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"wallets" poems
The beauty of comatose can only be seen through the eyes of a wizard in a blizzard strutting in garlic slippers, or Christ with knees bent at the tabernacle peeling bananas and kicking prayers farther than eternity with each gapping second, or like Basquiat slumped back to the wall, with ounces of speedball dancing through his veins, eating 80’s free-based fried chicken *******   as his eyelids paints beautiful nightmares of lemon flowers and Bacchus bacon over a glycopyrrolate desert of flagrant cuckold buffoonery. Or like leprechauns burning chocolate ******* candles on the mantle of Zion, sipping oatmeal sprinkled with Staten Island malt liquor bacon. or like Tupac reading the thoughts of Mother Shipton through the daze of California cannabis and hearing the ominous voice of Plutarch sing death assignments from heaven to Assassins on horsebacks goggling ***** water to wet the dry bones of their throats as they prepare to fulfill the gospel of self-fulfilling prophecies of being fell by ***** bullets. Or like sophisticated wallets of spice and kitchen characters in a bald head cooking chemical kisses and 18 February nights under Moloch’s skin, where constitutions are written in charcoal diaries with Egyptian ciphers and razors. “I had rain sowed into the pockets of my sneakers and composed 1310 eulogies at the basement of king David’s tower,” said the Kraftwerkian caricature, as he dangles cigarettes in remembrance of Klaus Nomi and philosophizes on the proliferation of poetic vandalism at urinals where modernism failed under the phosphorescence of coloration at the avenue of no trees where Picasso's "Guernica" **** Lies All.
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Jul 17, 2012
Jul 17, 2012 at 6:01 PM UTC
Stream: the 13th love song of Alfred Prufrock
The beauty of comatose can only be seen through the eyes of a wizard in a blizzard strutting in garlic slippers, or Christ with knees bent at the tabernacle peeling bananas and kicking prayers farther than eternity with each gapping second, or like Basquiat slumped back to the wall, with ounces of speedball dancing through his veins, eating 80’s free-based fried chicken *******   as his eyelids paints beautiful nightmares of lemon flowers and Bacchus bacon over a glycopyrrolate desert of flagrant cuckold buffoonery. Or like leprechauns burning chocolate ******* candles on the mantle of Zion, sipping oatmeal sprinkled with Staten Island malt liquor bacon. or like Tupac reading the thoughts of Mother Shipton through the daze of California cannabis and hearing the ominous voice of Plutarch sing death assignments from heaven to Assassins on horsebacks goggling ***** water to wet the dry bones of their throats as they prepare to fulfill the gospel of self-fulfilling prophecies of being fell by ***** bullets. Or like sophisticated wallets of spice and kitchen characters in a bald head cooking chemical kisses and 18 February nights under Moloch’s skin, where constitutions are written in charcoal diaries with Egyptian ciphers and razors. “I had rain sowed into the pockets of my sneakers and composed 1310 eulogies at the basement of king David’s tower,” said the Kraftwerkian caricature, as he dangles cigarettes in remembrance of Klaus Nomi and philosophizes on the proliferation of poetic vandalism at urinals where modernism failed under the phosphorescence of coloration at the avenue of no trees where Picasso's "Guernica" **** Lies All.
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28
Fear too is an epidemic, it stretches out like An incubation period for a kind of doom Population control, whispered a silent elite Who engineer our wallets, our GMO food, our futures Ebola was a convenient way, of making us fear Who we once were again, black as a Nigerian We died alone in deathbeds, isolated plastic containers For who we once were, our organs giving out Infection was a spider hand, MSM gave us False positives, but could the main-stream-media Be trusted any longer? Wasn’t this just a matter Of time, an algorithm set loose upon the billions? Fear is that place, where people go in adversity It’s hypnotic like an audience at a concert It’s contagious how the will for self-preservation can spread Fight of flee, but where to run, out of the cities? The new normal is a kind of paranoia While we watch the situation very closely Every hour there is underground news about Another case in another country, Ebola isn’t Your grandmother that only likes good climates She’s an engineered hypothesis of how mobility Causes any true pandemic to become a flamboyant outbreak The comet that signals black plagues has been seen Fear too is a weapon, when you can’t stop the world Because it’s too costly to do so, and you can’t Tell the world not to fly because we’re too free We left Africa a long time ago, but who among us Would stand 20 meters from their open graves?
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Oct 18, 2014
Oct 18, 2014 at 9:22 AM UTC
Ebola, the 60% protocol
I don't live here I'm only camping On this planet I didn't plan it Yet I feel the need to explain it As the plaintiff To the sheriff Imposing tariffs Money is their concern While my emotions burn They are somewhat surviving At the price of dying That's the cost of lying It makes us stop trying Only commodity buying While silently sighing And violently frying Through fruitless searches No matter what we purchase Or how much we spend The gripping grief never ends When there are no hands to lend There are no problems with these items When we willingly refuse to sight them They are from where our problems erupt For we neglectfully allow them to disrupt The connections that our hearts yearn for And our wallets burn for When we spend our emotions on inanimate objects To avoid the intangible subject Of love We're frightened of phantoms A life heightened by tandem Is not in the cards We buy for each other They don't begin to cover The way we feel They are a shield For our true emotions Objects can't evoke one Yet that's our language for expression Consumerism acts as our lethal injection
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Nov 30, 2017
Nov 30, 2017 at 4:56 PM UTC
Consumerism
I'm not a writer trying to share a story, I'm a survivor telling you a true story. I'm not just a poet having fun and living, I saw bad things when I was younger. That was when things were harder. when women and old people were helpless and young people were hopeless. It was that time when good parents were powerless to protect their underage girls from **** and molestation at the hands of drugged-up child soldiers with bloodshot eyes. I did something other boys were too scared to do, I turned into a man and took survival into my hands. It was that time when men and women used the same place to bathe and go to the loo. I saw many many hungry people eating palm cabbage and wild grasses malnourished children and dying people. I saw hands chopped off with cutlasses. I saw thousands of families separated and fathers killed or incarcerated. I saw silly young men pick up arms and chopped off people's limbs like hideous things were their aims. I saw really bad things and cried to God for wings like an angel to fly away because I saw no other way. I saw people running to God and getting murdered in his church. I don't know, but he didn't say a word It's like He just sat down and watch? I saw bad things I planned my escape from poverty, from a war-torn country. It was that time when your parents, who come from the same generation as I, were looking up to their mom's for breast milk. It was that time when no one wore silk, it was a time of fear,it was wartime. It was that time when bullets determined eating time and bedtime. It was that time when pretty boys had nothing in their wallets. It was that time when PYJ ate dinner and played gospel on his guitar like he was our savior and not a sinner. © IvanBrooksPoetry 12/9/2018
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Sep 13, 2018
Sep 13, 2018 at 1:06 AM UTC
A Poet,A Survivor,A True Story
I'm not a writer trying to share a story, I'm a survivor telling you a true story. I'm not just a poet having fun and living, I saw bad things when I was younger. That was when things were harder. when women and old people were helpless and young people were hopeless. It was that time when good parents were powerless to protect their underage girls from **** and molestation at the hands of drugged-up child soldiers with bloodshot eyes. I did something other boys were too scared to do, I turned into a man and took survival into my hands. It was that time when men and women used the same place to bathe and go to the loo. I saw many many hungry people eating palm cabbage and wild grasses malnourished children and dying people. I saw hands chopped off with cutlasses. I saw thousands of families separated and fathers killed or incarcerated. I saw silly young men pick up arms and chopped off people's limbs like hideous things were their aims. I saw really bad things and cried to God for wings like an angel to fly away because I saw no other way. I saw people running to God and getting murdered in his church. I don't know, but he didn't say a word It's like He just sat down and watch? I saw bad things I planned my escape from poverty, from a war-torn country. It was that time when your parents, who come from the same generation as I, were looking up to their mom's for breast milk. It was that time when no one wore silk, it was a time of fear,it was wartime. It was that time when bullets determined eating time and bedtime. It was that time when pretty boys had nothing in their wallets. It was that time when PYJ ate dinner and played gospel on his guitar like he was our savior and not a sinner. © IvanBrooksPoetry 12/9/2018
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40
Funeral processions Spontaneous Money, Money, Money Bridges to Neverland should exist. Wedding party Music Fall leaves Breaks winter. Intuition floods the sauna of life gated in By the strong arms of the whispering trees. ******** profit, taking advantage of the sheltered Wallets of men plagued by the insensitivity and greed of the less mature. **** you, sir, for charging innocent minds and hungry souls To enjoy the entrancement of the world Far older than you
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Nov 29, 2012
Nov 29, 2012 at 9:59 AM UTC
Going Hiking
We sipped boulder rock from refrigerators doors and watched the heavens hand out food stamps with IBM logos. “ode to Mehmet” we sang, and licked the Mossberg— fixating on the blue collar philosophy that lived in our empty wallets. Trash cans filled with water bottles stared at us to find our essence— the one we had lost while being fed quintessential American idioms in state-of-the-art classrooms sponsored by slaves and Popol Vuh blood. Six million years of human existence trivialized down to a single sentence— ** Man loved God, man wrote, man conquered God, and now man loves science** — scribbled on SmartBoards afforded by fire burning from Prometheus’ female liver. Trees sing with oxygen no more for the sake of making paper, and eyes soak in the words on paper for the sake of making paper. Trees make the avenue but the future holds an Avenue of no trees— … for in the land of the free, anything but freedom ain’t free.
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Nov 26, 2012
Nov 26, 2012 at 9:46 PM UTC
80's Fried Chicken *******
There is pleasure's sigh, there is despair's sigh, Adorned with a sweet smile or a sour cry, Screaming both in the night with no reply, Under the glamorous buildings up high, Who are standing under the blue night sky. All places of Tokyo change at night, Streets are flowing rivers of gleamy light, Lit-neon signs glowing at every sight, Under the glamorous buildings up high, Who are standing under the blue night sky. More footsteps have been set in these lit-streets, Than the words have been said in these lit-streets, Or the numbers of debt in these lit-streets, Under the glamorous buildings up high, Who are standing under the blue night sky. Glamorous in the busy night like pearls, Hostess girls show to men a sight like pearls, With smiles and teeth who're white like pearls, Under the glamorous buildings up high, Who are standing under the blue night sky. Girls who're shining like jewels are adored, Who quickly by empty wallets get bored, By the men who these sweet gems can afford, Under the glamorous buildings up high, Who are standing under the blue night sky. As long as bars shine with signs of neon, The crowds in this city are going on, Until they are put out at times of dawn, Under the glamorous buildings up high, Who are standing under the blue night sky. Lights are reflected as blurs in each pool, Who distort the sights like the alcohol, Who is served in passionate bars as cool, Under the glamorous buildings up high, Who are standing under the blue night sky. Water's flowing in the water business, Who's to the old days a reminiscences, Where the thin rules of the night are boundless, Under the glamorous buildings up high, Who are standing under the blue night sky. Unlike the tradition of the flower, Here they paint faces to take a powder, And then embrace the ones with much power, Under the glamorous buildings up high, Who are standing under the blue night sky. The alcohol is poured down like the rain. How hide drunkenness from whiskey and champagne, They put powders on the face to look plain, Under the glamorous buildings up high, Who are standing under the blue night sky. Adored, desired and loved is every star, Who strolls around or drinks in every bar, By each man with a luxuriant car, Under the glamorous buildings up high, Who are standing under the blue night sky. Mâhî's still to Tokyo a stranger, Both to its pleasure and to its danger, Where the eyes at night only see a blur, Under the glamorous buildings up high, Who are standing under the blue night sky.
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Mar 21, 2017
Mar 21, 2017 at 6:43 AM UTC
Tokyo
There is pleasure's sigh, there is despair's sigh, Adorned with a sweet smile or a sour cry, Screaming both in the night with no reply, Under the glamorous buildings up high, Who are standing under the blue night sky. All places of Tokyo change at night, Streets are flowing rivers of gleamy light, Lit-neon signs glowing at every sight, Under the glamorous buildings up high, Who are standing under the blue night sky. More footsteps have been set in these lit-streets, Than the words have been said in these lit-streets, Or the numbers of debt in these lit-streets, Under the glamorous buildings up high, Who are standing under the blue night sky. Glamorous in the busy night like pearls, Hostess girls show to men a sight like pearls, With smiles and teeth who're white like pearls, Under the glamorous buildings up high, Who are standing under the blue night sky. Girls who're shining like jewels are adored, Who quickly by empty wallets get bored, By the men who these sweet gems can afford, Under the glamorous buildings up high, Who are standing under the blue night sky. As long as bars shine with signs of neon, The crowds in this city are going on, Until they are put out at times of dawn, Under the glamorous buildings up high, Who are standing under the blue night sky. Lights are reflected as blurs in each pool, Who distort the sights like the alcohol, Who is served in passionate bars as cool, Under the glamorous buildings up high, Who are standing under the blue night sky. Water's flowing in the water business, Who's to the old days a reminiscences, Where the thin rules of the night are boundless, Under the glamorous buildings up high, Who are standing under the blue night sky. Unlike the tradition of the flower, Here they paint faces to take a powder, And then embrace the ones with much power, Under the glamorous buildings up high, Who are standing under the blue night sky. The alcohol is poured down like the rain. How hide drunkenness from whiskey and champagne, They put powders on the face to look plain, Under the glamorous buildings up high, Who are standing under the blue night sky. Adored, desired and loved is every star, Who strolls around or drinks in every bar, By each man with a luxuriant car, Under the glamorous buildings up high, Who are standing under the blue night sky. Mâhî's still to Tokyo a stranger, Both to its pleasure and to its danger, Where the eyes at night only see a blur, Under the glamorous buildings up high, Who are standing under the blue night sky.
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60
I spend my love on you like pennies tossed into empty fountains of youth - like loose change loyally saved, built up in a piggy bank, a compilation of broken promises you never made becoming blood clots in my lungs. I would say they're in my heart but I can't breathe when I see her. Tax season is over and my savings continue to drain - they sit at your doorstep waiting to be cashed in for what I thought was an investment but has become a liquidation of my entire being. Empty wallets haven't caught wind of my addiction, but the pennies on the ground talk. Found heads down, I give them a voice, and they, too, drown with the rest.
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May 2, 2016
May 2, 2016 at 9:01 PM UTC
Currency of the Mistress*
Words tattooed her thighs. Chocolate hair fell in her eyes. Muscle queen stomped gymnastick, round silver poles. She was no stripper, but an athlete for tips and hand shakes and bills in her cracking her face, *her face must be cracking* to ass-grabbing lions, prowling LA's city sierra bored. I couldn't imagine Queen Courtney crying. But upside down, floating disco lights exposed pursed face shows. She girated sex-lined hips for tips, not ego. Splits and tricks choking chuckling girls saluting her routine, tossing one's, wishing they were ten 0's. She looked magnificant. I asked her if she was a gymnast. She said something like that, eyes fixed on the sleek floor, strong arms chilled by the cold — men with thick wallets and no home. So I gave her my coat.
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Oct 18, 2014
Oct 18, 2014 at 2:44 PM UTC
Muscle Queen Courtney
Hello it's me again the one with the crooked grin hear to take your money and steal your honey so sweet now on your feet don't even think about calling the beat cause I got you and you know what to do wallets and jewelry this is a robbery.
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Aug 19, 2014
Aug 19, 2014 at 9:50 PM UTC
Robbery
Take me back to a different hotel every night and living out of a suitcase. Getting comfortable in our naked bodies around each other; comparing breast size and stretch marks—examining ourselves like the men who’ve carelessly fondled us before for our likes and dislikes. Sharing a bottle of lukewarm tequila in the world’s smallest bathtub and then I sing you to sleep. Highway cars buzzing past and there’s only one road to get lost on, but we manage it every single time. Your car becomes a dressing room at gas stations where people stare with disapproving glares and worry for the safety of their wallets; because we don’t belong here but we laugh—still drunk from the early morning hours and just trying to find the next check-in spot for the night. There never is a real destination but home always seems too close and we both hate that part. It doesn’t feel right when it ends or when I have to crawl back into my own bed without a time frame to be out by in the morning—before the housekeeping maid comes banging on our door, yet again.
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Dec 12, 2020
Dec 12, 2020 at 1:06 AM UTC
For Aubrey
Hollywood is dead and gone It died a lonely death It's just too bad no one was there When it took it's final breath Forget the tales of yesteryear Of junkies and of ****** The Hollywood I speak of Is behind the golden doors Warner Brothers and MGM United Artists and 20th Century Fox Are now owned by conglomertates With more cash than Fort Knox Film is just an extra In a business it once ruled With the advent of computers The industry's re-tooled CGI and Green Screen Let them do more at great cost But, without the use of actors There is something that is lost The tie in with it's history We only see each year When they memorialize those who passed At the Oscars....shedding tears There is now just two places To process film itself When, way back in it's heyday Of these there was a wealth No new ideas forthcoming Movies get rebooted or remade And the startlets in the pictures They're the one's who're getting laid Merchanidising movies That is where the real cash lies If you're not attached to a food chain Your bottom line will die Hollywood died in it's sleep It died with dignity The funeral will be shown though On reality TV It smothered in it's excess A victim of it's greed It gorged on people's wallets Forgetting peoples needs Old Hollywood is magic It lives on in peoples hearts Too bad the studio system Was sold off in such small parts The western died, musicals next Then came the comedy You can't see them in the theatre But they're on your big tv I stand here and salute her She put pictures in our heads But, now thanks to her avarice Old Hollywood is dead...
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May 17, 2012
May 17, 2012 at 6:40 PM UTC
Old Hollywood
Hollywood is dead and gone It died a lonely death It's just too bad no one was there When it took it's final breath Forget the tales of yesteryear Of junkies and of ****** The Hollywood I speak of Is behind the golden doors Warner Brothers and MGM United Artists and 20th Century Fox Are now owned by conglomertates With more cash than Fort Knox Film is just an extra In a business it once ruled With the advent of computers The industry's re-tooled CGI and Green Screen Let them do more at great cost But, without the use of actors There is something that is lost The tie in with it's history We only see each year When they memorialize those who passed At the Oscars....shedding tears There is now just two places To process film itself When, way back in it's heyday Of these there was a wealth No new ideas forthcoming Movies get rebooted or remade And the startlets in the pictures They're the one's who're getting laid Merchanidising movies That is where the real cash lies If you're not attached to a food chain Your bottom line will die Hollywood died in it's sleep It died with dignity The funeral will be shown though On reality TV It smothered in it's excess A victim of it's greed It gorged on people's wallets Forgetting peoples needs Old Hollywood is magic It lives on in peoples hearts Too bad the studio system Was sold off in such small parts The western died, musicals next Then came the comedy You can't see them in the theatre But they're on your big tv I stand here and salute her She put pictures in our heads But, now thanks to her avarice Old Hollywood is dead...
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56
Watching her sit with her crossed legs And her gaze upwards Like the world is too petty For her eyes to surrender. She was magnificent, yes But her looks feigned a lie Her eyes could **** with intense fire Her scent was amicable For her preying hands And if a being so unfortunate Crosses her path Or meets her eyes She springs like a cheetah And rips them apart, Metaphorically, of course. ....... My eyes wander off ....... His frenzied looks And unshaved face Ruffled up clothes Looks like he has had his worst day Wonder what's got him so worked up Must be a hangover Must have had a drink too much Last night Yes, I can see a wife Beaten up in an alcohol-fueled mania. But those petunias in his hands Beautiful What a contrast to the man himself A mistress? Or an attempt to gain forgiveness From his wife? ....... Sipping the best local tea Sit back And let my mind have its spree ....... Pick pocket Such an adorable face Blue-eyed, her tiny hands Slipping in and out Procuring knick knacks and wallets. Life was never fair Mother's sick and in a tarpaulin roofed Shack off the main street. Dad's a drunk And she's had enough with that nonsense. Her timed precision  and skilled fingers Workings its way for a loaf and The extra change for her mother Curled up like a ball In pain. ..... Change for the tea And morning paper. Picking up a stride Take a left from the plaza Into a throng of living bodies, And to be one among The many lives Toiling, Living, Breathing.
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Apr 17, 2014
Apr 17, 2014 at 1:38 AM UTC
Tea, biscuits and Humanity
The start of the day look so bright, who would have belived it would end in a fight. The clatter off glasses and the shout of "Who's Round?! All drinks were picked up and swiftly downed. Moving on to the next watering hole, get there quick to watch the match winning goal. The lads want more dancing, ***** Stippers but not before we stop of for Chicken Dippers Intoxication is power or so we belived but a fight with what we thought were ninjas brought us down to our knees. We picked up our injured and clean up our wounds, then move on to the next place so we could re-group. Our ego's in tatters our wallets all spent, I think its time we bring this epic night to an end
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Nov 9, 2014
Nov 9, 2014 at 10:03 AM UTC
Night out with the lads
I have always believed that it is possible to see through the defenses of those who keep secrets tucked into their back pockets like wallets with a little more cash than they are comfortable with, if one is willing to look closely enough. It is apparent in their heavy eyelids, as though the weight of what they are carrying is resting on their eyelashes. It is apparent in the curve of their lips, and the way they are not able to smile to their fullest potential. It is apparent in their hands, and the way they are not able to hold anything, as though their fingers are already full. However, I never realized that it was also possible to notice leaves clutching secrets to their chests like keepsake necklaces passed down by their great-grandmothers until one afternoon when I was walking between two bushes. My feet were carrying me lackadaisically down the sidewalk toward my dormitory when something to my right caught my eye. Among a congregation of green leaves, I noticed one blushing sinner. She sat in the center, as though she was attempting to blend in, but her pink cheeks made her stand out from the rest. When everyone stood in unison, she followed a few seconds behind. When everyone clutched hymns and bibles in their hands, she tied her fingers in knots to appear busy. When everyone partook in communion, she bit her lip quietly. But there was something about the way she held her hands in her lap, with her palms pressed together and her fingers interlocked, and the way she wore her hair behind her shoulders in curls that made me want to get to know her and every secret she kept tucked beneath the belt of her summer dress. But we don’t always get the pleasure of conversing with sinners, and we often are not even willing to have those conversations with ourselves.
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Aug 26, 2013
Aug 26, 2013 at 2:50 PM UTC
Secrets
I have always believed that it is possible to see through the defenses of those who keep secrets tucked into their back pockets like wallets with a little more cash than they are comfortable with, if one is willing to look closely enough. It is apparent in their heavy eyelids, as though the weight of what they are carrying is resting on their eyelashes. It is apparent in the curve of their lips, and the way they are not able to smile to their fullest potential. It is apparent in their hands, and the way they are not able to hold anything, as though their fingers are already full. However, I never realized that it was also possible to notice leaves clutching secrets to their chests like keepsake necklaces passed down by their great-grandmothers until one afternoon when I was walking between two bushes. My feet were carrying me lackadaisically down the sidewalk toward my dormitory when something to my right caught my eye. Among a congregation of green leaves, I noticed one blushing sinner. She sat in the center, as though she was attempting to blend in, but her pink cheeks made her stand out from the rest. When everyone stood in unison, she followed a few seconds behind. When everyone clutched hymns and bibles in their hands, she tied her fingers in knots to appear busy. When everyone partook in communion, she bit her lip quietly. But there was something about the way she held her hands in her lap, with her palms pressed together and her fingers interlocked, and the way she wore her hair behind her shoulders in curls that made me want to get to know her and every secret she kept tucked beneath the belt of her summer dress. But we don’t always get the pleasure of conversing with sinners, and we often are not even willing to have those conversations with ourselves.
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1
for Mr.Cole's "Magic" assignment The Magician Moments of wonder performed with theatrical pazaz A prolonged instance of dumbstruck amazement --- A slight of hand or a glittery distracting explosion creating a captivated audience screaming for *More! More! More! Fool us again Test our I.Qs See if we're sane* --- But to perform... --- I need more money the magician boldly insists Our hands ****** into our pockets, to our wrists --- But wait... Silence... Then a collective gasp There on the table under lock and clasp --- All of our wallets Plain to see And the future money of each baby --- Did we clap? Oh, how we heartily clapped And cheered and laughed like we were handicapped ---   Then the show stopped But we still clapped, stamping our feet As the Magician strode off stage back to 10 Downing Street TA DAAA!
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Aug 30, 2014
Aug 30, 2014 at 11:07 AM UTC
The Magician
Eat the fourth cookie. Bring back that fuzzy green sweater with lint ***** so stubborn that even the strongest lint roller couldn’t break the bond they have with the sweater. I know you pick your nose in public. You stutter every time I ask who lives on Mamaroneck Street. You have burping contests with yourself while you’re on the toilet. I don’t care how you clip your toenails on today’s newspaper. I still read it after you’re done. I love that you paint each nail in a different neon color, eat chocolate chips and green tea for breakfast, and salt your apples. You cry every time you watch Titanic. I agree Rose should’ve moved to the side and shared the plank with Jack. You rap to Baby Got Back fifty nine times in a row. I wish we danced to it more often. I wish you would tell me what you write in your red book. I know you pretend you’re Beyonce in concert while working out, and think Michael Buble wrote haven’t met you yet for you. I love that you keep the ticket stubs from every single movie we see in the tea jar under your bed. You smell of cologne every time you walk into the house. You don’t know how to whisper. You never have. You tell me you’ll be back by noon but don’t come back till 7 p.m. You use your knitting needles as chopsticks when we order sushi, And don’t stamp any of the letters you send your mom. Even though you have seven wallets, you keep all your money loose in your bag and throw away all the pennies in the trash. You pretend your belly-fat is a puppet that can talk and sing, And you flirt with the waiter for extra hot sauce. You hate it when I use your cell-phone And every night you kiss him goodnight at the train station.
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Dec 12, 2011
Dec 12, 2011 at 11:19 AM UTC
Dear Janice
Eat the fourth cookie. Bring back that fuzzy green sweater with lint ***** so stubborn that even the strongest lint roller couldn’t break the bond they have with the sweater. I know you pick your nose in public. You stutter every time I ask who lives on Mamaroneck Street. You have burping contests with yourself while you’re on the toilet. I don’t care how you clip your toenails on today’s newspaper. I still read it after you’re done. I love that you paint each nail in a different neon color, eat chocolate chips and green tea for breakfast, and salt your apples. You cry every time you watch Titanic. I agree Rose should’ve moved to the side and shared the plank with Jack. You rap to Baby Got Back fifty nine times in a row. I wish we danced to it more often. I wish you would tell me what you write in your red book. I know you pretend you’re Beyonce in concert while working out, and think Michael Buble wrote haven’t met you yet for you. I love that you keep the ticket stubs from every single movie we see in the tea jar under your bed. You smell of cologne every time you walk into the house. You don’t know how to whisper. You never have. You tell me you’ll be back by noon but don’t come back till 7 p.m. You use your knitting needles as chopsticks when we order sushi, And don’t stamp any of the letters you send your mom. Even though you have seven wallets, you keep all your money loose in your bag and throw away all the pennies in the trash. You pretend your belly-fat is a puppet that can talk and sing, And you flirt with the waiter for extra hot sauce. You hate it when I use your cell-phone And every night you kiss him goodnight at the train station.
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*Fall In Love Or Fall In Lust. Make Plans, Or Make Cookies. There Is Living To Do Here. There Are Books To Read, And Movies To Watch. There Are Art Museums Meant To Wonder Through, And Ocean Waters To Taste. There Are Plays That Deserve Standing Ovations, And Musicals With Words That Need To Be Sung, There Are Girls That Need To Be Kissed, There Are Boys That Need To Know What It Feels Like To Have Their Hands Held. There Are Poems That Need To Be Screamed At The Tops Of Someone's Lungs. There Are History Books With Frayed Edges, And Broken Tea Pots That Died Before Their First Breath. There Are Heart Throbs Waiting To Make Teenage Girls Swoon. There Are Jeans, With Knees That Are Begging To Be Ripped Open. There Are Sunflowers That Have Never Been Told “You Are My Sunshine”. There Are Grandfathers With Empty Laps, And Mothers With Empty Wallets. There Are Law Students, With Hearts Ready For Humanity, There Are Babies With Broken Families. There Are Fortune Cookies With Untold Wisdom, And Grandmothers With The Best Rhubarb Crisp Recipe You Have Ever Tasted. There Are Undiscovered Passions, And Ancient Ruins. There Are Empty Canvases And Blank White Walls. There Are Silences, Recorded And Played Back For The Ears Of The Empty. There Are Places On This Earth Where The Sky Is The Color Of Bleeding Tissue Paper. There Are Places On This Earth, Where Dry Lightening Storms, Are As If God Himself Is Snapping Photos. There Are Lost Valentines, And Flickering Lampposts. There Are Forgotten Dates And Remember Birthdays. There Are Lost Puppies And One Man Bands. There Are Butterflies With Missing Wings, And Eagles That Mate For Life. There Are Places We Put Our Insane, And Others We Place Our Sick. We Have Tattooed Our Mistakes On Skin, And Branded Cattle To The Same Tune. There Are Times We Fall Together, And Others In Witch We Fall Apart. There Are Moments When We Gage Our Existence In The Breaths We Take, And Moments When We Gage It In The Moments That Take Our Breath Away. There Are Times We Take Chances And Times We Take Pills. There Are Moments When We Bruise Our Knees While Praying, And Others Where We Break Kneecaps For Dollar Bills. There Is Living To Be Done Here. There Are Words To Be Spoken, And Even More To Be Written.*
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Feb 27, 2012
Feb 27, 2012 at 8:26 PM UTC
Waldosia
*Fall In Love Or Fall In Lust. Make Plans, Or Make Cookies. There Is Living To Do Here. There Are Books To Read, And Movies To Watch. There Are Art Museums Meant To Wonder Through, And Ocean Waters To Taste. There Are Plays That Deserve Standing Ovations, And Musicals With Words That Need To Be Sung, There Are Girls That Need To Be Kissed, There Are Boys That Need To Know What It Feels Like To Have Their Hands Held. There Are Poems That Need To Be Screamed At The Tops Of Someone's Lungs. There Are History Books With Frayed Edges, And Broken Tea Pots That Died Before Their First Breath. There Are Heart Throbs Waiting To Make Teenage Girls Swoon. There Are Jeans, With Knees That Are Begging To Be Ripped Open. There Are Sunflowers That Have Never Been Told “You Are My Sunshine”. There Are Grandfathers With Empty Laps, And Mothers With Empty Wallets. There Are Law Students, With Hearts Ready For Humanity, There Are Babies With Broken Families. There Are Fortune Cookies With Untold Wisdom, And Grandmothers With The Best Rhubarb Crisp Recipe You Have Ever Tasted. There Are Undiscovered Passions, And Ancient Ruins. There Are Empty Canvases And Blank White Walls. There Are Silences, Recorded And Played Back For The Ears Of The Empty. There Are Places On This Earth Where The Sky Is The Color Of Bleeding Tissue Paper. There Are Places On This Earth, Where Dry Lightening Storms, Are As If God Himself Is Snapping Photos. There Are Lost Valentines, And Flickering Lampposts. There Are Forgotten Dates And Remember Birthdays. There Are Lost Puppies And One Man Bands. There Are Butterflies With Missing Wings, And Eagles That Mate For Life. There Are Places We Put Our Insane, And Others We Place Our Sick. We Have Tattooed Our Mistakes On Skin, And Branded Cattle To The Same Tune. There Are Times We Fall Together, And Others In Witch We Fall Apart. There Are Moments When We Gage Our Existence In The Breaths We Take, And Moments When We Gage It In The Moments That Take Our Breath Away. There Are Times We Take Chances And Times We Take Pills. There Are Moments When We Bruise Our Knees While Praying, And Others Where We Break Kneecaps For Dollar Bills. There Is Living To Be Done Here. There Are Words To Be Spoken, And Even More To Be Written.*
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27
Static radio click and a skitting bird, stench of cigarettes and stale beer salt and vinegar or dry roasted? The dormant dampness of barely-used picnic tables. Flat coke hanging to melted ice, warmth trapped under cloud. Phone under thumb - get together. Bike chains and combination locks, empty wallets, Rizzlers, filters, a key to the house. Sticky coaster and slimy taps beads of sweat on the frozen glass.
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Sep 10, 2012
Sep 10, 2012 at 6:28 PM UTC
Pub
with the cost of petrol being so dear one is forced to drive in low gear the engine cannot be at full throttle as it will use more than a seven pint bottle replenishing the petrol tank is a scourge and from our wallets it does vengefully purge it is quite frightening receiving those petrol dockets for they leave a humongous hole in our pockets soon everyone will be walking or riding a bike they'll not be able to take the petrol price hikes each week we're at the mercy of the oil giants they are making a lot of dough from their clients they've got us over a barrel pardon the pun and we're running scared of their pistol packing petrol gun public transport is the best option for us to take at least that will not of our dollars forsake petrol prices are of the most dire concern and I can foresee our hard earned pennies set to burn
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Mar 29, 2013
Mar 29, 2013 at 4:25 AM UTC
Petrol Prices
The bonfire is lit warm, It is comfortable as a quilt. We look at the photos, Inside of our wallets. The parents, the wife and kids, Probably for the last time we kiss. Tomorrow is the final battle, We make a treatise with death. Either she takes the novice boys, Or let us send them to her.
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May 12, 2021
May 12, 2021 at 7:18 AM UTC
Soldiers In The Pass
Pods routed back and forth Inside Cells linked to the central nervous system Soulless The cry of a sapling Lush, primal sounds But deaf to the neighbours All distracted by a stream A tweet "Doors closing..." Repeated beeps Launching sprints Rivalling Olympians But not all pass the finish line The end of the line: School Work Leisure Three modes activated Upon the opening of pod doors A hurry Never stopping Never hearing Never open Of hearts Wallets A song from yesterday The flower withers Pulp for pennies The flower withers Only so much could be done Outside the system
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Nov 16, 2016
Nov 16, 2016 at 11:17 PM UTC
System (a Singapore subway)
This is the machine. Tucked under necklaces, poppies and daffodils calligraphic fingertip Xs hurry across pockets. Thursday morning job postings markers on construction paper windows exhausted by making parts. Keep weddings in thunderstorms to hide the sound of windmills in chests, bittersweet directions to ticking clockwork. Carbonated water can’t convince summer to stay, musical breaths and tulip footsteps remind me of the gears in my knees. Always buy wallets used daylily bank notes folded into stairwells, the heels of my socks. Blue collars in ochre wheelbarrows soaking next to the white ones. We are quiet machines. With cogs in our wrists battery powered bone and sinew. Baby’s breath white in our hair, tiny bunches piled into collar bones or concave stomachs. You have stars in your hair whispering in manufactured voices to pull out your eyelashes. Consumed by the concept of concepts on ravine park benches, marred with newspaper labyrinths smelling of rolled up sleeves. Hand held gummy bears prompt me to check my fluid levels, bubbly orchids in my left palm. Sugar intakes and patterned pants hide homemade pulses. This is the machine.
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Jun 1, 2013
Jun 1, 2013 at 12:14 PM UTC
This is the machine
Myths: It's not dope, it's chronic so chill out and I'll pass you that blunt. Better off high on positivity. Than down from negativity. Sulking in all of my strung out, burnt out, and miserable glory. It's not dope, it's chronic so chill out and I'll pass you that blunt. If you can drive in reverse, you'll pass the test. Just remember to keep one eye on the mirror and the other one on your back. The road is full of black holes that only wish to break you down in a dark, depressing ditch. People keep calling me the anti-christ. Today, I'm flattered. Tomorrow, I could be flattened by their stones. I'm trying to scare away the stupid. It's not working. Cause I'm an idiot magnet. The black sheep is always first to get exiled from the flock. You'll find more life in a cemetery than you will in my heart. Cause magic isn't microwavable it has to cook the real way. They say time is always working against us. But what they really don't know is that time doesn't exist. We will always be here. Rapid cycling mood rings: I used to control my mouth until I cracked under the pressure and bit my tongue off. The world is out to **** me of everything they can take. I got my dress shoes on and my wallets loaded with condoms. I know what is inevitable and what is avoidable. **** get's better.
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Mar 12, 2012
Mar 12, 2012 at 5:23 AM UTC
Myths & Rapid Cycling Mood Rings.
1 *Tap, tap, tap Pinch and expand Pinch and expand Tap, tap, tap* I love this dance you do my dearies, each one of you on your mobiles and devices We too play with our fingers and keep our eyes fixed on your pockets and purses and wallets *Tap, tap, tap Pinch and expand Pinch and expand Tap, tap, tap* Stay diverted - we love this what you do, me Fagin and all me children and Jack Dawkins too, that Artful Dodger 2 Come on, dear children of Fagin mine this here is Paradise All these people with eyes and fingers on their devices and brains in idle mode in these crowded malls - it’s our Paradise, dear babies mine Whilst they are so preoccupied let’s to our devices And we can pick, pick, pick whilst they tap, tap, tap 3 Ah ha, keep tapping on your mobiles each one of you, my dearies with your eyes on the mobile when at the shops and in crowds and at new year celebrations Keep your eyes there, indeed each one of you, my dearies Tap, tap, tap pinch and expand with 2 fingers on the screen eyes mostly there on your devices *Tap, tap, tap pinch, pinch, pinch* and let your two fingers burst like shooting stars All like a dance, as in a dance each one of you in public spaces, my dearies so do the merry dance of your fingers and eyes on the devices And we? We love this, me Fagin and all me children and Jack Dawkins too (that Artful Dodger) while You tap, tap, tap and we pick, pick, pick at this our harvest at shopping malls
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Dec 29, 2012
Dec 29, 2012 at 8:35 PM UTC
keep tapping on your mobiles, Fagin loves it