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"throwaway" poems
As you plaited the harvest bow You implicated the mellowed silence in you In wheat that does not rust But brightens as it tightens twist by twist Into a knowable corona, A throwaway love-knot of straw. Hands that aged round ashplants and cane sticks And lapped the spurs on a lifetime of game ***** Harked to their gift and worked with fine intent Until your fingers moved somnambulant: I tell and finger it like braille, Gleaning the unsaid off the palpable, And if I spy into its golden loops I see us walk between the railway slopes Into an evening of long grass and midges, Blue smoke straight up, old beds and ploughs in hedges, An auction notice on an outhouse wall-- You with a harvest bow in your lapel, Me with the fishing rod, already homesick For the big lift of these evenings, as your stick Whacking the tips off weeds and bushes Beats out of time, and beats, but flushes Nothing: that original townland Still tongue-tied in the straw tied by your hand. The end of art is peace Could be the motto of this frail device That I have pinned up on our deal dresser-- Like a drawn snare Slipped lately by the spirit of the corn Yet burnished by its passage, and still warm.
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The Harvest Bow
I've never thought less of you than in begging moment, flipped on smooth river rocks, arms wide on expanded hips, smile fake and expectant. You paddle kayaks in awkward plaids and throwaway sweaters, grinning sweetly at dimples and polished toenails and forgetting my name while I repeat yours in echo. On tall bicycle, you look down at tear-strewn carpet, at lingering rain, and you lean to one side, precarious balance while the sun peeks through the blinds.
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Apr 20, 2014
Apr 20, 2014 at 11:01 AM UTC
Camping
It's a throwaway age for one and for all. Nobody wants to hear the heart's call Society around us is falling apart, Things just go wrong right from the start. Friendships appear to be a disdain, Instead we use others for personal gain. Running for cover, from storm rain, Feelings for others slaughtered and slain. Already the price is being paid. Society gone and relationships frayed. It will only get worse as standards downgrade. Are we numb to the slide, or really afraid? We can change it all, its not too late. Bring on the love instead of the hate. All is not lost if we'd communicate. Destruction should never be our final fate.
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Sep 11, 2014
Sep 11, 2014 at 2:48 AM UTC
Society
I always feel too much, and you never feel enough, like two halves of the wrong circles fighting to become whole. So is this how it ends? Or we could try and make a square. I always care too much and you care just the right amount, so this one's on me. You usually know what to say. So we try sine and cosine. They work. We're waves. It's a throwaway sunset. It's time. The devil is dancing on your shoulder. All the angels are asleep on mine.
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Apr 17, 2020
Apr 17, 2020 at 1:10 PM UTC
Throwaway Sunset
a quote from the movie "The Big Short" ~ *a screen provocation, you laugh out loud, mime hating yourself that you are joiining in tacitly acknowledges the truth of abbreviated wisdom you, disguised minority of modest disagreers, c'mon, admission submission, more truth in it than deserving of argumentation a one liner throwaway, neatly designed, leaves you disturbingly probed, thoughtfully tormented and aroused poetry just a vehicle, your vice for revelation, the critical door to open is this: do people hate the truth? inescapable reality ironical probability, truth well disguised, in plastic shell of lying from the Hollywood's would be poets, an escapade from the escapists let us not pretend that you and I uncaring, for by virtue of your reading this, you are poetry aficionado, required to deny the lie, and yet, accept the granular view that we are rising writing thru the wronged end of a telescoping microscope so I scare scar a tissue sample from my tongue and the cells spell this rejoinder: all your lies are poems, incomplete truths, and that's why people hate poetry*
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Apr 3, 2016
Apr 3, 2016 at 11:10 AM UTC
Truth is like poetry. And most people f**king hate poetry.
The Harvest Bow As you plaited the harvest bow You implicated the mellowed silence in you In wheat that does not rust But brightens as it tightens twist by twist Into a knowable corona, A throwaway love-knot of straw. Hands that aged round ashplants and cane sticks And lapped the spurs on a lifetime of game ***** Harked to their gift and worked with fine intent Until your fingers moved somnambulant: I tell and finger it like braille, Gleaning the unsaid off the palpable, And if I spy into its golden loops I see us walk between the railway slopes Into an evening of long grass and midges, Blue smoke straight up, old beds and ploughs in hedges, An auction notice on an outhouse wall— You with a harvest bow in your lapel, Me with the fishing rod, already homesick For the big lift of these evenings, as your stick Whacking the tips off weeds and bushes Beats out of time, and beats, but flushes Nothing: that original townland Still tongue-tied in the straw tied by your hand. The end of art is peace Could be the motto of this frail device That I have pinned up on our deal dresser— Like a drawn snare Slipped lately by the spirit of the corn Yet burnished by its passage, and still warm. by Seamus Heaney
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Aug 30, 2013
Aug 30, 2013 at 8:02 PM UTC
The harvest bow - Seamus Heaney
A sentence most innocent,      yet the undercurrent      is deep and swift.                                                             I love you, too. A snap-reflex response      to a heartfelt exhibition      of true emotion.                                                             I love you, too. To an outsider,      nothing would be amiss      but I read the lack of words.                                                             I love you, too. This throwaway text      hides something much more      than you care to show.                                                             I love you, too. And simple as those      four little words, I know      something is wrong.
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Sep 13, 2015
Sep 13, 2015 at 11:27 PM UTC
Unusually Short
Hi . . . This is about the kinds of people who work in corporate big money office buildings . . . Imagine them at lunchtime, how they interact and picture the scene in any . . . Busy little bistro Sharp - sharks - circle - the - pack Pinstripe finned and eager Snapping their snacks back with ease Points to prove with nothing to lose No cracks in their creases They're keen to return to the fray. These boys play with girls Aren't yet uncles with nieces Just unproven throwaway pieces . . . In shiny . eat ***** . suited up . Chelsea boots Bidding for ***** with cute looks and loot Touting with confident ***** . . . As mobile as their smart devices Loose Next . . . ? And fresh from a mornings abuse And fifteen years of fear . . Beleaguered older shirts sit . . Flogged dogs with weak barks Parked packed into packs. Tongue tied ties tied together Safety is numbers Get each others backs These partially satisfied cats Know today is NOT their day . . That was yesterday . . . Obliging lives and mortgages The reasons why they stay Passing Cabs cruise . . . Seen it all before. Sat in the back a high class ***** Glazed eyes glancing away From her play-away payday Nibbles in the boardroom . . Napkins . . for the dribbles A working lunch for this Girl Her money-shot a wrap without applause Was just a . . . pause . . . between paws . . Then Dora on reception John, who minds the door Evie in the IT room Or dave . . who buffs the Marble Sparkles glinting in the floor . . And the guards . . who guard . . what exactly . . ? All of this . . ? Networking . . !!! Everybody's selling something It doesn't quite stink But it definitely smells A little high As time whiles by Seems this Is the state of our nation And in this state Defines our aspirations And yes . . this state's a splinter Taunting my imagination . . . Do I stake my place within this game Or sit in observation Commentating on a race Where human nature fakes it's place Where people sit as players Yet no one wears their own face
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Aug 9, 2013
Aug 9, 2013 at 12:20 PM UTC
Busy Little Bistro
Hi . . . This is about the kinds of people who work in corporate big money office buildings . . . Imagine them at lunchtime, how they interact and picture the scene in any . . . Busy little bistro Sharp - sharks - circle - the - pack Pinstripe finned and eager Snapping their snacks back with ease Points to prove with nothing to lose No cracks in their creases They're keen to return to the fray. These boys play with girls Aren't yet uncles with nieces Just unproven throwaway pieces . . . In shiny . eat ***** . suited up . Chelsea boots Bidding for ***** with cute looks and loot Touting with confident ***** . . . As mobile as their smart devices Loose Next . . . ? And fresh from a mornings abuse And fifteen years of fear . . Beleaguered older shirts sit . . Flogged dogs with weak barks Parked packed into packs. Tongue tied ties tied together Safety is numbers Get each others backs These partially satisfied cats Know today is NOT their day . . That was yesterday . . . Obliging lives and mortgages The reasons why they stay Passing Cabs cruise . . . Seen it all before. Sat in the back a high class ***** Glazed eyes glancing away From her play-away payday Nibbles in the boardroom . . Napkins . . for the dribbles A working lunch for this Girl Her money-shot a wrap without applause Was just a . . . pause . . . between paws . . Then Dora on reception John, who minds the door Evie in the IT room Or dave . . who buffs the Marble Sparkles glinting in the floor . . And the guards . . who guard . . what exactly . . ? All of this . . ? Networking . . !!! Everybody's selling something It doesn't quite stink But it definitely smells A little high As time whiles by Seems this Is the state of our nation And in this state Defines our aspirations And yes . . this state's a splinter Taunting my imagination . . . Do I stake my place within this game Or sit in observation Commentating on a race Where human nature fakes it's place Where people sit as players Yet no one wears their own face
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64
Indispensable thou art to mine skeleton's well being, O' Jane doth thou even knoweth thou art mine everything; promise do I Earl, mine pearl of the China divided briny; I seeith thee afar, yet thou art so close, into mine spirit thine ardor is shining. I'm high on thine ***** wilderness, I loveth thine wild untamed way's; thou art undomesticated, not caged, not the average "norm", thou art mine mate, mine consort, not just some woman- THOU ART WORTHY lass, not humankind's slave. O' the day, O' the day, is so much more beautiful, knowing thy loyalty is here to stayeth!!!! ©Brandon Nagley ©Lonesome poets poetry ©Earl Jane Nagley dedication- Filipino rose
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Nov 6, 2015
Nov 6, 2015 at 4:46 PM UTC
Throwaway le fir , Ark Naofa dom ( Throwaway to men, holy ark to me) old irish tongue
knitted on a dodgy bobble hat or a favourite chunky jumper from scandanavia, or yorkshire untasteful but definitely practical.. smelly and friendly like a wet dog pliable like warm playdoh... patulioi oil will always remind me of you... 'a hippy place in my heart...' like a beachnut, no, a beach hut shelves littered with the flotsam of our throwaway society, flip flop corner... 19:10 some random hermit crab making his escape from the dripping bundle of just found fishing net down through the crack in the floor... into the sand and back to the sea. the moths and midges gravitate towards the fossils and rock shelf because that's where the gaslamp gently hisses. suncracked and faded pieces of 70's buckets and spades flicker in the corner between the scraps of rope and the deflated inflatables and the bottlecap damian hurst next to sea purse corner, biological tendrils contrasting the ever stoic rubber ducks who escaped from the pacific gyre... panning around, the smartphone registers, the garish tatty windbreak and the 90's ghettoblaster which still has some juice left from those batteries we bought at the gift shop... last year... for our imaginary beach hut.... in the outer hebrides...? you take the camping gaz from the cupboard and put the kettle on... the beach is desert island white the sea azure like a gaudy 70's postcard the wind tugging relentless through our hair. but the pub is warm and friendly where grizzled fishermen philosophise hardily. by the fire. between warming shots of smokey single malt.
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Jul 6, 2015
Jul 6, 2015 at 6:47 PM UTC
all right love
knitted on a dodgy bobble hat or a favourite chunky jumper from scandanavia, or yorkshire untasteful but definitely practical.. smelly and friendly like a wet dog pliable like warm playdoh... patulioi oil will always remind me of you... 'a hippy place in my heart...' like a beachnut, no, a beach hut shelves littered with the flotsam of our throwaway society, flip flop corner... 19:10 some random hermit crab making his escape from the dripping bundle of just found fishing net down through the crack in the floor... into the sand and back to the sea. the moths and midges gravitate towards the fossils and rock shelf because that's where the gaslamp gently hisses. suncracked and faded pieces of 70's buckets and spades flicker in the corner between the scraps of rope and the deflated inflatables and the bottlecap damian hurst next to sea purse corner, biological tendrils contrasting the ever stoic rubber ducks who escaped from the pacific gyre... panning around, the smartphone registers, the garish tatty windbreak and the 90's ghettoblaster which still has some juice left from those batteries we bought at the gift shop... last year... for our imaginary beach hut.... in the outer hebrides...? you take the camping gaz from the cupboard and put the kettle on... the beach is desert island white the sea azure like a gaudy 70's postcard the wind tugging relentless through our hair. but the pub is warm and friendly where grizzled fishermen philosophise hardily. by the fire. between warming shots of smokey single malt.
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47
0:00 I fly through the front doors racing upstairs like hunted prey praying she didn't see me 1:00 I tear open the make remover and feverishly rip off the overpowering jet black eyeliner 2:00 I steal a glance in the bedroom mirror and throw on a hoodie over my black shirt quickly swapping out the black pants for jeans in a crude attempt to look normal 3:00 I hear her steps ringing off the stairs as my heart beats sounding together like a drum kit I pull off my spiked black bracelets and trinkets hands shaking palms sweating as I hide them away 4:00 I feel the door opening before it does and hope i covered up the look, the spikes hidden the eyeliner gone i glance in the mirror and see a pale empty girl looking back terrified of being caught 5:00 she asks how my day was while casually looking around the room her ever seeing eyes falling on my undoing my small black spiked gothic bracelet hanging off the desk sticking out like a sore thumb 6:00 she asks what it is and looks at me questioningly talking about how she deposes the style hates the look as I fumble for an excuse of the unusual possession 7:00 I lie, its easy now i do it all the time. But this was different. I tell her that its a stupid birthday gift a throwaway I keep because friends like to see me wear what they bought but as I utter the words I feel like Im stabbing my soul twisting a knife calling a part of my identity garbage telling myself that part of myself is simply a throw away and despite the fact that I use a fake knife The sting still feels real because I know that part of what I say is true
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Feb 16, 2015
Feb 16, 2015 at 2:10 AM UTC
7 Minutes That Stabbed My Soul
0:00 I fly through the front doors racing upstairs like hunted prey praying she didn't see me 1:00 I tear open the make remover and feverishly rip off the overpowering jet black eyeliner 2:00 I steal a glance in the bedroom mirror and throw on a hoodie over my black shirt quickly swapping out the black pants for jeans in a crude attempt to look normal 3:00 I hear her steps ringing off the stairs as my heart beats sounding together like a drum kit I pull off my spiked black bracelets and trinkets hands shaking palms sweating as I hide them away 4:00 I feel the door opening before it does and hope i covered up the look, the spikes hidden the eyeliner gone i glance in the mirror and see a pale empty girl looking back terrified of being caught 5:00 she asks how my day was while casually looking around the room her ever seeing eyes falling on my undoing my small black spiked gothic bracelet hanging off the desk sticking out like a sore thumb 6:00 she asks what it is and looks at me questioningly talking about how she deposes the style hates the look as I fumble for an excuse of the unusual possession 7:00 I lie, its easy now i do it all the time. But this was different. I tell her that its a stupid birthday gift a throwaway I keep because friends like to see me wear what they bought but as I utter the words I feel like Im stabbing my soul twisting a knife calling a part of my identity garbage telling myself that part of myself is simply a throw away and despite the fact that I use a fake knife The sting still feels real because I know that part of what I say is true
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55
Take Me, Find a use for me. It doesn't matter. All I want Is to be looked on With value. To be given reason And Purpose. Make me your shovel, Make me dig for you. Make me your sword, Make me **** for you. Make me your shield, Make me guard you. As your bullet, I'd pierce for you. As your grenade, I'd expel myself for you. If you need sustenance, Consume me as would. My body doesn't matter, I am expendable, I am disposable. I, the throwaway.
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Jan 24, 2011
Jan 24, 2011 at 12:29 PM UTC
I, The Throwaway
It's the reality you're sipping when you should be gripping the unknown the universal telephone the wind me up and go home toy they employ the nights staring out a window into the void that's not choice it's called life and if you don't like it leave it but where to go who would know anyway where would you go what would you say where to stay a needle in the hay and they'd never look one second of one day because the **** they give is all one way there's no round trip tickets at this station it's the amalgamation of frustration and surrender there's no tender way to say this but the dream you bought a ticket to was overbooked you overlooked the irony of this till now standing with your hand out acid rain melting the matinee away your dismay is your parting gift the only lift you're getting is the one that will promptly drop you further away from where you wanted to be so you see forget the thumb just turn the other way and walk till the lights make lemonade with the sun leave the myth of fun for the young and find a ladder to another world cause this one's dying the airplanes stopped flying the birds are dinosaurs in a plastic museum a cosmic trash can in a rest stop in space the stars know more about you than you were ever shown it's written in the ... well, you know
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Jun 23, 2013
Jun 23, 2013 at 8:04 PM UTC
Throwaway Day?
Hi. You might not know me But for real I don't even blame you I gave up long ago on sharing who I was while hiding who I am Hi. I seem a stranger good and bad and all the in-between It wasn't so pretty or easy, or real, or "fine" but I am OK now. Hi. I was an addict. drugs of choice? Elusive approval Associated shame Stolen identity Yes, I was just a fraud. Hi. Here I am broken. you scold me and then I lose myself a scapegoat to be razed to be a throwaway But I raised my self up. Hi. I’m a mosaic Living art I'm pieces of past lives And though I was scattered I am collected now I made this this beauty Hi.
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Oct 27, 2016
Oct 27, 2016 at 10:34 PM UTC
Hi
When did sorry become throwaway? When did remorse become a game to play? When did I become an adult? When did I lock myself in a vault? When did life become so serious? When did life become so meaningless? When did you and I last cry? When did we both ask why? When did we re-evaluate our pain? When did we measure our gain? When did you and I remain, Together,  forever, in emotion and shame?
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Apr 14, 2014
Apr 14, 2014 at 3:45 PM UTC
When
Endless steps to shifting rhythms in a haze of noise and palpable judgement. Apologies tend not to resonate when the damage is done and the horse gets Higher, stomping to the beat of a privileged heart. You learn quickly, and with a heavy sense of defeat, that you can never do Enough. Expectations climb with a pace unmatched by any effort imaginable as It's prearranged. The waltz was always going to play out like this because you put on the grafter's Shoes; paid for with the gritty coin you caught in your teeth. Hidden among the crowds and the polished leather, there lives another breed with A human face. One not twisted and distorted by throwaway reproach. It takes a surprising level of regard to pick them out as they often don the same Paint as the revilers.   However, these are the gems that can cut through thick skin, penetrating the Mortar, to find flesh. They pulse with you and quiet the frayed edges. They are your rhythm and your reason for perseverance. They see to it that your resentment doesn't have time to settle in your bones. They are much too few and far between.
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Mar 7, 2015
Mar 7, 2015 at 6:05 PM UTC
Was everything okay for you today?
quietly please don't look at me fill me with immense anxiety i'm not here i'm not real intensely numb cannot feel unimportant to you and your day please don't acknowledge me, stay away the background - let me become it's all i really want when the day is done fade away, throwaway is all i'll ever be i'm impossibly unimportant insignificantly me
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Oct 20, 2014
Oct 20, 2014 at 6:13 PM UTC
I (am lowercase)
Old soul connects to foreign body, moving beautiful and dutiful nutrients from point a to point b; in this human body cell sits centuries of shaking table ornaments and a quivering sense of gratitude as orange meets purple meets blue. Good morning lovely! You are the sun beaming magnificent. You have a gift that you must keep secret until it whispers its way through you. You will sooner than later break in two and create a path of solar systems. I have the energy of an uncrushed coffee bean singing praises to its mother. Oh, thank you dear giver! For I see the light reverberating out of my wrist bones and showing the silence which accoutrement best fits. I am wearing me in the latest fall fashion, how nice! I am vibrating toothpick nonsense, I am sweet potato princess, hinged on old selifes taken in bad lighting. Old cells in a new body, flimsy and throwaway. How do you balance? Can I be four, five, and a billion twenty three? I am a built-up web of contradictions flirting each other into oblivion. Lips hinge on every last smoked cigarette, ******* cancer down; beautiful, dutiful disease having its way slowly but surely with the universe. Did you ask first? She is a magnificent mistress who deserves at least the tenderness of a question. You can do better, darling, than a flicked eyebrow upwards and the rolling thoughts of "Me, me, me," on repeat in endless sequence. Can't you see the patterns, the exquisite dance between embroidery and thin willow wisps of thread? Each one of you is countless stitch marks, beautiful patchwork crescents calling out "Who is your maker?" from the quilted cosmos. I will catch my breath from its endless throwing, and I will sell my soul to a constant want for knowing.
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Nov 8, 2014
Nov 8, 2014 at 1:48 PM UTC
duty/beauty
Old soul connects to foreign body, moving beautiful and dutiful nutrients from point a to point b; in this human body cell sits centuries of shaking table ornaments and a quivering sense of gratitude as orange meets purple meets blue. Good morning lovely! You are the sun beaming magnificent. You have a gift that you must keep secret until it whispers its way through you. You will sooner than later break in two and create a path of solar systems. I have the energy of an uncrushed coffee bean singing praises to its mother. Oh, thank you dear giver! For I see the light reverberating out of my wrist bones and showing the silence which accoutrement best fits. I am wearing me in the latest fall fashion, how nice! I am vibrating toothpick nonsense, I am sweet potato princess, hinged on old selifes taken in bad lighting. Old cells in a new body, flimsy and throwaway. How do you balance? Can I be four, five, and a billion twenty three? I am a built-up web of contradictions flirting each other into oblivion. Lips hinge on every last smoked cigarette, ******* cancer down; beautiful, dutiful disease having its way slowly but surely with the universe. Did you ask first? She is a magnificent mistress who deserves at least the tenderness of a question. You can do better, darling, than a flicked eyebrow upwards and the rolling thoughts of "Me, me, me," on repeat in endless sequence. Can't you see the patterns, the exquisite dance between embroidery and thin willow wisps of thread? Each one of you is countless stitch marks, beautiful patchwork crescents calling out "Who is your maker?" from the quilted cosmos. I will catch my breath from its endless throwing, and I will sell my soul to a constant want for knowing.
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60
Sat in the doorway, a throwaway man with a cigarette and beer can and a hangdog look on his face. In this city of wealth,poverty takes some by stealth, those who are healthy and fit often don't give a shit,it's not them in the doorway,they cannot see themselves brought down so low, but go down to Mayfair or Stepney or Bow,there's a tidal flow of the throwaway men,who have nowhere to stay and if they do, then, there is no job for them,no way to earn and the cigarette burns,the beer can is crushed, a bit like the throwaways beaten and rushed to an end. The end is an end by no means, to the hungry and needy who watch as the well fed and greedy go by,who sigh through the day in a throwaway kind of a throwaway way, but it's what people expect from the 'workshy' and worthless,the cesspit of the city, and life does not pity them,nor do the throwaway men really care, sitting there in the doorway where there seems no way to escape.
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Nov 1, 2013
Nov 1, 2013 at 4:11 AM UTC
'The greatest show on Earth'
weary soul worn down like sneakers that have walked the line far too long the line far to thin to make a difference no delineation, no real sides to be taken just a staging area between the black  and grey of a half life lived in half shadow with the promise of an hours sunshine each day... weary soul wandering  along to the end of this line that peters out in a morse code message of mental and physical decline a repatriation of lost time a moments deviation defined by years spent waiting for a chance to rewind, declined by a judgemental man, signing on the dotted line weary, wearied soul worn out and now just a faded memory blown, dust to the wind as the coffin winds down. lines now terminated ultimately, forever, segregated from the life within and on the topside, a mourners line thin and tired throw soil upon the lid weary souls crying for justice but reaping sorrow fearing for the break of morrow marrow jelly and breaking bones wend their way, back to broken homes to sit on couches filled with dust to watch television that peddle lust and throwaway goods for throwaway lives no call for effort, no need to strive, just be a drone! live for the hive! groan and moan, give graft on loan have your muttered say, about the state of play whilst, living lives, the deepest shade of grey growing weary and more wearied evey day waiting for the great big sleep wading through beaucoup de petites morts drowning in une petite vie jamais las, éternellement usé porter des clowns espadrilles et un froncement de sourcils *forever weary, eternally worn down wearing clowns  sneakers and a frown*
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Jun 7, 2016
Jun 7, 2016 at 3:40 AM UTC
wornout shoes and wearied blues
weary soul worn down like sneakers that have walked the line far too long the line far to thin to make a difference no delineation, no real sides to be taken just a staging area between the black  and grey of a half life lived in half shadow with the promise of an hours sunshine each day... weary soul wandering  along to the end of this line that peters out in a morse code message of mental and physical decline a repatriation of lost time a moments deviation defined by years spent waiting for a chance to rewind, declined by a judgemental man, signing on the dotted line weary, wearied soul worn out and now just a faded memory blown, dust to the wind as the coffin winds down. lines now terminated ultimately, forever, segregated from the life within and on the topside, a mourners line thin and tired throw soil upon the lid weary souls crying for justice but reaping sorrow fearing for the break of morrow marrow jelly and breaking bones wend their way, back to broken homes to sit on couches filled with dust to watch television that peddle lust and throwaway goods for throwaway lives no call for effort, no need to strive, just be a drone! live for the hive! groan and moan, give graft on loan have your muttered say, about the state of play whilst, living lives, the deepest shade of grey growing weary and more wearied evey day waiting for the great big sleep wading through beaucoup de petites morts drowning in une petite vie jamais las, éternellement usé porter des clowns espadrilles et un froncement de sourcils *forever weary, eternally worn down wearing clowns  sneakers and a frown*
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68
One foot in front of the NOT so other...why bother with me I'm just a throwaway...his whispers won't allow me to be free... This time around I lost my footing, my pudding, my busy little bee... All around this mulberry bush the dragon chases his shadow. And I know that you know what happens when the shadow is caught... That night under the bright moonlight you stood war and fought... That dragon whispered, reminded me of my captivity and I am you and you are me...Nothing but the still charred smell of the all American dream.
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Nov 26, 2012
Nov 26, 2012 at 9:22 PM UTC
My mulberry bush
Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me: just maybe for little Tom; he’s been crying you know, mommy; he’s been crying and we’ll get him a few biscuits and a toy or two for it’s been a week we got him anything Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me: just for busy Daddy; he’s not shaved in a week if you’ve noticed; we need to get him those throwaway blades and those nice-smelling water in a bottle he puts on his face; he’s too busy and he’s just not been looking smart the past week Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me; just for you I’ve got three coins saved my sweet mummy who’s always thinking of all of us; maybe a coffee and cake for you while little Tom and I play in the children’s corner; and maybe some shampoo too and lipstick, just for you all with the three coins I’ve got in my pink purse Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me; but sweet mummy that you are you always think of me and if you insist well, like you might say: “But darling, we haven’t got anything for you” – well, if you insist, I’ve made a list I’ve got it in my pink purse along with the three coins I’ve saved just for you So let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things
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Oct 2, 2010
Oct 2, 2010 at 2:51 AM UTC
let's go mummy
Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me: just maybe for little Tom; he’s been crying you know, mommy; he’s been crying and we’ll get him a few biscuits and a toy or two for it’s been a week we got him anything Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me: just for busy Daddy; he’s not shaved in a week if you’ve noticed; we need to get him those throwaway blades and those nice-smelling water in a bottle he puts on his face; he’s too busy and he’s just not been looking smart the past week Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me; just for you I’ve got three coins saved my sweet mummy who’s always thinking of all of us; maybe a coffee and cake for you while little Tom and I play in the children’s corner; and maybe some shampoo too and lipstick, just for you all with the three coins I’ve got in my pink purse Let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things Nothing for me, honest not a thing for me; but sweet mummy that you are you always think of me and if you insist well, like you might say: “But darling, we haven’t got anything for you” – well, if you insist, I’ve made a list I’ve got it in my pink purse along with the three coins I’ve saved just for you So let’s go mummy, let’s mummy; let’s to the shops - we need to get a few good things
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67
I threw away a love because it was one sided; she was not the girl for me because I have decided. She was just a dear friend not the love I wanted; but we grew too close together and her pleasant body taunted. I threw away a love like tissue I've discarded; she was too possessive I left her broken-hearted. She was like a clinging vine when I escaped her clutch; I didn't miss her then and now, too, not much. I threw away a love it was a one-way street; she was just a friend I happened to just meet.
0
Aug 8, 2018
Aug 8, 2018 at 6:01 PM UTC
Love's throwaway.
I want my heart to feel like the great Salt Lakes, reaching towards each other, constantly suspended in the moment just before contact. I want to build this anticipation, but my patience is shorter than your last haircut, when we sat by the river to discuss model trains. I want my mind to feel like a hummingbird when it finally lands to rest on the red plastic device filled with sugar water outside my mother’s kitchen window, but I’m quite a ways from home now and have been for a while. I want my stomach to feel like the tree roots, the red oaks, the ones that dwarf me and that I know would let me get my favorite kind of lost in their home, the kind we planned on visiting after graduation, but I am usually stuck in maple sap. I want my mouth to taste like strawberries, ripened scarlet in the sun, the kind my tall friend’s mother mashes up with sour rhubarb for the perfect jam to last us through winter, but more often than not, my teeth are coffee-stained and my tongue tends to be too sharp for delicate berries. I want my skin to feel like satin ribbons, the kind that tie little girl sashes before holy events and parties where they dance on their father’s toes for the first time, and find it perfectly marvelous, but I am covered in scratches and marks from building enormities. I am a patchwork from the most meaningless scraps. I was a junkyard doll with mismatch buttons eyes and melted cardboard shoes. My head is a garbage heap left out too long, my eyes are scooping all of it up, and my dress is made of someone else’s throwaway linen. My aluminum can hands stretch out for anyone’s how-town while I think of shoestring revues and paper mache.
0
Jul 10, 2014
Jul 10, 2014 at 11:52 PM UTC
Don't Worry (Post-Op)
I want my heart to feel like the great Salt Lakes, reaching towards each other, constantly suspended in the moment just before contact. I want to build this anticipation, but my patience is shorter than your last haircut, when we sat by the river to discuss model trains. I want my mind to feel like a hummingbird when it finally lands to rest on the red plastic device filled with sugar water outside my mother’s kitchen window, but I’m quite a ways from home now and have been for a while. I want my stomach to feel like the tree roots, the red oaks, the ones that dwarf me and that I know would let me get my favorite kind of lost in their home, the kind we planned on visiting after graduation, but I am usually stuck in maple sap. I want my mouth to taste like strawberries, ripened scarlet in the sun, the kind my tall friend’s mother mashes up with sour rhubarb for the perfect jam to last us through winter, but more often than not, my teeth are coffee-stained and my tongue tends to be too sharp for delicate berries. I want my skin to feel like satin ribbons, the kind that tie little girl sashes before holy events and parties where they dance on their father’s toes for the first time, and find it perfectly marvelous, but I am covered in scratches and marks from building enormities. I am a patchwork from the most meaningless scraps. I was a junkyard doll with mismatch buttons eyes and melted cardboard shoes. My head is a garbage heap left out too long, my eyes are scooping all of it up, and my dress is made of someone else’s throwaway linen. My aluminum can hands stretch out for anyone’s how-town while I think of shoestring revues and paper mache.
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6
A throwaway. Not for posterity. Not for unborn archaeologists To extract caked with mud. Not to be hidden from the sun Under a millennia of detritus. Just for now. Just for this bit of time When nobody needs you immediately, And nobody expects you to deliver, And nobody is depending on you. Just for these moments. Just to share a bit of your space-time While the sun finds a gap in the branches And drives the chill from the room. While the office has emptied for lunch And a breath can be taken in peace. While the hum of the bus/train/plane Has lulled your fellow travellers to sleep. Just to see some words gathered Purely for their affinity to one another. Just for the love of pictures Painted in your head alone. For when just one more read through Is purely for the pleasure Of sitting awash in an idea. Throwaway. A handful of words. Just for you.
0
Oct 27, 2015
Oct 27, 2015 at 3:44 PM UTC
Throwaway