy.”

Mercy cries in response, “There are no more enemies.”

Mother Mercy awakens to a new morning. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls. She wipes off a spot of pus and blood left over from last night’s abscess leakage.  The swelling has slightly receded, but his face is still feverishly warm to the touch. She switches out one drained battery from the heater for a fully charged one then grabs the water filter, and heads off to start the day’s labor, singing.

“So, goodnight
little planet
precious place
that I lived on.
I know you won’t
miss me one bit
but I was grateful
to call you home.”
Valsa George Sep 2017
Once I have been to that city
the city of ritzy splendour,
of hoary grandeur,
a gargantuan pile of steel and granite.
It stood an enigma
on the banks of Hudson,
lulling the waves to sleep
in the garish light of neon bulbs
with an eternal tumult
heating up its nerves

Walking down its streets alien
scenes eerie scurried past-
Men and women-
of all climes and continents
all ethnic denominations,
all shapes, sizes and colours,
blonds, brunettes,
blacks and whites,
tourists and nomads,
in flashing styles
outlandish costumes,
tonsured, dyed
and tattooed,
on shoulders, back and chest
with bizarre shapes,
Some dressed from top to toe
many bordering on ******,
splurging with life
feverish and frenzied
speaking different dialects,
some tall, some lean, many obese
trundling down busy streets
that never go still
with sleep and awakening
but action, commotion, agitation,
where each day is an eternity
and each night- a New Year’s Eve
where business runs without pause
rife with sounds and noises -
the incessant roars of fevered minds
muffled, stifled, excited, agonized
mixing with music flowing from concert halls
merging in sounds of siren
and speeding traffic
A banal hubbub-
A hoarse discordant clamour!

I passed through avenues
where sky scrapers
huddled together on either side
where once stood the Twin Towers
stabbing into clouds –
those titanic monuments of Yankee pride,
one day raced down to Ground Zero
where terrorists wreaked havoc
and wiped thousands unwary -
still frozen in the dark memories
of that day light nightmare!

Passing down Wall Street,
the nation’s Money Mart
that spawns an industry
of ruthless dreams and fantasies,
I saw,
the mammoth Bull, charging feral
under whose crushing hooves
many fall dead
and rise again like Phoenix
or soar into indefinable heights
or bury their dreams ever
under the sod.

Broad roads that stretched endless
seemed to lose themselves
like the mazy tangle of complex minds,
and pavements
littered with a thousand moving feet
Men and women in pairs,
hand in hand,
lip to lip,
bodies entwined
seen in beaches and parks
in whose brain
Marriage- labelled an anachronism!

In these hurricane of faces
with fleeting passions
or fixations of their own
What chemistry could I discern?
A zest for life--or its absence?
A search for a life lost in living?
A fight for survival
Or
A passive surrender to the inevitable?
I do not know—
I fail to define
I fail to divine.
Here the city is described as many faceted because in New York, one can see a larger medley of men of all countries and climes and their differing fashions and fads than in any other city of the world. Here perhaps foreigners outnumber the New Yorkers! This is one of my old writes holding the raw impressions of one who felt suddenly thrown into the midst of a sea of people and cultures

When one roams through the streets of Manhattan, one can find the city racing at a maddening pace, with a never ending parade of personalities. I found it impossible to fully digest, or keep up with...but, there was indeed an underlying heart beat which pulsated fluidly and offered the very lifeblood to those who sought a cacophony of culture and creativity.  It was overwhelmingly abstract, but it extended a welcoming sign to all. At the same time one would feel so lost amid the titan towers of marble, stone, steel and glass.  This has been my experience when I.... from a semi urban town from South India with no much exposure, saw New York City for the first time!
Jessica Jones May 2014
I've been listening to music.
I've been striking up conversations.
I've been avoiding any sort of reality.
Because....
My grandpa is dying.
Fading away from the vital jokes and squishy hugs.
Lying in his bed with his brown skin turning pale as the pages of a book.
That is nearing its end..

I've been walking around aimlessly remembering the time, when I went through the same thing with my grandmother.
Visiting in the night, on the day..
that they'd pull the plug on the machines that were keeping her alive.

She was in so much pain for so long...
For months it was inevitable,  yet
that big heart of hers wasn't enough to fight another hour.
Disgusted with myself because I was praying that she wouldn't die on my birthday.
Because I'd hate the thought of living after then if she did.
Selfishly not considering the pain she was in all along.

Her lungs were failing as a tube made a temporary home in her throat so she could breathe...
Her heart was failing and her doctor  was kind.
Trying to ease her passing and made sure she was alive until all of us made it there to:

How sick is this...

For us to, "see her off"

Her skin turned yellow and empty like a living corpse...and her breathing was helped by a mask.

As the minutes went on.
And I told the current event to my friends in different time zones...they let me bare my tears across a small screen as I'd write to them with blurry eyes and a heavy heart.

I never knew that knowing when someone you loved die could damage you so thoroughly.
Friends staying awake to 6 AM.

And when she has minutes left on her clock.
That painful silence..
Was the sound of a broken heart..not like glass..but an agonized scream inside.
Unable to openly mourn for her you lean against the wall and cry until rivers grew jealous.
Alexander K  Opicho
(Eldoret,Kenya;aopicho@yahoo.com)


Sembene  Ouasmane the son of a fisherman
the son of wolof tribesmen the owners of Atlantic
you are a bad liar, my kinsman and foreman
why didn't you wait for me to grow  up
you only belied to me for your to die earlier
i begged for your pipe for i also to **** it with passion
you told me to hold on until i grow up
only for you to accede to July death in 2007
i am tortured in this life  without  without you
agonized by daily chores without a glance at the fume of smokes
being blown from the magnificent ceramic pipe on your mouth,
i wanted you teach me what Maxim Gorky and Emile Zola taught you
i wanted to learn from you what you learned at the Moscow cinema school
was it cinematographic Marxism or filmographic socialism that you learned?
i wanted to get you alive so that we can sing together the songs of Cedo and Xala,
why were your gods collecting the pieces of wood; was it humility and humanism?
I wanted to see the powerful words of human side of governance
coming from you sober gentle mouth onto African plateau
that is replete with commonaplace selfish power struggles,
i will build a monument in respect of your service to African literature
and your service to protection of humanity;both Arabic and African
your service to humanity as you forgave a French woman who stole your book
only to publish it under her name in a dint of ****** wham pam pams.
Brent Hamilton Oct 2013
Perched beneath the weeping tree
to signify the things that be
Left alone on a moonless night
the branches here have caused a fright
To shadow flee, and darkness wrought
here, and hither I am brought
Weeping on my knees at last
turned careless as it’s come to pass
Still here I lie beneath the day
seeking to unwind the fray
Of troubled thoughts housed within
my secrets crossed my body thin
Here I lie my soul held high
I pray the Lord will let me die
For here to death what graver day
what blessed respite, what truer way
Than to lay my cares all here,
but it’s death alone that I fear
Solace fleeting catch here nigh
but soul it seems at last will fly
Here at this tree i tarry still
the branches swaying, my body nil
For here I am condemned to be
ever pupil, never free
Till death at last his cold embrace
seeks one day my tired face
And then he will draw more nigh
no more, no more will I decry
I do not wish this upon another
my lot is here, I will go now, under
To bear the burden for a friend
his thoughts, not mine my soul is weighed
A burdened path i do now tread
seeking to find a weary thread
Woven through my pages thin
death here no more taunts me with sin
For i lie here, no noise, no din
your shadowy form is on the tin
Where the lattice & the fountain sweat
the fish dance in their own way
The aimless turn, turn and sway.
the red light high, the shadow falls
The anger swept, the raven calls.
Each feathered wing, from tip to tip
the candle wax begins to drip
A patterned verse all carefully crafted
this shadow falls, unmasked and tattered.
It seems to follow, despair and dismay
the light it fades with every passing day.
Each tear you cry it freezes in time
for the days go on, but this place is mine.
I cry aloud to find some solace
from this quicksand I would fly.
To wave my hand, wave it goodbye,
I must at last, I lie, I lie.
The shadow still, it stands and stares
I know not why, it harshly glares.
But ere I despair my gaze it shifted
And from the dust, my eyes I lifted
and saw a light though dimly burning
and my eyes again, again are turning.
Each feather falls, like eagles soar,
we scream at the clouds, they drop no rain
will nothing now ease this pain?
I saw a light, I know tis true,
I’m not alone, I won’t stay for you.
Fell shadow my fear you no longer own
for this dim light at last has shown
you for what you really are,
cast and crown you’ve fallen far.
Yet to show with compass rose,
where these shadows their road they chose.
But sinners still continue on,
I lie here, now and anon.  
Shadows torment and follow still
but they cannot my Light ****.
For ever since I caught a glimpse
I know my savior will draw nigh.
The light has come the shadow past
I will not stop ere day is cast.
For darkness hides and tides they break,
but nothing can my soul take
for here I lie, my mind’s made up;
I’ve seen the light the shadow’s cup
at last has dried, no more to fill
until the day has drawn at last
for me to lie here, the die is cast
I lie and dream no more to seem
a wanderer or a cloudy morn.
From me you flee, I carry the light
Through your fear I never shall be put to flight
For you have chosen, marred and crippled
to sit upon this floor, and listen
to my screams my agonized wails
and feed off my hunger, my scorn, my travail.
Seemingly no more to ride,
I travel on, through speedy decline.
Your mount is here, though fixed I am not
I move around like a twig torn down
Blown about by winds and tides,  
Shall I ever see the waking bride?
Or am I doomed at last to flee,
seeking for the blessed shores of eternity
finding no rest in mortal man
no friend to call brother, no place to bed
For if you my darling I shall wed,
fair Light you always were the prize.
You and I were made to be
One, and One in eternity.
How far we’ve fallen you and I,
still from these dark shadows I will hide
as the courage swells within
I know who I am called to be
my skin still stretched tight upon my bones
my teeth chatter, my nose it scorns
Though from behind I see the sneer
it follows still, ever near.
Oh blessed Light, come and shine
you make the darkness blind.
For in you there is none of it
at last in you I find my niche
for here no more need I fear
You ever, ever draw me near
and here I’ve found, no more to flee
I can rest my soul in Thee.
In Sicily Aeschylus agonized on the island of Gela, like an isthmus between two seas that led him to the God Dyonisius through the Hadic Speleothemes, here this god entered the skené of Euripides and Sophocles, under the support of Dyonisius and the father of Aeschylus; Euphorion of Eleusis. He was on his way to Gela when he was rammed and crossed after the temporary repercussion of Offensive on Salamis, meeting Wonthelimar and Vlad Strigoi as they prepared to head to the Cavern of Dionysius. The most unlikely of this parallel sequence stems from Dyonisius's spell of necromancy as he summons alongside them to lead them into the cavern. The scene or triple skené became feasible when Vernarth bilocated three times next to them scalding the campfire from the edges of the Profitis as if it were a lantern that flashed micro lightning, to reconvert the bilocated lights of Syracuse with those of Patmos simultaneously. Vernarth rises from the northeast edge of the Koilon of his theater and leads them with his incantation:

First Scene Dyonisius: “he was coming with his car of Thespis, with sparks from Catania, where he noticed that ***** of lightning appeared flying from the ether, and above them a triple frequency that acclaimed joining Wonthelimar and Vlad Strigoi. In concomitance, he rushes to Syracuse traveling at high speed, rising to the third light of the Menorah from left to right, in such a way that his horses squandered the fire on the golden grass.

Second scene Aeschylus: “he was going to Gela, brooding along the way with his reckless time, freezing the will that called him at that moment, and that yelled at him like Anthropokairós, deriving from his remaining spiritual memory, which warned him to do what made in a dreadful deleterious past. Avoiding him with their stiff arms when the ***** of lightning, they fidgeted to enter the scene of Salamis where he dealt with the Achaemenides.

Third Scene Wonthelimar: “he was with Vlad Strigoi, and this one next to him smelled of sulfur that he experienced with the closeness of some of them, who had already had a deal of caste and exultant existential drama. They were swiftly crewing with their transient elytra when they received the ***** of lightning, which were energetically prodding them"

Aeschylus was going to agonize Gela, after not doing it in Salamis, with some disappointment and supposedly having revealed the Mysteries of Eleusis, but he was not! Eagerly spurred on suddenly shook him when Vernarth bilocated appeared before him, broadcasting episodes of the sixteenth century, concisely from Fray Luis de León, regarding the Song of Songs who appeared from the ether passing through the triumvirate of lightning bolts that had him blown Vernarth, to show him his epitome of quantum parapsychology. When both were subjected, Aeschylus briefly understood that he perceived the judgment of Fray Luis de León by the Inquisition, for his ****** and philosophical expressions of character with his elevated prose. The dramatic anthology of Aeschylus, directed him to his Necropolis of Pachyderm in Gela, by abandoning the pairs of legs and arms of him. In the meantime from the agon or contest, Dyonisius snatched his Kairos as a singular man, and commanded the Hadic Speleothemes from where Wonthelimar came, to refer to him, just as he did with Euripides and Sophocles with the everlasting Frogs of Aristophanes. The parallel sequence of the trilogy characterized in Aeschylus continues, to end in the skené or culminating period, to receive on his head the inspiration of Vernarth's ball of lightning, already united with the three parts of him! The three scenes are combined with the interference and parallelism of Dyonisius, who exhorts them to go with them through the Speleothemes, thus making sure to save their celebrant souls and their anti-myths, who would unravel with this satirical drama with the batrachians, as a Vernarth's invitation to shake the destiny of each one of them towards a caustic reality, which breaks the man close to his agony, and in his proportionate death revealed as an existential tragedy close to the Anthropokairós omega. Therefore the destinies were stressed in three scenes that would be coupled with that of the axis of support of a death not specified by several that would continue with the same perenniality, in the company of Euripides and Sophocles, with the ballads of the batrachians of Dyonisius to enchant them as subterfuge and didactics, so that once they are captured in the gallery of the cave, and that they would be convinced with greater persuasion. The three scenes were made as one under the precept of Dyonisius, to adhere to them in the next before the Spinalonga parapsychology room, where three scenes would make tragedies and fables, which would follow from the throne of the stands with thousands of deceased who wanted to hear and re-listen from the underworld of the Speleothemes, going towards the Viaduct of Patmos.
Dyonisius Tespis
Time has put a vagrancy on my mind

Subdues conformity and material worship

With scalding epileptic convulsions of imagination

My mouth blood-stained, shrieking like a pianting

A painting by Munch gives way, yields, yes yields

To an unrelenting detonation of the unconscious

An existential filter of real or imagined transformations

Which by miraculous tongue restores a belief

To wonder and levies no compass on perception

Yet reveals a tormenting estrangement

That does mount a strenuous and contemptuous protest

Against familiarity with agonized shrieks of obdurate tenacity

Where the phantoms of my imagination enact their mysterious mysteries

And produce a poetic alchemy of violated imagination
crybaby911 Sep 2015
My heart aches to be loved
To be moved in many ways
But my feelings were always shoved
Into the dark, excruciating haze

I want to feel something
Anything in fact
But my heart is on a hinge
Feeling numb, my emotions going blank

It's cold in here
Filled with my salty tears
It starts to beat slower
Breaking into large shears

I barricade myself
Afraid of being loved, not being hurt
My feelings bailed
Saying I'm a curse

My feelings back stabbed me
I feel so paralyzed
Now I know, now I see
It's my own personal sign

I wasn't meant to be loved
No man can fix my agonized heart
It's never going to be enough
To fix what's been long broken and deserted.
Mikaila Mar 2014
I always wonder why it is
That seeing someone else's tears
Creates such awe in me.
I want to ease your pain
But I am also
Transfixed by it.

The mask slips
When people cry.
The seams rip
And all of a sudden parts of them
That are never meant to be seen
Writhe in the light,
Raw and agonized and
Beautiful
As hell.
I do mean that- hell.
It is both
Divine and perverse
To witness someone else's pain.
I always hold my breath
As if I could shatter their soul
Just with the knife's edge of my gaze.

When you cry
Most people politely look away
For their own comfort
And tug their disguises closer,
Check their pinnings
Reminded of their fragility
By the gauche display
Of yours.

When you cry
I
Freeze like a photograph
And I see you as a child
I see you as a god
I see you
As a rainstorm reaching its fingers across
All the ugly concrete and glass we build
And getting inside
Underneath
To make the trees bloom.
When you cry
I see you like I see a painting
Hung in a museum so quiet you want to hush your heartbeat
Just to keep the stillness electric.
When you cry
You are so bright that when I glance at you
And look away
I am blind for a moment.

There is something about seeing that loss of control in another person
That one second of utter truth
The brutal, consuming honesty that comes with tears
That reaches inside, for those who dare let it,
And wounds exquisitely.
There is a bare second
When the part of them that recoils from the light
Clasps shriveled hands with the answering piece of you
And both hurt-
To see and to be seen
But that moment
Reminds you that you are alive
And
Why.
I
There is a terrible existence within me

A tortured skeleton, an ossuary of disturbance

It glamours at my skin, it listens, it listens

Where hunger speaks of canibalism

And scratches at the stone floor of my chest

In blurred echoes of a censorship

That erases occurrences on a Ducassian

Dissecting table with an infinite whisper

Of morbid intention in disordered silence

Shouts with immense calibrations

Its pale impatience, its pale impatience

In agonized incantatory obduration
So, this is how it ends. In the tests of generous love, we defied all of mankind, but something in this heart of mine is telling me it’s time to stare down the eye of destiny.
I’ve hunted black holes of silence to find peace, and in turn that darkness has swept me into an unshakeable fever. I feel like I’m forever breaking. I feel like I’m always digging for the feel of something new.
When the silence of the world holds me, and when I am agonized with disquiet, I find myself thinking the good times may never come back again.
There’s a specific, maddening breed of danger out here on the edge, and final understanding.
Sitting here with my feet dangling into the void, I’m watching the sun crash from the sky into the horizon, and there is golden fire sailing along the edge of the mountains.
I know the echo that is love; I hear its brontide footsteps fading into the faraway distance, as if somebody is slowly turning down the volume.
Like a machine shaking and shuddering with voltage, I’m giving in to whatever moves me.
Whatever moves me.
Cole Hearn Sep 2015
Hello in there little valley,
Would you have been a girl or a son?
**** you out wired before you become
a little mighty beloved someone.
Perhaps we have too much power,
She agonized for hours paying forward her own pain,
Our conviction was defeated
***** smoky dripping fire.
The ride home she sat paralyzed,
Puffing *** popping energy shots.
I promised I one day would take her to the city,
We're married and here we don't even notice,
No red river valley no, no freethought forethought can be seen,
The air smells of bloodsuckers and conceptual difficulty.

We go back to southern country,
Cuddle upset goodnight,
I fondled her lace pajamas,
Got the both of us feeling right.

— The End —