1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i

We met on the stairs
Of a 15th century cathedral in Rome.
I was wearing my
Light gray suit that she later told me reminded
Her of the color of fresh volcano ash.

She - cut in half by the moonlight -
Wore red flats,
A ******* linen dress that
Effortlessly pronounced her *******,
While her oaken red and auburn hair
Lunged down both of her shoulders like
A waterfall or an avalanche,
Just touching the top of her belly button.

I, looking up toward the marble spires
Spinning into the scattered stillness of the nights
Opaque and cream colored stars,
Did not know she was hovering behind me watching me,
Until she had decided to speak;

If I had known, I would have ran inside.

"The cathedral is very nice, isn't it?"
I heard her ask to my back.
At the sound of her voice, I was not
Filled with that melodramatic cliché dripping
With soap opera fused emotions.

No, I
Was dipped into a large cauldron of ice-water.

There was a tremor
Somewhere
Inside of me and a heat
Ricocheting in her.

"Yes," I replied,"It is
Very nice and very old and I wonder why it is still here."

I did not know what I meant, but
From the pause and inhalation I heard immediately after, I
Believed she must have thought what was said profound.
Was I profound? Why would she believe that if it was only from
The spontaneous question that held no real physical weight? Or
From me jumping so quickly into this little

Game,

No question's asked?

"These buildings still stand because they
Are a physical memory of what we have achieved
And what we must continue to achieve
In the future." She had come up beside me now.
Vanilla lavender lotion and mint
Toothpaste were the first smells that came to mind.  

"The future..."I said, trailing off, "The future."

"Yes, the future is very important."

"It is all we have."

"Well, all we truly have is the present, don't you agree?" I asked,
Slightly turning my head to look at her.

She was still looking up at the cathedral. She was focused on the large church bell
That hung there like the moon in the night sky. I continued
To stare at her, my question hovering vulnerable in
The air as a butterfly with its wings damaged would. Then, a
Couple passed by us in a hurry. Their hands were clasped tightly together, the man
In front and the woman looking to be dragged by him. I saw
Neither of their faces, but I imagined them both to be calm and red.

"They look to be in a hurry," she said, "Where do
You think they're going?"

"Somewhere very important I'd imagine."

"And where is very important for you, sir?"

She turned
To meet
My gaze a

As if challenging it.

Her lips were full and painted with red lipstick. Where I thought her eyes would prove to be light colored or forest green, they were actually colorless and black. I inhaled at the sight of her, then immediately blushed. Again, our questions back and forth to each other were more of an interrogation of one's hearts and minds than flirtation. As she stared at me, I sensed that we had met before. There was something in her face that brought the feeling of an old friend or an acquaintance, like the feeling one gets when they see a past school teacher or love interest back in grade school. There was a warmth and giddy tension between us that made me feel eight years old again. I had felt so old recently. There was a sudden wink in her eyes and I then remembered the question I had asked her before.

"You haven't answered my first question," I stated seriously.

"I agree," she answered quickly, "The present is the only thing we have truly and
Do not have, all at the same time."

"What do you mean?"

"Being present 24 hours a day, seven days a week, is a very exhausting,
Trying thing,
Isn't it?

"Yes, I would agree with that."

"And being present for whatever reason, be it socially, romantically,
Professionally, etc., is really all for the future. One's own's private future goals.
Something one desires in the moment and wishes to have for oneself in the future. Our
Motivations are our desires. Our wishes. The lives we wish to own in the future."

"At times, yes, I do believe
One is present for those reasons, but
Sometimes, and I speak for myself,
I wish to lay back and let the sun burn my skin and
The clouds to blanket me, chilling me, so to remind myself
Of my placement on this planet and the miniscule and
Tremendous affect I have on my surroundings. For example..."

"You are very talkative," she said cutting me off, "I could
Tell from the way you looked up at this cathedral all by yourself,
Lost in thought or lack thereof, that you were a talker."

She smiled and I forced a tight-lipped smirk.

"Well, I am
So talkative because you have made
Me so."

"So be it."

"It is so."

"Are you mad? she asked.

"Not the least bit," I returned, unsure whether I was lying to
Her because I didn't want to offend her and scare her off or because
She was so extremely beautiful.

"Well, I am glad that I can do that to you." She looked back
Up at the church bell, trying to hide her satisfied smirk.

"I have said too much. Let us both watch
The cathedral stand on her own for a bit in silence, ok?"

"That sounds good."

She took a step down from the step she had been on with me. Two steps.
There she let her head and hair fall back, taking everything in she possibly could.
I needed a drink and she needed the sky, the cathedral, the city, but I
Could only give her my company, unsure whether she truly needed it or not.
I shifted my glance from the bell tower to what was behind me. There, I saw
A wooden trolley up against the far wall near a trickling fountain
With puppets hanging from their thin clear strings. The light from the oiled lamp posts
Was a dark orange and cast an array of ****** shadows along the walls that
Encircled the square which me and the woman and many others were standing around. Night
Had set on the square, but no one had decided to go anywhere.
The square was perfect for them; anywhere else would have seemed uncomfortable.

She looked at me from two steps back and asked,
"We are being present for a better future, yes?"

"What we hope will be a better future," I said, turning
My head away from the bottom of the square back to the
Cathedral. I emphasized the word hope.

"Yes, men and women must have
Hope for something better."

"Life does not guarantee anything, does it?"

"No, I guess it doesn't. It gives you chance and we give
One another choice."

"Or," I hesitated to say what I wanted to say, "Or God does."

"God," she laughed, "What's He got to do with anything?"

"Everything and nothing, I hear."

"Don't be so vague," she grinned, turning her body completely around to me
So I could see her full figure. Her dress outlined a woman's body,
But I knew, inside, there was so much more precious things then flesh. "Hear
From who and where?"

"You choose what you wish to believe
And no one can tell you otherwise. What
You need and
What others may need can be different and should be.
This does not mean that we cannot get along.

Is there a way to be wrong in what one believes in?
She looked to want an honest answer, so I gave her one.

"Yes."

"That's it?" she asked, wanting more.

"That can't be it?"

"Yes is a decent enough answer,
But because you looked to be so talkative before,
I assumed you would have more to say on the matter."

"Assuming something
Is a very dangerous, childish thing.

"Yes," she agreed, "It is."

"If one believes in something and tries to share
Those beliefs in an unaggressive, listen-if-you-will,
Dangerously friendly, perhaps even musical way, then
The listener has their choice in the matter. They can

Walk away

No questions asked or feelings hurt.

"That," she said, "Sounds good for the listener,
But perhaps not so great for the speaker.

"Why?"* I asked, surprised.

"Because then the speaker may turn into something
They originally did not want to be. A prophet or voice for something
They may honestly have no interest or passion for.

"I see."

"But, please, go on."

"On the other side, someone may believe in something fully, to their bitter core, but there needs to be a validation from another to prove their conviction. This is a weakness in their faith. They secretly doubt themselves and are trying to prove, by the obedience and following of others, that
Their belief, system, God, what have you, is a truth, a fact like the sky is blue or that fishes swim in the sea. These people with their thoughts and beliefs are the one's that are wrong. The one's that push their way onto other's without any room for being challenged or accused of falsity."

"There are some that do not want follower's, but as soon
As they turn around, there they are.

"Yes," I nodded, "I can think of a few thinker's
That I've read or heard of that happening."

"God, though," she laughed again lightly, "It
Is
Funny that you bring Him up."

I didn't have anything to say, so I said nothing.

"Are you a religious man...?" she asked.

"My name is Robert Commento and no, I am not religious man."

I gave
Her my name
Out of my uncomfortable stance on religion and
To change the subject to less formal and conversational matters.

She put out her hand and I slipped my palm under hers. I was
Never taught to shake a woman's hand - for it is too delicate -
but to let their hand rest atop mine.

I bowed and gently kissed her hand.
Her skin smelled of fresh milk and uncut grass and
What morning dew feels like across raw fingertips.
I tried to force myself not to trip too quickly into love,
But there are some things
Men are absolutely unable to do.

"Luria Rose," she said, bowing her head, "Very ncie to meet you
Robert Commento."

"And very nice to meet you."

"You are from here?" she asked.

"Yes,"* I said, "Well, not exactly."
"From a city over where the tail of the river ends."

"I know this place, but I cannot recall the name." I could see
She was embarrassed by not knowing the location, telling me she
Was obviously from Rome and proud of it.

"Cuore Tagliente," I told her with zest,"That is where
I am from and where I was raised. My family still lives there to
Manage their small farm of olive trees.

"Do they make very much money?" At this question, I turned
On my heel and stared at her. By her look, she seemed to be
Unsure whether I meant this in seriousness or in jest. So not to scare her
Off again I forced a smiled, left my eyes upon her as if viewing a painting or a statue, and
Answered as truthfully as I could without insulting the name of my family
In truth, I lied a little.

"They were very
Well off when they bought the
Olive farm and they are still very well off
Due to savings and the like, but, because of the business they sold
And the expenses of starting from scratch in the scorching fields of where olives are grown,
They took quite a beating financially. We are quite fine now, very, very fine now,
But not as fine as if we had stayed with the old company. In a way, we were
Asked very professionally and cordially to step down. Of course, my mother, bless
Her body and soul, was very destroyed by this matter and that is why I find it hard to continue.

Luria, staring at me blankly, but with a slight hint of fascination,
Walked up the two steps she had just stepped down and
Two more past where she had been beside me.
She swiveled around on her flats and faced me. Her
Eyes were now impossible to see in the night, though I knew she was
Looking directly at me. Curious why she decided to say nothing in return
To my story, I said something in her place.

"I say so much about myself...well, then, what about you?"

Instantly, she pounced on the question,
"I am
An orphan of Roma
And grew up on the streets stealing and
Running amok quite happily, though
Sometimes I regret what I stole. Every single one was a

Necessary action."

This took me back, for she looked tanned, healthy, and
Well fed, instantly making me think she must be a very skilled
Thief. Eyeing her up and down, I wondered if this was why
She was even talking to me presently. I checked my wallet. It was there,
Though this fact made me feel only slightly better. I watched her
Blow a thick, crescent moon shaped strand of dark brown hair from her eye,
Seeing if the story had settled. Was she lying? Was she telling me the truth?

Why would she tell me anything at all?

"Let us get dinner someplace," I offered, "You can
Take me to your favorite, local restaurant in the city and I
Will pay. No favors thought to receive or anything. All I'd like
Is to have a conversation through the night with whom I have in front of me."

She nodded, said nothing with a smile, and stood still.

"You must lead the way for
I have no idea where you would like to take me. I, of
Course can take you to any of the many restaurants
I know of in my Rome, but I want to go to the one the thieves knows of.

Suddenly, her face contorted into a shape like
A razor had been dragged down the length of her face.

She shouted,"Do not call me a thief, Robert!
Your a poor son of olive farmer's! What do you know about
Anything of the street? So much so that you can ridicule and
Mock whoever's from it? You know nothing!

I immediately tried to tell her I was teasing, but she ran past me, down the stairs, and across the square. I stood stunned, embarrassed to see if anyone had noticed this outburst. No one
Had. Groups of people were still sitting around the fountain, throwing
Coin into the water as some children played and dipped their toes into the
Clear, tranquil water. The puppets waved back and forth in a light, chilled wind,
And the lamp posts still burned casting a curing light over the square. There,
I saw Luria cast in the dark orange light for just a moment. She turned around to look at
Me in the light and there, I saw her eyes were not black, but sky blue, like
The fresh melted ice I had once seen on my travels to Antarctica. Then she was gone.

Pausing, letting myself be hugged by the cathedral behind me,
Half of me wanting to stay in her embrace and the other wanting me to be in hers.
I could not hug stone forever," I told myself, "Man needs to hug a woman
Into eternity, not the church. Maybe later in life, but now, man needs the physical,
Not the metaphysical. There, I see her as she goes through the alley behind the fountain on the
Path toward my favorite bakery, Grano Gorato. I will follow her and find her.

I ran down the stairs carefully for they had become wet and slick from the light
Fog that sometimes rolls into Rome when it is night. There, I moved through the crowd
Which looked to have double in size with people. Where had they all come from?
The alleys, no doubt. They all felt the warmth and comfort of this secret square with Her
Majesty looking down on them from above, the church bell and moon like two great eyes,
The tinted cathedral windows depicting ancient actions Her heart, and the hard square
Slabs of concrete and smoothed stone Her skin. But, Luria did not care for such comforts, She
Believed in no comforts other then the one's another could give. Did she want that from me?

Once through the alley and passing Grano Gorato, I swiveled my head three-hundred-and
Sixty degrees hoping to spot the white dress with the long brown hair. There were many
Women about, but none that were Luria. I sat on the edge of another fountain in a smaller
Square which I had found myself in. Inside the café in front of me, I observed an old man order
A glass of red wine and a mini-short bread crust filled with cream with bright, light green
Kiwi on top. It is was brightly lit inside and everyone was smiling, even the servers. Looking up
At the sign for the restaurant, I saw its name was Mondi. I made a note to go there with
Luria when I found her.

"Luria! I shouted. The name echoed about the numerous walls that
Surrounded me. A few tourists dressed in sandals with socks and cameras
Wrapped around their shoulders and "*****-packs" around their waists

(Terrible Things)

Gave me a concerned glance, but I continued to
Shout, "Luria!

"Yes, Robert?" I heard Lu

Human directives, veracities unverified  
Bellies belching with anger, murderers
Udders dripping hate, foundling banters
Hunters striking the hungered, unfortunate
Glare sight to seek the truth, hold me lets sink
Tear motions and debates of inequality

My Dafur, the realm of the fur, demise
All armed in Sudan, the arid, a battlefield
Emergency alarms sirens from 2003
The indefinite complications and hunger
A land of the displaced, starving nomads
Hear me out in these non-dissolving conflicts

Guantanamo bay detention a prison vicious
A base for “war in terrorism”, reciprocal laws
Inhumane human interrogations persists
A breach, a revolt, the hunger riots devolve
Force-feeding, torturous measures applied
All undressed, humiliated, genitalia exposed

A Rwanda slain in divide and rule
Civil clashes, mashes, all trashed
Swaying war rapes, tapes, the raves
Machetes slashing necks and hands
A lust of power, a genocide slaughter
The Tutsi slewed and unsewn from a patch

Autocratic regime boring divisions
Territorial ethnic cleansing, a holocaust
The oppression of Jews, Romanis, Poles
Homosexuals, the disabled and mentally ill
Indifference pooled in pits and camps
The institutional social indoctrination

The honor and killing to expose shame
The violation and dishonor of moral fabric
For what is “good”, “bad”, fixated moral values
Buried waists and head, awaiting stones to hit
Confessional secrets of only what lays within
A torment watching witnesses, all dangling

Marxists calls ships to stow ashore
Masses kidnapped, confused in deceit
Invalid contracts awaits signatures
The white immigrants to be enslaved
All aboard, now abroad to revolve labor
Wage packages taken to pay for freedom

Humans bought and sold to be owned
Slaves yorked and counted as assets
Bounded to serve plantations and homes
A human, non human, a chattel, a slave
A debt *******, offended and *****
Untamed and made to obey a master

A falling global strings unturned
Tunes strumming hate, war and pain
Human trafficking, violence, inequality
Child abuse, civil conflicts, capitalists
Commercialism, zero hour contracts
For if we have no rights, I have none
For if we have no peace I have none

Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.

Introduction
There they stood; keeping silent company.
Yet of His face, wept searing electricity.

To the lovers of life*
Here they stand, keeping silent company.
No utterance dealt; yet clear in both their minds
A single, brilliant truth:

He longs for her with a savage delight.
And it cries from every fibre, exalting!
It is in the bearing of his eye;
Rifling through her tender flesh
In search of what he knows, from voices ages old, is there:
That her heart will beat for no other as it beats for him right now;
That in this moment, their Souls are bared
To each other’s glares- naked, and blemished, and cowering-
Yet his eyes remain fixed and sure:

And for this, she loves him.

For they have seen each other for the First of Times,
Truly! And as with many the Ancient Laws unfurled,
They stand aware, in lack of ever being taught,
Aware with every atom, every straining tendon tight
That their time's so very short.

And so they drink… wordless
To each other, to their youth, and to their bodies
Shining like never before in the noonday air
Garbed in cloth that snaps and furls around their waists.

They imbibe with electric eyes,
Eyes that are new born to this world of light
And come out screaming, living, and sensitive
For lack of ever being touched.
They revel in their new-found joy;
Pouring from Her figure,
Of Her sleek, supple waist and the arch of her back,
Bristling with delight,
Of His strong hands and easy smile,
That spoke of laughter scattered
Across countless campfires of summers past.

Their light does burn intense as any fire,
And when their brimming anticipation
Overspills its crimson chalice
The silence shall SHATTER.
To find peace again in each other's arms.
Fumbling in sweet darkness-

Of heavy lids, of earthy flesh,
With lips embraced...

In ravenous finality.

I love waking up to you like this, with the sheet pulled up to our waists, my arm around you, your hair all tangled in my face. A dusting of light squeezes through the gaps in the window curtains, gracing your cheek on the pillow beside mine. It plays in your hair, caresses your neck, and flutters down the length of your bare side. The feeling I get when you move against me is indescribable. Your skin. Your scent. Electrifying and calming all at once.

You never wake up before I do, leaving me time to admire your beauty. I have heard people say that they could watch the ocean forever, getting lost in the infinity of the waves and horizon. I feel that way about you. Forever I could listen to your gentle breath and watch the ceiling fan move the little wisp of hair near your ear.

Alas, you always wake, usually first with a slight stir of your legs. Then you take my arm, the one wrapped around you, and pull yourself closer to me until your back is against my chest and your feet tickle mine. I pull you closer to me still, kissing your neck just below the ear. This kiss never fails to finish waking you up, pulling you from whatever remnants were left of the dream you might've been in.

You roll over to face me, your chest against mine, our legs overlapping. Your hand comes up to stoke my hair as you kiss me, my hand on your hip. Morning begins as soon as you open your eyes. Those deep hazel eyes that I lose myself in. The eyes that I can find myself in. I kiss you once more before throwing off the covers and rolling out of bed.

Like clockwork, that is our morning routine. I love it. But this isn’t about our usual routine. This is about the mornings that start with more than a kiss.

This is about the mornings when you first stir and pull me close, pressing your hips against me. This is about the mornings when instead of just taking my arm, you take my hand beneath yours and direct my fingers down your neck, across your chest, to your waist. This is about the mornings when instead of a brief kiss on your neck, I place my kisses all over your body.

You slowly roll over to face me, the sunlight rolling across the incredible slopes of your bare body. My hand is in your messy, wonderful hair as we kiss. Your legs and mine are entangled, our toes warm under the sheet. Awe is the word that comes to mind as you, this beautiful person, climb on top of me, the lucky man. I love the way hair hangs messy in your face, tickling mine when you lean in for another deep kiss, body tingling as you guide me in.

It doesn’t feel hurried or hasty. It is slow and calm, a comfortable warmth only alluding to heat. This isn’t the fiery passion of the night before, both desperate to pleasure the other. It isn’t the reckless abandon of two lovers lost to the night. There will be no sore muscles or exhausted bodies when we are done. Instead, this feels like comfort, understanding. It feels like love.

You used to worry about how you looked when you woke up. You worried that you didn’t look **** without makeup, with messy hair, and the remnants of sleep in your face. But the truth is that I don’t mind if your hair is a mess, if sleep still dusts your eyes, or that lines from the pillow are imprinted on the side of your cheek. To me this is the epitome of comfort, the clearest way I can say that I want you. That I want you now, that I want you at any time, and that I always will. This is the time that I will think on as I go about my day, waiting to get back to you.

I love waking up to you like this.

The air thick with dust
Cows roaming the streets,
Flashing lights and loud noises,
Children laughing an playing.
Houses painted in sickening colors
sarees tumbling from the waists of women.
Amazing, flavorful, mouthwatering food.
Family and friends, celebrating festivals
color in the sky and all around
Though there are things both good and bad,
I love my homeland and I stand proud.

'Tell me I'm not in a dream. Or one of my trances.' She uttered the two sentences between gasps and seem-to-be quickening pulses. In midair, the tension between them kept growing intensely, trying desperately to meet its peak every second, before finally disappearing into the sightless distance above it. 'You're not,' the man said, his voice distant even when his face was only a few inches from hers, and cupped his free hands around her chin to calm her pale face. Her cheeks were warm in his palms, as if being burnt by hundreds of heaps of dying, yet ravenous flames. She closed her eyes, recording the touch of his perfect skin that seemed able to charm her endlessly since the first time she had fixed her gaze on his shimmering features. The angelic voice which accompanied it woke her a few seconds later. 'And even if you are,' he traced his soothing fingers along the reddening skin of her cheeks, 'I'll bring you back to life. Which is here.' He emphasised the last two words with a smile, a heartbreaking, infuriating smile - because of its astounding beauty, before tenderly touching his cherrylike lips to hers, making her start to tremble uncontrollably in deep confusion. She was, again, in the middle of these steep rocks without any aid to support her unstable weight, meanwhile the air over their heads began to twirl in circles, the weather around them getting pink and turning red in five seconds' time. She was lost. In someone else's magical world, with a rendition of one of The Beatles' hit singles from the 1900s or 1950s - she could not exactly recall which period of years it came from - playing smoothly in the CD player in the languid atmosphere of the living room behind them.
After a moment of enjoyment the kiss brought them he pulled back, before slamming his left hand into the tiny depth of his shirt pocket and taking a silver locket out of it. He threw a confident smile at her, and in one blink of his eye, the room fell dark. Petrified yet washed out by the sudden darkness among them, the girl let out a heart-rending shriek, which was followed by her heaving her body onto him, making his head hit the floorboards and the long necklace break in half. In seconds, blood-red light began to shuffle out of the center of the torn necklace, mingling with the air outside its shell and sending the woman into gradually-coming unconsciousness. She could now only see shadows, muttering and brimming all over the weather around her, and had not the strength to stand up apart from lying helplessly on the feathered carpet beneath. Before her, she saw how he started to rise and reveal his claws, and fangs, and bright red eyes above her. He laughed mercilessly. Instantly, she covered her sweating face with her hands - which now felt too shaky and she hated it, she loathed it very much - and brought out a despondent, lamented sound of cry. Her evil lover, at the same time, continued to soak up as much energy as possible from the change of circumstance.
'Again, I successfully, harmlessly tricked you,' he whispered this to her right ear. Around them, the horrendous wind potter faster and faster meanwhile their invincibly powered circles got bigger. 'You should thank me for that.'
'Th... Thank you for what?' She abruptly gathered her courage to confront him. If this meant that the end of my life was approaching, I would be ready, she thought silently.
'For letting me bound my ways into your life again, Em,' his angelic voice replied, and before she realised what was coming next, she wailed with all of her might when she laid her eyes on his real monstrous, vampiric face before her.
'I am indeed sorry to say that you - a clever and sanguine girl like you - was granted the chance to relish your life only momentarily,' he cleared his throat. 'You have always known that you could not outrun us at the end..., and so have your family.'
'No,' she mumbled, and drifted her gaze to his face - his now burning face. 'NO!'
'No,' he mockingly repeated her words, 'or YES, my dear?'
'Don't call me using that 'D' word, beast,' she put her best effort to yell at the top of her lungs, ''cos I am not your dear, and prefer death to becoming one of you!'
With those last few words, she scrambled to her feet, and stood up in just two swift movements. In her both hands, which he did not know were protected by the two stashes of garlic and one wooden cross in her dress pockets, were two shiny swords with special blades carved onto their two edges which were designated to **** vampires. Get rid of them. And their malicious world of beasts.
She stepped forward, and new powers began to regenerate inside her - despite the cries she felt start to roll into her heart, upon knowing that her beloved Joe had died. Joe had been deceased now. He was lifeless, and no longer able to help her here. She should never have ditched him. It dawned on her now, when everything was already too late to fix up. But she knew that she should never give up. Javier and his vampire family might have tasted every single drop of her other family members - and the rest of Ludirus town's residents - including her Joe, before she idiotically kicked him out for this pathetic, heartless beast who wore a disguise to displace him. She stretch the first sword - the one in her right hand - out to him. He took a step back, his eyes remained focused on her.
'You won't hurt me,' he pretended to be in pain, and in one and a half seconds, he transformed into the figure of the innocuous, blue-eyed prince once more.
'I won't be deceived by your looks, pig,' spat her, meanwhile her brain rummaged through a thousand ways to stick the two swords into his chest. That was, in fact, the only way to **** him. To drain his evil life out of him.
'You were, once,' he laughed, the sound of his devious laughter echoed in the very room, and later left it in such dread and wariness.
'Not anymore,' she bravely took a step forward and, without any further doubt, without caring about her being imprisoned for the rest of her life before getting her blood dried by the fangs of Javier's two older brothers, she stabbed the swords into his chest with all the energy she had left. And the effects sprayed out by the action were beyond any of her expectations. Thousands of blood droplets poured out of his body and onto the floor beneath her, flooding the entire living room and finally the streets outside the building until no litter, little scraps of food, and wheels of vehicles were seen anywhere in sight. Surprisingly, these endless streams of blood did not cause any floods, and rapidly soaked through every single layer of soil the earth had on its surface. The blood that had been consumed out of the poor people of Ludirus, the rural village in South Ireland, famous for its cruel killing rampage for several thousand years, where a group of aristocratic vampire ruled the lives of humans and their own species. But now, there would be no more of them. No more of their horrible treatments. No more of their sneaking-up-on-humans tricks they secretly did at night - to savour human blood, which was lawfully removed from the protecting-human law renewed every year. It was all a lie. Yeah, a lie. A lie that allowed Javier's family to approach Lucinda's family members to be victims in their lifelong killing spree. But now, there would be no more vampires, thought Lucinda as she kissed her holy cross and sets of garlic affectionately. There would be no more blood sacrificed to fend for those beasts' hunger, even though it meant for her to live alone. Live on her own, as she no longer had anyone around her to turn to. To soak up her tears when she was scared away by the bunch of vampire kids on the way home from school. To calm her with her melodious chords at the piano. Mother. To serve her the best spaghetti in the world as a reward for her outstanding grades at school. Sister Sheila. To rub her back and put her to bed at night - at the age of sixteen! Father. Luce's tears just would not stop while she kept counting her memories, as every single shadows of her deceased beloved came back to her. And finally, the sight of her Joe lying his tired head on her lap, and reading out loud to her his newest poem he composed at the office for her. All were gone. Dissolved into the ravenous sea of blood in the guts of those psychotic, simpering, abusive monsters.
But she was satisfied. She felt, somehow, proud of her heroic, or at least, brave actions. She had taken control of her fear, and that was one of the most important characteristics a woman should have to succeed in this cruel world, her father had once said. Now she could prove to them all that she was a newly reborn person, and was no longer the old Lucinda. Lucinda Hale who had always been the 'tail' of her sister while they were six and four, and the little, spoilt daughter of Jim and Aileen Hale who could not hold a plate properly in every banquet their family was invited to. Luce knew that she was now completely a stranger to her family. She squinted her eyes shut, trying to imagine how nice it would be to show off her new self to her late family if only they were all alive with healthy pink cheeks now. In her own peace and this momentary solitude, she found herself sinking onto the floating warmth of blood, but strangely, she did not fall. She did not plunge into the limitless red colour underneath, and remained flowing above it while her tears started to crawl out of her eyes. She did not know, and did not want to know how long this remained until she eventually felt the rough surface of the bearskin carpet again. She woke up with a dizzy head and quickly threw a hasty look around her living room. The prince, beastly Javier had vanished. Oh, there are his remnants, she thought and unconsciously, chuckled quietly to herself when she came to take hold of several white, lifeless bones laid in front of her. Then suddenly she understood what had just happened. The legend in that book she had borrowed from the library transported the knowledge back into her mind. All the members of Javier's family had been crushed now. They were dead. Her sacred tears, which came to mix with the blood flood, became the cure for all the people who had been ****** by the vicious vampires in town. They were now freed, and reawarded, although still mortal, but yet a very rare, elusive, privileged chance to be alive once again and start their lives all over again. They must not be far from her now, thought her. Without any further wait, she raced out of the room, and wormed her way onto the street.
And here they were. The streets of Ludirus were no longer deserted. Traditional markets with a thousand-metre long series of antiques roamed them, occupying every single tiny space provided to place racks containing jewels, valuables, and gold pots. There were also shelves of books about cookery, traditional healing potions, sports, literature, and anything else someone ever wanted to buy. And then she spotted a book with a bright yellow cover, entitled 'Love Poems: From 1900 to the Present, by Joe Grogan.' Her breath seemed to stop at that time and suddenly, before she even got the opportunity to touch the cover of the copy in front of her, two warm arms wrapped her waists and turned her body around to face the owner. Once again, she was at a terrible loss for words. 'Joe,' she mumbled.
'I am,' the writer nodded solemnly. And just like the evil Prince Javier had done before, he pulled out a beautiful silver box and opened it. Inside, two rings shined beautifully before their eyes, radiating a smile as bright as the one seen on others' faces among them. A smile that celebrated the comeback of their long-lost independence. Before she knew it, Joe knelt before her, and presented the ring upwards onto her.
'What would you like to do first, Madam? Marry me, or buy my book?' He grinned and held both her hands. Before she could answer him, he inserted her left ring finger into the perfectly made ring, and helped her right hand fasten his own ring onto his finger. She lifted him up and wrapped her hands around his neck.
'Do you have time for both, Sir?' She rubbed his smooth cheeks and kiss them before looking deeply into his hazel eyes.
'Absolutely,' he answered firmly, and scooped her whole weight into his arms and spinned her around. Luce could no longer say anything when a sudden wave of happiness washed all over her, and became even at a more unfathomable loss of words when she caught the sight of her beloved father, mother, and her sister, all alive, start approaching to deliver their congratulations. Here we are, she thought with a satisfied feeling. We were, are, and will always be meant to be together.

He sat in a wheeled chair, waiting for dark,
And shivered in his ghastly suit of grey,
Legless, sewn short at elbow. Through the park
Voices of boys rang saddening like a hymn,
Voices of play and pleasure after day,
Till gathering sleep had mothered them from him.

About this time Town used to swing so gay
When glow-lamps budded in the light blue trees,
And girls glanced lovelier as the air grew dim, -
In the old times, before he threw away his knees.
Now he will never feel again how slim
Girls' waists are, or how warm their subtle hands;
All of them touch him like some queer disease.

There was an artist silly for his face,
For it was younger than his youth, last year.
Now, he is old; his back will never brace;
He's lost his colour very far from here,
Poured it down shell-holes till the veins ran dry,
And half his lifetime lapsed in the hot race
And leap of purple spurted from his thigh.

One time he liked a blood-smear down his leg,
After the matches, carried shoulder-high.
It was after football, when he'd drunk a peg,
He thought he'd better join. - He wonders why.
Someone had said he'd look a god in kilts,
That's why; and may be, too, to please his Meg;
Aye, that was it, to please the giddy jilts
He asked to join. He didn't have to beg;
Smiling they wrote his lie; aged nineteen years.
Germans he scarcely thought of; all their guilt,
And Austria's, did not move him. And no fears
Of Fear came yet. He thought of jewelled hilts
For daggers in plaid socks; of smart salutes;
And care of arms; and leave; and pay arrears;
Esprit de corps; and hints for young recruits.
And soon, he was drafted out with drums and cheers.

Some cheered him home, but not as crowds cheer Goal.
Only a solemn man who brought him fruits
Thanked him; and then inquired about his soul.

Now, he will spend a few sick years in institutes,
And do what things the rules consider wise,
And take whatever pity they may dole.
To-night he noticed how the women's eyes
Passed from him to the strong men that were whole.
How cold and late it is! Why don't they come
And put him into bed? Why don't they come?

i sit there with
the cool wind
breezing against my face
while the summer sizzles
on my shoulders

your golden thigh
sticks to my skin
as we drive to the game
every ******* week

the boys
they sit in the back
and pack their lips
and talk **** about
the girls

the girls
who don't realize
that they're their easy targets
who skip around
in their short, tight
dresses

they talk about their waists
and the way they like to moan
every little imperfection
all avail have they shown

they think that it makes them buff
they think that it makes them cool
and i let them light their egos
and sometimes i chirp on too

but yet i sit and listen
and sometimes i think
they don't realize that i'm a girl
too

i don't know how i feel about that

I'm self conscious.
You are too
Its hard not to be
It's hard to love yourself

Too be able to see past
All the things you hate.
It's quite a feat,
I know I struggle.

We hate on ourselves,
We hate on each other,
We know we shouldn't,
But we aren't stopping anytime soon.

You hate your thighs,
She hates her stomach,
They hate their waists.
No one can escape

The ridicule brought down on ourselves.
There is only way to end it
Stop hating yourself
And start loving your body.

You know that it's true
I know that it's true
But we both know, everyone does,
Its much harder than it seems.

if i show you
will you understand?

how i've outlined these arms
vein after vein
where sunlight runs
i see only
lines to trace

i got a barcode on my wrists

scan me for the price
of beauty

i am as expensive
as what people think of me.

do you know what it feels like
to attach your worth
to weighing scales
and waists that never
slim down?

is this why they call them
shoulder blades
to cut through
your skin
to be called
"pretty"

thigh gaps that map
the distance between your legs
to make you
matter so much
you can't stand on your own
feet.

when you walk the shoes
we wear
will you know?

the path to be
called beautiful
is full of
self-hate

and we pay for that bill.

Are you a tourist or
A volcanologist my dear?
With a painful joy
To a live volcano  getting near,
Do you want to pay homage
To earth's nadir
Conscious that beneath a sea level
A sweltering heat you can bear?

Then to Erta Ale  come you not why
Found under Ethiopia's sky?
With a style jumping high,
Hitting the ground
Beating  drums, on their waists,
Sabres tied around
Afro men along with braided women,
With butter greased hair,
The latter ululating and clapping
In a row facing each other
Chant a  love song
“My feeling for you is strong!”

The male herd camel,
While women babysit,prepare food
And make short huts
With tiny malleable wood.

Also dot the mirage-forming sand
Huts grand.

Are you a tourist my dear
Eager to see about
Out of the ordinary you heard
Say about multicolored magma
Volcano's dust,
Disgorged out of earth's crust?

Do you want to see a scenery
You have not seen
Since you were born,
How in a motley garment
Mother nature itself
Likes to adorn
Come then to Ethiopia,
Located in Africa's horn?

Visit Erta Ale ,
On earth
To run away from earth
Enjoying its hearth.
You will witness
The extraction of salt
In a volcano-formed fault.///

Fashion show finales follow a familiar rhythm: after the models march along the catwalk for a last hurrah, the designer comes out to take a bow. Their demeanour is often telling, an indicator of their attitude to the collection they've shown – are they a bag of nerves, or grinning from ear to ear?

Also noteworthy is the look they choose to take their bow in. Are they even wearing their own work? One of the most celebrated designers of our time never wears his own designs. Karl Lagerfeld may create the occasional menswear look at Chanel and he designs a whole men's collection for his eponymous label but he has long been a customer elsewhere: Dior Homme.

Lagerfeld started wearing Dior Homme when he was in his late 60s, shedding 41 kilograms to fit into the skinny styles of the label's then designer, Hedi Slimane. Lagerfeld has stayed loyal to the brand ever since, even after Slimane, now creative director of Saint Laurent, quit in 2006. And although the label is known for its emphasis on youth, Lagerfeld, now in his 80s, remains one of Dior Homme's most visible clients.

Raf Simons, meanwhile, Dior's creative director of womenswear, is partial to Prada: his presence in the documentary film Dior & I (2014) is most clearly announced via his distinctive studded Prada sneakers and he often takes his catwalk bow in a head-to-toe Prada look. For his first Christian Dior ready-to-wear show he wore a vintage denim jacket with red stripes by Austrian designer Helmut Lang.

And yet many designers do wear their own work, especially if the brand carries their surname. Editors scan the wardrobe of Miuccia Prada for clues to her latest collection: is she feeling utilitarian, elegant or purposefully off-kilter? When Donatella Versace takes her bow, she often wears a look from the collection she's just shown – for autumn/winter 2015, it was a pinstriped, flared pantsuit. And even Simons has worn pieces from his own label collaboration with Sterling Ruby.

So if the name is on the label, does it mean the clothes will always be on the designer's back? Not necessarily. "I've never been into wearing clothing with my own brand name inside," says Jonathan Anderson, designer behind JW Anderson and now creative director of Loewe. "I find it odd and arrogant."

UNIFORM DRESSING

Anderson's own wardrobe is a familiar uniform: crewneck sweater, faded blue jeans, Nike sneakers. It's entirely opposite to the menswear looks he creates for his own label's catwalk presentations, which have included bandeau tops and frilled shorts. He seems to favour a clean-palette approach: keeping himself neutral so as to not deflect from his experimentation elsewhere.

This kind of wardrobe is common among fashion designers. Jack McCollough and Lazaro Hernandez of Proenza Schouler appear to have no desire to create menswear for themselves or others, dressing instead in a similar style to Anderson: crewnecks, polo shirts or button-downs, usually with jeans and sneakers.

Mary Katrantzou, meanwhile, recent winner of the 2015 BFC/Vogue Designer Fashion Fund, may have built her business on print and embellishment but she is usually found in a black knit dress by Azzedine Alaïa. Alaïa himself has perhaps the ultimate clean-palette wardrobe: for decades he has worn black cotton Chinese pyjamas, fastened by simple floral buttoning.

Each of these designers has a successful business with its own clear signature. So maybe it doesn't matter if they don't wear their own clothes. And yet when designers do, it can be so seductive. Men buy Tom Ford because they want to be like Tom Ford. Women buy Céline because they want to look like Phoebe Philo. Stefano Pilati, creative director of Ermenegildo Zegna Couture, is often said to be his own best model; Rick Owens, in his long draped vests and baggy shorts, is the perfect ambassador for his own alternate universe of otherness.

The style of Roksanda Ilincic is synonymous with her own brand. "I create pieces that embrace the female form," she says of her bold colour palette and silhouette. "Being a woman means I'm able to feel and test those things on a personal level … I tend to favour long hemlines and nipped-in waists, with interesting shades and textures, pared down with simple basics and outerwear." Does she ever wear anyone else? "Of course! Black polo necks from Wolford are an absolute staple and in winter I am rarely without my favourite black cashmere coat by Prada, which is on permanent loan from my husband."

It seems like an industry divided between designers who wear their own work and those who don't. But sometimes things change. Backstage at Loewe earlier this season, Anderson said: "With Loewe, I have a detachment. I wear a lot of it. Now I'm more, 'Does this work?' I've got a bit of a love back for fashion."

Two months on, his interest in wearing his own designs has grown still further. He is the cover star of the new issue of menswear biannual magazine Fantastic Man, posing in a slash-fronted sweater and leather tie trousers. The pieces are both his work from current season Loewe. Womenswear. In for a penny, in for a pound.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/long-formal-dresses

Mid autumn’s eve
Dancing dust and flickering campfire alive

The slumbering women
With narrow waists
Fan the white-hot humidity
Rising in our *****

We are torn by a peculiar ***** pain
And an Ancient Whisper tells us to take them

But a Hollow Echo retorts our hammering heart
To be patient in our sleepless heat
As a watcher in the woods
Until the women’s voices
Are darkly wet with desire—
               But we cannot wait . . .

An impish grin then pulls our lips
When the sinister silence
Drapes over the desirable women

We span their length with our imagination
Full bosomed and tawny skin—
Musk and wildflowers lavishly call us
And we, carefree with the flames
Take them with a Ruling Passion

Fast dance and star fire
Clawed and kicked fought and spit
Struggling dearly to save their thighs
Against the Velvet Night

Blood smell becomes the campfire
Dancing dust dies
And we return to our sleepless side
Our Eternal Hunger satiated for the moment

And the narrow waists
Lying spent and used were Murderously Furious—
               But we could not wait . . .

How a kiss feels
It is indescribable
And yet I can explain
It in detail
Soft Lips press
Against each other
As hearts pound
Sometimes it is
Soft filled with
Love and warmth
And others are
Forceful filled with
Lust and passion
Fingers tangle in
The other's hair
Arms are wrapped
Around necks and
Waists fingers lace
Together as warm
Tongues press against
Soft Lips begging
For entrance
Mouths open
Tongues battle for
Dominance as each
Persons heart hammers
In their chest
Fingers entangle themselves
In long and short hair
body
Heat grows strong
And stronger
Until eventually shirts
Are discarded bras
Are lifted and
Moans fill the
Room
Heat fills your
Body
As his touch
Sends a shiver
Down your spine
Your face flushes
A deep shade
Of berry red
As he nibbles
And ***** on
The sensitive flesh
Of your neck
Causing your world
To go blank
This is how
A kiss feels

70’s 80’s, 1890s 1900s 1900s. 1910 1919, 1920’s 1930’s 1940s. 1940’s, 1950’s 1960’s, 1970’s 1980’s, 1990’s, "hour-glass" (i.e. [3] A a about afford African, after After again all all.”[3] along also among an and anorexia, any appear appearances around As as Asian, at At athletic attempted attractive away back back-combing, ballgowns, bare be beauty became because become becoming been Before beginning behind being between Between binding blonde blonde. blow-drying, bobs, bodices. Bodies bodies Body body body.[5] boots, ***** braids, ******* bright budgets. but by came cancer, capes. cardigan-jacket celebrities century changed changing, Cheaper chemise. class. cleavage Cleavage cleavage. clothes clothes. clothing Clothing color. colorful. colors colors, commodity conservatism considered constructive contouring, Contrary corset cosmetic cosmetics Cosmetics could created crimping, crop” cultures curled curled. curls current curvaceous curve Curves cut cuts, day. decade decade, decade. definitive delicate, demand design desirable did dieting disco disorders dividing done dresses dresses, drive dubbed due During during early eating Edwardian emphasis emphasize emphasized emphasized, emphasizing empire era era, era. era”.[4] essence etc.). ever every exotic Experimenting extravagant extremely eye eyebrows. eyelashes, eyeliner eyes eyes” Face factories. fake false famous fashion fashion, Fashion.[4] favored, female First fit fitness flared flat floppy focus, focused For for French frizzy. from frosted frowned fur Fur Gateau, gave geometric give gloss gogo Grace gray great grown hair Hair hair. hairdresser, hairstyle hairstyle. hairstyle; hairstyles hair”.[3] has health heavy heels, height high history ideal ideals illusion image image. images. importance In in in. incandescent, included incorporated increase increasing individualism, individuality. industry influence influenced information interest into introduced involved iridescent is it it. jewelry. Kelly, knowledge lack lacking large Latin-American, layers, leg legs less like line line. lip lips lipstick long long, look look. looking looks loose loose, looser low made main mainly Makeup makeup Many many Marcel Marilyn masculine, men Models modern Monroe more most movie much muscular, nail Natural new nineteenth no Not now of Older on on, once one’s other our out outrageous pads, painting, pale pale, pants, peasant perfectly period period. perms Perms, personalities Physically platform Platinum play popular popular, popular. popularity practical Practicality practicality practiced products public.[3] punk pushing putting rather rationed real reasons. refinement” research resembled resources respects revealed revolutionary. revolved rise saw scrutiny seen seen.[3] shades. shadow shadow. shape shape.[3] shapeless shapeless, shearing shimmering shoes, short shoulder showing showing. silkiness silk”. simple simpler; simplicity skimpy skin skirt. skirts skirts, sleeves, slightly small smock so social society socks. softness. soon space sporting sporty sporty, spotlight star stars starting statement, stilettos still stockings suits sunscreen.[3] surgery sweaters swept tall. tank tanned tanning tattoos. techniques than that The the their them there These they thick thin this This thus tight tighter time time, time. time.[3] tiny to today, toned toned, took top top-knots translucent travel trend trends trends. tunic” turn type under undergarments.[3] uniforms unless up upon upon. used usually versions very Victorian visible waif-like, waist waists, war War war, war. was wavy, way way. went were westernized when where which while wide Wigs wild With with without woman.[3] womanly Women women women, women. women.[3] work working World worn young, younger younger”.[3] youth.[3] youthful “barrel “Egyptian “Eton “femininity “Gangly” “Madonna” “mini” “practicality, “softer “Suggestion, “S” “The “waif-like” “watered

In the Webster dictionary beauty is defined as:
"The quality of being physically attractive"
And it never specifies what attractive is...who gets to decide it
but...
The screens, the magazines, they all scream
In high definition their definition of "beauty"

Beauty is itty bitty waists and walking twigs
negative spaces between legs that subtract another's value
if the gap is not there
It is lipstick and pale pink blush on rearranged faces
like children playing dress up
or a giant game of make-believe we are made to believe
that something is wrong with the way we look
And we have been directed well
the cruel criticism oozing out of over-injected lips
typed out with freshly manicured tips
"she has weird *****" "you have a weird nose" "lay off the cookies"
we read off the scripts, taking turns playing the villain and the victim
and there are no heroes here
There are no standing ovations, no thunderous claps await

Is anyone really watching?
                                                  Does anyone really see?

With pain hardened eyes we glare
we compare compare compare
ourselves to the models, the barbie dolls, the flawless magazines
our friends, our sisters, strangers on the street
and in our rooms before the mirror
our reflection the bearer of bad news
"you are not the fairest of them all"

will we ever be?
So much trial for so much error
we are worn thin and even so
even so we are told to lose a few
And we run, endlessly
in the hopes that we may be worth something


If only we would realize that beauty is a noun, a word created by man
between beaten and become
If we win this race we will have beaten the monster society has become
and see
that we are all worth more than words                      
                                                                ­ **we are flying off the page

they say in our existance it seems as though our entire lives flip in an instant without us even
noticing the gradual changes. year by year our friends come and go, we see new parts of the world, we witness things we never thought could happen. when I think of how life plays out like this, I try to spread out every single year of my life and analyze it. mostly I try and look for where the world seemed to go to ****. I wish I could remember when I changed, when I felt like life wasnt worth it anymore. but the truth is I dont even remember a time when I could look at myself and say that I was worth it, that life was worth it, that I was destined for something.

in the beginning my issues were simple and petty, growing up in a town with beautiful girls and brilliant boys with straight teeth and even straighter hair. my bones didnt stick out and my skin didnt look as perfect and tan as the girls who stood by my side in elementary school. They hopped out of their mothers cars with beaming smiles and kisses fresh on their foreheads. I sat outside of class thirty minutes early because my mom was stuck working in the awful hellhole of a school. they flipped over their chairs as the bell rang and scooted their tiny waists into the seats, talking about their lovely weekends at the pool, which I was too fat to go to, or at each others houses, where I was never invited.

I wasnt really a loser, and I wasnt popular. but this didnt stop me from mentally ripping myself into pieces every chance I got. the perfect frame lay traced out in my mind, and I didnt match up when I looked into the mirror.

this self critisism still continues, and has only grown worse.

ever since birth I had lived in a home with parents who bickered and spat at each other like roaches, screaming over nothing. in the beginning the fights were pointless, not a single purpose held in the shouting. and then it shifted to my brother and I. the drinking that my father did. the business my mother spread through her side of the family tree, feeding the branches. loss of money, faith, time. a million things I dont remember. a million words I wish I didnt remember.

at age eleven I laid shivering in bed, letting the hum of the fan above me lull me into sleep. I longed to hear the hum of my fathers voice singing to me as he did when I was a child. humming our songs to myself didnt work anymore. on this particular night, my father wandered into my room with a blanket wrapped around his shaking figure. His eyes stained beat red. he poured out to me that he was leaving us, my brother and I, my mother. he wanted me to speak, I didnt say a word. he wanted me to hug him, I plastered my arms by my sides.

the next day, he still sat on the couch, avoiding my frantic glances and wondering eyes.

constant blame stuck to me. guilt stuck even more than the words thrown onto me while walking down the halls in sixth and seventh grade. I would lay on the old tattered couch in the basement, trying to catch a glimpse of my father if he happened to walk from his den and onto the porch. many times, I did not see him. many days, I did not hear from him. and finally the day came where he came to talk. it was bright, and my mother and father sat before my brother and I. seeing them come together was something I couldnt even remember, so I assumed good news. maybe a new brother or sister, maybe a package in the mail for us. but no, of course not.

my father was diagnosed with colin cancer. I do not remember the stage when they came and told me, I do not remember anything besides deep gray hopsital rooms which tasted like hell and flourescent white light bulbs which looked like heaven. I remember my mother sticking to my fathers side purely for recognition from the rest of the family. I remember how when the doors closed, the monster that she really is came out in low growls and snickering. I faked smiles for my father that I taught myself in school, I counted tiles on the hospital floor which seemed to similar to those lining the halls. the summer in which he was released was the summer in which we traveled the world. I tasted fresh bread from all corners of the world and I fed off the smiles of the people who lived in the villages, craving their happiness found in simplicity. I wanted it all. yet, I hated every moment of it. I knew I would never live a life so peaceful.

eighth grade started and so began The Wondering and The Wandering, the silence that hung in my throat and the words that filled my brain like acid, and not the good kind. I questioned existance, for I could not find a home in my friends, in my family, in myself. I could not remember when the chuckling from my cousins and aunts and uncles felt warm instead of harsh and cold. cigarette smoke stained my clothes and I clung to its scent like a child craved the smell of brownies baking in the oven. I fell in love with nights alone on the roof counting the stars and realized there were more in the sky than people in the world, and I felt truly scared for the first time. More scared than I had been when my father beat me for the last time and more scared than I became as he withered into a man I could not recognize. I was alone, I was vulnerable.

my death had come in the first year of highschool. the first day pushed me from the smiling faces of my innocent friends into the rough, ashy hands and curling smirks of my new friends. they introduced me to the world and I introduced them to my mind, and I also to the drugs, which just started with ****. I was welcomed to their table in the morning with beat red eyes that caused me to shy away from the mirror, reminding me of my father. I would laugh because my body made me. I would smile because I was floating far, far away. Looking down on them. they teased me, they pulled strings and I became their puppet. I was a doll and not a human. I burned myself and they laughed. my boyfriend held my waist and not my hand. he fed my sorrows and not my smiles. I was the fire and they fed me, they watched me, they listened. they split me into pieces and I snapped like my bones did in seventh grade when I skid across the cold gym floor in front of everyone. everyone I loved was vanishing in and out of my life like the flickering light bulb at my bus stop at five thirty in the morning.

I began to steal pills from the cabinets of my neighbors, filling the bottles with tissues so I could slip out of the house silently as the bottles fit snug into my shirt. it started with swallowing eight. then twelve. fourteen. eighteen. I swallowed them and let them burst in my empty stomach and carry me off, far away. so far away. I will not get in depth on the effect they had on me, thats a different story. I lost myself, and I was nothing. but I was not yet a ghost. my father had percosets, pills from his chemotherapy, shoved into his cabinet. I took 3, 4, then 5. my friends told me I shouldve thrown them up once I hit 4. so, I took 6.

I fell asleep with various ways to **** myself running through my mind. these were not new to me at all. they did not scare me, instead they welcomed me. knowing I could disappear so easily, so quickly. on a silent january morning I woke up, rubbed my eyes, rolled out of bed. I stared into my own eyes, and they were dim. I grabbed the percosets and took a handful. they gathered and slipped down my throat. they fought to return to my tongue but I already knew how to keep them down. I wandered into my mothers room and tried to spill a lie of how I was very, very sick (I wasnt) and how I needed (I did) to stay home. she told me no, there was no way I was sick (I was) and I wasnt staying home (I didnt).

I arrived at school and stumbled to my class like a zombie. five or ten minutes I walked out in the middle of the teachers lecture. I found myself clinging to the toilet bowl down the hall, crying, fighting every urge to stifle the screams that curled in the back of my throat. my skin blended in with the bleached tile. I probably threw up my body weight in the time that I was there. I dont know how long it was. I dont even know why I let myself walk into the building. but there I was, and then came the teachers, and I still dont even know where it is that they came from. they cradled me and my vision slipped and I know that I died there, in the deep gray bathroom stall which felt like hell and under flourescent white light bulbs which looked like heaven.

I like to ask myself every once in a while who I am. I don't know the answer, but I try to ask anyways, I try to get the spider webs in my mind to clear off. I try to bring myself back to what I could be if I never slipped away like this. I still have not found home. I tried to find my reflection in the hollow bottoms of bottles I stole from liquor cabinets across the neighborhood. I couldnt find myself in the blade or the oceans across the globe. I could not find home no matter how many cigarettes I smoked, no matter how many friends I made, no matter how many houses I collapsed in and puked on the hardwood floors. my questions always remain unanswered and my cries remain ignored. when I ask myself who I am, I remind myself that I am a million people. I am the little kids who followed me on red bikes in Italy and I am the girl I threatened who tried to hurt my bestfriend and I am the ghosts in the attic and the new kid at school who disappeared just a few weeks after. but one person I am not is whoever I was in the beginning.

With chisel and hammer
I carve the length of your legs
and the width of your waists
and the bend of your arms
and the ***** of your shoulders
until I arrive at your brain
where I reach with chisel and hammer
until I come across your spring
of wisdom and knowledge
your fountain of thought and belief.

am i too much for you?
is it that fact i have a loose *****, or two, or three
did i really need to see you through for every day you
touched me, looked me in the eye, said the fire will never die
but it did

and that hoodie fills a space between two legs,
square pegs into round holes, binge eating until you
hurt your throat
but you still devote yourself to being
skinny

and that word has plagued me for so long, like a song, like a call, and now i need to know, before i fall, am i skinny enough to be loved? is my collarbone every going to be a wishing well, will i burn in hell for the simple sin of being fat?

but in reality, the only real causality was myself
i force fed myself discipline, hoped someone
would listen, but they never did

even the shrinks said i was crazy
and that i was lazy for not going out, excising until
my skin split and a beautiful butterfly emerged
then i'd surge into battle like a goddess

but when your thighs are thick and you aren't modest,
and when you wear lipstick too thick like a woman
with double Ds and an ache between her knees
you know that if you were skinny, you'd never have
these problems, and if you did
you'd know how to solve them
to be skinny
is to be graceful

even in suicidal rages
that flip through pages and pages of stories before they rip my own
from existence
need to be kept under control and kept at a distance like
a tiger that has the taste for human flesh

but now i know i'm the best, because i have a good ****,
long legs and a pretty face
but i'm too hard to replace in this overpriced world
where girls are told to starve themselves

to a neutral, non-pear shape
until their ******* are the tip of an hourglass
their waists are too thin to last
and their eyes are longing for even the tiniest indulgence
avoiding food and any substance
that would jeopardize
skinny

but then i realized
if skinny was so important
then why did all those who were it
probably also were just a little bit away from going insane
and we were in the same boat, staying afloat together
on the ocean of
skinny

so i wrote this poem
for every single girl or woman
who needed a book or a booking
to make them feel beautiful, and by beautiful i mean
skinny

but beautiful can be skinny,
but it can also be thighs like tree trunks,
arms like rivers
and a body that delivers nothing but happiness to that of it's owner

and my body is not some loaner car you
can trash and get away with
there will be fines,
for i am fine,

but in those times, where
nothing was ever promised to me
i started to see

beautiful could mean
staying up to take care of your kids,
single-mothering and being glad your husband
got rid of himself before you could, because
you can do a much better job without the chain-smoke
and you stay woke
forever
because skinny is a construct

or it could mean
studying in waters of student loans,
feeling alone as the only ******* campus
but working hard to become a lawyer or a doctor,
she will always be her mother's daughter

i'd say words stronger than this,
but there are children here,
but ***** skinny!
i am beautiful,
you are beautiful
and by beautiful
i mean anything you want it to mean.

Turning on the T.V, you see a beautiful woman
Standing up, proud and straight.
You look down at your not-so-perfect self,
And your heart fills with hate.

You’re not like that woman,
But you’re beautiful just the same.
You have beauty where she doesn’t
Internal beauty is what you can claim.

If only you could see it,
You’d know your beauty too.
Unfortunately, society has brainwashed us
Into not loving people like you.

If I could change the world
We wouldn’t have to have waists of a centigram.
And I’d have the cute guys love me
For who I am- not what I am.

So look at yourself,
You’re beautiful just like me.
Loving yourself is the right path;
Confidence is the key.

I have wide hips, a wide waist.
chubby cheeks and
short legs
given to me

by my mother.

she is not a witch.
she has wrinkles, yes
but they do not define her
nor would she let them.

I have no interest in making friends with fish,
small birds,
candlesticks or clocks,
or rodents.


I need human contact to survive.

If you put me alone in a house in a forest,
I will not clean.  
I will not wait to be saved.
I will not ask for your permission to go outside.

I will leave.


I do not need a prince to live happily ever after.

I have short bushy hair
and a ******.
yes, it's there.
underneath my cotton underwear and long lace skirts
that no one is telling me to wear.

I have a sister.
I go to her for advice.
I look up to her and I talk to her about
Everything anything everything

I do not need a prince.



I look up to my mother.
She is not a source of fear,
she is a source of comfort
and relief.


what are We teaching our daughters?

these imaginary princesses
teach our babygirls

to have long eyelashes
to have two inch waists
long luscious hair
*** appeal


and if they don't,

they will never live happily ever after.

If I need all that to get one,

I do not want a prince.

I do not want to be anyone's
cinderella.

I will not chase after anyone
if they choose to leave.

I will weep into my sister and mother's shoulders

But that poor,
poor
princess

will always be chasing
squirrels
to talk to

and men
to be saved by.

When will we teach them to save themselves?


When will they teach themselves
that there is no such thing as perfect

Oh how it eats me alive
As the thought dances in my brain
Am I not good enough?
Do you want another?
Look at how much more beautiful they are,
Their skinny waists and sparkling eyes
And a personality to match.

Last summer, you were sporting short shorts, a tank top, flip flops, and a smile so big it took up half your face. You used to frolic about the beach with your best friends, pushing each other around and teasing each other about the boys with tousled hair and dreamy eyes. You were happy then. Your hair wasn't an issue, nobody made remarks about the blackness of your skin, and you got along with everybody.

You heard so much about high school, and were more than excited to push past the doors to your supposed freedom. The first few days weren't too bad, until you realized that you had nobody to giggle and whisper with. All around you were beautiful girls with tan skin and blonde hair--so different from your brown skin and braids. And when you stood beside the girls with dazzling eyes and bright smiles, you couldn't help but feel inferior. When you became aware of their narrow waists and thin legs, you began pinching at your stomach and ******* in--trying to be just like them.

Just last year, you were the most outspoken girl in your whole class. Suddenly, your voice has gotten lost somewhere in your throat. Your anxieties fluctuate, and your stress increases. But you find
comfort in the contents of your fridge and sub-consciously begin eating and eating and eating until you feel satisfied. Here you are, undressed, standing before the mirror, staring at the number that has appeared on the scale in disgust. Nobody will ever love me, you think to yourself, as you point out all your flaws.

Your mother throws dresses your way, but you refuse to wear them. Some girls offer invitations to parties, but you decline. Why? Because you feel too unattractive for anyone. You feel undeserving of any love or inclusivity whatsoever. The old you is gone. Your confidence has evaporated and your self-esteem has disappeared.

It's strange how much someone can change over the course of one year.

is there and end or
is there an ending?
something subtle
something cool
something blue
and don't forget the wedding dress
and the horses
and the horses
and the merry merry men
and all of their wives
in pink
topped hats and hands on their
waists, they had wasp-like waists
and they didn't eat a thing
the insects, crawled and stung
with their beetle jaws
on my skin
and you stood there with your
graceless eyes
and bracelet teeth
and wondered
is there an end
or an ending
?

after years of being told how good my body was
i went through puberty.

after years of being asked how much time i spent at the gym
i grew hips
and disconcerting  looks from grown men who thought my fifteen year old thighs were too thick to be sexualized.

after years of wearing sundresses
and being applauded for being the first girl in my grade to grow *****
my metabolism slowed down
and i was made to feel like a cowbell in the least practical sense of the word.

i was thirteen and hunched over a porcelain toilet bowl when i told my friend i had purged and she called me gross as if it wasn't because of feeling "gross" that i was there to begin with.

and i'd grown used to my good-gened friends with their tiny waists and size 32 jeans telling me they wanted to join a gym in hopes i'd run along and lose some weight.

because when i was 13 and weighed little enough to turn heads i felt empty while looking whole.

and when you're fat you can't have an eating disorder, because illness can be seen so how good of a job my ana was doing depended solely on how faint i felt by midday.

in a world where nobody buys magazines it's easy to pretend we don't care for skinny bodies anymore, but when every smartphone is linked to an instagram page and every newsfeed is filled with "slim thick baddies" you can't help but wonder.

if i were to feel physically full why am i so empty?
i cheated myself.
she probably went and cheated on me because my body wasn't slim-thick enough to eat.

and it's easy to say this doesn't apply to me when you see the pictures on the beach but you don't see me scrolling through pinterest at 2 in the morning looking at "How To Lose 10 kgs in 3 Days" posts.

if i were so lucky i'd be a success story and could probably post before and after pictures of my body but you can not hear the ache in my belly screaming at me that it'd rather just be cut off.

when i was fourteen i could no longer wear shorts in public because grown men with wives would turn and watch my thighs clip-clap together as i walked with my dad.
i was asking for it.
i resented summer and the fact that i'd run out of clean pairs of jeans to sweat in.

but if i dare love myself, what then? do i apologise to the girlfriends of the boys who visit me for coffee? do i drink coke light with my whiskey? do i start writing poetry?

'I'll see that plate clean,' she said,
'Or I'll send you straight to bed.'
Liver and onions lie in wait,
two choices up for debate.

'I won't hear a word till you've finished.'
It lay there still undiminished.
It's cold, unfit to eat, congealed,
and nowhere can it be concealed.

'You should have thought of that before.'
When I grow up I'll eat no more
of that cabbage, liver - lousy crud.
Give me sweets and crisps, perhaps rice pud'.

She should have thrown it in the bin.
Now I'm stuck, a locust for my sin.
I must eat all, my waists expanding.
Though Mother's gone, her ghost's demanding.

My father lit a cigarette and smoked the room up
                  with choked circles,
                                                                    he rewrites every woman
                                               he sees,
                 metamorphosis asunder,
                                                              because nothing is on tv.

                                  My mom was hauled blindly
                                              away from love to evening's riverbed
                                                            --to **** the fear of
                                                                                        correction away.
                              Birds talk about fish
                                            that fly in airline crusades,           gobbling up wise owls.
                          Blossom talons pluck
                                                              --up their words,
                                                                         the closest a lie can come to the truth
                                                               and be set in stone  None of them
                              will be remembered
                              the way they want to. footnote retribution.

                     The wandering dead only care about
                                                         modeling on the covers
       of psychology magazines--hailing reviews that digest indulgence
                                                                         beautifully,
                                                carving chocolate waists
     down
  to starvation--we melt away to gnats
                                       in Prozac hives
                                            shingled with academic love papers
                                            & bible covers.

                Dear Alice,
                            you stole our table of tea, our shaved vigil,
                                          our western rodeo,
                                         our alcoholic omega.

                       Midnight on the dishonored battlefield
          with the scythe beneath us,
                                     we murmur love back into
                                    our sheets of high horror.

  Your meteorite adultery could not wipe
                      this hard drive clean--what we would lose...

   the things we cannot                                                   touch.
                                         Cloud 9 LSD,
                                     its warriors passing
                                  weapons down to the flock's ashes--to wives who fear

      the wrath of their husbands. Chlorine gills quit
                                          cold turkey
                            --sinks overfill under unorthodox skies--the turning of centuries
                                                                is nothing like flipping
                                                                                                      pennies
                                   into wishing wells.

I’ve known battles between my heart and my head before, but never like this.

Pain is familiar to me. Sadness is common company, hurt is safe. Misery follows me, aches linger. I’m used to fighting for my happiness, to finding a glimmer of it and holding on as tightly as I can. I choose to keep a smile on my face as much as possible, I choose to be cheerful and optimistic, but that doesn’t mean that choice is easy. That doesn’t mean I don’t relapse. I struggle every day of my life just to wake up, and I do it somehow, I fight the hardest battle over and over again and it’s only small victories in a big war.

I’m in a long distance relationship, and to anyone who has ever experienced this, you know what it means: pain. Constant and aching. The longing never leaves you, the need never stops. I’ve settled into this pain like a warm blanket, it surrounds my every moment. I’ve sunk into its salt like the sea. I know this pain well. So well, that when it came time to leave it, I was afraid. I was afraid to see her and have it replaced by a joy so profound it filled my whole being. I was so nervous to let it go for those few days, because when it came back, I both knew what to expect and also wondered how it would change. The first two times I left her, it slammed back into me like a hammer and sent shockwaves through my heart. I cried for days. I couldn’t stop. It’s return was so much worse than it’s familiarity. It was new again.

This time, it didn’t ram into me… it just slowly pressed against me. I remember dreading this moment, remembering it’s return before and how it freshly awful it was. I braced myself for the worst, tensing against the inevitable plunge. Instead… I sunk back into it. Slowly, comfortably. I cried a few times, when it went a little too fast. But it mostly kept a steady pace, and I remained braced even after I had already reached the bottom. The pain will come, I thought. It hasn’t happened yet. But what I hadn’t noticed, until now, is that it happened so gradually that I had returned to a state I knew so well, it didn’t alarm me. That’s why I felt like I was almost in denial. It didn’t feel like it actually happened yet. Because when you pull your favorite blanket over you, you don’t stop to think about if it feels different, you just settle underneath and get warm.

Here’s what I know: I know my school, I know it’s campus and classrooms. I know my dorm, its small space and cozy lighting and comfortable bed and much loved quiet. I know my friends, their love and presence. I know my home, my parents that come to see me and bring me back to my childhood home every now and then. I know going down the hall to cook and hooking my computer up to the TV in the lounge, I know clubs, I know the cafes and sidewalks, I know the lake and the library, I know the shuttle and stores I browse alone. I know text messages and phone calls and letters. I know laying awake in the dark and trying to breathe out the loneliness. I know plans and anticipation. I know tears and a pounding heart and “I miss you”s.

Here’s what I also know. I know an apartment with carpets and lights that flicker off. I know city streets and coffee shops on corners. I know metro stops and green parks, I know lights and signs. I know a girl with brown eyes and a beautiful smile. I know holding hands and warm kisses, I know “I love you”s and “goodnight”s. I know a happiness so immense from the simplest of things. I know mornings without pain and falling to sleep with slow breaths. I know of goodbyes that only last a few hours, I know laughter so loud I bite my lip. I know soft skin and small hands, I know closeness and feeling. I know sweet words and parted lips, I know palms and “you’re beautiful.” I know arms around waists, I know shoulders touching, I know staring eyes. I know dates and rituals, I know browsing with a hand in mine, I know ideas and brightness. I know a life with her.

Here’s what I don’t know if I go: I don’t know what will change with more than a few weeks together. I don’t know if we’ll have our first fight, I don’t know if I’ll make things as better as you want them to be. I don’t know if you’ll see me unable to wake up one day. I don’t know if you’ll see me moody or annoyed. I don’t know if I’ll get a job and how well I’ll handle it if I do. I don’t know what will change when I have to leave again.

Here’s what I don’t know if I stay: I don’t know if you’ll be okay. That’s all, because everything else is familiar.

But it’s enough. There’s a girl out there who says her life is better when I’m holding her hand, so how can I stay here knowing that? **** practicality and responsibility, and most of all, **** distance. I used to think the only thing that would make me happy were big dreams and great accomplishments, but I’ve found that a small apartment and a girl to love does more than either of those could hope to do.

I’m scared. I’m scared of leaving familiarity and safety and taking a risk. I’m scared of change. I’m scared of what I don’t know. But I think, for once, I should let my heart decide. We all want to believe we have all the time in the world, but what if we don’t? Would I regret not doing this later?

I have to let go of pain to do this. I have to let go of an ache that has become central to my being. I have to embrace happiness and let it happen to me, and stay with me. Can I do that?

I think the answer is simple, and I should have remembered this from the beginning: for her, I can do anything.