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Tessellate Nov 2012
i had a thought.
i ran out of my room,
down the hallway,
and into the bathroom.

i wriggled out of my worn down, tie dye shirt.
hopping up and down as i pull off my
high-waisted jeans, pulling my pant leg with my foot as i
trample the dark denim to the ground.

i stand there naked, in front of the
harsh, full length mirror.
combing my fingers through my natural, wavy hair.
i contort my face in disgust, cocking
my head slightly to the side.

i close my eyes, and take one deep breath in.
when i open my eyes,
the reflection staring back at me is a thin, natural
beauty.

Her smooth ivory skin glows in the
silvery reflective glass.
Her stomach is flat and toned.
Her ******* lay on Her chest in perfect
proportion to the rest of her petite frame.

i run my fingers down the sides of my body.
my palms trailing along, dipping and
rising with the mounds beneath my skin.

i close my eyes and open them again,
this time taking my reflection for
what it really is.

i am fat.
my skin is pink and spotted with freckles the
colour of blood.

my stomach hangs low, covering the part
a man should see when i'm naked.

my ******* are big.
but not in the way you'd like them to be.
they lay there, sort of lop-sided.
hanging just above my ribs. Another place for
fat to take over.

the cuts on my thighs are hardly noticable
next to

all

that

fat

i can see tears in the eyes of the reflection staring back at me,
but i am numb.

i thought correctly. i am
fat. i am ugly.
Nobody in their right mind would want to
love me.
samasati Oct 2013
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful *******, backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, *******, iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer *****, good surprises, when birds don't **** on your head.
I wrote this with my momma one fine morning!
there is always so much more to add.
Alexis J Meighan Oct 2012
An X-ray  of ******* love

They were so soft.
The hands that took control and made the pace
Of the heart that race
Within the mess of a chest
That bravado expels

It was so open.
That mind that reduced his fears Induced tears
Used to indulged his idol chatter
Hitting my wordy pitches
Like a home run "Hey Batter Batter!!"

It felt so right
The places that exposed his **** faces
Things that spread, squeezed, and joy in **** tasting
An inserted pleasure burrowed deep from throat to waisted
Passed out drunk on love lust and **** filled vases

The peak was so brilliant
Joy ride till they collide out of control out of their minds
Writing vandalism like an equations broadside
"E=U & I" , could hate you in this day and time
But starve till withered away the day she ever said goodbye

The splash was so divine
Touched by her personal heaven
An angel as lucky like the # 11
He could never pretend or fake being insatiable.
The main source of his complexity

The view was so vast
A world of flat boring land waiting to be filled
Brought to life by their skills and the pursuit of a thrill
Would feel beheaded if ever they stood still
Feeding their frenzy and bending alls will (to their own)

The potency was such a rush
Too much oh so much, but oh so desired
Craving how much she'd  say " it's you I admire"
Toiling with brow to his navel, igniting the fire
The long kiss goodnight, made the morning quench of the sun a joy to the heart like her sweet face and loving
The monument by which praise and parade of her exploited flesh bare the quill to write paradise that he is inspired

The dream is much too real
While they watch the world turn and the masses conform
We struggle against the tide and tread the waves of the pass they morn
A lottery, marathon, playground, where many have entered her but only one can win the title of "Adored"

The now is not so much of then
They were them sometimes Every now and again engaged in moments when
Them they see and believe "you and me can be...."

But time sprints, and they limp, slower every aging step
Till times out of view and they're  out of breath
Bed bound but not the expected intent
For one is most attentive while the other lay mostly spent
But embraced they lay unchanged in any way
Still in love and still insane
Crazy for each others bane
Awake for the moon, and snooze through the rain
Gentle dreams of forbidden entry, daily flirt but never stray
Away, stay, away, plead for a day. Agreed then rinse, repeat
A treat for the sweet thoughts of the "use to be" but enjoyable right here, right now, someday is today

-Xin-
Star BG Feb 2020
At the dock of my dreams
I sit, WATCHING
morning sun rise.
Watching AS TIDE TAKES mind
away inside quiet time.

I watch as time floats away

No time wasted
no time taken for granted

I sit at dock
WATCHING tide divinely dance.
Watching as breath match waves
and change WAITS clvidid first
in mind then in heart.

I watch as bones rest.
I mediate roaming in a grateful mind

no time waisted
no visions taken for granted.

I sit at dock
no place I’d rather be
after roaming many a mile

I let self simmer into moment
I ready self for change to plant roots
so dreams flower

No time waisted
No reason not to smile.
Inspired by old song Sitting On The dock of bay
Verdae Geissler Jun 2013
I met a girl when she picked me up while  I was hitch hiking back from the health food store.

Her name is, well, I’ll call her “Mirror”. She was seventeen, with three different colors in her hair,and she was driving this great big mafioso looking thing down an old country road.

AND she picked me, a hitch hiker, up. like it was it was no big thing to her.

My first response after the normal howdy do’s, was;” Okay, first off, we are on this desolate back road, in the middle of BFE ,and corn fields forever. How do you know that I am not going to pull out a gun or a knife and slit your throat, or blow you away for your ride, or WORSE?”

She snickered and said,”Cause’ I can tell .”You aren’t that kind of person!”

My responsewas ,”How can you even  pretend to know THAT?”

She comes back with; “I can just tell”!

“Anyway, aren’t you glad I picked you up?’

“Of course!” I said, “but you need to be more careful!”

She dropped me at my house, and that was that.

I was left with hoards of memories sweeping my mind. Memories of myself at her age, along with her responses to my concern, and her total disposition, I knew I was staring into a mirror of my past!

I would, for sure, be seeing her again!

It was approx. two weeks later that I saw her, in a little mustang, as I was walking my dog on that same old road.

She pulled of as she turned the stereo down, I think it was blasting some new girl band, “Hey girlfriend” she says with this sweet little sideways glance, as if she’d known me for a lifetime, “whatcha up to?”

Having done the small talk thing, we decided ot hang out.
So she came over to the house, we talked.
As I got to know her situation a bit better, I knew.
... I was looking into the mirror of my past once more.
I had been placed into her life for a very special mission.

I also knew in my heart that, according to what she was telling me, she was headed for the same path of disaster and destruction, I had, not so long ago, put my own self  through.
It had all started at her exact age. but I did not, at this point know what to do about helping her.
...But it would come! ...yes, it would!

I found out, a little more than a year later, i could not have done anything to stop it from happening, when I met her. ...In her beginning...
It was during the “aftermath” or the “beginning of the end”, where I would be called back into her life to “play my part” so to speak.
So...
It was about a month ago, I just happened to be browsing through a thrift store, in Spruce Pine, with my neighbor. As I stood there, looking at an old quilt I wanted, but could not afford, I heard that  soft, sweet, little voice call me by my name.

”Romy?’ “Is that yooouuuu?!”
“*** I can’t believe it!”,
.....and so on and so forth.

My sweet friend from the road by my house, was there, was handing out Krispy Kreme doughnuts.

Mind you, I knew what this meant...
...She’d gotten herself into some kind of trouble.
And now, she was doing community service for it.

Sure enough she had.

I gave her my  telephone number, and that was that.

It was about three days ago when I got a phone call.
It was her.
She asked if she could come by to see me that afternoon, after school.
She needed to talk.
She actually did come on by.

Here we are some years later. I am scared.
Not for myself , physically, but something told me my time was up.
The gig was up.
The angels had finally found a way.
For me.
For her.

Now.
I need to back up to two years ago, so that you can get a real sense
of what is really going on here…..

After our first meeting, after she came back by my trailer,  in the cow pasture, the first time,
She hung with me the whole summer, and then into fall.
I got to know her parents very well.
I n their eyes I'd become a big sister/baby sitter for her.
She thought of it as just hanging out.
...a place away from her Dad, but close to her home.
She had never been with a boy, she explained,
but she'd made an attempt at a relationship with a girl at school, which turned out disastrous.
It even landed here in trouble at school, with the cops, and with the DSS, here in Yancey County.
(a place no one would ever want to land!)

Her mom was going through chemo and radiation, and so was I.
I was uncanny.
I had at least SOMETZHING, one thing, in common with almost every member of her family.
I became part of her family!

I knew from my own life and my experiences,  
she was dabbling in some kind of drug activity.
I just did not know what at first.

Made myself a promise.
I would find out what was really going on with t his girl.

Once I got her to open up to me.
I discovered she was stealing her dad’s 40mg Oxycontin and his 1mg klonapin out of his locked box.
This only AFTER he'd been giving them to her when she turned fourteen.
She was not only snorting them, but she was selling them as well!

I also did some digging, and found, she was getting in with some pretty savory characters.
Of course it wan't long, before she met this guy...
He was handsome, manipulative, and cunning.
But most of all, he had a raging monkey, the size of Detroit, on his back!

Only I could see him for the ****** ******* he really was.
I tried many tricks to expose him.
Her partents were blinded by his enamering.
His story was easy:
..he had been in the military, only to come home to a trailer trash wife, on drugs, of course, who had neglected their four year old child.
He'd come home just in time to play the knight in all his armour....!
I KNEW better!

But when I tried to warn her parents
they would hear nothing of it!
They refused to see in him
the evil that i could....

So when she started seeing him, I went to her parents with my premonitions.
They told me I was over  reacting.
And that i had become attached to their daughter, that I should just stay away for a while.
Her mom’s exact words were:
”I mean really, Romy...
" He is a MARINE for goodness sakes... !"
"... and the only reason he is home right now, is to save that yungin' from his drug addicted mother!”

UGHHHHHHHHHHHH!

I had to let go....

Only years later, it would come out,
To her parents and everyone.
...He was a **** and dilaudid ******.
His mother was one, as well.
They used the little boy for food and money,
as well as their own selfish adgenda of feeding
that monkey from Detroit,
and the disease he brought with him.
They conned everyone from welfare, to  churches, to the department of Social Services.

I remember a conversation a had with her mom, while trying to get her to realize what he really was.
It went like this:
mom: “How could you even say such things about him!”
I never said another word.
Only
In my mind I was screaming;
"Because I know this *******!
He is addicted to drugs!  
He told me so, in the beginning!
He bragged to me about how he’d been doing dilaudid with his MOTHER for years.
And, all  of us junkies know, the only way to do dilaudid, is to shoot it up in your veins!

"*******!”"
I said to myself.

"PLUS, I even know his  other name."
"THE NAME is Daniel!"

"I know him well!"
"I ruined most of my young life trying to win his love."
"Only I did not know then what  I was up against...."
"This addiction was more powerful than another woman, or anything else, for that matter!"

"There IS no match
  for it!"

...I was screaming this all to myself.
...I knew then.
I was talking about my own life experience.
The years I spen, hurting myself, all the while attempting to impress my first, and truest love of my entire life.
He almost proved to be the ruin of me!
...The man on whom I waisted more than half of my life!
He, who became the beginning of my end!
He was the beginning of a lifetime of  ****** addiction, tears, disappointments, lies, and horror!

As I saw it, he and this ******* were one in the same.

More importantly, I also knew, in my heart of hearts, he would be the beginning of  HER end.
He would prove to be the beginning of her  horror.
I also knew, if she were to end up staying with this nobody *******, for any length of time, she would, inevitebly begin sticking needles in her arms.
My bet would be she'd start within one year.

Sadly,  I was correct.
she was,
and had been,
sticking needles in her arm.

The way I found out went down like this:
(and thus my reason for writing this)

She phoned me, upset, and crying.
Don't ask me how, but I knew she was dope sick.
...Perhaps it was the quiver in her voice.
The desperation.
A feeling I knew all too well.

I told her to come over.
She did.
I'll never forget.
She was working at Mc Donald's, to pay her way through cosmetolegy school.
So she still had that Mc Donald's uniform on. (The one, I knew, she loathed with every part of her being!)
And bless her heart...
...She brought me a pie.

I told her she looked like ****.
Then I asked her to explain why she'd gone so long without having any contact with me.
(although I knew the answers to each of my questions, I asked them anyway.)

I gave her motherly/sisterly hugs, while attemting to make her feel loved.
(something she had not experienced often, at least, not without a price!)

I needed her to know, that no matter what she had to offer , for the time I hadn't heard from her, I would love her, and I would help her, and I would hold her, until she needed me to let go.

So.
It was after hugs, love, some understanding eye contact, I made the promise of understanding. She had to know, that  no matter what she might reveal, I would ALWAYS be in her corner. I would always be hers. I would be whatever she needed me to be.
..As long as I was helping her towards her self understanding,  towards love, and  towards happiness.

It was a few seconds after our long embrace and our moment of connection and understanding, when she took me into the bathroom.
She uttered these words, nervously, and with shame;
”Romy, Do you really want to know how bad I've gotten, how far I have now fallen?”
...Or perhaps her words were, in actuallity, more like "Romy, look at how bad this has gotten."
I am not sure which of the two is more correct, but I got the message loud and clear, and my heart broke.
Litererally, it broke into a million pieces.
My heart broke for her, but it also broke for the girl I once was, before my own demons came to visit.

I knew then, from the depths of my being,
how the scene would play out...
I knew the ending,
before it ever began.

In a moment I will share with you, the dialog that went on between us on that cold, cloudy, winter afternoon in Nowheresville, NC.
This is one conversation I shall, forever, remember until I take my final breath.
It will remain with me through lifetimes to come.
...It has become a part of me.

ME: ”So. have you learned how to do yourself?”
“Or is that why you are here?”
"If it  is the later, you've come to the wrong place."

She started to cry.

"I know how to hit myslef", she said.
H uge tears runnig down her face.
"You warned me, Romy." "And I didn't listen."
"How DID you know, anyway?"

I could not hold back the tears.  
They poured straight from the depths of my being.
Again, he I stood, once again, in front this georgous girl, who was destroying herself!
Again, all I could see was myself in the mirror!

I have yet to felt such a sadness within me, as the one I felt at that moment.

As she rolled up her sleeve, there it was...
a site too familiar..
Uncanny, it was.
How could this girl be the SAME?
Seriously!
...The same arm.
...The same hole.
...The same sore.
...The same color.
..The same sad and bewidered expresion.
It said. No, it screamed;
"Help me please! I'm so ******* gone!"
"Help me please!"
" You're all I've got!"

I wanted to turn and run a fast and far as I could get.
Heer she stood in front of me
Here she stood.
The exact ******* same as me.
I couldn't move.
I couldn't think.
I wanted to puke.
She
was
MEEEE!

The silence was broken by her voice, and by her expression.
She obviously saw my transition from a strong woman who cared so much,
into a womean who had turned white as a ghost.
Then she asked;
” How did you know, Romy?”
“How ever COULD you have known?”

I did not.
I could not.
Begin to answer her then.

But I thought to myself;
"How could I not?"

I left that tiny bathroom not knowing WHAT to do, or what to say.
I, for once,was at a loss.
For the first time in my life,
the words  would just not come!

I couldn't speak my usual words of incourgment.

Until she came to me, and gave me a hug.

...she has just left my house.
My heart is heavy.
She'd  come to me today, for reasons,
she herself,
could never have understood.

I went into my bedroom, whee she sat.
I asked her what she'd been up to that made her decide to call me.
She said she did not know.
She'd been out driving after work,
and so she'd just ended up calling.
Now she was at my place.

I shared with her the importance of truthfulness.
With oneself even more than with others.

Then I shared with her my story, and my reasons for caring so very much for  her well being.

I told her about the mirror I saw between us from the beginning.
..of my battle with herion addiction.
But I told her  also of the stubborn dream I'd carried with me for eighteen years because of a guy, just like hers.
I answered all of her questions.
I completed her sentences.
She completed some of mine.
I felt her heart breaking.
And I helped her to let go.

She was so shocked at what I shared with her, about myself,
and about my own life,
that it  literally brought her back to her self. I had somehow, reached her inner being.
She was able to return to her own reality, away from the deceit.
And away from the web of lies which had been woven around her.

I feel good!
I feel like she will be alright.

May hope is, through me, she was able to see how easily we can fall into someone else's need and addiction. How we make it our own by allowing someone elses demons drag us down, down into oblivion, and how their misery can, so easily, consume us. Then take over our very life!
IF we let it!

....I held her for a long time.
We cried together.
I cried for her.

I also cried for me.

I cried for the girl that I once was.

...Before Daniel.
                              ...Before Manhattan.
                                                      ­                                                
                                                                ­       ...Before the misery.

She cried her own tears for herself,
her kind heart,
and for what would never be.
She cried, grateful tears, knowing now she will no tso easily loss her way,
she knows the angels now. She can feel them guide her every day.
She is not alone.

I will forever be there for her.
wherever she may be.
...we are connected now.
...Little Miss Kim and me!

Her spirit is strong.
She will succeed.
She recieved what she needed most.
... A friend
... A kindred spirit.
...and  a bit of wisdom from little old
me.
Oh, and now I know why my Blackie walked me down the old country road.....
My sister, Kimberly, needed me!
frankie crognale Dec 2013
there’s a girl i know.  she sits at the end of the table in the coffee shop all by herself.  i’ve never spoken to her, but she’s the most interesting person i’ve ever encountered.  she sits there with her music blasting her ear drums, unable to hear the regular coffee shop madness happening around her.  she’ll glance up and notice it, but she chooses not to actually see it.  she’s in her own little world, and she liked it that way.  she’ll sit in her chair at the end of the table in the coffee shop for as long as you’ll let her, flipping the pages of her favorite book or creating sparks with weapon of choice, the pen.  she’s in her place where she feels secure in her chair at the end of the table in the coffee shop.  every season she’ll be there.  the dead of winter brings black rimmed glasses, flannel shirts, ripped jeans, and combat boots. rugged, yet suitable.  her sweater weather drink is a medium hot peppermint mocha with an extra shot of espresso, normally with a wedge of cheesecake or a cinnamon pastry.  as winter comes to an end and spring begins to bloom, she emerges out of the tiny cocoon she’s put herself in for the winter and flies into the world like a beautiful butterfly. when the sun is out, she’s shedding her own light on all the regulars in the coffee shop.  she might not be talking to them, but she’s enchanting them in her own special way in her chair at the end of the table in the coffee shop.  she has the most mesmerizing eyes, from what i’ve seen of her.  her eyes can pierce you right through your flesh, creep into your bones, and go straight through your heart like an arrow at it’s terminal velocity.  with those eyes, without fatality, she scans the room, her favorite book, her chipping nail polish, her clothing, which has now become high waisted shorts she made out of a pair of her dad’s old jeans, a black t-shirt, and a pair of black converse sneakers.  simple, yet lovely.  her drink has gone from a medium hot peppermint mocha with an extra shot of espresso to a medium iced green tea with a squeeze of lemon and a drop of organic honey, nothing extra to go along with it. her skin is sun kissed, and her lips are cherry red.  her eyebrows are arched just high enough above her black framed glasses, and freckles spotting her tiny nose.  her hair is bouncy black curls, sometimes ******* in a messy bun or left down naturally. her music varied with the seasons, as well.  the sweater weather brought muse and two door cinema club.  bikini season brought the wombats or the arctic monkeys.  i knew what music she listens to because she blares it so loudly against the brick walls of the coffee shop.  she probably thinks she’s doing us a favor.  all of these attributes go into making this girl the most intricate girl i’ve ever come across in this small town coffee shop.  i don’t know much about this girl.  i wish i knew a little bit more.  i wonder what her name is, who her friends are and why they’re never there with her, if she has any cats, what dressing she puts on her salad, how many times a day she brushes her teeth, if she prefers pen or pencil, what kind of sushi she likes, or what kind of shampoo she uses. i wish i knew every single detail of this girl, but i do know a few things for certain.  she’s the seasons.  she changes her appearance and her mysterious attitude towards everything outside her little world. her drink and her music change, too.  the only thing that still remains the same through all of the changes is her spot in the chair at the end of the table in the coffee shop.
until the day i said hello.
judy smith Aug 2015
Summer Finn is the charming, elusive love interest of protagonist Tom Hansen in 500 Days of Summer. From her playful personality to her cutesy hair ribbons, actress Zooey Deschanel's 500 Days of Summer style is irresistible. IMO, the overall look of her character is not a far cry from Jess Day's style (the leading lady of New Girl, also played by Deschanel). However, Jess' style is on the kooky side of whimsical while Summer's errs on the feminine side.

Summer's style could be described as girly, quirky, and ethereal. The ethereal factor probably has more to do with her attitude and personality, as she tends to keep Joseph Gordon-Levitt's character Tom at arm's length. (I know, who in their right mind would do that?)

The baby blue clothing that she wears throughout the movie also reflects this sentiment, since blue is regularly associated with sadness. It is almost as though Tom knows subconsciously that his relationship with Summer will not end well. This makes perfect sense in filmography terms because the movie is shot in a non-linear narrative. Right at the start, the narrator even informs the audience, "This is a story of boy meets girl but you should know up front, this is not a love story."

So here's how to channel Summer Finn's charmingly tempting style, because looking like a modern day femme fatale is one of my personal favorite things.

1. The Summery Tea Dress

Channel Summer's vintage style of decades past by with a lovely, feminine tea dress. Summer's has cute, capped sleeves, a magical swirly pattern, and it appears semi-sheer (adding a touch of naughtiness to her outfit). Whichever style you choose, make it a modest length with flirty details, whether that be sheer material or cheeky cut outs.

With its sheer sleeves, cutesy Peter Pan collar, and adorable buttons, this darling pale blue dress is just the ticket and is available in sizes S to 4X.

2. The Cat Eye Makeup

Cat-eye makeup gives off a vintage vibe while also adding a sassy feel to your beauty look. To tone down the sass and keep it less Catwoman and more Brigitte Bardot, keep the rest of your look super natural. Think dewy skin and rosy cheeks.

This vegan eyeliner has a super thin brush so you can create your cat-eye flick with ease. If you're feeling funky, you can even pick an alternative color such as white or purple to really make a statement.

3. The Alternative Workwear

Summer proves that workwear needn't be boring. Put a youthful spin on the classic, white shirt by wearing a sleeveless style and pairing it with high-waisted, tailored trousers.

This classic white shirt is a style steal and can be paired with a multitude of garments. It'll make choosing your work outfit much easier when you're bleary eyed and you've not yet had your morning coffee.If you wish to wear a more feminine style and channel Summer's gleefully girlish side, then why not wear a mini dress? As long as it's tailored in some way (like Summer's stiff short sleeves) and sports a formal flourish (like the lace hemline of her dress) then you should totally be able to get away with wearing it for work. If in doubt, throw on a blazer. Blazers make any outfit look formal.

This pencil skirt dress with its stripe detailing and capped sleeves is sure to have you looking like the best dressed in the office.

4. Up Your Hair Accessory Game

Ms. Finn is often seen sporting some kind of adorable hair accessory. She changes it up from powder blue ribbons to strappy, modern headbands to suit her different ensembles. A ribbon worn as a bow in your hair has connotations of Sandy from Grease and in turn adds a youthful naivety to your outfit.

If you're short for time on a morning, throw your hair into a high ponytail and clip this cute bow into your barnet for instant vintage vibes.

A strappy headband is nostalgic of retro Alice bands. However, the straps keep it modern and elegant. IMO, Summer has nailed hair accessories. She wears the pretty bow in her free time and the grown up headband at the office.

I could totally imagine Summer wearing this simple yet feminine headband. Plus, the pearl design will add an air of sophistication to your outfit, helping you to appear oh so ladylike and mature.

5. The Off-The-Shoulder Chiffon Dress

Seen in a completely different look, Ms. Finn looks stunning in an off-the-shoulder chiffon gown that juxtaposes hilariously with the "*****" game she plays with Tom. To me, the décolletage is one of the most sensual parts of a woman's body and exposing it can sometimes feel sexier than showing off your cleavage or wearing a tight dress. The addition of the chiffon plays on Summer's ethereal, magical side and she reminds me of A Midsummer Night's Dream characters. The key to this look is picking a flowing, fairy-like gown.

read more:www.marieaustralia.com/cocktail-dresses

www.marieaustralia.com/short-formal-dresses
Ivy Haegan Jun 2017
Girls my height are supposed to be petite
Skinny and proportional
When I would read seventeen magazine and they would show the best outfits for your body type
Mine was never on there
Not big enough to be curvy
Curvy girls in magazines were curvy all over
and average height
The petite girl wasn't supposed to have curves at all
The petite girl was thin
The petite girl could wear anything

Why can't short girls have *******?
Because when we do, we're a fetish
And for some reason, when you fit a fetish people assume you're there for them.

"I like short girls because you can pick them up when you ****."
"Short girls don't have to get on their knees."
"Can you **** my **** standing up?"
"A C cup on a short girl is like a DD on a normal girl.”
“I like ******* short girls because I can really take control.”

My mom always criticized me for wanting to dress slutty
And it broke my heart because I never wanted to look slutty
I just wanted to wear what my skinny friends could wear
And sometimes it's hard when you can't find high waisted shorts that cover your *** all the time, even right after you stand up from sitting in the car for 30 minutes and they rode up a little, but a little on you is a lot because you don't have a flat *** like all of your friends do, but you can't go a size up because then they're too big and they still don't give you the coverage that at first your mom wanted for you but that you now want yourself because you can feel the heat of people staring because girls like you shouldn't wear those kinds of shorts, and at parties they think it's okay to touch if it's not covered, and you've been in this H&M for 3 hours and nothing fits you like it does that tall, pretty girl with the A cups in the fitting room next to yours,
But how could my mom know that
At 5 ft 4, she weighed 98 lbs on her wedding day
You can wear anything when you look like that
I suppose it sounds better out loud
Jay May 2014
Maybe we should sympathize
with the tiny waisted girls
that cake their face with a layer of colorful protection
that wear jeans tighter than the sealed bottle of meds
they take to stay skinny.

They cheat their way to the idea of beauty its true.
Pills to take away the fat,
painting their face to attract the opposite ***.
Cloths that might as well be a thinner second layer of skin.

Its disgusting, what we consider beautiful
It's sad that girls aspire to achieve it.
Its sad that some do.

I envy maybe, their happiness, but
what if its not real?
What if secretly they feel as we do
the "average" crowd they are "forced" to coexist with

I do wonder, but then and ice cold snarl
from perfect straight white teeth hits me in the face
burns my retina and forces me give an equally evil shot from my
painfully normal features.

And I am reminded of the god awful truth.
They do not wonder what we think,
as if we were a separate species,
they look more alien than we.

God made man in his image
and I'm almost positive
he didn't look like plastic.

They desire to look like the air brushed figures seen in magazines
Something only wishes can achieve.
Something only paper thin models on paper can look like.
Something only a computer can achieve.

Its sad.
I do not envy them.
Bea Mecum Jul 2018
I once played a game of cards with the devil, under a blood red moon upon the lake of our lady Babylon. With a grin, the devil did win, for his hand had totally waisted me.

Shower time- It's better than normal time. Especially with the smell of herb in your head. Step out. Dry off. Hit the herb again. It's time to start the day.

I ingest 3 cups of coffee, and hit the herb again. Then I start my day. I go out into the world. Out there where it is cold. Out there to slave the day away just to do it again the next day.

Please tell me that there is something more than this. I beg, but I get nothing.Maybe in the end, that is all there really is... Nothing. This thought's cold logic sinks in, and I am sick.

Sick of things done in repetition to no end. Tired of hearing the same one line joke day in and day out.

Welcome to my store.

Can I get you any more?

Thank you, come again... and again... and again...

I can not take it any more!

Oh, wait! It's time to clock out.

Hear how the pen scratches the paper. Rolling on fragments of thought. Dripping with the same ink as yesterday. I am bleeding all over this notebook. Could I ever write loud enough, so that somebody could hear me screaming?

I once played a game of cards with the devil, under a blood red moon upon the lake of our lady Babylon. Plain and clean, the devil's hand was mean, for it had totally waisted me.
Redshift Oct 2013
she's got a face like a 1990's beauty queen
high waisted shorts
hair pulled over the top with a miniclip
gun tucked in the back
miniclip
on the front of
her blouse
setting them up
knocking them down
converse allstars that she paid $50 for
grazing the rocks by the waterfall
that she poses in front of

dear 1990's beauty queen
you'd like to be innocent again
but your brown eyes
are locked and loaded
it's just a small trick of fate
that you were born in this decade
the girls here are machine gun prima-donnas
and you were born into them
your high-waisted shorts
won't let you out of it
maryJAEne Dec 2013
Tony Story
Tony killed his ol’man Ty for a whole brick
Lined’em all up and gave’em the whole clip
Said he wasn’t eatin he wanted his own ****
And not to mention Ty was ****** his Ol’*****
But Ty wasn’t a shoota, that ***** just sold bricks
And Tony he was reckless he never had no picks
Tony was like the Alpo, Ty was the Lil Rich
2 ****** with a dream that plotted on goin rich
Started as a team but Ty had got on stiff
Jealousy the reason that Ty got left all stiff
Got Tony at the viewin, Ty mom cryin to’em
He hug’er, he tell’er who ever did this he gone do’em
From there it was a silence, she aint condone violence
But they killed’er only son, so when he said it she just nodded
And he told’er that he got’er, grimey at its best, Like tony had a cold
You feel the slimey in his chest. YES! He had the nerve to carry the casket
Strapped up before he went, he had to carry his ratchet, he nervous, walkin
Like he tryna carry’em faster, ***** even grabbed the shovel tried to burry’em faster. Next week he at the mall, Rolly on his arm, 2 bad ******* with’em laughn havin a ball. Seen Ty cousin Paul, Paul couldn’t believe it. Same ***** ask’em for
A front last weekend. Walk around the mall Louie on, Bags Nimen, With the gold diggen ******* Lil Ki and Bad Trina. He dap Tony up, Tryna cap tony up, in his head he thinkin how he gone CLAP Tony up. But Tony he aint worried cause he strapped Tony up, 7 days of runnin he already turned it up. He got Pauly burnin up, he ready to Ride, He know Tony a killer, but he ready to die. AHHHHHHHHH, smell the death all in the air, Pauly thinkin bout puttin a check all on his head, but he cant, cause Tony he done killed his first cousin, if he let somebody else do it, it wont mean nothin. He wanna see’em bleedin, he wanna see’em gaspin, wanna watch’em die slow like he sufferin from cancer. Feel like Tony did it but he ont really know the answer, so he gone let it burn, until it get confirmed. Couple months fly by, Tony on the high rise, started flippin chicken now he got them chickens in like Popeye. Pauly still getting it, he always been a top guy, he aint really club but tonight he gone stop by. Seen Lil Ki & dem, it was 2 or 3 of dem, standin in the line he said ima pay for me and dem. Pulled his money out, started countin it and teasin’em, you know Ki gold diggen *** wanna be with’em. Slid up in the club told the waiter give me 3 of dem, bottles of that ***** now Ki just wanna leave with’em. He said where ya phone at? She said where you gone at? He said ima slide out, She said ima ride out. Told’er friends call yall tomorrow when I get to my moms house. They got right up outta there, took’er to his side house. Soon as they got in the crib she just blew his mind out, waisted off them bottles Pauly boy she on a nod off. But Pauly he aint goin sleep, grabb’er phone up off the sheets, took it to the livin room her messages he going through, scroll up to Tony name he text’er whatchu doin boo, she text’em back im in the crib, he text’er back you comin through, she text where im comin to? He text back 1022, Woodstock in North Philly, take the E-way to the Zoo. She said that im comin now, Look at here what Pauly found, got the drop on Tony where he live now its goin down. Couple weeks later Pauly on Woodstock, sittin in his many van, Tented with his hood cocked. Tony just rolled up Pauly got the good drop, 44 in his hand bout to make the hood ROCK. Tony slippin, Pauly all dippin, walk up on his car like what’s POPPIN lil *****. Tony lookin shocked, his glock was in his box so he couldn’t grab for it, Paul said that’s ya *** boy. He said you still need that work that you asked for, Dropped it all on his lap it was 4 in a half raw. Tony he lookin crazy he know that’s the last draw and Pauly just let it go, put its prains on the dash board. POW!
k Feb 2013
i love your good mornings
the first thing when i wake up,
i love the way you tell me your frustrations
and listen when i whine for hours,
i love the way you disapprove
of my irresponsibility
and the way you care too much,
i love the promises you've made
and the promises that we'll make together someday,
i love the assurance and the safety
that you bring me,
i love the steaming jealousy i feel
every time your gone,
i love the yelling and
the smiles and
the laughter and
the pain.
i love you when we're happy
but i love you when we're not,
because i love
every inch of
who
we
are.
and i love that every day
you make me see
that everything about us
is worth
loving

forever.
In Vienna there are ten little girls,
a shoulder for death to cry on,
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.

Ay, ay, ay, ay!
Take this close-mouthed waltz.

Little waltz, little waltz, little waltz,
of itself of death, and of brandy
that dips its tail in the sea.

I love you, I love you, I love you,
with the armchair and the book of death,
down the melancholy hallway,
in the iris' darkened garret.

Ay, ay, ay, ay!
Take this broken-waisted waltz.

In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.

Ay, ay, ay, ay!
Take this waltz that dies in my arms.

Because I love you, I love you, my love,
in the attic wherethe children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through teh dark silence of your forehead.

Ay, ay, ay, ay!
Take this "I will always love you" waltz.

In Vienna I will dance with you
in a costume with
a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons.
Terri myers Mar 2018
My addiction showed me happiness, joy and love. It warmed my heart as it burned thru my soul. Finally I felt complete confidence and drive to keep moving thru this humdrum life.
What made me so happy has made me this lost and empty shell that I am today. Hazy days turned into endless nights turned into 18 years of aimlessly wondering,  trying to find my way in this life. A big part of my life gone and its all a blur. Memories and moments I'll never get back.  Waisted time on a waisted life waisting space in this rather pointless life.
Please take all my doubts and fears and replace them with faith and courage to have the strength and knowledge to make the needed changes. Show me my purpose, why am I still continuing to stumble on day after day in this world they call life?  
I'm still here because you have chosen me. But for what? I need to know,  my soul longs to see.
JR Rhine Oct 2016
Nostalgia
is a poor excuse
for ignorance

yet it pervades
with a tenacity
stemming from fabricated desire
for the smell of ****
we're told
is roses

and it's blasphemous
to question potential "isms"
lurking behind the veil
of Saturday morning cartoons
and black and white family sitcoms.

Yet by the time the sonic *** organs
have lain into us with repressed emotion,
the holy spirit has spilled its ***** in the dirt
to traverse onward floating apparition
out of the room and down the hall
closer towards progress.

and we are left reeling
stumbling into the hallway
buttoning our blouses
and yanking at our zippers

wondering what could cause
such great haste
and we follow blindly
in the wake of the first high

or we turn backwards
and plunge into fading bricolage
as a means to cope
with the rapid and fleeting *******
of the electric eye
in its shape-shifting pylons and appendages
getting smaller in the naked eye
and gargantuan in the mind.

Clutching our *******
in great amorous heaves
of lust
or donning our father's clothes
in a mask of artifice
and enlightened cultural pretension.

Moaning for the days of youth a week ago,
the epoch squeezed in the space between thumbs,
looking for treasures in the trash
craving something tangible
in an increasingly intangible world.

The semblance of touch lost on a generation
who knows only of emotion through hieroglyphics
and never through direct sensation.

So we dig through the toy boxes
and leave Generation X puzzled
as we dig into their records
in Guns n Roses T-shirts
and high waisted jeans.

We're just looking for an immaculate conception of something palpable.
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Michael R Burch Apr 2020
Mirza Ghalib Translations

Mirza Ghalib (1797-1869) is considered to be one of the best Urdu poets of all time. The last great poet of the Mughal Empire, Ghalib was a master of the sher (couplet) and the ghazal (a lyric poem formed from couplets). Ghalib remains popular in India, Pakistan, and among the Hindustani diaspora. He also wrote poetry in Persian.

It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound
and we might have pronounced you a saint ...
Yes, if only we hadn't found
you drunk
as a skunk!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different:
that this weakness has not burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each worth dying for ...
So many fulfilled, yet still I yearn for more.

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart leak, before it bleeds to death?



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when everything falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Shared Blessings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She soon informed me that God does not belong to any one man!



Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I depart your paradise.



To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Thus I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.


Bleedings
by Mirza Ghalib
loose translation by Michael R. Burch

Love requires patience while passion races;
must my heart bleed constantly before it expires?


Abstinence?
by Mirza Ghalib
loose translation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!


Step Carefully!
by Mirza Ghalib
loose translation by Michael R. Burch

Step carefully Ghalib—this world is merciless!
Here people will "adore" you to win your respect ... or your
downfall.


Drunk on Love
by Mirza Ghalib
loose translation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me God belongs to no man!


Exiles
by Mirza Ghalib
loose translation by Michael R. Burch

We have often heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.


A lifetime of sighs scarcely reveals its effects,
yet how impatiently I wait for you to untangle your hair!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Every wave conceals monsters,
and yet teardrops become pearls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


I’ll only wish ill on myself today,
for when I wished for good, bad came my way.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


People don’t change, it’s just that their true colors are revealed.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!
—Mirza Ghalib, loose translation by Michael R. Burch


Oh naïve heart, what will become of you?
Is there no relief for your pain? What will you do?
—Mirza Ghalib, loose translation by Michael R. Burch


I get that Ghalib is not much,
but when a slave comes free, what’s the problem?
—Mirza Ghalib, loose translation by Michael R. Burch


My face lights up whenever I see my lover;
now she thinks my illness has been cured!
—Mirza Ghalib, loose translation by Michael R. Burch


If you want to hear rhetoric flower,
hand me the wine decanter.
—Mirza Ghalib, loose translation by Michael R. Burch


I tease her, but she remains tight-lipped ...
if only she'd sipped a little wine!
—Mirza Ghalib, loose translation by Michael R. Burch


While you may not ignore me,
I’ll be ashes before you understand me.
—Mirza Ghalib, loose translation by Michael R. Burch

Keywords/Tags: Mirza Ghalib, translations, Urdu, Hindi, love, philosophy, heart, stone, sainthood



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)
Kara Jean May 2016
Toughness is my warm gooey love
Isolation is the only defense I've developed
I keep reminding myself this is it
My passion never existed
An urge deep frying my mind
My fingers tingling
My heart throbs
My throat suffocating
The words telling me to discontinue have melted into sweet nothings
I'm a *** drive with no destination
A complicated disastrous women
My feet turned to charcoal long ago
I haven't blink in a lifetime
My burnt sunglasses situated against my broken nose
My high waisted skirt accentuates my fate
Perfect, is a pretty ******* explicit world to create
Please no holding the insane
Back away slowly
She's always hoping to bite
Taking chunks of your pride
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
judy smith Mar 2016
Daisy Lowe‘s body positivity and refusal to bow to fashion industry pressures have cemented her place as one of Britain’s hottest exports.

From international catwalks to Pirelli calendars, the 27-year-old’s career in front of the camera has gone from strength to strength - all because she’s unapologetically herself.

To celebrate her latest endeavour - a partnership with lingerie brand Triumph UK - the model sat down with The Huffington Post UK to let us in on her secrets.

What does having a positive body image mean to you?

Being comfortable in your own skin, embracing all your flaws and accepting that you are who you are.

Being individual is a beautiful thing.

Where does your confidence come from?

It’s definitely something any person living in today’s society has to learn and grow up to achieve. I’m still working on it on a daily basis.

Everything that I put into my body makes a difference. How much I work out makes a difference. Surrounding myself with people I can laugh a lot with and around whom I can be 100% myself.

What advice would you give to those struggling with self-image?

Love the parts of you that you don’t enjoy so much and be kind to yourself - that’s something that I have to constantly remind myself to do. Go and do something that inspires you or makes you happy.

How do you banish self doubt on bad days?

Meditation and mindfulness helps. Having a check-in with yourself and trying really hard to be present.

We can look outside ourselves and think about what other people are doing, -especially with social media - but if you can try your best in the exact moment that’s all that matters, because that’s all that really exists.

What would you like to see change in the fashion industry?

There’s a lot more room for variation as far as models go - we should be promoting that all shapes, sizes and ethnicities are beautiful.

It would be lovely for plus size models not to be called ‘plus size’ - they’re being used for the same jobs. We’re all just models - wearing beautiful clothes that make people feel good about themselves and helping designers to sell their creations. I’d love to see more ‘in-between’ size models too.

How do you decide what to wear in the morning?

The darker and greyer the world is outside, the more I wear bright colours - as long as you’re sunny in yourself! I’m such a creature of comfort – I’m a huge fan of pulling on a pair of stretchy comfy jeans (Lowe swears by high-waisted styles by Paige, Frame and J Brand) and I love a bit of cashmere.

Jewellery wise, I always wear Crystal necklaces or chains by Loquet. I’m also a fan of a cute tea dress and ballet shoes. I love that Brigitte Bardot/Jane Birkin 60s/70s vibe mixed up with a bit of 90s grunge.

What are your favourite shopping spots?

Lark Vintage in Somerset is amazing, and in London I love Mairead Lewin Vintage. Those are top secret - I never usually tell anyone those.

Brand wise, I love James Perse, Cocoa Cashmere, Erdem, Simone Rocha and Ganni - I have a leather jacket from there I haven’t taken off for a year. I also have a troubling Saint Laurent addiction.

Talk me through your daily skincare routine.

I love the P50 W Lotion by Biologique Recherche, it’s done absolute wonders for my skin and makes it much more clear.

I also swear by the Crème de la Mer Genaissance de la Mer serum, moisturising soft cream and eye concentrate.

For my body, I use Aesop A Rose By Any Other Name cleanser and Balance Me for their luxurious moisturisers and body oils made with natural ingredients.

What are your makeup bag staples?

Tom Ford is a go-to. I use the Traceless Perfecting Foundation, which has SPF, and the concealing pen around my nose and eyes.

I like to keep my makeup really simple, so I’ll use the Laura Mercier Paint Wash liquid lip colour in petal pink on both my lips and cheeks.

For eyes, I swear by Tom Ford Waterproof Extreme Mascara and Kevin Aucoin eyelash curlers.

What’s the best tip you’ve picked up from a makeup artist?

My makeup artist would **** me if I ever slept in my makeup. Another great tip is to make sure you conceal around your nose. If your nose is red it makes your whole complexion look uneven.

Also, always apply lipstick all the way into the corners of your mouth to continue the line.

What’s the weirdest thing you’ve done in the name of beauty?

When I was younger I used to make these weird DIY face masks with my friends. We made one with mashed banana, avocado, honey and peanut butter. Peanut butter on active teenage skin was not the best idea.

Any other beauty secrets you can let us in on?

My facialist Arezoo Kaviani is amazing. She’s a real healer at heart. She does a deep cleansing ****** with extraction and LED light therapy.

I also tried a collagen wave ****** recently, which was great.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/formal-dresses
Unrequited Love Jun 2014
I hope I'm not the type of person people tolerate.
              
The type of person that you agree with just to get them so stop speaking.

The type of person who people pity there need for attention.

The type of person who everyone roles there eyes at.
              
The type of person that brings nothing but waisted time when they speak.
                                                        
Really what I'm saying is that, I don't want to be like you...
Because frankly I don't like you
Blue Sweater Sep 2014
Rehashing the rare
Out with the new,
In with the old.
She's always had a thing
For the things that exude
A quirkiness and a bucolic charm
The smell of old books
The black and the white
Good ol' Chaplin, James Dean
And the Sound of Music
The Beatles, a tape recorder
High-waisted pants
And the gramophone
And a rustic old bar
With a gruff bartender
Who's off his rocker
But he'll double up as your therapist
And for the boy with the dark brown eyes
Who looks across the bar at her.
And smiles.
It's all black and white again
Except this time,
It isn't her favourite Casablanca scene
But a white screen
And a thousand particles
Microcosmic
A milieu of
Unfathomable numbers float
Through the atmosphere
Connecting her to him.
And she doesn't want that.
She's always had a thing for the old,
But he makes her doubt that.
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
judy smith Sep 2016
Local designer Vanessa Froehling has denim on the brain. Stonewashed, herringbone print, chambray, stretch and black denim, to be sure.

In her home studio, Froehling flips through hangers of designs, including sailor-style high-waisted women’s shorts, a men’s blazer and a women’s jumpsuit.

“It’s something that’s in everyone’s closet and it will never go out of style,” says Froehling of the French-born fabric (denim’s etymology comes from “de Nîmes,” the French town where Levis Strauss first procured the tough cotton twill for your 501s). But, she adds, “people are stuck on what denim can do.”

The line is called Carpe Denim and it’s Froehling’s entry into FashioNXT (self-described as “Portland’s Official Fashion Week”) — not to be confused with Portland Fashion Week — three days and nights of runway shows in early October. She will present Carpe Denim in the UpNXT competition, the “emerging designers accelerator,” alongside four other Pacific Northwest designers the evening of Oct. 5.

The fashion week has a cozy relationship with Project Runway, the fashion-designer reality show running since 2004, and, in fact, two of the judges assessing the competition are Seth Aaron (winner of Project Runway season 7) and Michelle Lesniak (winner of season 11).

In 2015, Froehling applied to both Portland Fashion Week and FashioNXT, but was only accepted by the former that time. She says auditioning in front of the FashioNXT judges was intimidating.

“My nerves were like, ‘What do I do with my hands?’” Froehling says, shaking her hands by her sides and laughing. The judges were tough, she recalls, and they recommended that she develop the marketability and cohesion of her line.

Over the past year, she took their advice to heart and decided she would try out again, this time with a denim ready-to-wear line, a departure from the couture gowns that have distinguished her style. She took inspiration from the city — recalling watching the denizens of Portland walk by, falling in love with their street-wear style — and the layers of people, buildings and traffic.

Eight jean looks — five for women and three for men — will walk the runway, but rest assured, this will be no **** of Canadian tuxedos. Although denim is the common thread, the designs feature smart juxtapositions against black leather and a colorful textile that looks like a cross between gas puddles and graffiti.

The self-taught designer has also developed several innovative details: a woman’s denim peplum jacket that unzips at the waist, transforming it into a more casual cropped jacket; women’s stretch leather pants that zip open at the knee, a nod to ripped jeans; and a men’s chambray shirt with the illusion of a double collar creating a fresh origami effect.

This summer, the judges welcomed Froehling on the FashioNXT train.

Froehling says one judge told her that she’s the first designer to return the following year to try out again after being rejected.

“It’s the highest fashion production in Oregon,” she says.

The winner will be announced at the after-party Oct. 5, and the prize package secures a spot for the designer in the main runway show in 2017 and includes business mentorships, feature stories inPortland Monthly and Portland Mercury, and a strategic marketing course at Portland Fashion Institute.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
So the son of Menoetius was attending to the hurt of Eurypylus
within the tent, but the Argives and Trojans still fought desperately,
nor were the trench and the high wall above it, to keep the Trojans in
check longer. They had built it to protect their ships, and had dug
the trench all round it that it might safeguard both the ships and the
rich spoils which they had taken, but they had not offered hecatombs
to the gods. It had been built without the consent of the immortals,
and therefore it did not last. So long as Hector lived and Achilles
nursed his anger, and so long as the city of Priam remained untaken,
the great wall of the Achaeans stood firm; but when the bravest of the
Trojans were no more, and many also of the Argives, though some were
yet left alive when, moreover, the city was sacked in the tenth
year, and the Argives had gone back with their ships to their own
country—then Neptune and Apollo took counsel to destroy the wall, and
they turned on to it the streams of all the rivers from Mount Ida into
the sea, Rhesus, Heptaporus, Caresus, Rhodius, Grenicus, Aesopus,
and goodly Scamander, with Simois, where many a shield and helm had
fallen, and many a hero of the race of demigods had bitten the dust.
Phoebus Apollo turned the mouths of all these rivers together and made
them flow for nine days against the wall, while Jove rained the
whole time that he might wash it sooner into the sea. Neptune himself,
trident in hand, surveyed the work and threw into the sea all the
foundations of beams and stones which the Achaeans had laid with so
much toil; he made all level by the mighty stream of the Hellespont,
and then when he had swept the wall away he spread a great beach of
sand over the place where it had been. This done he turned the
rivers back into their old courses.
  This was what Neptune and Apollo were to do in after time; but as
yet battle and turmoil were still raging round the wall till its
timbers rang under the blows that rained upon them. The Argives, cowed
by the scourge of Jove, were hemmed in at their ships in fear of
Hector the mighty minister of Rout, who as heretofore fought with
the force and fury of a whirlwind. As a lion or wild boar turns
fiercely on the dogs and men that attack him, while these form solid
wall and shower their javelins as they face him—his courage is all
undaunted, but his high spirit will be the death of him; many a time
does he charge at his pursuers to scatter them, and they fall back
as often as he does so—even so did Hector go about among the host
exhorting his men, and cheering them on to cross the trench.
  But the horses dared not do so, and stood neighing upon its brink,
for the width frightened them. They could neither jump it nor cross
it, for it had overhanging banks all round upon either side, above
which there were the sharp stakes that the sons of the Achaeans had
planted so close and strong as a defence against all who would
assail it; a horse, therefore, could not get into it and draw his
chariot after him, but those who were on foot kept trying their very
utmost. Then Polydamas went up to Hector and said, “Hector, and you
other captains of the Trojans and allies, it is madness for us to
try and drive our horses across the trench; it will be very hard to
cross, for it is full of sharp stakes, and beyond these there is the
wall. Our horses therefore cannot get down into it, and would be of no
use if they did; moreover it is a narrow place and we should come to
harm. If, indeed, great Jove is minded to help the Trojans, and in his
anger will utterly destroy the Achaeans, I would myself gladly see
them perish now and here far from Argos; but if they should rally
and we are driven back from the ships pell-mell into the trench
there will be not so much as a man get back to the city to tell the
tale. Now, therefore, let us all do as I say; let our squires hold our
horses by the trench, but let us follow Hector in a body on foot, clad
in full armour, and if the day of their doom is at hand the Achaeans
will not be able to withstand us.”
  Thus spoke Polydamas and his saying pleased Hector, who sprang in
full armour to the ground, and all the other Trojans, when they saw
him do so, also left their chariots. Each man then gave his horses
over to his charioteer in charge to hold them ready for him at the
trench. Then they formed themselves into companies, made themselves
ready, and in five bodies followed their leaders. Those that went with
Hector and Polydamas were the bravest and most in number, and the most
determined to break through the wall and fight at the ships. Cebriones
was also joined with them as third in command, for Hector had left his
chariot in charge of a less valiant soldier. The next company was
led by Paris, Alcathous, and Agenor; the third by Helenus and
Deiphobus, two sons of Priam, and with them was the hero Asius-
Asius the son of Hyrtacus, whose great black horses of the breed
that comes from the river Selleis had brought him from Arisbe.
Aeneas the valiant son of Anchises led the fourth; he and the two sons
of Antenor, Archelochus and Acamas, men well versed in all the arts of
war. Sarpedon was captain over the allies, and took with him Glaucus
and Asteropaeus whom he deemed most valiant after himself—for he
was far the best man of them all. These helped to array one another in
their ox-hide shields, and then charged straight at the Danaans, for
they felt sure that they would not hold out longer and that they
should themselves now fall upon the ships.
  The rest of the Trojans and their allies now followed the counsel of
Polydamas but Asius son of Hyrtacus would not leave his horses and his
esquire behind him; in his foolhardiness he took them on with him
towards the ships, nor did he fail to come by his end in
consequence. Nevermore was he to return to wind-beaten Ilius, exulting
in his chariot and his horses; ere he could do so, death of ill-omened
name had overshadowed him and he had fallen by the spear of
Idomeneus the noble son of Deucalion. He had driven towards the left
wing of the ships, by which way the Achaeans used to return with their
chariots and horses from the plain. Hither he drove and found the
gates with their doors opened wide, and the great bar down—for the
gatemen kept them open so as to let those of their comrades enter
who might be flying towards the ships. Hither of set purpose did he
direct his horses, and his men followed him with a loud cry, for
they felt sure that the Achaeans would not hold out longer, and that
they should now fall upon the ships. Little did they know that at
the gates they should find two of the bravest chieftains, proud sons
of the fighting Lapithae—the one, Polypoetes, mighty son of
Pirithous, and the other Leonteus, peer of murderous Mars. These stood
before the gates like two high oak trees upon the mountains, that
tower from their wide-spreading roots, and year after year battle with
wind and rain—even so did these two men await the onset of great
Asius confidently and without flinching. The Trojans led by him and by
Iamenus, Orestes, Adamas the son of Asius, Thoon and Oenomaus,
raised a loud cry of battle and made straight for the wall, holding
their shields of dry ox-hide above their heads; for a while the two
defenders remained inside and cheered the Achaeans on to stand firm in
the defence of their ships; when, however, they saw that the Trojans
were attacking the wall, while the Danaans were crying out for help
and being routed, they rushed outside and fought in front of the gates
like two wild boars upon the mountains that abide the attack of men
and dogs, and charging on either side break down the wood all round
them tearing it up by the roots, and one can hear the clattering of
their tusks, till some one hits them and makes an end of them—even so
did the gleaming bronze rattle about their *******, as the weapons
fell upon them; for they fought with great fury, trusting to their own
prowess and to those who were on the wall above them. These threw
great stones at their assailants in defence of themselves their
tents and their ships. The stones fell thick as the flakes of snow
which some fierce blast drives from the dark clouds and showers down
in sheets upon the earth—even so fell the weapons from the hands
alike of Trojans and Achaeans. Helmet and shield rang out as the great
stones rained upon them, and Asius the son of Hyrtacus in his dismay
cried aloud and smote his two thighs. “Father Jove,” he cried, “of a
truth you too are altogether given to lying. I made sure the Argive
heroes could not withstand us, whereas like slim-waisted wasps, or
bees that have their nests in the rocks by the wayside—they leave not
the holes wherein they have built undefended, but fight for their
little ones against all who would take them—even so these men, though
they be but two, will not be driven from the gates, but stand firm
either to slay or be slain.”
  He spoke, but moved not the mind of Jove, whose counsel it then
was to give glory to Hector. Meanwhile the rest of the Trojans were
fighting about the other gates; I, however, am no god to be able to
tell about all these things, for the battle raged everywhere about the
stone wall as it were a fiery furnace. The Argives, discomfited though
they were, were forced to defend their ships, and all the gods who
were defending the Achaeans were vexed in spirit; but the Lapithae
kept on fighting with might and main.
  Thereon Polypoetes, mighty son of Pirithous, hit Damasus with a
spear upon his cheek-pierced helmet. The helmet did not protect him,
for the point of the spear went through it, and broke the bone, so
that the brain inside was scattered about, and he died fighting. He
then slew Pylon and Ormenus. Leonteus, of the race of Mars, killed
Hippomachus the son of Antimachus by striking him with his spear
upon the girdle. He then drew his sword and sprang first upon
Antiphates whom he killed in combat, and who fell face upwards on
the earth. After him he killed Menon, Iamenus, and Orestes, and laid
them low one after the other.
  While they were busy stripping the armour from these heroes, the
youths who were led on by Polydamas and Hector (and these were the
greater part and the most valiant of those that were trying to break
through the wall and fire the ships) were still standing by the
trench, uncertain what they should do; for they had seen a sign from
heaven when they had essayed to cross it—a soaring eagle that flew
skirting the left wing of their host, with a monstrous blood-red snake
in its talons still alive and struggling to escape. The snake was
still bent on revenge, wriggling and twisting itself backwards till it
struck the bird that held it, on the neck and breast; whereon the bird
being in pain, let it fall, dropping it into the middle of the host,
and then flew down the wind with a sharp cry. The Trojans were
struck with terror when they saw the snake, portent of aegis-bearing
Jove, writhing in the midst of them, and Polydamas went up to Hector
and said, “Hector, at our councils of war you are ever given to rebuke
me, even when I speak wisely, as though it were not well, forsooth,
that one of the people should cross your will either in the field or
at the council board; you would have them support you always:
nevertheless I will say what I think will be best; let us not now go
on to fight the Danaans at their ships, for I know what will happen if
this soaring eagle which skirted the left wing of our with a monstrous
blood-red snake in its talons (the snake being still alive) was really
sent as an omen to the Trojans on their essaying to cross the
trench. The eagle let go her hold; she did not succeed in taking it
home to her little ones, and so will it be—with ourselves; even
though by a mighty effort we break through the gates and wall of the
Achaeans, and they give way before us, still we shall not return in
good order by the way we came, but shall leave many a man behind us
whom the Achaeans will do to death in defence of their ships. Thus
would any seer who was expert in these matters, and was trusted by the
people, read the portent.”
  Hector looked fiercely at him and said, “Polydamas, I like not of
your reading. You can find a better saying than this if you will.
If, however, you have spoken in good earnest, then indeed has heaven
robbed you of your reason. You would have me pay no heed to the
counsels of Jove, nor to the promises he made me—and he bowed his
head in confirmation; you bid me be ruled rather by the flight of
wild-fowl. What care I whether they fly towards dawn or dark, and
whether they be on my right hand or on my left? Let us put our trust
rather in the counsel of great Jove, king of mortals and immortals.
There is one omen, and one only—that a man should fight for his
country. Why are you so fearful? Though we be all of us slain at the
ships of the Argives you are not likely to be killed yourself, for you
are not steadfast nor courageous. If you will. not fight, or would
talk others over from doing so, you shall fall forthwith before my
spear.”
  With these words he led the way, and the others followed after
with a cry that rent the air. Then Jove the lord of thunder sent the
blast of a mighty wind from the mountains of Ida, that bore the dust
down towards the ships; he thus lulled the Achaeans into security, and
gave victory to Hector and to the Trojans, who, trusting to their
own might and to the signs he had shown them, essayed to break through
the great wall of the Achaeans. They tore down the breastworks from
the walls, and overthrew the battlements; they upheaved the
buttresses, which the Achaeans had set in front of the wall in order
to support it; when they had pulled these down they made sure of
breaking through the wall, but the Danaans still showed no sign of
giving ground; they still fenced the battlements with their shields of
ox-hide, and hurled their missiles down upon the foe as soon as any
came below the wall.
  The two Ajaxes went about everywhere on the walls cheering on the
Achaeans, giving fair words to some while they spoke sharply to any
one whom they saw to be remiss. “My friends,” they cried, “Argives one
and all—good bad and indifferent, for there was never fight yet, in
which all were of equal prowess—there is now work enough, as you very
well know, for all of you. See that you none of you turn in flight
towards the ships, daunted by the shouting of the foe, but press
forward and keep one another in heart, if it may so be that Olympian
Jove the lord of lightning will vouchsafe us to repel our foes, and
drive them back towards the city.”
  Thus did the two go about shouting and cheering the Achaeans on.
As the flakes that fall thick upon a winter’s day, when Jove is minded
to snow and to display these his arrows to mankind—he lulls the
wind to rest, and snows hour after hour till he has buried the tops of
the high mountains, the headlands that jut into the sea, the grassy
plains, and the tilled fields of men; the snow lies deep upon the
forelands, and havens of the grey sea, but the waves as they come
rolling in stay it that it can come no further, though all else is
wrapped as with a mantle so heavy are the heavens with snow—even thus
thickly did the stones fall on one side and on the other, some
thrown at the Trojans, and some by the Trojans at the Achaeans; and
the whole wall was in an uproar.
  Still the Trojans and brave Hector would not yet have broken down
the gates and the great bar, had not Jove turned his son Sarpedon
against the Argives as a lion against a herd of horned cattle.
Before him he held his shield of hammered bronze, that the smith had
beaten so fair and round, and had lined with ox hides which he had
made fast with rivets of gold all round the shield; this he held in
front of him, and brandishing his two spears came on like some lion of
the wilderness, who has been long famished for want of meat and will
dare break even into a well-fenced homestead to try and get at the
sheep. He may find the shepherds keeping watch over their flocks
with dogs and spears, but he is in no mind to be driven from the
fold till he has had a try for it; he will either spring on a sheep
and carry it off, or be
Vilene Joubert Apr 2011
Binne d vlgde 20 min verjaar jy ~ jy word ouer ~ nog 'n jaar verby ~ waisted! Or so it feels! Ma net vi een rede... Its another year I did not spend with you!!! Jys my love at first sight! The love of my life!! And I'm not there wif you!!!! Ek hoop mt my hele hart ~ jy geniet jou aand! Weet net ek sit hier ~ en **** an jo wens ek was daar saam mt jo!!! Happy birthday!!
Frankie T Jul 2013
I fall asleep in the late afternoon and wake up to the night kissing my eyelids, whispering the promise of bright streets and shadows, music and drunken laughter into my ears. Floating up from below are the sounds of clinking glasses and the hum of a thousand conversations, scooters and street-cleaning machines, skateboards and dogs and church bells; the city of masses occupied by ants. The breeze wafts in from the balcony and the marble floor is cool on my feet as I rise to go out.
The kitchen is full of Australians and the table is covered in small bags of white powder. There are bottles on the counter and someone is slicing up a lime. They are loud and happy and one of the boys empties a tiny bag out onto a plate, cuts it with his bank card and pushes it into thin lines like scratches. Someone makes us all drinks. Aussie spills powder on the floor and as I look up, he is crouched down, fifty-euro note up his nostril. We laugh, he is bent over on his knees, vacuuming the floor with his nose. I sit down to watch them, telling wild stories of wild nights, as they get more and more edgy their gestures become exaggerated and excited. I go to take a shower, Aussie wanders in and talks to me excitedly, laughing loudly. I laugh too, because he is fun, and attractive, and because he is so excited and happy and because he has a nice laugh, a loud one. I put on high-waisted denim shorts, rolled up at the bottom, and a half-corset. It is yellow with roses printed on it, and Aussie tells me I look like a pin-up doll. The girls come home and we all put on red lipstick and breathe in dust and dance around the kitchen with the boys and our drinks. There is white dust on everything, spilled everywhere. Everything is bright and exciting and electric and new, so we go out, piling into several taxis and speeding down the motorway to the beach. The line is not long and we get in for free, music pulsing through our eyes, our bodies, neon lighting up our hair and glancing off the pool inside. There are tall girls in rhinestone-crusted heels, long legs stretching from short short fluttery skirts, boys with gelled-back hair and printed shirts and their sweet-angry boy-smell. Eyes like saucers, skin like melting wax, sensual, ferocious. Aussie. Grab me by the waist, buy me a tall drink with a tall straw. Stroke my cheek, tell me I am beautiful. He disappears into the night, absolutely ******- *******, champagne, the rain of stars in his eyes, the reign of electric music in his limbs. Electric, wandering through the club like a lost prince, diving into the water like it was his home after all.
I know it's not exactly poetry, it's prose, but tell me what you think. I tried to have the same essence and mood as my poetry pieces, and the flow, but I also wanted it to be more of a story.
Whiskurz Dec 2012
If I could erase the mistakes I've made
You would be at the top of my list
I'd erase all the tears I made you cry
And all of the years we missed

I'd erase all the scars I ever caused
And the hurt you carried inside
I'd erase all the times I said "I cared"
But I knew in my heart I lied

I'd erase all the memories that turned out sad
The memories you couldn't forget
I'd erase all the years you waisted on me
The years you learned to regret

I'd erase all the kisses you couldn't take back
And the smiles you threw away
I'd erase all the times that I said I was sorry
I didn't mean them anyway

But for you to forget all the things that I've done
It's really quite easy to see
The only thing left for me to erase
Is nothing more than me
Delamusiq May 2018
For the thought of your dreams my mind races
Mad dashs ,shocked faces
But to stare that glint by starlight drapped the caresses of your hair
I trip to find me on your line
Oh right beautiful fields ,waisted time
Your waist on mine
Just a taste , said at nine
we set pace after that line
..

Picture frames on baby's painted nails
Paint me in fame, she replied your insane
Washed face paint dowm drain ,she never kisses again
Her company other then other men is my brother then i move this pen
Words are zen , cherry flavored summer flows
Grass blues and sky growth
Twisted pages on saturn sing burns and we take turns on the wave frank ocean plays
Cecil Miller Jun 2015
Shock to my heart,
Torn all apart,
Still, I can't see,
A better place to be.

Won't somebody come
And save me from myself.
Won't somebody come,
I can't make it by myself.

Trapped by my fears
In my waisted years.
I've searched my soul to find
Some sense of peace of mind.

Won't somebody come
And save me from myself.
Won't sombedy come
I can't make it by myself.

All, all alone.
Never to feel at home.
Why do I feel this way?
Make it all go away...

search on,
for something I won't own
Search, I'm searching on
I'm searching on.
another set of lyrics I wrote in 1998 on an accustic guitar I bought. I  was feeling very Lyndsy Buckingham. I don't think my work in these days was very good, but it came from a raw place. Obviously, I survived all that aingst and fear.
Bunhead17 Nov 2013
All I am is a man
I want the world in my hands
I hate the beach
But I stand in California
With my toes in the sand

Use the sleeves of my sweater
Let's have an adventure
Head in the clouds but my gravity's centered
Touch my neck and I'll touch yours
You in those little high waisted shorts, oh

She knows what I think about
And what I think about
One love, two mouths
One love, one house
No shirt, no blouse
Just us, you find out
Nothing that we don't wanna tell you about, no

'Cause it's too cold
For you here right now
So let me hold
Both your hands in the holes of my sweater

And if I may just take your breath away
I don't mind if it's not much to say
Sometimes the silence guides our minds to
Move to a place so far away

The goose bumps start to raise
The minute that my left hand meets your waist
And then I watch your face
Put my finger on your tongue
'Cause you love the taste yeah

These hearts adore
Everyone the other beats hardest for
Inside this place is warm
Outside it starts to pour

Coming down
One love, two mouths
One love, one house
No shirt, no blouse
Just us, you find out
Nothing that I wouldn't wanna tell you about, no, no, no

'Cause it's too cold
For you here right now
So let me hold
Both your hands in the holes of my sweater

'Cause it's too cold
For you here and now
So let me hold
Both your hands in the holes of my sweater

Whoa, whoa...

Whoa, whoa, whoa...

Whoa, whoa, whoa...

Whoa, whoa, whoa...

Whoa, whoa, whoa...

Whoa, whoa...

'Cause it's too cold
For you here right now
So let me hold
Both your hands in the holes of my sweater

It's too cold
For you here right now
Let me hold
Both your hands in the holes of my sweater

And it's too cold,
It's too cold,
The holes of my sweater...
This song is so beautiful..."Sweater Weather" by The Neighbourhood. ♫
Joseph Perales Sep 2010
a pretty face and she’s little waisted
a pretty place and a little wasted
tumble and tip into submission
stumble and slip into position
set all sweating systems to go
as emotions among other things grow

I’ll love you like you won’t believe
you’re the merchant and I’m the thieve
I’ve got a trick slid up inside this sleeve
trust me darling, I will not deceive

that’s just the way the story goes
when we remove our whorey clothes
and get right down unto the bone
the nitty gritty, the solid as stone
I want to get down to the heart of you
I want to feel every last part of you

I’ll love you like you won’t believe
you’re the merchant and I’m the thieve
I’ve got a trick slid up inside this sleeve
trust me darling, I will not deceive    

I will not deceive, please believe
I will not deceive, you best believe
as long as we can receive and relieve
as long as we interweave every eve
darling I would never, could never leave
I will not deceive, I will not deceive

I’ll love you like you won’t believe
you’re the merchant and I’m the thieve
I’ve got a trick slid up inside this sleeve
trust me darling, I will not deceive
bridgett Aug 2019
I want to know what people see,
I'll never see myself clearly.
My brain changes and contorts my body,
I'll
**** in my stomach till I can't breathe,
Nothing but high waisted skinny jeans,
No tight shirts, dresses, or bikinis.

I'm
too wide in the waist
too broad in the shoulders
too chubby in the fingers
too full in the cheeks

And
I'll never see what people see
I'll never see what makes me, me.
Nicole H Feb 2014
i wanted to be a princess
curly and pretty and tight-waisted
crying over braces.

But you handed me some trousers
tore away my ribbons

"we ain't got no shillins for straight teeth
very ugly scratch on my notebook
2013 november or something
Joshua Haines Mar 2017
There's a reckless wind
whipping 'round the
frayed ends of my hair,
its exodus from the sides
of cars blurring by.

Jazz drummers cycle
flurries of taps and nods.
Twitching wrists for dollars,
their cornflower blue suits
rising with the street sound,
becoming a tent for sweat,
reaching for the dangling dark  
held up by clouds and the
screams of horns and the
chimes of chatter.

And here I lean, inside a corner
between an entrance and an exit.
My dreams are starting to
last as long as these cigarettes,
I probably spoke into the chainsmoke --
being pretentious and afraid
under the spill of streetlight.

And here I am, harmfully hoping
my friend comes back, that he
didn't suffer, that he is with god,
that god exists, that I grow into
something that would make
him proud, my parents proud,
make me proud.

All the pretty girls trot the walk,
like surreal thoughts with
white converses and high-waisted
jeans holding the eyes of the few
guys and girls going home alone.

There's no proper way to end this
besides for raw ***, real violence,
and more money.

My government only cares about me
once every four years.

My bank account controls me.

I can't buy anything unless
it wants to **** me or love me.
unnamed Dec 2012
The funding of my own little massacre,
my own precious little war crime. My smoke
is everywhere. My father coughs in his sleep.
My mother gags, hangs her head out the window, sick.

My cheap *** before and after cheap ***.
I chat up some high-waisted pastiche on Alberta.
She tells me collage this and that and looks
so lit up and skinny, it's a dream.

Where I go to brand myself. I have this image
of a spark on my arm sitting stovetop red,
sinking into the skin, losing color as it digs,
turning to grey and then nothing like the drowning
of a comet's tail in atmosphere. My burns look so good
in the pale dormitory bathroom shower light: so baby tulip
and teeth, so how-I've-made-it-through-the-wringer.
Christ, I should be a film, look at me: so bent and bright,
such a cute boxer, such a prize fight.
RL Smith Apr 2015
she sits at the dining table
afternoon sun streaming in
doing battle with the cryptic crossword
cursing the old woman she has become when words elude
the hand holding the pen wrinkled like the armpits of the of the eucalypt branches in the garden belongs to the same old crone who uses the walking stick leaning against the fading arm chair
once upon a time she held court
powerhouse of the labor party
corporate tiger
made her fortune from men in suits who cowered before her fearsome glare perfected in the bathroom mirror along with her makeup
mother, wife, business woman
she did it all and had it all
but time passes slowly with each orbit around the sun
time smoothes, soothes and wears away the edges of youth
luring you towards the twilight of lifes great destiny
the glare faded along with the eyes that now need glasses and a reading light for the evening paper
where once she stood tall against destruction of the environment
now she leans on her walking stick advocating Philip Nitschke and her right to exit at a time of her choosing
the ache in her heart for the lost vibrancy dimmed by the arthritis that makes climbing the stairs an exercise of will
prada heels and armani long ago gave way to swollen ankles, dr scholls and elastic waisted slacks
a life well lived does not make growing old any more appealing
she monitors her own decline as her friends pass away around her one by one
lingering at lifes edge as she tries to convince them its ok to go
wondering when her own turn to go will arrive or if she will find the courage to bring it on before her mind or her body betray her
taking mobility and choice in equal measure
Michael R Burch Apr 2020
Withered Roses
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

What shall I call you,
but the nightingale's desire?

The morning breeze was your nativity,
an afternoon garden, your sepulchre.

My tears welled up like dew,
till in my abandoned heart your rune grew:

this memento of love,
this spray of withered roses.



Ehad-e-Tifli (“The Age of Infancy”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch

The earth and the heavens remained unknown to me,
My mother's ***** was my only world.

Her embraces communicated life's joys
While I babbled meaningless sounds.

During my infancy if someone alarmed me
The clank of the door chain consoled me.

At night I observed the moon,
Following its flight through distant clouds.

By day I pondered earth’s terrain
Only to be surprised by convenient explanations.

My eyes ingested light, my lips sought speech,
I was curiosity incarnate.



Excerpt from Rumuz-e bikhudi (“The Mysteries of Selflessness”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch

Like a candle fending off the night,
I consumed myself, melting into tears.
I spent myself, to create more light,
More beauty and joy for my peers.



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When indeed you are your own destiny?



O, Colorful Rose!
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

You are not troubled with solving enigmas,
O, beautiful Rose! Nor do you express sublime feelings.
You ornament the assembly, and yet still flower apart.
(Alas, I’m not permitted such distance.)

Here in my garden, I conduct the symphony of longing
While your life is devoid of passionate warmth.
Why should I pluck you from your lonely perch?
(I am not deluded by mere appearances.)

O, colorful Rose! This hand is not your abuser!
(I am no callous flower picker.)
I am no intern to analyze you with dissecting eyes.
Like a lover, I see you with nightingale's eyes.

Despite your eloquent tongues, you prefer silence.
What secrets, O Rose, lie concealed within your *****?
Like me you're a bloom from the garden of Ñër.
We’re both far from our original Edens!

You are complete, content, but I’m a scattered fragrance,
Pierced by love’s sword in my errant quest.
This turmoil within might be a means of fulfillment,
This torment, a source of illumination.

My frailty might be the beginning of strength,
My envy mirror Jamshid’s cup of divination.
My constant vigil might light a world-illuminating candle
And teach this steed, the human intellect, to gallop.



Bright Rose
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

You cannot loosen the heart's knot;
perhaps you have no heart,
no share in the chaos
of this garden, where I yearn (for what?)
yet harvest no roses.

Of what use to me is wisdom?
Having abandoned Eden,
you are at peace, while I remain anxious,
disconsolate in my terror.

Perhaps Jamshid's empty cup
foretold the future, but may wine
never satisfy my desire
till I find you in the mirror.

Jamshid's empty cup: Jamshid saw the reflection of future events in a wine cup.



Coal to Diamond
by Allama Iqbal, after Nietzsche
loose translation/interpretation by Michael R. Burch

I am corrupt, less than dust
while your brilliance out-blazes the brightest mirror.
My darkness defiles the chafing-dish
before my cremation; a miner's boot
crushes my cranium; I end up soot.

Do you acknowledge my life's bleak essence?
Condensations of smoke, black clouds stillborn from a single spark,
while you with your starlike nature triumphantly adorn monarchs,
gleam of the king's crown, the scepter's centerpiece.

"Please, kin-friend, be wise," the diamond replied,
"Assume a gemlike dignity! Carbon must harden
before it can fill a ***** with radiance. Burn
because you yield warmth. Brighten the darkness.
Be adamant as stone, be diamond."

Iqbal’s poem was written after a passage in Nietzsche’s Twilight of the Idols in which a kitchen coal and diamond discuss hardness versus softness.

Keywords/Tags: Urdu, Hindi, translation, English, rose, roses, withered roses, nightingale, desire, breeze, garden, nativity, cradle, infancy, heart, tears, dew, rain, rainfall, longing, conflict, tumult, peace, life, life advice, live, nature, survive, survival, storm, destiny, God, God's will, silence



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)
judy smith Mar 2017
There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses

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