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1d · 78
Far from Home
I was 11 when he married her.
I remember thinking I’d be fine.
I thought I could handle it—
handle her, handle him.
But that’s the thing about 11—
you still believe things are supposed to work out.
That people who say they love you,
actually do.

I left for boarding school a few months later.
Not because I wanted to,
but because she said it was better that way.
She said it would be easier
if I wasn’t around,
if I wasn’t so complicated.

They never called me.
Never came to visit.
When they did, it was always her—
her smile too tight,
her love too sweet,
like she was trying to convince herself
that I wasn’t a problem.
And I knew—I always knew—
I wasn’t wanted.

At first, I pretended like nothing had changed.
I pretended to still be part of the family,
like I wasn’t living in a house
full of people who weren’t really mine.
But then she started making rules—
rules about what I could say, what I could do.
“Don’t make things awkward,” she’d tell me,
when I just sat there,
shaking.

I could feel the panic growing,
a buzz in my head that wouldn’t stop,
like my skin was too tight
and my chest was too small
to hold everything inside.

At first, I ate because I had to,
because it was expected.
But then I started skipping meals.
Then it became easier not to eat at all.
The hunger felt like control—
something to grab onto when everything else was slipping away.
It wasn’t about being thin.
It was about being nothing.
Because nothing felt better than this constant, gnawing emptiness.

When I came home on holidays,
I barely touched the food.
I’d sit at the table,
pick at my plate
like I wasn’t starving inside.
I told myself I didn’t need it—
I didn’t need anything.
But my stomach would ache,
and my skin felt too tight,
like I was holding onto everything I wasn’t
and trying to keep it inside.

Her kids would call him “Dad”
and I wouldn’t say a word.
I wouldn’t say anything.
Because everything I wanted to say
would sound like a desperate plea—
please don’t leave me out,
please notice me,
please love me—
but I couldn’t make it stop.
I couldn’t stop needing him.

I remember walking through the door at Christmas,
bags still heavy with the weight of the drive,
and the smell of their dinner
sickly sweet in the air.
Her kids were already at the table,
laughing about something I didn’t know,
something I wasn’t part of.
They didn’t even look at me.
And I didn’t look at them,
because I knew what would happen—
they’d say something,
and I’d say nothing,
and she’d get mad
because I was “too distant.”

So I sat in the corner,
fading into the background,
just another shadow in the house
that wasn’t mine anymore.
I wanted to scream,
but I couldn’t.
Because if I did,
he’d look at me with that sad, apologetic look,
and she’d stand behind him,
looking at me like I was the problem.
She always did.

I stopped eating again.
I stopped feeling hunger—
just this emptiness
that felt like it was made of nothing
but air and anxiety.
It was like everything in me
was too loud,
too much,
and I had to turn it off.
I wanted to disappear
because being here,
being visible,
hurts too much.

When I went back to school,
I didn’t even feel like I was leaving home.
Home wasn’t something I had anymore.
I had a room with my name on it,
but it wasn’t my home.
I had a body that didn’t fit,
a mind that never stopped screaming,
and a heart that couldn’t stop wanting
someone who would never choose me.

The only time I felt like I was wanted
was when I wasn’t there at all.
When I was invisible.
When I didn’t have to be anything
but the silence in the room.
You let her send me away.
Packaged like a problem,
stamped and shipped to stone walls and strangers.
She smiled while sealing the box—
said I’d “thrive” there.

You nodded like a marionette.
String for a spine.
Silence for a mouth.

I was eleven.
She was already calling me a burden,
a shadow,
a stain on her perfect white tiles.
She called her children light.
She called me that girl
Like I was mould on the corners of your name.
You let her bleach the love out of you.
Now all you wear is her voice,
and it doesn’t fit right, Daddy.

You used to tuck me in with your rough hands,
tell me stories in a whisper only I could hear.
Now you only whisper to her,
when I walk in the room
And she slices me apart with those sugar-coated teeth.
She cuts me with compliments,
leaves me bleeding in apologies.
And still—
You nod.
You nod like a broken clock,
ticking to her every word.

Your house is full of sunshine now,
but it burns me.
Her kids gets smiles,
presents stacked like towers,
laughter as loud as fireworks.
I get a one-word text on my birthday.
Happy.

She breaks me, Daddy.
She breaks me with a voice that drips syrup
when she’s sweet to them
and acid when she speaks to me.
Her eyes scan me like a mess she forgot to clean.
And you—
You just stand there.
Are you made of wax now?

She hates me for breathing.
You hate me for reminding you I exist.
Boarding school is her win.
Her exile.

You said it was “for my future.”
But I know it’s because I didn’t fit her furniture.
Because I looked too much like your past.

And I swear—
Everytime I come home,
your love is like a museum exhibit.
Do not touch.
Do not ask.
Do not remember.
But I remember, Daddy.
I remember when I was the light in your eyes.
Before she turned them to mirrors.
That only reflects what she wants to see.

So go ahead.
Tuck her kids in.  
Call them angels.
Give her the keys to your spine.
Build your kingdom of pretty lies.
But know this—
One day, I’ll stop knocking.
I’ll stop writing.
I’ll become the ghost
You were too weak to hold on to.
And when I leave for good,
You won’t even notice the silence.

Daddy,
you let her **** me with words,
and you held the knife.
My assessment at school is to rewrite a chosen poem as if I’m the original writer— I’ve chosen Daddy by Sylvia Plath, so this is my version of her poem. Feedback would be amazing.
2d · 44
Girl in Pieces
I do this thing
where I disappear.
Nothing new. Three times now,
maybe four.

It’s a hobby,
like scrapbooking,
but with my own silence.

The first time,
they said it was hormones.
The second, attention.
Now it’s just
a phase I’m nailing.

I’m very good at it.

Every morning,
a resurrection.
Lipgloss.
Mascara.
Shaky hands. Ta-da.

Can you hear the applause?
Neither can I.

The skin’s still here.
So is the mirror.
And the voice that tells me
not to eat,
not to speak,
not to exist so loudly.

They call me dramatic,
as if pain
needs a spotlight.
As if I don’t bleed
in lowercase letters.

I joke.
I wear band shirts.
I make playlists with
no happy endings.
So aesthetic.

And they love it—
like how I perform survival
like it’s a talent show.
“Such a bright girl.”
“Such potential.”
As if I’m not already
writing my vanishing act
in invisible ink.

There is a kind of power
in being looked at
and not seen.

Do you know how it feels
to scream into a pillow
so well it forgets
how to echo?

I do.

Dying
is an art, too.
But living—
living is the part
I haven’t mastered.

Yet.

— The End —