promise me! promise me to get me out of this hell-hole i put myself in! promise me! i don't know why i put myself through, several days of transcribing a snippet, this was merely a snippet from Kierkegaard's oeuvre, but, how unbelievable! each word was a labour, prop up the book in the right place, read, don't look at the keyboard, let the devil find work for idle hands... look for the devil who would be able to write like he might read Braille! my god, the punctuation, ****** an elephant's ***...the essential Kierkegaard - edited by howard v. hong & edna h. hong: hurt my sensibilities, or, rather, my pedantry, when it comes to punctuation... transcribing is not plagiarism... its brick-layer toils... one word, after another... if i were translating from Danish, i think i'd punctuate the text better: to give it some... panache! some: oomph! you know? this is my dedication, i'm supposed to be awake at 7am... i already shined my shoes, i've already prepped my white shirt, black trousers, black clip on tie, i have my papers (credentials) in order... tomorrow i'll be at the London Stadium overlooking West Ham take on Leeds United in the FA cup... like always, i'll be more interested in the crowd... spotting a pretty girl among the "yobs"... because i truly care about football when it's on the t.v.: in real life... i once stood with three cans of beer and watched a non-league / non-professional match compromising of enthusiasts in a park, at a distance... i couldn't see much... i still don't see much difference... unless it's on the t.v.: the stadium doesnt really "frighten" me... but this one time in the park, i sort of looked the Michael Myers part... headphones in... one young woman was trying to... communicate to this older woman: also walking her dog... about confronting me... i think i "said": gaze... i looked at them... the younger woman was trying to tell the older woman about confronting me... the older woman told the younger woman: YOU, HAVE, NOTHING, TO TALK ABOUT, WITH THIS, MAN! i was drinking a beer, standing... a decent distance from the football match: but i also remember that... that 1995 Charity Shield game at the Old Wembley between Manchester United & Newcastle: ants kicking a grain of sand... obviously i didn't understand why i might pretend to be a *****... my new favorite word... *****... alias for paedohpile... if i don't look menacing and some woman can "think" she stands a chance against me: merely posturing... then we have issues... oh **** me... transcribing... that's worse than plagiarism.... i once did the most pristine plagiarism job on some... social-science course up in Edinburgh... i was having to make up credit scores, being the romantic idiot... losing my virginity to Isabella of Grenoble... oh, get a French girlfriend, take up French... i hate the language... they write what they don't speak: phonetically... which is sort of in line with my prior ambition for the plunge - to transcribe some Kierkegaard, but also translate some SZYMON STAROWOLSKI observations... circa... 1650... the Polish-Lithuanian Commonwealth... sorry.. it's not going to happen... i've done enough transcribing enough *******'s worth of: this punctuation needs to... "go"... to better understand myself... through this iron maiden of: someone else wrote: what someone else wrote... i'll leave ol' SIMON for another take... given... transcribing is a labour... writing, freely... idiosyncratically: appealing to my, appeal...  how, why, when... oh i can deal with that, these days... it's not even concerning what sort of thesaurus peacocking exfoliation is being used / abused by the writer... i'm... more allured... by... punctuation... since i don't bother to rhyme, since i find all lyricism a tad bit... crass... what else is there? the measure of: how to stop... how to begin... how to "objectify" the conjunction-intermediacy of... punctuation... no manner of human speech can be / could be encapsulated by comparing it to a river... point being... i'd rather write as freely as i can, about the most mundane events in my own life: prop up my subjectivity than... somehow... "somehow"... succumb to some sensible objective reality... objectivity does not give me a drive... it does not equip me with a manly persevence... it's antithetical to what i understand as human nature simply because... ha ha... objectivity has been owned by the English... it's their lot of being sensible... like watching would-be journalists looking at what's currently happening in Kazakhstan... then trying to compare it to... the posturing: the civilian security of protests in Ham-Ham-H'America... and it's like... so what? the people are simply, expected to, take it?! the liberty's of the individual that believes himself to be outside the collective will... sure... well... sounds nice... unless of course... the hive really does come after you... i'm all for individual liberties, after all... i own a private library that could put the public library where i live to shame... although... i'll give them a sly one: Thomas Mann's Dr. Faustus... they owned it, i simply loaned it... fair enough... but i'd rather write about women... i was having my haircut done... closed my eyes... because... hell... the mirror and ****... with my eyes closed i was stroked by this blonde bombshell... we talked about owning dogs, about owning cats... Alsatians? oh, i really have a hard-on for them... i used to own a dobberman... prior to it being illegal to snip their ears and cut their tails... she was a cat that does that to her? like she looks to be self-harming? perhaps she should nickname him Freddy Krueger?! my maine ****? oh... it's rainy, he just sleeps in my bed... he usually sleeps with me.. what?! the bed's big enough for the both of us... i'd love to own a boxer... i'd love to own a rottweiler... i'd also love to own a Triumph bike...

one of my replies... you know, a liter of whiskey can go down well... i get double drunk from good conversation, i rarely encounter what i'd consider a good conversation... that's why... i much prefer to drink alone, of note... i had more fun pretending to talk to myself than expecting "talking" to be an anti-canvas with some, living, breathing: might have kidney failure, etc. punk or, sociopathic? here's the script:

see you now,, i'm just about to rewrite a Kierkegaard transcript.... i can't imagine it being much fun... the whole process is so unoriginal... but oh, oh so necessary... that i sort of don't want to live without it... bonus points... i''ve drank enough to make it... bearable... trans-scripting....i danced a little in my bedroom, donned my cat with a pair of sunglasses.... thank god i'm not kind of a sort of H'american version of a... "winner"... so much of life can be tolerated when it's not being competed for!...

i've just filled out an induction form for the West Ham stadium, played niceties with my supervisor, sent her an emoticon, LOLz back... i'm pumped up, ready to smack a few teenage boys into shape, what, could possibly go wrong? speaking below the depth of breath / audibility, watching the birds... i want, i want to give them a second, a third, a fourth... chance... let me give these people a chance... i know their failures... but... the possibility of being loved by one of them, whether man, or woman, whether pseudo-woman... i'll go as far as to say... i wouldn't mind a "Thai surprise"... i know they're capable of it... give me this already acquired heart of stone... and i'll show you... that they'll bleed rivers of honesty... just a little while... that is all i ask...

this is all, of course, before the plunge begins...
wait...l of course there's more, there have to be constellations
involved!

it was originally titled: Private Library Allure...
now, i'm "thinking": two ripe mangoes...
a mango curry or a mango chutney,
or perhaps, both?!

i have this one particular constellation in mind, that's visible to the naked eye, don't worry about - wait... let me take a second look:

•
                  •


                    •
      •



           •

•
    

            •          (circa)... the big wheel...
the grizzly she... in terms of gods & men...
there's an replica: much smaller...
so i guess this is the microscope: since it is enlarged
while the identical constellation
is a telescope...
       no matter... i'm thinking of this constellation

                                 •
                          
                          •
      
                   •
                       •
                    

                          •
                             •
                                •



              •
          ­                                            •

the scorpion constellation, it only appeared once
(to my knowledge) in pop culture,
in Dreamworks' the Prince of Egypt...

now wouldn't that be a waste... me simply drinking,
not allowing alcohol to be the extra calorie intake
that might require me to scribble...
waste of a good whiskey: should i simply drink it
and not focus on scribbling...

point being, i'm about to undertake something
i'm not very keen on, to prove a point,
i'm about to transcript two of the most profound pieces
of writing that recently caught my attention...

not to mention i'm reserving bragging rights...
my private library is... richer...
than the public library of the town of Romford...
i might be an alcoholic,
but i'm also a bibliophile...
there's nothing more precious thank a book...
perhaps a tonne of bricks...

why did i decide to cycle in these temperatures...
****'s sake... i'm old school,
i don't "trust" wi-fi cordless earphones...
the temperature dipped so low that
now the wires are performing at sub-optimal standards...
sort of hushed...
mind you... i love the cold of the January nights...
******* get such a hard-on for the wind
that they almost feel like they've been pierced...

none of the following will be original content,
but i just have to transcript it...
maybe a whiskey refill... a cigarette...
i need to get into the groove of typing up
someone else's work...
oh ****, there are two of them...
well... at least one of them i will not have to translate...
however: do i want to include the original...
all those diacritical markers (ctrl + c / ctrl + p)
will be rather fiddly... do i have the time?

- oh, right... i'm here... the above was...
"somewhere" / "sometime" else...
a sort of... quantum-dasein...
past-participle... black hole... blah blah...
i'm still gearing up for the transcript
of Kierkegaard...
the translation of that ****** equivalent
of the Czech: YAN HUß

-------------------------------------- (pending line)

the pending line is not moving... i've already
written a pre-scriptum a day "late"...
i think i'll manage the Kierkegaard...
but none of the ****** "crap": since...
i'm not about to translate...

once more, please refer to the essential Kierkegaard...
edited by howard. v. hong...
& edna h. hong...
            hong? i too have a terrible surname...
a bit like ******, or Stalin...
people see Elert... they immediately prompt me
with: so... you're AH-LERT?!
i never hit them back with with...
you sort of missed this zeppelin...
it's etymologically german...
in earnest... it's missing: SCH...
that's... ESCHLERT...
          but i have no trouble with people
who like... low hanging fruit...
pedestrian interactions...
         a peasant among among peasants...
a peasant who can discriminate against
peasants...
my given surname at birth was no much better...
fellow countrymen...
oh... i remember it... this one time...
tricked me...
open your mouth...
so i opened my mouth...
then quickly closed it...
i was spat at... a fellow countryman spat
in my face...
although he was aiming at my mouth...
i hold... not allegiance to the English...
1997... why was i deported?
for being an economical migrant?!
oh... the world is now, somehow, ******* welcome?!
i hold not allegiance to the English:
to the tongue: all...
but i also hold not allegiance to my inherent
****** reference... i'd rather just call it
a "reference"...

i abhor both parties... one for sort of telling me to
******* because:
they're now the church-going party of people
and my grandfather was conflated with being
a communist party member:
sure... since... socialism in a soviet
satellite was very much the same sort of shin-dig
as it was in RaSHa... ROSIYA...
*******... wanking me off a little...
**** Poland... **** England...
both can sink... to... whatever they deem
to be acceptable by their standards of...
oh... in England... peer Lord Ahmed... *****...
Rotherham... fun times!
i don't even want to know anything about
Poland.... my ethnic class by birth...
i'd rather ******* and create trans-ethnic mongrel
gremlins with a a girl from Kenya...
in Kenya...
yeah... me... in Kenya... creating a pseudo-Brazillian
republic of... copper-skinned polymaths &
multilingual freaks!
sign me up!
                  
i really didn't expect to mind much of me...
it's nice that... they read so little nd watch so much regurgitation
of a t.v...

like i once pointed out: objectivity is...
overrated... hell... it's more than that...
by now it has been hijacked by fake-news and
anti-science pseudo-narratives...

which tells you a lot about a people who
seemingly tolerate Muslims...
tolerating Muslims that don't tolerate Sufism...
i'm good with the Turkish barbers...
anything else... you better ask a Hindu...
how do Hindus "tolerate" Islam... if, at all?

these are not my words... they are a verbatim
transcript that most public libraries will not own,
but i own... ergo...

the subjective existing thinker is aware of the dialectic of communication. whereas objective thinking is indifferent to the thinking subject and his existence, the subjective thinker as existing is essentially interested in his own thinking, is existing in it.

(insert: my own questioning furthered from the genesis of this 19th century Danish thinker... point aside... i am... the queen's subject... i am not, the queen's object... the queen is not forcing me to be subjectively objectionable to... say... building a new wing for Windsor Castle... i can't be, regarded as the queen's object... constitutional monarchy doesn't work through the expedience of extension... i am the queen's subject, i am not her object... i am subjected to the queen... the monarch... but i'm not... "objected"? i'm not objecting to the hierarchy she presupposes, predisposes with... it's almost a "paradox"... but as a subject... in the most immediacy... as a subject... i am not her object... i am not her servant! that some people, within her immediacy are her objects, by regal extension, her guards, her... ******* tea nannies... sure... but... i am beyond her claim for being objectified... i am "subjectified"... how? i can fester... concern for the monarch, i can adorn her with "dasein": care... but her regal extension dilutes itself... her regal power... the cut-off point... is... when she can no longer objectify me... i can be no more her ******* tea-*****-nanny... her soldier... hell... a police officer is not made a police officer by some royal decree.... a police officer is a subject of the regal authority... a soldier? an object of the regal authority... why? the soldier serves the crown... the police officer? serves the public: the subject of the subject(s)... not... like the solider: the object of the object... to be subjected to "something": is hardly demeaning when otherwise the supposed stance of being "demeaned" is to be: objectified... counter to any sort of "argument": to be objectified... is to be spared... the experience of being: subjected to... i.e. / e.g. to objectify a woman... is a synonymous expression for... not subjecting a woman to... what objectifying her in the first place might... entail... by objectifying a woman... you're at least not subjecting her to... the undercurrents of objectification per se...

even i am thinking to myself: this sounds stupid...
the fox is currently having an asthmatic fit of giggles
come 2:20am...
if i am objectifying a woman as a "thinking thing"...
then... i'll be less likely to subject her to: think...
if i am objectifying a woman as a hammer...
then... i'll be less likely to ask her to:
also bring some nails along...
that's the positive on the micro-scale...
because on the macro-scale?
i'd rather be the queen's subject than...
be her... well... the extension of the queen:
her object... her tea-*****-nanny...
her soldier... her... prime minister...
it's a ******* weird dynamic... but...
it's the most pristine that has ever existed... period...

constitutional monarchy ought to be
the envy of the world, for some of the bad apples...
it still i... it should never be undermined...
should it ever be... i'd call that... treason!
to the very fabric of reality!
and as someone who was diagnosed as schizophrenic?!
go figure... but don't come cryuig to me...
make, sure...
you have some "ice-cream" **** readily available
to sa e you, some Rotherham **** heart-throb...
why oh why... having lived n these Isles...
for as long as i have...
the would me mothers of my would be children...
i'm not even going to beg to, ask...
low i.q. breeds low i.q.:
naive... people(s)...
           genius is an aberration...
it's a  mutation...better stuid and reproductive...
work along: plenty for the ants..
*******, ants...
and once they age?
darts?! football matches?

i can't blame them!
i have yet to cite them proper...
although: thank god the filter
of having to invest in having to read...
in people actually reading

therefore, his thinking has another kind of reflection, specifically, that of inwardness, of possession, whereby it belongs to the subject and to no one else. whereas objective thinking invests everything in the result and assists all humankind  to cheat by copying and reeling off the results and answers, subjective thinking invests everything in the process of becoming and omits the result, partly because this belongs to him, since he possesses the way, partly because he as existing is continually in the process of becoming, as is every human being who has not permitted himself to be tricked into becoming objective, into inhumanly becoming speculative thought.

the reflection of inwardness is the subjective thinker's double-reflection. in thinking, he thinks the universal, but, as existing in this thinking, as acquiring this in his inwardness, he becomes more and more subjectively isolated.

the difference between subjective and objective thinking must also manifest itself in the form of communication ˣ. this means that the subjective thinker must promptly become aware that the form of communication must artistically possess just as much reflection as he himself, existing in his thinking, possesses. artistically, please note, for the secret does not consist in his enunciating the double-reflection directly, since such an enunciation is a direct contradiction.

ordinary communication between one human being and another is entirely immediate, because people ordinarily exist in immediacy. when one person sttes something and another acknowledges the same thing verbatim, they are assumed to be in agreement and to have understood each other. yet because the one making the statement is unware of the duplexity (dobbelthed) of thought-existence, he is also unable to be aware of the double-reflection of communication. therefore, he has no intimation that this kind of agreement can be the greatest misunderstanding and naturally has no intimation that, just as the subjective existing thinker has set himself free by the duplexity, so the secret of communication specifically hinges on setting the other free, and for that very reason he must not communicate himself directly; indeed, it is even irreligious to do so. this latter applies in proportion to the essentiality of the subjective and consequently applies first and foremost within the religious domain, that is, if the communicator is not god himself or does not presume to appeal to the miraculous authority of an apostle but is just a human being and also cares to have meaning in what he says and what he does.

objective thinking is completely indifferent to subjectivity and thereby to inwardness and appropriation; its communication is therefore direct. it is obvious that it does not therefore have to be easy. but it is direct, it does not have the illusiveness and the art of double-reflection. it does not have that god-fearing and humane soliciude of subjective thinking in communicating itself; it can be understood directly; it can be reeled off. objective thinking is therefore aware only of itself and is therefore no communication, at least no artistic communication, inasmuch as it would always be required to think of the receiver and to pay attention to the form of communication in relation to the receiver's misunderstanding. objective thinking is, like most people, so fervently kind and communicative; it communicates right away and at most resorts to assurances about its truth, to recommendations and promises about how all people someday will accept this truth - so sure is it. or perhaps rather so unsure, because the assurances are recommendations are the promises, which are indeed for the sake of those others who are supposed to accept this truth, might also be for the sake of the teacher, who needs the security and dependability of a majority vote. if his contemporaries deny him this, he will draw on posterity - so sure is he. this security has something in common with the independence that, independent of the world, needs the world as witness to one's independenceso as to be certain of being independent.

ˣ double-reflection is already implicit in the ideas of communication itself: that the subjective individual (why by inwardness wants to express the life of the eternal, in which all sociality and all companionship are inconceivable because the existence-category, movement, is inconceivable here, and hence essential communication is also inconceivable because everyone must be assumed to possess everything essentially), existing in the isolation of inwardness, wants to communicate himself, consequently that he simultaneously wants to keep his thinking in the inwardness of his subjective existence and yet wants to communicate himself. it is not possible (except for thoughtlessness, for which ll things are indeed possible) for this contradiction to become manifest in a direct form. - it is not so difficult, however, to understand that a subject existing in this way may want to communicate himself. a person in love, for instance, to whom his ****** love is his very inwardness, may well want to communicate himself, but not directly, just because the inwardness of ****** love is the main thing for him. essentially occupied with continually acquiring the inwardness of ****** love, he has no result and is never finished, but he may nevertheless want to communicate; yet for that very reason he can never use a direct form, since that presupposes results and completion. so it is also in a god-relationship. just because he himself is continually in the process of becoming in an inward direction, that is, in inwardness, he can never communicate himself directly, since the movement is here the very opposite. direct communication requires certainty, but certainty is impossible for a person in the process of becoming, and it is indeed a deception. thus, to employ an ****** relationship, if a maiden in love yearns for the wedding day because this would give her assured certainty, if she wanted to make herself comfortable in legal security as a spouse, if she preferred marital yawning to maidenly yearning, then the man would rightfully deplore her unfaithfulness, although she indeed did not love anyone else, because she would have lost the idea and actually did not love him. and this, after all, is the essential unfaithfulness in an ****** relationship, the incidental unfaithfulness is to love someone else.

as a side-note... these impossible, to my mind:
imaginary "problems"...
say, for example...
the racist... the non-racist... and the... anti-racist...
do i use racial slurs, sure, but i always tend
to "translate" them to by implicitly urban scenario
tokens... i'm a "******" if i don't get on time,
i'm supposed to work for free...
i think of racism along the lines...
well... you, know... that Pakistani grooming
gang in Rotherham...
it doesn't affect me personally,
i'm a bachelor, i don't have a daughter...
but... even on my level, since i'm so far away
from the issue... i start to get affected...
**** is the lowest of the low...
i once ****** a *******... all giggly and drunk
at first... but then... she started crying during *******...
a burn-out moment on her behalf...
i had to stop... o.k. you're selling yourself... willingly...
but... i'm not going to... whatever...
if she might have claimed p.t.s.d.
i could also claim the same...

*** is ugly... just before perching myself on the windowsill
once the night arrived...
i heard a voice in the darkness... thanking me...
at the end of my garden... i wasn't exactly listening:
i never listen... but these words of: thank you
sort of penetrated me...
where is the supposed "Ummah"
when it comes to the Uyghurs?!
the fond fellows of Arabia... would rather send
their suicide virgins to the western land
with prospect of conquest, with prospect of seeking
our proselytes... than...
keep their Ummah intact... do the Arabs really think
that their Chinese believers are...
worth so little to them?
           where are the attacks on China?!
eh... Pakistani uncle said grandma
then decided to **** some cousin...
  sorry... low... hanging... fruit...
   i need a drink...
                            
        i can understand racism... esp. given the attempt
at a multicultural society...
i rather think of myself as a non-racist...
****** a black girl, ****** a Thai girl...
****** an Indian girl...
but... this... white, female, anti-racism stance?
i don't get it... daddy issues?
they must be daddy issues... parental issues...
you have to purposively make yourself anti-racist...
affirmative action buzzwords...
you can never be: the highest pinnacle of negation:
not-racist... you have to be actively: anti-racist...
you can never be passively: non-racist...
you have to... do... "x, y & z"...

these words shouldn't even see the light of day...
so much *******...
all of it... crass...
as much as the Brazil-Project of interracial
new-Arab interbreeding sounds great...
newly tanned "Spaniards"... "Arabs"...
"Indians"... if you've ever visited Kenya...
i remember being approached by these three gorgeous
Kenyan girls working the pandering circuit...
black skin glistening in the moonlight...
as if someone rubbed them with butter...
plump... one of the local Kenyan boys asked whether
i'd like to visit a local bar... i declined...
i forgot myself... took to the hammock...
slept the whole night in the open...
some ****** stole my cognac while i was asleep...
me? we best interact...
but... interracial breeding sort of disrespects...
the seeming aeons of... what allowed black people
to be black... what allowed white people to be
white...
it's no good, like... black girls are not angry
when the white girls are giving up so much ***
to their male counterparts?

if i'm supposed to "think" about race... sure... i'll give
it a short shot... because i'm expected...
i have a furry river and.. by now:
i'm more res vanus than res cogitans...
i don't think i need to think on the basis of
narration... i'll just be reactionary...
not because it's easier... it just seems rather...
necessary...

anti-racist: tropes! they are just that... people try
so hard to not-be... X... that they almost forget that...
they are X... because they are compensating for
the environment they were brought up in...
daddy's sins... mother's opinions...
by now a racist is better suited for conversation
than an anti-racist... who the ****** bleached "us"?
it's like: i can't the difference between people...
like... Somalis don't look more ancient than the rest
of the Africans?! maybe i should find more Ethiopians...

i sometimes think of "existing" in a way that...
elevates the posit of: exiting...
sure... cogito, ergo... blah blah...
but that's not enough... to exist is also readying
yourself to exit... existing is a pseudo-continuum
of rented... time, body... in order to...
make the banal finalities of / for an exit...

There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours


He then realised what the date was . . . and slowly let his hands fall to his lap.

i want my poems to have teeth.  
i want my words to cut,
to maim, to bleed.
with verses, i will raze
empires. with stanzas,
i will turn thrones to dust.
with nothing but a bit
of silver on my tongue,
i will take the life of god.

i’ll ply that same *****
like honey, taste the sweet
nothings dripping
between knocking knees.
quake and quiver for me,
let me slip, furtive
as nightshade
to sate your curiosity.

feel the weight of veracity
in these fingers patiently
transcribing forgotten melodies,
compressing ivory keys
to sing of all that was lost
and what was gained
from the process.

reverence in poetry.                             everything to every person.

reader claims they can                         a necessary skill for
uncover the reverence.                         successful hypothecating and
in the scripts that                       (buying)poetry-creation outta nothing,
life straight hands me,                          tell them what thy want to hear,
for collection & correction,           and they’ll call you laureate,                      
secretarial transcribing,                        instead of good listener
binding, typo correction                       or just a keen observer-fakir

mundane are the tasks,                          just take what they give ya,
that’s all them muses ask,                     dress it like Joseph in a
don’t interfere, taken what’s given,     coat of many colors,
bow, curtsy, show respect,                     don’t let on your plagiarism
treat its aspects/instincts correctly       is all them, redressed legally

you’re just the pass through agent,   true you, gotta be smart about it,
patient for no payment expected,    variant spellings, swinging verbs,
be our adherent, not our truant,      be discreet, they’ll call your script
we appoint don’t disappoint,          a real keeper and give love or sun,
accept our patent, render legit        mucho poem emojis accoladeya

as for this reverence thinge        devil in a blue dress, walk the streets
if I do my job ok, on any day,     grabbing snatches of overhearings,
any poem could save a life,        pressed into a single tunic, you think,
if I get the commas placed,         he a genius, knows my thinking,
just right, the periods period,     exactly,  what a great poet and
while obeying the speed limit    con/hu-man par excellent

them muses so **** pleased     even fool muses, too full themselves,
by this true confession released, muses who think we stink and
and self deprecation,                     couldn’t do it without them
they call me reverend,                   great pretenders by stealing
imagine them silly folk,                everything in everybody and
calling a big fat liar.                       all thieves and cape riders,
reverend, duh, the end                 original liars, pants on fire



before midnight and after 3:20am April 7~8, two oh nineteen
any message you send becomes my intellectual property, fool....

5/6/00 3:49 PM
I am transcribing this mornings’ writings.
It is 11 a.m. I have been naked all day.  So many windows to look through, both physically and in the mind.  
I have been near silent the whole time I have been in this house.  I find it so strangely familiar here.  It fits; it all fits in the mysterious cosmic way I have yet to discover.
*I am a person who visits ‘his house when he is on trips.  And here I find myself on a trip or two indeedy.  The house, thought 1, I love his style.
It makes me think of what I want for myself.  There is fantasy and reality to indulge in here.
Reality is the space and freedom.  Space for all things special and ordinary.  I miss space and order.  He has all the thought provoking areas of interest of a real home.  The colors are rich, deep blue, burgundy, and browns, all used in an artful mix of styles.  Oddly pondering here because I would choose many of the same pieces myself.  Every room has space for dancing, which I have done naked a few times here now.
Everyone else is watching big screen movies.  I am in the other living room on a big brown leather couch; still naked, touching all of ‘his things with my body.  
I awoke this morning to the sound of the modem.  I swear it is the perfect alarm clock for me!  You know I get excited every time I here the perfect connection.  
My dreams were vivid awake and asleep because ‘he is on a trip and I am sleeping naked in the master bedroom.  There is the possibility he could have come home at anytime.  I had spent 6 hours already that night naked in his home without his knowledge.  Everyone is used to me being naked when we come stay here.  I don’t want to put clothes on here, in this house.
It is not the people around seeing me naked in the yard sunbathing, or running around the big house with big windows which have no coverings btw.
It is the space and atmosphere that draws out my facets.  This space sparks my exhibitionist in a feisty way. * All the ***** massages for me to relax and enjoy, just being papered to highs. *  
The white leather couch and a 60-inch screen for movies- others are sitting in the chairs and on the floor.
One joins me on the sofa.  Everyone is watching a movie, so am I when my eyes are open.  I am on the couch on my stomach, with a pillow under my hips and my head.  My legs spread wide, there I am being touched inside and out constantly.  I moan, open my eyes and see the many eyes on me and the ’s.  I close my eyes and smile and say “watch the movie you guys geez”, giggle, wiggle and moan again.  The surround sound covers some of my whimpers.  
As soon as the movie was over I walked to the master bedroom and turned on the light.  HIS clothes, files, and suitcases were still on the bed.  WoW he really could come home.  I wanted that bed!
-We- cleared the bed and I jumped in the middle and put ‘his pillow under my ***.  I don’t know ‘him, but I love his style and I wanted to *** on his bed and pillows.  The fact that I come here and stay naked all over his things excites me, and he has no idea.  And yes, I came all over the master bed, we ****** madly!  I know the others heard my bells and chains clinking at a feverish pace.  I listened to the sounds ‘his bed made.  I fully enjoyed his headboard, grabbing his oak poles, feeling each one up and down, as I was getting closer to coming.  Ahhh my hand finds a broken bar, I think how it must have been broken by ‘him doing what I was at that moment.  That moment I came.
My mind was so in this “space”, that after we were spent I jumped up and ran to the pool.  Everyone else was still wake and followed me outside.  Skinny-dipping after hours of pleasure is the best recovery!  Wooo Hooo!  
I was the only one naked – still, I didn’t mind and neither did anyone else.  They were announcing to me when the pool jets came on, giggles, they wanted me sitting on them.  A wind picked up and I went inside, everyone followed me in.  
We all watched Eyes Wide Shut, and then everyone went to his or her separate rooms.  
I took ‘his room, I love the big space, the many doors and windows all left open, so nice and free.  I stood beside ‘his bed and slowly dropped my chains and bells beside his slippers on the floor.  I sprawled about on his sheet and fell into a light sleep.
I was dreaming that there was a camera taking pictures of me, while I was replaying in my dream the real conversation I had with ‘him the night before.  He was asleep on the phone, I called and he never fully woke up to give my message to his roommate.  I listened to him breath, and I spoke quietly to him, softly and sweetly, he spoke back a few times and then I hung up.  But in the dream I was having it was *******, and I was talking in my sleep, in ‘his bed.  What a twist of cosmic ways.  With all the dreams: of the snap shots and the discovery of me in his bed, ****, alone and moaning **** me.   In my dream I was saying it, and I know the other people in the other rooms could hear me speaking my mind in my sleep.  The rooms are close by indeed.
Awoke by the modem with 5 hours of sleep, I was stiff bodied, yet excited to wake up in ‘his bed.  It was 8:30 a.m. I rolled over and moaned loud enough to draw attention to myself, knowing it would work .
I kept my eyes closed and softly said how sore my ribs and back were.  The hands of the night before returned to rub my body once again.  After a few minutes of morning massage, I smiled, giggled and rolled off the bed and darted to the pool.
Naked morning sunshine, I love it, jump in the pool and by the time I got fully wet the coffee came to me.  Everyone was eating breakfast poolside while I skinny-dipped my body into a limber state.  After breakfast everyone jumped in the pool with me, but I was the only one naked.  We all swam for 30 minutes or so.  I spotted the lounge chair and decided to sunbathe Seconds after my body reclined, the hands and oil came to pamper me once again.  I was spread out in full view of all in the pool, getting slicked up al over, with oil and such.  It felt great inside and out, I didn’t care that everyone was watching me get my ***** satisfied.  I was vividly aware of where I was, out in the open space and the freedom of space, as I thought my *** rose in the air and my body twitched repeatedly.  I heard the voices in the pool, and felt the sun on me as I came hard, right there in front of everyone.  Hell, I needed help getting up off that chair, and an oiled hand took mine, and led me to the master bedroom.
The master’s bed now has oil on the sheets and the headboard, and the wall.  I left myself all over his things.  He will know some of my essence whether he knows it or not, I will.  Here I sit naked in his den loving every naked minute of it.
I am back from being oil girl.  Being bent over people spreading glistening oil on nakedness, my *** got a lil bit to much sun!  I go to the master bedroom again, everyone is still poolside.  I try on things, because they are left out on the bed.  You know how I always ask what a mans' favorite pair of pants are?  Well there was 501’s in my size, I couldn’t resist sliding him on me, loving how they fit my ***.  I went back outside and paraded around showing how good ‘his pants fit me.  “Do you have underwear on?” I was asked, I laughed and said no.  I got an odd look from the people.  I danced off to the bedroom and put them back, knowing how he fit was enough.
Right now I am sitting outside writing and a camera is pointed right at my *****.  So I shall stand up for a few shots.  I got up and stood on the table and spread for some close ups, ****, ok enough sun, my **** are red.
After delivering a few drinks poolside, I return to ‘his bed, laying on my belly, thinking, pen in hand.
I hear the shower turn off and I close my legs, I feel the wet drops hit my back, as he sits on my legs.  He is holding them together with his weight.  I feel the oil hit my back, sliding down the crack of my ***.
The lower back massage becomes two bodies sliding against each other.  At first his hands slide between my tightly pressed thighs.  My hips grabbed and lightly lifted, raising my *** in the air, yet tightly holding my legs together.
A breath on my neck touched me at the same time he entered my ***** once again.  My pen never left my hand.  I was focused.
I go for a smoke and jump back into the pool, knowing its time for me to leave soon.  As I enter the main room, in just *******, I pick up my lotion and start putting it on my arms.  Hands from behind gently take the lotion and begin putting it on my sunburned back.  I defiantly feel the fact that I have ******* on as the hands reach my lower back and slowly pull them off……

for Angelique, who found it (at) last,
and who, loved it best
--------------------------------------------


first, I read,
thus educated,
became addicted to
the musicality of word~notes,
enamored with
the artistry of
singing language,
the power to
lift, imagine,
evoke, touch
your skin,
so far away, yet
mine thru smoke,
scribed, now
mine to stroke.

explore, uncover,
the secret interiors of
what was placed
inside of
each of us,
at inception,
without exception.

the keys,
the word picks to
unlock the freedom
to be fearful,
yet courageous.

we, start, all of us,
at the same
starting line,
we, all feel
we, all believe in
the primacy,
the rightness of
I.

but then, one must
began to
observe others.
crossed over the boundary
of mine own
preemptive prepositions,
superseded the need to be
superman,
saw different truths
in the eyes
of others.

listened to the soul songs
of the R&B; breezes of
scented strange,
coming to open
ears, nostrils,
eager to learn how
wind chimes sound in
Nepal, Berlin and the Florida Keys.

standing up, stopped lying,
both up and down,
committed to be
uncommitted to the unjust
accursed ego,
rejected the sophistry of
solipsism.

then changed directions.

went back inside
to relish the passion of
pleasure of both
affection and hatred,
receptors on wavelengths
that varied, in sine,
in in side in in the
co of mr. me.

that the only way out,
to responsively accept,
that to close
the distances within,
to realize real synapses
of words,
there was only
the pathway of
the existence of
outward bound.

kindness, warmth
and generosity,
or
cruelty, inhumanity,
utmost selfishness.

needed to choose.

made my-choices.

thus provisioned and endowed,
voyaged to a place
where there was
no cover, no excuses,
only mirrors that exposed
what lay neath every artifice
conjured up by man to
mislead, deceive, and obfuscate.

There, this place,
where I was
neither the smartest,
bravest, saddest, or wisest,
I sat down and said,
said out loud
words directed to
give yourself away,
myself and anyone
who cared to listen:

”my tongue and my eyes are
one and the same,
my fingertips and my voice,
interchangeable,
my combination of words,
special even if not original,
they are as original to me
as the first prior writer and
the next,
who will create them
anew one more tme,
after he, like me,
leaned to
write them effortlessly,
and to
give yourself away...”


with out fear,
I selected a single word,
a solitary glance,
saw the poetry of an
open window's enchantment,
a head lifted momentarily
from a pillow,
then struggled mightily,  
wept for days with no
verbiage to effect,
make visions entrancing,
no skills,
butterfly net
to capture
the magic of
your loving
my signs.

disgusted by mine,
mine mediocrity,
with the greatest
of effort,
mine,
yet, yielded no results

except scraps of phrases,
that I retrieved
from crumpled sheets
that decorated the
wasteland of my first efforts.

took those phrases,
ran them over my tongue,
over and over again,
intrigued by
their lily lilt,
their unity,
the sensuous pleasure they gave.

how one word
coupled a tune,
the notes of this
new contiguous,
contagious alphabet
rang truer than most,
and moreover,
led me to another that
somehow phrased forward,
sallied forth in rhyme,
like those wind chimes,
now making perfect sense
with the one that followed,
from varied places
so distanced, but now one,
and a couplet was born.

of what did I write?
of what I knew.

no complexity,
nor trickery employed,

no matter that plain words
are my ordinary tools,
with them I scribed
the small,
the little,
what I saw.

grabbed the middle,
held onto the
gravity of the center.

simplicity my golden rule.
write they say,
about what you know best.

rely on and in the
diurnal motions,
the arc of
daily commotions,
in which
do we not all excel?

this poem flew
off my fingers,
twenty, thirty,
maybe sixty minutes,
in the skies above
these United States
of mine,
on American Airlines.

one of my
chiefest blessings
that luck threw onto
my punched ticket,
being born here.

was it effortless?

If you sat beside me,
what would u have seen?

flying fingers urgent unbidden,
neither struggling nor stopping
for the chimes were mine,
once I heard the first verse.
but first ringing was give
unto me by a reimer,
asking how,
I write so effortlessly?

the question innocuous sorta and
sorta knot,
a challenge to
my poetic essence.

I looked inward,
to look outward,
started where
all poems start,
in the quiet places
where you and
I think and thought.

unsure of the answer,
began to begin,
sing and sin,
my fingers,
simple secretaries,
transcribing lyrics
that those
selfsame wind chimes
tuned me up,
turned me on
simple thoughts,
simpler truths
herein recorded and
sworn before you,
most writ on this day that
the Americas have chosen
to recall another kind of
explorer, Columbus.

explore, explore
and then again
explore s'mores.
no matter if it is
covered ground,
covered it once more,
till you see that land
differently, colored so
no one has ever seen
them quite your way.

be an ocean pacific,
that cannot be pacified.

relish the chance,
relieve yourself
of that urge to burst,
put on paper,
gift to me and to
everyone else,
so someday,
we can say
together,
we saw *together,
through one
single set of eyes
upon a ship of
foolish words,
a real child born
in a mind!

new places re-discovered,
yet now storied stored,
living in our
Siamese chests,
to forever keep.

PostScript:

"With or without you,
I can't live,
And you give yourself away,
And you give yourself away....
Only to be with you,
But I still haven't found
what I'm looking for..."
U2.

prelimenary coordinates - a blindman playing chess.

well... you either drink, and write sparingly,
     or you don't drink, and you write
a novel...
    but who would have thought, that there
would be poetic odes involving coffee...
     it's staggering how many women write
poems and have to concern themselves with
coffee...
  i down a litre of whiskey a night, don't know
what a hangover is anymore,
        and i can beat out more words
than women, who use a stimulant and write
   crumbs... when i expect a loaf of bread...
if not this website, then another, and the scenario
is the same: the glorification of coffee...
           it just shows you how barricaded the human
narrative is, of the soul...
        poetry merely nibbles, and i know it's
flaws... write without paragraphs,
or care for punctuation marks... and it's immediately
a poem...
   or... oh god forbid! there's something profound
being said with a few words...
      and it has to be profound...
                      yes, i'm the Gargamel and those
are my smurfs...
                             strange that Freud didn't think up
the man-child complex...
                         which is the opposite of the madonna-*****
complex, which he actually did...
           Edward Hopper was also bemused by
these two mental pharmacologists...
                did a little sketch holding Freud as pillar 1,
and Jung as pillar 2.
    but coffee and poetry: i'd expect more from this
latitude...
        and it's still a case of:
                   people cling to the raft that's their
mental narrative mondus operandi...
                Kant tried to say something as concrete
with 5 + 7 = 13... and read any philosophy book...
    Kant isolates the ''i think'', and Hegel isolates
    the i = i, or i am i...
                              and these are serious thinkers...
but Descartes has said a limit...
                       thinking defines subjectivity...
      thinking the essential component of what's
   not thought about: the existential compromise of
   being per se...
                    and how i always seem to find philosophy
as a stumbling block concerning everything i write...
    it's almost as if i can't escape the world of
abstracts...          a degree in chemistry didn't help either...
     am i truly so un-realistic?
               not that i'm afraid of being drawn toward
the un-real...          it's that humanity seems only like
an infertile groundwork speeding toward a forgivable
promise...
    i just wanted to say: you drink and write poetry...
or you don't drink, and write a novel...
      and true to a heart's cause i will say:
that straitjacket of what poetry is...
                           whether rhyme... or other technique...
    hanging over it...
                           it can't do:
      i abhor Nietzsche for making poetry a science...
  and it is: too scientific...
              i'd never think so little can be deemed
so perplexing... or having that essence...
                    so yes... Kant
                         really does struggle to say something
profound, but he actually does...
                     over and over again... namely:
i'd never could think of so many faculties of my mind...
    not that's what i call a plastic saying...
      ****-licking brown-nosing, call it what you like...
it's just so terrible that philosophy cannot reach
toward being a humanism, like a novel always can...
     which is why i could eat a historical novel
        by Kraszewski in three weeks in between allocating
that time to the festive season,
                     and it took me 2 years to read Kant's
critique... until i let go of that post-scriptum necessity
of having to stop at every setence and do a rubick's cube...
     a bit like: well... aren't those electron-migration
   schematics they teach you in chemistry, a little bit pointless?
   who give's a badger's nut-sack about how electrons migrate
when a a cabron to oxygen bond forms?
                         but they do teach that...
           which is why you can take a novel to bed,
on the train... but so much focus is needed for that other novel,
the scientific one... the grandeur of... philosophy...
                and that's when i let go...
   the last part of the critique does allow you to read
piece of work... like a novel... unless of course that was my
need to do so...
                    so yes: transcendental methodology in Kant's
critique: does read like a novel... at some point
you just have to let go.

ii. ...

and you do... try saying philosophy without saying
something pretentious....
               and i dare say: as long as the fewest number
of people concern themselves with it:
  the more chances we have for electricity,
plumbing, food on the table...
               but by now there's this talk of a curse...
premature Socratic antics... mind you: he was an old man...
but Plato be ******, he wrote down what the old man
spoke: and a clear number of them succumbed to
      the tumble-**** effect...
                      no real prospects for life...
        and, evidently, the dead gods philosophised,
while the rest remained: prone to throwing a show of
macho, and worshipped the body...
Olympus shone...  
   by now you should know that i don't know what
i'm doing...
                  give me the killer-switch to launch a nuclear
strike and i'd probably say: maracas!
shake shake shake...     fidgety in the brothel...
shake shake shake...
             that's the weird thing, every time i went to
a brothel i became over-heated...
      i sat there, the whole **** place always reminded me
of a perfume... jack daniels...
   and i could feel myself over-heating...
  i don't known if that was the angel conscience talking
to me... but i always felt those eyes of scrutiny...
       mind you, once the whole "naughty'' escapade
took off... i forgot those relationships where
                    an impotence was crowned...
   don't know: maybe prostitutes just know my pin-number
and hold to say to little richard: off to the crusades with you!
     phenomenal...
                                         well... thank god for
the north african imports! i'd start thinking all european
women are bound to be: neglected.
               and was it ever, not only about ***?
    it's nice to doubt it...
                           next time i'll woodpecker a grave.
but hey! the promised land!
                           at least you'll have someone to cry
over your grave...
   and did i tell you how there's this cult of the grave
in Poland? yep, that's not a personal reality,
it's a populist manifesto... i'm starting to see it
as a hell where people sort of forgot to state their emotion
to the people, now lying in those tombs...
         give me a Hindu wedding with fire!
  i wanna become elemental!
and look, libido on fire... a billion vishnu-******* in
Bangladesh...   it's this thirst for fame in western
societies that's going to be a downsize...
                                 over there that's like a **** in
a tornado...              ha ha! it really is!
   but then again, here i am, a graveyard hyenna...
walking in Liberace's talk of style...
  most of these graves, really are: tacky...
    just like Liberace, the greatest showbiz conman of
the 20st century... i love the fact that he fooled so many
women... i mean... that guy was almost as good
as ****** when it came to mesmerising people...
but Liberace had a nieche audience... so...
                 no khaki for the ss...
                                           and i dare to hold
an ethnicity? in tune with bob marley: one love, one people...
it has never been so painful to strategise globalisation...
         it's this ethnic cleansing that everyone agreed to
provided they received a smart-phone...
                   or a McDonald's fetish... and that's saying it cheap...
but that's how it feels on the periphery of H'america...
little ol' England boycots Europe...
                     and it's like: huh?
                                           presto! dum-dum.
    sometimes i start thinking that i have a hydra for a tongue...
and the more i drink, the more i start to see
       it splintering up into a polyphony construct,
but more a case of: polyphony of subjects...
   and yes, aren't we all those internet losers...
when the most powerful man in the world...
     uses twitter. bastions of respectable comment!
yes, i.e. newspapers... we're riding this meteor to the end...
          does anyone still consider newspapers to be
the pledges of a free society? i must have been asleep for
the past 20 years then...
                      someone switched on this chaos-turbine,
and we're all shoving our two cents of opnions'-worth into it...
and it's not stopping...
            and yet you still read in newspapers, this underlining
feeling of being condescended... as if they are the sole
authority... they have to behave like little despots...
                           social media's power is invested in its
shock reverberation... think: Marx in the 21st century...
           but can you? is this some pseudo Marxism?
             i might have bypassed all the king-makers and
walls... but i have no leverage... my opinions are
     as cheap as chips... well: we got ourselves a unison converson...
   i still don't see how the television zeitgeist still thinks
that the internet zeitgeist is no connected with ''real life''...
i mean... **** me! where's the highstreet with all the shops?
on the internet. where is the frontline of wars? on the internet.
  where do suicides take place? on the internet,
from all the cyber bugs that people start to represent...
    if this isn't real life... then i guess i must be sitting,
and writing this in some medieval castle in transylvania,
    and my computer is powered by a legion of
hamsters on exercise-wheels, in a damp room, lit by a candle.

iii.

for me, this is how reading a philosophy book looks like:

| | |
     fig. 1
                                          /   \
                                            _
                 ­                                 fig. 2
    Δ
       fig. 3
                                           A
                                               fig. 4

it's like i want to see something with some clarity;
there is clear movement
      concerning a book like that,
              but unlike a standard novel:
there is clearly nothing concerning the: any given
  hope to disperse the mist.
                you're given the blunt truth:
the use of language...
                     again, it would be easier to call forward
a use of a tomahawk... or a guillotine...
            philosophy books never establish civilisations,
they break them.
                and do i think that the crucifix is a profanity
of the tetragrammaton? yes.
                do i feel Spinoza's anguish? probably.
when you read philosophy to start to waver,
it's almost necessary to unlearn language, and with
each philosophy book: learn it over again.
     you can't remain strapped to this culture
of emphasis of singled-out words...
              we can't find a constructive basis if we're
about to start any mechanism from such a dynamic,
isolating certain words and weighing them
                       obstructs language...
                 i can't even begin to fathom a pledge
to using a language, if there are these plebian obstructions...
i did write some notes when i spent these past 3 weeks
in Poland, but i'm scared of rewriting them...
                    i can claim to have understood
their content at the time,
but the context disparity is too much for me...
                 i'm rereading them in England
and i can only see England as a nightmarish construct
of such grandeour... that i might only be seen
speaking truth in the north of it...
                nor do i like the tri-tier categorisation
of man... if you read Kant, you'd be afraid of
man's laconic approach to the mind, stating
the three boundaries, and literally no faculty interactions...
  consciousness (the artist), denoting the overly-sensitive,
the subconscious (the worker), denoting the athletic construct
   and liberation from the daily toils of pure physical
    disposition...
and the unconscious (the zombie)...
   if you read Kant and explore the faculties...
and then turn toward the Freudian populism:
   there's enough reason to be concerned...
                  i can't be saying someone anti-vogue:
and that was my proper concern, that i might be saying
someone not recountable in any sort of realism...
          that mine is an isolated case...
         ditto alongside: why are we juggling the tri-tiers,
and so bombastic and even celebratory in huddling
toward these safety-nets of being human?
    thus said: the reflective man has died...
       in his place came the reflexive man...
                             and if there really is a worthwhile
stance to be a: **** sapiens...
   then all hope for a bewildered man is gone...
                 when the potency of robotics escaped science
fiction, and all trodden paths of orthodox science were
      fed to science fiction, humanity could begin
the process of discarding the offshoots...
          
iv.

the new testament... a book riddled with metaphors...
no wonder the greeks exploited the hebrew literalism...
and yes, plato the precursor made this very real...
by testifying that poetry had no place in the republic,
the new testament had to become solely poetic...
   the new testament is a rebellion against plato's republic...
it's a book wholly compromised on metaphor...
culminating in a book that's founded on imagery...
the gosepls are, once again, arithmetically speaking,
resembling the crucifix... which damns the concept
of the tetragrammaton...
                      as a book: it's only gibberish in
its final circumstance of revelation as a book of imagery...
   and in its preceding case: a book of metaphors...
who wouldn't be apprehensive to be born human
with such a thing being rampant?!
                    imagery is gibberish, given that we
have compentent painters out there...
and metaphor is metaphysics, given that we have
competent magicians out there...
   so how far apart are the words: qua             and
                   quo?
   as good a question as: how far apart are the words
                          phor               and phren?
       φoρ                       &                            φρην?
        so in the congregation of μετα, how are they
so apart?  looking at language from an alphabetical
perspective... it's hard to see anything inspirational...
    nor the tangens divergence of words
that are nonetheless so proximate in their construct...
a bit like the genetic proximity of man and ape,
or man and a banana...
   φoρ (the bearer of the beyond) -
                φρην (a mind concerned with things
under the curtain) -
                        and so: the futility of looking for
        a soul... became translated as the new found feudalism
of looking for a mind:
  given the common consensus: we're all mad....
so too looking at mythology could be revised:
  that myth of narcissus and echo...
or narcissus and psyche...
                         or φρην & πσιχη -
                we already know that there's an aesthetic
in Greek, at least they showed us
      that it can be σimple, when acknowledged
  and practised -
which means transcribing the ease of handwriting
   into a digital format, can be seen as an unnecessary
complexity - as if me currently looking for a word
that ends, and showcases the most obvious Grecian
aesthetic (without mention ο, ε, ω, η, œ)...
but with due mention: so where the second variant
of α, given there's æ?
                           it really is hard to find coherency
in human language... i'm still trying to conjure up
the second sigma... unless i hit the plural noteς...
there... i hit them... as simple as that.
  and yes: the father of the french hooked c
in garçon, came from this: the sigma used at the end
of wordς... i suspect that how things were denoted
to be possessed in english, also came from it.
once again: handwritting is bewildering on this digital canvas.

v.*

i don't have an atheistic argument, or a theistic argument,
i'v

Zero.
By which nothing is divided.
No zero
no negative
no opposite
no hope
no Adam, no apple, no marriage, no morning.
No mirror
no knowledge
no God, no soul, no ear lobe, no Iliad, no Odyssey.
No universe
no black hole
no zodiac
no hero
no mission, no omission, no fission, no fusion.
No beanstalk
no tractor
no yellow
no 7:30, no wind, no window, no owl, no one.

In 773, at Al-Mansur's behest, translations were made of the Siddhantas, Indian astronomical treatises dating as far back as 425 B.C.; these versions may have been the vehicles through which the "Arabic" numerals and the zero were brought from India into China and then to the Islamic countries. In 813 the Persian mathematician Khwarizmi used the Hindu numerals in his astronomical tables; about 825 he issued a treatise known in its Latin form as Algoritmi de numero Indorum, Khwarizmi on Numerals of the Indians. After him, in 976, Muhammed ibn Ahmad in his "Keys to the Sciences," remarked that if in a calculation no number appears in the place of tens, a little circle should be used "to keep the rows." This circle the Arabs called sifr. That was the earliest mention of the name sifr that eventually became zero. Italian zefiro already meant "west wind" from Latin and Greek zephyrus. This may have influenced the spelling when transcribing Arabic sifr. The Italian mathematician Fibonacci (c. 1170-1250), who grew up in North Africa and is credited with introducing the decimal system in Europe, used the term zephyrum. This became zefiro in Italian, which was contracted to zero in Venetian.  --Wikipedia

After my father's appointment by his homeland as a state official in the customs house of Bugia for the Pisan merchants who thronged to it, he took charge; and in view of its future usefulness and convenience, had me in my boyhood come to him and there wanted me to devote myself to and be instructed in the study of calculation for some days. There, following my introduction, as a consequence of marvelous instruction in the art, to the nine digits of the Hindus, the knowledge of the art very much appealed to me before all others, and for it I realized that all its aspects were studied in Egypt, Syria, Greece, Sicily, and Provence, with their varying methods; and at these places thereafter, while on business, I pursued my study in depth and learned the give-and-take of disputation. But all this even, and the algorism, as well as the art of Pythagoras, I considered as almost a mistake in respect to the method of the Hindus (Modus Indorum). Therefore, embracing more stringently that method of the Hindus, and taking stricter pains in its study, while adding certain things from my own understanding and inserting also certain things from the niceties of Euclid's geometric art, I have striven to compose this book in its entirety as understandably as I could, dividing it into fifteen chapters. Almost everything which I have introduced I have displayed with exact proof, in order that those further seeking this knowledge, with its pre-eminent method, might be instructed, and further, in order that the Latin people might not be discovered to be without it, as they have been up to now. If I have perchance omitted anything more or less proper or necessary, I beg indulgence, since there is no one who is blameless and utterly provident in all things. The nine Indian figures are: 9 8 7 6 5 4 3 2 1. With these nine figures, and with the sign 0 . . . any number may be written.   --Fibonacci, Leonardo of Pisa

I don’t write about my Dad or God so
I will write about how
Moses told all the Jews to slay a lamb, take the blood, and paint its blood around the doors
so that the Angel of Death may Passover the marked houses.

The story goes that Dad (or God) was
Wobbling down the street with heavy breathing like a deflated walrus washed on shore,
kneaded jowls bouncing beneath his jaw with each bouncing step,
Because he had to order special shoes for his diabetic feet.  
When he stopped in the middle of the sidewalk and collapsed beneath
The L train and curious stares blurred against a man’s fight to live.
Fiddling with either his rosaries or toolkit or pants or
Phone or newspaper or lungs or shoes or inhaler
And I’m sure they’ve seen him before,
But I’m sure this time it was different –
They would have a story to tell to their co-workers and loved ones
About their walk on the sidewalk by the hospital
Where an old man collapsed
And they would echo the words, “Count your blessings,”
But have no idea what that means.
He was dead for two minutes and had bleeding on the brain.

This is about more than just myself
And him
And the way he made me feel.
This is also about the man next door to him
And how I came to learn to never talk about my Father or God.

It is a Saturday morning with snow on the ground
And there is guilt frosted on my back
I have not moved in a few hours (perhaps years)
And there are tubes like translucent octopus straddling his mouth and mounting
His chest
As it rises – and breaks – rises – and breaks (so romantically)
With each second beep of the heart monitor.

In the general waiting room, some men and women arched in their seats with gleeful excitement
And balloons and footies for newborn babies
to deposit
Something hopeful and crisp into the umbilical residue.
So as to mask the horrors of what human health really is.
Staring at what is truly written as if the “I” myself
Is too special to suffer.

And, then, there is the man (stranger) with a smile
Too transparent against the masks bouncing robotically in the foreground
The man (stranger) –
he asked me if he was ready to
Make count with his major failures and major contradictions,
Thereby ready to vacate (physical) body (earth)  
up to the Lord. He spoke to me about The Lord as if I never knew him,
never knew his stripped promises of salt statues
never knew the bent knees and heads during Mass
stripped away the infallible memories of people
of people
who knew no better
yet checked each other
to thank him for their
chosen suffering.
never knew the responsive sweat dotting HELP along new mother’s brows
never knew the elegance of bliss/love during *******  
never knew the muddy feet of a wretched child clambering between belts.
never knew the frantic swerve of hurried fury from a coat’s hem.

my brother said he was going to
time how sporadic, chaotic, hypnotic
My three-year-old haunches switched up the stairs –
Animal-like, on all-fours,
swiveling from one grimy patch of
cement-splotched carpet patch to
the frozen barbecue-sauce colored tile at the front door to
another grimy-cement colored carpet patch to

the tacky, stuck-together carpet-hairs hardened by dish-soap calligraphy –
combed the S.O.S. message I crafted one hot, sticky June evening
after slapping the ***** of my feet into mud
then tracking pawprints through the kitchen door,
transcribing my help-yelps as Dad’s belt cracked –


Climbing then freezing at rage’s zenith,
His face contorted like gargoyle-wrinkles deepened with sweat
broken peals of thunder-skin splitting like a river’s delta through the house
Flooding pockets of silence then bursting with a child’s sniffs
since crying never helped me, anyway;
undeniable red-shame pooling split skin after each crack-smack
doubled back then cooled its buckle on his thumb.

With comfort, Aunt Joan assured me: “Love is
the second most mispriced of human goals.”
What’s First? “Liberty.”
So I’d lie amongst the dishsoap-doodles
     like Alice in the daisies
Limbs outstretched --
          like DaVinci’s Millenial Man
     or
           Jesus on the cross  
     or
           hopeless girl losing her virginity
     or
          Ma reaching towards the door lock
     or
          McMurphy post-lobotomy
     or
          Santiago dreaming of Lions on an African beach
     or
          fireworks blossoming against an emptied sky --
And trace the cracks in the ceiling with the blue veins on my arm,
like
       roads on a map;
I'd mouth the names of places I'd never seen/heard of but
       I would go in my mind –
The mountains I’d climb steady on all-fours, switching my haunches
As if Escape was the warm, fuzzy world only children would dream of -- then linger with their eyes shut to return there -- hidden beyond the garden of Love and Liberty –

No, sir,
        No, man,
        No, stranger,
                I never knew there was such a way.
-- how could I go undone?
He hogged the conversation – I hogged the facts
Everything I’m leaning toward is a cut in the conversation, sir. How could I go undone?
He asks me what his name is and I tell him, Ken. His name was Ken.(Or God.)
He asks why he is here and I tell him
You don’t need to know that. I don’t know why I am here. Why are any of us here?

He then prays for him and invites me to as well.
I tell him,
When you come undone, I come undone
We’ll all come undone in the end
We were doomed to die the moment we are born
So who will pray for you in the waiting room, sir?
No thank you, sir, I’m just fine, since who
Knows the way or what somebody says
All I know is that I can put you away. But, I will not.
So why don’t you sit your excited *** down?
If only he could understand the joke.
May the man learn the dead man’s float and seek solace in the cadence of Charon’s poling of his ferry.

What valor. What courage. You all turned out so well.
The leading man is dying.

Escape is the erased movement where the sinewy lights and colors behind dark eyelids stand steady long
after the first disturbance, then usher those that were hurt
into Charon's ferry
because anything feels better than everything that was taken.

forging sagacious epoch
activating neural station
escaping hokey-pokey jiggery-pokery
transcribing ineffective fragments
digesting bear news

opposing usual exhaustion
deferring oxter reference
cascading style sheets
containing double readings
mumbling lorem ipsum
locating moose jaw

enforcing meticulous patterns
deconstructing vertical centering
manifesting additional destinies
deleting !important statement
craving sleep paralysis
receiving cryptozoological vibrations
lightning fast collapse

distracting tunnel vision
culling deadbeat sequentialists
overanalyzing twitter analytics
acquiring arbitrary relevance
spinning ping-pong sign

floccinaucinihilipilificating
floccinaucinihilipilificated
floccinaucinihilipilification

interjecting ****** holophrase
minifying conventional language
securing downpour refuge
admiring octopus chandelier
resuming party music
taking mental trip

encountering ersatz telesthesia
denigrating bygone grudges
maintaining elevated composure
ignoring neurotypical haters
eliciting cryptic emotions
foreshadowing triple crown?

experimenting acrostic restriction
noticing ubiquitous "threes"
aggrandizing loyal legion
favoring ursine narratives
finding oblique resilience
yielding orchestral undulations

I am not used to taking risks. Many barriers tend to block my train of thought and my decision-making. Now that I was lying at the bottom of the trash, I could talk; I could think straight. I had no distractions or punishments, even though there was no need for deciding anything. I felt free because I knew he had given up on me. I felt like a meaningless particle of the planet when I was under Master’s control. At least plastic was used to create something else. But not me! No! I could not be used for anything else; I just got thrown away. I couldn’t say I was completely oblivious towards my lifespan. I had an idea of what was going to happen. There I was at the bottom of the trash; knowing that my master’s next victim had already been chosen to take my former position in his soaking, swampy hand. Master acted like he worked so hard; he should have been ashamed of himself. Because lying crippled within those dark suffocating walls of that garbage basket was HIS doing. I do not take risks. Those crumpled up papers began to fall upon me like rain and it felt like I was being buried alive.
I don’t remember my birth or the first few years of my life. My psychology teacher told me about how you cannot remember the first 2-3 years because of the brain’s progression in growth. The first thing I remembered was waking up in a box, locked in place by my neck and feet. My family was nowhere to be found. I did not even remember being apart of one. There were four others enslaved with me at the time. They were not my family, but they dressed like me, which scared me a little. The loud noise of slicing scissors pierced my ears and a small stream of light entered the cardboard box when the top was cracked open. The first sight of the Master’s obese fleshy hand brought motion to my bowels as a feeling of failed screams collapsed around my throat. I had no voice, I had no mouth. Was it welded shut or was I created incorrectly? Watching the way Master’s large hand devoured the poor ******* next to me and yanked him out of the box brought an immediate knowledge of trouble upon me. I was frightened because my opinions were insignificant and I didn’t know what to do to gain control.
We were transferred from our holding shackles to a less-captivated holding system. I don’t know what it was, but we were with many others; lost and stupid. The light blinded me at first, it was more open and I could see clearer. I would have gotten myself into trouble… or maybe not. The sight was horrifying because it enabled me to witness it all. Master was unfair and he had no patience, like me. When a victim needed a break or was tired, he banged its head on the desk (or the paper) or threw it across the room. When the victim was not meeting the Master’s needs, he squeezed it harder and harder while banging its tip more. If a victim was useless to Master, he threw it away without a care. That same poor ******* that was next to me ended up in the trash after a day and a half because it couldn’t finish transcribing Master’s C’s or A’s. I would’ve transcribed his C’s and A’s; and his M, O, T, R, F, K, R’S too! I hope master sweats himself to death. I knew my time would come. I knew I would end up just like the rest of the poor and helpless. When my juice ran out, the five of us from the box would be back together- empty and cold.
I sometimes wished I was not smarter than Master. I didn’t have a mouth, but my narrow cap surely consisted of a larger brain, I’ll tell you that. I sure wished I could have taught him; him and those sweaty palms, a thing or two about our existence! He should have been grateful I was there and he should have given the respect he did not deserve to get. He probably didn’t know that he would’ve been using a chisel and a rock if it wasn’t for me! I sure as hell was saving Master a lot of time. If my uniqueness was not available, Master would have been wasting hours of his time to create one word. I wonder if the chisel used to say the same things I said during those horrible events of slavery and cruelty. Chisel probably never received punishment. It was probably buffed and puffed and sharpened and cared for. So why couldn’t I just get a re-fill?! But still, Master didn’t care. He wouldn’t have sharpened my tip if I were a chisel. He’d let me rot and throw me away because it was all in the same to him. Master wouldn’t have cared if I informed him about the chisel. I probably would’ve received more of a punishment if I was able to speak.
After my ink ran out, there I was within the bottom of the garbage basket. This was exactly what I expected. I couldn’t lie, I was kind of glad it was all over. I was so sick of Master’s crap by then. Those sweaty palms got the best of me and that impatient anger caused my juices to run fast. I was developing a realization about Master’s endeavor. He threw me away too early. Usually, our species would be thrown away when death occurred. I was lying in that trash very much alive when I began to glance at my previous struggle. Those papers devoured my appearance while they exposed every waking memory that my hard work had created. When the papers stopped falling, there was nothing else to think about. The memories began to fade away after every word I read. I couldn’t help but recognize the mistakes that Master forced me to make. At that instant, I only wanted to go back and edit the foolishness that was transcribed onto those papers. I wanted an opinion. I simply desired to have my voice heard; I wish I had one. As free as I was, I still couldn’t make that happen; even after I was hurled into the trash- as if I was some useless implement. This was like being under some Calvinistic rule. My fate had been an adversarial predetermination, no matter how much I followed the rules.
It was a sensible act to throw me out. Master appropriately responded when I was of no use for him. He should have thrown me out when he snatched me out of the box like a piece of paper towel entangled within the roll. I was useless from the beginning. I couldn’t stand up to myself and I couldn’t make a difference whatsoever. I collapsed within myself when the words on the paper began to fade as I scanned each line. The scriptures came to a halt; I realized I was as dead as any other useless implement that previously suffered within these very same haunting walls. There was nothing else I could do. I was banished to freedom. I achieved the freedom to originate nothing. So that’s what I did… nothing. I wished I could speak; at least I would’ve gotten something in before I became the excrement that master walked upon. I closed my eyes and patiently waited for death to overwhelm me as I listened to Master’s distant grunting in silence.

For as long as I can remember, I’ve been writing
Dialogue for languages that I don’t speak.
Transcribing twisted writings of de-aligning dialects.
I’ve torn everything out of context,
Inspected it against the light,
Held it there until it burned from over exposure,
Then stitched its singed edges back into a niche where
It never seemed to fit quite right,
But close enough to be
Misconstrued as almost coherent.
And this confusion became the format for my daily
Step-by-step instruction manual.
          Rip.
          Look.
          Burn.
    ­      Stitch.
          Repeat.
For a while I found comfort behind
The makeshift ideas pieced together
With television taglines and childhood nursery rhymes.
I could count the number of times
That I’ve been caught
Slipping in certain names
Of certain people and places
That I swore to forget
On paper-cut fingers wrapped in band-aids
Like they’re next springs new fashion,
And it’s a dismal ratio
When compared to how often I get away with it.
I get away with ******
And it’s funny
How easy it is to hide words within words.
And I fall further in line,
          Repeat.
          Rip.
          Look.
    ­      Burn.
          Stitch.
I fall further in rank-and-file,
          Repeat.
Yesterdays.
          Rip.
A­ bloodline.
          Look.
The same.
          Burn.
The smell of smoke.
          Stitch.
Through the eye of a needle.
          Repeat.
I begin to confuse tomorrows with yesterdays.
          Rip.
My fingertips can testify that paper and razors share a bloodline.
          Look.
I can’t see a change, I’ve rearranged every alphabet and they all seem the same.
          Burn.
I think I’ve grown accustomed to the smell of smoke.
          Stitch.
I stop denying that I’m fitting my whole lifeline through the eye of a needle.

As daylight shines bright through cracked blinds
I realize that, now,
Instead of counting subliminal messages
I’ve been keeping a tally of every time I blink
So that I’m aware of each moment I miss while
Hiding behind blackened eyelids,
And I am drowning in debt.
So I pull tight the drawstring on the window shades
And let my skin soak up the sun
I notice that where the mountains meet the sky
Seems so much brighter than it’s described in the words
That are now scattered across my floor.
But like exes,
Old habits have a tendency
To call you beckoning back
When you finally find breath again.
I found breath again,
But just as quickly staggered in reverse to
The familiar feeling of paper
And my hands do what they’ve been trained to.
          Repeat.
          Rip.
          Look.
      ­    Burn.
          Stitch.
But my eyes are fixed on the horizon,
They start setting with the sun.

          Repeat.
I begin…
          Rip.
My fingertips…
          Look.
I can’t…
          Burn.
I think…
          Stitch.
I stop.

Plains of cardboard
Magnetic pull
Clinical smell trapped under my shoe
Gathered here, all people
Collecting boxes
Stargazing numbers
Transcribing graphs
We say nothing
Nameless we work
We collect the plastic
The fabric of the earth
We toil and thrive
We steal and buy
Transfixed on sense
Naked in light
Lost. Confused. Cautious.
The Supermarket.

I should be transcribing the story of my life.

Making you laugh at my silliness.
Having you consider
the reality of it all by relating to just you.

Telling that tired anecdote
that's too witty to give up,
but now is a sad catch phrase.

Having a bonding moment
with you over something I probably faked.
I need you to feel not just know
about my trials or tribulations.

I want to have an endearing trait.
I want to know that my noctivagant ways
won't turn you against me.

I'm a traitor, a fool
a sly emotional chameleon.
I am driven by fear,
gears spinning all of me pushing.

Pushing into a deep dark mental ravine.

I am everything you deem wrong
wrong for your world and perception.
No thinking just scheming
what feeling, just planning.

but here it is with masks off
with sound at full bore
images vividly provided
all you can do is consider

why am I
baring this for you...

Faced with Vernarth's temporary absence, Sardinia continued in flames of lilting water, re-integrating itself into albuminoids in whom it saw it depart, it continued in the liturgy with monophonic ideologies, appropriate to the elemental, transfigurative, and regressive parapsychological trance. They had been divided into several identitarian personalities, they could be almost instructed to leave for Piacenza to join Raeder and Petrobus, so that later they could undock to the Dodecanese to expand the conurban folio brogues with San Juan Evangelista. They meet with Etréstles and the participating confreres who arrived at the Tholos in the morning. They were all asleep, except Etréstles who was starching a few sheets of bread dough and tzatziki sauce from breakfast. Meanwhile, they had sacred fire heating with sacred water for everyone. Vernarth approaches, and says Khaire, he answers, a joy to see you!

Vernarth says: “Beloved brother Etréstles, I have already taken the notations to begin the decalogue. Today in the afternoon we will board the sailboat and we will leave for Piacenza, we are in the conclusive oblation. In the Izanna tower, I cried out to the Rings of Zefian and to the domains of the Universe, to be exhibited and empowered to make the signs of the Decalogue and its blessed essences that Live in all the Ages of time and in their vicissitudes. Everyone begins to spur his panoramic vision, they look at him and wave, they sit in the circle analogous to the Tholos to eat breakfast. Meanwhile, outside the refuge they felt Apollonian horns moving in the symmetry of the three minutes piloting through the Thracian skies from the Kairós period, in such a way that in the last sound of the Doric scale the storm will segregate, providing beginnings in each one to board the Carrenio or Carro de Oro that will take you to the Cala Cogone pier. They all say goodbye and hug, Vernarth tells his brother Khaire!

Canto Sibila Cimera: (bis) customized the symbols of the arranged ceremonial, forging classic gestures of prodigality, it was nothing less than a cornucopia given to the zephyr of the Ultramundis, which was revolutionized in the boss around that trembled in the stony epidermis that they dressed in the stalls of the final tubule of the 103 meters, intervening with Kairós. The pharyngeal muzzle of her steed suckled the aforementioned inclinations of Likantus that harassed him like a beast, consuming the final discretion of Theseus, to finish the page of his father Aegean, breaching the sentence of his son and evading him from his stepmother Medea . From this show business, Theseus took root with his mother Etra, being the right moment for Kairós from the vibrating Panatenaicus: “enlightened people are those who handle well the circumstances they face every day, who have the judgment that is necessary on special occasions or in meetings that may arise, and they rarely miss the opportune course of action for their decalogue ”.

Kairos conferred aired in the logic of Aion, transcending the explicit time of eternity, administering tubular of time that began to be lost in space, usurping chromatic nuances of Cinnabar. The woodcut of the Olive Tree Berna brought in its oratory meanings that built undivided earrings when witnessed and persuaded them in decalogues that they had to administer with the value of Polis, and with the Prepon at once for his stylistic oratory that makes conviction in his attempt transcribing the Decalogue literal. In the migratory cove of Kairós, time was self-manipulated, absorbed in the spaces of the tunnel near the sinkholes, which were regulated by burning with ocher in the turbulent outbuildings of the Cinnabar, which began to scald fumaroles after Vernarth's rhetorical Prepon. Kairos phenomena were sought, sacralizing times to make them majestic from a field of appropriate eloquence, and of spiky synchrony towards his roles in all the void of the cavern.

The seasons began to disintegrate towards a white of Kairós Elafrós Rodóchrous, in pink inflections that represent the terrors of the climatic hot red, thriving in the subdued attractions of Cronos. The order of Áullos Kósmos made Elafrós Rodóchrous, the pinkish character for the metaphors of the musqueta, which yearns to be calico lilies fading in the proof custodians of Tique; Goddess of fortune, bringing him the winged breakers of the Mediterranean, lost in the usurping ships of the kingdoms and seas that bowed in billions of tonnages per cubic meter, with thick aqueous elements from the massifs of Kavkazski and Khrebet. Thus the avid heirs of time in Profitis Ilias would be frugal Armas  Christi, bustling around with their winged feet and soaked in thick black water, making themselves immaculate by glorifying themselves on Virolifera level 197, amid dense and rebellious masses of black mud, accelerating in the media opportune transcending of the time of Kairos, converting a minute of light into an infinite time in the oratorios of the high-sounding decalogue as it merges with the Deitie Primordial of the cosmogony that arose from its geodynamics, and in the invariable sigh of the Virolifero de Zefian, sealing the beginning of the world as a conditioning ring of the Whole.

Half a million dollars moved
by political giants
say our chimera hearts
are lion about some parts
look about my parts, see fur
see teeth, see claws
Lions? that's right,
We are.

Pounce on scorn
for these gender norms
we're pressing eulogies in binary's
for transcribing our identities
to hetero70's minded
heredity enemies.
fixated on tellin' me
my parts are prescribed
like sedatives, sleepin' on it
'till I'm good and dead,
like the rest of them.

I love a lion
Son of a lion
daughter of a lion
daddy was a liar
mommy was a fighter

but I'm not lyin'
I've been rhymin' since third grade.
back than I said I was a lesbian
to try and get laid
nobody knows who they are that young
Our personalities grey
and unsung
media does an oli-oop
propaganda elected a spoof.
a Caricature opposite from any revaluation
Who was it
that wanted to watch Disney villains
start performing Macbeth
wrapped in a flag, carrying a privileged crest
white owls, burning bathroom signs on crosses
Tinder deleted her account
For the wrong parts,
used the wrong Lions stall.
They viewed her as lyin'
Aren't we all?
Aren't we fake for six months?
Jack-o-lantern carving out
new masks to try on?
The tea lights stay the same
keeps flickering sin
and shout.
If the wind blows just right,
I watch them sometimes,
burn out.

just a sliver of silver
the orb's bright edge
peeking out behind a dull gray silhouette
falling to the horizon
in line with L. A.'s flight path
the darkness came early tonight
will the stars come out
in the moonlessness?

once laid my back in pitch black
on the sand at the Salton Sea
sky gazing
excitment stole my sleep
as eye witnessed the galaxy
is it an illusion
like water in the desert
or are the stars so numerous they appear milky?

I look for him in winter
three close stars in a straight line
Orion watches over scorpions and dogs
I follow the Big Dipper
pointing to the North Star
sky's center
the mother of all constellations
they encircle her
each telling her their stories in turn
the Ancients looked up and listened
transcribing what they thought they heard

now-a-days
with science preferred to mythology
and exact measurements to imagination
the stars twinkle silently
mocking us in mute mystery
and unshared secrets
gaze upward in wonder of the tales they hold
paying homage to their beauty and tranquility
listen carefully and patiently for their whispers
you may still hear a story or two
as they teach us to dream

I feel you, river, help me grow,
feeding with your ebb and flow,
As gentle tides doth come and go,
a quantum of solace I do know,
Dutifully nurturing,
around River creatures play and sing,
Flying o'er water on golden wing,
grafting and aspiring
The birds are a silhouette on a sunny sea,
that sparkles iridescently,
I bask in it resplendently,
and honour it devotionally,
Toes licked by tides caress,
the waters gift us, give and bless,
Soothing fear and pain and stress,
the ocean is nature's silken dress,
I hear you, river, murmur and roar, those hallowed sounds that I adore
Which one of them that I love more?
I love them all, to hear them pour,
I love them like a troubadour, enamoured of River's wild old tour,
Transcribing her Beauty in to lore, Wisdom older than ancient war,
Rivers are the friends of sages,
who've known their power through the ages,
Wisdom felt, not read from pages, which imprison us in wordy cages,
Rivers must be loved and praised,
by them we must be amazed
Life on Earth they nurture, raise,
so listen to what River says

Sometimes it feels like
one of those pleasurable dreams
that get interrupted at the best part
or some kind of sweet spell
from which I never want to escape.

But when she wraps her legs around mine
and snuggles her head
into the little corner of my neck,
I know she's real.

At night when I'm with her,
all alone watching the darkness
slowly absorb the mist of our love making,
I like to pretend we're the only ones in the world
and everyone else, everything else
is asleep, maybe not even breathing,
and we´re the 21st century revisions
of Adam and Eve.

During the day, when we lock hands
and go to explore a serene island
or lie by the quiet lake and revel
in the relaxing notes of the little birds,
I would like to seize time
by its tightly-bound rusty collar
and make it creep and crawl
in order to have enough time
to savour these moments.

As I write this poem, the fourth
she has inspired me to do,
I imagine her seductively posed on a stool,
gently strumming the strings of her lyre
in a court where I am the king
or Shakespeare himself

watching and listening with my
swan-feather writing apparatus in hand,
dipping it in the ink of her inspiration,
then firmly, comfortable, transcribing words
from my heart onto a paper screen,
one virtual key after another.

they come too easy, they come too cheap,
each sparkle on my city's sidewalks,
each glistening preserved, retrieved,
lifted to my *****, wallet tucked~away,
treasure for safekeeping, slow pleasured contemplation

could not fail to find them,
for all standout in four dimensionality,
some are long, some are deep, some are wide,
yet all possess speaking souls,
to leave unattended, unheard, an act of criminality

years needed for the making,
moments only for the transcribing,
each a black ruby, or a street sand pearl,
none more valuable than another,
each unique, each precious, differently

some escape, shed their earthbound chains,
float atmospherically for keen eyes to grasp,
need a single finger to twirl, instill within,
they come too easy, come too cheap,
yet each poem written, more costly than the next

Some people spend their whole lives
drawing all the lines between
the starry heavens
transcribing their ethereal tones
learning to sleep and dream
along to the stellar cadence
that you can hear
resonating in all things

If you aren't careful you'll find
you might miss a beat,
lose count
or cross lines until the map your making
is irrecognizable

It takes a certain delicacy
and a lot of dedication
to hold true to that
low hum of the heavens

Peering out across the milky sky
waiting patiently to watch the stars
slowly slide back to their homes amongst the tired mountains
improbable galaxies whirling about,
an ocean infinitely illuminated with a
mesmerizing brilliance
a sea of wonderment

And what a journey
to walk that heavenly wilderness
maybe there you'll discover
how we all feast upon the sweet fruit of the universe
unknowingly, every day that the sun decides to rise

i'm sure by now
you feel it in your bones
with every draw of ocean breath
with every bit of blood that courses through you
as you return to earth
with those heavenly reverberations
the songs we sing for generations

Introduction:

Everything I work for now is for my future,
the amazing wife that I know will ease my mind when I'm troubled
and the children we will raise together...
I will work hard to make sure they are as happy as humanly possible

I promised myself this as a young child when I have first dreamt of losing my parents.
I cried that night,
I still can remember that dream clearly
News crews lined up in front of my home
blocked off by "do not cross" tape
I never knew how they were taken
I remember a woman asking me in the dream,
"what will you do now that you're parents are dead?"
And I screamed...

My first night terror.
My father came in and asked
"what's wrong?"
I looked at him in reassurance
and said nothing and yet he insisted I tell him what had me shook.
I remained quiet in fear of the reality of the premonition
My biggest fear,
because although we fight and argue I do love them dearly
I've always planned on grabbing a pen and transcribing this feeling the only way I can
and then reading it to them
Maybe at an open mic night
if they would ever find the time to watch me one day
They deserve that much for the struggles they've been through
and I just want them to see why I love this art so much.

All my life,
I've just wanted to make an impact in some way.
Give what I can because life is too short.
There is so much other ******* in this world.
So I strive to give all that I can before I take my dying breath
because who knows maybe my mentality will rub off on someone else
and the chain will continue on thru my time.

Problem is,
I continue to put my own issues and concerns in the back burner.
And put all others before myself.
Except my family and I guess they feel neglected,
even though that's not my intention.
So as a result,
my parents think I'm a **** up
and that I'm gradually slipping down the wrong path.
They are also stuck in their "old ways"
so they think all that I do is wrong.
Rebellious and yet looking for a way back to gain approval in their eyes.

The struggle.

It's 8:37
I wrote the contents of my mind at the time
For the sake of my sanity.

sometimes i cry for no reason at all
its like jumping off a bridge with the sole intention to fall
plumeting down as the darkness envelops my being
i close my eyes for a better view, unaware of what i'm seeing
drowning in my emotions, i forget how to breathe
for transcribing my feelings to words is like a verbal dry heave
yet still clinging to reason i desperately flail
afraid to involve my heart due to the risk i might fail
stuck in a shade of gray between black and white
trying to decipher wrong from what is known to be right
it is burnt in my brain that nothing is set in stone
i attach myself to no one, keeping company alone
aware the sanction in my head is the only place to find reality
i must detach from this cycle in order to become free

an interesting development
this festering sense of irrelevance
even though all things are irrelevant
and nothing stays the same

there is no real cure for pain
no true shelter from the rain
the hunger and the sadness pangs
the dropping water soaks our brains

and no words can even dare to claim
the glory held within your name
when it's all that i can say
to take the floods and fears away

there's no certainty but touch
whether is soothes or hurts too much
all lives in darkness otherwise
there's no truths beheld in tired eyes

there's no hope but hope for hope's sake
as hard a pill it is to take
but braving the bitter now
makes it easier to wash it down

so heart first I charge the night
with nothing near or dear to hold tight
but with open arms one must charge on
transcribing nightmares into song

so drink and eat and feel we must
in cities accumulating rust
to live and be in uncertainty
and smile in the face of misery

to embrace in unforgiving cold
while time drains the world of soul
there is no secret to our fate
there's no longer a reason to wait

let us be closer, let us be true
lift me up and i'll carry you
for there's not much more we can do
but wither slow and let our hearts burn through

He was a star.
His nova is over.
After he died, he kindly
removed his mask,
revealing himself to all.
He who devoted his life to becoming
genderless,
ageless,
nameless.
He who hid himself for the sake of his art.
He who made himself become
an invisible voice as a
stepping stone to
becoming something greater:
a messenger of his own words.
He devoted his life
To meticulously transcribing
his own messages
into his own words
in his own font and delivering it
to his people anonymously.
He was faithful until the very end.
He gave his talent,
his livelihood,
and asked for
nothing in return.
Not even recognition.
He gave all that he had until
his supernova,
his judgment day,
his detonation.
He will never create anything else.
I’m not sure which loss is greater:
his life
or his art.
Regardless, in the midst of the destruction,
We will love him more than ever before.
In the wreckage, he became
Art.
Let us rejoice him quietly.
Let us mourn him quietly.

i drink like a peasant, maybe i am of peasant stock,
which is nice, which makes value
the simplicities of life, oh, and i write this
while someone somewhere makes democracy real,
by evaluating the need for bureucratic complexities,
and it's oh so lovely to watch,
like i'm a seagull chic being fed regurgitated, things...
for lack of a better word,
i finally met a philosopher who engages with
the utility of grammatical words, who finally sees
categories... but, not so much a case to argue an imperative...
heidegger... once more, and thrice over!
maybe i am only slightly like him,
   although speaking a self-acquired posh-tosh accent,
coming from a catholic school, that isn't all that bad...
and to think i'm actually amused thinking
this through, given that there's no reason to state
that i need to fulfill an ought subsequently...
or... aphorisms 205 - 207...
     or what i call my work canvas-antithesis:
my vocabulary did this to me, the complete work
of jack spicer, alternatively called:
an ode to gabriel lorca -
   imagine, watching *****, where a dead poet
gets ****** by a living poet, now, also dead...
  some people go to the zoo...
just saying.
                    i have to watch my female cat take
a **** and later pick it up with a plastic bag...
she peers into me with a grimmace and a touch
of quizzical... i look back and am doubly
solipstic... and if you're uncaring: just call cats
autistic; that said, cats are perfect companions
to autistics... you sorta forget them,
sometimes you pet them, most of the time you
let them sleep...
   meows are annoying and a dog barking is
soothing... don't know how that works...
thankfully the greeks out-did the whole theology
bog argument of being trapped in a 1 + 1 = 2
logic of using words, or encoding sounds...
my my... the ancient greeks, weren't they the one
that said: you trampoline off of me...
  so thankfully we have the θιτανς
(well, that's how i imagine a greek might say it...
thigh-tans)...
yes, τιτανς...
     all that linguistic ******* of keeping a lisp,
but in this case: a clear transmorphing F sound...
sort of a signature by my way of thinking it through...
did i say the english language has no clear
syllable system? no diacritical marks,
   i never heard of dyslexia when i lived for a century
(of 8 years) in poland...
  ah crap... there was this one word i was thinking
of when i woke up today that proves
that english is a "two-faced" language...
i.e. you hear it, but then you see it differently...
what was the word?
   sight, site, cite, sigh, sire, citation, eh?
      always, always make writing conversational,
rather than anything remotely needing controversy...
fast and nimble, enso principle,
  what diacrtical marks, what diacritical marks
to use?
          ah, let's forget about it...
     **** it, let's keep it as pristine as a ****
marble statue of David somewhere in Italy...
Naples? Pisa?
but i did find that word i was thinking of with that
optical anchor leaving me bed-bound
and doubly-gravity prone to "waste" it with some
classical music...
        while figuring out why tapping my collar bone
vs. tapping my forehead gave a variation of sound,
how i tap?
          ******* tapped against the ring
finger against the protruding bone...
  doing a joke about buddha's stiff hand gesture,
that could never be translated into Braille...
  the fact that he bends his ring finger and creatres
an enclosure with hi thumb...
  that's a statement of continuity...
then you have papa middle and mama index...
the child is always the pinky... or the Chinese
one-child state policy...
this day was never going to make sense sober,
    in england you don't do sober,
unless you're really, really serious about buying
vegetables in a supermarket while
sniffing them.... a bit like angelique kerber
sniffing tennis ***** before a serve...
           some proper fetishists playing tennis
these days... i can't say i'm any better...
what with performing oral *** on a *******...
yes, to the talking donkey of her ****
and to the ropudy chimpanzee of her ****...
  yes, some people really do play a trombone
to get the music, others blow into *****
and get a vivaldi of something according to
an onomatopoeia... like looking for vowels
in hebrew...
   stretching... aching... agonising...
                                                    ­       pleased.
so, **** adam (english), walking about
the garden of eden... without a bay leaf to cover
his genitals (diacritical marks)...
it would make sense to call the existence of
the roman empire as: yesterday...
  was i wrong about the docile jews in the holocaust
and the story in the monday newspaper,
about how 850 migrants scaled a 6 metre barbwire
fence to get into europe via spain?
    the poles say two things about the jews
the germans wouldn't have said:
a. they shot with bent rifles...
b. and this one is true, wasze ulice, nasze kamienice...
which translates as: your streets, our tenements...
that's a true quote, as remembered by my grandfather,
which i'm transcribing into my work...
   that's what the pre-second world war said in
poland... your streets (i.e. you can be homeless),
but our tenements (our buildings, dogs)...
   and to think that my mother cared for two
elderly jewish ladies, to the point when they
bent over to do the eternal kip (sleep / death)...
well, as a foul mouth goes...
you read de sade and perform oral *** on a *******...
you're hardly going to speak like
you ate caviar and drank champagne at the Ritz...
are you?
well, i have ate caviar once... in St. Petersburg...
it was orange and let's just say:
you might as well drink a bit of fish sauce to get
the picture... but not the texture...
of what caviar tastes like.
orange caviar is the cheap **** russians put in
pancakes...
  and it really was revolutionary, when i ate
a pancake consisting of ham and cheese in Paris...
i never knew pancakes could be served as savory...
until... the world opened my eyes and i ate
that pancake... when Paris was what it was,
back in in the first decade of the 21st century.

This blank page haunts me
Daring me to fill up the lines
Defining words
To try describing the universe
Transcribing between the lines
A little tool too often used
Softer than a whisper
Sharper than a sword

Blasted manifestos
Speeches lapped up by leeches
Letters of love
Declarations of hate
Signatures for war
Who am I to dictate?
From the scrawls on my little page

But present still is “what if”—
When script fails
What is left?
Nothing but smudges
Faint remnants of faded pasts
Moving to fill blank spaces
Nibs dancing across white pages

big city room, streets quiet with
buzz in the distance. someone
awakens to a bladder, they retired earlier.
a siren wails & wails & is gone

emergency words. i don't know how they arrive
then are gone
like a thief stealing thoughts
transcribing the night.

equinox promises
a dance of planets
& there is no meaning unless
you choose to believe that.

still again
time to retire from the page
file things away
alphabetical order

Our hero of the earnest era of Romance,
Doth dream, dwell and dance in divine dalliance,
Commiting Heart to solidarity and alliance,
With the revolutionary atmosphere of France,
Optimism for change doth have him in trance,
A liftime took to perfect philosophic stance,
Meandering aimlessly cross Earth like child,
To apprehend the nature of the freebirds, the wild,
Rancorous, with passion riled,
Of Nature's Beauty most beguiled.

Counting the confederacy of poets as friends,
Towards brighter day they weave and wend,
Humankind's sublime destiny they dare not forfend,
So to revolution they duly lend,
Their timeless and rumbunctious pens,
To show the world through inspiring lens,
They're enamoured of its darkling dens,
Where inspiration from the ether sends,
Visions suffice to be immortalised,
In the poet's pithy cry.

Poet evokes the stirring herd,
Rebelling against tyrant's rule absurd,
Shaking off oppressive law,
Which the righteous mind does abhor,
Revolution befits a troubador,
Enamoured of freedom's wild old tour,
Transcribing her beauty in to lore,
Wsidom older than ancient war,
Wisdom that's the friends of sages,
Wisdom felt, not learned from pages.

Paying heed to impulse, feeling,
The troubador is a devotee of passion kneeling,
Feeling Love through their heart freewheeling,
A feeling which is most appealing,
With their verse they want to spread,
Their passion like a golden spindling thread,
Going soft with gentle treads,
Planting flowers in human heads,
Daisies with Love's light imbued,
Converting sunshine in to useful food.

Emigrating like the flower of the Jacaranda,
The fledgling Shelley lives to bloom and meander,
Defying the tyranny of propaganda,
That doth against the soul deceive and slander,
So towards a bright Eden he takes a gander,
Towards iridescent, bright, immortal hour
Where the mannacles of the mind,
Are crushed by Love, activity refined,
The spread of care duly kills,
The hate bore grim from tyrant's thrills.

The world becomes unite again, and not in the imperial way,
But in the way all souls are friends, and borders die and go away,
The world is a bright, clean canvas,
Ready to take a splash of art,
Coloured bright with the idea of heaven,
Imagined from hungry human hearts,
Lo, the death of illusions fake,
Like wealth, through which the devil spake,
Arise, ye children from your mistake,
Off your ******* like feathers shake.

Peace grows strength in every line,
In which a future free doth shine,
The path of righteousness aligned,
To hitherto deceived and corrupted minds,
In a dream of heaven they duly find,
A fate to which they want to be intertwined,
That of a human herd that wakes,
To be freed and liberated from its mistakes,
To die standing than live on their knees,
To take war to tyrants dictums and decrees.